Daisy Books

Quick delivery and I loved the book. It was so much better then I
expected. Would recommend it.

Thoroughly enjoyed this book. Had never heard of the author until I saw him on the Glenn Beck TV program. I liked the testimony he had, so I decided to read this book, along with "The Gift" and "The Christmas Box". They were all well written and enjoyable to read.

Reading Finding Noel is truly a gift. The stories give one a sense of pleasure as well as serenity. This is the tenth book of Richard Paul Evan's literature that I have read. I look forward to reading The Gift next. My husband used to give me Evan's new book each year for Christmas. After his death, I sort of forgot about getting one as a gift. Recently, I went and purchased Finding Noel and The Gift to add to my collection. The covers are exquisite and the paper with the ragged edge makes it a reminder of past days. These books would make a wonderful gift for a birthday, Hannukkah or for Christmas or even for no reason at all. I highly recommend them.

The irony of fictional writing is that it works best when it comes from a real place. According to author Richard Paul Evans, the background story of his novel "Finding Noel," is drawn from the real-life story of Celeste Edmunds, a woman with whom he used to work.

As with his previous books, this is a personal work for Evans; he uses family names, origins, religion, illness and little slice-of-life things like recipes, traditions and tips to give a homey feel to his characters and story.

"Finding Noel" is also the first book of fiction that features a character diagnosed with eye cancer. Through the character Joette, Evans exposes millions of readers to this rare disease - only 2,000 adults are diagnosed each year - in a way that mainstream media and the inaccessible medical literature have not. For that alone, Evans and his fictional work are the real deal.

I came across this book after doing a search on choriadal melanoma. My dad was diagnosed 5 days before Christmas. I am happy to say he was treated with Radioactive Plaque Therapy in NYC just this past week and the doctor tells us the tumor is dead - gone!! I believe I will have to wait a while until my emotions settle a bit to read it though!

El libro es buenísimo, particularmente el estilo de Gabo es genial y lo que lo hace aun mas meritorio es que se trata de un relato autobiográfico. Lamentablemente tengo que advertirles de un error de encuadernación en la edición de pasta dura (hardcover) las hojas vienen mal cortadas, he ya ordenado dos libros y los dos vienen con el mismo defecto. La editorial KNOPF ha hecho un muy mal trabajo. Mi recomendación... busquen otras editoriales.

El autor es un relator latinoamericano costumbrista. El realismo magico es lo comun y corriente en esos pagos. De ilusion tambien se vive. Quiza algun dia se inspire en escribir una novela sobre el realismo magico de la tragedia cubana, dada su intima afinidad con el Doctor Fidel Castro Ruz.

This book is the first in a series. Frankly, I hope that in his next memoir there iwll be more about his literary writing b/c this doesn't cover his marvelous literary career at all.

The first sections of the book which deal with his childhood and schooling are comic and moving, with great turns of phrase and details about his grandfather and large family. What I found less interesting were the accounts of his journalism career. Apart from a very compelling section about a political asassination and its aftermath, I was a little bored. Even worse, I did not feel that some of his bohemian friends were distinguished from each other.

I am going to go back and reread The General in His Labyrinth and the novels that I so adore. I just prefer them.

Although I can consider myself a GGM fiction fan, I encountered "Vivir Para Contarla" utterly more attention-grabbing than any of his other works. Perhaps It was just the fact that he related his real life, from the time before his birth until he was something like twenty eight years old, in such a magical way that I could just not put the book down for more than a few moments. I could come across in this volume with so much of the background that made the genius in Gabo, that I could not accept it as factual. Actually I was so beguiled by the story, by the idiosyncrasy of his large and astonishing family, by the actual brilliance and intelligence of the child, the adolescent and the young man in Gabo, that I unreservedly supposed I was immersed in one more of this author's accomplishments. He relates his non precedent childhood and early adolescent years as a conspicuous reader and writer of poems and stories- which he memorized and recited by hearth-, as a distinguished picture drawer, as a notable singer, as an extremely timid person, in sum: as another character out of its novellas and short stories. He, at the same time, enriches our reading with his detailed and exhaustive career as an anonymous young journalist in Colombia, who spends an awesome amount of his free time discussing literature with his fellow workers and friends, at a time period when literature was the coolest matter to be involved in. However, the social and political backgrounds of his whereabouts are so precise and stuck to Colombian and the World's historic and social events, that henceforth what he conveys us in this first volume of his autobiography must have a great deal of reality in it.
In spite of the fact that a myriad of the characters, locations and events that we find as basis for his novellas and short stories come out of his real life, I do not believe it imperative to be acquainted to any of his other masterpieces in order to devour and absolutely enjoy this volume. It stands unique by itself!
I am anxiously waiting for the subsequent volumes of this trilogy, however due to the actual author's sickness; I don't believe we will be receiving the complete trilogy at all.

