New York Books

This is very touching story of the (mainly) men who conducted the recovery operations at Ground Zero. The telling is true to the tremendous respect shown to those who perished (nothing titillating) and is inspiring in its humanity and faith. Anyone who has ever worked anywhere will appreciate the turf skirmishes that were waged.

The writing, however, is a bit simple.

Excellent read. Heartbreaking at times, but well written of the trials and
tribulations of the Ground Zero Recovery mission
This book honors the months day after day the recovery workers devoted to trying to find bodies. Some of the rescue workers suffered emotionally and physically, yet others kept going to the end.
I recommend highly

I have not even finished reading this book yet, but I am blown away by the extraordinary story this man has to tell, and told with such heart. This is a major contribution to the history of 9/11.

This is the story that needed to be told of the many courageous, heroic men and women involved in this search and recovery effort. It is also the story of the courageous, heroic families who lived through this effort with their loved ones. It is a must read.

So often we wonder what happens after all of the media coverage ends and life goes on for everyone else - this book opened by eyes to all that went on "after". It really is a tribute to all those that worked on the clean up of the World Trade towers. It was more than just a job - it was an opportunity to bring home more of those lost on that terrible day.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Have you ever known a person to whom animals flock to when injured or in need of help, almost like God guided them to that certain someone? Well, Arnette Heidcamp is that person to whom Hummingbirds seek out. In this book her compassionate care of Squeak is very heart touching. If you're familiar with her other writings, you know that birds in trouble are drawn to her.

As the other reviewers have stated this is about Mrs. Heidcamp's care of an off migration track young Ruby Throated Hummingbird, whom she later names Squeak. She saves him from freezing to death in the horrible Upstate NY winter. She keeps him in her sunroom, which is stocked full of every flower a Hummingbird would ever dream of! She has painstakingly documented Squeaks daily habits, accompanied by beautiful photography, she took herself. It's clear that the author loves Squeak and he knows he's loved. By Springtime Squeak is thriving and ready to face the world.

If you love birds or true animal stories, you'd very likely like this story. It's a fun and fast read.

Author is wonderfully knowledgable about hummingbirds. Her photographs are amazing. Great book for young or old.

Early this spring (2008) I discovered a hummingbird nesting in the dwarf magnolia tree in our front yard. The nest was remarkably engineered and so well camouflaged that it was all but invisible to people walking by. I watched with fascination as the tenacious momma bird clung to her duties through the noise and commotion of an emergency sewer line repair taking place just five feet from her nest. The digging nearly cost us the tree due to the ground caving in around the trench. Thankfully, after the tractor operator learned of the hummer's plight, he was ever so careful to save the tree and her nest. The repair is done and now there are at least two tiny beaks poking up from the nest.

A good friend sent me this book after hearing my hummingbird story. It was a delight to read such a well written examination of hummingbird behavior and the special interactions of one hummer with one human being. The photographs are stunning and informative. After reading this book, I felt like I had developed a special bond with the momma hummer in our front yard. I felt like I knew her on some special level that would have been otherwise impossible. I highly recommend this book for bird lovers and nature lovers of all sorts.

We were given this book that is filled with wonderful close up observations about one hummingbird. The author shares how she learned so much when a hummingbird over stayed his summer visit and how she helped "Squeak" until the following spring. The book was very enjoyable. We are hummingbird lovers and feed them.

A heart warming story and a great read. If you enjoy birds or wildlife you will like reading this book. The quick thinking and commitment by the author
saved this little hummers life.

I was fortunate enough to see Mark in action live and purchased the book right after our class. Mark seriously walks the talk and from a person in finance, it was great to be able to see someone having been in that line of work, using meditation to help. Highly recommend anyone searching for how to maintain a more balanced mind set in this crazy world to buy the book and go see Mark when he next speaks.

Namaste Mark Thornton!

I had exposure to some hardcopy and audiobooks and then I stumbled upon Mark Thornton's Meditation in a New York Minute...finally, a book/audiobook that really talked to me; I think Mark Thornton's easy, light delivery resonates with a person who hasn't had too much exposure to meditation, just like I haven't.

Mark's practical and supportive approach to learning how to meditate are relevant to my lifestyle, and I'll bet will be relevant to yours as well if you're interested in learning how to find some centering peace and calm in the whirlwind of your average day. An added bonus is that Mark debunks some commonly held misconceptions about meditation. I also have Mark to thank for suggesting involvement in local "meetups" - it's been fantastic. This book I wholeheartedly recommend-

If you are looking for the benefits of learning meditation without the need to find a new spiritual path, this is a great book. The author assumes you will read through the book quickly and writes in a way that allows you to skim quickly while identifying places where you need to slow down and read thoroughly. He has a practical style and a wide variety of techiniques that allow the busy person to engage in meditation without a radical change to his or her daily schedule. Mark Thornton clearly has knowledge of the topic, so those who already know some forms of meditation will recognize his experience. This is a great find for anyone with a high stress job or who is just curious about the topic.

MEDITATION IN A NEW YORK MINUTE, both in book and on CD, is a remarkable guide to meditation, successful thinking and responsible actions. Mark's invitation to meditate is gentle and persuasive. The use of inspiring quotes from spiritual leaders is motivational. The actual techniques that he presents are useful, doable and simple. I find listening to the CD life enhancing. Mark has the ability to invite his listeners into the ancient and deep practices of meditation and make it practical for the busy indiviual. His voice on the CD is kind and healing. The breathing techniques are simple. They can be performed through out your day and yet are profoundly relaxing and balancing. I highly recommend this book to anyone who desires calm, peace, harmony and contentment throughout their day, no matter what the chaos surrounding them may be.

