English Books

This book is an historical fiction readers dream, set in England just prior to the restoration period and during it. Julia Pallister lives with her feisty grandmother, a former lady-in-waiting to Queen Elizabeth I, and her mother Anne, a gentle mild mannered woman who lives only for the day when her husband returns home from exile with Prince Charles. Their home has been saved from sequestration by the Parliamentarians by the old love affair between Julia's grandmother and the neighbouring landowner, a Cromwell supporter, but, upon his death, the order is revoked and their home is taken over by a tyrannical Parliamentarian, Makepeace Walker who was one of the signators of the death warrant of CharlesI. After Julia's father is shot and killed by the Roundheads, Makepeace forces Anne into marriage by threatening to put the entire household out on the street. The story continues and takes in the Great Plague of 1665 and the Great Fire of London in 1666, Julia's youthful adoration of childhood friend, Christopher Wren and her eventual happy marriage to the grandson of her grandmother's old lover. I loved this book which was similar in time and setting to the great Forever Amber.

I believe this book was more romantic fiction than historical fiction however the novel itself was still enjoyable. The characters were vividly described but I would still like to know how things would have worked between Christiopher and Julia besides the perspective given by Katherine in the novel. How would the whole plot change? I would like to see companion book written. If you're a big fan of historical romance, this is a must.

"Rosalind Laker" is my great aunt and I have read many of her books. Of all of them this has to be the best of them all!

The story begins with Julia, youngest child of Royalists Robert and Anne Pallister, and her older brother Michael as they live in the constant fear of their estate being taken from them by Cromwell's Parliamentarians, as England's civil war rages around them. Michael and Robert both join Charles II's cause and subsequent tragedies strike the family leaving Robert's widow Anne to make a drastic choice to avoid loosing her family home forever to a Cromwell supporter. As Julia matures, the story follows her life and marriage as Charles II returns to rule England and on through the plague and great fire of London.

Unfortunately, what should have been a ripping good story just falls a bit flat to this reader. The author spends way too much time on Julia's childhood experiences, I would have preferred to have the background told in flashbacks and have the story start off as Julia reaches maturity (note to self - never ever complain about an author's backtracking to past history after getting the story going), we didn't see Julia wed and in London as Charles is crowned King until well after the first half of the book. I also would have preferred to have Julia and Adam more involved in Charles' court and its intrigues instead of being side line players in the action. Lastly, as much as I enjoy an author setting the scene and describing the clothes, furnishings, etc. so that I have a good sense of time and place, Laker goes way over the top describing everything in too minute of a detail and I found myself skimming quite a bit through those lengthy descriptions.

All in all, a pleasantly entertaining book to read if you are interested in the period or a fan of the author, but certainly not the best to be read in this period and most definitely doesn't come close to the standard set by Kathleen Winsor's awesome Forever Amber. Three stars.

This was the first Laker book I read and, I have to say, it is amazing! The details about the house, the era, the dress, everything is just superb. After reading this I was really into furniture with hidden compartments and, of course, reading more Rosalind Laker novels. Her books will never go out of style!

A number of reviewers of this book have compared Benson's ghost stories to Montague Rhodes James - justifiably, since they were probably the two greatest Victorian authors of supernatural short stories after Sheridan LeFanu and Algernon Blackwood. But there are also differences, some subtle and some less so. For instance, James's stories, drawing heavily from his own experience, frequently have a whiff of the ecclesiastical or academic about them, while Benson's tend to center on a middle-class, often somewhat smug Englishman going about his daily routine with no greater concerns than what to have for dinner and what seaside resort to spend the summer in. James's supernatural creatures are almost always malignant and frequently solid, as in "Canon Alberic's Scrapbook" or "Mr. Poynter's Diary", while Benson's, while they can be heard, felt and occasionally smelt, tend to be more traditionally misty and sometimes more anguished than malevolent. As the useful introduction by Richard Dalby points out, the trademarks of Benson's stories (overbearing fathers, malice-filled women, men whose closest friendships seem to be with other men and for whom love of the opposite sex has disastrous consequences) tell us a great deal about him as a person, whereas about all one gets about James from his stories is that he had a great love of ancient manuscripts, was religious and was a profound scholar.

Another difference is that while James occasionally shows a bit of dry irony, Benson more clearly has a sense of humor. As other reviewers mentioned, he frequently inserts psychic interludes dealing with mediums, seances, and somewhat exasperated spirits, but he also points out that the mediums and seances depend on fraudulent tricks (especially in "Mr. Tilly's Seance," where the disembodied spirit itself gets irritated at the medium's chicanery). His attitude seems to be that mediums and spiritualists are less to blame than those who swallow their bait - if you want to believe that Aunt Martha has nothing better to do with her afterlife than answer your impertinent questions, he seems to say, don't ask me for sympathy! In stories like "Spinach," he betrays a clear affection for the likable young sibling mediums, even if they are clearly at least partly frauds. And in one of the book's most hair-raising stories, "How Fear Departed from the Long Gallery," centering on an ancient murder that will make any parent's skin crawl, he argues that the attitude of the other-worldly apparition may depend on how you approach it, not the other way around.

