English Books

You have Morgan who saw Lena at a charity event and it was love at first sight. He ask her out and she declines. A year later he devises a plan to spend times with her and offers everything she wants. Lena shies away from Morgan because of her full-figure she doesn't think they will look good together and she is the primary care giver for aging mother.

This book was HOT! The chemistry between the two was amazing. The book left me wanting their story to continue because I just loved it that much! Excellent job Ms. Jackson!

I don't usually read romances at all, but I have been spending a lot of time on planes and in hospital waiting rooms lately. In other words, I am stressed out, and was yearning for light reading with happy endings. Someone loaned me Brenda Jackson's SOLID SOUL, and that really did the trick. I enjoyed the story, the romance, and the characters. So I went looking for more of this series by Ms. Jackson, and I found BEYOND TEMPTATION, which was also a great read, and the perfect distraction. I started RISKY PLEASURES, and so far it isn't nearly as good -- I don't like either protagonist yet. But I am proud to say that I have become a Brenda Jackson fan.

Brenda Jackson is one of my favorite authors. She did not let me down with this book. Enjoy.

Here comes another hot Steele brother who gets the girl. I enjoyed the story short, but hot and romantic. Beautiful full figured Lena, is chased and caught by Morgan Steele. The only hiccup is how the heroine acts in a totally stupid manner when she discovers Morgan is really interested in her. Goes to show even intelligent middle class women can act stupid when it comes to love.

so far have nothing bad to say about the series love each book in the series so far...

Laura is a normal girl with a sweet younger brother and a frazzled single mother. Her life is ordinary until the day her brother is stamped with the image of a horrible man. Laura turns to Sorry, an older, intriguing boy who she believes to be a witch. Will he be able to help her?

This story is entrancing to read. I first read it as a 13 year old, and I still find it fascinating. It is a great read, especially for those interested in witchcraft stories.

Margaret Mahy's book is an unusual take on the juvenile magic-user theme. It takes place in New Zealand, in a single-parent home. Laura Chant lives with her divorced mother, and her toddler brother. Nothing is entirely reliable in Laura's world, certainly not her slightly flaky mother, their extremely flaky car, and especially the surrounding landscape, being transformed from forest and farm into a new subdivision.

Chant, perfectly named, can sense things that others can't. She can sense that her brother's rapid descent into illness is supernatural, and that it is linked to the boy's unfortunate contact with the also perfectly named Carmody Braque. She also can sense that the mysterious prefect at her school, an older boy named Sorensen Carlisle, is a "witch" and that he may hold the only key to healing her brother.

Sorry, as he's called, is one of those magnificent characters, the enigmatic boy who shows all the signs of being a proto-romance hero. But here, he's young, sly, and not above using his advantage over Laura. Mahy writes Laura as a strong character, and watching her handle Sorry is a lot of fun.

This novel is full of brooding atmosphere but with a great contemporary setting. Mahy's protagonist carries her weight, but everyone else is equally nuanced and fascinating. The book calls itself a romance, but I've never read an adult romance filled with such menacing ambiguity.

This book is amazing. The writing is so simple and so beautiful that the images stay in your head for days after you've finished it. The story is about change and transformation, seen through the eyes of the two very different main characters. Both of them is different at the end, and has a different place in their lives and their families. The romance between Laura and Sorry really moves you, because they learn to love themselves as they fall in love with each other. Also, the magic and danger feels so real and not stupid or made up at all. The best thing about this book is that when you finish it, you feel transformed too. I love this book.

GENERAL COMMENTS: "The Changeover" strikes the tone of a precocious adolescent with verve. Fourteen-year-old Laura sometimes communicates with an open frankness that gets ignored, sometimes through sarcasm, which she uses as a screen when she must tell the truth but doesn't necessarily want to be understood. Her sensitivity to the nature of others grants her an awareness of her own growing body even as she delves into her gift to protect her brother. This book does a good job of showing the selfishness of teenagers, AND the selfishness of the parents that love them imperfectly, even as they compare to the sinister greed of Carmody Braque, the villain. The resolution(clue: quasi-spoiler appears in the rest of this sentence) aptly makes use of this comparison, by depending upon Laura's understanding of Carmdoy's needs, and her ability to exploit them as he exploits the children's desires.

