History Books

This is an ok effort by Ms. Goldstein but unfortunately the recipes don't quite result in the amazing flavors that Georgian cuisine is known for. Perhaps it is Ms. Goldstein's substitutions of less authentic ingredients as some ingredients in the "real" dish are hard to find. Perhaps it is something else. (Her "adjika" is REALLY bad/wrong for instance....)

OK book if you want an idea of what Georgian cuisine is like. Not good if you REALLY want the real thing...

This is a marvelous, utterly authentic encyclopedia of Georgian cooking. I tried some of the recipes before leaving for Georgia in summer 2006, and they were great, and gave me a good idea of what to expect. Once in Georgia, the book was an invaluable reference that I constantly turned to whenever I tried something new. Just about *everything* I had is in here, along with many things I didn't get around to sampling.

This book also helped me learn the correct Georgian names for the dishes and many of the ingredients. A significant portion of the book is devoted to providing cultural background on Georgia and Georgian food, such the elaborate rules for a _tamada_, or Georgian toastmaster. With its charming photos of representative paintings scattered generously throughout its pages, it also made me a Pirosmani fan, and better able to appreciate the originals when I saw them for myself.

Most importantly, as the other reviewers say, the recipes *work*. We just made the potato salad with walnut paste (p. 172), and it was delectable. Other dishes we have tried and like include tomato soup with walnuts and vermicelli (p. 73) and green beans with egg (p. 130). Pkhali was one of my favorite dishes in Georgia, and I'm glad to have the recipe for when I get around to making it myself. There is a recipe for beets with cherry sauce, a dish a travel companion had tried but that even some of our Georgian hosts weren't familiar with. For the few recipes that seem to be missing from this book, like eggplant with walnut paste, try Please to the Table: The Russian Cookbook, another excellent collection of delicious recipes from all the former Soviet republics.

_The Georgian Feast_ is well worth having even if you don't eat meat - many of the recipes are completely vegetarian. This book is a real treasure.

I've already written a review of this great book. I have only one suggestion: the basic khmeli suneli recipe can be augmented further to reach the authentic smell and taste. The wikipedia article on khmeli suneli has additional ingredients that can be added to the recipe. I tried that, about 2 teaspoons of each ingredient that's not already in Darra's recipe (less for black and chili pepper), and it came closer to the authentic smell and taste. I think the author of the wikipedia article might have meant safflower (marigold) instead of saffron though, so I didn't add that.

As someone who was born and grew up in Tbilisi, I was very happy to find this book -- it captures all of my favorite recipes, and when I prepare them according to this book, they taste just like my grandma's cooking.

More than just a recipe book, this is also an exploration into the rich history and culture of Georgia, and how the history shaped the cuisine. I suggest this book to everyone who would like to add some interesting preparations to their cooking. For vegetarians, Georgians have plenty of healthful and filling ways to prepare veggies and beans, and also some mouth watering sauces that will enliven any dish (veg or not).

I enjoy this book both as a cook book, and as a historical book!

I gave this book to a Georgian and she loved it. It had all the dishes she had eatten as a child. If your looking for a book to fill in any missing recipes this is the book for you.

Elvgren is a master of his art. This book truly is a gem at this price. If you love pinup art he is the master. Its a slice of days gone past and pretty girls to write home about. Elvgren will live on forever. Take a piece of history home.

If you love this era of art, this is a beauty. Great coffee table book to spark conversation.

He wasn't the first but he was the best. In terms of technique, taste and visual impact Gil Elvgren ranks as the modern day Rembrandt in the world of illustration of beautiful women. He was my principal inspiration as I am a nationally published illustrator and am frequently called upon to paint beautiful girls in ads. As a student at the University of Minnesota, majoring in studio art, my style and artistic goals were the pariah of most of the art faculty except the very best artist they had on the faculty staff. He understood what I wanted to achieve and I never got less than an A in any studio class. In my senior year I visited Brown & Bigelow Company in St. Paul, where I lived, and submitted samples to Clair Fry, the famous art director who commissioned Elvgren and many other top flight artists for their famous calendars. It was then that I learned that none of these men were on staff but located across the country. He loved my work and gave me great early advice as to how to get going in the commercial art business as they knew nothing about that at the U. of M. I followed his advice and started my career which has lasted over thirty years.

