Biography Books
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Wonderful Old Fashioned storyReview Date: 2007-02-10
Great book!Review Date: 2005-12-29
Great SequelReview Date: 2006-11-28
Do YOU have a big family? If you do read this!Review Date: 2006-07-10
The story continues after the father died. The mother is now the soul supporter of her family. There is a graet saying in the book that says,"Mother wasn't afraid anymore because the worst had happend."
The mother carried on her husbands works. She held conferences and taught the scince of time saving. She became a very strong woman.
It was a long hard haul but ahe successfully continued her husbands work. The children successfully ran the household.
This story is humorus and very touching. I hope you enjoy it as much as I did.
Awesome sequelReview Date: 2004-09-03

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A-Ok but lacks good photo'sReview Date: 2007-12-18
This what saddens me when any person passes away, others can swoop in and destroy their reputations and if no living relatives are around to stop it. the story becomes gospel truth. Such an injustice.
The book is worth buying but lacks movie still, etc that most BIO's have.
Beyond History and GeographyReview Date: 2007-04-30
In "Beyond Paradise," it is stated that Franklin was located just north of El Paso del Norte, not El Paso. (We're talking 19th century here.)
It says in the book that El Paso del Norte would be renamed "Ciudad Juarez" or "Juarez." Needless to say, Franklin would turn into (or become a part of) what is today known as "El Paso."
The sad life of the screen's first Ben-HurReview Date: 2007-03-04
There are some factual errors early in the book that made me doubt the accuracy of the other points in the book. For example, he says that Franklin, Texas is slightly north of El Paso when it is actually 300 miles to the East. However, he does set the record straight about the means of Novarro's death. In the 1975 book HOLLYWOOD BABYLON, Kenneth Anger states that Novarro choked to death when his art deco styled artificial phallus was stuffed into his mouth by his assailants. Soares gives the lie to this myth when he quotes official evidence that Novarro not only died from being bludgeoned to death, but that no such object was found among Novarro's possessions, nor did it ever exist.
The trouble I had with the book is that actor biographies are all fairly similar. After reading dozens of them over the years, I don't find most of them very interesting. The best parts of the book for me were the final chapters dealing with the murder and its aftermath. But for those who already have a keen interest in the silent movie era of Hollywood and are already familiar with the actors and directors of the period, BEYOND PARADISE could be compelling reading.
ExcellentReview Date: 2005-09-07
Among the many positive attributes to BEYOND PARADISE are:
* A balanced appraisal of Novarro's personal and professional strengths and weaknesses (this is a hopeless, gushing tome by a misguided fan)
* A willingness to analyze the facts without sensational exploitation of them
* Detailed research and substantive factual foundations
* A sincere (thought not always likeable) portrayal of Mr. Novarro
* A well researched documentation of the studio system that made and ultimately destroyed one of it's brightest stars who is, today, largely forgotten
I cannot recommend this book highly enough - it is one of the best biographies I have read in some years.
Incredible biographyReview Date: 2005-09-14
A very talented actor (he was allowed more range and depth of roles than some of his other romantic leading man counterparts), a man who played to perfection a number of dream roles, most notably that of Judah Ben-Hur in the 1925 version of the screen adaptation of the General Lew Wallace novel, as well as starring with a number of great leading ladies;
A talented singer (even though his acting and singing careers conflicted multiple times and mutually hindered one another);
A devoted family man, deeply religious (he seriously wanted to enter a religious order at several points in his life), becoming the head of the household after his family immigrated to America, as the oldest surviving son in a family of originally twelve children, stepping into the shoes of his father, who had once been a successful dentist but became too ill to support his family during much of his life;
A good human being in spite of natural human flaws (such as his problems with drinking in his later years and several car accidents caused by his heavy drinking);
Someone who sometimes wasn't always the most agreeable person, as evidenced by when he was touring a play in England in the Thirties and getting catcalled by the audience who couldn't hear him, since Ramon had never learnt how to project his voice, being a screen and not stage actor, and actually stepped out of the play to catcall back, "Now, *I* can't hear *you*!"
