English Books

Twenty years ago I had another self-instruction Spanish book by Barrons, the same publisher. This book is far better. It claims to use the latest research on language study, and it certainly seems sound to me. I did notice a few minor typos, but overall I found this book worthwhile. I've had four semesters of Spanish and taken some short immersion classes in Mexico. However, I never took a class specifically geared toward reading, so this text has proved quite useful. I do about three pages a day, and in the past month I am certain my skills have improved. The price is quite reasonable.
I have a tip for other struggling Spanish readers: For what it is worth, when watching a dvd movie at home, leave the spoken language as English and use the Spanish subtitles setting when available. This is a painless, almost subliminal way to boost one's vocabulary.

I'm teaching myself Spanish, and this book is really helpful.

This book was well worth the price I paid. It covers a lot of grammar and quite a bit of vocabulary. Most of the exercises are set up so that you only need an index card (or other piece of paper you can't see through) to do them.

Although I wish that it had a dictionary in the back, I'm still giving it a five-star rating. I sure wish it had an audio CD with all the reading passages, because then it would be outstanding, but I'm not marking it down for lack of a CD, since it isn't meant for listening comprehension.

I loved FRENCH FOR READING, so thought I'd give this one a try. Make sure you have a dictionary because there isn't one at the back of the book - and sometimes the passages give you words you've never seen before - with no way to look them up. Also - these chapters seem a bit denser then 'French For Reading', make sure you go slowly, maybe only doing 1/2 chapter at a time.

I'm an intermediate Spanish student and had been struggling with my reading skills. After two chapters and about ten hours' practice, I was able to read almost flawlessly. I'm now on chapter 5 and I can't believe how much I've learned. I'm recommending this book to all my friends, and my Spanish teacher is so impressed, he is ordering it for his next class. Now I need to find a way to learn to speak as easily as I learned to read.

I am a speech therapist and have used this book with Spanish speaking parents and siblings. Everyone loves this book. I am going to buy the other book in this series. I also recommend Atravesando las Puertas de Autismo by Temple Grandin.

It's great to see a story about a sibling wanting to play with his brother, especially when his brother has a special need. This is such a good lesson in understanding autism and special needs, and on how to create theraputic fun. What a great way to teach families ways they can interact with children in situations like this. The writing is fantastic and the illustrations are beautiful and very friendly. Well done!

Author Marvie Ellis, pediatric speech-language pathologist, founded Speech Kids Texas Press in 2005 for to publish children's storybooks on communication needs. Tacos Anyone? is the second book in her series of bilingual storybooks in which English and Spanish text appear simultaneously on the same page. This technique reinforces to children and adults alike the multicultural nature of the modern world we live in, and seeing other languages on the same page may encourage children to explore secondary languages. I think this technique is superior to the alternative of publishing two separate translations. Children's brains easily learn multiple languages, so why not give them as much exposure as possible?

The plot in this well-illustrated children's book focuses on Thomas's difficulties playing with his younger brother Michael, who has autism. 4-year-old Michael is prone to fits and doesn't relate in the ways his brother expects him to. A therapist teaches Thomas to looks for clues in Michael's response to activities and to adapt his playing style (Michael dislikes wet paint on his hands, for example, but he likes playing with puzzles). In the end, Thomas learns to play with Michael using his favorite tactile sensations, and the faces of the brothers radiate off the pages of the book.

Every library should invest in a copy of this book, and every child should read it at least once, because you don't have to have an autistic sibling to know that you should look for clues and adapt to the play styles of your friends.

There are many difficulties with having an autistic child (and many joys, by the way). Perhaps one of the difficulties that is sometimes overlooked by those without firsthand experience is the effect of an autistic child on siblings.

Marvie Ellis's "Tacos Anyone?" is a children's book that subtlety addresses this problem. It is delightfully written by Ellis and charmingly illustrated by Jenny Loehr, as though by a child in crayon. In coming up with the "taco" motif and illustration, perhaps Ellis took a cue from Temple Grandin who was the autistic subject of Oliver Sacks' An Anthropologist on Mars: Seven Paradoxical Tales (1995).

To explain: Temple Grandin is famous for being a professor of animal studies at Colorado State University who has completely integrated herself into mainstream society yet remains autistic. One of the things she has tried to do is to show that autistic people may like things that seem to others a bit strange. For example Grandin reported that she loved to be snugly enclosed in some enveloping substance, a bit like we neurotypicals might like to snuggle inside a sleeping bag. So the "taco" in the title of Ellis's children's story is Michael becoming a play taco as he is delightfully nestled in the middle of some sofa pillows, provided by his older brother Thomas.

The point of Ellis's didactic tale is to help the non-autistic brother understand and appreciate his brother's differences and to help parents explain why the autistic child has different needs, and why the child seems to get special attention (which may make the neurotypical child jealous), and why the autistic child sometimes screams or strikes out in frustration at the world.

The text is in both English and Spanish and the book is the recipient of the Barbara Jordan Media Award.

