New York Books

This was as comprehensive a study as I can imagine possible on how New York City, under the guise of urban renewal, allowed certain poor areas of the Bronx, Brooklyn and Manhattan in the 1970's and 1980's to burn down, displacing huge numbers of people, and resulting in the spread of TB, and AIDS throughout New York City, the surrounding areas, and beyond.

Especially of interest in its detailed analysis of how and why New York's poorer neighborhoods were pushed over the cliff of decline thanks not only to the city, but to (who'd have guessed?) the RAND Corporation. "Urban renewal" will never look the same again. geocities.com/singlepayerweb

The significant feature of this magnificent book - the last shape taken by an ongoing series of studies into the results of neo-liberal public policy by Roderick and Deborah Wallace - is that the authors know what they are talking about. Their expertise in statistical studies, developped in a completely different field of study (zoology) is such that, when they first by chance found themselves reading the so-called statistical arguments for expenditure cuts in fire prevention and other services, they KNEW - not as bleeding-heart liberals, but as professional statisticians - that what they were reading was incompetent, pseudoscientific, ideologically motivated nonsense. Since then they have waged, in a string of devastating publications, a truly heroic struggle against the powers of prejudice, governmental meanness and big business-motivated press disinformation. If the the poor stupid general public that reads the newspapers and elects the politicians were ever allowed to know about the Wallaces and their battle for the truth, they would have long since been recognized as among the greatest names alive. Think about it: why did they take it upon themselves to fight this fight? Not, by any means, to advance their career: their career was in another field, and might even have been endangered by their taking controversial stances on public matters. Not for self-interest; and not for a thirst for fame - for they carried on for decades in spite of being completely ignored by the major media. They acted only out of pure civic passion and a sense of right and wrong. Therefore, known or unknown, the Wallaces are genuine living heroes, and their names deserves to ring as nobly as that of old Sir William of that ilk, who also fought for the downtrodden and ignored when there was nobody else to fight for them.

The Wallaces document the effects of the reduction in fire service and planned strinkage of the 1960s, 1970s and 1980s, I would have liked to see statistics included in how many fire deaths (civilian and firefighter), major injuries, families left homeless, etc. Another not to be missed book is Report from Engine 82: written in a totally different style, but brimming with empathy for the inhabitants of the area, it's the memoir of a fireman who fought fires in the South Bronx during this era.

This book gives a thorough analysis on how public policies were the catalysts for the socioeconomic destruction of low-income communities of color in New York City. Necessary reading for those who still do not realize that activism and organizing are important vehicles through which marginalized communities keep in check the forces that seek to further fragment and disenfranchise them.

This was my introduction to stanislav's ideas. This book is almost a chapter by chapter introduction to all of Grof's different areas of research and writing. The written experiences of holotropic states are entertaining and informative. This book adds a needed understanding to psychology by examining consciousness around the time of birth. The author is obviously well versed on many topics, and presents sound logic and arguments throughout. Holotropic breathwork might be very useful for anyone suffering from their personality (especially to those that are fear based). This book is a relative easy introduction to Grof's ideas, and a welcomed step to combining science with unbiased spirituality.

a wise, hopeful, enlightened work from a truly qualified scientific humanist who has helped many for so many years. When reading Stan Grof, one's mind is treated to elegant research, philosophic musings, and poetic, smoothly flowing language that proves entertaining in its own right.

Grof builds a carefully laid out tapestry of thought unlike any other writer. Boldly going into dimensions that the orthodoxy fears, Grof consistently shows us that the best findings are often the result of adventurous undertakings.

One must truly venture into uncharted territories in order to discover hidden, powerful forces in the world.

All of Grof's work makes for a rich intellectual and spiritual treasure that will be edifying humankind indefinitely.

As our planet is threatened by wars, terrorism-violence environmental degredation, the only antidote is turning back to the roots individully or in groups and bringing back the archaic revival, bringing back the message of the ancient traditions. Stanislav Grof does this elegantly with the eyes of a scientist. This book will require the mainstream Psychiatrists to re-construct their worldview. It is a detailed exploration and a new explanation of the nature of human consciousness and the nature of reality

In my opinion, Stanislav Grof is the best, or at least one of the best, in his field of study. I have read most of his books and participated in a Holotropic Breathwork seminar weekend in Vermont. I highly recommend any educated person to familiarize him/herself with Grof's work (all of his books very informative and really make one think) and try a Holotropic Breathwork session.

