English Books

At first blush this book appears to be a footnote to a writer who had an eccentric hobby. Since Professor Boyd's definitive biography some may consider that there was little else to explore. The scientific achievements of Vladimir Nabakov were not lost but perhaps overwhelmed in the literary story.
Nabakov's Blues does more than just dust off the lepidoptry papers. The book is in the final assessment a celebration of how science and research are never a sterile academic exercise but a reflection of greater issues of the beauty and elegance of intellect at work.
During the course of shedding light on the under recognized research we are reminded that the mundane work of classifying and sorting often underpins more glamorous tasks, but are also given insight into the many quiet achievers in science, who often take considerable personal risks to complete research which is part of a greater whole and leaves them only as a name in a arid catalogue.
We are too prone to identify the heros and not those who without clamor or boasting actually do the work.
Nabakov himself never "promoted" his science although he made it clear that his butterflies were an integral part of his life. We grow to specialise and those who can travel in literary circles as well as science are rare. The authors Johnson and Coates do themselves demonstrate that they too can travel the literary salons and the research laboratories, and write an elegant supplement to Professor Boyd that transcends that status to become a commentary on the man who was in many ways a true renaissance figure.

NABOKOV'S BLUES

Nabokov's Blues: The Scientific Odyssey of a Literary Genius. Kurt Johnson, Steve Coates. Cambridge, MA: Zoland Books, 1999. Pp 372 $27.00

In his Field Guide to the Butterflies of North America Alexander Klots wrote of the genus Lycaeides that "the recent work of Nabokov has entirely rearranged the classification of this genus." The response of Vladimir Nabokov, the acclaimed author of Lolita, Pale Fire and Ada or Ardor: A Family Chronicle, was "That's real fame. That means more than anything a literary critic might say."

Nabokov was born in April 1899 and his reputation as a leading literary figure of the century he was almost born in seems secure; the Random House Modern Library proclaimed Lolita the fourth greatest novel of the century and the memoir Speak, Memory, the eighth greatest work of non-fiction, thus Nabokov was the only author to feature in the top ten of both lists. It is well known that Nabokov had a strong interest in lepidoptery. Often however it is dismissed as mere dilettantism, or seen by academics and critics as a source of Freudian symbolism. Nabokov himself detested such phenomena as the crass observation that "insect" and "incest" are anagrams, and attacked "the vulgar, shabby, fundamentally medieval world of Freud, with its crankish quest for sexual symbols." Full-time lepidopterists were either ignorant of Nabokov's work or regarded it as amateur dabblings; perhaps they also felt resentment at this part-timer who was nevertheless dubbed "the most famous lepidopterist in the world."

Kurt Johnson is a lepidopterist associated with the Florida State Collection of Arthropods, while Steve Coates is an editor at The New York Times. This, their first book, fights on many fronts; it tries to restore Nabokov's scientific reputation and give some account of lepidoptery's place in his life and literary work; pleads for the oft-ignored discipline of taxonomy, more important now than ever in the light of the crisis in biodiversity; and is an exciting scientific adventure story ranging from the "incorrigible continent" of South America to the squabbles of the world of academia.

Nabokov's scientific work belongs in every sense in a different era; he represents one of the last of the gentleman naturalists. Lepidoptery was an interest inherited from his father, a prominent Russian liberal assassinated in Berlin in 1922. It remained constant throughout the upheaval of the Russian Revolution and exile in Cambridge, Germany and France. On coming to the United States in May 1940 he soon visited the American Museum of Natural History in New York City with certain puzzling specimens from Europe. In Autumn 1941 he visited Harvard's Museum of Comparative Zoology and found the collections in disarray, and first as a volunteer and then as a part-time research fellow in entomology he endeavoured to straighten it out. This was typical of the war years; considerable lacunae existed in academia and were filled with available workers with little regard for their professional training.

Nabokov's paper Notes on Neotropical Plebejinae is the key in the reassessment of his position in science. It was a pioneering classification of the Latin American Polyommatini, a diverse group of Blue butterflies with members from the tip of Chile to the Caribbean. This paper established a broad framework of genera for later researchers to insert new species. In 1948 he left the Museum of Comparative Zoology to become Professor of Russian and European Literature at Cornell University. This marked the end of Nabokov's formal association with the world of lepidoptery, and with the publication of Lolita Nabokov's fame became a two-edged sword as far as his scientific reputation was concerned.

