California Books

A note on the difference between this marvelous title and Joanne's earlier book entitled Weir Cooking: Recipes from the Wine Country (found at Joanne's web site):

"My new cookbook focuses on the fabulous ingredients found in the California wine country and uses some of my most favorite ingredients: olive oil, garlic, tomatoes, figs, lemons and herbs. My first TV companion book, Weir Cooking: Recipes from the Wine Country has been out of print for years, and this book includes those original recipes plus 50 brand new recipes, new headnotes, cooking tips, and of course fantastic wine pairings. Even the beautiful photos have taken on a new life! You will absolutely love cooking from this book!"

A toast to Joanne for creating her wonderful Mediterranean style recipes with wonderful wine pairings! My absolute favorite recipe is the Wine Country Flatbread with Grapes and Toasted Walnuts - so unique and a reflection of Joanne's style of using a few quality ingredients to create delicious, simple yet elegant recipes. Just cooked & baked Joanne's recipes for a dinner party and received rave reviews, especially for the Farmer's Market Risotto and the Pizza with Cherry Tomato and Basil Salad. Whether you wish to learn basic Mediterranean style recipes, or expand your culinary repertoire with some unique twists, Wine Country Cooking is sure to please your palette!

This cook book has lots of interesting recipes and I look forward to trying several of them this fall.

Joanne Weir has certainly done it again by producing yet another wonderful cookbook. The beautiful pictures definately do the recipes justice! Everything is so fresh and delicious. Joanne's writing makes the cookbook even more enjoyable. Two of my favs include the goat cheese gallette and the panna cotta! Out of all the cook books I have, I always find myself reaching for Joanne's. Please keep writing!

This book provides a wonderful assortment of delicious recipes. All of Joanne's cookbooks take into consideration the best of ingredients and the preparation instructions that making cooking a joy. Another treat from her for our table!

I read a book a week on average and this is by far my favorite in a long, long time. The author is a master of history and story telling. Nora is the most lively, complex and funny heroine. The story moves fast and is full of surprises and humor. Nora is refreshingly real and it is so much fun to watch her struggle with various moral issues while doing her best to be true to herself. I have recommended "Woman of Ill Fame" to two of my clients and they have both told me they tremendously enjoyed the read. I can't recommend buying this book enough. I am eagerly awaiting Erica Mailman's next book. Wish she'd write a follow up to "Woman of Ill Fame. " I'd love to see the next chapter of Nora's life.

Vivid description of San Francisco during the Gold Rush, but the story was disappointing - the character, her love interest - too predictable and fairy tale. Too much sex - not of the good kind. Somehow, it just seemed unbelievable that the main character, Nora, was having such a rockin' good time as a prostitute. The author seems promising - I'll give her another chance and look forward to her next book, but I hope that her fiction can develop a little more. She's obviously a great researcher, and can craft a basic story, but it needs a little more work.

Here in the Bay Area, Erika Mailman is a very popular local author for her fabulous history column and many historical publications based on Oakland, CA. A departure from her nonfiction books, "Woman of Ill Fame" is a her first published novel and this book was such a delight to read that I am compelled to post my first review on Amazon. I simply couldn't put this book down and stayed up to the wee hours reading twist after turn in this enjoyable and gratifying story! Mailman's novel has a little bit of everything: sex and romance, murder and mystery, as well as, a historical sense of place and a unique cast of intriguing and endearing characters.

As a historical researcher, Mailman's knack for rich detail makes Gold Rush era San Francisco just spring to life from the pages of this book! Mailman deftly captures the Wild West atmosphere with gritty realism (e.g. in one scene, the protagonist Nora describes, with historic accuracy, the tragic fate of young Chinese sex slaves caged in Opium dens). At the same time, Mailman conveys a realistic sense of opportunity that "uncivilized" California afforded so many early settlers. It's no surprise that California granted women the vote long before the rest of the Union. Mailman's tact for era-appropriate dialogue is also worth noting - it's the perfect balance and never feels contrived. If you enjoyed similar elements of realism in HBO's series "Deadwood," you will enjoy this book - pick up your copy today!

One more thing: Like many of the novels characters, the story's protagonist Nora Simms is refreshing and quirky. At times while reading this book, Nora's internal dialogue on gender relations literally made me laugh out loud! Mailman doesn't rely on overdone hooker cliches and presents young feminist female readers with a character that we can identify with. With a deconstructionist lens, this exploited Gold Rush era sex worker becomes a strong, sexually empowered, and financially independent multi-dimensional character, who is reluctant to relinquish her feedoms for marriage despite the social stigmas of her day. Nora feels very human - complete with flaws and rationalizations, moral flexibilities and insightful wit. I hope we'll see Nora Simms again in a sequel by Mailman!

For as many books are written on the subject, you expect that every prostitute on the market has a heart of gold. Since such homogeneity is unfeasible, if not downright reductive--the population of soiled doves is surely as diverse as any other of society's phyla. Nora Simms, the protagonist of Erika Mailman's new novel, Woman of Ill Fame, is one of the kindest--and strongest--ladies of the evening in recent memory.

