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One word "amazing"Review Date: 2002-06-27
Good first novelReview Date: 2002-06-03
Wonderfully well written characters and story.......Review Date: 2002-04-26
The Rich Language of CranesReview Date: 2002-10-12
Remarkable NovelReview Date: 2004-05-12

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The Children's Masterpiece that Never WasReview Date: 2008-06-25
Fantastic and inspiringReview Date: 2006-04-15
My favorite children's bookReview Date: 2007-05-21
One of my favorites - thanks for putting it back in print!Review Date: 2007-01-09
I have always loved books that lead you to another book, and I just had to read "Gulliver's Travels" after reading this one. As a kid, much of it went over my head, but I still enjoyed it. Now that I think about it, I should re-read that one too...
Little EnglandReview Date: 2007-04-07
This is a children's book that, to be honest, will best be appreciated by adults. White imagined his readers not only familiar with GULLIVER'S TRAVELS but also with some of the history of seventeenth and eighteenth-century England: American children particularly today would be confused as to who Mistresses Masham and Morley were, or what Malplaquet is named after, or even who Gulliver was. And their patience might well be tried by White's love of Wodehousean "types": the bluff Lord Lieutenant with an obsession with horses and hounds, and Maria's mentor the absent-minded and esoteric antiquarian the Professor . But adults (and even older children) should love this book, and its well-structured narrative is a real pleasure.

Accepting oneselfReview Date: 2006-07-02
Precious gem....Review Date: 2006-04-21
You will love it!
a cute book for the kiddiesReview Date: 2006-06-11
A Splendid Rat, Says BibliocatReview Date: 2006-05-07
This book is absolutely charming. The setting-Central Park, Columbus Circle, and the New York docks-is just right. Seidler has managed to make his rat story romantic, funny, suspenseful, and insightful in its observations of class snobbery.
One element that serves to make this book so successful is Seidler's playful use of language to maintain the fantasy element and to help draw character. The world of the novel is always seen from the rats' point of view. For instance, when the lovely Isabel Moberly-Rat is caught in a rainstorm, she mutters "Oh, people" under her breath, rather than "Oh, rats." The rats don't go for a walk; they go for a "creep." They attend a gathering called the "Great Rat Chat," which is the "backbone of a democratsy," attended by cabinet ministers who are great helpers of "ratkind." When the haughty young Randal Reese-Rat gets a spot of poison on his tail, his parents call in a "general ratitioner." These are just a few of the numerous examples throughout the text. They serve to maintain the illusion that the rat world has its own society, yet one that is eerily reminiscent of our human world. Mrs. Moberly-Rat is a terrible snob, as are most of her fellow wharf rats living in fancy high-rise crates. She is struggling with her weight, and does "petal arrangements" to keep her mind off cheese. However, every time we see her she is eating or serving a different variety, from blue to Swiss to Gruyere. She looks down upon the Mad-Rats because they make things with their paws, marry their cousins, do business with people, and worst of all, live in "S-E-W-E-R-S." Her husband, Hugh Moberly-Rat, has a fancy office with a gilt-edged dictionary for a desk and silver foil gum wrapper wallpaper. Seidler does a clever thing with the speeches that Hugh makes: he repeats every thought in different words, making him even more long-winded than most human politicians. Thus, "How so, you ask," is followed immediately by, "Why, you want to know?" Sometimes he does it in single sentences: " For more deaths, I fear, lurk in the near future-await us in the coming days." It's really quite a comical effect, and is typical of the artificial language that many politicians use in public-and is not the way Hugh speaks in private, either.
All in all, A Rat's Tale is a lovely book that works on several levels, from the story of an unlikely hero to commentary on class prejudice. The black-and-white illustrations are a charming complement to the text. One can't help agreeing with Newsday's comment: "A Rat's Tale may well do for rats what Charlotte's Web has done for spiders."