Having said that, the one thing James and Benson have in common that separates them from lesser hack writers is that in both cases, the persons who tell the story are likely to be pottering along in their daily lives, totally oblivious to signs of trouble, when something sudden and terrible comes out of the darkness and either almost overwhelms them and carries them off, or actually does so, never more terribly than in "The Face." For those whose acquaintance with Benson may be restricted to "Mrs. Amworth" and "The Man Who Went Too Far," both frequently reprinted in anthologies, this book will open up a whole new, and somewhat frightening, world.

Benson was a good friend of classic ghost-story writer M.R. James, and was among those present that Christmas Eve when James read aloud his first ghost stories.

Benson didn't have the genius or the highly literate background of James, but he did know how to write a good ghost tale, and he did just that. His stories, as has been mentioned elsewhere, deal largely with a man or two men going on holiday and finding horror instead. Women often get the worst of it in his stories, either being innocent victims or horrifyingly evil antagonists; it doesn't often happen that a woman in one of his stories is a regular person who helps to solve whatever mystery is entangling the characters.

One classic in the misogynist vein is "The Room in the Tower", in which a young man experiences a recurring nightmare of visiting a school friend, whose frightening mother always speaks the same words: "Jack will show you to your room; I've given you the room in the tower." Our protagonist knows that he must, at all costs, avoid that room, but he always awakes before the evil inside can overcome him.

"The Step" is one of the finest ghost stories ever written, about a heartless English businessman in Egypt who begins to hear someone following him down the street, at night... and what happens when he confronts his pursuer.

For those who, like me, love the ghost stories of the Victorian and Edwardian era, this is a must.

E.F. Benson, perhaps best known for his amusing 'Mapp & Lucia' comedy-of-manners stories also wrote a respectable body of ghost stories which are gathered together in this excellent omnibus anthology. All make for quality reading as examples of the English supernatural genre but a few stand out as darkly-luminous masterpieces, unforgettable in their haunting hold upon the reader and written with real verve. 'The Room In The Tower' is an undeniably chilling narrative of vampirism featuring a truly terrifying female revenant - the words spoken recurrently by Mrs Stone to the protaganist: "Jack will show you to your room: i have given you the room in the tower" are enough to instil a frisson of pervasive dread every time one reads this story. 'The Sanctuary' is a delectably macabre tale of damned souls and secret diabolism at an English country house complete with a hidden Satanic chapel for nocturnal celebrations of Le Messe Noir. 'The Man Who Went Too Far' unfolds by awful degrees the seductive but injudicious immersion of an artist in the deeps of nature mysticism which can only culminate in the most hideous revelation of truth and the sign of the cloven hoof - it is marvellously written, exquisite prose and descriptive passages and has a most beguiling undercurrent. 'The Cat' likewise is utterly engrossing and 'Mrs Amworth' stands as a unusual classsic of the vampire tale. But these are just a few of the delights this packed volume offers to the curious reader, there are many other marvellous tales to cause one to look over one's shoulder as the clock strikes twelve and a sighing midnight wind scrapes the twigs of an overhanging bough against the window. Quintessentially English, wrought with a delicious lightness of touch and a hint of a stylish insouciance but nevertheless conveying a genuinely disturbing charge of the uncanny these tales will be read again and again. E.F.Benson's contribution to the field of supernatural terror is of a very high standard. This anthology is well-worth obtaining.

I have been soaking up horror anthologies like a sponge for well over two years now. I would have thought I would tire of them, but I just can't get enough of the atmosphere and the gloom these types of tales relate.

My current favorite is this dense book compiling the supernatural tales of E.F. Benson. At the moment I am only about of a third of the way through. Perhaps I should wait until I finish, but judging by the variety of stories here, I feel safe to say that I highly recommend this hefty volume.

Many may find some of these tales a little dated, for science may have disspelled a few of the subjects covered. But for the most part these are timeless tales, rich in description, drenched in dark moods and never failing to surprise with the seemingly endless ways Benson appears to construct a solid ghost story cleverly and elegantly.