MORE SPECIFIC DETAILS: Her sensitivity to others allows fourteen-year-old Laura to recognize danger, but she remains helpless in deflecting it, as when her parents get divorced. At fourteen, she is faced yet again with her gift of sensing the nature of things, and this time, it's her baby brother who will suffer. Mahy intertwines Laura's current dilemma with her family issues. She lives in a single-parent family in which the mother is no angel (although awfully close) and the absent father is no demon (although most noticeably absent). Laura is aware that her parents have needs that don't always include her best interest, but this doesn't mean that she doesn't seethe with resentment. At times, her mature assessment of the situation only frustrates her desire to react as a child.

ABOUT SORENSEN, LAURA'S CO-STAR: The flip side of her family is Sorensen Carlisle's two-parent family in which both parents are women (his mother and grandmother). His guardians, who are both witches, were sorely disappointed in Sorensen when they found a boy instead of the girl who might complete their circle of magic, and deserted him, albeit with a generous allowance, to an adopted family. One day he shows up at their door, with obvious marks of abuse on him, and in spite of his gender, the mark of magic as well. This late in the game, they are forced to repair their mistake as best they can-- only they can't take away his alienation from himself. It is these two teenagers that must fight Carmody, without further estranging themselves from their families in the bargain.

I read this book as a teenager when it originally came out in 1984. The greatest compliment that I can give The Changeover is that twenty+ years later, I still reread it sometimes--and I still enjoy it. I can't say that about too many of my childhood books.

The Changeover was a rare bird back in mid-eighties--there weren't too many well-written books about magic and the supernatural with teenage girls as the protagonists in those days. This was a genre that I adored and could never get enough of back then. So this novel was an instant favorite.

There are certain books that you read when you are young that shape the kind of person that you become--not necessarily in a large way, but in subtle way. The Changeover was one of these books for me. I didn't realize it when I read the book at fourteen, but The Changeover is a metaphor for changing from childhood to adulthood--from becoming a girl to becoming a woman. And this book really captures that--all the insecurity and the fear, and even the pleasure that you feel as a girl in your own new-found, womanly power. I guess this book appealed to me so much because it made me feel better about a lot of the things I was going through at fourteen; it gave me a certain confidence in myself: I wasn't just getting older--I was becoming a different being.

I have read other comments about this book and I agree with the reviewers that say they want a sequel. I still think about Laura from time to time--she and I were the same age when the book came out--and I often wonder what became of her and what type of woman she became.

I jsut had to repond to the critical review at the top. I first heard this book when I was 5, and agian when I was 8. i loved i tboth times. I recently bought it (as an adult) becuase it is definately a book that everyone should own. It has a incredible magic of its own that sweeps you along.This book is a classic that every child deserves to hear.

This book taught me to go for what you want in life. It teaches that no matter how impossible it may seem, it can be done. I read this as a child, now I am 29 and I still think of it. I still like to sit down with a chunk of cheese and a loaf of bread as a snack, just like Dakin took with her on her journey. When it snows in the winter I think of the colored snow on the mountain that Dakin was determined to investigate. I have even tried to make colored snow myself. Gargoyles have a whole different charm to them once you know this story. Just from writing this I am excited to read the book all over again.

I read this story to my daughter for the first time when she was 4 and she loved it. A year later she wanted me to get it out of the library again. Recently, she insisted that we buy it. We read it through twice and now, since she is an excellent independent reader at 6, she is reading it again for atleast an hour at night to herself. Her favorite part is when the gargoyles say that they can "still feel". She has made her own stuffed gargoyles out of paper and pretends to be Dakin talking to them. This story is pure magic. It combines all of the elements of a questing story, but the fact that it is about a brave girl who knows her own mind, makes it special. There aren't many stories written for young girls like this and that makes it even more unique. I highly recommend it to anyone with a child who has a thirst for adventure and an interest in all things magical.

This adventurous, amazing, edge of your seat tale is my all-time favorite book! I've read it about three times and I've never gotten tired of it. When ever I see it in a library, I jump up and down and tell everybody "that's my favorite book!" I suggest anybody I see and all of my friends to read it. It is extremely entertaining.

I remember my mother reading this book to my twin sister and me. It was a hard back copy that she had gotten from the Library. My sister and I would come down out of our bunk beds and sit on the floor with my mother as we were enthralled to listen to her read this story. I loved the colored snow and the gargoyals. When I was married and had my first child I desired to read this book to my son and I did but it was mostly for me since he was only a few months old at the time. I will read it to him again. But I love this book. This story is a great treasure to me that I will always remember.