Gil Elvgren was the best for the reasons I previously stated but in addition his work was always in good taste. His girls were downright wholesome and "the girl next door type". They often had the look of being unaware that they were being watched and were usually caught in somewhat innocent and private moments. His work could never ever be termed salacious or perverse as so many of his later day copiers are. The art of the pinup, for the most part, has degenerated somehwhat since Gil Elvgrens day. It probably started with the advent of Playboy and Penthouse magazine and their "foldouts". As long as we have these wonderful retrospective books on artists like Elvgren the public will have the chance to see what great pinup art used to be by the absolute master of the genre.

For anyone interested in my contributions to this art genre my official website is www.dickbobnick.com .

Wonderful picture book, many "suitable for framing." There is something charming about these pinups from another era, not at all sleazy.

What a great Chistmas present this great book made!
There are countless images of funny, sexy and clever pin up situations.
This book spans several decades of incredible art.
Gil Elvgren is indeed a master of his craft.

As someone who enjoys beatiful women, art and illustrations; This is a great book to add to any collection.

Ed Schenng

This was a great, great read and the author used a very interesting way to write it by using a ton of quotes from those who were there to tell the story. His own words were the perfect conduit.

This was truly a book I hated coming to the end of.

Of course, there are several books in circulation about the birth and growth of the American Football League (AFL), the greatest rival sports league in the history of American professional sports. What makes this book a little different from the pack is that it consists almost entirely of quotes from interviews with the various participants in AFL history -- players, coaches, owners, etc.

So in all candor, the author contributes little, and appears to have acted more like a stenographer than anything else. I suppose that can be both good and bad. But though I like this book a great deal, I'd say it's not as good as a similar book by Bob Curran entitled "The $400,000 Quarterback -- or -- The League that Came in from Out of the Cold."

But if you an AFL-lover, you'll love it. If you are just AFL-curious, you may want to shop around for other titles.

99% of this book is a collection of stories about the AFL by former players, coaches, administrators, owners, and others with some connection to the game. It is interesting, but not a great book. Most interesting is the explanation about how NBC cut off the Heidi game. Typical corporate move from the beginning to the end. Nobody had any objection throughout the week of the proposed cutoff and none of the "suits" could make a decision at crunch time. NBC has never lived the Heidi game down and it will always be remembered in sports broadcasting.

This is an insightful, interesting look at the AFL. Great interviews with the actual participants of the events that took place. I would recommend the book to anyone with an interest of this league and how the merger took place with the NFL.

For some reason, oral biographies of pro sports leagues make great reads when written by the right people. The oral bio of the WHA is fascinating and Terry Pluto's "Loose Balls" of the American Basketball Association is simply one of the great sports books ever.

Going Long is right up there with Loose Balls. It is one of the two definitive books about the American Football League (along with The Other League), a league whose influence in its 10 years is felt every second in the National Football League.

This book is able to tell two separate stories, the business side of how The Foolish Club of original AFL owners were able to survive against the tough and savvy National Football League. Then there is the story about the players and the individual teams. Miller is able to present the business side in an extremely interesting manner, not an easy task.

The book treats Joe Namath with the appropriate perspective, not fawning over his immense off-the-field contributions or overrating his playing ability. It does underrate some of the great AFL teams and units, especially the 1969-1970 Chief linebackers (Bobby Bell and Willie Lanier are in Canton). It also talks little on why Sonny Werblin was forced out from the NY Jets. But these are minor quibbles.

Watch a pro football game. Do you like seeing a player's name on his jersey? That is the AFL. Do you like having the stadium clock (as shown on TV as well) as the official clock? That is the AFL. Do you like the 2-point conversion, that is the AFL. Do you like watching even the longest games to conclusion, that is the AFL (with an assist to Heidi).

Great league and this book does it justice.

Excellent book. Straightforward and lucid grasp of history.

The section on Islam alone is worth the the small cost of this book many times over.