The quilt projects in this book are gorgeous, original, and will inspire any quilter in new directions. Each section is interspersed with helpful mini lessons, paper patterns, quilting designs, and the author's photographs of nature and radial images that enrich the reader's understanding of the design process.

I already own this book and have made a quilt. It is my favorite one so far. I purchased this book for a friend I like it so much.

If you understand how to read and follow the pattern of this quilt you can not just make one . This is just such a great quilt book.

This is an excellent book and it was in excellent condition when it arrived.

This is a wonderful book. I learned many new things. It got my creative juices really flowing. Awesome, creative stuff with the techniques to carry it out.

This is a typical story of a rich family running the family business into the ground. Barney and Fred Pressman spent their entire lives building up their suit store. They spent all their hours nurturing this business and they turn it over to their two sons and two daughters. The grand children have grand plans of expanding the store nationwide along with opening a megastore on Madison Avenue. Cost overruns, and the market result in doing in the business. They took a Japanese outfit along for the ride causing them to lose several hundred million dollars.

Levine does a good job of detailing the rise and fall of this retail empire. Barneys did a lot for mens fashions. However arrogant and greedy grandchildren caused the fall of this store. Family owned businesses should read this story for the caution it may give to family members.

A fascinating case study on the history of a well known American business. The behind the scenes look shows the evolution through 3 generations. Looking deeper, it says a lot about the values of each of the generations which explains some of the troubles in America today. Maybe we've become too soft.

I can't recommend this book enough if you enjoy shopping or business books. I continue to shop occasionally at NY and Beverly Hills. You can't go into the stores without better appreciating the history of the store. BUY THIS BOOK.

Don't be put off by what may appear to be a look at one business and one family's way of doing business. This book actually explores far deeper subjects and questions such as : Why is it that so many successful family businesses fail when passed on to heirs? Why do so many solid companies with loyal customers, proven merchandise and a promising future just fall by the wayside? To those who don't know Barneys, it was started by Barney Pressman, a smart, ambitious man who built his business into a thriving industry, selling more suits than anyone in the world by the 1960's.But what makes the book interesting is what happened to his business when his sons came into the picture and the intrigue, scandal and greed that tore apart the company. I can't help wondering: Why don't the patriarchs (or matriarchs) of family businesses teach their children to run the companies just as well? Is it possible to mix family and business and do it well? The Barney's sage, of course, is not yet over and the store is still in existence. So the end of this story remains to be seen.

A very enjoyable book. You pull for the Pressmans when the snobs snub them in the beginning. You jeer at them when their position goes to their heads and they behave very, very badly. But the really interesting part of the book concerns how fashion and retailing REALLY work. They appear to be just an elaborate hoax on the consumer. This book should be read in conjunction with Teri Agin's "The End of Fashion" which shows the comsumers are getting more and more skeptical and dissects the public offerings of fashion stock (if you're fond of your money and want to keep it, don't buy). Hooray.

It seems everyone talks to Levine because as Barney Pressman once told Fred, "The Pressmans have no friends." What emerges is not only a morality play but also a case study on how not to raise your children and how not to expand your business. Hubris is a horrible thing. Time and again though during this decade, with Wall Street money plentiful, retail managements successful in one locale expand their businesses to places that don't want them. A concept that works in NY doesn't seem to play in Peoria, or with Barneys, in Texas. While with public companies, it's only money; with Barneys, privately held, it's family and lives. Maybe that's what makes the Barneys' tragedy a fascinating read.

This item was purchased for someone else, but she LOVED it. The book was in excellent condition.

I've always been a fan of Roy Round's pictures. I never imagined text could rival their command of my attention, but these interviews are fabulous.

If you can't find out what you want to know about these dancers by chatting with them over lunch, reading these interviews is almost as good.

I have been going to the ballet seriously for 35 years. Nothing gets into the heart and soul of dancers the way this book does. And the photographs of the fifteen individual dancers simply take the breath away -- especially the one on the cover.