Even though he is most remembered today for playing the title role in 'Ben-Hur' and for being murdered in his home on Halloween Eve 1968 by two young hustlers, which finally exposed to the public that which he had worked so hard to keep hidden and private (i.e., the fact that he was gay), he was so much more than either of those things, a deeply talented and flawed man. This biography truly does his life and character justice.

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Bitter FreedomReview Date: 2008-09-02
A Definite Must Read!!!Review Date: 2007-09-25
Hail The Human SpiritReview Date: 2007-05-25
encompasses all of the best and worst of what humans are capable of. The unbelievable love between and mother and her child is the overwhelming power that pervades the narrative. A gift to anyone who needs to understand what that period of history was all about.
Patti Sacher
Life in the Face of DeathReview Date: 2007-02-26
Surely to be an Oprah Best sellerReview Date: 2007-07-10
Jafa Wallach
Paperback: 209 pages
Publisher: Hermitage Publishers; First edition (April 25, 2006)
Language: English
ISBN-10: 1557791570
ISBN-13: 978-1557791573
Although I have read many first-hand account books written by holocaust survivors, I found Bitter Freedom to be the most compelling story of it's kind since The Diaries of Anne Frank. The book moved me like no other.
Bitter Freedom is written in straight-forward prose by a mother survivor (Jafa Wallach) who shortly after the WWll ended, sat down and wrote the personal history of her family's lucky and often miraculous survival of the Holocaust. In letter form to her daughter- (Rena Wallach Bernstein) too young at the time to know the adult horrors of in which they survived, Mrs. Wallach pens an incredibly honest and poignant memoir.
"The years have gone by and yet the memory of how it all began remains vivid, fearfully close, as though it all happened yesterday. We were at home, apartment #3 Jagielonska Street in the town of Sanok Poland, listening to radio bulletins of Hitler's attack. You, my daughter, were just one year old. You looked up at our anxious faces, your father's and mine, but you could not have understood how deeply frightened we were. You repeated after us, in your baby lisp, "war, war"-the ugliest word in human speech. It wasn't long after that German planes began to pay their deadly visits to our little town of Sanok."
The book transports you back in history allowing you a glimpse of what everyday families were seeing, feeling and experiencing during this horrific time of war. The Jews of conquered Europe were taken by surprise never dreaming that civilized man could do to their fellow human beings what was now being done to them. Terror and mayhem swept Europe, and so swiftly had Hitler come east and so complete was his control of the lands he occupied- there was literally no where to run-no where to hide. Those hunted were now trapped in their own villages.
Escaping the terror was made especially difficult because many people of the Nazi controlled villages were deeply and historically ingrained with hate for certain groups of their fellow countrymen. The Nazis used this hate to their advantage by turning neighbor against neighbor, friend against friend. Christian against Jew. Those of the hated lucky enough to survive, did so only with the help of others who chose to put their own lives, and those of their families at risk to save their friends and neighbors. Very few were willing to take that risk.
Fortunately for the Wallach family One Christian man- a mechanic named Jozef "Jozio" Zwonarz did choose to put his own life and family at risk to save five fellow human beings. As he concealed four adults under the very noses of the Gestapo, he desperately schemed to save the life of the fifth family member, a four year old child. (Rena Wallach)
With parents and daughter now separated, the nightmare for this family was complete. There was nothing left for them to do. Their very lives were now in the hands of God and an auto mechanic named Jozio.
Bitter Freedom is a touching memoir, a suspenseful thriller, and an accurate historical novel all in one. Although the story took place more than 60 years ago, Jafa Wallach's messages to the reader are timeless and wonderfully relevant in today's world where war is in the news every day.
I predict that Bitter Freedom will eventually be on the top of every school's reading list. There are lessons here for all of us.
A must read.

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A Must Read For Everyone!Review Date: 2001-03-12
A Must Read For Everyone!Review Date: 2001-03-12
A PERFECT GIFT!!Review Date: 2000-12-28
An awsome, unique and inspirational story.Review Date: 2000-07-15
The Bridge Never CrossedReview Date: 2000-02-26

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Very enjoyableReview Date: 2008-02-28
Thank you.
what a great book!Review Date: 2007-06-24
Paul SchmittReview Date: 2007-05-15
Cache Lake Country: Life in the North WoodsReview Date: 2007-01-11
Life in a cabin in the North WoodsReview Date: 2007-07-31
This is a very unique book-probably reminding me of my old Boy Scout Fieldbook (a little more detailed and survival-oriented than the handbook) more than a typical non-fiction work. The illustrations are great as well as occasionally light-hearted, and if you are at all handy or have an engineering or for that matter, culinary bent, you will find plenty of recipes and blueprints for food, tools, gadgets- even crystal radio sets or birch bark canoes. While some of these you'd probably have to find some supplemental information to make, most come so well described and diagrammed that you could probably build them or bake them directly from the book.