"Living to Tell the Tale," ("Vivir Para Contarla"), is the first book in a planned trilogy that will make up the memoirs of Gabriel Garcia Marquez, the renown Colombian writer who initially won public acclaim in the mid-1960s for his novel "One Hundred Years of Solitude." At that time, Garcia Marquez, a journalist and writer, had never sold more than 700 copies of a book. While driving his family through Mexico, he had a veritable brainstorm. He remembered his grandmother's storytelling technique - to recall fantastic, improbable events as if they had actually happened - literally. That was the key to recounting the life of the imaginary village of Macondo and her inhabitants. He turned the car around and drove back home to begin "One Hundred Years of Solitude" anew. To my mind it is one of the 20th century's best works of fiction, and was highlighted in the citation awarding Garcia Marquez the 1982 Nobel Prize in Literature.

"Living to Tell The Tale" relates the early years of the author's life, although some of the book's most important incidents predate Garcia Marquez's birth. The impact of these experiences, the people and their stories, were to have a powerful effect on him, as a man and as a writer. This is the tale of his parents' courtship, marriage and the birth of their children, Garcia Marquez, (Gabito), the oldest, and his ten siblings. It tells of his early years which were spent in Aracataca, in the home of his maternal grandparents. His grandfather, Colonel Nicolás Ricardo Márquez Mejía, was a Liberal veteran of the War of a Thousand Days. He was supposedly a storyteller of great repute. The Colonel told his young grandson that there was no greater burden than to have killed a man. Later García Márquez would put these words into the mouths of his characters. His grandmother, Tranquilina Iguarán Cotes, had a major influence on Gabriel's life also. Another great source of stories, her mind was filled with superstitions and folklore, and she gossiped away with her numerous sisters within hearing range of young "Gabito." No matter how fantastic her statements, she always delivered them as if they were the absolute, verifiable truth. This was the style which was to effect Garcia Marquez's fiction, sometimes called "magical realism." These women filled the house with stories of ghosts, premonitions and omens - all of which were studiously ignored by her husband. He had little interest in "women's beliefs."

Aracataca was a small village, a banana town on the Caribbean coast, where poverty was the norm and violence was an everyday occurrence. On December 6, 1928, in the Cienaga train station, near Aracataca, 3,000 striking banana workers were shot and killed by troops from Antioquia. Although still a baby, this event, recounted to him, was to have a profound effect on the author. The incident was officially forgotten and omitted from Colombian history textbooks.

In 1940, when he was twelve, Gabo was awarded a scholarship to a secondary school for gifted students, run by Jesuits. The school, the Liceo Nacional, was in Zipaquirá, a city 30 miles to the north of Bogotá. It was during his school years, 1940s and 50s, that he was first drawn to poetry - a national obsession in Colombia. Verse was revered as an art form, and also as an effective means of social and political commentary. He and his friends, fellow students, would read aloud and discuss poetry late into the night. The youths admired a group of poets called the piedra y cielo ("stone and sky") and they were strongly influenced by Juan Ramon Jimenez and Pablo Neruda. Too poor to buy his own books, Gabo would devour novels borrowed from friends.

While still a boy, he decided he wanted to be a writer. The people who surrounded him in his childhood later became instrumental when developing the characters and the storylines for his novels. "Love In The Time of Cholera" was inspired by the romance between his mother and father. And his grandfather, who had twelve children, (some say 16), by two different women, became Colonel Aureliano Buendia in "One Hundred Years of Solitude."

