English Books

I was given this book as a gift from my son. I read it on an airplane and laughed and cried so much that at the end of the flight, the man sitting next to me said, "you are quite an emotional lady!" I bought a copy of this book for the lady that helped me when I got stranded when the flight was delayed a day. She read one of the stories in it while I was changing clothes and I found her in tears when I returned. It's a great feel-good book.

In this collection of stories from and about mothers, there is something for everyone. Whether you need to be inspired, comforted, or amused, whether if you are looking for a laugh or a cry you can find a story for your mood. The Chicken Soup authors always know how to pick a collection of stories that truly brings the subject to light, a tear to your eye, and a smile to your lips! This time, what a worthy topic: mothers. As a positive psychologist in private practice I certainly know the powerful and permanent importance of our mothers in all of our lives!

I CAN NOT PUT THIS BOOK DOWN! Some real tear jerkers too. A must for all moms.

my family got this as a gift about 8 years ago. I don't remember much about it but I remember the stories about the mother losing her son during a skiing accident, the girl who bought her mom bobby pins for her birthday and the story where they're celebrating a grandmother's birthday and she dies at the end of the party after seeing her entire family at the celebration.

AFTER READING THIS I AM REASSURED THAT GOOD HONEST BOOKS ARE FINALLY MAKING A COME-BACK!!!!!!

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

I have purchased several of Mr. Garner's books and this one, like all the others, is a masterpiece. Mr. Garner's command and understanding of the English language, combined with his concise, crisp descriptions, make this work an essential addition to anyone's library. I applaud Mr. Garner for his extraordinary efforts and I thank him for sharing his genius with the rest of us.

Garner's Usage is likely the single most useful and entertaining book on the topic. Little else needs to be said about it.

Garner's Modern American Usage My daughter attends law school at SMU in Dallas where Garner is adjuct professor. She says he is a great teacher. We ordered two copies. Yes, it's indispensible as a reference, but it also makes great bedside reading for us wordsmiths.

Being a layman, and not a wordsmith as some of the review-writers here, this will not be an eloquently written review, however the results are the same. I often hear people use words in a way that I believe to be incorrect, for example 'irregardless', but I'm never quite sure. A regular dictionary doesn't usually provide the explanations I'm looking for, and my curiosity goes unanswered. This book is exactly what I need when I question the usage of almost any word. It gives definitions, explanations as to why words are often used incorrectly, as well as pronunciations that are correct or incorrect, and often in a humorous manner! This book would be a must for any writer, but is also sure to satisfy the simply curious!

I ordered this reference based on an essay I read by David Foster Wallace titled "Authority and American Usage." In it, Wallace dissects the ongoing debate between the Prescriptivists (those claiming to defend the King's English) and the Descriptivists (those who claim language rules should reflect current practice rather than old rules), and he does so in the context of, essentially, a long-winded review of Garner's Modern American Usage.
The big problem with Prescriptivism is one of authority, or "why" their rules are what they are. The problem with Descriptivism is one of, well, spinelessness in the sense that rules cannot be based simply on "what everybody else is doing."
Garner, however, deftly walks the line between these two perspectives. He acknowledges common, accepted usage, but still has the guts to make "rules" where necessary. And when he does so, he resolves the "authority" question by logically and fairly arguing his case, rather than simply "that's how it is done."
In my limited reading of Garner's reference so far, I've found it to be amazingly thorough in its examination of everything from common errors to idioms to punctuation, and surprisingly down to earth for a linguistic reference.
Personally, I think everybody should have books like this. But if you write for a living or simply have an interest in language and grammar, this book is essential to your collection.

This is a great book. I bought this book because my husband enjoyed this book when he was a child. He still enjoys this book today and reads it to our 6 year old son.

The lesson we learned from this book is there are always some problems no matter where you go.

I highly recommend this book because it's fun to read, educational, and it never gets old.

My dad was, is, and will always be a huge Dr. Seuss fan. He read this, as well as all the other Seuss classics, to me as a child. I had a devil of a time finding it a few years ago; had to special order it. It has an honored place on my bookshelf.

It taught me two valuable lessons: 1) Tackle your problems instead of running away from them, and 2) The grass is not necessarily greener on the other side.

Those two bits of knowledge have stuck with me for many years and led me through many challenging times. Thank you, Dr. Seuss!

What can I say, Dr Seuss is popular for a good reason. These are fun for all ages. The rhyming, the cute stories, the good morals. These books make reading for homework fun.