For me the best part is the author's midwest and at times almost cowboy way of describing life. His time around rough loggers in the days when horses and two man saws were still the order of the day especially captured my imagination. Like many readers, I'm a lot hermit, and the thought of life in a cabin in the north woods with nothing but snow, bear, moose, and wind has a certain charm, and I'm grateful to Rowlands for giving enough of a story to enjoy a bit of that charm vicariously. An excellent and unique book, and for some it will probably become a treasured possession.


An Easy Read, With Laughter, Pathos and PeaceReview Date: 2008-08-10
A memoir with pointers for allReview Date: 2008-07-28
Amen to Reverend Dave!Review Date: 2008-03-31
Critical Analysis of "The Church of 80% Sincerity" from a Disability Studies lensReview Date: 2008-04-29
Communication Arts 610
March 6, 2008
Critical Analysis of The Church of 80% Sincerity
In reading David Roche's The Church of 80% Sincerity, I thought that I would be able to "kill two birds with one stone," simultaneously satisfying my curiosity/interest and sense of obligation as the author's nephew, as well finding an autobiographical text that I could examine with a critical lens. However, while I satisfied one part of the equation, I complicated the other; it's not easy to be critical of family.
But I digress. Roche's book is not truly an autobiography. This work is a testimonio, as it "represents an affirmation of the individual subject, even of individual growth and transformation, but in connection with a group or class situation marked by marginalization," (Couser 88). Still, this description is not entirely accurate, as Roche hardly mentions his connection to and development with a community of performers with disabilities (Roche 6). Yet, to quote Steven Winn off of davidroche.com, "what's most striking, and finally moving, is the way he both draws attention to his disfigurement and makes the audience see beyond it as well," fitting nicely with the first part of the testimonio definition. Thus, The Church of 80% Sincerity is more of a semi-autobiographical, non-linear novel that draws attention to Roche's poignant life stories/events that fit into his overall themes.
One might then ask, what are these overall themes? "It is the story of accepting yourself, despite all of your flaws," (Roche 5). By recounting various life experiences, Roche tells his tale of finding self-identity as a person with a congenital facial disfigurement and the setbacks that occurred at various stages. However, for Roche, humor is a key element in the telling of his story. According to Krefting, the use of humor affords her "the catharsis of laughing at myself and my insecurities, as well as allowing me a modality to criticize/satirize," (Krefting 110). I feel the same can be said of Roche. Humor is one part of Roche's identity, but his is an expansive identity that is inherently tied to his ability to "find my voice...I continue to find it onstage, in the pages of this book," (Roche, 56). In many ways, Roche's path of self-discovery aligns itself perfectly with Gill's description of the four types of integration.
The first type involves one's "assertion of a right to inclusion in society," (Gill 42). Roche has several examples related to such assertions. Whether it was his right to be politically active by voicing his concerns on city buses (Roche 64), or preferences for what he wants in a companion (Roche 101), Roche asserts his right to not be excluded on account of his disability.
The second type of integration relates to "finding a place" within the disability community (Gill 42). Roche's initial avoidance of disability culture can be explained by the factors that made him shameful of his own disability, desiring to be "normal". At home, the issue was not discussed; thus, Roche "never learned to explain myself. Instead I learned the safety of standing to the side," (Roche 34). This, combined with feeling rejected by the god that he was raised to love, led to Roche's (unsuccessful) attempts at passing, avoidance, and later substance abuse (Roche 38). Eventually, by finding "community, the feeling of mutual support and being in it together," (Roche 69), Roche felt empowered to challenge his shame and the oppression of others and stop "pretending to be normal and began to accept myself the way I was," (Roche 6).