This rhyming children's book is terrific toddler reading. The drawings are beautiful and our kids have both loved it. Our two year old loves the animal illustrations and verses. A great pick!

We recently ordered 5 copies of Quick as a Cricket for our grandson and as gifts for other children. Our kids grew up with this book and it is timeless. All the copies we ordered were paperback but one arrived supersized. The pages are 15 x17 which is wonderful. The pages of the smaller books are 6x6. Both sizes have their uses but we really enjoy the wonderful illustrations in the larger format.

My children love this book (they are 5, 3 and 1). The illustrations are amazing and the words are few, but very creative. It's very fun to immitate the pages as well.

Cute book! There are puppets that can be purchased to go along with the story, they are great for kids to keep them engaged and involoved.

I used to use this book while teaching children at a learning center, and now I use this book to read to my daughter before bedtime. The pictures are great! The read is short which is great for kids with short attention spans. Absolutely a must have!

Nice, colorful, easy to read and has 40!!! stickers, which are the most important part after the kid reads the book. Organized in one full book.

I have recommended these books to all of my friends. They have helped my 4-year-old (born October) read and he LOVES to read them every day, twice a day. He can read sentences with ease like "I want a plane and a crane" or "The hot dog is on a log." In a matter of one month he's learned to read. The stickers offer a great incentive and make it so much fun for him. I have bought these for kids birthday presents (they have enough toys already, right!) and have 5 of them at my home. I wish there were more!

Great for blossoming readers. My kindergartener is really enjoying these funny short books. He loves seeing what happens next as he sounds out new words. My only complaint is that in this series as well as the level 3 the font isn't appropriate for new readers. The "g" is cursive looking & is very confusing. Don't know why that changed from the pre-readers & level 1&2, disappointing.

The best way to expose your child to reading. My daughter reads a couple books on most nights and she has improved dramatically over the past months. She enjoys reading the stories and putting a sticker on each time she does. Every parent that cares about education should get these books for their kids.

I bought this for my 4 yr old after having used the first two sets of Bob Books (scholastic). Now I'm Reading!: Amazing Animals is an excellent next step! Amazing Animals introduces long vowel sounds and vowel pairs (digraphs) in managable chunks.

This set is great for kids who are intimidated by the usual graded learning-to-read books (like Danny and the Dinosaur) or books which rely on the repitition of longer sight words.

Younger readers benefit from these short funny texts with lots of words worthy of sounding out. The illustrations and vibrant colors have kept my dughter enthused through out.

Young children can learn to read too with patience and these great books.

I gave this book/CD to my daughter for her 6th birthday party. After the party while she played with the neighbors I was exhausted and just wanted to take a nap. Before I did though I put this 68 minute CD of poetry on and found it to be very entertaining and relaxing. 29 of the readers are the poets reading their own words.

Now my daughter has been listening to it every night before bed and often I play it early in the morning to gentle wake her before kindergarten.

There are some classic recorded poems here such as "The Raven" by Poe, "Jabberwocky" by Lewis Carroll, "The Tyger" by William Blake and "Casey at the Bat" by Earnst L. Thayer.

There are also some very nice multicultural poems recorded such as "Eagle Poem" by Joy Harjo, "The Negro Speaks of Rivers" by Langston Hughes, and perhaps my favorite poem in the collection "Okay, Brown Girl, Okay" by James Berry which is reassuring, touching, and can speak to everyone about what it's like to be different among other people.

Not all of the poems are included on the CD--some are just included in the book. Familiar poems and poets in the book only are "from Macbeth" by Shakespeare, "The Tale of Custard the Dragon" by Ogden Nash, "Frodo's Song in Bree" by J.R.R. Tolkien, "The Land of Counterpane" by Robert Louis Stevenson, from "The Bed Book" by Sylvia Plath, "Wynken, Blynken, and Nod" by Eugene Field, and "Letter to a Bee" by Emily Dickinson among many others.

In all there are 95 poems. Some of them recorded and/or published for the first time. The illustration are delightful and done by three different artist with different styles. They are Judy Love, Wendy Rasmussen, and Paula Zinngrabe Wendland.

This book/CD combo is a winner. It's very educational, fun, and will be enjoyed by the whole family.