Mr. Belloc never leaves one doubting his opinion. His direct and authoritative style might anger those who disagree or thrill the faithful. Either way you will be led through the reasoning Mr. Belloc took to draw his conclusions which will drive you to think the same matters through to your own. In this work, Mr. Belloc does not provide an in-depth theological background on the heresies cited but instead gives a rough sketch of each and categorizes each as a type. Then, using this typology approach he carries each to their logical conclusions to convey their affect on the societies they infected. Mr. Belloc provides the superstructure for understanding other heresies by giving us the essential root of Arianism, Islam, Albigensianism, Protestantism, and Modernism. Through each description he also draws some interesting parallels to the various heresies. Of course, as a Roman Catholic, Mr. Belloc will step on some Protestant toes in particular since they will be the most likely to read his book outside other Catholics.

Mr. Belloc's approach is opinionated and he writes as an expert without always providing the evidence for his opinions. At the same time, there is enough evidence in the form of his logical approach to give one the opportunity to explore his opinions more themselves. Mr. Belloc was one of the great philosopher-historians of the early 20th century and his thoughts will always be valuable to the seeker or any one wishing to improve their critical thinking skills through practice. In this key work, he reminds us how ideas, and particularly, theology has consequences to society. It is not a topic to ignore or think only the realm of the theological hair-splitters. Our culture today has the marks of the theology that created it and upholds it. Mr. Belloc helps us focus on those aftershocks in theology that have shaped our culture.

Hilaire Belloc begins his book by justifying its existence. Modern education and thought largely ignore religion, particularly the parts that unfolded in what we label "The Middle Ages". But Belloc has some inconvenient facts for us. The history of civilization is the history of religion. A society rises or falls by the strength of its individuals; those individuals rise and fall by the strength of their religion. To understand the past, grasp the present, and know the future, we must know religion. The one religion that has stood at the center of human history is the Catholic Church. And to take the measure of that religion, we must look at the challenges it has faced and overcome.

Belloc's spare, straightforward prose takes us through a whirlwind tour of five heresies that the Church defeated. The Arian Heresy denied the full divinity of Jesus. It was rejected by Church leaders, but survived in the Roman Army for much longer. The Albigsenean attack came later, during the High Middle Ages. It was an attack not just on theology but on the fundamental nature of reality. The end product of denying reality was an obsession with intense experience, such as bizarre rituals involving fire-worship. Fortunately for us, both of these notions passed into the dustbin of history.

The chapter on Islam is the longest and the most illuminating. Belloc begins it by unerlining the fact that Islam was a heresy. It was not a brand new religion, but a corruption and oversimplification of the Christian doctrine that the Prophet Mohammed learned in Syria. But more importantly, Belloc focuses on the social environment where Islam first rose. A massive underclass in the decaying Persian and Byzantine Empires toiled under the restrictions of the upper class. Among these oppressed, the nascent Islamic movement found willing support for its doctrine of total equality and total submission to God.

We all view Islam as decaying, stagnant, and backwards-looking. We rarely remember that until about three centuries ago, Islam dominated the world with the most advanced technology, thought, and political systems. Belloc does. He enjoins us to remember that almost into the 18th century, the Muslim hordes were knocking on the doors of Central Europe, and that Vienna was only saved by a last-minute intervention by the Poles. (It happened, in a delightful historical twist, on September 11.) In 1938 Belloc saw an Islam that was down but not out; he predicted that it would soon be knocking impolitely on Europe's door again. A far-fetched prediction at the time, this has now come true, and Belloc knows why. Islam thrives on social injustice; when westerners decided to prop up oil-wealthy shieks throughout the Arab world, they created the exact conditions in which the Muslim message can rally the masses.

Thr fourth and probably least popular chapter is "What was the Reformation?" Belloc acknowledgeed that by the 16th century, the Catholic Church was badly in need of a correction. Yet the cure, as so often happens, may be worse than the disease. He emphasized that Martin Luther aimed to fix the Church from within. It was only John Calvin who insisted on breaking away and forming a new church with a radically different theological basis. Belloc predicted that the Protestant world would lose its vitality and join the secular world. Again, time has proved him right; Protestantism remains strong in the USA but throughout northern Europe the churches are disintegrating.

And that leads us to the final chapter, "The Modern Attack". Secularism is the first heresy to try overthrowing all the building blocks of Christianity. In denies not only the supremacy of God but also the need for justice, equality, joy, and love. It replaces morality with self-interest, education with job-training, freedom with tyranny. And yet, awesome as this final attack may have seemed, Belloc saw the seeds of the Church's victory already sprouting. Time has proved him right yet again. Pope Jonh Paul II stood up to lead the defense against communism. Now Christianity regains it strength in the former Soviet block and also throughout the third world, and there are tantalizing signs that Western Europe will soon be Christian again. And so Belloc finishes the book with tempered optimism. Christianity will survive; we have Jesus's word on that. How it will look in the future remains to be seen. But in any case this book gives a spirited look at parts of world history which our schools now ignore totally, and for that alone it's more than worth reading.