One of the most powerful episodes of the book tells of the period called "La Violencia." In 1948 the Liberal presidential candidate, Jorge Eliecer Gaitan, was assassinated. The murder led to rioting, and left approximately 2500 dead on the streets of Bogota, during "el Bogotázo." Political violence and repression followed. One of the buildings that burned was the pension where Garcia Marquez lived, and his manuscripts were destroyed along with his living quarters. The National University was closed and he was forced to go to the university in Cartagena. Garcia Marquez began his career as a journalist, writing stories and commentary for a Liberal newspaper in Cartegana. Later he moved to the coastal city of Barranquilla where he began to associate with a group of young writers who admired modernists like Joyce, Woolf and Hemingway, and introduced Marquez to Faulkner. In 1954 he returned to Bogota, as a reporter for El Espectador.

Garcia Marquez begins his book, however, not with his real birth in 1928, but with his "birth as a writer," at age 22. He and his mother took a trip from Baranquilla, where he was working as a reporter, to his childhood home in Aracataca, now virtually a ghost town. They were going to sell the ancestral house. Vivid memories were stirred up here, memories which electrified his imagination. This trip was to change the course of his writing life. "With the first step I took onto the burning sands of the town, Aracataca instantly became Macondo, an earthly paradise of desolation and nostalgia." His one great subject became his family, "which was never the protagonist of anything, but only a witness to and victim of everything." His is not a chronological autobiography. Garcia Marquez cuts back and forth through time to show how memory colors experience. As he says in the book's epigraph, "Life is not what one lived, but what one remembers and how one remembers it in order to recount it."

Humor, dry wit, a sense of the absurd, is a trademark throughout the novels of Gabriel Garcia Marquez, and this autobiography is full of his deadpan humor. His anecdotes of his many mistresses and cafe society are wonderful. "Living To Tell The Tale" is not a conventional literary memoir. It is a magical combination of memoir and national history written in the author's remarkable voice. It is his personal mythology, from the repertoire which birthed Macondo. The narrative is intimate and sincere, filled with bewitching details and descriptions. In spite of poverty, and the political turmoil so prevalent in Colombia during his lifetime, Gabo acknowledges his early years were filled with joy, a sense of well-being and encouragement from many people. Garcia Marquez leaves us, at the end of this volume, with a glimpse of his future love, his wife, ""wearing a green dress with golden lace in that year's style, her hair cut like swallows' wings, and with the intense stillness of someone waiting for a person who will not arrive."

Bravo Gabriel Garcia Marquez!!
JANA

I had recently lost my favorite cat, and was looking for something to help me get over my lost. I came across this book & reading stories of other people and their cats helped me get over my loss, especially the part about other people losing their cats! It does help your soul, when you lose your one true friend. I recommend this book highly!!!

Being a Lover of Cat's when I saw this Book--it was a "must have" for myself. Each story is true and has its own uniqueness just as every Cat does. It is simply a fun book to curl up with, you will laugh, cry, sigh and definately agree with, for one way or another you will understand and learn through each story about how amazing "Cat's" truley are. If you are a Lover of Cat's you will enjoy adding this Book to your Home Library-------this one you won't regret. MEOWWWWWWWWWW.

My little one is a big cat lover. Although her allergies forbid her to own a cat, this book helps her to receive a better love for them. We have many of the chicken soup books and this one is her favorite. Also.... shop for the book "The Secret" it has some footnotes from this same author. The Secret is a must for children too. Of course, we all want our children to grow up with a world of knowledge, well it starts with what us parents buy our children. Books...Books...Books.... people. Turn Off the TV's...

This book is very touching! Have some tissues ready for this one! Lots of very nice stories that will make any cat lover misty-eyed at times, and laughing out loud at other times. Highly reccommended for any cat lovers!

An inspiring work for honoring a friend who was a real cat lover and her beloved (but eccentric) 'Molly B.

Julia Garrison Fox writes her experiences after suffering a stroke at the age of 37. This is a must read for all healthcare professionals especially those who work in the rehabilitation field. She pulls no punches and write candidly about what it feels like both physically and emotionally to go through a life altering incident. This is a wake-up call for all in the healthcare field, we are real good at treating the body but we sometimes forget the human spirit we are also caring for.

I really loved this book, and would recommend it to anyone and everyone. Although I've never suffered any of the physical impairments that the author has, her story is very easy to relate to. Not to mention that it serves as a reminder to all of us to never give up, and to never take anything for granted.

Ms. Garrison's persistance is to be admired, as is her sense of humor through ordeals that have broken the spirits of many. Kudos to you, Julia, and may you never lose your courage, love of life, and wonderful spirit!