Now, in a way this seems good because Roche finds strength in a supportive community. What is disconcerting is the lack of a challenge towards the concept of "normal." According to Lennard Davis, the "the idea of a norm is less a condition of human nature than it is a feature of a certain kind of society," (Davis, 24). Roche never directly questions the very notion of "normal," but rather, he continues to make several "normative" remarks throughout the book, leaving the societal construction of the norm untouched. The closest attempts came by asserting how everyone is unique and that Roche's experiences are "wholly human," (Roche 11). By using the word "normal" in this context, it implies that there is a poorly connoted "other," and there is something fundamentally wrong with a society that requires one to assert their humanity because they are viewed as "other."
"Coming together" is the third type of integration, where one recognizes their sameness and differences (Gill 43). The Church of 80% Sincerity does an excellent job of portraying this stage's classical struggle of self-acceptance. There is no need to repeat the why of the matter, for the same mental/physical barriers that prevented Roche from finding a place within the disability community, also prevented him from accepting himself. Though I criticized this quote in relation to the concept of "normal," it accurately shows the integration of sameness and differences: "My face is unique but my experiences are wholly human," (Roche 11).
"I thought...that my face was an impediment...Amazingly, that fear turned out not only to be unfounded, but also to be the opposite of the truth," (Roche 69). A statement such as this demonstrates that Roche was able to reach the fourth type of integration, "coming out," (Gill 45). Not only does Roche see and accept himself as whole, he takes pride in his appearance while using it for his advantage (performances, keynote speeches, charming himself).
The Church of 80% Sincerity extensively covers Roche's personal development in relation to disability, but he downplays any notion of "overcoming". Rather than stating that he overcame ill-formed patterns of thinking about himself and the world around, Roche discusses several self-transforming "moments of grace." While the lessons to be learned from these moments of grace are well-intended and not overlooked, one cannot help but to be distracted by the fact that self-transformations are "a matter of individual will and determination rather than of social and cultural accommodation," (Couser 80). The fact that Roche discusses matters with more of an introspective focus may cause one to overlook the larger sociocultural factors that helped create the ill-formed patterns of thinking in the first place. For example, a sociocultural model of disability might examine societal conceptions of beauty and the assumptions that are tied to it. However, by examining the "random acts of cruelty" that Roche encounters, such as the man who spit in his face, The Church of 80% Sincerity points out the inherent flaws in all of us (Roche 40). Although this does not directly challenge sociocultural factors, it is a step beyond the phenomenological level.
And yet it is difficult to be overly critical of these "moments of grace," because all of these individual, phenomenological experiences have led Roche to form the backbone of his "Church of 80% Sincerity." Although no physical church actually exists, the "Church of 80% Sincerity" can effectively be classified as a lifestyle choice/ way of thinking about the world. The Church is an abstraction "for recovering perfectionists, You can be 80% sincere 100% of the time, or you can be 100% sincere 80% of the time," (Roche 7). Many tenets of the Church are mentioned throughout the book, but the primary tenet would have to be one that calls for self-acceptance, despite one's flaws. One could argue that "The Church of 80% Sincerity" is a sub-set of disability culture, one could even go so far as to say the Church is disability culture. If one takes a look at Gill's work on the eight core values of disability culture (Gill 2-3), one would quickly see that the Church embraces the majority of these core values throughout the book, with a few additions of its own.
On a final note, Roche is very modest about being seen as an inspiration by others. Yet, it is in this modesty that Roche fails to acknowledge the fact that his high level of intelligence and incredible sense of humor assisted him in his identity development and ability to work though challenges; perhaps Roche is modest because of the fact that he was not always looked at as an inspiration, either by himself or others. Roche's work does a good job of challenging the notions of the theoretical gaze and stare, as well as the diagnostic gaze (Millet 26) by reiterating his own experiences with the Western model of medicine. Roche relates his early medical encounters, "One by one they came forward to examine me...If our eyes ever met, it was only a nanosecond before theirs turned away with easy, practiced avoidance," (Roche 53), "You never talk about feelings...or anything!" (Roche 54). This breakdown of the medical experience into feeling like a subject to be examined and gazed upon was a powerful one; stirring up emotions in the reader, as well as inciting Roche to action, as he later became an expert on the physician-patient relationship.