In the 1980s a series of expeditions to Las Abejas, a jungle enclave near Dominican Republic's Haitian border, began to turn up new specimens of what were known as Blues. Over the next decade and a half, Johnson and other lepidopterists travelled all over South America, becoming increasingly aware of the crucial relevance of Nabokov's classification system to the multiplicity of new species they discovered. In these chapters the authors make us aware of the biodiversity crisis which means species are becoming extinct faster than science can ascertain their existence. The humble place of the taxonomist, seen by some as a drone of biology, is scarcely deserved, considering the importance of this work. The authors are also at pains not to judge Nabokov by the standards of today; some of his beliefs on mimicry and evolution appear scientifically unorthodox, but reflect that when he was working these issues were still being resolved.

This book will provide both enjoyment and enlightenment to any reader interested not only in Nabokov but in the relationship of the arts and sciences, the current state of natural science and the biodiversity crisis. The crucial question for Johnson and Coates is "Was Nabokov a true scholar of Lepidoptera, or merely a dilettante whose contributions were remarkable?" The casual observer might wonder how "mere" a dilettante would make "remarkable" contributions, but the question is deeper; seeing Nabokov as a scientist gives the understanding of his life and works a whole new dimension.

The authors seem to suggest that a healthy relation between CP Snow's "two cultures" requires not a facile "unity" but a deep appreciation of both the humanities and the sciences. Nabokov's quote "Does there not exist a high ridge where the mountainside of 'scientific' knowledge joins the opposite slope of 'artistic' imagination" is often quoted in this context. Far from an airy abstraction, this refers to a specific example; Nabokov's 1952 review of a book centred around the drawings of John James Audubon; Nabokov found Audobon's butterfly drawings inept, and wondered "can anyone draw something he knows nothing about?" Nabokov considered a knowledge of natural science indispensable for a truly cultured sensibility; he was shocked when his literature students at Cornell University were ignorant of the names of local trees and birds.

We see Chekhov and William Carlos Williams as doctors and as writers; we see Primo Levi as a chemist and as a writer. Johnson and Coates convincingly try to persuade us that Nabokov should be seen as a writer and as a lepidopterist. Nabokov himself said "whenever I allude to butterflies in my novels ... it remains pale and false and does not really express what I want it to express, what, indeed, it can only express in the special scientific language of my entomological papers."

I picked up the paperback of this book because I'd heard about it when it was in hardback. For anyone who is fascinated by science, literature, history, sociology and much more, they will find the blend of story, information and insight in this book satisfying and enlightening. Its never gets dull because you're reading about a historical literary figure, and his biography, tons of information about science and exploration, the scientists who completed the formative work Nabokov began at Harvard before becoming famous after Lolita, and how this all fits together in todays biodiversity crisis and squabbles over whether Nabokov was really a bona fide scientist or just an boyish aficionado. I felt I had learned a great deal from this book but also enjoyed it. It is a great blend of historical fact, new stories, and insight the into world's environmental dilemmas. I also had no idea of the complex ways in which Nabokov interwove butterflies and their images and symbols into his novels.

This book is a fun read for anyone with an interest in the personal histories that shape authors, in biology and/or in the environment and ecology. It provides great insight into the scientific passion that moved one of the more interesting figures in literature, and nicely weaves the tale of Nabokov's first passion, lepidoptery, providing many interesting biographical details (including his wonderful sense of humor!), and the modern day story of the scientists who continued his work and discovered that his scientific legacy was truly as important and inventive as his literature. It discusses the science in a way that is interesting and easily understood by the non-scientist, but does not diminish the nature of the scientific information conveyed. In addition, it shows how the science impacted the literature. How interesting that a butterfly-gathering trip would provide the backdrop for Lolita! I found this book to be very interesting, informative and entertaining, and I highly recommend it.