I read the first two paragraphs, stopped, and read them again. I then got up from my comfy chair, found my husband and daughter and read the first two paragraphs aloud to them. We were all blown away. The rest of Julia Garrison's story is just as breathtaking. I couldn't put it down. I cried hard twice and laughed out loud too many times to count. When I finished, I just sat for a long while with the book in my hands, looking at the cover, wishing for more. I'm the same age the author was when, without warning, she had a massive stroke, and her life changed forever. So I keep imagining myself in her shoes, wondering if I possess the courage, determination, and positive attitude Julia has, wondering if I would survive...and then thrive. I don't know, but I know this: Her story inhabits me now. And I carry her messages of positive attitude, dignity, and hope with me. This book should be read by everyone who has ever been a patient, everyone who has ever faced overwhelming obstacles, every doctor, and definitely every medical student. Have I left anyone out?

This is yet another insight into the hellish situation that exists when healthy people become incapacitated and end up in rehab or nursing home situations. (For comparison, read Joni Eareckson's autobiography and Stephen Thompson's Genesis: A Portrait of Spinal Cord Injury. Each one of these author's stories begin in different decades, but all, including Julia Garrison, describe first-hand similar experiences of dealing with a health-care system that is both abusive and neglectful).

If Julia's family hadn't been there for her, including a devoted husband, mother and eight brothers, she would have quickly withered and died in a nursing home. A simple request for tampons was denied, and she was offered adult diapers as a substitute, because the home didn't stock tampons or even pads. It was far easier for the nursing home staff to have a compliant patient in diapers, rather than an ornery, loud and gutsy 37-year-old woman who refused to roll over and accept the cards that fate had laid out for her.

The medical profession will move heaven and earth to save the life of an accident or stroke victim, but then doesn't seem to know what to do with the patients whose lives they have just saved. Julia Fox Garrison, with an insane will to survive, and surrounded by the love of her family, took charge of her own recovery and made her own plans for the rest of her life, the one she would have to live after she was discharged from the hospital and sent home.


Garrison's book is must reading for anyone whose life has been altered by a single event. Life does somehow go on, and the book is blessedly free of the heavy-handed preaching that often accompanies the retelling of tragic true-life stories.

I am a rehab nurse and I just couldn't put this book down.

Yes, all of the portraits are not flattering of folks in the healthcare profession. We must view patients as people, with all their likes, dislikes and quirks.

I found it to be a very funny, uplifting first person account.

Amazon asked me to review this book, which is funny, considering I still haven't received the copy I ordered more than a month ago! If you really want this book, you might try getting it elsewhere.

I found this book to be a wonderful book that takes you into the world of a passenger on the Titanic and his journey through the disaster. It was a wonderful book with great illustrations that really helped my students look into the events of the Titanic.

I liked the story because when Polar was lost he was reunited with his owner at the end of the story. The person that read me the story said that this story was true because the granddaughter of Polar's owner found this story in her attic and wrote a book about it.

the name of this book is polar the titanic bear.It was a very,very good book. IT IS A TRUE STORY.I is about a stuffed bear that is "alive" and has a very good connection with his master.His master's family was a very rich family,so they traveled alot.The two were on the titanic,& this book has real pictures of the titanic & his family.(masters family)

This book has much to offer, for young readers and for adults. It is a wonderful glimpse into history, told from the perspective of a Steiff polar bear, who is very much a part of the life of young Douglas Spedden. His family's travels and his young life unfold in a beautiful text that is illustrated with sensitive illustrations and historical photographs. The Speddens traveled on the ill-fated Titanic. The incredible drama of that event unfolds in the most personal narrative. The magnficent beauty of the ship is conveyed as the family enjoys its commodious luxury. The drama of its sinking is compelling as well as touching in the describtion of the heartbreaking separation of Polar from young Douglas. This is how a young child would remember such an event. Fortunately, Polar is found and reunited with his friend.

The story behind the story is as wondeful as the book itself. Leighton H. Coleman III found this wonderful manuscript in his grandfather's barn. It was written by his cousin, Daisy Spedden. How brilliant of a mother to convert a traumatizing event into a story for her little boy! Her tender insight, the wonder of discovery and the perfect blending of history and narrative--ocean liners, wonderful bears--all of these components make this a perfect children's book that is both educational and entertaining (for parents, too!). I have given scores of copies to my friends with children and to my many adult friends who are fascinated by ocean liners and the Titanic. The book is well-crafted with much to offer.