This book is easily one of my favorite books. For the true Balletomane, this book is a MUST! And for the rest of the world I also highly reccommend it.
The Photographs by Roy Round are MAGNIFICENT! The grain, (clarity), is something seldom seen in the world of ballet photography where it is so diffucult to photograph the suject in a moving or semi-moving position or even in a "posed" photograph.
With all of his subjects, and he chooses several contemperary dancers including Nikolaj Hubbe, Julie Kent, Angel Corella, Wendy Whelan and my favorite in this book, Ethan Stiefel, the color saturation, (the natural look of color), is BEAUTIFUL!
My best advice to you, dear Reader, is run don't walk to Amazon to buy this GREAT book! The cover alone is worth the price of admission. And what follows between the boards will simply amaze you.
Gary R. Brown

The stars of top New York City ballet companies have been selected by dance photography Roy Round for profile in Round About The Ballet, a visual treat and an effort to capture the movements and artistry of ballet in photo book format. But Round About The Ballet isn't just visuals alone: interviews with the dancers probe their achievements, lives, and dancing challenges alike, covering such diverse topics as how ballet competitions have changed their lives, how associations with particular companies have influenced their dancing styles, and both physical and psychological dancing challenges. A 'must' for any serious dancer, especially for fans of ballet.

This is the book that put Leslie Charteris on the map and made best-sellers of all the previous Saint books in retrospect.

Set shortly after the repeal of Prohibition, this tale of revenge is one of the grimmest, and the certainly the most violent, of all the Saint stories, so that when it was filmed, it was considerably toned down (and all hint of corruption in the New York judiciary removed, of course).

Nevertheless, most Saint fans, including myself, seem to regard it as one of the best (as witness the other reviews). To take just one example: as a synopsis of all the previous Saint books -- vital, if new readers are to understand the story -- the prologue (which takes the form of a letter to the NYPD from Simon's old adversary Chief Inspector Teal of Scotland Yard) is one of the most original ideas I've seen.

Charteris knew New York well, along with its denizens and their culture and language. The characters are drawn with great verve, especially Inspector John Fernack, the various members of the gangland hierarchy, and the mysterious Fay Edwards, who falls in love with Simon at the same time as she is helping him to kill just about everyone she knows.

Above all, Charteris shows himself once again a first-rate story-teller. Gripping from start to finish.

P.S. For a list of -- and discussion of -- all Charteris's Saint books, see my So You'd Like To... Guide.

This is the book that put Leslie Charteris on the map and made best-sellers of all the previous Saint books in retrospect.

Set shortly after the repeal of Prohibition, this tale of revenge is one of the grimmest, and the certainly the most violent, of all the Saint stories, so that when it was filmed, it was considerably toned down (and all hint of corruption in the New York judiciary removed, of course).

Nevertheless, most Saint fans, including myself, seem to regard it as one of the best (as witness the other reviews). To take just one example: as a synopsis of all the previous Saint books -- vital, if new readers are to understand the story -- the prologue (which takes the form of a letter to the NYPD from Simon's old adversary Chief Inspector Teal of Scotland Yard) is one of the most original ideas I've seen.

Charteris knew New York well, along with its denizens and their culture and language. The characters are drawn with great verve, especially Inspector John Fernack, the various members of the gangland hierarchy, and the mysterious Fay Edwards, who falls in love with Simon at the same time as she is helping him to kill just about everyone she knows.

Above all, Charteris shows himself once again a first-rate story-teller. Gripping from start to finish.

P.S. For a list of -- and discussion of -- all Charteris's Saint books, see my So You'd Like To... Guide.

This is the book that put Leslie Charteris on the map and made best-sellers of all the previous Saint books in retrospect.

Set shortly after the repeal of Prohibition, this tale of revenge is one of the grimmest, and the certainly the most violent, of all the Saint stories, so that when it was filmed, it was considerably toned down (and all hint of corruption in the New York judiciary removed, of course).

Nevertheless, most Saint fans, including myself, seem to regard it as one of the best (as witness the other reviews). To take just one example: as a synopsis of all the previous Saint books -- vital, if new readers are to understand the story -- the prologue (which takes the form of a letter to the NYPD from Simon's old adversary Chief Inspector Teal of Scotland Yard) is one of the most original ideas I've seen.

Charteris knew New York well, along with its denizens and their culture and language. The characters are drawn with great verve, especially Inspector John Fernack, the various members of the gangland hierarchy, and the mysterious Fay Edwards, who falls in love with Simon at the same time as she is helping him to kill just about everyone she knows.