In this hectic, 24/7 world, meditation is one of the last things for which most people have any time. This book shows a number of easy ways that anyone can do "mini-meditations" at any time during the day, and that take only one minute at a time.

Everyone has an area of calm deep inside themselves. Accessing that area will decrease stress, re-energize yourself, and enliven the spirit, without closing your eyes and sitting in a lotus position for hours.

Among the techniques are: breathing energy, ChiGung breath for calm, eating (or walking or commuting) with Awareness, magnify heart energy, magnify wisdom, seeing the good in all people and dealing with anger. Start with just one technique, and practice until it becomes second nature. Don't expect to "get" all of these techniques the first time.

This book also mentions quick things that can also be done by anyone at any time. Change your screensaver or cell phone display to CALM or PRACTICE CALM. Breathe in for four seconds, hold for one second, and breathe out for four seconds. Check the muscles in your forehead, and around your eyes, to see if they are relaxed. Massage them if needed. On the subway, imagine your spine is a tube of pure white light, growing brighter and more intense.

This is intended for busy people who don't want to read a lot of spiritual theory; they want to get right to How To Do It. The author is a former executive at JPMorgan, so he understands workplace stress. He has done a fine job with this book. It's simple, effective, and best of all, it's fast.

Melainie is a very funny character. She has a very strong relationship with her friends. She has two friends. They fight. Melanie is very angry. She has to choose between her friends. She chooses Celia. Her other friend is very mad at her. Soon, her other friends sadness turns into revenge. In this world people have to take hard decisions in life. No ones life is perfect. Just believe in what decision you do.

As NYC's number one tour guide, I see I have some real competition with Melanie, she sure knows Manhattan. She shows us our city here in a very intetresting yet fun way. Nice going Carol, all the best!
Malachy Murray

This story is about an 11-year-old girl named Melanie who lives with her brother Matt the Brat. Melanie is going through a lot of problems. I think the book is good for girls 8-14. This book has very good artwork. This book is also a great book because it can teach you some Spanish and art. It also has very good humor. It is a very good book.

It is about a girl that has a long distance love with a guy named Miguel. Also, she has a girl that is stealing her best friend. Her name is Suze. Also they talk a LOT of Spanish. Next, the cover is really cool with a lot of action. Also she lives in the city.

Melanie is an 11-year-old girl who has an adventure in the big city of Manhattan. Her boyfriend Miguel is coming to New York for a week. Oh no! It was very good. However I recommend it for girls 10 and over.

It is about a girl who lives in the city. She has a boyfriend named Miguel. She also has a younger brother, Matt, her Dad and her Mom and an art teacher. I think it is a very good and detailed book. I loved the cover.

I think Melanie in Manhattan is a good book for kids in 4th-6th grade because the book could help through those years. The book is about a girl named Melanie and the problems she struggles with her friends. Her friends are Cecilia and Suze. Her boyfriend is Miguel. Miguel is a Spanish boyfriend she met in Spain. The boyfriend comes to visit all the way from Spain. There is also a lot of Spanish so if you are learning Spanish you should read it. She hates her brother so she calls him Matt the Brat.

A very good and interesting book. Made for middle-schoolers. Very nice and detailed cover. Lots of things going on. Melanie in Manhattan is the last of the series. There are a few before this book, like Melanie goes Dutch and With Love from Spain. I loved the book Melanie in Manhattan. It also was very funny and interesting.

I think Melanie in Manhattan is an OK book because it has inappropriate things. It is good because the illustrations are amazing. Also I like how it tells you about her life, and when she signs her name when she's done writing in her diary.

As Melanie goes through adventures, author Carol Weston makes it realistic and humourous. Although slightly inappropriate, Carol's pictures and Spanish dialogue make up for it. Her writing makes up for it. Her writing makes it seem like a real diary of an 11-year-old who wishes to be more mature.

This is a good book. This has amazing pictures. I love how Carol Weston has some Spanish in there. However it is a little inappropriate for kids 8 and under. 9 and up it should be a good book. It is about an 11-year-old who is trying to get more mature and has a little brother - Matt the Brat - and is sometimes getting in the way of her crush Miguel. Overall this is a great book.