I'm not given to superlatives, but I find it hard to express anything to say about this book where superlatives or comarisons to the greatest writers of this genre without seeming trite. There ARE a few contemporary authors of the Victorian-Edwardian Era, which the Benson Brothers bridged, who have a story or even several better than many in this collection, but just mentioning these names says more about how great E.F Benson is- I'm talking about J.S Le Fanu, M.R James, Villiers D'Isle Adam and in the modern era, the list is even more impressive: Flannery O'Conner, Thomas Liggoti, Clive Barker, Issac Bashevis Singer and Peter Straub(who has quietly taken over the crown as America's Horror Short Story king with two masterpieces "Houses Without Doors", "Magic Terror" and several novellas masquerading as novels). I urge you to read E.F Benson's Book of Ghost Tales, then demand that some publisher do a public serviced and re-publish Benson's two nearly(?)as talented brothers R.H and A.C Benson who, from the few tales I've read in anthologies and old magazines may well be as good or,dare I say it?...even better.

COMPELLING CONVERSATIONS fills a real niche in which I have been teaching for some years now. It suits the needs of advanced-level ESL students and clients as well as native speakers of English who need to improve their communication skills. The book's questions and quotations are just as useful for writing exercises as they are for speaking exercises.

I have found the material in the book to be very accessible to highly accomplished adults without insulting their intelligence. The questions are much more thought-provoking than the ones generally found in standard ESL textbooks. Concrete thinkers can enjoy all the detail while abstract thinkers can go off on tangents inspired by the proverbs and quotations.

The format of COMPELLING CONVERSATIONS is very flexible and readable. The three- and four-page chapters are easily broken down into parts, which can be a godsend when filler material is needed for intensive ESL classes. I am already a big fan of this book, and expect to become an even bigger one the more I use it.

anyone can run out of ideas when teaching students from a non-English background... this will help you get right back in to reach out where you were loosing touch..

In my experience, adult learners tend to be wary of spending any more of their precious time on grammar lessons. Instead they want a chance to use what they already know to express themselves, and to learn more about other cultures. "Compelling Conversations: Questions & Quotations on Timeless Topics" provides just such opportunities, in an engaging and teacher-friendly format. The 45 chapters are arranged by topic to address universally relevant themes such as "Your Life" and "Modern Times". Each chapter takes a semi-structured approach by providing open-ended questions, targeted vocabulary, proverbs, and quotations. There are no rigid lesson plans here, only springboards to lively personal and inter-cultural exchange. From my own background in classrooms on three continents I can say that this rich collection of material would be an ideal addition to the toolkit of any teacher still inspired by the notion of free speech.

Super duper!! The quotes are outstanding: well-chosen & thought-provoking. The questions really do help my students get the ball rolling . . . to have compelling conversations of their own. Truly one of the most useful resources I have ever come across. Now, if I could only get my administrator to pony up for a set of 25 copies!

I first tried this fantastic textbook with a high intermediate student that I tutor. I was amazed from the start at how naturally the conversation flowed. We were only halfway through the first set of questions when she decided to buy her own copy. Each of the 45 chapters includes a vocabulary section and list of around 12 to 15 classic quotations, along with between thirty and forty questions. The chapters can be used in any order, but I recommend starting with chapter one as it orients the students to the textbook and shows them how to get the most out of subsequent chapters. Either in the classroom or one on one, it's accessible to intermediate students and challenges advanced students. The quotations, from Socrates to Shaw and from Picasso to Pete Rose, are all identified by name, when they lived, and what they did. This book is truly a treasure.

Daughter's is about a Gullah family, the Peazants, and neighbors on the barrier island on the Georgia & South Carolina coast. The primary characters are Eli Peazant, Eula Peazant, Elizabeth Ayodele Peazant, Cousin Amelia, and a host of eclectic characters.

The story is primarily coming from the prospective of the oldest daughter and first child of Eula and Eli, Lil Bet(Elizabeth).

The Gullahs/Geechees are unique AA communities. During slavery, they were distributed on all the barriers islands, which are isolated from the mainland. There were numerous Africans from various nations and ethnic groups from West and Central Africa.

The whites abandoned the islands because the mosquitoes were making a feast of them and malaria was kickin' their butts. So they left overseers and managers to work the Africans(property), beat the Africans, and pretty much whatever they wanted as long as it was profitable and insured their wealth. As a result Africans were able to maintain much of the their culture, unlike the mainland Africans, who were exposed to white society and live in close and intimate proximity to them.

Amelia is the grand daughter of Haagar and the daughter of Myown. Her mama and grandmama left the island some years ago, and Amelia doesn't know too much about them. Before she ventures there as an adult she has a very negative perception of them. She has an opportunity to go the island and research for her dissertation. This is an opportunity to become acquainted with her family who still abide by many of the old African ways and traditions. She was completely out of touch with her heritage

The backdrop of the story is Ibo Landing. Ibo Landing is AA folk tale of how the Ibos(Southeast Nigeria - Bight of Biafra) formed a ring(ring shout) and called down the Great Spirit and flew/or walk back to Africa after getting a brutal beating from the overseer. Another variation is that they drown themselves after a brutal beating for not working fast enough or doing it wrong. A cat-o-nine tail(whip) was one of the whites' favorite torture tools for Africans.