This was my favorite Dr. Seuss, and one of the books that stuck with me. I came across it recently while I also happened to be reading Campbell's Transformations of Myth Through Time.

A young man, beset with the travails of life, sets off to find paradise. The premise having been set, this story is actually predominantly about his many encounters and experiences on the road to paradise -- how he gets conned, imperiled, left to the mercy of the elements, enlisted into a battle he has nothing to do with, lost and alone in a crowd, etc. Having risen to the occasion repeatedly, he arrives at (literally) the door to paradise a changed man. In the end, Dr. Seuss leaves open question of what paradise really is.

This is an archetypal Hero's Journey.

And there is another parallel. Campbell often talked about the danger of concretizing the symbols -- for example that there is a physical holy land, the place where your myth takes place, to which you as a human being must physically travel to touch divinity. The alternative is to recognize your myth as metaphoric, and to recognize that the divinity of your God is your own divinity, and to sanctify and make holy the land and the place where you are, etc. 'Solla Sollew' speaks to this theme.

Can't really add much more than what everyone else has already said. I'll just add that this is my very favorite Dr. Seuss book... great story and great illustrations.

As a former Outward Bound instructor who loves adventure, I found this book riveting. As a business coach I know that learning occurs when we are on the edge, in a little less familiar place. This story supplements the narratives about Shackleton because Perkins takes the story and applies it to leadership. Hence, it becomes contemporary. I liked some of his points so much that I referenced him in my book. I strongly encourage you to read this book. Doug Gray, PCC, author of [ASIN:0975884158 Passionate Action: 5 Steps to Extraordinary Success in Life and Work]]sionate Action.

Perkins uses Shackleton's Antarctic expedition of the early 1900's to identify ten leadership strategies. These stategies have proven useful for me in both military and civilian business settings. Perkins uses real-life examples form the Shackleton expedition in Part One to identify the strategies. In Part Two he uses recent (from when the book was written) business example to demonstrate how these strategies can be applied. This is an easy read and the stories of the Shackleton expedition helped keep my focus on the people that we lead while keeping the ultimate goal in sight. The title of this book applies whether you are leading at the edge of the world, the edge of survival, or at the edge of competition.
"Fortitudine Vincimus"!

This book is a "must read" for everyone aspiring to become a leader. The different life and death situations that Shackleton and his men faced, and how they overcame the obstacles in their way, is an example for all to follow.

The book is written masterfully, allowing the reader to reflect on how different leadership techniques were applied and how to apply the techniques to the situations particular to the reader.

Outstanding Work!

A fantastic text based on an epic journey. The history of Shackleton's ill-fated expedition is a sharp contrast to the modern view which epitomizes personal liberty as the highest virtue.

This book features vignettes from an expedition faced with nearly insurmountable odds that highlight the difficult choices faced by Shackleton and his men. In the face of adversity, they managed to endure, though not without cost. Perhaps the most moving part of the narrative is knowing that, after he and a few of his men made it (barely) to the safety of a remote whaling outpost, he insisted on mounting numerous rescue attempts for his other stranded crew-mates until they were successfully extracted.

I highly recommend this book to anyone, whether or not you are involved in business management. As a father, I found many of the examples and stories inspirational, and I have shared them with my children to teach them the virtues of perseverence and the responsibilities of leadership.

The author, Dennis N. T. Perkins, shows extraordinary insight in leadership with 10 clearly stated principles. Based in strong part on Shackelton's expedition, these 10 principles are not only clearly stated, but truly make a difference. It is obvious that Perkins understands leadership. The book is easy to read, but takes plenty of mental energy. This book should be read by any manager, and should be considered a classic.

My 8 year old thought it was old and boring but he did seem interested in a few parts of the story. Probably a little outdated for kids these days but I loved it. It was the kind of story I would read when I was little, but I am going on 50.

This is a very long, very wordy book. It's not suitable for last minute bedtimes, nor for toddlers.

It's very suitable for kids in the older end of the 4-8 range, or littler kids with a good attention span, though.

Not much happens in the story - girl loses a tooth, gets her wish of ice cream, has clam chowder for lunch - which is just the way real life works. It's so well-written that you don't even *notice* that the story moves slowly, you might as well be talking about your own life.

I really sound like I'm criticizing, but I'm not. All the points I'm mentioning actually make it a good book. Really :) Definitely don't pass this classic book by.