Nora's most memorable trait isn't her kindness, however. It's her frank acceptance of her situation, and her desire to make the most of it. She isn't squeamish about sex, takes pride in her physical gifts, works hard, and tells white lies to protect those she cares for. Arriving in San Francisco just after the Gold Rush has turned the city into a boomtown, Simms is shocked to discover a connection between her and a rash of murders. With considerable acuity she manages to protect her fellow prostitutes, duck the moral judgement of her landlord, elevate her status, find a suitor, all while trying to track down the vicious murderer.

Mailman seeds her historical research carefully, letting it bloom in just the right moments and measures. Woman of Ill Fame is a compulsively good portrait of vice, virtue, and early California.

These days, if you were to hear the expression "ill fame," you might conjure up the Us Weekly mug shot of some wannabe celebrity. But in the San Francisco of 150 years ago, terms like "ill fame" and "frail" were slurs branding a woman as a prostitute -- and, as such, crop up with colorful frequency in Oakland author Erika Mailman's seductive debut novel, Woman of Ill Fame.

Mailman deftly transports us back to a crazy boomtown San Francisco flooded with fortune seekers who indulge in the city's notorious sex scene and wince at the outrageous cost of housing. That might call to mind the dot-com silliness of the late '90s, but it's also a fair depiction of the city during the gold rush of 1849.

Woman of Ill Fame's narrator is 18-year-old Nora Simms, who sails into town from Boston to mine the miners of their paychecks by selling them a few minutes with her body. Don't expect any angst or apologies for this, though. Nora is no hooker with a heart of gold, and Mailman doesn't try to apply the mainstream, modern-day view of prostitution to a time and place whose inhabitants lacked our compassion -- or squeamishness. Instead, we're rooting for Nora as she starts at the bottom of the local sex trade in the disease-infested row of working-girl stalls nicknamed "the cowyard," daydreaming of the time when she'll ascend to an upscale parlor house where the women wear ornate gowns and adopt bogus French accents.

Nora's ambitions hit a snag, however, after the trunk containing all her worldly possessions is stolen. Worse still, the bodies of butchered prostitutes begin turning up around town, and each of the victims is found wearing an item of clothing from Nora's vanished trunk.

The whodunit aspect makes Woman of Ill Fame a page-turner, and Mailman manages to keep the reader guessing. Yet it's the depiction of early San Francisco that propels this thriller above its genre, in the manner of historical fiction such as Caleb Carr's The Alienist. While the serial killer plot fuels the ride, the rich historical details take command of our senses, transporting us backward in time to step in the muddy streets and smell the stench of a city newly born.

As the author of two local-history books, Mailman has done the homework necessary to paint this vivid portrait. And as a fixture of the local writing scene, she has quietly and doggedly been honing her craft for more than a decade in places such as the San Francisco Writers Workshop. Now all that hard work is beginning to pay off, with Mailman emerging as a San Francisco author to watch. A second historical novel, The Witch's Trinity, is scheduled to come out in time for Halloween on Random House. Going from obscurity to two published novels in nine months is quite a feat -- and virtually unheard of. Clearly, Mailman's publishers are betting they've discovered new gold in San Francisco. *

[...].

i just had to go out and buy this book after reading the reviews on it, my son is ten months old and just gone down for a nap, and i am reading through the book and getting so excited about all the places we can now go and see. We have only been in california 1 year and i am a new mom in a new place not knowing where to go and what to see for my toddler and this book is going to be just perfect and we want to go exploring now. i have a couple of other books but the activities are for children a little older but we need to explore now. Thank you to the parents who bothered to review this wonderful book, and I hope this review helps other. like someone mentioned most of the places are either free or very inexpensive. - its going to be perfect.

Finally there is a Southern California tour guide especially geared towards parents of babies and toddlers. Your children learn best through first hand experiences and Baby's Day Out is chock full of great places for the young (and not so young) to experience the things they love like animals, trains, parks, aquariums, tide pools, hands-on museums and more. My 10 year old and 61/2 year old twins still love to visit many of the places listed in JoBea Way's comprehensive guide. They also have a list of many new places for us to visit as well.

The book is broken down into eleven chapters covering major areas of interest for young children: Museums, Our City, Gardens and Nature, The Zoo, Aquariums, Trains and more. There are over 224 separate sites reviewed. Locations covered include the expected Los Angeles and San Diego Zoos as well as many less well known places like the Goodyear Blimp Airfield, Tierra Rejada Farm and Pasadena Unified School Bus Lot.

The book includes many helpful tips for making outings more enjoyable and each review contains a concise description, directions with Thomas Guide page references, and cross references to both similar sites and nearby attractions. Easy to spot icons let parents know if the locations can accommodate single and or double wide strollers (most do), and whether gift shops, snack shops or picnic areas are available so parents can plan accordingly. I love the lists of children's books on topic related to each entry and the special pages with simple graphics of animals or things that go, etc. These pages are designed for young children's use before, during or after their visits. For example, the first picture pages are of cars and trucks children might see on the way to their visit.

The final chapter includes a month-by-month "Things to Look For" section featuring holiday, special events and seasonal changes to watch for geared to Southern California. There are comprehensive listings of Fourth of July displays, Holiday lights, Farmer's Markets and more. These lists alone are a great resource whether you have young children or not.