Nabokov's Blues by Kurt Johnson and Stephen Coates is a testament to the dogged pursuit of their art by basic scientists such as Drs. Vladimir Nabokov and Kurt Johnson who continue their efforts with minimal funding and little glamour, and the roles played by happenstance and eccentricity in substantial discoveries. The adventure stories spun by Stephen Jay Gould in Wonderful Life and Jonathan Weiner in The Beak of the Finch in high profile, well-financed disciplines, and by Mark Jaffe in And No Birds Sing and now by Johnson and Coates in Nabokov's Blues in lesser known arenas, demonstrate how events and personalities conspire. Johnson and Coates capture this process and invite the reader into this adventure as the scientists and their colleagues pursue the magic of butterflies. Nabokov's Blues is an engaging retelling of the exciting set of adventures, in the field and in museums, begun by one of the great storytellers of the 20th Century, Vladimir Nabokov. With the disclaimer of a member of a class described by the reviewer as "eccentrics and polymaths" who played a minor role in Kurt Johnson's great adventure, I cannot disagree more strongly with Richard Conniff's assertion in his February 20,2000 review in The New York Times Book Review that "the authors fail to capture the full wonder and oddity of the enterprise." This is exactly what the authors accomplish.

Nemesis(Indigo, Book 1) is great! Once you get started you don't stop until you finish it, then you don't stop until get to read all the 7 remaining books of the Indigo saga!

The first in a series of seven, this book tells of a headstrong princess' rash action in the name of curiosity, and the consequences of that action. She no longer exists to her people, and must take on a new identity to begin her quest to right the great wrong that she has brought down onto the earth. She loses everyone and everything that she loves, and she must learn to face herself, as well as her fears.

This is a lovely book that is well-worth seeking out.

I found this at a used book store and picked it up because I thought it looked interesting. I asked the woman working at the counter if she anything about it. She told me it was a great book and that she had read the whole series; that it was a "women kick ...." book. It definetly is. This is one of the best books I have ever read. I read it in three days almost non-stop. You don't even have to be one those people who like the "women kick ...." fantasy books, or Xena, or anything like that. If you want a good read full battle, honor, and love, this is one of the best.

I read this book for the first time when it was released in 1989. It became one of my favorites and I read my way through the rest of the series. At the time that the book came out I was still in college and I identified very much with the character of Anghara. I understood that she had brought her problems on herself, but I still really sympathized with her anger and her passion and her sense of unfairness.

I recently ran across the book again and decided to give it another read. I still enjoyed it, but it is interesting as an older reader how my perception of the book has changed. I now find Anghara exasperating rather than sympathetic. I am amazed that she seems to get off as easily as she does after bringing doom on her lover and her family. I kept reading, but I was looking for some real repentence on her part and getting frustrated because I did not find it.

Cooper is and was a talented writer. The Indigo series was her third fantasy series outing (the first two were Blood Summer and the more famous Time-Master books). Nemesis is set in a semi-Celtic landscape and draws heavily on a variety of myth-based sources for its plot. Cooper does a good job of synthesizing myth in an original way so that it does not feel stale or like a retread of old ideas.

More modern readers will probably be frustrated by the relatively short book length-- I know that I felt like several episodes could have safely been packed into one book, even at the time that I first read them. This series should be a big hit with teenage readers (particularly teenage girls) and are recommended for any reader who enjoys this particular flavor of fantasy.

Anghara Kalingsdaughter is the princess of the southern isles. She is headstrong and has a great deal of curiosity for things that have an 'aura' of mystery. Although she lives perfectly happy with her family and fiancee, she sometimes roams near the 'tower of regrets' and can't help asking herself what lies within, although there are ancient stories that say that the tower is doomed. Anghara acts recklessly and opens the box whithin the tower, releasing seven demons. But she must pay for her error, and seek and destroy every demon, the very demons that destroyed everything she loved. And until she destroys every demon she will became immortal and loose her name, for she is nothing more but a weapon. It's very interesting to see the development of the character Indigo, from this first book to the others. She really changes her view on life.

I needed a book on grammar. There are so many different rules it's hard to keep them straight. I needed the basics and I needed a quick reference guide. I did not need one of those huge books that had 300 plus pages. They were filled with nonsense and radom rules that only English professors need to know! This book is easy to understand. Don't know the difference between bore and bore? Or altar and alter? There is a quick guide in the back to show you what to use. Get confused with lay, and laid? There is also a nice chart that shows you the difference between present, past and past participle. There is so much packed into this little book it will amaze you.