Girl Scout Troop 154

Melanie Martin is beginning 6th grade and has many new challenges placed upon. Melanie has to find ways to deal with these daily life problems. Melanie in Manhattan has been one of my favorite books that had me laughing along.
Melanie in Manhattan is written in a diary format in the opinion of Melanie. She writes daily about her family and friends. Her best friend Cecily has become friends with the new, stuck up girl, Suze. They spend every minute together and rarely include Melanie. She feels like she's losing her best friend. On Melanie's trip to Spain that summer she met her mom's friend's son and she feels something special for him. They had many fun times together in Spain and Melanie is starting to really miss him. They send each other e-mails and keep in touch. Miguel's uncle has to come to New York for a work trip and has offered to take Miguel along to see Melanie. She couldn't believe what she had heard. She would see him once again. Together they tour New York with Melanie's family and see the great sights. Melanie starts to see the beauty of New York. Things start to change and Melanie isn't sure if Miguel considers her as just a friend or a girlfriend. Melanie likes him but she also has a small crush on Jason, a math whiz in her class. Melanie doesn't know how she feels. She has mixed feelings about everything at this point.
Carol Weston shows the fun-loving character's personality and describes the breath taking tourist attractions in the massive city of New York. Weston has put the teenage perspective in Melanie. Melanie talks and acts like an average middle school girl. When Melanie's mom leads her class on a field trip she says, "It's embarrassing having Mom stand in front of everyone like a teacher," (pg. 12.) All teenagers get embarrassed by their parents at some point or another. Like most siblings, Melanie can also be rude to her younger brother. Throughout the book she calls him, "Matt the Brat." During the book Melanie guides Miguel around New York. Melanie finds herself taking advantage of all the attractions New York has to offer like their museums and the skyscrapers. Miguel says, "New York is marvel," because he has never seen anything like it. He appreciates it the "marvel" New York more than her. As they walk through Central Park, Melanie and her family recognize all of the people enjoying the beautiful day. "Central Park is giant. You could walk all day and not get to see all of it...teams of kids were playing sports, a few mothers were jogging with their babies in strollers... we were in a park surrounded by tall buildings," (pg. 149.)If Melanie lived in a small rural town she could never experience this. She wouldn't get to walk outside late at night and see people walking around because like it says, "New York never sleeps." Melanie couldn't see people outside walking in the park because there aren't many people living in the country. Her closest neighbor would be a mile away.
The book, Melanie in Manhattan was a very funny and enjoyable book. Weston showed creativity in her format choice. She wrote the story in a diary and shows Melanie's real thoughts. She used many different fonts and ended each diary entry with an adjective to describe the entry. For example, Melanie ends with "Romantically Melanie," or "Mathematically Mel." This is a must-read book for all young girls.

Great story, love the NYC and art references. I previewed this book before I sent it as a gift and now I will pass it along to all my friends kids. Excited to read more in the series. M in M tackles real tween issues such as changing bodies, first smooch, troubles with friends in a very realistic and honest format. Wish I had Melanie when I was a kid.

what a marvelous book. more than any book i have read on fishing or outdoors, this one is well written. it captures the feelings of the changing of seasons and the hope and dread of how things will be that day. are there fish still in area or have they moved out. what will today bring. one learns a lot about fishing and life and the passion one can have for something. at same time it is not obvious or heavy-handed with some zen philosophy or fishing as allegory. ultimately it is about the love of fishing with a fly rod and sharing that with a few other friends who have the same feelings. while reading this gem of a book, one learns a lot about fishing. i live on the east end of long island but i didnt really know the areas he talked about and the history of some of them. the author really makes the region and the people come alive. it is like you are having breakfast in the local "greasy spoon" with the guys who fish and talk about it. you can see the guys with the bedraggled looks while they try to glean some info on where action is without giving away any of their own secrets. you can see the birds working the water and feel the hard tug. you can also feel the days where nothing working/nothing happening but it isnt dissappointing. the possibilty is almost enough ....but not quite. i have only fished for stripers once with a fly rod but after i read this book i made arrangements to go out to montauk area to try it. if it is 1/4 quarter as good as the author makes it out to be, it will be well worth it.

The Moon Pulled Up An Acre Of Bass

Fishing, cooking, and having a good time with your friends at your favorite vacation house, what could get better than that? That's the "good life" described by Peter Kaminsky in his nonfiction novel The Moon Pulled Up An Acre Of Bass.
Kaminsky shared his humorous fishing stories in October 2000 throughout the whole book. He picked the month of October because of the great fishing experiences he had with bass fishing and many other fish. One of his memorable moments was when he termed the expression "The moon pulled up an acre of bass." He used this term when he stood in amazement and shock while gazing at the water with what he called an "Acre" of bass while the moon glared at his face. Beside being a great fisherman and having a love of fishing, Kaminsky loved other things.
One of the things he loved to do was he loved to cook. He would love to catch fish, have friends over and then cook the fish in his kitchen that he loved. He said the kitchen had "Acres of counter space." Also what he liked to do was to spend time with his friends onshore and offshore. When he was with his friends he became a great fisherman. This happened because all his good fisherman friends gave him all various kinds of advice, which added up to him being a great fisherman. For example, one of his friends taught him how to cast under the wind on a windy day. This was great for him because then he could basically fish whenever he wanted since gusty weather wouldn't make it difficult for him.
Overall I really liked this book because I could connect to it so much. I could do this because I also have a love of fishing and the book takes place on Long Island. I have much background information of Long Island because I live there. As you can see, this book was mainly about Peter Kaminsky and his love of fishing with his friends. Since he and his friends were hilarious, this book turned out to be filled with humor. I really liked this book and I would recommend this book to anyone who loves fishing, comedy, and nonfiction novels.

Reading his first hand account of 30 straight days tracking the Montauk striper, I found ambitious reason to visit the East End for the first time myself. Not only did I meet one of the colorful characters Peter describes, but I romanticized what it'll be like out there in another month as the fall blitz approaches, with Peter's account coloring every image. A superb read for anyone who finds comfort in the flex of a flyrod, and a fantastic primer to anyone who endeavors to interrupt, albeit mildly and temporarily, one of nature's greatest migration of life: the fall blitz off Montauk.

I enjoyed the book and the concept, but the fawning treatment of certain guides (that probably gave Kaminisky free rides) read too much like promotional materials.

The author gives us a great look into not only the stiper fishng world, but the culture and heritage of the east coast. A pleasure to read, cover to cover. Even for those of us that may never see stripers in the salt, this is defintely a worthwhile read.