Above all, Charteris shows himself once again a first-rate story-teller. Gripping from start to finish.

P.S. For a list of -- and discussion of -- all Charteris's Saint books, see my So You'd Like To... Guide.

If you only ever read one saint story ,you will be missing out on some great stuff, but THE SAINT IN NEW YORK would be the one to try . The saint at his best reckless as ever ,but coming very close to getting a set of wings to go with his halo . His way of expression ,english wit to hardend new york thugs is very amusing.Dont confuse this guy with the later tv saint, in this he bumps off the ungodly as quick as they would him ,with the help of gun ,knife and a mysterious female,beautiful but deadly.Trying to free the city from the clutchers of nicely sewn up crime ring,the saint works his way through some of the smaller fish,and gets dangerously closer to the sharp and powerfull jaws of the big fella,but who is the big fella ? GREAT STUFF .

If you only ever read one saint story ,you will be missing out on some great stuff, but THE SAINT IN NEW YORK would be the one to try . The saint at his best reckless as ever ,but coming very close to getting a set of wings to go with his halo . His way of expression ,english wit to hardend new york thugs is very amusing.Dont confuse this guy with the later tv saint, in this he bumps off the ungodly as quick as they would him ,with the help of gun ,knife and a mysterious female,beautiful but deadly.Trying to free the city from the clutchers of nicely sewn up crime ring,the saint works his way through some of the smaller fish,and gets dangerously closer to the sharp and powerfull jaws of the big fella,but who is the big fella ? GREAT STUFF .

I read this book first in the 1980s, while I was actually working in the theater (and I had met a few of the people talked about in the book). What I like about it so much is that Goldman expresses his opinions, especially about the fare on Broadway at the time (not so good), the deficiencies of some of the actors and actresses and his sweeping view of the whole milieu. I don't always agree with him, but he's so incisive that you gain enormous respect for him, particularly when he's writing about Judy Garland, Sandy Dennis and Tom Stoppard. Students of theater history should turn to this book to find out what a bygone era (before huge corporations and nonprofits took over Broadway) was all about.

This book is it. It's just it. If you have any inclination at all to work in the theatre in any capacity, this book is required reading. Do not move to New York without it. I did, and I barely barely survived the few days it took me to find a copy. Order it now while you still have time! I'm serious!

William Goldman is not only a great screenwriter, but a wonderful writer of prose/criticism, as evidenced by "The Season," probaby the smartest, if not funniest, book ever written about the (sorry) state of Broadway. Here he tells you all you would want to know about the making of a Broadway show--all the compromises, betrayals, fits of ego, and under-the-table deals that keep the "fabulous invalid" (a phrase, by the way, that makes Mr. Goldman want to vomit) alive for another season. As a lover of theater, you may become depressed at the cynical machinations that go on to get what is, after all, usually pretty mediocre material to the stage; however, Mr. Goldman's prose is so crisp and entertaining that your spirit is ultimately lifted by his keen analysis. Although the patient is very sick, here's a doctor who has a prescription to offer. And all through the book, he does offer suggestions on how Broadway can better serves us, the theatergoers. Alas, the advice wasn't followed then (the late 60s), and it's not being followed today.

This is an extraordinary book. It is written by an author with a first class mind and genuine curiosity about his subject. Whilst one may not agree with all of it, the writing is a delight and he does not shirk dealing with controversial issues such as the influence of homosexuality on the stage and the corrupt financial practices in relation to theatre tickets, etc. Even though it was written for the 1967-1968 season, it still resonates and viewed in retrospect, it provides crucial evidence relative to the aetiology of the culture wars.

William Goldman's groundbreaking book The Season is all it's cracked up to be and more. Though a number of the people he deals with are no longer with us, many of the shows have been forgotten, and the ticket prices are quite a bit higher, it's astonishing how much the Broadway of the late 1960s resembles the Broadway of today. The same problems, the same headaches, the same disappointments, and the same triumphs are all still a part of the Great White Way. No Broadway enthusiast should be without this book; The Season is a stunning history--and current events--lesson on Broadway theatre.

I saw this book at my brother's house and immediately knew I had to buy it for my husband. It is a high quality reprint of an older book and has that "60's" feel. Much excellent info and lots of great pictures. Very eclectic. We got it specifically for the info on Geodesic Dome houses but there's plenty more for shelter freaks.