Ultimately, Roche and the "Church of 80% Sincerity" seem to align themselves with many of the core values of Disability Culture. Although one might choose to criticize Roche for his lack of social resolution, political agenda, or inherent call for change, one must realize that that is not what The Church of 80% Sincerity set out to do. This was a story of "courage, faith, inspiration, and laughter...to understand that you and I are very much alike, with our gifts and our flaws woven together," (Roche 11). The majority of the criticisms presented here were merely a means of expanding upon Roche's already solid foundation of self-love, tolerance, and an appreciation for the uniqueness of the human spirit.
Works Cited
Couser, Thomas G. "Conflicting Paradigms: The Rhetorics of Disability Memoir." Embodied Rhetorics Disability in Language and Culture. Ed. James C. Wilson and Cynthia Lewiecki-Wilson. Southern Illinois University Press, 2001. 78-91.
Davis, Lennard. Enforcing Normalcy: Disability, Deafness, and the Body. London: Verso, 1995. 1-49
Gill, Carol J. "A Psychological View of Disability Culture." First published in Disability Studies Quarterly, Fall 1995. www.independentliving.org/docs3/gill1995
Gill, Carol J. "Four Types of Integration in Disability Identity Development." Journal of Vocational Rehabilitation 9 (1997): 39-46.
Krefting, Rebecca. "'The Taming of the Sun': Finding the Joke in the Cancer Narrative of a Pedagogue." Disability and the Teaching of Writing A Critical Sourcebook. Ed. Cynthia Lewiecki-Wilson and Brenda Jo Brueggemann. Bedford/ St. Martin's: Boston, 2008. 109-116.
Millet, Ann. "Disarming Venus: Disability and the Re-Vision of Art History." FemTAP (Summer 2006): 21-39.
Roche, David. The Church of 80% Sincerity. New York: Perigee, 2008.
Not just for Sunday! Review Date: 2008-03-30
David was born facially disfigured and I will say no more about that, because whatever I could possibly write, it would pale before David's words as he chronicles his life in this magnificent little book. I have known David for about fifteen years and what I love about the CHURCH OF 80% SINCERITY is the very thing that I love about him. It is about the place where he lives, the intersection of pathos wisdom and humor. When reading it, one is never a sentence or two away from the integration of these three forces.
Another potent and enchanting aspect of his writing lies in his ability to pilot the reader down the same road he is travelling. As David allows us to examine the grief,anger,love,and joy of his life, we are simultaneously compelled to examine and reexperience our own. Ultimately, what the book reveals is that David's journey has been been an alchemical one. We become very clear that he turns lead into gold, and there in lies the gospel; the good news that we can do the same. -- at least eighty percent of the time! -- I can't recommend it enough!

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There is no comfort in this bookReview Date: 2008-10-08
Finding Hope in GriefReview Date: 2008-09-21
Ann Hood is not a new author to me. I have read many of her other books. "Do Not Go Gently" about dealing with the impeding loss of her father to cancer also revealed her ability to put on paper what was coursing through her veins. "The Knitting Circle" a fictional story of a woman trying to put her life together after the loss of her daughter, was her previous attempt to try to tell the story of the loss of Gracie. In each of these, woven in with the phrases of pain and brutal honesty is an energy and lust for life that is redeeming. I find myself crying and then laughing with tenderness as she goes on to mention something that brings to life the human spirit to survive and cope.
Even though the book deals with such tragedy and pain, it is not a downer. I am left with a sense of connection to Ann and her family that make me want to hug her and bring a cake over to her house. She is each of us...she is a mother who isn't afraid to feel her pain and share it with us. She is a wife who isolates herself in a corner one minute and then grasps tenaciously to her husband in the next. She is a woman who exhibits love, anger, longing, strength and determination. If she can walk through this then there is hope for all of us who also have difficult journeys in our future.
A Mother's Grief Shared ComfortReview Date: 2008-08-19
Grief UnveiledReview Date: 2008-08-04
In a searing prologue bearing the same title as the book ("Comfort"), Hood begins and ends with the thought that "Time heals," methodically listing the comments that people made to her in the aftermath of Grace's death. Interspersed among the well-intentioned words of others, Hood writes her own rebuttals and rebukes of them. "Once you have lived through all of the firsts, it will get better." ... "Are you writing down how you feel?" "But I cannot write. I cannot think of anything but her." ... "She is in a better place." But how can a five-year-old little girl be in a better place without her mother?" "Are you writing any of this down?" "Only the lies people tell me. There are no words for the size of this grief. There are only lies."