There have been a whole bunch of book put out to celebrate the first century of New York Yankee, of which "Pride of October: What it Was to Be Young and a Yankee" by Bill Madden is one of the best. It is also one of the more different, consisting basically of a series of conversations (they would not really be considered "interviews") between Madden and 17 former Yankees (and one very special Yankee widow). The other common denominator, obviously, is that they have to be alive, which sounds stupid when you write it down like this, but matters because it leads to some interesting and poignant choices.

Mickey Mantle and Billy Martin have died, which leaves only Whitey Ford to talk about the hell-raising days in the Fifties. Madden does talk with Hall of Famers Phil Rizzuto, Yogi Berra, and Reggie Jackson, but the chief charm here is in names that do not come to mind. I have all the New York Yankees Topps baseball cards from the year I was born, so I recognize the names Tommy Byrne and Charlie Silvera, but I do not know a lot about them. However, the name that stands out is Marius Russo, one of the last remaining links to Lou Gehrig, because I do not think I had ever heard (or even read) his name before.

I became a Yankee fans in 1965; in other words, the year after they stopped winning championships. So my early memories are watching Mel Stottlemyre hit an inside-the-park grand slam homerun at Yankee Stadium and my biggest (early) heartbreak was when my favorite player, Bobby Murcer, was traded for my father's favorite player, Bobby Bonds. So while "Pride of October" starts with as far back in Yankee history as living voices can remember, it eventually gets up to the teams and players of our lives. Even if, like Ron Blomberg, they never played in a postseason game. When Madden has chapters on Bobby Richardson and Joe Pepitone back to back, you know you are getting a true cross-section of the guys who have played for the Yankees.

The one exception to this rule is Arlene Howard, the widow of Elston Howard, who was the first African-American ballplayer to play for the Yankees. I totally buy into the argument that the reason the Yankees went from first to worst in the 1960s was because the front office was racist and refused to sign any blacks when they probably could have signed anyone they wanted (Mantle, Mays and Aaron in the same outfield? Sure, why not?). The only way to touch on that issue is for Howard's widow to relate what it was lie, talking forth in the home in Teaneck, New Jersey where the city fathers once tried to keep her and her husband from occupying.

My recommendation is to do what I did, which was basically to only read one chapter a day. Just enjoy the Scooter's stories about his friendship with Gerry Priddy and be offended by the way the Yankees forced him to retire, before moving on to Russo's recollections of the Iron Horse, Cro, and Fat Freddie Fitzsimmons. There is a brief section of black & white photographs, that starts with Gehrig and DiMaggio kneeling side by side in Spring Training and ends with Paul O'Neill cleaning out his locker for the last time. The photographs are just the frosting on the cake, because the main treat here is just reading how Madden sat down with each of these individuals, who told their stories, with Madden supplying relevant information to fill in the gaps.

I read this book this past week during a cross country flight. I have been a Yankees fan since 1959 and have consumed almost every word written on the team. This publication is the very best of anything I have read on the team in the past 43 years. The writing took even familiar Yankees' lore to another level by digging beneath the surface to fully understand how being a Yankee impacted each and every one of the subjects even beyond their playing days. Regardless of the player's era, the author delivered a consistently enjoyable book that flowed and entertained at the highest level.

I think this is the best book that I ever read. I couldn't put this book down. This is a good book for die hard Yankee fans or just people who love baseball. Bill madden goes out to find players from past Yankee seasons. This is a good book I recommend this book for all baseball fans.

Baseball is a game of stories, and Bill Madden has transversed the United States to garner tales from a unique group of alumni, those who played for the New York Yankees through the twentieth century. The title is something of a misnomer. Some of Madden's subjects were never young Yankees. Reggie Jackson cut his teeth in Oakland, Lou Piniella caught fire in Kansas City, and Paul O'Neill even won a World Series ring in Cincinnati in 1990 before arriving at the East Coast. And even with the Yankee "lifers" interviewed for this work, many of the best remembered stories are about established ball players and their antics in their prime. Whitey, Mickey, Billy and Hank were hardly kids the night the Yanks trashed the Copa in 1957-in fact, it was Billy's 29th birthday that sparked the occasion. Yet this tale appears-more than once-among the multitude of memories along this nostalgic trail.

There are some interviews that actually do shed new light on Yankee history-or hagiography, if you will. Marius Russo's inclusion among Madden's subjects is fortuitous. One of the team's lesser known talents over the years, Russo, a left handed pitcher who joined the Yanks in 1938, was included in this work as one of the last living connections to the Iron Horse, Lou Gehrig. Russo sheds light on a remarkable Yankee pitching staff of 1939 remembered both for its depth and its sabermetrics. Seven starters finished the season with double figure wins: Ruffing [21-7], Hadley [12-6], Pearson [12-5], Gomez [12-8], Donald [13-3], Sundra [11-1], and Hildebrand [10-4]. Russo, added to the rotation late in the season [why?], went 8-3, including a 7-0 stretch in September. Russo would never win more than 14 games in any of his six Yankee seasons, but one of his most poignant memories involved fallout from the demise of Gehrig. When the Yankee team fell to fifth place in 1940, columnist Jimmy Powers of the New York Daily News reported that the entire team had been infected by Gehrig's "polio," as his affliction was then diagnosed. The report shook baseball and resulted in a $1 million lawsuit against the writer.