As Belloc argues in his other book Europe and the Faith, Europe is the Faith and the Faith is Europe, referring of course to Christianism. The development of Western Civilization is inseparable from the Christian religion and its ideology.

As every Civilization is built upon a certain ideology, in order to understand our Civilization, its history and the challenges it faces today, one must understand its ideology. And in this, it is important to know also the views that have arisen within or in the fringes of Western Civilization, that go against the Christian ideology. On this, The Great Heresies by Belloc does a very good job.

And on the issue of Islam as a threat to our civilization, in the 1930s Belloc asked himself if Islam would again present that threat. He believed it would. And in that, we now know that he was, as in much everything else, extraordinarily clear and correct.

This book is a must-read.

Fantastic book! An amazing summary that rings so true you can feel it in your bones. Particularly stark and foreboding is his warning that Mohammedism will be back to try again to destroy us - and here they are now! Anyone who thinks if we only ignore Islamofascism it will go away needs to read this book. Belloc understands the threat and categorizes it within the broad expanse of human history. Ignore him at our peril!

I thoroughly enjoyed GROWING UP BASEBALL. It was definitely a memorable reading experience. --David Dewse

A new book is out that takes an original approach to baseball. "Growing up baseball, an oral history," lets players tell their stories in their own words. Among those who write about their childhood baseball memories: Mark Grace, Bob Feller, Dom DiMaggio, Sam McDowell, Don Larsen and Mike Scioscia, manager of the Anaheim Angels, who vanquished the Giants in the World Series.

By Harvey and Frederic Frommer, the book is a quick and satisfying read about the innocent youth of baseball stars.

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The title and premise intrigued me. A series of mini-bios told in the first person by men who had actually made it to the "Big Leagues". I was looking for an answer, into my own psyche perhaps as to why the game is so compelling. Why do I stay up late for Opening Day and to watch every possible minute of the World Series? Why is Opening Day for my home team so important that I consider it a national holiday and have not missed an opening day game most of my adult life, even traveling over 300 miles to be there.

Why are celebrities like Tim Robbins, Susan Sarandon, Kevin Kostner and Billy Crystal so obviously obsessed with the game. Even presidents are drawn to the game, our current president owned a team, Bill Clinton is said to be "bonkers about baseball". It is not just America that is taken with the game. The Japanese passion is well documented as well as Cuba and the Dominican Republic. I thought if I could hear in their own words what brought many major leaguers to the game I could find a commonality and understand why I am so gripped by the game.

In Growing Up Baseball players from the past and present, ones who had afleeting time in the major leagues to ones who are icons- discuss their intimate childhood memories of the game. Players who grew up with and without TV and /or in areas where there was no access to major or minor league teams and areas where cities have several major league teams all have the same passion for the game.

Chuck Stevens - Played three years for the St. Louis Browns. Grew up occasionally hearing games on the radio and reading ticker tape reports of World Series games. But spent 23 years in the Browns organization.

Scott Brosius - NY Yankees third baseman, knew he wanted to be a major leaguer from age three, but never saw a major league game until he was drafted by the Oakland A's at 22-years old.

Jose Cardenal -Native of Cuba whose whole family's life was devoted to baseball. His father played, his older brother played for the Army League, his cousin is Bert "Campy" Campaneris and his sister was the only female official scorer in Cuba. Signed by the Giants but couldn't get very much playing time due to the existing outfield of Mays, McCovey and the Alou brothers, was later traded and played 18 years in the majors.

The stories recount tales of parents who encouraged, parents who discouraged. Idols who became mentors. Boys who became men.

While Growing Up Baseball was not able to give me insight into my own obsession it does give intimate details and takes a peak into the childhood of majors leaguers who we love so much and always wanted to be.
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"Ambitious, very interesting. The wonderful oral histories humazine the players so much."