By the time I finished reading the prologue, her words clutched my heart and threatened to never let go.
They say that writing about such pain is therapeutic. I say that reading this book is also therapeutic. As a mother and a nurse, I cannot imagine having to make sense of the loss of a young and healthy child. Likewise, I cannot imagine having to function and move forward after such a shock. Hood reveals just how terribly difficult it is to go anywhere but inward.
"In the days and weeks and months that followed, I told these details over and over and over to anyone who would listen. Repeating them made the story which seemed unbeliebable still, real. It was as if by repeating the details I cold somehow understand them, understand what had happened to Grace, to our family." (Chapter Two: Knitting Lessons).
This book will take you on an emotional ride unlike any other. I have emerged from the pages of this book with an incredible ache for Hood's loss but also with joy for her renewed hope for the future, in her adopted daughter, Annabelle.
Written with grace and brutal honesty, Comfort has touched my life and is sure to touch the lives of all who read about Ann Hood's powerful journey.
by Lee Ambrose
for Story Circle Book Reviews
reviewing books by, for, and about women
Hug your children and don't let go...Review Date: 2008-07-30
Many compare this book to Joan Didion's The Year of Magical Thinking. From my point of view, this book is in a different class - far superior - coming deep from the author's soul where you live and feel the grief as you turn the pages. For example (P. 96): "I have read that when someone loses an arm or leg, for months afterward they still feel the pain in their missing limb. A phantom limb, it is called, as if the outline or shadow of that limb is still there. That is what my arm became. Phantom limbs, aching for Grace. At night I would wake up in pain, my arms actually hurting with longing for her. It is hard to imagine that emptiness can cause pain, but my empty arms arched."
The book is beautifully written. The author has a knack of bringing alive small every day experiences - "I ate wine biscuits twisted into pretzel shapes and hard bread dipped into tomato sauce, tight batons of prosciutto and crunchy stalks of fennel dripping with olive oil."
Hood is direct in explaining her grief - there is no magic silver bullet to deal it.
"Writing about Grace, losing her, loving her, anything at all is not linear. Readers wants a writer to be able to connect the dots. But these dots don't connect. One day I think about how knitting saved my life, and I write about that. But how do I connect it to other parts of my grief? Grief doesn't have a plot. It isn't smooth. There is no beginning and middle and end."
Or
"It had been three years since Grace had died. Slowly, we were back to work, out with friends again. Our loss still filled our home, every corner of it. It still filled us. Time doesn't heal, I had learned, it just keeps moving. And it takes us with it."
And finally, she expresses her anguish in vivid heartbreaking ways:
"The first time I walked into Grace's room after she died, when the reality of what had happened to us in the past forty-eight hours was still unbelievable, the first things I saw were those tights. I saw them and screamed, not the kind of scream that comes from fright, but the kind that comes from the deepest grief imaginable. It is a scream that comes when there are no words to express what you feel. It is an argument with God or life or death. It is a scream that rails against logic and fate and everything there is."
Hood eventually turns the corner but never shakes the horror and pain of losing a loved one. Hood's grief comes alive and is real as you turn the pages. Sad but emotionally stirring book.

Collectible price: $37.00

My Elvis BibleReview Date: 2003-01-16
Definitely the world's best Elvis "reader book".
Well written,
easy to read, easily enjoyed whenever.
I am patiently waiting for the other Volumes of this series.
If they are anywhere
near as good as this volume, Jim Curtin will the world's best Elvis books on the market! (well he kind of does already).
I
am so happy I found his books online.
My first exposure to Curtin was through his Unseen Elvis book (definitely the best
photo book on ELvis to date).
I did not know he authored more books, till one of my friends bought me his Christmas With
Elvis book, and from there on, I became a Jim Curtin / Renata Ginter fan!
With as much enthusiasm as I had reading this book, I can honestly attest that anyone who buys it, will love it just as much. I can guarantee it (if my word even means anything to anyone).