This book is excellent. And it's so easy to understand. It doesn't bog you down with unless information. This is a must have for everyone!

"Nitty-Gritty Grammar" is an outstanding book. I read it prior to having its authors Edith Fine and Judith Josephson on my talk radio show on WRKO Radio in Boston. They were informative and funny and the phone lines were full the entire hour they were on my show. The key to this book is that it is both educational and entertaining. In someone else's hands, this book could be a real snoozer. In Judith and Edith's hands, it is a work of art. If you read this book, you will stop making up "irregardless" and other words which don't exist (see page 85.) You will stop mispronouncing words like "asterisk" (it's not asterick-- see page 72.) And you will never again misplace your apostrophes, dangle your participles or commit other high crimes and misdemeanors against grammar, spelling, punctuation and pronunciation (see pages 1-102--the entire book.) The book includes many cartoons which will teach you while you laugh. The section on "Ways to Tame the Spelling Monster" is indispensable with clever ways to remember the correct spelling of words including "dessert" (it has two s's--think strawbery shortcake). If you only read the "ticker tape" which runs throughout the book at the bottom of each page, you will learn more than you did in twelve years of boring English classes. The amazing part of this book is that it can be used by children, teenagers and adults. I suggest you buy copies for your entire family and all your friends and coworkers. They'll speak properly when they thank you.

Bob Katzen, WRKO Radio, Boston, Massachusett

As a writing teacher and home schooler, I haven't found a more enjoyable grammar reference book. My 11 year old son picked it up one day and read straight through the entire book in one afternoon. The appeal of the cartoons, the easy to understand explanations and the user friendly format make this the grammar reference of choice for all grammar-impaired parents who teach their own kids. I highly recommend it!

Our child brought home grammar for the third grade and we had forgotten half of what we had learned in school. This book really helped us out greatly and I am sure we will get a lot more use out of it in years to come.

Over the years I've fallen into poor grammer habits. This little gem of a book has helped me clean up my act--or should I say mouth! Keep it close by so you can consult it often. The fun layout makes it easy to grab a quick lesson here and there.

I just wanted to say good job.. the book is in great condition.. it came quickly and when i needed it.. thanks again!

The Odyssey is mandatory reading for my freshman English classes and it has been quite difficult to teach. This literary work can be a very dry read for those who do not enjoy poetry reading (most freshmen). For this reason, I began a search for a translation that would make it easier for my students to understand. I read the previous reviews before buying it and I must say, I am glad that I did. Lombardo does an excellent job of making the translation understandable without dumbing down the text. My students this year have enjoyed this story much more than previous classes because of this. If you are looking to gain better understanding for yourself or to teach this text to others, this is the translation to get!

Stanley Lombardo's translation has brought back the original "feel" of the ancient Greek epic. Classical and Koine Greek are both what you call "earthy" languages, a tone lost with many established and contemporary translations. Lombardo restores the drama and the linguistic edge that the epic poem possessed in its original tongue. The Lombardo translation is quickly becoming standard among university professors and students of classical literature.

Lombardo's translation of the Odyssey, as well as his Iliad and Aeneid, receive much-deserved kudos as the most readable translations available. He writes with poetic and colloquial English that makes it easy for the lay person to understand.

Unfortunately, many of these same lay readers bash Lombardo's translations because they assume the personable nature of the writing makes it inaccurate. People expect a classic to have a certain formal diction to it, in the vein of Shakespeare and the King James Bible. In fact, nothing could be further from the truth. The King James Bible, despite having the most formal prose, is certainly not the most accurate translation of the Bible. Similarly, verbose translations of Homer do not mean it is more true to the text. Lombardo's version of the Odyssey preserves the immediacy and hard hitting nature of Homer's original Greek poetry. You will notice in other reviews that readers disapprove based on what they imagine Homer should sound like. Trust me, they haven't read the original texts. Classical scholars, some of whom I personally work with, have given universally excellent reviews to Lombardo's translations. This translation proves you can have your cake and eat it too. It is highly recommended.