A Rat's Tale-bobfrankjoeReview Date: 2002-11-25
Meanwhile, the humans want to poison the wharves. The rats had stopped them every year by finding loose change and anonomysly offering it to the owner of the wharves. Every year they had collected $10,000. And every year, it had been enough. but this year it wasn't. So their leader (Isabella's Father) decides that they need to double the Rat-Rent (as they call it). But there's no way they can gather $20,000 worth of pennies, dimes and nickels! Then, Monty figures out a way to impress Isabella. He thought the shells his aunt had brought him might be of some value. After all, everyone said they were great. So he brings the shells to Isabella's father. He says they are great, but they need money, not shells. Dismayed, Monty tells Isabella's father to keep the shells. Isabella gets a90=hold of them, and at first she just hangs the shells on her bedroom wall. But then she has a great idea. her mother told her that Montague Mad-Rat (Monty's uncle whom he was named after) was infamous for doing the unthinkable--dealing with humans (it's like making things with your own paws). He, like Monty is also an artist. He decorates rings and sells them to an art dealer. Isabella decides to team up with him to sell the shells. She knows that dealing with humans is a huge disgrace, but she'll do anything to save her beloved wharves. Together, they are able to get $20,000!
Monty is hailed a hero! His little shells saved the wharves! Monty finally got everything he wanted. He saved the wharves, he's a hero, and Isabella finally likes him. Then the worst happens. What is that? You'll just have to read the book for yourself.
Monty significantly changes. He becomes much braver and he learns to do his best and try his hardest, even when things look hopeless.
This is a great book, and I recommend it to anyone age 9 and up.

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The best baseball book I have readReview Date: 2008-04-03
As a kid, I was obsessed with baseball. It was a rite of passage in our country for young boys to collect baseball cards and idolize the players on their faces. McGough was able to gain access to this world, which is a privilege most of us would have died for. He preserves that childlike wonder throughout this book. Rather than becoming annoying, this tone allows the reader to empathize with McGough's struggles and cheer at his triumphs.
The book also gives a fresh new look at the inner workings of a baseball team. Most sports books are written by players or journalists. Both groups have a certain detachment from society as a whole. McGough is an average kid from New York city with an average kid's problems. He writes about how his grades suffer, struggling to talk to girls, and other situations an adolescent male would find himself in. The difference is that most kids don't have millionaire pals who will lend a helping hand in impressing a young lady. McGough's description of his interactions with the players is very humanizing. In a way, McGough takes these players off the pedestal society has placed them on and shows the reader they are average guys.
This book is my favorite baseball book by far, even surpassing Jim Bouton's Ball Four. If you have a baseball fan in the family, get this book for them. You won't be sorry.
READ THIS BOOK!!!!Review Date: 2007-06-09
Good read for Yankee fansReview Date: 2006-03-01
Must read!Review Date: 2007-04-17
Must read.Review Date: 2007-03-19

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I felt like I was part of this book! Review Date: 2008-08-22
I could not put it down! From the moment I started reading, my excitement and curiosity drew me
deeper and deeper into it.
I felt as if I was Holly, and I was right there standing next to her.
I felt like I was watching a movie in my mind, I could vividly see every thing she did, every place she went and every kiss she felt on her face.
This book not only bring Audrey Hepburn to life, it defines the pleasure revolution that each of us are trying to live everyday. I can not express how much I thoroughly enjoyed reading this book.
Fun, Fabulous Read -- Don't Miss it!!!Review Date: 2008-08-16
Charming moments from Hepburn's classic films are interwoven with very contemporary language and issues, and each character is multi-dimensional with a distinct personality and voice. Quinn's highly sensory and sensuous descriptions lead you through unexpected situations -- my heart was racing with twists and turns, and I was laughing and weeping continuously throughout the novel.