My child is 3 1/2 and loves this book, as do I. While she's not into the CD YET, she loves sitting w/me and exploring the poems which are neither too complex or too simple. There are classics and more modern works and they've done a wonderful job finding an assortment that represent various ways that poetry is used in other literary works (ex. excerpts from Macbeth and "Lord of the Rings"). I'm not a poetry expert, so I love that there are poets and writers of whom I recognize such as Robert Frost, Nikki Giovanni, Sylvia Plath, Edgar Allen Poe and that it introduces me and my child to others who I don't recognize. A great way to introduce poetry to your kids.

This book is fantastic. I've used it in the classroom with first, third, fourth and sixth graders -- because of the high quality of the poetry, it holds up to the scrutiny of middle schoolers and keeps the attention of six year olds. Hearing the poets read their own work gives the children an introduction to reading their own poetry out loud.
We use many of these poems as writing prompts for our own poetry in the classroom. The resulting poems are exiting, high-quality pieces the children and parents treasure. I would also recommend the Kenneth Koch-edited books "Rose, Where did you Get That Red? Teaching Great Poetry to Young Children" and "Talking to the Sun". The former gives lesson ideas, while the latter is a beautiful anthology of poetry paired with great works of art from the Metropolitan Museum of Art.

My 5-year old daughter LOVES this book. She listens to this CD over-and-over again. A lot of the poems are fun to read aloud, too. My daughter was a fan of Shel Silverstein -- but, this collection is a fun way to inspire an interest in a variety of poetry...I highly recommend this book.

Poetry speaks to children indeed. Although this book is actually meant for younger age lkie my 7-year old sister, my two older brothers (11 and 12) seem to also enjoy it, especially the CD recording. I highly recommend Poetry Speaks to all kids in the age group from five to ten. For slightly older kids I highly recommend Why Some Cats are Rascals, Book 2 - a collection of touching stories from the world of cats.

I LOVE reading this book to my kids.

Julia Donaldson works her magic again. In this book we meet a growing cast of instantly likable characters who become friends and end up sticking together to fight off a baddie.

The story is so beautifully written it feels like I'm singing when I read it, and my kids are not the only ones who, despite the fact we have read it countless times, still travel the full emotional road along which this story leads us.

This book is so much fun to read! Both my kids love it, but my 3 year old especially.
It's a cute story, with a little adventure and a fun ending, and the pictures are adorable. My kids where never scared, even though the main character is a witch. (she smiles all the time)
I definitely recommnend it.

My 3 1/2 yr old grandson LOVES this book. Great pictures Just enough drama! Discovery possibilities on the pages for a second look. Wonderful pictures and some anticipation on the right hand pages of what will come when the page is turned.

Both my 4 year old daughter and I love this book. It is so much fun to read and so much fun to hear. She laughs everytime I read it. The story is adorable and pictures are great. It is a nice story about friendship and rewarding acts of kindness. I bought this book for Halloween and we are still reading it several times a week.

My son loves this book so much, we wore out the first copy to the point that it was beyond me being able to tape the binding back together anymore. We bought him a second copy that has been "loved" as much as the first, and so we had to buy a third copy for my toddler so she had her own book that didn't have pages falling out while we were reading it. At one point, I had all the words in the book memorized, which came in handy while we awaited the arrival of our replacement book. At first glance, it may seem that this is a Halloween book. Let me assure you, you will enjoy reading this book all year long (I believe that my son asked to have this read to him every night for about 6 months) and the verse never gets tiresome. The story teaches children about compassion and the need to help others, despite the fact that you may not really be in the best position to help at the time it is needed most. Random acts of kindness by the witch thoughout the book are rewarded at the end of it when her friends save her from a fire-breathing dragon, and in return, she builds an even better broom to house her friends as a way of saying thank you. It teaches kids how important it is to be nice to everybody, and to be ready to lend a helping hand, because you never know when you might need a little help yourself.

The Indian mutiny of 1857 sees the cantoment of Krishnapur besieged by sepoys. For three months Mr Hopkins (the collector) galvanises the British community in resisting the onslaught...
This book is superbly written and often reminds one of the style of George Elliot. It is both witty and profound and wonderfully researched and charactorized.Like the best of Elliot,Farrell uses his narrative to inform on other topics-the great cholera debate;the Great Exhibition at the Crystal Palace- and questions the basis of what culture actually lends to civilisation.
Books like this just don't get written these days.