I highly recommend this book. It is a pleasant read and takes your mind to another world.

Question of the Day?

What is your basket name or nickname, and do you know why you were given it? Elizabeth's is Lil Bet. During slavery parents weren't allowed to give their children names. Your child wasn't yours. It could sold off at will or the parent(s) could be sold away. The slave master assigned names. So the family gave their children secret names to be used for the family and close family friends(like family). This tradition still continues throughout Africa America. However, most of us don't know why we have the nicknames or how it came to be. It is just something we do. I don't believe too many have thought why. What is your

I arrived late to this book. It is more than ten years old and I feel as if I just missed a friend who had waited for me as long as they could, but had to leave. I've always been curious about the surviving tribes of Afrika (I chose to spell it that way)that live off the coast of South Carolina. I've often wondered what sets them apart from the rest of us. What made them so different? Now, I know. The book was fascinating. The story was beautifully written and I was entertained as well as educated. I loved the "old" ceremonies and the "lies" (which I believe)that actually gives Afrikan people living in this country a look into their history. Our people have always had strong belief systems and these have survived. They are alive and well today. I would encourage anyone that has read this book to follow up with other books that will let us see the history of our people without judgement and the ability to live and survive independently of outside factions. A triumphant and informative work of literature.

Wow...the "Geechees". I'll be seeing you soon.

Daughters of the Dust is a very moving, mystical journey full of haunting imagery and simple pleasures. It is the story of Amelia, an anthropology student, who has to decided to study the people of Dawtah Island as her thesis. Dawtah Island has been a mystery to her for as long as she can remember. Her mother and grandmother were born on the island. Her grandmother seems to despise everything about the island especially the people and their ignorant and backwards customs. In direct contrast her mother's fondest memories are of her life on the island, she remembers being truly happy there. Amelia has only visited the island once and was in awe of the simplicity of life there.

It is decided that Amelia will live with Eula and Eli, her aunt and uncle, while she studies the culture and customs of the island. Initially she finds the residents of the island reluctant to talk to her. They consider her an outsider and fear she will not understand them. As the islanders become more familiar with Ameila they begin to open up and share their stories with her. Through their stories she realizes their culture is rich in customs; they live in harmony with the animals and elements. They live a simple life but they control their own destiny and revel in life's simple pleasures. Their stories also tell of the joys of love and heartaches of lost or unrequited loves.

Reserve a couple weeks to read this one, it's a "ponderers" delight.

Daughters of the Dust is set on the Sea Island. The story follows the lives of the Peazants. In one sense, it is historical fiction in that the plot refers to the slave trade in explaining how the residents arrived on the island. The author also interspersed some of the history of the Africans and Native Americans in explaining the characters. Finally, she also uses the oral tradition of Africans to further allow the reader to see into the heritage of the characters.

Amelia grew up with her father, mother and maternal grandmother. The dynamics of the household are disturbing to Amelia. Her grandmother, Hagar, is bitter and runs the household with an iron fist. Her father spends much of his time at the family business. Both her grandmother and father tend to verbally abuse or ignore her mother who just seems to suffer through it all. Amelia is the only bright spot in her mother's days. Amelia vaguely remembers trips to the "island" and her mother's family. She has a lot of curiosity about this facet of her family. Neither her father or grandmother has anything nice to say about the island but her mother seems to long for the island. Amelia decides to go to the island to "study" her family with her mother's blessing and against her father & grandmother's wishes.

On the island, Elizabeth befriends Amelia. Elizabeth is the one who has ventured away from the island and furthered her education. She routinely works for two older white women on the "mainland" as well as teaching on the island. Elizabeth is Amelia's guide to not only life on the island but their family's history. Elizabeth, like Amelia, must chose between staying with family or following her dreams.

The supporting characters in Daughters of the Dust are colorful and endearing to say the least. There are children, teenagers, elders, newlyweds, hopes & dreams realized and lost in the lives of the supporting characters: they each have a tale to tell. Ms. Dash does a great job of telling a "story" with strong African-American women of character. I would recommend this book to anyone that is curious about the history of Africans in America and enjoy reading about the challenges of family life.

Leanna Bailey
R.E.A.L. Reviewers

This was such a well written book. The way Julia Dash developed the characters and described the scenery of the Gullah Islands caused me to want to visit South Carolina myself. I recommend this book to anyone.

This book was a great take on how the life of one dog destined to be destroyed was saved, found a wife, lived part-time in France and yes...was able to jacuzzi whenever the mood struck him.