I am just a fan who enjoys reading quality material on Elvis and who LOVES to see rare photos on him as well.
So if you want my recommendation as to what kind of books to buy or get on Elvis .... stick with Jim Curtin (the true Elvis expert and friend)
My thoughts about this tremendous bookReview Date: 2000-12-05
#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]
#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.
#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]
#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]
#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]
#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]
#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]
These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL
So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!
My thoughts about this tremendous bookReview Date: 2000-12-05
#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]
#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.
#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]
#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]
#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]
#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]
#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]
These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL
So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!
See Elvis in a new lightReview Date: 2005-06-21
Very interesting indeedReview Date: 2001-08-02
This is a very well informative book.
ok there may be some
stories that didn't interest me much, but that is quite a small percentage (5% maybe); but I think there are fans out there,
who want to know everything.
What I did enjoy (and even learned) were the stories that told the "behind the scenes story" of a particular event (ei: Dorsey Brothers payoff, Parker's business tactics, recording session goings-on, things that showed Elvis wasn't exactly the perfect date)
great reading and I would have to say: a must have reader!
My only problem
with this book was some of the photos.
not exactly "unseen" *(because I have seen many before)* but I think they matched
Curtin's "chapter themes" (if you want to call them that).
Ok so far Curtin is NOT A MEMBER OF THE FANTASTIC FOUR!
5
more Curtin books to go

Used price: $35.25

Excellent WorkReview Date: 2008-08-05
Like it wasReview Date: 2007-05-14
YawnerReview Date: 2005-07-01
Forget the previous reviewReview Date: 2005-07-06
This was a review that came from a person that lacks the knowledge or ability to present artistic dialog, in short he jumped in over his head and now his reputation will be ruined...there are many people upset over this blast of such a wonderful piece of literature. I would advise the reviewer that stated "Yawner" to take some creative writing classes at his local community college; this is perhaps the worst review I have seen thus far on Amazon. I am surprised that it was allowed to be posted... he is finished.
Spiceberry PointReview Date: 2005-09-14
Delezen paints word pictures that are so incredibly powerful that I am mesmerized, transformed, taken aback and admit to myself, yes, this is what it was like, this is real. I know it is real because I was his pointman in 3d Force Recon team Spiceberry One. Thank you for telling it your way, Eddie.

Used price: $2.09

Fantastic Book!--Would Make A Great Movie!!Review Date: 2008-08-29
then a year later, read it again!!---FANTASTIC!!
It captures the times, the people, places and things that
made Sylvester, San Francisco, that music and that era
such a golden & magical time!
I love the stories of the young Sylvester growing up in
South Central L.A. in the 50's and 60's, FLAMING THE CHILDREN!!
Giving them fabulousness and outrageousness at every turn,
from his soul-stirring falsetto rendition of the black gospel
classic "Never Grow Old", to the rawkus "DISQUOTAYS", a rag-tag
gang of young black drag queens that he hung out with, to the
off-the-charts outfits that must've stopped traffic in
the hood big time! (LOL!!)
It was evident to all who knew him even then, that this
pretty black child with the high voice was way different
and way way special!! (-:
Some didn't know how to take Sylvester or even know what to
do with him, yet he pressed on!---Carving out his own space
within the harsh realities of ghetto life as best he could.
Sylvester was a true pioneer in every way!
He didn't see race, gender, the expectations of others,
the taunts of hateful & ignorant people, etc.,
as obstacles or boundaries he needed to respect.
He was a true original!--Uncut, undiluted, young, black,
gay, gifted, stylish, full of charm and ambition,
with the soul of a torch singer or a blues shouter
infused by a rock-n-roll rebel spirit and soul singer's chops!
What a combination!
I myself can attest to Sylvester's impact, as both a fan
and as young gay black kid who was coming of age and into
self-awareness at the very time that his star was reaching it's zenith!
I had just started partying and experimenting sexually by
the age of 14 in 1978 when "Dance (Disco Heat)" and
"You Make Me Feel (Mighty Real!)" burst onto the music charts,
in the clubs and in house parties across the country
and eventually, the world!
I couldn't yet get into the disco clubs, but oh boy!--
I could sure get into house parties!