In addition to the delightfully witty literary style and plot, this is a must read for anyone who is interested in fashion and its history. I really enjoyed learning about costume conservation and behind-the-scenes aspect of a fashion institute and, with all of Quinn's ideas for exhibitions projected through her protagonist Holly, Quinn should be a fashion curator herself. There haven't been displays that creative and exciting since Diana Vreeland's monumental exhibitions at the Metropolitan Museum of Art. I wished throughout the book that I could see these concepts mounted in real life. Well...maybe when they (hopefully) do a movie of this book!
My only disappointment was that the story had to end, but happily I can order other work by Quinn and look forward to whatever she writes in the future.
BRAVA!!! I've been recommending it to everyone...
What's not to like about good cruise ship novel? Review Date: 2008-08-10
Betsey Shapiro - Author of "Queen's Hostess"
An Absolute Must Read!!! :)Review Date: 2008-07-16
I love all of Karen Quinn's work: each book is more enjoyable than the last. (btw, I absolutely cannot wait for her stories to hit the big screen. I heard that "The Ivy Chronicles" might star Sarah Jessica Parker, fun, fun, fun!!). "Holly Would Dream" is my favorite book by Karen Quinn so far, though. Holly is completely lovable, genuine and funny and her exciting and glamorous adventures in the world of fashion and high society are so much fun.
An added bonus to reading "Holly Would Dream" is that it may inspire you on a treasure hunt to discover all 125 of Karen Quinn's clever winks and nods to the romantic movies of Audrey Hepburn and Cary Grant. A good excuse to watch these wonderful, dreamy movies again!
Holly Would Dream
What a fun ride!!Review Date: 2008-06-22
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I love the CatskillsReview Date: 2008-10-24
A WONDERFUL BOOK ABOUT THE CATSKILLS - BBC RADIO!Review Date: 2001-06-19
GREAT!!!!!!!!! Yakov SmirnoffReview Date: 2000-08-15
WONDERFUL ====VARIETYReview Date: 2000-09-01
Engaging Book Is Nearly As Fun As The Era It CelebratesReview Date: 2003-07-04

The Work of the Chariot and Dreams of ExileReview Date: 2008-11-08
It's ironic that Gershom Scholem became famous as a scholar of mysticism, because he embodied old-fashioned Jewish suspicion of anything mystical, Romantic or high-flown. This points to the puzzle we face here: that Judaism, a religion of the practical and actual, emphasising the distance and disparity between God and man, should even have produced mysticism. Jews extracted their mysticism from the Torah and the Prophets as arduously as Marie Curie extracted radium from pitchblende.
This helps to explain the diversity and near-surrealist strangeness of Jewish mystical spirituality. Shiur Komah mystics visualised the Physical body of God: His arms so many billion miles long, and so on. Hekhaloth visionaries ascended to graduated Celestial Palaces (a practice St. Paul must have been familiar with.) Merkavah mystics concentrated on the vision of the Divine Throne/Chariot in Ezekiel Chapter 1, with its inconceivable Living Creatures and Wheels within Wheels.
The proto-Kabbalah of the Book "Bahir" with its clumsy dream-like myth-making. The full-blown Kabbalah of the vast, untellably strange "Zohar" or "Book of Splendour", a whole universe reverently explored by generations of pious Jews. Then the new Kabbalah of Isaac Luria, with its (astonishingly) far from omnipotent God who bungles crucial stages of the process of Creation, and (still more astonishingly) needs Jews to help repair His gaffes.
Mystics were always a minority. Most literate Jews were preoccupied with Talmud, ever-more refined discussions of the Sacred Law governing practical conduct. But just as someone's dreams may tell you more about them than they are prepared to admit out loud, this book is a window on the hidden life of Jews during their centuries of dispersal, expulsions and persecution.
You may be familiar with "magical" pseudo-Kabbalah, the Sephiroth and the Tree of Life torn up from their roots in Torah; or with New Age Kabbalah. Forget all that, read this book, step through the gateway into reality.