The title and premise intrigued me. A series of mini-bios told in the first person by men who had actually made it to the "Big Leagues." I was looking for an answer, into my own psyche perhaps as to why the game is so compelling. Why do I stay up late for Opening Day and to watch every possible minute of the World Series? Why is Opening Day for my home team so important that I consider it a national holiday and have not missed an opening day game most of my adult life, even traveling over 300 miles to be there?

Why are celebrities like Tim Robbins, Susan Sarandon, Kevin Costner and Billy Crystal so obviously obsessed with the game? Even presidents are drawn to the game. Our current president owned a team. Bill Clinton is said to be "bonkers about baseball." It is not just America that is taken with the game. The Japanese passion is well documented as well as Cuba and the Dominican Republic. I thought if I could hear in their own words what brought many major leaguers to the game I could find a commonality and understand why I am so gripped by the game.

In Growing Up Baseball players from the past and present - ones who had a fleeting time in the major leagues to ones who are icons - discuss their intimate childhood memories of the game. Players who grew up with and without TV and/or in areas where there was no access to major or minor league teams and areas where cities have several major league teams all have the same passion for the game.

Chuck Stevens - Played three years for the St. Louis Browns. Grew up occasionally hearing games on the radio and reading ticker tape reports of World Series games. But spent 23 years in the Browns organization.

Scott Brosius - NY Yankees third baseman, knew he wanted to be a major leaguer from age three, but never saw a major league game until he was drafted by the Oakland A's at 22-years old.

Jose Cardenal - Native of Cuba whose whole family's life was devoted to baseball. His father played, his older brother played for the Army League, his cousin is Bert "Campy" Campaneris and his sister was the only female official scorer in Cuba. Signed by the Giants but couldn't get very much playing time due to the existing outfield of Mays, McCovey and the Alou brothers, was later traded and played 18 years in the majors.

The stories recount tales of parents who encouraged, parents who discouraged. Idols who became mentors. Boys who became men.

While Growing Up Baseball was not able to give me insight into my own obsession it does give intimate details and takes a peak into the childhood of major leaguers who we love so much and always wanted to be.

Purchased book as gift for departing Catholic Father, I hope it is a good book as that was the image I hoped to convey. Sorry, I can't review contents for you, but there was no time for me to read it first.

I read this book on a retreat and had to buy it. The message of trusting in the will of God is so strong. No matter how many times I read this I know I will be helped each time.

Just a fantastic book. I am not sure what I can add to further comments already added other than this book hit the spot for sincerity, truthfulness, and captivity of worthwhile imagination. I have just sent it to a friend that teaches English in Libya as I am assured that a wonderful book like this can only enhance her "desert experience" abroad as well.

Matthew Kelly (see [...]) recommended "He Leadeth Me" by Walter Ciszek, S.J., to me as it had a significant influence on him and his spiritual journey. The book has also had a profound influence on me, so much so, that I cannot get it out of my mind.

In "He Leadeth Me," U.S. born Ciszek recounts his life as a Catholic priest who enthusiastically volunteered for preaching the gospel and administering the sacraments in communist Russia and ended up spending twenty three agonizing years in Soviet prisons, including five years of solitary confinement in Moscow's feared Lubianka prison and fifteen years of hard labor in Siberian prison camps.

Upon his return to the US in 1963, as part of an exchange for two convicted Russian spies, Ciszek was asked over and over again how he survived. "He Leadeth Me" is his response. This book is about the faith he discovered and the simple truths he learned by trial and error. Truths he came to appreciate only after much anguish of soul and a great deal of prayerful reflection; truths that sustained him through the years of doubt and darkness, of hardship and suffering.

The learned truth that threads its way throughout the book is that no one can know greater peace, no one can achieve a greater sense of fulfillment in his life than the man who believes in the truth of the faith and strives daily to put it into practice. "A spirituality based on complete trust in God is the surest guarantee of peace of soul and freedom of spirit."

There are moments of crisis in every life, moments of anxiety and fear, moments of frustration and opposition, moments sometimes even of terror. Only by a lively faith can man live in peace among the tensions of the world. Faith is the fulcrum of our moral and spiritual balance - our powerlessness to solve the problems of evil, sin, injustice, suffering, and even death will not be a cause of despair or despondency when we have an unshakable trust and confidence in God.