Another lesser-known Yankee interviewee was the observant bench jockey and reserve catcher Charlie Silvera, whose entire nine years of backing up Berra, Houk, and Howard produced only 429 at bats. Silvera recalls an obscure but impressive Casey Stengel accomplishment: winning five successive World Series with a depleted roster. The Yankees, under the rules of the day, carried two or three prospects who never made the team but counted against the 25-man roster. Silvera's recollections also highlight one of the secrets of the Yankee dynasty: a network of astute West Coast scouts who steered reports of promising young prospects to the East Coast Yankee front office that took such reporting seriously. Silvera as much as anyone recounts the awe that most players since 1920 have felt about donning the Yankee pinstripes. Silvera and others-including many of the household names--are as proud of their being Yankees as their personal stats as Yankees. In a year where Silvera, for example, did not get his first at bat until June 17 [1949], he still won his first of five consecutive World Series rings.

As all of the interviewed players wore Yankee pinstripes, it is hard at times to separate the individuals from the history of the team itself. And one era that Madden treats with considerable detail is the post 1964 Yankee decline. Some of the best interviews come from Yankees who played or managed through that ten year era: Yogi, Ralph Houk, Mel Stottlemyre, Joe Pepitone, Bobby Richardson, Ron Blomberg, and Bobby Murcer. There are many theories of the fall of the Roman Empire, nearly as many as to the decline of the Yankees in those years. The author and the players named above are in fair agreement that poor front office management [trading Roger Maris to St. Louis, for example], the failure of certain Yankee veterans to obey "one of their own," Yogi Berra, as manager, the free agent draft, the decline of the farm teams, and parity. One other applicable statistic: I looked up the 1965 Yankee roster, and discovered exactly one African-American in the starting lineup, Elston Howard [whose widow Arlene is the only non-player interviewed for this work], and one black pitcher on the staff, Al Downing.

As an interviewer Bill Madden is more Eddie Lopat than Vic Raschi. The questions arrive to the plate with a gentle thud in the catcher's mitt or get obscured in the dust in front of home plate. Madden has no problem getting his subjects to cry, but he is averse to making them squirm. Thus the free pass to Whitey "Slick" Ford, whose nickname comes from the old expression "city-slicker." Whitey's description of himself as a "professional drinker" in his playing days says nothing and says everything. It is no surprise he does not like to talk about Mickey and Billy, and Madden does not press.

But perhaps we should not be surprised that Madden is no Bob Woodward where investigative reporting is concerned. The author has covered the Yankees for a quarter century. I hardly think he would endanger the source of his bread and butter. It is in his vested interest in continue the legend, and he does this in a warm and congenial way. And we always have Jim Bouton for the hardball accounts.

Author Bill Madden has come up with a first rate book on significant Yankee players who have had distinguished careers with the team over the past several decades. The book reminds me of Roger Kahn's effort on the Brooklyn Dodgers of the early 1950's in which he traveled across the country to visit surviving members of that team. Madden has come up with a similar book on the Yankees with the only difference being the players that were interviewed didn't necessarily play on the same team. The oldest player interviewed by Madden was pitcher Marius Russo who concluded his career in 1946 with Paul O'Neill being the most recent Yankee included in the book. Madden interviewed the late Elston Howard's wife Arlene. Otherwise the book includes interviews only with still-living Yankee greats. The only disappointing omission from the book is Ron Guidry who certainly should have been included. However, Yankee fan or not, this is a first rate book for anyone who considers themself a baseball fan.

Somewhere in between the release of Girl at Sea and SUITE SCARLETT, I'm embarrassed to admit that I think I may actually have forgotten, for just a second, how funny Maureen Johnson is. I mean the hunching your shoulders, tongue caught between your teeth, giggling kind of funny. I read her blog regularly, so I shouldn't be a bit surprised. But SUITE SCARLETT was even funnier than her previous books. It was like concentrated Essence of Johnson: charmingly and unrepentantly hilarious. They really should bottle it somehow. I also have to say how much I like the cover. This is just how I pictured Scarlett, right down to the platinum curls, red lipstick, and Lola's little black dress.

Scarlett Martin's life is slightly different from most 15-year-old New Yorkers' lives. She lives in the Hopewell--an old Art Deco hotel her family has run for generations. On the morning the book opens, Scarlett celebrates her birthday and learns that they've had to let go the last employees they had. She, along with her three siblings and two parents, will now be expected to keep the mouldering old place running on their own. Good thing the Martins are good at keeping up appearances. Oldest daughter Lola works at the makeup counter at an upscale department store and maintains a relationship with boyfriend Chip, otherwise known to the family as "#98" for his inclusion at the bottom of the top 100 happening bachelors in the city. Grin. Brother Spencer is a desperately aspiring actor gifted in physical comedy. Spencer is always mock falling down stairs and into doors. He is on a deadline to acquire a "real" acting job within the next week or his parents are shipping him off to culinary school so he can be the hotel cook upon graduation. With Scarlett's help, however, Spencer is determined to avoid this fate worse than death.

The genius of this book is the Martin siblings. The four of them are utterly believable, sympathetic, and charming. And five pages in, it is absolutely impossible not to like them. Not to cross your fingers and hope for them. Not to wish they were yours. Add to this charming foursome an unadulterated dose of Johnson's sparkling humor and you've got a winner.

Suitte Scarlett is the latest novel from author Maureen Johnson. Scarlett just turned fifteen, but instead of being awarded a fantastic vacation away from home (like all her other friends) she is given a suite in the hotel she lives in to take care of...like every other Martin in the family when they turn fifteen. This isn't too bad until she meets her first guest that she must cater too, Mrs. Amberson, who will be stayling all summer long! Though Scarlett believes this will be another boring summer, things start to get crazy with Mrs. Amberson along. She almost gets arrested for shoplifting, must keep helping to save her brother's production of Hamlet and his chances of ever making it as an actor, fetching Mrs. Amberson more tea then she could ever need, and even falling for a boy along the way! Get ready New York: Scarlett is taking over!