I bought this book when I was fourteen years old and it blew my tiny little mind! Now that I've lived a bunch of years in the design field, and I take it off the shelf, tattered from three decades of intense study, it still blows my (now even tinier) mind. Mr. Kahn has done us all a great service with this book that goes beyond architecture to higher values and has a spirit that leads by example. Sure it's got some crazy hippy parts, do with that what you will. But a deep devotion to what you make and why; it's all here. I'm thankful for this inspiring work.

Throughout the 1960s and `70s, hundreds of unwashed, longhaired youth from around the world descended on the open foothills around Placitas, New Mexico, and established multiple communal hippie settlements. These youth had read of the Placitas scene in national magazines and counterculture books, or heard about it from other hippies; they were idealistic types from all around the world, and they came to the area to try to raise their own food, escape The Man, indulge in free love and mind-altering drugs, and live communally in tents, geodesic domes, adobe shacks, and experimental homes they built themselves out of plastic and scrap metal.
This book, "Shelter" documents their bizarre housing experiments in wild detail. It also documents curvaceous mud homes in Africa, riverside huts in Yugoslavia, thatched huts in Ireland, homes in busses, homes in caves, dome homes, homes made of car parts, homes carved into mountainsides, homes made of hay, tipis, barns, gypsy tents, and more.
If there's a strange kind of housing, you'll probably find it in here, and you'll probably be inspired by it.
"Building this house was more of like feeling where you went as you started working with it, you know, the material and just playing it from there," said one Placitas hippie interviewed in this book. "...It's like three dimensional sculpturing, you know, we just got into building a house out here that's like jewelry. ...OK, let me put it this way, the inspiration like as we move along through it, like I found it in [Stanley Kubrick's film] 2001, where the dude had finally split out of the satellite and was heading towards Jupiter, just as he was coming in, what they had done was they had used different types of film, infrared for one, and just taken a plane and flown over Grand Canyon at a high speed, low, what is created you know, is in some respects synonymous to what the house is, you know, and certainly our cell structure in our body is synonymous with that...."
As you can probably tell, this is not "Better Homes and Gardens" or even "MTV Cribs." It's "Shelter," and it's a trip.

Now I don't know if I want to live in a tree, a yurt, or on a converted vehicle. This makes my 'normal' house seem quite ordinary. Drat!

I studied architecture in Australia and dragged my feet through the course. That is until a mate suggested I check out this book.
It liberated me.

Here was a bunch of common folk who met one of the most basic needs of all humanity - shelter.

So much of what we encounter in our 'western' enlightened age is alien and regulated. The materials that we commonly use in buildings & infrastruture is devoid of any life or connection with the earth. They are not in or close to their natural state. And even if they are, there is so much regulation and stipulation on how we are to use them.

But this book gives you hope, a chance to dream. It shows buildings as art forms, useful & practical but completely expressive of the owners they serve. They are not bound by regulations and conventions. This is craftsmanship not industrialisation. They are made from from natural unrefined materials which in essence connects us to the earth, which we all belong to. From dust we came, to dust we will all return. The beauty of nature is your own home.

This book is filled with ideas and ways in which people have often 'escaped' from the life draining cities to a more peacuful and harmonious way of life. It's superb photo's, hand illustrations and even the way the book is laid out are a freedom in itself. This is one book you will not regret owning and will always find pleasure returning again and again to.

What a pleasure to finally read this classic book. I grew up loving Cousteau's television programs. Ultimately, I became a diver because of Cousteau.

This is adventure writing at its best. Cousteau was always a master storyteller. That was probably more instrumental to his success than his bravery, innovativeness, or his ability as a diver. This book is a collection of Cousteau's experiences with early scuba. He masterfully captures the awe, the fear, the struggles, and the sense of adventure of the first years of scuba.

I love adventure writing, but sometimes great adventurers are not great writers. Cousteau was both. If you have an interest in Cousteau or in scuba diving, this book is a must read.

As promised in the title, in this book Jacques Cousteau reveals a new world of unanticipated beauty, fittingly described in his charming, French-influenced English phraseology. C. Blickenstorfer has done a fine job explaining the contents of this book, particularly as it relates to divers or those interested in diving history. However, The Silent World, read as a frontier narrative, also has relevance for anyone interested in our current and historical treatment of the ocean.