One reviewer here took umbrance at some of the language used by the translator. One point he made was the use of the word "chow". Another was about the language used by a Goddess. He asked if Homer would really have used such vernacularisms. I say: YES! Of course he would have. He wasn't trying to live up to some modern readers' clueless perceptions of "high art". He was trying to tell a good story, like any good storyteller. And like any good storyteller, he would have used techniques that enabled his audience to identify with his characters. In this instance, sailors will be sailors regardless of the times. Also, the gods of the ancient greeks did a lot of things that wouldn't have been done by God as we commonly percieve him. Now, take Shakespear for example. He wrote for the Everyman of his times. It is only much later that elitists turned him into an acquired taste. I think ostentatious readers need to understand that 200 years from now critics, looking back on our literature, will probably have long forgotten the pseudo-intellectual whinings of the Kurt Vonneguts and consider as classicists solid storytellers like Dean Koontz. The problem here lies in the fact that there is absolutely no way to translate literally from the greek and retain the original impact. I would strongly recommend reading Lattimore's translation as well if one wants a more literal interpretation, but remember that something will be lost that way. Lombardo has translated more than just the words, he has translated Homer's intentions, and that is the important thing.

Really liked this, the reading was outstanding and great translation by Robert Fagles. My son really enjoyed listening to it on a long road trip after plus it added to his understanding while he was reading it for English Class. I highly recommend this product.

For thousands of years this story has been told and retold.
The reason this story is still being told and still being heard is because it is so exciting and so very compelling.
It never grows old.
I have read and enjoyed this story from a leather bound book, but it is best heard spoken from a human voice. Ian McKellen is qualified as a modern day bard.

Unlike most movies and books of today, once will not be enough.
Those who listen to it will not be disappointed.

I'll not waste any time of yours with long and deserving praise for this telling of an ancient story, other than to say that should another day pass where you have stolen from yourself the opportunity to listen to this master storyteller lead you through a story written by a master, then only the Gods can forgive you.

Sir Ian Mckellan's performance is measured and beautiful, and there is no shame in a tear falling at the meeting of father and son for the emotion that comes through this practiced orator. I can say with a fair amount of confidence that the bards of old must have sounded like this - masters of their craft and able to bring the imaginations of their audience to life.

Not a moment longer - a treat awaits you...

The Trojan War is over and one of our hero kings is lost. His son (Telemachus) travels to find any information about his father's fait. His wife (Penelope) must cunningly hold off suitors that are eating them out of house and home.

If he ever makes it home Odysseus will have to detect those servants loyal from those who are not. One absent king against rows of suitors; how will he give them their just deserts? We look to Bright Eyed Pallas Athena to help prophecy come true.

Interestingly all the tales of monsters and gods on the sea voyage was told by Odysseus. Notice that no on else survives to tell the tale. So we have to rely on Odysseus' word.

Many movies took sections of The Odyssey, and expanded them to make interesting stories those selves.

Not just the story but the way in which it is told will keep you up late at night reading.

I thought that this is perhaps the best audio book I have ever listened to, rivaled only by John Cleese's reading of C. S. Lewis' Screwtape Letters. Ian McKellon, whom most know primarily through his role as Gandalf in The Lord of the Rings, reads with the same epic sounding voice that he employed in the Lord of the Rings (as oppossed to less epic sounding voice inflection he employed in Xmen). Somehow his voice just sounds as ancient and mythical as the Odyssey itself. I cannot imagine a better reader for this book. I wish he had done the Iliad as well.

As for the translation itself, I must disagree with those who claim that it is the best. It is, I grant you, better than the thoroughly modernized versions like W. H. D. Rouse's, but I think it is (very) slightly too modernized. Phrases like shilly-shallying or other modern phrases simply do not belong in ancient texts like the Odyssey. That said, they did keep that type of language to a minimum, and the only better translation I have come across is Richard Lattimore's. For the most part this translation keeps the epic feel that the Odyssey should have, and Ian McKellen's voice only adds to this. I highly recommend this version. It is one of the few audio books I think is worth a second listen.

Overall grade: A+

THIS BOOK IS AN EXCELLENT LEARNING TOOL. IT IS A CHRISTMAS PRESENT AND I AM SURE IT WILL BE READ AND EACH CHILD WILL LEARN FROM IT!

An excellent message and a good chapter book for those readers who are starting to gain confidence.