The number and variety of places listed is truly impressive. Our family has been enjoying working our way through the book and finding many new favorites. I plan to give this book as a shower gift to all my pregnant friends and think the book is a great resource for parents of school age children and teachers also.

This book is filled with fun things to do at any age and for anyone who has some time to spend in the L.A. area. We visit there often and sometimes we are looking for more to do than just the big theme parks. There are so many things that I wouldn't have known about, much less how and where to find them. A treasure for anyone, local or tourist.

Baby's Day Out in Southern California provides a wide range of age-appropriate excursions. Crammed to the bursting point with places to go, things to see and do, special events, ideas for activities and related reading, this excellent book is one of the most innovative, detailed and practical guides around.

Although the contents are arranged by type of place (i.e., museums, aquariums, farms and ponies, flying), it also offers site maps, making it easy to plan a day around a particular location or a specific interest. Listings include physical and Web addresses, phone numbers, directions, what to see and do, hours, parking, admission and membership information, related locations, nearby places and blank space for your own comments. Additional sections contain events by the month, packing lists and road games.

Its most valuable feature is its ability to look at potential places from a child's perspective. Among the 224 sites listed in Los Angeles, Orange, San Diego and Santa Barbara/Ventura counties are fire stations, school bus yards, museums, libraries, gardens and nature centers, truck stops, farms, theaters and convention centers.

This is one of the best travel reference guides you could acquire if you have young children.

I grew up in the San Fernando Valley and never knew about 90% of the places suggested in this book! In addition to the usual spots (Disneyland, parks, etc), the book suggests creative places like the schoolbus depot and construction sites (from a safe distance, of course!). "Baby's Day Out" really made me look at the world through my babies' eyes, where everything is a new and fascinating experience. For example, when I drive on the highway now, I point out the trucks passing by to my kids and they love watching the different sizes and colors. Before this book, I never would have thought about trucks on the highway as a field trip experience. This book is also very practical, providing all the necessary information, including Thomas Guide map pages, hours, prices, parking, everything! As an added bonus for me, Holt even tells me when they're enough room for my double stroller (with twin 18-month old boys, that is a big plus for me). I live in New Jersey now and bought this book while on vacation in Los Angeles. I wish they would write a book like this for us folks in the east coast.

I loved this book! Could picture myself and a few friends doing the same thing! Showed how friendships can be repaired and hearts healed. Anyone in their late 30's to mid 40's could probably relate to one of the characters and enjoy this read. Whether you're married, single, in a strained relationship, etc...this will encourage you.

What an awesome book. It is such a great story of friendship, and what friendship is really about for women. Celebrating all that we are, our differences, our sameness. I laughed, I cried, - A great story. This author does a great job. I'm going to find more of her books. Oh and by the way, a great guideline for turning corners!

Reviewed by Cherri Vanover and Kim Peterson for Reader Views (12/06)

A beach house in San Diego provides the setting for the reunion of childhood best friends Jo, Andie, Molly and Char. A feeling of homesickness while looking at an old photograph prompts Jo to invite the group to California to rekindle their friendship. The women celebrate their fortieth birthdays together.

The friends have all but drifted apart in the twelve years that have slipped by since they were last together at Molly's wedding. Although they feel delighted to reconnect, getting away doesn't bring the escape from everyday life that they expected. Their past link is influenced by their present situations. The once spunky Andie has faded into a fearful, mousy person under the influence of disparaging husband Paul. Molly and Scott are redefining their marriage now that the former stay-at-home mom and pastor's wife works outside the home as a substitute teacher. A single doctor, Jo struggles to keep from drowning her guilt about past career and relationship choices with alcohol. Neglected dentist's wife and mother Char seems to be overly friendly with her next door neighbor, Todd.

While the beach house setting encourages readers to visit, it is John's characters who invite them to stay. Jo, Andie, Molly and Char seem like real women with real problems readers can relate to and learn from in their own daily lives. Upon finding herself in a predicament that she doesn't like yet believes to be God's will, Molly prays, "Change my heart. Please change my heart." As Andie attempts to check off items on her "Adventure List," she hears in her spirit, "All you have to do is let go." John uses her characters' conflicts to share her faith with her audience in a situational rather than preachy way. What Christian fiction often aims at but struggles to do, John seems to accomplish with ease. This conversational style not only keeps the reader turning pages but also empowers readers to consider and listen for spiritual solutions to their own problems.

John creates a delightfully inviting setting, endearing main characters, intriguing secondary characters and a faith-based story with a message that lingers long after the last page. Fans of women's contemporary Christian fiction will find "The Beach House" a satisfying read.

I have been a long time reader of Sally John's books, and never once have I been disappointed. In The Beach House, Sally John weaves a lovely story of four childhood friends who have just turned 40, but have lost contact over the last twelve years. To celebrate their respective birthdays, they agree to share a beach house for one week and re-connect. Each woman is experiencing a time of trial, and Sally's expertise and style of writing sweeps the reader along in a medley of emotion, spiritual encouragement, and laughter. What more could a reader want?