Humans have interacted with the ocean for ages, but before divers like Cousteau it was a blind interaction, a grasp at resources based on guesses and historical results. Cousteau's underwater observations of trawl-net fishing make clear the change of ideology his "aqualung" opened to humans. Watching the net destroy grasses on the ocean floor, Cousteau reports "Man's method of undersea farming seemed to consist of blighting the acre while reaping a small part of the crop" (48). As opposed to a history of blind grabs at ocean creatures, Cousteau's aqualung gives him the capacity to see without touching, and his narrative provides a chance for our knowledge to begin catching up to our know-how.

Another epiphany facilitated by the aqualung is a completely new set of fears and a new evaluation of old "monsters." The killers of which Cousteau writes are nitrogen in his blood and clams with shells sharp enough to sever air pipes. On the contrary, the octopus, demonized by Victor Hugo as a monster who will suck out a man's innards, shows itself as harmless and shy. Cousteau concludes his chapter "Monsters We Have Met" with a jocularity that is persistent in the work: "If none have eaten us, it is perhaps because they have never read the instructions so generously provided in marine demonology" (222).

Cousteau's reinterpretation of the ocean brings readers to the fundamental questions of humans and their environment. How are we going to think of this new space? Should we sell it as new realty? Militarize it? Farm it? Should we simply Keep Out in a quest to guard some portion of the earth against ourselves? Those from my generation who have mythologized Cousteau as a heroic conservationist might struggle with Cousteau's narrative. This is not the work of a dolphin-hugger. Cousteau writes of his exploits kidnapping an endangered monk seal pup in his desire for an aquatic hunting dog (the seal almost dies and is given to a zoo) and bludgeoning most large sea creatures who get close enough. This includes wounding a captured porpoise to watch sharks eat it alive, an act which he justifies with "It was cruelty to an animal but we were involved in a serious study [. . .] and had to carry it out" (234).
In his conclusion, Cousteau asserts "Obviously man has to enter the sea. There is no choice in the matter. The human population is increasing so rapidly and land resources are being depleted at such a rate, that we must take sustenance from the great cornucopia" (266). Both those who would agree with this 1950s assumption and those who believe this "cornucopia" has been already overexploited can gain insight from this book as a well-written record of human reactions to the new world under the waves.

As a diver for long years, I remember the old b&w tv days, when we find happiness with Cousteau's documentary films. Now it's a mirracle to be able to purchase the whole collection in DVD format.

As great a read today as it must have been over 50 years ago. Being a modern day technical and recreational dive instructor I still find this book a fascinating read and would recommend it to all ages to divers and non divers alike.

What can be said about Jacques Cousteau and his groundbreaking book that hasn't been said a thousand times? He is undoubtedly the defining figure of modern scuba diving, his books, films, and documentaries known to millions or billions. Even the name of his ship, the Calypso, is known the world over. It's a small volume, this book, just 160 pages, yet it's absolutely mandatory reading for anyone interested in what Cousteau termed "the silent world" under the surface of the water that covers 71% of our planet. The Silent World is the bible of modern scuba diving.

Jacques Cousteau himself died in 1997 at the age of 87, but the legacy of his pioneering work with diving and diving physiology lives on. It is all well documented and disseminated worldwide, thanks to this French explorer's unique combination of instinctive understanding of the world under the surface and his equally unique knack of spellbinding the world with his words and images. A total master of public relations and getting the word out, Cousteau managed to grab attention and media coverage wherever he went. Critics went so far as suggesting his media talents exceeded his actual contributions to understanding the seas.

At first it's hard to figure out why this slim volume became such a success. It's not a textbook, it doesn't cover the history of diving or even much of Cousteau's own research, and it's not an adventure book. Though Cousteau was French, he wrote The Silent World in English as he had attended American schools in his youth, widely traveled the US, and, of course, extensively lectured in his enchanting French-accented English. Yet, The Silent World clearly reveals its author's non-English origin and decidedly "non-English" thinking. The writing, while precise, often suggests that Cousteau frequently described a word or concept that existed in his native French, but did not directly translate into English. As a result, the writing at times seems a bit flowery and, well, foreign, and you need to read a sentence or paragraph two or three times to figure out what it actually means. Cousteau's liberal use of metaphors, artistic nuances, poetic concepts and words that have since fallen out of currrent language only serve to make The Silent World even more unusual of a literary treat.