After great anguish, doubt, and repeated resistance by Ciszek, he submitted to the will of God realizing that every moment of our life has a purpose, that every action of ours, no matter how dull or routine or trivial it may seem in itself, has a dignity and a worth beyond human understanding. No moment can be wasted, no opportunity missed, since each has a purpose in God's plan. We need to strive to know God's will and to do it each day of our lives - working this out with constant effort and attention to just those persons and circumstances God presents to us each day. He expects no more of us, but He will expect nothing less of us, and we fail in our promise and commitment if we do not see in situations of every moment of every day of His divine will.

God asks for the complete gift of self...absolute faith in His existence, His providence, His power to sustain me, and His love perfecting me. While it sounds all too simple, one quickly learns how difficult it is when they try to put it into practice. "Is this too simple or are we just afraid really to believe it, to accept it fully, to yield ourselves up to it in total commitment? This is the ultimate question of faith, and each must answer this for himself. But to answer it in the affirmative is to know peace, to discover a meaning to life that surpasses all understanding."

"He Leadeth Me," first published in 1972, is a classic and continues as an all-time best seller. Ciszek has written a powerful testimony that will challenge your view of life and, possibly, a source of a transfiguration. "It is my hope, indeed my prayer that what I have learned and come to understand so slowly and painfully might be of service to others. God is a most patient teacher, even to the most stubborn of students."

I started reading He Leadeth Me because I thought it might have some interesting thoughts on God and suffering, as a general concept. I had no idea, however, how very applicable Fr. Ciszek's hard-learned insights would be to my day-to-day life as the average American stay-at-home mom.

The wisdom he learned after five years in solitary confinement and 20+ years at a Siberian slave labor camp is not just how to grow closer to God in the face of great upheaval and suffering, but how to know and live God's will in the face of the frustrating, the humdrum, and the mundane.

I can't recommend this book highly enough to everyone -- whether you're experiencing great suffering or just frustrated by the daily grind, you will undoubtedly find Fr. Ciszek's story life-changing.

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.

I have the honor of being one of Dr Feig's students studying Eastern European History. I have read many things she has written, this book, like everything else , is amazing. I highly recommend it to everyone.

I have had the honor, and pleasure, of being Dr. Konnilyn Feig's student at Foothill College, CA. I have read this book, and I think I can say that it reflects the personality of the author. Dr. Feig is a Teacher, first and foremost. She is one of the few, rare, great Academics, a scholar of enormous skill and learning. This is shown in every page of her book, her intelligence, her strong, vibrant personality, and her critical, clear eye of a Historian. This book is possibly one of the best histories of Hitler's death camps that could ever be written, because it is written by an intelligent person who strives to keep this horrifying part of our shared past from being forgotten. She writes with strength, with passion, and with the vitality of a woman who has devoted her life to teaching, to one of the most noble professions of this world. Not only is this book an unsurpassed history of a terrifying time, but it is a monument to the vital, burning mind of a woman who can best be designated by a single word, a word that speaks of intelligence, nobility, and necessity-a Teacher. For the author alone, the book is more than worth reading, for Academics such as this are not often found.

I read this book when I was 16, after FINALLY watching a copy of "Schindler's List". From the moment I began the movie, I was entranced by the Holocaust and immediately wanted to read as much as I could about this dark time in Our History. As I expected, there isn't that much available to a 16 year old (I am 19 now), but this book was enough and then some! It is amazing how the author goes through EACH individual camp (major camp) and illuminates the reader as to what occured and what fate awaited not only the comandants, but the female SS officers. From this book, it is so easy to FEEL what the victims of the Holocaust felt and SEE the horror they witnessed. This is one of my most favorite books!

I'll be brief. A deeply disturbing account of Nazi concentration camps and the activities that took place at such locales. It is truly hard to imagine the abhorrent behavior and actions that were used against Jews, mainly Jews, and other non-sanctioned races designated by the National Socialist Worker's Party in the years before and throughout WWII. Feig guides the reader along a nightmarish tour of grisly death and, what many inhabitants of these camps must of felt, psychological hopelessness.