I absolutely loved this book! I could relate to each of the four women at different times in their lives. It reminded me to take all things to HIM in prayer at ALL times.

I agree with the other reviews that this book is informative and engagingly written, with excellent and thoroughly researched paved and back road routes. However, I noted two cases in the Yosemite descriptions where the author confused left and right. In ride 74 at the bottom of page 264 he writes that you "turn left (south) and then xleftx RIGHT! immediately again onto narrow Crescent Meadow Road. That one is obvious when you're there, but the other is crucial: In ride 70, in the middle of p. 258 "...before arriving at a meadow. It seems like you should go left, but stay to the right of the meadow." Nope--you must indeed go to the LEFT of that meadow to follow the described route (and the overall loop is to the right), while the right fork soon turns into barely recognizable cowpaths that eventually dead end in the woods. I mention this mainly because he makes such a big deal of it, and want to warn cyclists using the book to take the directions with a hint of caution.

This book "Bicycling America's National Parks" is part of the Backcountry series. Even thought I like bikes I prefer to go on foot. The same trails lend their selves to foot also.

Many a time I have been able to locate ranger stations where you can check in and be loosed on the back country trails. Luckily many people are not aware of these areas. Some trails you can go all day without running into a soul.

David Story should be ashamed of him self fore giving away the secret. But I am glad I found this book.

The book is divided into 15 locations and in each location there is a description of where you can stay and where you can rent bikes along with other relevant information.

There are also trail maps and photographs from the area. Most important is inclusion of addresses for more up to date and more detailed information.

This book must be the first of its kind--a guidebook about bicycling in the national parks. The author shows that the common misperception that bicycling is not allowed off-road in national parks is just that-- a misperception. This book features some outstanding road rides as well as mountain bike rides. I think the descriptions of the parks themselves and the rides therein are well-written and clear. The author gives the kind of information you'd want to know before setting off on a ride, and does it in a colorful, sometimes very deadpan funny way. There's also some cool trivia about the parks and good, useful information about where to buy supplies, repair your bike, do laundry, take showers, camp, and other stuff like that. I think this is a book that shows you how to take part in the most fun sport in the world (bicycling) and do it in some of the most spectacular places in the world (the national parks of California). A must for any travelers to the national parks who want to get out of their cars and explore. (By the way: it's not just for hardcore bicyclists--there are numerous family and beginner-level rides as well.)

I just returned from a mountain biking vacation to Joshua Tree National Park, Mojave National Preserve, and Santa Monica Mountains National Recreational Area and this guidebook proved indespensible. It contains almost all information necessary to plan your trip and somehow manages to be both concise, thorough and readable.

Story introduces each chapter with a brief description of the geography and history of the park. Then Story lists several rides within the park, each accompanied by detailed descriptions (including technical and aerobic difficulty, best time of year to ride, overall length of trail, etc.) and maps. Though some road bike routes are included, most trails are for mountain bikes. Each trail I rode was accurately described. Each chapter also contains boxes describing the fauna (animals) and flora (plants) you'll likely encounter within each park.

This book isn't just a cycling guide, it contains virtually all the information you'll need to plan your trip. Story concludes each chapter with information about local lodging, camping, bike shops, grocery stores, and restaurants (his recommendations are first rate). He also provides helpful contacts (park visitors centers, etc.) which should be able to provide any other information you might need. Story has also eliminated the extraneous elements so many other cycling guidebooks seem to contain (elevation maps might be visually enticing, but let's face it, they aren't necessary).

What is really remarkable about this book is Story's terse, engaging writing. The abundance of information this book contains is presented in readable, often witty language. He doesn't just describe, he gives the reader a feel for each park and the surrounding communities (when applicable). Unlike most guidebooks I've read (which usually contain flat, predictable humor), Story's humor actually works; it isn't "laugh-out-loud" funny, but wry, witty humor that always relates to and never detracts from the subject matter.

The only improvement I would suggest for future editions is to provide a general map of each National Park. The trail maps only feature a small segment of the park where the trail is located. It is sometimes impossible to decipher where each trail is located within the entire park itself. This is particularly difficult for visitors not familiar with the area (like me). It was sometimes impossible to tell from the maps where the most convenient place to stay (closest lodging to the trails) is. The next edition should provide a map showing where each trail is located relative to the entire park. Before visiting a park, you should obtain a complete map from the National Park Service (Story does tell where to obtain these).

Story has set high standards with this guidebook, the first in the "Bicycling America's National Parks" series. It's the kind of book you'll enjoy reading even if you don't plan to hit the trails anytime soon. Story's writing is so engaging that finishing the 300-pages is effortless (300 pages may sound long, but it really isn't). This book is a must read for any cyclists interested in visiting the National Parks of California. I can't wait to read the subsequent guidebooks for other states.