Paul Scott wrote in his RAJ QUARTET that it was in India during the last days of the Raj that the British came to the end of themselves as they were. In this superb Booker Prize-winning novel written concurrently with the QUARTET (and which casts a similar cold eye towards the British imperial ambitions in India), J. G. Farrell shows how the Raj itself was formed and how it already carried within it in embryo the seeds of the destruction for the entire Empire. The novel takes place in a city in Northeastern India during 1857, the year of the Great Sepoy Rebellion: the British stationed in Krishnapur hear vague rumors of what they will call "The Mutiny" from faraway towns but are mostly unwilling to take them seriously. The ensuing siege they endure carries on for months as they wait for help to relieve them; though slowly forced to an absolute subsistence level--and then to even less--, they refuse to relinquish the habits of social conditioning that have made them already who they are. Social snobbery, physical modesty, gender segregation: all remain firmly ensconced even as their physical conditions start deteriorating so greatly they start dying in large numbers.

The novel's subject would seem to suggest that the novel would make for almost unbearable reading: oddly it does not, because the characters of the novel (who are almost entirely British) maintain such a droll and uncomprehending attitude towards their conditions, no matter how desperate things seem. Thus, since Farrell focalizes his narrative mostly through his thoughts, everything seems unreal throughout the entire siege and not quite so nightmarish as it might have been had he used a more distanced narrator. The work is in part a parody of old-fashioned "Mutiny novels," so you should know that the ending is very much in keeping with those kinds of novels (which proliferated throughout the Empire during the latter half of the nineteenth century); characteristically, however, Farrell puts his own intelligent spin on things, so even if the ending you had been expecting does occur it doesn't in the way you had expected. This is the second, and perhaps most famous, of the three superb works of Farrell's "Empire" trilogy which beautifully illustrates the conditions of Empire described in another nearly coeval work, Jan Morris's famous PAX BRITTANICA trilogy. It's exciting, amusing, intelligent, and greatly worth reading.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

At the climax of this magnificent novel, the book's protagonist, Hopkins, the British civil administrator or Collector of Krishnapur, finds himself trapped in a Union Jack whose flagstaff has been shot down, knocking him to the ground. He recognizes it as the scenario of a persistent nightmare that had been troubling since his small enclave had been put under siege several months before. But it is also a symbol for the entire book.

The initial set-up here is similar to that of the author's TROUBLES: a group of British colonialists crammed together in a decaying building while the threat of native rebellion comes closer. But this is larger in scope, with a bigger cast of characters, grander themes, and a rebellion which is much more than some background disturbance. Unlike the violence in TROUBLES, which is seen at first hand only in the hallucinatory final chapters of the book, this one (the Sepoy Mutiny of 1857) takes center stage about a third of the way into the novel, leading to harrowing scenes of death, starvation, and disease. On the level of a simple war story, these events (based on the siege of Lucknow) make for a stirring story of heroism and courage -- especially where these qualities are unexpected, is in the formerly stuffy Collector who discovers hidden talents for generalship and strategy, and the young poet George Fleury, fresh out from England, who proves to have a strong practical streak and a remarkably cool head.

Also as in TROUBLES, there is a pervasive eroticism to this book, centering around three of the younger woman besieged in the Residency: the debutante Louise, chaste belle of Calcutta balls; Miriam, George's young widowed sister, tired of being assigned to stereotypical female roles, and Lucy, whom everybody knows as a "dishonored woman" although nobody is entirely clear as to the extent or agency of this dishonor. As the siege persists, the courtship conventions of colonial society are turned on their head by proximity and deprivation. There is one almost surreal scene in which Lucy, attacked by a huge cloud of otherwise harmless flying beetles, rips off her clothes and promptly faints, leaving two young men to scrape the insects off her, in the process discovering the differences between a real female body and a marble statue.

For, despite the bloodshed, Farrell's characteristic tone of comedy is present here too, but now his targets are as much institutional as personal: the hypocracies of colonialism, trivia of class and culture, and Victorian attitudes towards faith and science. As we meet the cast of characters, we find many different points of view: the Padre who believes that the rebellion is God's punishment for sin, the cynical Magistrate who is a confirmed atheist, the Opium Agent who believes only in profit, rival doctors from older and newer schools of thinking, bluff soldiers who do not think much at all but who can yet be excellent at their jobs, the aesthete Fleury whose first reaction to being under fire is to assemble phrases for an epic poem, and the Collector, who believes in progress, but attempts to strike a balance between all points of view. And to a remarkable extent, the author also manages to retain that balance. The siege is a crucible in which every kind of received attitude may be tested, and for the most part found wanting. But Farrell is never preachy or polemical; he does not make everything subservient to a single point of view, even the anti-colonial one. His great gift is to keep you thinking, even as you turn the pages with bated breath. A brilliant achievement!