Carole's ability to capture Jinky's plausable thoughts on what it was like to endure callousness from uncaring owners who abused him and "threw him away" into the joy of being given a second chance is uplifting.

This book is a testimony to those who can not speak for themselves and gives the reader a look at how saving one life destined for death can be turned into a life that dreams are made of.

Being a member of the United Yorkie Rescue Organization, Jinky's message really resonated with me. Not only is he hysterically funny, his lessons on rescuing a dog instead of buying from a puppymill or pet store (where most of the dogs are puppymill babies) or backyard breeder are right on target.

Carole Davis gives Jinky a distinctive voice. Everyone should listen--and read! And let's have more Jinky books. I'm recommending him to everyone I know--and what a great idea for stocking-stuffers!

Jinky Tells All

Have you ever wondered what your dog was thinking? Well this dog tells all in a really funny tail (oops) about a terrier who goes from down on his luck to the good life. Wherever there's a scrap on the floor of Hollywood, Jinky is there. He's been everywhere from Cannes to Cancun, but he is still the every-dog, taking on the elite and effete in a dog eat dog business! If you like Hollywood, see it from a dog's eye point of view. And if you don't like Hollywood, you'll know why after you read Jinky. I loved it!

This is one of the best books that that I have ever read. The humor and honesty is unparalleled. I truly believe that every adult should read this book and especially the last 4 or so pages where the author discusses important issues such as adopting versus shopping. She is so right, that people should take a trip to their local shelter and LEARN that until we spay and neuter we will ALWAYS face the sadness of all the wonderful animals that await their forever home. Mrs. Davis is a wonderful person and a true hero of mine. God Bless her and her wonderful animal companion Jinky. May we all learn from him and one by one change the world!

From death-row in San Pedro to the A-List in the Hollywood Hills ~ I Love Jinky!
This book is hilarious! I think Hollywood can only benefit from a dog's diary. Jinky teaches us all that humans are a nutty breed and that we spend way too much time complaining about things that don't really matter. So much so, that we can barely appreciate the finer things in life. Like the the perfect "Tootsie Roll" poop. Life is full of Stupid Kitties, so what? To know Jinky is to have the answer to the eternal question, "Is the dog bowl half-full, or half-empty?" Especially in Hollywood, there's nothing like a little laughter and gas between friends!
Thank you Carole Raphaelle Davis for writing such a fun and entertaining book ~ and thank you so much for your continuing work in support of animal rescue!!!

but very minimal. Not adequate for a serious student of the scriptures. I have tried to look up many Jewish words, both in English transliteration, and in Hebrew, and have been very disappointed.

I would like to find a good Hebrew-English, English-Hebrew dictionary with transliteration. This dictionary is a good start, but that's all it is, a start.

Orthodoxy and rabbinical scholars almost assuredly will be familiar with most of these terms. The authors freely admit that they compiled the terms from their own upbringings - "modern, American, liberal, matriarchal, and from Conservative and Reform backgrounds." Thus, many of the rituals discussed are from that perspective.

For instance, a minyan is a gathering of ten men, the minimum required for a religious service. In this text in this book, the word "people" is substituted for men, but the bottom of the entry explains that traditionally that number only referred to men.

For those who grew up without a Jewish background or for those whose knowledge of general Jewish vocabulary is lax, this is a wonderfully written book. The words are arranged alphabetically. A dictionary of Jewish words could include potentially hundreds, if not thousands of pages, so the authors narrowed down the scope to include words that one might hear in daily life in the USA. The words are drawn from Hebrew, Aramaic, Yiddish, and Ladino. It would be ideal for non-Jews who simply want to figure out some of the words in conversations that their Jewish friends use!

Since all words have to be transliterated, different spellings with Latin letters are cross-referenced to the entry which tells where the definition will be given. This is invaluable since many words in the USA are spelled a variety of ways, such as Chanukah, Hanukah, Hannukkah, and Hanukkah.

The definitions are clear and concise. Words used in definitions which are bold-faced are also entries in the dictionary.

What many may find especially helpful is the category lists in the back of the book. For instance, there are lists for objects found in a synagogue, for Bar and Bat Mitzvahs, the Jewish calendar, food, Pesach, and many more.

"The Jewish Word Book," by Sidney J. Jacobs, published in 1982, contains more entries. However, I prefer this book by the JPS because the words are explained more in-depth with many examples of words given. Unless one is extremely well-versed in Judaism, this book is very helpful without seeming overwhelming.