This book must be the first of its kind--a guidebook about bicycling in the national parks. The author shows that the common misperception that bicycling is not allowed off-road in national parks is just that-- a misperception. This book features some outstanding road rides as well as mountain bike rides. I think the descriptions of the parks themselves and the rides therein are well-written and clear. The author gives the kind of information you'd want to know before setting off on a ride, and does it in a colorful, sometimes very deadpan funny way. There's also some cool trivia about the parks and good, useful information about where to buy supplies, repair your bike, do laundry, take showers, camp, and other stuff like that. I think this is a book that shows you how to take part in the most fun sport in the world (bicycling) and do it in some of the most spectacular places in the world (the national parks of California). A must for any travelers to the national parks who want to get out of their cars and explore. (By the way: it's not just for hardcore bicyclists--there are numerous family and beginner-level rides as well.)

As I could relate with the age, time and place of the main character's life, I took a ride on the depth given to her by Jones. What a trip! I'm still sitting at the table with them over cioppino wishing everyone would come home again. Well, things surely change as California's Over reveals. I'll have to accept this and jump into another ferment of this writer's cast of characters.

This is not Jones' best, but it's definitely his most ambitious. He's trying to mark out territory as an important writer here, bidding to be a Big Gun. Commentary on society, etc. People in the throes of crucial emotions in their lives, etc. He's more at ease with the metaphysical, as in "Particles and Luck." "Particles and Luck" is a truly beautiful little book. A classic. However, I must say, the looser structure in "Californias Over" (the wandering over three decades in several characters' lives, the multiple point-of view, the flash-forwards to warn reader of future developments) all allow a new complexity here. And Jones' poetry is present. I just happen to prefer the tighter structure. His earlier books are more like DeLillo -- seem to have been directly influenced by DeLillo -- whereas this is more touchie-feelie.

A gifted, stylish writer with something new and original to say. Even though the time (1973) and place (Marin County California) and subject (family of a deceased late Beat/early hippie writer) are far removed from my own experience, Jones has the gift of taking you there, spinning you around, getting you interested in the characters and leaving you delighted and enlightened.

Louis B. Jones's California's Over is much more than a satire of the West Coast's Sixties legacy, though like all good satire it does have a deeply realized base of moral bedrock to put the clearly-observed human excesses and deviations in perspective, and like all good satire it is very funny without being cruel. But the book's real strength and beauty is in its tenderness, the sweet music of human peculiarity lucidly seen, and in its evocations of the loveliness of the sirens' songs that have drawn its characters toward their particular, poignant ruin on their particular rocks of reality. And the novel, like all of Jones's work, is ultimately a song of praise for the embattled decency, for the redemptive power in the feeble human longing for the simple human truth, for the humble beauty of the real, in the face of everything the world can bring of tragedy and temptation. Jones's language is astonishing, rich and lush and ever-inventive, a kind of sustained poetry. By all means check out his other novels--Ordinary Money, and Particles and Luck, which are also terrific. A beautiful writer, with hopefully a long and productive career ahead of him--a joy to read.

I read this in hardcover, and it's amazing. Jones is the only fiction writer I know of now who is truly driven to poetry, that is necessary poetry, not vague lyricism. Every line matters. I live in Saint Louis, MO, and Jones is here at a university to be a visiting writer and just gave a reading of his newest work, about Alaska in 1970, and it heads off in a totally different direction. There's no one writng today with his sincerity and poetry.

This is not only one of the most informative books ever published on the history (as opposed to the geography, geology, anthropology or wildlife - if you want those, go elsewhere) of Death Valley and the mountains surrounding it, it is a thoroughly amusing and satisfying read for any student of Western history and does for Death Valley what J. Frank Dobie did for territories further south. One gets the impression that in spite of its inhospitable nature, there may have been more frauds per square foot committed around Death Valley than any other American soil west of Wall Street. Lingenfelter traces them all, and one of the charms of his book is that while he is admirably even-handed in puncturing the inflated claims of bull-shippers like Death Valley Scotty and George Graham Rice, he seems to have a sneaking affection for all the boodlers, grifters, con men and watered-stock-artists he chronicles, as well as for the hopeful dreamers totally unprepared for Mother Nature's crueler side who seem to have populated the region ever since the first California-bound covered wagons stumbled into it. In fact, the only thing missing from this book that I would have found useful is a record of what is still there to be seen of the colorful boom towns he chronicles - for example, according to the National Park Service, Rhyolite still has quite a bit to reward the sightseer (even though it has had to be fenced off to keep tourists from carrying it away bit by bit as souvenirs to decorate their dens), while the once-flourishing mining towns of Greenwater and Bullfrog have so totally disappeared that there is nothing at all to be seen there today.

With a fifty-five page bibliography and a hundred pages of endnotes, you'd expect this closely documented history of this region, published from a university press by a professor (of physics!) to read like most academic texts. It does not. It's witty, insightful, droll, while remaining relentlessly focused not on the feel of the area (for that, see his "Death Valley Lore" edition of century-old tall tales and/or journalism or John Soennichsen's lively personal take "Live from Death Valley"; both books also reviewed by me on Amazon)-- but on its discovery by pioneers, its promotion by hucksters to gullible investors, and the sheer difficulty of getting its mineral and ore riches out of the Valley due to the lack of water and wood. No matter how tempting the surface finds might promise prospectors and speculators, the fact remained that more borax than gold came from there, and perhaps more lead than silver, and the enormous labor and climatic peril meant that, less than a century after it was stumbled upon by gold-rushers seeking a shortcut west, it became more lucrative as a tourist attraction rather than a mother lode.