The work of Hakim Bey is well-known in that other american world, the "underground" society, the one of subculture, silent resistance and anarchy. But slowly it has been bubbling to the surface, often in unexpected places. The novel and film Fight Club, surely shows an affection for poetic terrorism, an idea rooted in Bey's ontological anarchism and closely related to the situationist tactic of detornement. T.A.Z. is not the property of any philosophy but chaos and elegant disorder. Sure, there are aspects of anarchism, chaos thinking, situationist leanings, but that is just a symptom of the spectacle and is such precisely because of it. These essays all point to a way out of this spectacular society, but the first step comes with the mere recognition of it. This is harder than it sounds, or perhaps easier. TV and the media are always easy components to recognize, the real challenge is to recognize how the spectacle, i.e., the prefabricated, artificial, consumerist milieu penetrates, influences and shapes even our most intimate thoughts--which we often mistake for our own desires, wants and needs. In T.A.Z. Bey offers suggestions on how we can extricate ourselves from this structure and start creating our own temporary autonomous zones, within this system of economic, social and cultural oppression. Immediatism, Poetic Terrorism, and the embrace of Chaos are just a few of the strategies that he advises, all of which presuppose a new dialectic with reality.

This is only an outline, a mere review, I leave discerning and interpreting the details to you...Get this book today (also available in spoken word from axiom records).

TAZ is an amazing book. I personally see it as a philosophy and a self-improvement book. Hakim Bey presents his ideas about how the universe should be, chaotic. If you are into chaos magic or discordianism you will find this book very appealing and its a book that must be in your collection.

TAZ is a virus, it spreads through all the self-created walls that hold you down with the promise of true freedom. Suddenly you will become chaos.

Assume nothing.

I am surprised that the sort of people attracted to such a work--to guess from previous reviews--are still apparently apt to want to swallow the thing wholly, assertions that "they lied to you, sold you ideas" and all. Personally i reckon that we are in the midst of a conspiracy, yes...but most likely an unconscious one--the aggregate of fear & complacency & ignorance & such things, that is, resulting insidiously in the effects of a sort of conspiracy. What sort of result, for example, would one really expect from blowing up a transmission tower? A sudden enlightenment of the populace? No: most people would likely become even more reactionary when faced with causes for alarm.

Essentially this book, in spite of its claims to the contrary, seems to me a variety of art movement and not the "ultimate" anything, but as with anything so incendiary and beautiful its value can still hardly be overestimated. Who can resist Poetic Terrorism or Bey's felicity with language (eg. Chaote art)? The language and imagery are colourful and bursting full. Imagine a feast laid out on a table with barely enough room for the feasters' plates--and certainly not enough for their elbows--and everyone seated around it wearing purple plumage or velvet saris or nothing at all & laughing with food in their mouths.

I'll take what i need and leave the rest, as it goes. Implicit in most of the writing is criticism of those who would reject any part of the "freedom" described, but who's afraid of Hakim Bey? I'm glad he wrote even if i won't be taking all of what he wrote to heart.

Have a couple of dictionaries standing by, or be sure to have a few dozen bookmarked online while reading this, for if you're to appreciate Bey's prose, you're likely to need 'em. He writes in a strange way, obviously highly intelligent, but rambling, and if you're not quite sure what he's on about, it's just going to seem worse.

There are a lot of ideas in here, based on things I'm not very familiar with, such as Sufism and dadism - some of which are at least partially explained, but this is one of those books you need to read, and then come back to later and see how it compares. Certainly on the first go struggling somewhat to get a feel for how his mind works on paper.

It's a very inspiring work, which he may loathe to hear, but I intend to do something about it. I recommend reading it to anyone interested in expanding their interests and testing the limits of one's mind. Agreeing with everything he presents isn't necessary, but thinking about it is - doing even better. Highly recommended reading.