InformativeReview Date: 2007-12-26
Still the finest scholar's introduction to the KabbalahReview Date: 2006-10-22
Major Trends is basically a set of lectures Scholem gave on Jewish mysticism. Scholem was one of the first scholars to apply scientific methods of criticism to Jewish mystical texts and traditions and their sources, which had been neglected to a large extent in favour of the rational Jews like Moses Maimonides. The age of Reason had little time for religion, myth and mysticism and it was really only in the latter part of the 20th century people began to return to their mystical traditions.
Scholem made many important discoveries, including showing the author of the Zohar (which supposedly came from the 2nd century) was written by Moses de Leon, a 11th century Spanish Jew. Also in this collection are some valuable studies of the relationship between Kabbalah and Christian Gnosticism, and on Isaac Luria's bizarre theosophic ideas, and of chariot mysticism which influenced early Christianity and many apocryphal biblical books such as the Books of Enoch.
Scholem's study remains the most important 20th century study of Jewish mysticism.
Excellent introduction to KabbalahReview Date: 2006-01-03
Mysticism Without ObfuscationReview Date: 2005-10-18

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murder on bank streetReview Date: 2008-10-23
FantasticReview Date: 2008-10-14
ANOTHER GREAT GASLIGHT MYSTERYReview Date: 2008-10-08
A fast-paced mysteryReview Date: 2008-08-18
Diane C. Donovan
California Bookwatch
ClosureReview Date: 2008-08-25
Originally, the widow's rich father thought it best not to pursue the matter, since he believed any facts uncovered would upset his daughter Sarah. As the investigation progressed, revelations uncovered seemed to justify the original assumption, and Malloy, who provides a love interest for Sarah, believed that might prove to be the case. Certainly, what is discovered is shocking, to say the least.
The descriptions of Little Old New York toward the turn of the 1890's are delightful and incisive. The book is sharply written and proceeds at a brisk pace, and the interaction of the characters graphic and moving. The class distinctions between rich and poor are vivid, and the dialog is written in keeping with the times in which the story takes place. Bank Street is the 10th entry in the series, and it is recommended.

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Great book - Pricey!Review Date: 2008-11-03
great gift ideaReview Date: 2008-11-03
A stadium with a history like no otherReview Date: 2008-10-03
Do not be deceived by its appearance. This is in no sense a "coffee table book" except that you will want to have it near at hand on prominent display. Credit Mark Vancil and Alfred Santasiere III with selecting and editing a wealth of information and photographs (most in vivid full-color) that create quite literally both a comprehensive biography and multi-dimensional portrait of Yankee Stadium. Various contributors provide individual retrospective analyses of these segments:
In "A Walk Through Time" (Pages 16-35), Santasiere allows the reader "to take a gander at the ballpark itself" " during an extensive tour (e.g. ushers, the press box, George Steinbrenner's office and its various collection of memorabilia, the stadium's "frieze," the playing field, the clubhouse, the manager's office, the dugout, and Monument Park. The quality of the photographs in this section comes about as close as photographs can to making the viewer feel as if she or he were actually roaming throughout the stadium in person. In this section and in all others, the crisp copy that accompanies the photos creates a context for each.
In "The Birth of a Ballpark" (Pages 36-75), Bob Klapich reviews the team's history since 1912 when its name was the Hilltoppers (the team's home field was Hilltop Park) and finished in last place. Renamed the Yankees, they later played their home games at the Polo Grounds (also home of the Giants), were also-rans from 1916-1920, acquired George Herman ("Babe") Ruth from the Boston Red Sox, and finally the franchise had a permanent home when Yankee Stadium was built. The opening day was April 18, 1923. Construction requirement included removal of 45,000 cubic yards of dirt, 800 tons of rebar, 2,300 tons of mechanical steel, 116,000 square feet of sod, 13,000 yards of topsoil, 950,000 three million board feet of lumber for the bleachers, and 284 days to complete. There are dozens of archival photos of various stages of construction. Also included in this section are "First Person" reminiscences such as those provided by Ray Robinson, Phil Rizzuto Mario Cuomo, and Ernie Acorsi, Regis Philbin, Michael Bloomberg, and Dan Quale.