This has to be one of my favorites and no child should be without it. The text is lively and easy to read and reads like people really talk, which gives the story a lot of warmth. The illustrations are beautifully drawn with lots of detail and humor and also look true to life, from the pained expression on the dad's face as he's rowing the boat, to sister Jane peeking from the top of the stairs or chasing the cat under the bench in Mr. Condon's store. Jane is depicted just as most children her age really are - a real livewire who is both curious and active, climbing and getting into things - she reminds me of my 16 month old daughter! And Sal is accurately portrayed as a typical preschooler - asking detailed questions about everything and talking up a storm.

You won't be disappointed. This classic is a must for any preschooler.

This book is a beautiful picture book, and I still enjoy looking at it. The pictures are gorgeous. And this isn't a cheesy book. It's a wonderful story for children, and I highly recommend it! Buy it. You won't be disappointed.

To a child, every morning is a new start with infinite possibilities; at least that's how it should be. In this classic 1953 book Robert McCloskey brings a child's simple world to life. McCloskey, better known for his Make Way for Ducklings and Blueberries for Sal, gives us another look at little Sal. The story is timeless and his line drawings bring the children to life.

The simple coastal lifestyle of more than half a century ago may be hard to find today, in part because of the high local tax valuation of shore and island properties. Still, if you were to take a child to the rocky coast of Maine this summer, she could be little Sal in the clam flats. One Morning in Maine (Picture Puffin) is full of that magical atmosphere where the land and ocean meet. We all want that magic!

McCloskey's Caldecott-honored book tells a simple story. Young Sal wakes up on a sunny morning in Maine with an adventure in store. She and her little sister are going with their father in the boat to Buck's Harbor to dig clams. There are idyllic family scenes, lessons from their father about the world around them, ice cream cones at the store, and the disappointment of a loose tooth lost in the clam flats.

Simple stuff? It certainly is, and just the sort of simple stuff children thrive on. Sal's morning may be long ago and far away, but the curiosity and wonder of a child's new day will be with us forever.

Linda Bulger, 2008

ISBN 0399231935 - A quick glance through the pages of the board book edition from G. P. Putnam's Sons didn't give me high hopes for this book, but I have - once again - been surprised by what can work in a board book!

The owl and the pussycat hop in a boat and head out to sea, where Owl proposes in song. They buy a ring from a pig and are married by a turkey... and that, you have to know, hardly tells the tale at all.

In few, very well-chosen, words, Lear's story can hardly be done justice in a simple recap. Jan Brett's illustrations are just slightly less difficult to put into words - the detail initially seemed to me to be a negative: young children tend to like simpler, less busy, illustrations. I think this is one time they will happily learn to love the busy-ness. The remarkable detail of everything, from Owl's feathers to the individual fronds on the palm trees, adds gorgeous depth to the book.

In addition, a second love story - told only in pictures - takes place, courtesy of Brett. Pussycat carries a yellow fish (we're going to call that one a girl) in a bowl onto the boat and the fish is seen on every page. Underwater, another yellow fish is seen "talking" to other underwater animals and each one he talks to joins him as he follows his trapped-in-a-bowl love, until Owl and Pussycat unknowingly have an underwater parade following them. Is everyone eventually with the one they love? Of course they are! Very well-worth picking up for your short person!!

This is a beautifully illustrated version of _The Owl and the Pussycat_. My three-year-old son absolutely loves looking at the whimsical pictures of the fish and other sealife that are abundant in this book. The pictures are done with beautiful colors and have their own story.

What a beautiful version of Edward Lear's poem. I've always been a James Marshall fan, but this book is absolute tops for his illustrations. The colors are glorious, the characters, as his always are, deftly and lovingly handled. I understand that it was his last work, and it's a shame that it is out of print. Buy it, save it, and pass it around.

Jan Brett's Caribbean-inspired illustrations for the classic Edward Lear poem are teeming with life, and the effect is stunning. The colors, textures, and shapes are a visual treat. Each page also has a different pattern of "straw" border, adorned with a different tropical flower.

The pictures overflow with detail, to the point where there's even a sub-story (pardon the pun) involving two yellow fish.

I didn't give it the full 5 stars because the way the text is broken up across spreads makes it difficult to read the poem with any kind of flow, and because some of Brett's admittedly gorgeous illustrations could (and perhaps should) have had more of a connection to the text. For one notable example -- there's no pot of honey on the boat, and we never get a look at the money wrapped up in the five-pound note!

But there's no denying the beauty of the illustrations, and the Caribbean theme works surprisingly well. This is a great book for anyone -- for newcomers to the splendid silliness of the poem as well as for old fans of the poem who are looking for an edition with fabulous illustrations.