I just got this book yesterday for my son who just turned 3 years old. He really enjoyed it and after reading it, he kept asking me to read it over. He was very interested because he started asking questions at the end. He just started preschool and I wanted to introduce him to possible situations he might go through while in school. This story gives a great lesson on how to handle a situation when someone says something mean to you. My son also enjoyed it because the situation takes place in school and at a basketball court, which he can relate to because he started school and he loves to play basketball.

I was looking for a book to help my 9 year-old deal with other kids who say cruel and demeaning things. My son and I sat down and read the book together and then discussed how saying "so" when mean things are said takes away the bullies power. We decided that "so" was his new secret weapon.

My son was so excited when the very next day at school he used his secret weapon and it worked. He has also shared the book with a few of his classmates and it has helped them too.

GREAT BOOK!

The Meanest Thing To Say is not about saying mean things back to mean people. And it isn't even about mean people. What it IS about is children learning self-control, level-headedness and heart. When the new kid, Michael, calls Little Bill names, and says he has to think of the meanest things to say back the next day, Bill is frustrated and anxious. This comes up at home and his dad tells him to just say, "So?" to everything. Little Bill does this and it halts Michael. It takes two people to fight. But the moral of the story doesn't stop here. Bill observes Michael is a new student and maybe just needs a friend. So he invites him to play basketball with him and they become friends.

Unfortunately it is reality that children can be very mean and hurtful. As parents, we need to teach our children how to handle bullies and it's equally as important to teach them not to BE a bully. Also, just ignoring mean actions and words doesn't always work. Everyone has good in them and we all, ages 2-102 need to offer kindness instead of anger. Great job, Cosby! Thank you and please keep writing. Peace & Soar!o8E

These are among the most amazing short stories ever written. Some could be stereotypically described as poetic; others are more straightforward and prosaic. Some focus on brief moments; others traverse entire lives. Other reviewers have added a note of caution, but my suggestion is instead to jump right in. If you don't like one story, try a few more. The mystery and grace of these stories, the fullness of the emptiness surrounding their intensity and concision, and their range in time, content, and form will continue to astonish throughout one's life.

I hate the actual physical cover of this book,
the front and back cover are both very much curling outward,
so its hard to insert the book in a bookshelf.
This has nothing to do with the content of the book,
but it is very annoying nevertheless.

Yes, I'm serious about the title of this review. Nobel Prize winner Kawabata's "Palm-of-the-Hand Stories", a collection of 70 mostly 1-4 page stories makes for excellent toilet reading, reading of the highest order. Don't lie to yourselves, we all do it - even the ladies. So instead of reading some junky magazine or playing a hand-held video game while on the throne, read this book; its stories are of the perfect duration. The stories range from slight observations to deep expositions on human nature. Coincidentally, one of the stronger stories in the book is titled 'Lavatory Buddhahood'. Go figure. So whether you take my advice as to where this book is best read or not, it's worth reading.

If you like Sudden Fiction as a genre but not the usual silliness which accompanies it, this is the perfect union of very short fiction, craftsmanship and seriousness. Not always serious in tone but in effort. For the most part they are tender stories of rememberance, loss and the betterments of life. They are brief and dream-worthy, almost as if they were prose acting as poetry:

"Startled by a sharp pain, as if her hair were being pulled out, she woke up three or four times. But when she realized that a skein of her black hair was wound around the neck of her lover, she smiled to herself. In the morning, she would say, "My hair is this long now. When we sleep together, it truly grows longer."

Quietly she closed her eyes.

"I don't want to sleep. Why do we have to sleep? Even though we are lovers, to have to go to sleep, of all things!" On nights when it was all right for her to stay with him, she would say this, as if it were a mystery to her." from Sleeping Habit

Even when the stories are harsh they aren't beleagured with excess, but consequential life and its misgivings with some ironic humor interjected amongst the living ghosts. The same can be said for the norm: lush stories that are kindly felt but never over-sentimentalizations and mush. A great bed-side companion to make you dream better and wake a little more human.

House of the Sleeping Beauties is one of my favorite anthologies, and I couldn't wait to get my hands on another book from this brilliant author. The stories in Palm of the Hand are full of poetic and philosophical undertones and magical realism. My favorite one is "Bamboo-Leaf Boats," a poignant tale about a woman who grieves the loss of her fiance. The pain the protagonist goes through moved me. The other stories are beautiful as well. I suggest you read this wonderful book...