By the way, Ellis has another award-winning children's book called "Keisha's Doors" that looks at this type of family situation from the point of view of two sisters.

Maybe you're looking at this book and wondering what tacos could possibly have to do with autism. A taco's a taco, right? And what do you do with a taco? You eat it. It couldn't be simpler. You don't even have to think about it. It turns out, however, that you've got it all wrong; no one can eat the kind of tacos referred to in this book. I haven't even gotten to the story yet, but this little exercise alone does a great job of showing you what this book is all about. Tacos Anyone? is all about describing some of the characteristics of the autistic child and helping his/her loved ones (especially young siblings) relate to his/her special needs. And to understand the autistic child, you have to step back and change your way of thinking (just like your conception of tacos will change as you get into this story), and it takes a conscious effort to do that each and every time.

Young Thomas already knows that his little brother Michael has autism. He doesn't know what that means exactly, but he does know that he isn't very successful when he tries to get Michael to play with him. He's also bothered by some of the things Michael does for no apparent reason. That's when Michael's therapist comes into the story. First, we see some of the exercises and activities she does with Michael, but then we see her bring Thomas in as well and show him how to better communicate with his little brother. This kind of family involvement is vital in the life of the autistic child, and author Marvie Ellis really succeeds at showing how therapy is for the family as well as the autistic child. An autistic child can have the greatest therapist in the world, but he/she will never reach his/her true potential without the love, support, and assistance of loved ones.

Just like Keisha's Doors, this second book in the Autism Story Book series communicates a wonderful, heart-warming message and would surely benefit anyone who deals directly or indirectly with an autistic child. It is especially good at helping the brothers and sisters of autistic children understand and better relate to their special siblings. The book's dual language format (English and Spanish), along with the wonderfully expressive illustrations of Jenny Loehr, give it a broad, intercultural appeal. Tacos Anyone? truly conveys a most inspirational message and spirit.

I read this book the first time when I checked it out of the public library. I loved it so much that I had to have my own copy. It is a fascinating account of how the nouvo riche in the U.S. basically bought acceptance to high society for their daughters. You can just pick it up and read sections - it's not necessary to start at the beginning and work through. Not a summer goes by that I don't pick it up!

Every time I read this book it becomes more and more interesting. Meticulously researched, with great little anecdotes and etiquette tips.
This book is a lot of fun! I especially liked the many photographs of the designer gowns (most by Worth, if you please!) that are liberally scattered throughout.
If you're ananglophile you'll want to get this one!

Those few of us who have wondered why in the world a comfortable, cosseted American girl would want to marry an Englishman and live in a cold climate in an even colder stone castle will find answers here, even if the answers aren't satisfactory to the modern ear.

Think of it: wealthy American society girls, products of generations of men and women who gave lives and fortunes to escape a Royalist society, thought it a worthy investment of their lives, loves and wealth to buy an English title in the form of a husband. It's understandable that men who have no money and are saddled with huge estates and titles with no way to support themselves "in the manner to which they have become accustomed" would search out these women. It's another matter to understand the women, especially if they were bright and energetic (like the fabled Jenny Jerome).

Of course the first women to get involved in this weird method of social climbing didn't realize what was involved. (Though why American society decided that an English title was important in the United States, especially if it could be bought with money, still escapes me.) The problems included loveless husbands who paid little attention to their wives and carried on affairs; cold and drafty castles into which Papa sank tons of money to no avail as far as comfort was concerned; families who refused to accept them in spite (or because) of the fact that they provided the money to keep the lifestyle intact; servants who often were sulky and rebellious ("but we've ALWAYS done it that way"); children they handed over to nannies. The first brides must have kept the hardships and loneliness from the succeeding generation, for the rage for English titles prevailed from the mid-19th century almost through the mid-20th century.

TO MARRY AN ENGLISH LORD is a fascinating and complete look at these women and the lives they led. Illustrations showing the homes and households of the times and how they operated, fashions, maps, photographs of the women and their friends, families and husbands all combine to present the core of that particular section of society in that particular age.

The book is meticulously researched and includes a bibliography, a register of American heiresses, a suggested walking tour of the women's London and a very handy index. It's built around the stories of these women and the men who wooed and won them. Who they were, what they did and what the consequences were -- all adds up to an intriguing and fascinating read.

As the other reviewers have noted, this is a great romp through a part of American history you don't learn about in school. I read it through once and then re-read it just to savor all the little bits and pieces the authors have so generously loaded it with. If you ever wondered about all those Vanderbilts and all those Whitneys, here is your chance (from an American point of view!)to find out just how and why these ladies ended up in the postions they did- all for the love of Edward VII. I wish there were more reader-friendly books like this that make history so entertaining.

Who says that history is boring and stuffy? This well-researched book is chock full of anecdotes, pictures, and facts to make the period and the subject come to life.