This book is not a comprehensive introduction to Judaism, and it won't be of much use to non-Jews. It is essentially a glossary, lists of words in alphabetical order, with short translations, definitions, and explanations. It is an excellent resource for those of us who have forgotten the exact meaning of common ritual terms and prayers, or for those who are just starting to learn and are having trouble remembering which holiday or prayer is which. The index has some handy categories of words: for example, Rosh Hashanah will refer you to the book listings that are associated with that holiday. The book does not have an Orthodox orientation, but will be useful for some Conservative, all Reform, and for
new, Jews.

Updated and revised to add new words, terms and expressions is the handy DICTIONARY OF JEWISH WORDS, an easy A-Z reference defining words from Hebrew and Yiddish and offering a paragraph of definition and examples for each. Any collection strong in Jewish history, culture and language should have this easy reference: its coverage is quite extensive.

Diane C. Donovan
California Bookwatch

What a delight to have a book that picks up where so many of my deceased relatives left off in my Jewish education. A straight-forward, easy-to-read book that is a valuable resource to every Jewish home, every partially Jewish home or any wanna-be Jewish home!

I work with people who are at different phases of job and career development. This book is an excellent resource for all of them. I've even bought a couple of copies to lend to those who have not yet established a reliable income for themselves. It's a great tool and I thank you for writing it in a style that is accessible to so many different people.

I enjoyed the author's common sense approach to the resume miracles often promised by other books and resume services. Functional resumes do hide a lack of experience but employers already know that. Tricks with format and fonts might look neat but most resume reviewers are going to look past the presentation at some point. This book focuses on the basics, words that work, emphasizing accomplishments over position, keeping things simple, clear, concise and easy to read. But once you get past the large list of action words, there really isn't much more to this book. Personally, I like the formatting ideas in books like Resume Magic and the emphasis on using keywords which are often how resumes are filtered in the Internet age. While the author of The Elements of Resume Style seems to belittle these stupid resume tricks, they do seem to work.

Still,in spite of this quibble I'm giving this book a good recommendation because I found the information on grammer, fonts, style and basic format very helpful, as well as the grain of skeptism that comes with it. But comparing the sample resumes presented in this books and the ones found in other like Resume Magic, and putting oneself in the place of an employer, I think the visual formatting and style does make a difference. This book is a good start or even a complement but not the last word on resumes.

This is an easy read. The descriptions are concise. The author explains the reason for his suggestions. There are numerous examples for form and format. The one thing I found missing was how to set up a resume for those who have worked for one company for over 30 years but have had several jobs and titles within that time frame.

Mr. Bennett leaves no stone unturned here...he takes readers through each step of writing a resume so diligently that I feel as if he has practically re-written my resume himself! Throughout the book he reinforces the importance of being honest about work histories and teaches readers how to position job hopping and gaps in employment. (Now I can feel confident in selling myself despite the many detours I've taken in my career!) He puts readers in the point of view of the employer and goes into great detail about how to use language and visual layout of the resume to make the most impact. He supplies tons of descriptive words and shows how to turn terms like, "strong interpersonal skills" and "great team-player" into actionable statements with evidence that actually mean something to employers. (This was very enlightening to me!) He also explains best practices with cover letters, inquiry letters and replying to salary history requests...you NAME it and this book's got it. Mr. Bennett clearly has a lot to teach on the subject and I feeled armed with a powerful weapon in being able to re-position myself on paper and get myself hired. This book is a must buy!

This is the one to get. Trust me, I write resumes for a living.

Wow! I'm so glad this book is still a hit. I still have the one that was issued to me in 1975 in ninth grade English. I have used it ever since, including for my bachelor's and two master's degrees. The spine is faded pink from sitting in the sun on my reference bookshelf for the last 33 years. This book is single best source you can find for grammar specifics; language structure; expository writing; or tweaking your writing for the essay section on the SAT or a back-to-school paper. A true treasure that is as useful today as it was long ago.

This book was issued to me in my senior year in high school in 1976. I have kept it by my side, has helped me through my college years and then with my children, and now that I have decided to go back to school and am studying translation, I have taken it out of the bookshelf once again because the books we were assigned do not even come close to the perfection (in my idea) of this book. It has traveled with me through the different countries that I have lived in. It is truly a jewel of a book as far as how it is organized, explained and the exercises are very helpful to reinforce what you are trying to learn.

I have the 1965 (!) version of this book! I used it in GRADE SCHOOL. I used it as a reference in HIGH SCHOOL. I used it as a reference in COLLEGE. I used it as a reference in GRADUATE SCHOOL. My daughters used it (as a reference) in GRADE SCHOOL, HIGH SCHOOL, COLLEGE and now GRADUATE SCHOOL. My son is now using it! During homework, there was always a call for "Dad, can I borrow that red English book?" There isn't anything else like it, not today. It explains, illustrates and gives practical examples of English like no other textbook. it's built as a REFERENCE TEXTBOOK, something few books do today. Textbooks used to be like this once. I was on Amazon and wondered by chance if it were still available, I'd like to get an updated copy. I was stunned to not only find one, but find that every single reviewer felt that same way about this book! You absolutely MUST have this as part of your personal reference along with you home medical books and such! When your child asks, "So, dad, mom- is it "lay" or "lie?" - you'll go running for this book, I guarantee!