This is my first novel by Maureen Johnson, but by no means will it be the last! I loved Suittee Scarlett from the very beginning, immensely enjoying the characters and adventures. Scarlett and her brother, Spencer, have a great relationship with amazing witty comebacks. You'll find yourself laughing along and wishing you had their relationship with your siblings! The book is hilarious, thought-provoking, and fun! I'm thrilled there is going to be a sequel. So if you've read Johnson's work before...you need this one as well...and if you haven't, then get too it! It's the perfect book to start you out on!

This is my favorite of Maureen Johnson's books, and I've loved them all. Suite Scarlett was brilliantly written, with engaging characters who are, above all, REAL, which is why I adore her books so much. Johnson clearly knows what it's like to live in New York, to be a conflicted teen, and has obviously been around a lot of theater people. She holds the many threads of the plot together throughout, dropping nary a one, and keeping a wonderful balance between the drama and the humor of them all. This book is a delight from start to finish, and I'm so thrilled that she is writing a sequel.

SUITE SCARLETT
MAUREEN JOHNSON
Contemporary Young Adult

Rating: 4 Enchantments

At fifteen, everyone in the Martin family inherits a room in the family owned Hopewell Hotel to look after. Scarlett finds herself inheriting the highly coveted Empire room, but what should be a great birthday turns into anything but. Her family tells her they just let go the chef, which explains the burnt birthday breakfast and her older sister runs off to spend the day with her wealthy boyfriend. Even her adorable and hysterically funny older brother Spencer can't keep the smile on her face when they find out he may be forced to stop pursuing his acting dream and instead accept the scholarship he's been offered from culinary school.

Soon Scarlett finds herself assisting the Empire Suite's summer long guest, the unusual former starlet Mrs. Amberson who keeps coming up with odder and odder requests; all while trying to help Spencer keep himself from being forced into culinary school by helping with the off, off Broadway production of Hamlet and trying desperately not to crush too hard on Spencer's new acting partner, Eric, which might be the hardest thing of all.

There were parts of the book I really enjoyed and some where I felt the story slowed to a crawl. I really liked Scarlett's two older siblings, Spencer, an aspiring comedic actor and Lola, the beautiful sister with the wealthy boyfriend Scarlett and Spencer can't stand. The good scenes in the book were really good and there were several great laugh out loud moments sprinkled throughout. But I think my absolute favorite scene in the book is when Scarlett and her brother realize the impromptu rehearsals they've been holding in the basement of the hotel has an unexpected guest.

All in all, SUITE SCARLETT was a really entertaining read and I laugh every time I think of Hamlet on unicycles. I look forward to seeing what Ms. Johnson has in store for the characters in book two, scheduled for a 2009 release.
You can visit Ms. Johnson online at www.maureenjohnsonbooks.com and be sure to check out her interactive map http://maps.google.com/maps/ms?hl=en&ie=UTF8&msa=0&msid=102312066307931969077.000442d6d06efbd923692&z=13 with which has tidbits on many of the book's locations, and will occasionally feature hints on book two and Ms. Johnson's current whereabouts.

Lisa
Enchanting Reviews
July 2008

I've never been a huge fan of Maureen Johnson's. I know, it's a crime. It's just that none of the books of hers that I've read have made much of an impression on me. I do admit that she's a good writer and has some great story ideas, but out of the books I've read so far, I didn't really like them enough to say that she's one of my favorite authors. But, I think that may have changed after I read this book. While reading I thought to myself; this must be the kind of Maureen Johnson writing that has made people fall in love with her. It's really good! She's witty, precise, clever, funny, and her whole writing style made this book completely enjoyable to read. It's got nice flow and has enough little quirky things to it that nothing ever gets boring. I'm definitely understanding what people like so much about Maureen. I'm a fan now. Besides the writing, there were, of course, other elements that I liked about the book. I really liked the reality of it all. Maybe not the reality of the plot, because I have a feeling that that part was meant to be not so real and more funny and captivating, but I really liked how the author was able to write about the setting and the characters so that it felt as if you were there and you knew them. I've been to New York once, like five years ago so I don't really remember a ton, but from reading this book I was able to understand the whole dynamic and feel of the city which was cool. I'd love to be able to go and spend a week or two among the crazy hecticness of New York. It seems like it would be a really cool place to live. And besides the setting, the characters were completely awesome. They each had some interesting personality trait that made them unique. I also liked how the cute guy in this story had things wrong with him! Yay! Cheers for realistic and screwed up guys. Sure, I'm not as fond of Eric as I am of more unflawed guy leads, but I do admire him for having the strength to defy the character mold. Ha. Overall, I think Suite Scarlett was a super great book. I loved every part of it and am looking forward to the next Scarlett book with tons of anticipation.

Finishing this the second book in The Bronze Horseman Trilogy by Paulina Simons- is no small feat. A 500+ page tome- it's no light read. (By the way, here in the states, the second novel in the trilogy is titled Tatiana and Alexander- but most elsewhere in the world, it's Bridge to Holy Cross.) But finish I did and loved every minute of it!