Lingenfelter assembles his considerable data primarily from newspapers and government archives of the time. Maps both early and later help you visualize the places, and period photos give you a peek into a few of the sites. I wish more of these had been included, but it's a minor flaw. Chapters cover chronologically the pre-European settlers; the miners of the 1850s and 1860s; the Pocket Miners' boomlets that sparked buying frenzies for gold, silver, lead and later the humbler but savvily-sold borax; the copper and lead profits; and the rise of the auto, rail, and bus excursions that in the wake of Scotty's endless PR set the Valley indelibly on the map and on the silent screen. His opening paragraphs for each of the chapters and sub-sections serve as models for expository writing in their command of image, style, and intrigue.

The author wrote most of his account based on the contemporary reports from the area, and the abundance of press from the California and Nevada mining towns themselves must have rivalled dueling bloggers who try to cash in on the staked-out domains of the Net in our own feverish commercial marketing campaigns. Death Valley's Scotty and his lesser-known real-estate snake-oil rival C.C. Julian emerge from these closely printed, but largely engrossing, pages as larger-than-life promoters of their own image and of the dreams of avarice that they kindled in their readers all over the country. The narrative leaps energetically into such characters' humbug, and your patience for all the data on stock prices, lists of claims, and dutiful attention to grubstakes and legal battles, while all necessary for the foundation of such an informative text, is rewarded with a chance to feel the repelling yet fascinating charm of the salesmen who sold the spirit of the Gold Rush or Klondike or Comstock to later, more citified, folks, and delighted in the con all the way as much as perhaps many of their willing victims seemed to do. Likewise, the manipulation of Leadfield by Julian as the profits rose and fell on his considerable talents in advertising what his reader wanted can be rivalled by earlier, less-known efforts such as the Panamint and Bullfrog and Ryan mines that crested and tumbled their value on the stock exchanges in roller-coaster fashion.

Finally, there's a glimpse at such later figures as "Bob" Eichbaum, who built a toll road, sensibly, to found a resort smack in the middle of the Valley when his horses refused to go any further with his supplies for construction. He and the last to get rich off the Valley managed to do so by convincing Hoover, just before he left the White House, to protect the interests of those who had already cornered the market for the automobile-bound visitors. These developers wished to keep the mining going, while heading off any real-estate boom, and they succeeded in cornering their control of the concessions and sights, while getting the taxpayers to take over the bill for roads, maintenance, and upkeep.

Still, as Lingenfelter concludes, this may well be a great bargain, for in its appeal as a supposedly deadly, noxious, forbidden, or hellish place, its own Hollywood-fueled scenario makes it the largest National Park today. It also was spared the dispiriting subdivision of Palm Springs or the tacky sprawl of Las Vegas. In its not-quite pristine but still rather primitive state, it's a place where yearly one that half a million of us drive to, winter or summer, in search of the curious lure that impels us to look high up to Mt. Whitney, the highest peak in the 48 States, while far below sea level at fittingly named Badwater.

In the Preface to this definitive history of Death Valley, Richard Lingenfelter writes, "This is the history of Death Valley, where that bitter stream the Amargosa dies. It embraces the whole basin of the Amargosa from the Panamints to the Spring Mountains, from the Palmettos to the Avawatz.... This is the story of an illusory land, of the people it attracted and of the dreams and delusions they pursued.... But mostly it's the story of the illusions - of the shortcuts to the gold diggings, of the deadliness of the land, of the bonanzas and immense riches ...." The history spans a period of time from its earliest recollections to 1933, when Herbert Hoover designated it a National Monument.

Apparently Death Valley got its name from a group of Argonauts passing through on their way to the California gold fields in 1850. The name first appeared on a map in 1861. Paiute and Shoshone Indians frequented the area, of course, long before whites showed up, and lived off crops they grew. The earliest whites were prospectors, looking for gold and silver. Ironically, the most valuable resource would turn out to be the white substance anyone could find just by looking: borax. Millions of dollars worth of borax was shipped out of the valley, first by the legendary 20-mule team wagons, and then by train. In the early 20th century gold was discovered in the valley and soon gold camps and boomtowns, places like Bullfrog, Beatty, and Rhyolite, were attracting miners and get-rich-quick schemers from all over the country. Copper and gas frenzies followed, but the next big change to the area was brought about by the automobile: tourists in their Model Ts were invited to "see Hell firsthand" and to experience the mysteries and uniqueness of this unforgiving area with Death in its name. And soon there was Scotty's Castle to ogle. Then in 1933, after years of wrangling, President Hoover declared Death Valley a National Monument.

Lingenfelter's book is dense with fact and incident, but it's a fascinating read from beginning to end. Although a previous book published in 1940 had attempted to be a history of Death Valley, it was incomplete and selective, and mixed fact and fable without distinguishing the two. Lingenfelter's book is thus the first to cover the ground completely and factually. (100 pages of endnotes attest to his serious intentions.) The book is authoritative and, as I mentioned earlier, definitive. Highly recommended.