I purchased this book to add to my library after reading several reviews on Amazon. The book has some valuable information, but you can obtain most of the same information from Strunk & White's "The Elements of Style."

I picked up this book after it was recommended by Stephen King in his book "On Writing" pages 121-122 (hardback). Mr. King was right, this is a good book and it has everything you need to become a good writer. I have not reached that point yet, but I know I will eventually get there with the help of this book.

great tool to accompany you in learning German. The sentence structure and grammar is the toughest part about learning this language, so having this extra resource is very helpful.

This handy little book is essential to learning the German Language. I have found it extremely helpful in making it easier to understand a foreign language and all it's rules of grammar.

This is the best resource I've come across for simple to use and understand explanations of most aspects of German grammar for beginning students of German as a foreign language. The comparison with English grammar on all aspects of the language is unique to this book and is a key to being able to comprehend and retain the material presented.

go to the publisher's website and download the .pdf file for your german text. go to [...] and select german. you'll find an adobe acrobat file that provides the mapping between the chapters in this text and several popular college level german text books.

the mapping is very detailed, even down to mapping subsections in each text.

my only regret is not reading the preface sooner to learn about the free file. I'm sure my previous studies could have been much more efficient.

other than that the text is great. chapters are short and should knock the rust off your grammer, if you haven't forgotten too much. if you have, then don't be afraid to pickup another text just on english grammer to supplement your studies. this text will help you refresh your grammer enough to learn german grammer, but it isn't meant to teach you english grammer. for that there are many reasonably priced texts of similar length that you can consult as you progress through your studies.

don't think you have to relearn english grammer before starting to learn german. just relearn it as learn your german.

good luck.

I took German in college in 1979, so when I started a refresher German course earlier this year, I picked this up in a college bookstore. Wow, what a life saver! Since I did not have sentence diagramming in grade school, my language skills have always been intuitive, with this book it's all laid out neatly and easily in front of you. EGFSG cleared up many questions that I had regarding clauses, objects of a preposition, etc.

Sit down for an hour or two and read the short concise chapters, it's an amazing little book. It even helps your English day to day.

Who says Grammar has to be boring?

If you haven't read Regeneration, you are making a big mistake if you read The Eye in the Door before Regeneration. Regeneration sets the stage for The Eye in the Door and provides much background information that you need to appreciate this book.

Those who liked the first book in the Regeneration trilogy, Regeneration, will absolutely adore The Eye in the Door. The characters from Regeneration return, and you have a chance to find out the consequences of the treatments they received from Dr. William Rivers in Regeneration. Pat Barker builds on the tensions, damage, doubts, and despair of mid-World War I to show how much more desperate matters were for the British by the spring of 1918.

In developing these themes, Pat Barker does a masterful job of explaining how a soldier has to operate both by emotion and by objective distance in order to function. From there, she helps us use the crucible of war to see how that duality is important to everyday functioning for all people.

As the title indicates, the book builds on a central metaphor of everyone being under observation as doubts build about Britain's ability to win the war. Those on the margins are most under pressure and at greatest risk.

I thought that the portrayal of Lieutenant Billy Prior was brilliant. He comes across as the kind of complex, interesting character that can help us learn a lot about Ms. Barker's messages for us. The eye metaphor is nicely developed in the context of Billy's life.

Brava, Ms. Barker!

THE EYE IN THE DOOR is the second installment in Pat Barker's marvelous Regeneration trilogy. In this volume the principle characters of Dr. Rivers and Prior have left Criaglockhart War Hospital and are now living in London. Although Dr. Rivers has taken a new position treating shell-shock soldiers who have returned from the front in France, he continues to keep in touch and treat his former patients from Criaglockhart, especially Prior. Amidst the bombing and blackouts of wartime London, Prior continues to suffer from war neurosis as he embarks on solving a mystery that involves his childhood friends and acquaintances. He is confronted by England's societal fixation with fear and scapegoating of those who are believed to deter from the war effort (mainly war deserters and homosexuals). Individuals are often forced to hide their true attributes from society during this time of societal finger pointing and blaming. As in the previous volume of this trilogy, the characters of Prior and Dr. Rivers are well developed and nuanced. I continually enjoy reading about their trials and tribulations, and look forward to reading the third and final volume in this trilogy.