This book does an admirable job of detailing the horrors inflicted on those victims of the Nazi camps. From Chelmno to Bergen-Belsen, all the major camps are described in unflinching language. The only drawback to the book is some of the critcisms the author levels at the Allies during World War II and before the war. Some examples of this unfair treatment: 1) She berates them for not attacking railroads leading to the camps or bombing the crematoriums. However, she herself admitted that the Germans would have quickly repaired the tracks and the crematoriums. Thus it would have taken multiple raids made against these targets, effectively denying the bombers from use against the Nazi war machine. If there were multiple raids made, it could very well have led to defeat of Allied forces on key fronts. It is doubtful that even if these multiple raids had been made that the Germans would have given up on killing their victims. The author herself stated that the Nazis, beyond any reason, was fervently trying to kill as many concentration camp inmates as possible before Allied troops arrived. Thus it would be unlikely that the Nazi effort to kill Jews would have been dissuaded. 2) She berates the US and Britain for not allowing widespread immigration during the Depression. She ignores the fact that both US and Britain were in the grips of (surprise!) the biggest Depression the world had seen and thus didn't need more people competing with American and British workers for scarce jobs. 3) She attacks Britain for not allowing widespread Jewish immigration into Palestine just before World War II and during it. She obviously doesn't understand that if that thing she wished for was allowed, the Arabs might have revolted against the British (as she even mentioned in the book) and may have sided with Germany. If that had happened, the Suez Canal would have been cut and Britain would have lost a vital source of supplies. Being deprived of that, Great Britain might have actually fallen to Nazi juggernaut and Hitler essentially won the war in Europe. If THAT had happened, I guarantee many more inmates would have died.

In response to some of the prattlings below-only those who do not know the first thing about Nietzsche think that he was at all anti-Semitic. He wrote clearly, very clearly, against that and against nationalism. In one of his books he stated that Germany should not admit any more Jews inside of her borders. Why? Because he felt that the German people lacked an identity, and knew that Jewish people had a very strong identity. He did not think that Germany, weak and unrealized as it was, could stand an influx of a people that he repeatedly characterized as remarkable.

I am somewhat obsessed with Nietzsche, and this book started it all. Do not dive into his later, more well known masterpieces (Beyond Good and Evil, the Genealogy of Morals, The Gay Science) without acquainting yourself with this book. It is an introduction to his style, and there is no better example of his mastery of psychological observations. In this book he comments on all elements of social reality ("no one thinks to thank the clever man for restraining his wit when in the company of those who cannot practice wit" for example), going into love, friendship, the tenor of social gatherings, absolutely everything that is psychologically investigatable. He brings this method to his later books, in which he tackles larger issues, like the history of religion, philosophy, morality, and other things. But it all starts here-his later critiques of Christianity and everything else are far more understandable after a thorough acquaintance with his psychological method, first and best presented here. If you are at all sensitive and introspective, this book will move you to tears more than a few times.

O.k. So I have a minor in philosophy and Nietzsche was one of my inspirations to pursue this as a degree in college. Nietzsche deals with androgony. In more modern terms, men and women are crossing over the line of androgeny with their jock image. They are getting more and more androgynous you can't distunguish between even basic differences between the sexes anymore. While my philosophy professor and classmates dismissed Nietzsche as "not being a first rate philosopher," he does have his points about god and androgeny. This is part of our changing world and in philosophy class I did make my points.

I feel obligated to correct a distortion suggested by `unraveler' below. It is popular to suggest Nietzsche was an anti-semite, but this is a rather lazy habit. Nietzsche's remark on `the youthful stock-exchange Jew' was mentioned. Here it is in its proper environment:

. . . the entire problem of the Jews exists only within national states, inasmuch as it is here that their energy and higher intelligence, their capital in will and spirit accumulated from generation to generation in a long school of suffering, must come to preponderate to a degree calculated to arouse envy and and hatred, so that in almost every nation . . . there is gaining ground the literary indecency of leading the Jews to the sacrificial slaughter as scapegoats for every possible public or private misfortune. As soon as it is no longer a question of the conserving of nations but of the production of the strongest possible European mixed race, the Jew will be just as usable and desirable as an ingredient of it as any other national residue. Every nation, every man, possesses unpleasant, indeed dangerous qualities: it is cruel to demand that the Jew should constitute an exception. In him these qualities may even be dangerous and repellent to an exceptional degree; and perhaps the youthful stock-exchange Jew is the most repulsive invention of the entire human race. Nonetheless I should like to know how much must, in a total accounting, be forgiven a people who, not without us all being to blame, have had the most grief-laden history of any people and whom we have to thank for the noblest human being (Christ), the purest sage (Spinoza), the mightiest book and the most efficacious moral code in the world. . . .