Any book that tells you how to say "May i give you a back massage" and "I dont have any diseases" in three different languages is definatly worth buying it. Also it has the basics and maybe the more useful phrases like "where is the bathroom" "check please" and the like.

I bought this book because of the reviews I read and it lived up to the hype. It came in handy in both routine and emergency situations - particularly when I had left my passport, money and credit cards on a train in Italy and had to communicate to the stationmaster in Genoa!

This is one of my best purchases in Amazon, it's amazing how good is this book. It's very practical for any traveler around the world, it has detailed content in subjects like: what to tell to italian men if they are bothering you (and as a woman... this can become very handy!) or everything you need to say in a medical emergency or how to enjoy the food in a restaurant (because you can understand now the menu). I really recommend this book if you are looking for a better experience in your trips or if you are learning a foreign language (like me). Greetings from Mexico. Nayeli

This books is great. It has many handy phrases that make traveling in Europe easier. Contrary to what most people believe, not everyone in other countries speak English. If you are the adventurous type and like to explore on your own, knowing some phrases to navigate the area is really useful.

I purchased additional copies of this book for a few friends that were traveling as well.

This book is full of practical advice and essential information that kept me from making some mistakes on our vacation this summer. Though I probably won't return to Europe for a few years, this book will stay in my bookshelves for future reference. I have always enjoyed Rick Steves' travel shows because of his down-to-earth, straight-forward style. The book follows that pattern perfectly. I highly recommend this book to any European travel novice.

See a Grown Man Cry: The prose is jagged, visceral, potent, vigorous and muscular. Every syllable aches and screams. This is adrenal overload. This is the assassination of mendacity, of mediocrity. The gelatinous underbelly of culture is exposed, cleaved and forcefully displayed. Then Henry eviscerates from the inside. The raw energy of this work is as naked, observant and perceptive as anything Bukowski ever committed to print.

i have never read anything by henry rollins before i purchased this book. and i fell in love w/ his writing. i have now bought almost every book by him and in the process of reading them. his books touch me in a way, and help too. its hard for me to find a book, let alone an author that i like as much as henry rollins and his books

this is the most honest, heartbreaking work I've read. It puts your personal misery into perspective, reminding you what it means to live life. Even after you lose those that make you whole.

7 years ago, a friend of mine read me a poem from "Now Watch Him Die" (They were seperate books back then). It's the one on page 164 of this volume, the one that starts with "I love you and you'll never know." Since then, I have not gone anywhere without a copy of these books close at hand. They are an all-encompassing chronicle of one man's solipsism, isolation, desperation and depression. This may not sound fascinating, but that man happens to be Henry Rollins, who has a talent for intensity and a command of words rivaled by no one of this era. Not since Bukowski has someone used so little to say so much. If you are ready for a descent into a maelstrom of anger, violence and pure, blinding pain, then this is the book for you. If you're looking for something sappy, sweet and redemptive, then try Oprah's Book Club instead.

There is so much farcity in the world today that it's so good to come across a writer like Henry who's willing to show everyone what he thinks, how he feels, what his life is like and how he perceives the world around him.

This book is very brutal and honest, which I think always makes for good writing. He has a very clear perception of the people around him and how they think, which lets him view the world from all sides including his own. I would recommend this book to anyone who wants to open their eyes to someone else's reality.

A must read. A great selection of non-fiction material. If you know and like Borges you know you'll be pleased, if this is your first time reading Borges I guarantee that it won't be your last, you'll keep buying all his work. Borges wasn't a man, he was a library, a portal to knowledge and wisdom.

Enjoy

To read Borges, you become Borges. You see yourself in his mirrors, you regard the books you read as the books he reads. You appreciate what he appreciates, loving the literature he has absorbed, finding your way through the complex interweaving of his passions: Romantic English Poetry, Shakespeare, H.G. Well, Edgar Allan Poe, Dante, Icelandic Sagas, German Idealism, the Kabbala, Schopenhauer, Bergson, English Empiricism, Sufism, etc... All literary roads lead to Borges.

He lived a long, rich life. He is the Librarian you might meet in heaven. If only he were still alive to guide the reading public. If only he lived today and had a website, to think of all the books he might recommend. And wouldn't it be wonderful, to learn about his opinions on modern writers.