This book discusses the phenomenon of the "dollar princesses": American hieresses who married into titles abroad, particularly England. Amongst them were Winston Churchill's mother; a woman who was the second-highest ranking woman in the British empire (after only the queen); and maybe the most famous of all: Consuelo Vanderbuilt, who begrudgingly became the Duchess of Marlborough in a marriage aranged by her social-climbing mother.

Written informally, with lots of pictures, this might be a great book to buy a teenager who is just transitioning into "grown-up" non-fiction, but finds most of it dry and uninteresting. It is also a must-read for anyone who plans on traveling to country-houses in England, as it gives a more accurate view of what it was like to actually have to live in one of those monstrosities! Anyone who is interested in the history of class in America, or of the British Aristocracy, would also be interested.

Town House by Tish Cohen is a light, funny, interesting novel about how our man, Jack Madigan, a famous rockstar's only son, deals with hurt and painful memories he can't leave, can't escape and seems to not want to. He is locked into the town house with them, and this he does completely willingly, except for his problem, he is an agoraphobic (no that does not mean a fear of spiders). He is completely unable to go outside without taking a heavy medication, which lately isn't even doing the trick. Jack's time in the town house is father left him is coming to an end, he needs to sell the house since he is not keeping up with the payments. Will he be able to leave the house and find a job? Will he be able to keep his house?

Two women in his life push and shove him to break through his fears( his naive Realtor, and his precocious neglected 8-year-old next door neighbor girl), but he constantly lets them down. He can't help them if they are standing outside his house, and how can a friendship stand strong when it seems so one-sided at times?His son Harlan, an amazing kid with a true loving heart, is slowly loosing hope for his father. He is a teen, a teen should not be seen with a father who cannot leave the house except to get dizzy, create a scene and embarrass his son (or so Harlan thinks!!!)

Well, read it!! Town House is a perfect book that is not as silly as chick lit, and has much more substance...but it also is very funny. Jack the main character is full of sarcasm, and he will draw you right in, and you will love him, at least I do. So, if you are looking for a book in between reading Tolstoy and Henry James, this is it. The quality is there, the lightness and humor are there as well, and yet it is completely quirky and real. Dive in!

Quotes from the book:

" No, the rood of your problem lies in your lack of a stable childhood home. Lack of parenting. Lack of a solid family life. Your father was and obsessive -compulsive with olfactory issues who left you to sleep in a Coca-Cola crate" (p. 21).

" Harlan would be much better off with his mother, Jack thought. Hell, he'd be better off with this Yale guy, who takes all the vitamins. Only the most selfish of fathers wouldn't see this" (p. 62).

"This house has turned you into a prisoner. It being sold is, like the best thing that could ever happen to you. And me! Let's get the hell out of it!" (p. 81).

"It was all so delicate, so temporary, this thing called life. One minute this was your world; the next minute it was gone" (p. 249).

My mother heard I was thinking of moving into a Boston townhouse, and she sent me this book as a sort of warning, for Tish Cohen lays out all too clearly the perils of getting settled into a town house, no matter how spacious and airy. In this way, the book is rather like the forthcoming Dale Peck novel, in which a young boy who inherits an entire New York brownstone mansion, soon finds himself climbing the walls with loneliness (THE GARDEN OF LOST AND FOUND). Cohen's treatment is rather different, for she mixes the whimsical with the deadly and dangerous disease (or neurosis I suppose) people call "agoraphobia," where you never want to go outside. Jack Madigan has it made, the son of a famous rock star, and the father of a handsome teenage son Harlan, he has it all on the outside, but for him, there is no outside, it is a spooky and unimaginable world to which, as it happens, he has now lost his lovely wife Penelope who, or so it seems from the outset, has just about given him up for there are some people who just don't understand those of us who hesitate before lesving the house.

I heard the author of SEABISCUIT, Laura Hillebrand, recommend this book on one of those NPR radio chat shows where famous authors give tips on what's new and deserving. Hillebrand, as many know, herself is a real life victim of agoraphobia and despite that she did what Tish Cohen has done, built up a whole world out of a place where she has never been.

If asked what the book is like, I would pause and then reply that it is sort of a cross between ABOUT A BOY and PANIC ROOM. It would be a great movie with Hugh Grant and Jodie Foster! And some cute little girl like the one who played Foster's daughter in PANIC ROOM. There's also a good part for a realtor, someone like oh, Thelma Ritter used to play. Dorrie Allsop, the realtor in charge of selling the town house, provokes the crisis in Jack's life, by making him realize that even the safest refuge isn't always the best option in life. A funny chapter shows her perplexed when the ad she puts up describing the town house, that read, "Shelves in Cellar," is altered by the compositors so it looks like "She Lives in Cellar," and people reading the ad stop and say, "Who lives in the cellar?"

It's also a little bit like LOVE ACTUALLY (also with Hugh Grant), but with a Canadian twist. (Although set in the USA, it has some Canadian locutions that give it a strange, though welcome, freshness.