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.

In spare, poetic and very beautiful dialect, old and grumpy Guernsey misanthrope, Ebenezer Le Page, recounts the story of his life; a tale of disillusionment, loss and remarkable resiliance.

Edwards makes Le Page a Guernseyan "Everyman." Le Page represents an embattled folk community: colonized by the French, occupied by the Germans and finally overrun by English tourists.

Like the butler, Stevens, in *The Remains of the Day,* Le Page has an epiphany that transforms him. But while Stevens' epiphany is of the rather subtle dry sherry variety, Le Page's knocks you flat like a good shot of white lightening, poteen or whatever it is that Guernsey people drink when they want to see God.

*The Book of Ebenezer Le Page* is about a small miracle of the human spirit in the face of war, poverty and souless consumerism.

One of the best books I have read in a long time...The universality of Ebenezer is wonderful. It brings the reader back to another time and place. I highly recommend this book.

What can I add to the almost unanimous chorus of praise and rave reviews? Not much. But this is such an exceptional yet so inexplicably little-known book that I feel obliged to join the chorus.

THE BOOK OF EBENEZER LE PAGE reminds me, as unlikely as this particular combination may sound, of both Thomas Hardy and Mark Twain. Indeed, for a rough approximation of the narrator Ebenezer Le Page and his personality and humor, imagine that Sam Clemens had been born in 1890 on the Channel Island of Guernsey, lived there his entire life, and then nearing 90 set down the story of his life and his world. Although not as cosmopolitan as Sam Clemens, Ebenezer Le Page is every bit as independent a free-thinker, as open-minded, as cantankerous, as wise, and as ruthlessly disdainful of cant, self-righteousness, and those who better themselves at the expense of others. And almost as funny.

For all its greatness, THE BOOK OF EBENEZER LE PAGE is not a page-turner that you are likely to devour in one fell swoop. It took me two weeks to read it. But each time I returned to it, I was eager to do so. It is not unlike an idiosyncratically crusty grandfather telling tales from his life after dinner; as much as one loves to listen to him every evening for an hour or two, one is not prepared to listen to him day in and day out, to the exclusion of everything else.

This novel is sui generis. It also is, in my experience, the greatest novel by a "single-work author." (It far surpasses John Kennedy Toole's "A Confederacy of Dunces.") But it should not be regarded solely as some sort of curiosity. It is a great work of literature, and it merits far wider recognition and a far wider readership.

This is a book for good readers only. And for good readers who enter the book at the right time when they are willing to invest the effort to get far enough into the story to care about it. There is much to complain about. It is a first person narrative written by a person who is not always likeable about other people who are not always likeable and who are often two dimensional. It is written in an idiosyncratic style that reflects both the education level and patois of the narrator. The setting is limited, obscure and unfamiliar to most readers. Somehow those very complaints gradually reverse themselves to become the strengths of the book. The author asks a lot from the reader because you have to plow through a lot of words and page after page until you become aware of the reversal. You become very interested in the narrator's life story, the vast cast of characters continues to increase with every page but they seem more human and not so irritating, the writing style becomes familiar and essential to the story as the narrator's personality and a reflection of the richness of the setting. This is a long book full of a long life story and many small stories. The small stories are some of the most memorable, particularly during the time of occupation. Some of the little stores are entertaining, like the two pigs and some are tragic, like the story of the young prisoner. I found myself more caught up in the little stories than in the larger tragedy of Raymond and Horace. My recommendation is to skip the introduction by John Fowles which is long and unnecessary and save your endurance to see if you can get far enough into the book to reach the point where you stop having to work at reading and want to pick it up. It is brilliant, even as it is astounding that a publisher read enough of it to make the decision to publish it.

I keep rereading this book. I've probably read it 20 times, in full and in part, since encountering it 20 years ago. The pageant of characters who march through are so alive I feel like I know them, and the number and variety of experiences the protagonist relates are as rich as life itself, despite the fact that Ebenezer left his home island of Guernsey only once, as a young man, for a short period of time.

However, I have lent or given a copy of this book to at least a half dozen people over the years, and not one of them was able to finish it.

Also, I do suspect that John Fowles wrote the book and perpetrated a grand hoax. I doubt that G. B. Edwards ever existed, at least as the author of this wonderful volume.