This is one of those pieces of literature that you simply cannot afford to miss. It's like discovering Marge Piercy at the tender, malleable age of 12, or finding Clarissa Pinkola Estes' book, worn and well-loved, after a ten-year marriage filled with abuse. Except, TAZ doesn't require you to be at any particular phase of your life to change it. It just does. Sometimes, it's not immediate. Sometimes it sits quietly in the back of your mind, bubbling up curt replies to oppressive corporate and societal forces that occasionally - tragically infrequently, to begin with - with issue forth from your mouth and cause bank tellers to go pale with shock.

Temporary Autonomous Zones are nets of co-conspirators, ready to take the mass of over-bearing government and the thin veneer of so-called civilization down, not through bloody revolution, but rather through obsolescence. If we do not respect the right to control us, if we have our own power back to do our own work, only then are we our own people. And moreover, in "Ontological Anarchism", we find the suggestion that we do not have to define ourselves by ANYTHING other than what WE feel we are. We are "supposed" to be productive, civilized, friendly, codependent, well-dressed, well-paid, well-fed and easily coddled. But humans are NOT that - we are animals, base creatures of a triple nature, as gods are, as goddesses are. And in each as our own deity, we cannot be truly shaped by anyone else but our own ineffable nature.

And that's just the beginning....

My son loves this book! He can recite it to us, we've read it so much. It is a cautionary tale, but not in the creepy Hansel & Gretel sort of way. It shows how "mommy ducks" can get frustrated with "little ducks" when they don't listen. Daisy is never really in danger... and I think a little anxiety is good! This book has helped my son understand that he needs to listen to Mommy & Daddy because they are always looking out for his safety. When the family is out and about, and my son acts like Daisy (innocently curious, but nevertheless, NOT listening to our cries to stay close), my husband and I say "come along Daisy" or "you must stay close Daisy." This helps my son to remember the importance of listening to Mommy & Daddy. Besides this educational benefit, it is an awesome story! One that the whole family will remember even as my son grows into a man.

a great, interactive and charming story about a little duck named daisy. your little one will enjoy it!

A beautiful cautionary tale that my 30 months old son like it so much. He felt sad when Daisy was all alone. He pretended as Daisy talking with the Frog, bouncing on the bed. He showed his smiley face when mama duck appeared at the end.

When we were out, he sometimes stay close to me when I reminded him Daisy.

Daisy is a little duckling that doesn't listen. She is too busy chasing insects, playing with frogs and bouncing around. Her mom calls her plenty of times and warns her to stay near her at all times but Daisy is a defiant little duck until one day when she wanders too far. Daisy finds herself hiding from big scary things moving in the water under her and big scary birds flying over her head and the one time she really needs her mom, she isn't there. This is a book about a little defiant duck who learns her lesson. The illustrations are amazingly precious, simple yet full of life and sweetness. I very much enjoyed this story because I found the children I read it to playing with their rubber ducky in the bath, that looks like Daisy, hiding from their other toys. They were repeating lines from the story and smiling.

I suppose, in the strictest sense of the term, that "Come Along, Daisy" could be categorized as a cautionary tale. I mean, certainly there are negative consequences for any child that refuses to heed his or her mother while traveling. Still, the book cautions without scaring. It's a remarkably tender little tale that manages to be evocative and dark without descending into morbidity. And it's just doggone sweet.

Daisy is a young duckling, still wearing her yellow feathers and trailing after her mama. While out in the swamp one day, Mama tells Daisy to heed her and to not fall behind. Daisy, however, is too distracted to listen closely to her mother. There are fish to observe and dragonflies to chase. There are lily pads to jump on (with a "bouncy, bouncy, bouncy. Bong, bong!") and frogs to observe at close proximity. Unfortunately, soon Daisy's frog hops away leaving the small helpless duckling very much alone. Things under the lily pad scare her. Things flying up in the sky scare her. And a very loud noise definitely scares her. That is, until she find out that it's just Mama Duck with her customary, "Come along, Daisy". Needless to say, Daisy learns her lesson.