This book provides incredibly thorough coverage of the history of Death Valley. For my interests, I wish the emphasis had included more information about Panamint Valley, Searles Valley, and the Darwin area, but these, somewhat peripheral, areas do get some coverage. The details provided by the author are very helpful and it is obvious throughout the book that the history presented here was carefully researched and authoritative. On top of everything else the entire story of Death Valley is presented clearly and in a style which is enjoyable to read.

This is much more than just a social or human history of Death Valley.

It's also a highly in-depth natural history. And, it must be.

No human history of the hottest, driest, lowest, and certainly starkest place in North America could discuss human history without examing both the climate and geology behind it.

And Lingenfelter does an excellent job of doing just that.

Learn more about early treks across this land, the Native Americans, precious metal and borax/chemical mining and more.

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Cry Havoc: The Great American Bring-Down and How It Happened

I have always considered "Dialectical Imagination" an indispensable research tool, but until the publication of Ralph de Toledano's "Cry Havoc: The Great American Bring-down and How It Happened," Martin Jay had a monopoly on the history of the Frankfurt School. More than a decade after Jay's publication, Cry Havoc is an excellent companion piece, by a strong critic of the Frankfurt School who personally knew many of the operatives of the ISR network at Columbia University, and many of the operatives of the Comintern of the 1940s and 1950s. A great combination.

I remember having read this book when it first came out, some 25 years ago. It was a good book then and it is a good book now. I read the book originally while at college when the smoke had just cleared from the sixties and there was still glamor associated with the New Left and its antecedents in Germany's prewar years. Reading the book now, although it is every bit as good as scholarship, places that particular generation of mainly Jewish, upper-middle class Marxists in a new light. The odor of revolution is long gone, the USSR has fallen, left-leaning professors dominate academe but the audience for chic revolutionaries has withered away along with the proletariat they were counting on. There is something faintly hilarious about these pompous Herr Professors and their trust-fund institute grinding out "studies" on the future of Marxism. Did not one of them ever wonder how they would maintain their elitist lifestyle were the revolution to ever actually occur? These guys were smoking-jacket intellectuals who were about as interested in seeing the world change as blue-blooded WASPs who prefer to play bridge while listening to Vivaldi. No wonder they ran back to Germany after the war to take up chaired professorships, never mind their appointments came from men who had just taken off their Nazi uniforms. The Frankfurt school is certainly very interesting and this book serves as a wonderful introduction , but for God sake don't think they can offer any guidance to how to lead the revolution.

This was one of the best books I read in graduate school. After 20 years this is still a great reference for anyone interested in the development of American universities. This work is an essential part of the intellectual landscape to anyone navigating the currents of the reactionary neocon thought, which developed in large degree in opposition to the legacy of the Frankfurt School. While the Frankfurt School's students seemed to dominate academe for a generation or more, the new invisible college is dominated by the reaction to this major stream of thought.

28 years after its initial publication, Martin Jay's "The Dialectical Imagination" is still the best introduction and most indispensable guide to the Frankfurt School's history and thinkers. Jay can easily be forgiven his occasional historiographer's dryness and insistent reminders of the boundaries of his project (I would be a rich man if I had a nickel for every time he writes that "such considerations fall outside of the area of the current inquiry" or something to that effect). Moreover, even if subsequent publications of the translated correspondence and unpublished papers of figures like Benjamin and Adorno have robbed Jay's book of some of its potential for novelty and scoop, Jay still provides the best and most pithy assessments of the major points, and he does so without sacrificing the scholarly rigor that organizes "The Dialectical Imagination."

The book could certainly better fulfill its role as research tool if the publishers would sponsor an updating of the notes and citations; now that everything has been published and republished by presses like Fischer and Suhrkamp in Germany and by the likes of Continuum, Columbia, Harvard, etc., in the English-speaking world, Jay's opus might be more helpful were it not to insist on citing the original issues of the institute's journals, to which most of us simply don't have easy access.

That's a small bone to pick, though, with such a thorough book. Jay's chapter on the philosophical roots of critical theory moves quickly but surely (despite the occasional dependence on disciplinary argot that may slow down readers not steeped in the vocabulary of "isms"), providing a crucial backdrop to his reading of the Frankfurt School's entire intellectual contribution. This chapter grounds Jay's book safely, and the subsequent chapters make good on this very promising start.

"The Dialectical Imagination" is sure to remain the best available introduction to the thought of the Frankfurt School on the whole. I cannot recommend it highly enough for those interested in the history of philosophy in the 20th century, in radical politics, or in developments in literary theory.