I have always liked Lear's rhymes, especially this one, but more than the rhyme, it's the illustrations in this version that I like. We live in Florida and all our sub-tropical and tropical flora and fauna is in this book, beautifully illustrated and very recognizable to my 3 year old daughter. Following along with the secondary story of the two damsel fish (I think they're damselfish, but if they're not, the fault is my fish identification skills, not Brett's illustration) is really fun for her too. A bit further south, but still full of recognizable plants for us Floridians, is another of Jan Brett's books, "The Umbrella."

I've always been confused by the Sound of Music. Why would a land-locked country like Austria need a naval captain? This, and many other little-known aspects of the first world war are explored in this extraordinary novel.

Set primarily in the Adriatic sea during world war I, the story follows the career of naval officer Otto Prohaska. The Balkan coast at that time was part of the Austro-Hungarian empire. Prohaska, a native of Czechoslovakia, also a part of the empire at that time, experiences a series of adventures which are in turn, poignantly tragic and laugh out loud hilarious. Biggins weaves a story full of pastiches and events which are fascinating if only because the setting is relatively unknown here in the west.

However, what makes this novel succeed is not simply a well-researched, skillfully written story about an interesting subject. That would simply be a Tom Clancy-style book. What elevates this to the Patrick O'Brian level is the depth of the protagonist's character. Dismayed by the decay of the Hapsburg dynasty, he clings to the structure provided by the military life. That contributes greatly to the richness that makes this book such a rewarding read.

Very good reading if one is into this type of reading. I would also recommend John Biggins other books featuring Otto Probaska.I would suggest reading A Sailor of Austria as the first book,then the others fall into place nicely.To myself it was an A+.

I picked up this book about one month after I heard about it in the publishing companys catalog and I can without a moments hesitation say this is one of the best books I have ever read.Otto Prohaska is such a well written character he is a good and loyal person that serves with a passion a nation that has only caused him hardship and abandoned him.

An interesting work, reminding one of Flashman. Entertaining and educational.

However, this edition/printing is seriously flawed. In no less than two copies I have purchased, the text stops at page 96, repeats pages 49--96, then skips ahead to page 145. Make sure that your copy does not have this prining error!

Addenum: a email to the Publisher got me very prompt and excellent service. See this Publisher's superb list of Naval Fiction!

There are very few books that I have both laughed and cried over. John Biggins writes with a love of language, a clear sense of irony, humor, and tragedy, an ability to infuse life into his characters, and a wonderful ability to tell a story that is engaging and compelling. In the broad genre of naval/military writing, the only author who compares as a writer is Patrick O'Brian.

If you like military and adventure writing, this book is great- the action is exciting and the story provides an insight into the world of early submarining and WWI Austria.

If you don't think you like military fiction, read this one anyhow; the writing is exquisite and the characters extraordinarily alive. It provides insight into a lost world that English speakers have no contact with- Austria Hungary before and during WWI during the decline and collapse of the Empire.

I enjoyed reading this - as well as my husband. It may look small but it packs quite a punch! Some are funny, some thought provoking and some just plain hot!

Steamy Erotic Poetry is a real pleasure. Without being vulgar it is VERY sensual. Solomon knows, admirably, that Aphrodite is a laughter loving goddess, furthermore, and running throughout his poems is a rich sense of humor. Finally, this is a book that is lovely and loving: a gift (as it was for us) for Valentine's Day.

John Solomon's book was incredibly well written and while it wasn't the longest book ever written it is well worth the money. I recommend that people pick up a copy of this book. And give it a shot. As a matter of a fact, one of my friend's have currently borrowed the book from me. She mentioned she enjoyed the book as well. On a side note, John's book arrived quickly and efficiently. Again, I really think people should buy a copy of this book.

Hmmm...

This is good stuff.

This man loves his wife, that's for sure!

As for me, to discover he is content while reading this book, is an understatement of the first degree.

John Solomon grants us the favour of an intimate glimpse at his sexual feelings towards his lady. It's cooking, hot and steamy as you can expect of a heating boiler. It makes your ears turn red and your head to sweat. I enjoyed the book very much. It's tangible, visible, perceptible and enjoyable when you are engaged in a similar liaison and can recognize the train of thoughts he is experiencing throughout the day.