Town House has a cast of characters that manages to be quirky without being cartoonish, a satisfying romantic involvement, and a perspective on color that made me start staring at the paint on my wall much longer than I probably should. Throw in a cat with half a head, some badly fitting shoes, and a handy device called the Groper, and you've got the recipe for a delightful read. I can picture the movie already!

Town House is an amazing story by Toronto author Tish Cohen, whom I met in June with authors Patry Francis and Jennifer McMahon. Not only did Tish write her book in three and one half-weeks, (it WAS fully plotted - but, still - that is an amazingly fast write - even for a writer who writes, as Tish does - everywhere - (on the keyboard or on scraps of paper scrawled while grocery shopping) she soon sold Town House to Fox movies.


Ridley Scott has been signed as the producer; Doug Wright as the screenwriter.

Tish told me recently in an email that filming is slated to begin in Boston in January.

NEWS FROM THE AUTHOR, (Tish herself!)We've had some nice film news--John Carney, who directed the much-acclaimed indie film, ONCE, has signed on to direct Town House. ONCE won at Sundance, it's a great film that's getting a lot of Oscar buzz.


Tish has a fantastically creative and quirky style. That is one reason her book sold so quickly. Another reason? I have no idea. But hum a few bars for me or give me the recipe and I'll try my hand...Hmm. Maybe not. Tish is sui generis, a unique author with a unique story to tell.

On to Tish's book. Admittedly, an agoraphobic herself, Tish's main character, Jack Madigan, is also agoraphobic. He lives in the house his dead, rock-star legend father, Baz Madigan, left in his will.

(This fictional house and the cover of the book is a Boston Town House, the subject of the book. Once upon a time, Tish fell in love with Boston when she was here for a conference. She skipped the conference but toured Boston with its fabulous history, culture, and architecture.)


Like Jack's life, the house is a once-glorious enterprise now in near ruins. Yet, Jack is still way too good looking for his own good and is fast spending the inheritance from his father's royalties. However, in Town House, like in real life, once the money runs out, it becomes time to pay the piper. Jack must negotiate his way through many characters in this fast-paced story. The bank is threatening to foreclose; the ex-wife wants to take their son to California - and a maddening girl next door keeps barging in on his life. Then there is the matter of the real estate agent.

So Jack turns to his ingenuity to save his mortgage, his sanity and his son. And to venture out into the real world beyond his front door. This is a comic read in the best sense - zany characters who seem too nutsy to be real and yet they are characters you recognize as your own neighbors (or, possibly as yourself).

* * *

Excerpt:

This is from the Prologue:

"The pills clung to the bottom of Baz's dry tongue like barnacles. He held his breath, waiting for the nurse's tyrannical bosom to swing away and lead her downstairs, toward the street where her teenage son was waiting, or honking rather, in his shiny new '78 Pinto.

"Swallow," said the nurse, narrowing her eyes.

He opened his mouth to show his empty tongue. "Were you always this bossy?" One of the pills struck the underside of his tongue stud.

"Only with the sneaky ones."

The Pinto beeped again.

"Go ahead, Louisa." Baz's words hung, wafer-thin and dusty, in the stale air of his bedroom. He closed his eyes and swallowed, sending trickles of pain across his temples and down his neck. "I'm going to sleep until Francine comes up with my dinner."

"How that fine woman ever birthed a wretch like you, I'll never know." She gathered his mane into a loose ponytail and stuffed it down his T-shirt. "Your hair smells nice today."

Baz cracked one eye open as she lifted the leather jacket from his shoulders and replaced it with a soft guilt. Having assured himself she wasn't mocking him, he glanced up to admire the giant Bazmaniacs logo on the back of the battered jacket as she hung it on a chair - right next to his Fender Stratocaster electric guitar and three framed gold records."

And from Chapter 1:

" Jack Madigan squeezed his eyes shut. Hard. He wasn't going to cry over this. There were exactly three events in his thirty-six-year-old memory that had brought him to tears, typically life-splintering events; such as his father dying on him while he was away at a sleepover; his son, Harlan, bursting - squalling an bawling - out of the womb and into his heart; and his ex-wife sashaying out the front door of the old Boston town house and wishing Jack a good life.

She'd forgotten the tweezers."

* * *

So will Jack be able to find love? Save his house and child? Venture outside into the real world? All that will become evident in the final chapters of this MUST read!

Although this is a novel, it has the ring of truth throughout. Imagine trying to save your home and maintain sanity and stability while battling agoraphobia (for those not in the know, this is a phobia which makes it nearly impossible for sufferers to leave their homes without feeling extreme anxiety,including panic attacks).

What I found amazing about this book was the humor inherent in a very difficult situation. Jack Madigan has lived within his home in an old townhouse along with his son, a cat and his wife. His wife left him and s already planning her marriage. Whenever Jack tries to leave his home, he has panic attacks, a particular type which causes him to feel dizzy, head spinning,unable to stay upright. While this could be milked for far more drama, I liked the rather wry take Jack has on his condition, even as his son expresses a mixture of emotions, from resentment to compassion to shame.