Is this anti-semitism???

if you want to have your moral foundations knocked out from under you, read this book - and then build upon the ruins - Nietzsche's, in my opinion, most accessible work, as his aphoristic style floats over many different topics - don't stop here however, i recommend Kauffman's "Nietzsche, Philosopher, Psychologist, AntiChrist" as a starter if you find the complexity and diversity of Nietzsche's thought to be overwhelming or incomprehensible - he's frequently ambiguous and contradictory but it's more a positive trademark of his works and shouldn't dissuade one from further readings.

If you like aphorisms and philosophy, this book will become one of your bibles. If nothing else, it's just plain fun to read for his incredible wit. Of course you have to put his ideas in the context of the period in which he wrote and understand that he has his own odd prejudices, but the brilliance of his understanding of the human condition really shines through. The biggest mistake any reader could make is to think Nietzsche was an anti-semite---far from it. He was anti-neanderthal. In this book especially the reader sees his low tolerance for received wisdom. This book is nothing less than part of the origin of Western psychology as practiced today. It also represents the demolition of science and philosophy polluted by the received Western theological framework. Some of the best parts are when he skewers religion. You have to love his style even if you do not agree with his pessimistic disgust for piety. This is the kind of philosophy book you need not fret over, unless you harbor wishful thinking about a supremely benevolent deity. Instead of making an elaborate argument about the number of angels that can dance on the head of a pin, as preceeding systematic philosophers did literally and figuratively, Nietzsche bends the pin and throws it in the trash. I wish I had read this before his Genealogy of Morals, as knowing his thoughts here would have made that book far more interetsing and understandable. I highly recommend philosophy students first approaching Nietzsche pick up Human, All Too Human to start their study. And if you are religious and want to bolster your faith, well, you should stay far away from this book.

Was absolutely delighted when we received this book. This is an artist who is so ripe for a reappraisal! Waterhouse managed to pull off a genuine and moving romantic vision. The writing is thoughtful and spirited. The reproductions are first rate. Can't imagine anyone would fail to love this one.

Philip Koch
Professor of Fine Art
Maryland Institute College of Art

This is the best book I have found on J.W. Waterhouse. Not only does this book talk about the painter's life, but more importantly, each of J.W .Waterhouse's paintings are described in very full detail (eg: OPHELIA).

I was so intrigued by reading about Waterhouses' pictures, because the author of this wonderful book (ie: PETER TRIPPI) elaborated in great detail about each work of Art, by contrasting and comparing Waterhouses' paintings to other famous paintings and sculptures (eg: Bourne Jones from the 1800's, and also many famous Italian 1400-th Century Artists) .

The author has attempted, (& with great success, I may add), to show how Waterhouse was influenced by past Rapheaelite Artists and also by some of the other famous first-phase Pre-Raheaelite English Artists.

Each synopsis, of each Waterhouse painting is quite amazing and like no other interpretation that I have read on this famous late-Pre-Raphaelite Artist.

The repro-photos of Waterhouse's works are amazing, -----showing such wonderful details and colors.

If you are an art lover of paintings that can take your breath away, and pulling you int it than John Waterhouse is a must for your collection. He is such a great artist and this book is so incredible you want to devour it. He is one of the greatest artists of his time that I would recommend this book because it is affordable and wonderful.

I received this book quickly and with no delays.

Would love to have ordered the hardcover for a coffee table book but this one does just fine for the cost and over-seas shipping it would have taken for the hardcover. Lots of information on J W Waterhouse and great pictures. It even has some of his less known works and pictures that you can't find prints for. A true keep sake and treasure for those who are interested in this artist and his time. Oh, and a few of the house guests, students, have even asked to borrow the book. First table book to have created some interesting conversations.

Peter Trippi's monograph has done what I would assume had to be very difficult to do: he has a good feel for the quiet,quiet man behind the paintings. The depth of his study helped me to verify a number of pieces of information that led me into my own research, and has continued to be my main reference as I continue my work. I recommend that this is the book to begin with if you are going to enter any serious study of John William Waterhouse; however, don't let that make you think it is only a scholar's read: it is well written, beautifully illustrated, and simply a joy to behold.