With an exquisite taste of humor and sexual feelings, he plays with words and ties them like a string. This man has a delicate feeling for what the phenomenon of pleasure is doing to you as a male human being. A great lesson for many serious believing men to enjoy life with the girl of their dreams. And for women to learn a little more about the feelings and fantasies that are racing through the male head while admiring his love.

A final word must be said, this book is a danger to the dispassionate reader.

A nice job!

I bought the previous edition which inspired me to write a few poems in similar style... this new one is even better and I'm SO glad I bought it! Lovely, erotic thoughts, sexy ones and funny ones, expressed with economy of words. Thoughts and verses to share together and smile over, and revisit. Thank you for a real treat!

My two older daughters and I have recently watched the first two Lord of the Rings movies. This was the first time for them. While watching "Two Towers" this last Saturday I commented a couple times how it was important to attack where an enemy is weak. It is best to aim for the Achilles' heel. After the movie we talked some more about how in battle you don't want to throw your strength at the enemy's strong defenses.

One of my favorite Science Fiction authors is Eric Frank Russell. He served in the RAF during World War II, and many of his stories have a military setting and with the clever hero destroying much larger opponents. The hero always finds the Achilles' Heel. "Wasp" is the first Eric Frank Russell story I ever read. I go back and reread it every couple years. I just reread it, probably for the fifteenth time.

The background for the story is Humanity is fighting for its life. We've expanded out to the stars and settled several colonies. We bumped into Sirian Empire. We got along with them for awhile, but they then decided to try and conquer us. Earth has more advanced technology, while the Sirian Empire has about ten times the number of people.

Our hero, James Mowry, is recruited to be a "Wasp." James is told a story of a small wasp that stung a driver. In trying to kill the wasp, the driver wreaked the car, killing three people, including himself. After months of training James Mowery is sent to a Sirian colony with the goal of destabilizing the colony, single handedly, to be a wasp!

This is a funny story. Eric Frank Russell does a great job of telling an interesting story while weaving in humor.

If you like classic Science Fiction from the 1950s, check out Wasp, or "Entities" which includes several of his novels. A couple dozen short stories by Eric Frank Russell's collected were put together in "Major Ingredients."

As a young girl, I borrowed this book from my father's paperback collection. With time, it disappeared from my life, and I have missed it. Every so often, I have tried to re-locate it, and imagine my joy at finding it again.

What can you say about a book that has haunted you for over 45 years? It is great. An entertaining and enjoyable combination of spy and sci fi.

This is a terrible book. It is the first science fiction book I ever read and I have been addicted ever since. It produced the typical symptoms of science fiction addiction: boundless enthusiasm for individual initiative, a ridiculous optimism for the future, starry eyed idealism, and weekend reading marathons. I should have never read this book. Now I'm going to get a copy for my son. Better that than those darn computer games!

Decades before the Pentagon coined "assymetric warfare", Russell literally wrote the book on it. This is thus a classic, kept in print I suspect by orders from young officers at our service academies. Oh, and it also happens to be a great read.

Eric Frank Russell has long been my favourite sci-fi author. He creates fascinating characters who win out through intellect and logic, rather than brawn, usually, and WASP is no exception.

The book is set in the future, with the Earth up against the Sirian Combine - a galactic conglomeration of planets intent on conquering the Earth. While the Terrans (read: Earthlings) have superior weapons and technology, the Sirians have vastly superior numbers. As the war drags on, the Terrans feel the best way to defeat the Sirians is through propaganda. The theory is that if a wasp can distract the driver of a car, destroying the vehicle and all 4 adults, causing havoc, death and destruction grossly disproportionate to the insect's size, that one man, armed with the right tools, can also cause havoc to a whole planet. So they recruit James Mowry to land on the Sirian planet of Jaimec, to effect such disruption. In theory, with enough distraction, more attention and resources will be concentrating on the internal strife, enabling the Terrans to launch a quick and successful attack on the planet.

To effect this goal, Mowry creates a fictitious underground rebellion called DAG, making the authorities believe that there's a whole group set against the overthrow of the government, when in reality it's just one man.

The book can be seen as a how-to in propaganda, playing into the fears of the enemy, forcing over-reaction and panic with minimal effort and maximum results. Some of the technology doesn't seem that advanced. Granted, there's space ships that can travel between planets, but there are also cars and telephones. However, considering that it was first published in 1957 - 50 years ago - it's hardly surprising. With the brilliance of the story, it is also unsurprising that the book is still in demand - the copy I have is out of print, but there are new anthologies of the author's works being brought out.

I cannot recommend this book highly enough.