If you've never read The Bronze Horseman and its sequels- it's a sweeping epic that harkens back to the days of the mini-series: think The Winds of War and The Thornbirds. The first in the series, The Bronze Horseman, is set in Leningrad during WW2. The book literally takes you through the gamut of emotions before leaving you with the two main characters, Tatiana and Alexander, separated- one facing torture and uncertain death at the hands of the precursor to the KGB and the other suffering TB while interned at the hospital of Ellis Island.

Tatiana and Alexander begins there, but it also takes you back and tells you Alexander's story- something which we didn't get as much of in TBH. Alexander has all the qualities I LOVE in a hero. Noble, strong, and totally in love with his woman. So much so he resists temptations of the nubile flesh thrown at him while separated from Tatiana, and it's his love for her, and perhaps a touch of fate, that keeps him alive. They simply couldn't break him. He was brought low, yet he stayed strong. This mix of humility and strength never fails to hook me. I have to say, he's got to be one of my all time favorite heroes- and I can't believe I forgot that till now!

Tatiana is just as perfect. She makes her way to a new land, thinking her husband and the love of her life lost to her and then gave birth alone to his son. Yet, when she discovers a scrap of hope that he IS alive, she is willing to give up all to find him. (These books are SO romantic.)

The second book brought it all back and I think it's just as good as the first- though in a different way. It's not about these two together like in TBH, it's about who they are apart AND together. Excellent read, once again.

Another great book by Paulinna Simons! She never disappoints. If you have read others, read this one!

WOW, In 2001, I read the first book in this series (only I didn't know it was the first in a series until recently). I was incredibly moved by the love stoty in The Bronze Horseman and absolutely loved the characters. I was disappointed when it ended. For years, I checked to see if a sequel was out and after a while, forgot to check. A few months ago I discovered that Tatiana and Alexander was available and when it arrived in the mail, it was like a "bronze" gift. This book has a different writing syle but still filled me with more insight and stories of these two strong and resilient characters. It's one of those books that my family knows to "leave me alone when I'm reading" or else!
Can't wait to read the final book in the series.

I read this series in order. First is "The Bronze Horseman", second is this book "Tatiana & Alexander", and third is "The Summer Garden." They are all very long books. All three are exceptional!!! I laughed, I cried, I loved the couple like they were my personal friends. You really need to read them in order or else the sequels will bring up lots of questions/confusion. The Bronze Horseman is obviously open-ended leading to the sequel. You could read the second one, Tatiana & Alexander and stop there because it isn't obvious that there's a sequel. But I recommend the last one, The Summer Garden, because it is soooo good. I don't know when I got into a series more. Highly, highly recommended!!!!

In this melodramatic, epic sequel to "The Bronze Horseman", Paullina Simons follows Tatiana and Alexander after their parting when Alexander is presumed dead, and pregnant Tatiana escapes to America via Finland and Sweden. Love and war are the two main motifs here and the story focuses more on Alexander, than on Tatiana (who was the central character in "The Bronze Horseman"), although the action goes back and forth between these two protagonists. Additionally, the time and space constraints do not apply (as opposed to "The Bronze Horseman" where the rules of chronology applied, here the narration is non-linear) - the action jumps freely between the past, when Alexander is a boy and a teenager, and present, when he struggles during the war as a prisoner and soldier, and between Alexander's journey from Russia to Germany, and Tatiana's life in the New York City with their baby son, Anthony.

The novel begins in Boston, in the 1930s, when Alexander's parents, the Barringtons, make the crucial decision to emigrate to the Soviet Union and renounce the American citizenship. This was already mentioned in "The Bronze Horseman", but here Alexander's family life and childhood in the Soviet Union are described in grisly detail. The disappointment with Communism and subsequent deterioration of the family shape Alexander into the tough, secretive man, living only for himself, desperate to survive, running away into the steppe and finally to Leningrad, where he becomes an officer in the Red Army - until he meets Tatiana and the love for her turns his life upside down. Alexander survives Soviet prison and interrogations, the work with the prisoners' battalion, the escape with the soldiers under his command through ruined Poland, running away from the ruthless, deathly Stalinist system, and the prisoners' camp in Germany, although he is starving, wounded and physically at the end of his capability. On his way, he meets Tatiana's long lost twin brother, only to lose him again, and tests the friendship and the military fidelity and discipline.

Tatiana in America holds to the strange, unexplainable belief, that in Europe torn apart by the war she can find her husband, although everyone believes him dead. All her efforts are directed only towards this goal, To reunite with Alexander, she overcomes unbelievable obstacles and, of course, they are finally reunited and move to Arizona (I hope this is not a spoiler, since it is the ending to be expected in such novel, isn't it?)... So that their story can be continued in the last part of the trilogy, "The Summer Garden", which I cannot wait to read.

Surely, the ending in Arizona is a little absurd (although, who knows, maybe it was possible then), as well as all the coincidences that bring Tatiana and Alexander together. When the novel is read as a romance, it is pretty old-fashioned (rare nowadays in the tradition of "Gone With the Wind", "Doctor Zhivago" or "The Blue Bicycle"), and no doubt, delivers its promise and is a material for a great movie. For me, the highest value of "Tatiana and Alexander" is in the fabularized background and descriptions of the reality of the Soviet life in the hardest period of the 1930s, the spies and moles, the interrogation methods. Paullina Simons was born in Leningrad, in the dissident family. Her parents and grandparents, heavily stricken by the Communist regime and the war, escaped to the US in 1973, when Paullina was 10, so probably she has some first-hand information about the times, which she faithfully portraited in her novels.