This is just one of the latest in a long line of books that inform children not to get separated from their parents in public spaces. Of course, it doesn't engage in much of the way of practical advice. Mama Duck doesn't tell Daisy that if she gets lost she should stand in one place and not move. But I suppose Mama Duck is in charge of the situation the entire time in this story. In any case, this is a just a good story that tells kids to listen to their guardians when out n' about. Author Jane Simmons also doubles as an illustrator for this story, and it is here that she really stands out and shines. Simmons has a grasp of perpective and tone that just fits her story like a warm comforting glove. Painted entirely in thick beautiful paints, the book shows the slight tints of the early morning sun, the fetid marshes when Daisy is abandoned, and the eerie green cattails of an unknown swamp. Characters are rendered beautifully as well. When Daisy is happy she leaps about with toddler-like abandon. When scared, her eyes stare blankly out behind an enormous worried beak. And when she sees her mother, at long last, her entire body arches towards her, going as fast as she possibly can.

Children can handle tales of abandonment if everything turns out well in the end. "Come Along, Daisy" has the added delight of there never being a particularly dire threat to the little duckling in the first place. Even that dark image of a hawk flying above shows Mama Duck swimming placidly nearby. There is great comfort in reading about Daisy's adventures. This book is a perfect little lesson about the bond between a child and its guardian, specifically that between mother and child. A wonderful beautiful book.

my husband and I knew Daisy. She would be so glad to see us, especially Bill, as he helped with her baths.When you looked into her eyes [and Daisy looked into yours] you could see eternity. Everything Helen wrote about really happened. We gave her book as gifts to five people and each one read it and each one learned something new. This is a must read for anyone who loves animals and for anyone who is curious about life, death and the afterlife.

Anyone who loves and respects, and has a close bond with animals
can not help but love this book. Helen Weaver tells a heartwarming story of loss and then continued communication with her beloved dog Daisy. People who don't "dig" this book are really not in tune with animals. It stirs all the good emotions in those who do.
Bernard Wasserman, D.V.M., author of The Dog Who Met The Queen and Other Stories.

This warm and sentimental story on the subject of animal communication is a must for all Animal Lovers. As we think of the love given by our four-footed and winged friends, we must realize that there is an intelligence there to be respected and cherished. The author has given an important slice of her life,
expressing a sensitive and caring attitude toward her dog, Daisy. Anyone who has ever owned a pet will understand the feelings involved.

This is a must for dog-lovers and particularly meaningful (just ask its many fans) to people who have loved and lost a dog.

Weaving, no pun intented, though Daisy's story is the story of her remarkable person Helen and Helen's remarkable mother.

The Daisy Sutra suprised me in its exploration of human-dog relations. I was touched by the humor, pathos and finally metaphysical reach of this little gem. I have bought 5 for gifts. Deep, rich, rewarding read.

I bought this collection for my five year old granddaughter and she loves
it. We just wish there were more of the Fairy series sold as a set.

I wanted to find a series of chapter books to start reading out loud to my two daughters, ages five and three. These books are great. There are pictures on each page, the story is fun, and each chapter ends in a cliff-hanger. The two main characters have to find seven rainbow faires to bring color back to fairyland, and they find one in each book. This box set is a great deal if you're planning on getting all seven books. We're having fun reading these...highly recommended.

I bought this set for my 7 year old daughter for Xmas and she just loved it. She read every single book. It was a great series to get my daughter excited about reading for pleasure. Easy too for a new reader.

If you daughter likes fairies and ponies, these are the books for her. My daughter who is 6 loves them and begs me to read another chapter everynight.

My daughter is 5 and just loved these books. She was very excited to know where the fairies would be found. I also enjoyed reading them with her.

The recipient was very pleased with this book. The large type was ideal for those well into the golden years.

Great heart warming stories. This is my second copy. Gave the first one to a special friend

Bought book for my 88 year old mother. The large print enables her to read and the great stories and the humor kept her interested in this book. She really injoyed this book and now I have started reading it also and find it to be delightful.

It will bring tears to your eyes ... from many touching stories and a couple that will make you laugh til you cry.

Easy to read ... thought provoking, entertaining. Open the book anywhere and find a interesting, heart warming story.

Some stories will make you appreciate your blessings, some will make you look at life a little differently and some will just entertain you.

Something for everyone.

My mom bought me chicken soup for the kids, preteen and preteen 2's soul. I fell in love with the series. Well, my Grams and Grandpa's anniversery was coming up so I thought a rose bouquet, a card, and a chicken soup book would be perfect. I looked for a chicken soup book that would be for 60+ people and I found this! It's just great. But one thing thats not true: Anyone can read this and enjoy it! I am just a kid and I liked it. My grandparents definetly liked it. I recommend this book for everybody!