Frankfurt school is now a part of history. Not much of its arguments are reproduced now a day. For example, their critical cultural theory opened up the vast terrain of cultural study in capitalism. But their characterizing cultural consumer as dumb passive receiver is too much extreme to be real. Now nobody hold up such a position. Its perspective seems locked in the interwar period. Indeed, the power of the school comes from the distinctive problematic derived from such a peculiar era. But the strength is the source of weakness. But even we don¡¯t follow their lines, we should know what they said at least in cursory manner, for their theories are now classic in each field.
This book must be still the most authoritative history of Frankfurt school from its inception to 1950. but it deals with not only chronological events but also what the first generation of the school, such as Horkheimer, Adorno, Marcuse, Walter Benjamin, and Fromm, worked. This book is the intellectual history of the school. The author illustrates the school against the time of school. As Hegel said, thought is the child of its time. So the thought should be located in the right context to understand. The society of Western intellectuals faced a crisis in the interwar period. The impact was severe especially to German intellectuals. The thought of Frankfurt school is one of the reactions to the crisis. Marin Jay succeeds in reconstruct their time in front of us. This book is the ¡®must¡¯, if you want to be oriented to Frankfurt school.

This book was written in 1955 as a summary of the changes made in the subject of Dianetics up to that time. However, it is far more than that. It is a manual of communication. What are the component parts of communication? How do you integrate these parts so that your communication (verbal, written, artistic) actually gets across. The book helped me a great deal

This book covers communication very thoroughly. Maybe that sounds boring - but really, communication is at the heart of all our dealings with other people. And the material in this book applies to everyone. It's presented in a very readable format, and I highly recommend it!

I decided I ought to write a review to let people know a) this is a great book, and b) they really ought to read Fundamentals of Thought first. But I see that another reviewer has already pointed that out.

What I WOULD like to stress is that this is a book that puts a very powerful tool in the hands of anyone who is honest enough to use it without having some other axe to grind. The communication principles outlined by Mr. Hubbard can be used (easily!) to analyze and improve every area your life, and to remedy many common problems.

Are there areas in which you are waiting anxiously for someone else to communicate something or to do something you want? Are you hoping for some sort of acknowledgement that you're not likely to get? Do you have unanswered letters around, or things you've wanted to do or agreed to do but haven't yet found time for? Is there someone around who keeps talking to you or directing some other communication your way, and it's driving you nuts? Are there people around you who just don't seem to listen?

If the answer to any of these questions is "yes" (and this is not by any means a complete list--I just took these off the top of my head), or if you're having any OTHER kind of problem in life, YOU NEED TO READ AND APPLY THIS BOOK.

I would recommend reading The Fundamentals of Thought (ca. 1952) before reading this one (written in 1955). In any case, it answers just so much that some people simply cannot take it. Beware the dogs of the manger. Now, this book is really dynamite, frankly, and equally frankly, I would recommend some of the Basic Dianetics/Scientology books first.

In short I can only say that after reading this book I have understood things and changed conditions in my life in areas that I never dreamed was possible. It has to do with very basic principles in life and existence - I am sure it will touch some basic issues in everybody - if they dare to look at themselves and their surroundings.

I had the chance to buy the 1957 hardback version used instead of getting the paperback. It is a fabulous book. I've learned a great deal about those three days in 1906.

I did not purchase this book through amazon.com, as I have a hard bound copy with an inscription from the author. This compilation, the narratives and photographs are timeless.

I AM SO HAPPY TO HAVE GOTTEN THIS FOR A GIFT . THIS HUNDREDTH ANNIVERSARY CLASSIC WILL HOLD A PERMANENT PLACE IN MY LIBRARY OF GREAT NON-FICTION & CLASSICS . THERE ARE 400 PHOTOS AND VERY DESCRIPTIVE CAPTIONS ALONG WITH SHORT STORY LINES THAT ARE WRITTEN IN PROPER CHRONOLOGICAL ORDER .

I HAVE EVEN TAKEN TO USING A MAGNIFYING GLASS TO SEARCH THE FAR BACKROUNDS OF MANY OF THESE HEART STOPPING PICTURES OF PEOPLE, ANIMALS FROZEN IN TIME DURING THE MOST FRIGHTENING DAYS OF THEIR LIVES . I'T SEEMS THAT THERE ISN'T PANIC IN ANY OF THESE FACES WHILE IT LOOKED LIKE THE WORLD WAS COMING TO AN AWFUL FIERY END . WHY HAVE WE AS A PEOPLE CHANGED WHEN CALM WOULD BE THE ORDER OF THE DAY DURING SUCH AN EXPERIENCE ?

MY DAD USE TO SAY MANY YEARS AGO, " MEN WERE MADE OF STEEL AND SHIPS MADE OF WOOD ...NOW MEN SEEM TO BE MADE OF WOOD "

Numerous writers and historians have told me that "The Earth Shook The Sky Burned" is still the definitive book on the events of 1906. Why have they told me this? Because my father wrote the book!

In any case, there is a reason the book has stayed in print for almost fifty years - it was meticulously researched and is an amazing pictorial essay. It is a must-have for anybody interested in those tragic and heroic days.

I was fascinated with natural disasters when I was a child. I remember looking through this book, lying on my parent's bed, staring at the pictures of this horrible event. They haunted me then, and I can still see them in my mind's eye, these 35 years later. This is a story told with visuals, not dialogue. It is beautifully photographed, all without censure or special effects. The photos are grainy and some blurred, but capture the heart of the people of San Francisco, as it is broken and burned. Some images are difficult to see, and readers must use discretion if light of heart. Otherwise, I highly recommend it for anyone who has an interest in natural disasters.