Anyone looking for technical explanations, precise history, a logical flow of events, or anything one might expect from a world-famous documentary maker and researcher will not find it in this book. The Silent World is a totally unique, very compressed tale flowing from Cousteau's mind. Read half a chapter and you know the man; he's a unique combination of inspired philosophical observer and gifted researcher with uncanny intuition. While others conducted their research methodically and ploddingly, Cousteau always just seemed to know what to expect, how to behave, and what to seek and avoid to make it all seem easy. He and his close associates and friends Phillipe Tailliez and Frederic Dumas used their "aqualung" to experient liberally in sort of a "Hmmm.... this is probably what will happen, let's go check it out!" approach.

Using this, Cousteau describes the difference between "helmet divers" and the newly liberated users of their "aqualung" -- what we now know as air tanks and regulators. The book casually touches on all the principles of diving physics and physiology, the stuff we learn in our PADI and NAUI classes. He describes sea life, how it reacts, where it lives, how it behaves, and what is dangerous and what is not. They see just how deep they can go. They check how colors change. What nitrogen does and why we need recompression chambers. He offers his views on treasure hunting (not worth it; if you find real treasure authorities and hordes of lawyers will soon apprehend it). He reports on atrocities he witnessed underwater, like the needless destruction of corals and cruel killing of fish. He debunks myths of sea monsters, seeks answers to geological phenomena such as the Fountain of Vaucluse near Avignon, one that almost cost him and Dumas their lives in a pioneering effort at extreme cave diving. He describes what fish do and how they react. And sea mammals and other sea critters. Sharks remain an enigma to Cousteau as his conclusion is that you simply cannot understand or predict them.

So The Silent World relates, in 14 fascinating self-contained chapters, pretty much everything we know about diving today, 60 years after Cousteau began researching as a "manfish," all the principles we know, and it's all neatly and attractively presented in tales that always mix research with adventure. Cousteau never preaches or lectures. He just explores, pushes, interprets, and reports. Maybe Captain Jacques-Yves Cousteau was a showman as much as a researcher. If so, good for him as otherwise we may never have had the opportunity to learn from him and enjoy his remarkable insights. -- C. H. Blickenstorfer, scubadiverinfo.com

The prison Journals of David Berkowitz is excellent. It gives great insight into prison life and it tells about David's spiritual responsibility in the prison. David definitely shares his new heart in this book and I would recommend it highly for anyone of any age. Teenagers should read this book because David speaks about how many young people are coming to prison and given long sentences. He shares his desire to see people avoid crime so they will not go to prison.

Perhaps over the years people have wondered how genuine the conversion of David Berkowitz is. All they have to do is read his journal book, "Son of Hope." David has a wisdom and a sweet spirit that can only come from God!
I think people forget who the Apostle Paul was...a man who wrote a huge chunk of the New Testament, but was formerly a violent and unbelieving man...until he met Jesus. Berkowitz is a tribute to the saving and transforming power of God on a human life, no doubt about that.--Kathie FitzPatrick

David's writing is a ray of sunshine emanating from a place where very little gets in or out. David's love for his prison brothers and their families is shown throughout. Son of Hope will make you cry and fill you with sadness for lives which have been so damaged by sin! But, as David's life has been turned around by his acceptance of Jesus, he shows that the Love of Lord is there for everyone (Isaiah 1:18--"Though your sins are like scarlet, They shall be as white as snow"). David is a humble man who is living an extraordinary life (James 4:10--"Humble yourselves in the sight of the Lord, and He will lift you up"). Thank you David for a work so filled with the Love of the Lord.

This is the news story that the public needs to hear about the Son of Hope(no longer Son of Sam) . It is clear to see that he is the "real deal." Having repented of his sins and experienced forgiveness in Christ 20 years ago, he is now the prison pastor of the Christian Church in his prison. His writing of his prison experiences and life in general, is vibrant and articulate. I would highly recommend this journal.
DAN

If you want to know what prison life is like, here is the book. But it's more than that; it is hope within the darkness behind the concrete walls and razor wire of prison--that it is possible to live a productive life, pleasing to God, while incarcerated. You may cry while reading this book, over the wasted lives of men who chose crime, but you may smile at the evidence of God's grace in the lives of other prisoners who have chosen the joy of following Jesus.