With the Collected Fictions, this book is a testament to the literary critic/philosphical wanderer in us all. Each essay is a delicate delicacy. This book is for you if you're a gourmand of good writing, great thinking and the pleasure of exploring the vast expanding world of literature. This book is rich, complex and wondrous. His writings on Dante and Shakespeare, his reviews, his philosophical essays... just read the book and become Borges becoming you.

Eliot Weinberger has done a real service to the world of literature by selecting, and translating these pieces. They show the range of interest, the incredible ability to make inventive creative cross- connections of one of Modern Literature's true masters, Borges.
Borges covers worlds in his writing, worlds of Literature , worlds of the Argentinean society he and some of his ancestors grew up in, worlds given in a universal encycopediac reading, which seems to cover all continents and all cultures.
Borges greatest work is considered to be his ' Ficciones'. But his signature is present in all , in a single page of a book- review or a philosphical meditation.
For him worlds mingle and combine, and are retranslated in such a way as to reappear as Literature.
He also in this work reveals himself to be a decent and courageous opponent of Fascism.
He confounds and surprises us at times with these strange mixings of things, but the poetic and parable- like element is so strong in this work that it engages us, and forces us to question our own small pictures of reality.
What a great and interesting writer. What a pleasure to have this work to enrich our minds with.

Because Borges lived and worked in Argentina, few have heard of him in the English-speaking world. Those that have are probably most familiar with his fiction stories. This book of non-fiction essays shows the vast knowledge and wide variation of interests of Borges. Therefore, this collection really does have something for everyone. Unfortunately, there are also many essays that are unreadable, some annoying repititions, and some essays are just plain dull.

So, what does Borges write about? He covers some metaphysical ground on the nature of time and infinity. He defines heaven as an infinite library, and then goes into the nature of infinity. On the more mundane end, he reviews movies and gives capsule biographies of authors - King Kong, Citizen Kane, and more obscure (and not necessarily Hollywood) films. He writes on contemporary (at the time) politics - Nazi Germany, the curators of the national library, etc. He gets intensely personal - there is one essay on the progression of his blindness. But if there is a main theme that permeates these pieces, it's his love of literature in all languages - Spanish, English (old and modern), German. He has an abiding love of the Greek classics (Homer, Virgil) and great admiration for Joyce, Poe, and Chesterton.

Unfortunately, those of us with a less classical education cannot keep up to everything that Borges says - I, for one, will never have the time to learn ancient Greek! - which makes certain essays difficult. There are other essays (especially early on) that are simply unintellegible (this may be the fault of the translators, especially since there are times when two or three essays cover the same ground with increasing degrees of murkiness). But it always happened that a real gem would appear just when I was getting frustrated with a series of uninteresting essays.

On the balance, about a third of the essays are not interesting (or badly translated, or repetitions), a third are interesting if not spectacular, and the final third have at least one moment of sheer brilliance. It's well worth buying, but it's unlikely you'll read it from cover to cover without taking a break - I took many breaks to read other things, and it took me over 1.5 years to complete the whole book. But you know what? - on the balance, I like his non-fiction better than his fiction

Borges claims in one of these articles that he was "more proud of the books he has read than the books he has written." I imagine I would feel the same way, had I written any books! And I think this statement captures the unifying theme of this compendium. Herein Borges will astonish and charm you with the breadth, variety, and whimsy of his literary taste.

The book is a compilation of critical essays, social commentary, reviews of the fledgling film art, and other oddities published in various media from throughout Borges's literary life. Each offers you new horizens for literary pursuit and further reading, and all are executed with Borges's renowned concision.

What I like most of all is that Borges is more interested the kinds of books people really enjoy reading, such as Bradbury, HG Wells, Lord Dunsany, and Kipling, rather than the fossilized academic "classics." One of my favorite features are the several recommended reading lists, in which Borges passes on his own most pleasurable reading experiences. There is also a refreshing eclecticism in Borges's taste--for example, this book lead me to Mathematics and the Imagination, a fun popular math book. Another personal highlight is the essay on Edward Fitzgerald.

This volume is not something one would read from cover to cover in several sittings, but rather a treasure trove to be mined from time to time, like the famous cave discovered by Ali Baba in that book so dear to Borges's heart!