Of course, nothing stays the same, not even in a seemingly controlled environment and the world comes crashing in on Jack. His income dries up and the townhouse is put up for sale, pressuring him to face the reality of change - and far more change than simply stepping outside his door, something he finds difficult unless he is extremely angry- and even then, his anger generally wears off quickly and he is panicky again. To add to the mix, his real estate agent is a quirky person who is quite chatty, often overwhelming or baffling Jack. But there is more to her than meets the eye.

I thought the author managed to convey the particular traits of agoraphobia quite well, although there are many types and varieties of this condition. Some people can make it outside their home, within a certain area of safety. Jack has a far more severe form than those people, finding it impossible to even step outside to pick up a dead bird. He is known as a "hermit" by many in the neighborhood, even taunted by children.

Few anxieties are cookie cutter imitations of others and depend on the person, their will, their biochemistry and other factors. For those who find the novel a bit contrived or can't relate to Jack's quirkiness, I hope you'll find the writer's style unique enough to balance anything that seems a bit pat. For those who are prone to anxiety and panic, they may find some comfort in a book which acknowledges the realities in a far more accepting and matter of fact way than you might expect.

I'm stuck in the first few chapters of this collection. It is much darker compared to the immediately uplifiting through positive insight book, The Prophet. It is however still filled with Gibran's signature wisdom just in a slow and gloomy kind of way. It is a must have for any Gibran lover just be prepared.

My father first gave me a copy of this powerful, and yet distant writer who exposed my mental eye to a world far away; yet close to home. Kahlil Gibran inspired me beyond words, and I know as a writer that every word written inspires someone; however, this author is my prime example of how race has no matter in words that scatter ignorance. He'd addressed the heart and mind on subjects with great story telling power. My original copy of his book is so old that it is falling apart, and so I bought this collection in order to share his words with others without concern for the condition of the book. I read a few pages to a young lady in one of my classes and she went out and bought her a copy, too. I had no idea that I was missing out on so much more incredible stories and poems until I'd made this purchase. I leave it to you form your own opinion.

Everyone seems to have known about this book but me! Where have I been? The poems and stories in this book absolutely give me those wonderful goose-bumps that come when I experience something very special.

I am very pleased with this purchase. The book was shipped quickly and in excellent condition and I love the book!

"I know that the principles upon which I base my writings, are echoes of the spirit of the great majority of the people of the world..." (656)
-Kahlil Gibran in a letter to his cousin, Nakhli Gibran, in 1908.

"The Treasured Writings of Kahlil Gibran", is a compilation of three other books of Gibran's treasury of writings, that each contained several books in one volume. They were: "A Treasury of Kahlil Gibran" (1947), "A Second Treasury of Kahlil Gibran" (1957), and "A Third Treasury of Kahlil Gibran" (1965). A total of ten books in all, this volume contains earlier books by Gibran such as, "Tears And Laughter", and more mature and widely acclaimed books such as, "The Broken Wings." In addition to the beautiful prose, verse, and imaginative stories, there is also biographical information and letters written by, and to Gibran. This is perhaps the most comprehensive book of Kahlil Gibran's writings, and one of the most informative about the man himself.

Philosopher, artist, and poet; these are some of the titles that are used to describe Kahlil Gibran. In order to fully describe this remarkable man, and this book, "The Treasured writings of Kahlil Gibran", one must reach beyond a mere title and use words such as passion, purity, and even divinity. To read this book is to realize this was a mortal man who sincerely understood the difficulties of being human, and yet often looked into the tender eyes of the divine, and shares his belief that he can see this light in the eyes of others.

"The riches of the spirit beautify the face of man and give birth to sympathy and respect. The spirit, in every being is made manifest in the eyes..." (488)

To absorb the depth of Gibran is to discover your own soul's longing for light and life, for beauty and joy. It is to hear the cries of your own heart's ecstasy as a friend, companion, and lover. With his writings, Gibran seems to gently take us by the hand, and listen with us, for our own whisper of echoing spirit.

Brian Douthit
Author Of Perfectly Said: when words become art

I couldn't put this book down. This is a richly crafted novel about opposing cultures, youth, love and political conflict. Daanish and Dia are real. The author crafted their characters with such complexity that I felt as if we were all in the same room together. The stories of each family are spun as smoothly as the silk on which the story is based. Brilliant!
Linda C. Wright, Author, One Clown Short
One Clown Short

An excellently written, moving story that allowed me see some of what living in Lahore might be like.

I came across this book because I mentioned to a friend that I was sick of books written about 'the post-9/11 Muslim disaffection' and she said that TRESPASSING was written BEFORE and ABOUT pre-9/11 disaffection, so I might want to give it a try. I'm glad I did. It's a shame this book isn't getting as much attention as the spate of post-9/11 books, because there are so many things it puts into deeper perspective.