For me--raised on Sherlock Holmes--this novel, first published 1968, is not a detective novel in which morality or heroism triumphs, or in which the hero is able to think his way out. When Conan Doyle invented his hero, he was writing within the context of a moral Victorian society in which Holmes's kind of detective work was able to triumph over perpetrators, or at least able to rationalize his own faults. But the world Sciascia shows us is one in which the police remain silent, and those who inquire and question are punished. Sciascia gives us an intelligent, inquisitive high school teacher, Professor Laurana--not a Sherlock Holmes--but, as a learned and well-meaning man, he is an engaging main character. What sort of society is it in which sensitive, inquisitive people are devalued and ignored?

Professor Laurana's questioning opens doors and others shut. And in a town in which people teach each other to keep quiet, we have to wonder what is being taught. It seems that this society is reduced to primitive survival instincts. Only someone like Laurana can break the vicious circle of crime, but Laurana's emotional vulnerability--his sensitivity to literature--is considered a fault. There are clearly characters who do not like anyone asking questions. And there are two characters who are philosophical and analytical, but their ability to understand human psychology disables Laurana's investigation. It's as though too much belief in moral ambiguity can stop a criminal investigation.

While this novel is a comment on Italian or Sicilian society and politics of the 1960s, this setting could be anywhere in the world. We all must be vigilant that through silence and acquiescence, our world does not become like the one Sciascia shows us.

This short novel (158 pages) has so much wonderful, nuanced writing that virtually every page is enjoyable in and of itself. One Amazon reviewer called "To Each His Own" postmodernist, but it also seems reminiscent at times of 19th Century writing that is more character insightful than plot driven. Sicilian master, Leonardo Sciascia, certainly does provide a plot in this novel - an inexplainable double homicide begins the story, followed by the slow accumulation of clues leading to the unlocking of the mystery by a hapless bystander, who reveals his revelations despite himself. The cautious innocent ultimately wanders into the killers' crosshairs betrayed by his own lust and the quiet complicity of the entire community. And it's lust that author Sciascia suggests is at the bottom of everything in the Sicilian town that is the novel's setting.

This is a highly literate and entertaining read that will encourage most readers to seek out other titles by this terrific author.

This book is a well written mystery. The author sets the crime out before you right at the beginning and gives many leads for you to try and draw your own conclusions. His style of writting is very different, but very interesting. It is the type of book that you must continue to read to find out what the ending is about.

Having read "To Each His Own" (or rather, "Il ciascuno il suo") twice, once in Italian and once in English, I find that each time I found new interesting nuances.

Rich, ambiguous characters fill the novel and leaves one wondering who is considered intelligent and who is considered an idiot in Sicilian terms. It also leaves one wondering what exactly is the crime: the killer or the one that deems himself the investigator? Is it the one who deals in politics or the one breaking the law of "omerta"?The novel explores the mafiosi as an institution, as a family, what it is in the government, the church, the peasant village.

Sciascia's novel is a page-turner for both those who want an easy read detective thriller and also for those wanting to dig deeper into the story's message.

The basic principles of right are: to live honorably, not to harm any other person, to render to each his own." Digest of the Emperor Justinian.

The Latin phrase "suum cuique tribuere" or "to each his own" is one of the three fundamental maxims of the law laid down by the Emperor Justinian. The peculiar interpretation of that phrase in Sciascia's native Sicily forms the emotional core of his brilliant "To Each His Own."

"To Each His Own" begins with a double-murder. A local pharmacist, Manno, receives a death threat in the mail, compiled with words and letters cut and pasted from a newspaper. The pharmacist laughs it off. He considers the letter to be a joke and although these threats are usually taken seriously in his town, Manno leads a blameless life and simply cannot believe anyone intends him harm. So he goes off hunting the next day with his friend Dr. Roscio and, without further ado, both Manno and Roscio are shot dead in the woods.

A police investigation follows but it is doomed to go nowhere. Sciascia paints a very explicit portrait of a society in which everyone knows (or suspects) everything but says nothing, certainly not to the local police. The general consensus (on the surface) seems to be that Manno was killed by a jealous husband and Roscio was an innocent bystander. The matter would have ended there but for the curious intercession of Professor Laurana. Laurana is a history and Italian teacher at the local liceo (high school). He walks into the pharmacy where the police are reading the anonymous letter and quickly spots a clue. The police dismiss his information out of hand. Laurana, however, driven by what appears to be no more than a desire to solve a puzzle, decides to follow up on the clue. In short order he seems to have solved the mystery. Laurana is oblivious to the fact that his musings on the crime pose more of a threat to the murderers than a typical local police investigation. Events play out to their natural conclusion, and in Sciascia's Sicily natural conclusions are not quite so neat and tidy as say in Agatha Christie's parlor room England.

The enjoyment to be found in reading "To Each His Own" is not the mystery itself. The fact of the matter is that, for Sciascia, solving a mystery doesn't require great insight. Rather, it simply requires a willingness to actually see that which is self-evident. As blind as Laurana may be to the danger he puts himself in, he can see well enough to understand why Manno and Roscio were murdered and who murdered them. Laurana's problem is not that he knows more than anyone else in town, Sciascia makes it clear that the actual events do not seem a surprise to anyone. No, Laurana's problem is that unlike everyone else in town, he doesn't bother to hide his knowledge.

Sciascia's writing is both precise and enjoyable. He seems to have a keen eye and affection for his native place, but that affection does not diminish, but likely enhances, the despair he feels for a culture in which silence is golden and in which "to each his own" does not bring to mind Roman traditions of equity but, rather, the critical importance of minding