In "Iconic Moments at the Stadium" (Pages 76-137), Klapich provides a retrospective commentary on Lou Gehrig's memorable farewell and then Babe Ruth's farewell eight years later, the 1928 game when Knute Rockne's Notre Dame team defeated favored Army 12-8 and won it "for the Gipper," Frank Gipp, Joe DiMaggio's record of getting a hit in 56 consecutive games (a record that still stands 67 years later), Don Larsen's perfect game in the 1956 World Series against the Brooklyn Dodgers (with a mini-commentary provided by Dick Young), arguably the greatest NFL game ever when the Baltimore Colts defeated the New York Giants in overtime for the league championship in 1958 (23-17), Joe Louis' defeat of Max Schmeling (1938) and Muhammad Ali's defeat of Ken Norton (1976), Roger Maris' 61st homerun in 1961 to break Babe Ruth's record of 60 in 1927 (with a mini-commentary provided by Phil Pepe), Pope Paul VI's visit in 1965, the Army-Notre Dame football game in 1946 (with a mini-commentary provided by Johnny Lujack), and Pope Paul II's visit in 1979 (with a mini-commentary provided by Edward Cardinal Egan). Once again, as elsewhere throughout the book, the photographs are stunning.
In "Yankee Stadium Baseball History" (Pages 138-185), Bill Madden reviews some of the greatest highlights of a history that is probably unsurpassed among Major League Baseball in terms of great players, great games, and memorable moments. The reader is briefed on "Home Run Factoids" accompanied by "First Person" observations by Hank Aaron, Al Kaline, Jerry Coleman, Lou Piniella, Chris Chambliss, Reggie Jackson, David Cone, George H. W. Bush (whose son threw out the first pitch - a strike - during the third game of the 2001 World Series following the attacks on the World Trade Center and the Pentagon), Derek Jeter, Paul O'Neil, Tino Martinez, Scott Brosius, Brian Cashman, Joe Torre, Dave Winfield, Paul McCartney, Whitey Ford, and Jose Pasada. I identify these contributors because almost all of them were directly involved in some of the memorable moments while playing or managing some of the greatest Yankee teams. Again, the photographs are superb.
In Section Four, "America's Amphitheater" (Pages 186-230), Ira Berkow takes a somewhat different approach as he reviews impressions of first visits to Yankee Stadium and favorite memories of it that are shared in "First Person" reminiscences by Bobby Murcer, Rich Gossage, the Rev. Billy Graham, Don Mattingly, Bill Clinton, Joseph P. Kennedy III, Lance Armstrong, Steve Richardson, Charlie Weis, Frank Gifford, Jim Brown, Don Shula, Sam Huff, Roger Clemens, Bob Sheppard, Alex Ridriguez, Bert Randolph Sugar (who also lists what he considers to be the ten most memorable fights), Angelo Dundee, and Ron Guidry.
No commentary such as this could possibly do full justice to the scope and depth of the text, nor to the quality and diversity of the photographs that are seamlessly integrated with the narrative. Perhaps the best way to express my appreciation of this book is to say that if it were only a text without photographs, I would rate it Five Stars and wish there were a higher rating available. And if it were only a collection of photographs with brief captions, I would have the same opinion when rating it. Thank you, Mark Vancil, Alfred Santasiere III, and your associates.
Excellent BookReview Date: 2008-09-20
GREAT READINGReview Date: 2008-08-21

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May God Bless Sargeant WReview Date: 2008-02-20
scholarlyReview Date: 2008-02-05
Best translation of Bhagavad Gita!Review Date: 2008-04-08
Not for BeginnerReview Date: 2008-03-11
An excellent interlinear translation.Review Date: 2007-10-19
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I could relate to every charecter and that was the most freaky part!
The charecters in this book are rich and full of life. The plot is very engaging and what more can one say about a book thats so beautiful it makes you weep with joy!
Bravo Leavitt and the rest of you read it!