The character Daanish is studying in the States during the 1991 Gulf War, and the alienation and anger he feels as a young Muslim male during the Iraq invasion and subsequent American 'victory' are an eerie foreshadowing of the current crisis. It's not just the anti-Muslim media that oppresses him, but the general apathy of ordinary, even friendly Americans who don't want to know about their country's foreign policy. This book implies that the cost of this apathy is more anger, more alienation -- and more violence. If you want to know that the world we're living in today did not begin on 9/11, I highly recommend this book.

Uzma Aslam Khan pulls off a very difficult feat in this novel. She successful creates a wide range of compelling characters who wind their way through various aspects of Pakistan of the late 1980s and early 1990s. The main protoganists are a male student who has returned home from America and is being set up with a woman from a well-connected family. The other is a free sprited local woman who has never been outside Pakistan and has fallen in love with this recent returnee, who is being set up with her best friend. Their relationship tests the limits of what is tolerated in a very traditional culture.

Other characters explore the political nature of life in Pakistan, from involvement in a movement against the government, to anger expressed at foreigners (i.e. Koreans fishing off the coast in traditional fishing waters to the First Iraq War.) This book is authentic in the sense that it explores the frustrations of Pakistani people, regardless of its justification. In fact, the author doesn't justify anything. She presents and lets the reader make his/her own judgements.

My only criticism is that she uses anti-U.S. Iraq War sources (i.e. from General Ramsey Clark) that the average Pakistani would not have access to and is very one-sided. However, this does not detract from the overall message that the average Pakistani was most certainly against the 1991 U.S. war in Iraq.

This is a moving tale and you feel sympathy for all of the principle characters who are caught in a system not of their own making and from which they cannot escape. The concerns are political, social, and economic.

Most Westerners have a difficult time seeing life through the lenses of those who don't have the freedoms and wealth that most in the world do not possess. Though I am an American who has lived many years overseas (I live in Taiwan), I live in a relatively open, prosperous and democratic country. Life here bears no resemblance at all to life as portrayed in Pakistan.

Ms. Khan deserves praise for daring to present to a Western audience the realities of Pakistani life as seen through her eyes. Even if you don't agree with some of the conclusions and beliefs of some of the characters, particularly vis a vis the United States, they also can't be denigrated or ignored. Even if you don't agree with the feelings of those in another culture and you feel they are the result of incomplete information, the feelings are still real and are ignored at our peril. Ms. Khan effectively weaves this into the story without being overly judgemental in her own right.

This book is a must read.

An amazing story of love, lust, power, greed, self-preservation, and self-loathing. The author does an amazing job of challenging our own value system by pushing us to see how all of these powerful states of being emanate from the universal "need to belong". Trespassing is a scintillating tale of the existential angst experienced by its characters, as well as an poignant cautionary essay on how the personal becomes political and vice versa.

Looking forward to Ms. Khan's next novel!

Some of us like it rough. This dame plays the way we used to play in the streets of Philly. There is elegance, there is subtle intelligence, yes, all that, but the best part is that when the ball hits you, it stings like hell. She writes of life and living, but also of eternity and death. She is somber, but never depressing. The language itself is encouraging, even when her message is not. This is a 20th century poet who has seen it all and isn't afraid to remind us of what man is capable of. The techniques are modern, too, but the love of language surely belongs to the old world. This is the kind of poetry we all used to love to read. She plays hard ball.

Wisala Szymborska's poetry passes the test of intelligibility which is important to me. Virtually all of her poems are self contained in that they do not make arcane literary allusions. In other words, her poetry can be appreciated by the average reader which I consider myself to be. She does not limit herself in subject matter so her poetry contains something for everyone, and also with a subtle humor and an obvious understanding of the human condition. She does not require a lot of words or a lengthy poem to share her own unique insights. Reading this Nobel laureate one thinks how nice it wold be to meet this great lady. Although I devoured this collection the day I received this book, it is one which I will certainly read again.

This book was and still is my first poetry book; not because I haven't read anyone else's, but it's the first compilation that I was really willing to pay the often outrageous prices for. (LOL) I am not an avid poetry reader, nor am I familiar with the current favorite contemporary poets, but I find that she really does succinctly portray "life's improbability as well as its transient beauty" quite well.

As a younger reader , I do have a bit of a problem identifying with the poetry that she writes pre-1972 (that is, the first few sections before the 'Could Have' section), because I don't really know much about it. As a note though, I probably should say that 'Nothing Twice,' which is about the probabilities of chance, from the pre-1972 section has been a real gem. Anyhow, the travelogues, the places, the books are things that frankly, I'd ask my parents and they probably wouldn't know either, or know very little about. I suppose if I researched enough, I would have no trouble understanding her message, but the stuff I really bought this book for was the pro-1972 sections. I can identify the issues because they're fairly general knowledge and have a certain mocking humor to some of them, but the words do just pull you in. The poems are addressed to one, and to all, and you feel like you're part of the whole. There are instances in which you feel like she's writing about you and the instances you've gone through, and that's what makes you feel amazed at the depth of understanding she has on these matters.