THE EYE IN THE DOOR (spoilers)

Ms Barker's epigraph, a quote from Stevenson, sets the tone: "It was on the moral side, and in my own person, that I learned to recognize the thorough and primitive duality of man. I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both."

I am hampered in critiquing the trilogy, since I've read only the first two works, REGENERATION and THE EYE IN THE DOOR. The first of these concentrates on the relation between the enlightened, humane Dr Rivers and the war hero/war protester Siegfried Sassoon, who has been labeled a war neurotic ("shell-shocked") in order to avoid confronting his rational case against the war. Both Rivers and Sassoon are historical characters who the author effectively fictionalizes (their dialogues, etc).

The second novel focuses on the relation between Rivers and Billy Prior, a relatively minor character in the first. The book is set on a wider stage than REGENERATION, which was confined to the (real) mental hospital of Craiglockhart in Scotland. Here we are in London, during the crisis produced by the initial success of the Germans' spring offensive in 1918. As happens during defeats, the search is on for scapegoats seen as undermining the war effort, groups like pacifists and ... who are seen as destroying the nation's "moral fiber." Ludicrously, the leading anti-... crusader, lays the blame on the Germans, who are said to have sent homosexual agents over before the war to corrupt English youth.

Billy Prior, on medical leave from the front, works for a counter-intelligence agency, but his loyalties are divided, since his earliest friends are pacifists and "conchies" (conscientious objectors). The result of these divided loyalties is a split consciousness, where the fugue state ("Hyde") takes over at times, doing things that the "daytime" Billy is not aware of, but whose consequences nevertheless he must face. It is this split consciousness that Rivers must deal with-and on one occasion, he deals directly with "Hyde," who speaks of Billy in the third person.

At the crisis of the novel, Billy's alter ego betrays his closest friend, something that the daytime Billy at first denies doing, but which he finally comes to suspect he has actually done. Rivers treats the psychological phenomenon by making Billy see that it is basically Oedipal, that he actually wished to kill his father, who had, in Billy's sight and hearing, beat and abused his mother. One manifestation of this hatred is "Hyde's": punching the agent provocateur Spragge, who looks like Billy's father. To complicate the issue, his father is a socialist/pacifist, a fact which may contribute to Billy's ambivalent attitude to his pacifist friends, one of whom he helps, as he betrays the other.

Sassoon make another appearance here, having gone back to France (partly at Rivers' suggestion), and once again been wounded (by friendly fire). But Sassoon's appearance doesn't seem to contribute to the plot of this novel, tho it may have a role to play in the trilogy as a whole. (Maybe his divided consciousness is relevant, since he was very effective at killing Germans, but at home becomes a "dove") Another seemingly extraneous thread is Manning, one of Billy's sex partners.

But basically a rich novel, recalling a key point in Western history. In many ways, WWI was more traumatic than WWII, since it occurred after almost a century or relative peace in Europe. And, as Barker makes clear, WWI was harder on soldiers than was WWII.

Trivia: Why were French troops show on the covers of the paper editions of the first two novels? They play no role in the novels themselves (tho they played the major role on the Western Front).

People existing against a war background-normal people doing normal things whilst shouldering the burden of their experiences, their fears and societies norms and expectations.

A lovely book that always has the lightest of touches in the darkest of moments. Nothing is simple and nothing is complicated, but everything is ambiguous and dwarfed by "the front" and what is expected.

The writing is always simple, but the ideas, concepts and dilemmas dealt with are complex and impossible to resolve. Class and duty are themes; the most interesting theme in my opinion is that of being a pacifist, a father figure to your men and a violent war hero simultaneously. (By the nature of things, war heroes are violent.)

My one regret is that I have only just realised that this book is part of a trilogy and that I have read it out of sequence... although on the positive side it means I have two more books to explore. I would strongly recommend this book; I have just gone and bought one of Sassoon's books as a direct result of it awakening school hood poems by him and Wilfred Owens.

After reading "Regeneration", the second novel of the trilogy "Eye in the Door" expands in terms of characterization and plot complexity. Whereas Regeneration is superb in its exploration of the consciousness of Siegfreid Sassoon and his psychiatrist, Dr. River; Eye in the Door expands the character of Billy Prior to become one of the most psychologically well developed and complex characters in English fiction.

Billy Prior , a bisexual, has both male and female lovers in this novel. These relationships are embedded in the homophobic atmosphere of war torn London. Prior, suffering from "shell shock" struggles with his identify of war hero and pacifism. He struggles with childhood trauma in a society where repressesions are let lose in a war charged atmospher.

The book is beautifully written. Whereas Regeneration explores Sassoon's struggles to brng meaning into a meaningless situation, Eye in the Door explores more of the societal struggles with the war and individual reactions to the pressures of a war time society.

I loved this book and would give it 10 stars if I could.