I was hanging out with people who were 5 to 10 yrs older
than me and I was learning MANY INTERESTING THINGS!!
Of course, back then you had "FAIRY GODMUTHAZ", older gays
who would take us young "up & comings" under their chiffon wings
and school us on the do's and don't's of gay life, sex & survival
in the late 70's and early 80's!!
PRE-AIDS and in the last writhing throws of the SEXUAL REVOLUTION,
it was a great time to be alive!
I grew up in the south during this time, which already had
it's issues with race and sexuality, so the gay world of that time,
on that end of the country, was very still underground,
hypocritcal and always hush-hush!!
There were a lot of secret stares, codes, slangs, etc.
to let those who needed to know, what you wanted them to know.
But though it was very repressed and subterfuge,
MAN, DID WE HAVE SOME FUN TIMES IN OUR LITTLE NETHERWORLD!!
And yes, as is now, back then, straight men did venture
into our world quite frequently!!
Anywayz, enter THE FABULOUS SYLVESTER from the legendary
and exotically far reaches of a city they called
"the gay shangri-la"...aka SAN FRANCISCO!!
It was the summer of 1978, and here was this strong,
proud, black, beautiful, talented, androgynous gay man
telling us, by the very nature of his exsistence,
that it was not only alright to be what you were out
in full view of the world, but it was also our duty
to be FABULOUS & JOYOUS!! (-:
Sylvester was more than just a disco diva,
HE WAS A WHOLE MOVEMENT!!--Every time he would perform,
it was part church revival, part circus, part drag pageant
and part gay pride celebration!!
TRUE STORY!!---Picture It!!--Greenville, SC in May of 1979...
I had just turned 15 yrs old, and me and two young gay freinds
of mine, one 16 and one 18, hear through the grapevine
that none other than THE FABULOUS SYLVESTER would be appearing
at a club called SAN SOUCCI's in Atlanta, GA
(which was 200+ miles way, and well on it's way to becoming
the southern San Francisco!) and we go absolutely nuts!
It becomes our mission, our sole purpose for exsisting!!
Our quest, to somehow, obtain fake ID's, fabulous disco-era
outfits replete with lots of glitter, dripping foxtails
off the lapels & double belts, shoes called "crayons"
that had a clear amber heel that had lights in them that
blinked in rhythm as you danced your booty off on the dance
floor, either Sassoon or Jordache jeans which had a little
stretch fabric blended in with the denim to hug your firm
perky teen-aged azz and tiny waist to perfection,
outlining your package in the front, and making
the local guys salivate with lust over a hot piece
of TENDERONI like you! (LOL!!--we were too much!)
We pooled our allowances, our summer jobs, etc. to
obtain tickets through an older bisexual cousin of mine
who lived down in Atlanta at the time, who also arranged
the fake ID's as well.
Keep in mind, I had just turned 15, one freind was 16
and the other was 18...none of our parents even knew
we were gay, and there was no way in the hell
that they would've sanctioned us (under-aged)
going all that way to Atlanta...and to see this
gender-inspecific weirdo named SYLVESTER!!
(Boy George and Ru Paul were still a ways off yet!)
So me and my freinds, being rife with teenaged angst,
secretiveness and resourcefulness, concoct the half-baked
scheme to hitchhike from Greenville to Atlanta with duffle
bags in tow filled with our outfits, toiletries, etc.,
use our fake ID's to get into the club and party with
Sylvester & Two Tons O' Fun into the wee hours,
get my older bi cousin to rent us a hotel room in Atlanta,
have us a slam bang good time with some local fellaz
overnight and then hitch it back to Greenville by Sunday
evening before 5 pm!! (LMAO!!)
Anywayz, long story short, as is with all half-cocked
and scantily thought out teenaged schemes, we did pull it off,
got in the club and got down with Sylvester, got high,
got the boys, got the hotel room, etc.
But what we didn't bargain on was our mothers not being born
yesterday and the lose lips of the jealous young queens
who wished they had the balls to pull off what we did!
(We got ratted out big time!)
There are a number of books related to this one, as well as movies connected as remakes of the books.
Belles on Their Toes, Cheaper by the Dozen, etc. are refreshing insights of life in the early 1900's.