I first discovered her poetry in my high school English class and was surprised to find this book as the only book available in my favorite bookstore (and costing almost triple the cost of a volume of poetry that must have been 600 pages long, with of course long-dead, long-cherished poets). Oh, wait--I did find another book containing her work (that I don't remember the name of) but I bought this one because there were simply more poems that I liked. After a month or two of muddling around and waiting for the price drop (which it didn't), I just gave up and bought it. I can't say that I've regretted that decision.

And...if you still have trouble deciding, the Nobel Prize for Literature she won should be more than enough of a pull to help you decide. It wasn't as much of a deciding factor for me, but it's always nice to know that somewhere in the depths of the blackhole that is my room, I actually have nobel prize literature that I understand and can recommend to others...

My favorite poems from her have been 'Could Have,' 'The Onion,' 'Discovery,' 'True love,' 'Under One Small Star,' 'Pi,' of course 'View with a grain of Sand' because of wordplay, but I find that every time I re-read it, I uncover more about the poems and so that favorites list keeps on getting longer and longer.

It may sound a little strange, but I keep it with me when I travel for long periods of time away from home and turn to it when I have that rare solitary moment to really think about life and what its inner workings are because it just gives such a realistic criticism that you sort of go...wow. Never really thought about it like that before.

The Nobel Laureate in Literature of 1996 was proudly bestowed on Wislawa Szymborska, the first Polish woman to receive the prize for literature. While they are other Polish recipients like poet Czeslaw Milosz, Wladyslaw Reymont, and Henry Sienkiewicz to have received the honor, Wislawa is the first woman. While she writes poetry mostly, she has written prose. My biggest problem with poetry is that when it's written in another language, I believe it gets lost in translation but rather the meaning is not lost among its readers. The translators have the arduous task of translating from Polish to English. If you anything about Polish, it's not an easy language to translate from especially to English. But Wislawa is worthy of receiving such top honors because she is now well-known, highly regarded and respected. She has not changed much since she was awarded the NObel prize. She still lives in the same three room apartment in Cracow, she still smokes, and she is still the same humble person who despite her own feelings is quite worthy of such a prize.

...Containing over eighty poems from seven original collections, this book serves as a well-rounded and pleasant introduction to Szymborska's work. This is a good choice for anyone interested in good poetry, women under communist regimes, or Polish literature.

So funny. Quick, light reading. Very enjoyable

This book is great. I'm still laughing. This one is on my highly recommended list. I started reading it at 6:00 in the evening and didn't put it down until it was complete, around 2:00. I went back and re-read several of the letters. Visualizing the look on some of the adressees faces was really funny. Can you image what some of these people must have thought?

Recently, I've been reading a lot of the prank letter books that have been released. From Ted L. Nancy, to Paul Rosa, and others.

Wilber Winkle was one of the last in the series I picked up. To be honest, after a couple of lesser books, I thought the genre was dead. It isn't. Wilber Winkle is actually one of the best, up there with Nancy, only more serious.

The thing that is so good about this is that the letters seem more real. They aren't jokey like some of the others. So, they are taken more seriously.

And, even better, he continues his quest with several letters, even at times sending money orders to make his letter stand out (and help with researching the questions he asked).

His letters to Hershey's over several years to find out why they left out the almond in the Fifth Avenue bar are wonderful. He continues on and on, even sending Christmas greetings to them asking how their project is going.

Also, he becoomes a pen pal with Ronald McDonald himself!!

Great stuff.

I only wish there was another volume, or it was longer.

I enjoyed the "Letters from a Nut" series of books. But this book is even better. The author not only writes with his strange requests/questions, but he continues to reply over and over. It's almost unbelieveable how some of his letters are responded to. He puts a lot of thought into his letters, making them outright hilarious. Letter's from a Nut is good, but Wilber Winkle is great!

One of the better books of this genre and suprisingly intelligent and witty. Winkle tackles targets that legitmately annoy him (and us, his readers) and doesn't give up until he gets a satisfactory resolution to his complaints. For some authors in this genre, simply getting an answer to a stupid letter is the punchline. Not so for Winkle, who demands real answers to his complaints. It's his targets' own unwillingness to co-operate that makes them look foolish (and reveals their real attitude toward consumers) and this provides much of the humor for the book.

This is less a "prank" letter book than it is a manual on the art of effective consumer complaining, but this doesn't detract at all from its laugh-out-loud humor. Winkle is an odd and wonderful mixture of consumer crusader and merry prankster.

The interelinear portion of this book is great and many of the other reviews have done a fine job of explaining why. I would just like to add how awesome the concordance is that comes along with it. It is arranged by strongs number (rather than the english word) and thus makes it a much more useful tool for finding relevant cross-references. I definitely prefer it to a Strongs concordance and consider it to be my favorite concordance bar none. This book is just an incredible tool for the serious studant of the Bible.

I recommend it to anyone who is looking for a bit of insight into the original wording of the scriptures. I'd prefer an Aramaic interlinear, but this one is a good buy until that comes along.

Print is a little small but crisp and clear, binding is good.

If you really want to understand the New Testament you need an easy way to find the original Greek word behind the words you read in English and then, a list of quotations in English of all the contexts in the New Testament where that particular Greek word is employed. That is exactly what this book efficiently does. This is probably the most valuable "next book" beyond the New Testament itself.

This book has really helped me in my bible studies to get the most accurate translation, from the original spoken language of the bible to english. Example, Baptism is a translation of the true meaning immerse.

This interlinear is good in that each Greek word has a Strong's # above it, to easily find the word in a Greek dictionary that uses Strong's numbering system. However, if you are serious about delving into the Greek, it seems that you would eventually want to at least learn the Greek alphabet, in which case you would not need these numbers to look up Greek word definitions. Also, the type is easy to read. Also, the book contains a Greek concordance at the back, to quickly see where a particular Greek word is located in the NT.

First, let me preface this review by stating that I am an extreme novice, in the serious study of the scriptures, so don't regard my opion too highly.

I do not trust any one completely, when it comes to the matter of my own salvation, which is very much dependent on my understanding of scripture. I have what I regard as a healthy contempt for doctors of divinity, and conferred degrees; all people are subject to common human frailty, and are thus subject to being deceived, no matter what seminary they attend, whatever academic degrees they have obtained, and however sincere they may be. Once a concept is accepted as true, it generally is highly resistant to being rejected, even after the light of truth has revealed it to be error. What I am trying to say, is that generally, children in a Baptist Sunday School class, generally grow up to become Baptist theologians, and Lutheran children likewise usually grow up to become Lutheran theologians, and so on. I know that all theologians have their own particular set of presuppositions and biases, and these biases necessarily affect their interpretation of scripture, even though they may strive valiantly to resist all subjectivity, when called upon to perform the holy, sacred, and even frightening work of translating the scriptures.

McReynold's has chosen a scheme of scripture translation, which only renders a single English word, for each Greek word. That is, he has not sought to enter into speculation regarding which shade of meaning a Greek word has, depending on the context of the passage, nor I suppose, it's grammatical placement (where the word is placed in the sentence), as well as other factors that I am not seeing, due to my great ignorance. This may seem like a severe drawback, and to some extent it probably is. However, consider that it has the advantage of being relatively free from the theological presuppositions and biases of a translator, who sincerely tries to help along the scripture, to say what he believes it is trying to say, and you will then see that McReynold's translation is inherently more trustworthy in this respect. To my knowledge, no other interlinear, nor Bible version, is translated this way.

Being that I am so easily deceived, because I have virtually no background in Greek, I find this interlinear to be a preventive bulwark against the subtleties of man. Better yet--if I understood biblical Greek fluently, I could generally dispense with using interlinears; but for now, they are a necessary help, to bridge me over to the original writings, to some degree at least.

Peter Elbow has chapter after chapter techniques to get you through the writing process from start to finish. He helps you to create your most powerful writing. Whether you write fiction or non-fiction, are a beginner or seasoned writer, this book is a "must have" in your writing library.

Elbow is the known authority for writing techniques and this book is a classic. Easy to read and understand, Elbow creates a world where writing is not only important but rewarding. I have tried many of the suggestions and after years of frustration with writing papers, I have found tools that are very useful.Best of all, Elbow is so excited about the writing process, I actually look forward to sitting down and getting started.

The Institute I am currently taking a writing course through, encourages the students to collect other points of view toward achieving our goal. I learned of this book from my neighbor who also took a writing course. I am enjoying the use of it very much. Thank you.

I first came across Writing with Power in our university library when I was starting my thesis in my final year of my Architeture Degree in 1991.
Up to then, my essay writing or writing generally - was lousy!!!!. So I was looking for a book which may help me.
Well what a surprise.
Peters suggested that writing be broken into 2 stages -
1. writing of ideas,
and then
2. editing

This new process provided for me , a creative person , a breakthough in a how to write that was contrary to how I had been taught to write ( writing and editing at the same time) which quite frankly didn't work for me.

Now armed with this more creative process, I was able to write and draw my thesis, graduated with 2nd class honours - much better that barely passing.
I reckon this ought to be a basis text book introduced to all students, at any level of schooling.

Now that I have found this book available on the web, after 15 years, I going to get myself a copy -Thanks Amazon and Peter.
ps didn't help my english though.

At one time, writing was slow and awkward for me. My college assignments forced me to write, but each essay and paper was an excruciating ordeal. Peter Elbow's book, recommended by one of my professors, turned my writing life around.

Writing With Power explains how the writing process works (and why it sometimes doesn't work). With those insights in hand, and using Peter Elbow's simple techniques, I began to write faster, more often, and less fearfully. And now, years later, I'm a full-time professional writer -- something that would have been unimaginable before I read Writing With Power.