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I didn't like high school - I liked this bookReview Date: 2008-08-16
Another gemReview Date: 2008-08-10
A sneak-peak into what it would be like to be 17 againReview Date: 2008-08-10
fabulous/interesting/relevant/poignantReview Date: 2008-08-07
Courtesy of Teens Read TooReview Date: 2008-08-06
First there is Anais, the dancer. Dancing is obviously her life, spending every day going to dance practice, hoping that one day she will be able to attend Julliard.
Then there is Daniel, the school's class president who is all business when it comes to academics and his future, not one to stand by stereotypes that people have against him because of his race.
Next is Emily, the girl's soccer captain since she was a junior. She doesn't fool around on or off the field.
Maya is the actress, always in every school play. Her acting is the only way she can shake off her little spasms and her OCD-ish routines.
Diana is very proper and polite. And also very smart, although she never shows it. Never talking in class, even though she knows the answers, she keeps to herself, having only one true friend since the other one left.
Aisha is the new girl, transferring from her last school located in Florida. She knows that this is only for a year, since her parents move all the time, so why make friends?
Zef is odd, and he knows it and isn't ashamed of it. Loving the sound of his own music and talking to himself, for some reason students are intrigued and are drawn to him.
And last but not least is Anthony. His comfort zone is located in only one place in the school, the cafeteria.
Some know what they want to accomplish this year, like becoming the best leader the school has ever seen or taking their time to achieve levels that they have never seen before, while others aren't so sure what their outcome will be. One thing they do have in common is college. Whether or not its for them or not and whether or not they will get into the college they so desperately need to escape to.
Inserted details of what goes on during school hours, from who sits where to the appropriate acknowledgements to old friends, gives this non-fiction account an extra sense of reality, which coincides with the lives of eight very different teens. Captivating and unique, Elisha Cooper manages to write a true account that can tell a story so raw and so real.
Reviewed by: Randstostipher "tallnlankyrn" Nguyen

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'twas a bloodcurdling time!Review Date: 2004-06-24
Telling the stories around the artifacts Marilyn Dungan unearthed, she breathes life back into a thrilling, frontier era. I do hope she acquires an audiobook version of A RIVER AWAY, because it will translate to the spoken word excellently.
'twas a bloodcurdling time!Review Date: 2004-06-20
Telling the stories around the artifacts Marilyn Dungan unearthed, she breathes life back into a thrilling, frontier era. I do hope she acquires an audiobook version of A RIVER AWAY, because it will translate to the spoken word excellently.
A River Away is an historical fiction that comes to life!Review Date: 2004-02-27
Great Book!Review Date: 2004-01-15

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the book reveiw of Rosa, SolaReview Date: 2007-01-16
The book review of Rosa, Sola
Rosa prayed rosary every night. The book that I want you to read is called Rosa,
Sola. Rosa is jealous because her best friend has a little brother. So Rosa fells really lonely (sola). She is the only child in her family. She prays and prays for a little brother named Joseph. Because people at her school make fun of her. The characters in this book are Rosa, Papa, Ma and Ant Ida. Rosa wants to have a baby brother so she prays and prays for one. Then her mom goes into the hospital to deliver while Ant Ida watches Rosa then her Papa calls and says the baby is there baby is here but.... The theme in this story is very loving. All the characters in the story stick together no matter what happens. Ant Ida is very kind she is like a mom to Rosa. Papa is exactly how a dad should be. Ma is very wiling if Rosa asks to make cookies her mom says get in the car to get the saples.Rosa is verey hopping she prays and prays for some thing she wants. The setting in this story is in a house in no ware land. It is about taken place in 1984. There house was a tan color. They lived in the state California.
I hope you get to read my story it is very loving, and emotional.
Easily relatable for all childrenReview Date: 2006-06-24
Finally, Rosa feels like she fits in with her friends at school who talk about their siblings. Her Papa is sure it's going to be a boy who will carry on the family name. Her Aunts are happy but seem worried about Rosa's mother. At Christmas, Rosa's Aunt Claudia gets in a huge argument with Rosa's Papa about how the new baby will be left at the family olive grove in Italy when he or she is born; they do not speak for several months. Despite all this, Rosa is very excited about the special arrival and helps her mother get the bassinet ready.
When it's time for the baby to come, tragedy strikes, and Rosa is now cared for by Aunt Ida who does not seem to understand her at all. Her Papa comes home tired from the hospital and has little energy to even talk to her. She feels more alone, or sola, than ever before.
Rosa begins to learn more about her family history while spending time with relatives and realizes that other people also have been touched by sadness in their lives, which helps comfort her in some ways. Her mother does return to their apartment but is still very sick. Rosa determines that she will win the spelling contest at school this year and cheer her mother up; she wants to help pull the family out of its sadness.
Children of both immigrant and non-immigrant parents will be able to relate to the theme of wanting to belong, which is contained in this timeless story. Readers will love Rosa as she tries to be strong in the midst of her family's troubles.
--- Reviewed by Amy Alessio
Rosa, Sola. An Awesome storyReview Date: 2005-09-24
Rosa & the RosaryReview Date: 2005-08-21
Rosa helps AnnaMaria's mother with baby Antonio, 3-year-old Luisa and 5-year-old Caterina. She envies AnnaMaria and thinks of how lucky she is to have three siblings. She turns to prayer, saying a daily rosary for a sibling.
When Rosa's mother announces she is pregnant, nobody could be happier than Rosa. She does everything she can to prepare the hosue for the baby's birth. Her prayers have been answered.
Sadly, on May 1, 1967 her brother Joseph arrived stillborn. A pall falls over the entire family; a kind neighbor and other relatives pitch in to try to help Rosa's family move through their great loss.
An excellent story about tragedy, bonding and learning to tolerate and understand one another's differences. When Rosa firsts visits the graveyard where her brother is buried, she is dismayed that Joseph has no headstone. It is her aunt and older uncle who, having lived through tragic losses of their own who come through when least expected.
I like the way Italian words are included in the book and the rich Italian culture that was part of this story. I also like the way some of the older characters referred to Italy affectionately as "the old country." This is a book that will long remain in the minds of readers, long after they have read the last page.

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Sandow The Magnificent is well written and enjoyable readingReview Date: 1998-09-30
Sandow, a magnificent biography of an unusual VictorianReview Date: 1998-03-31
David Chapman's biogaphy of the "Great Sandow" is more than just the story of the first muscle and physique star of modern times. As a boy, Sandow visited Italy and became impressed with the marble statues of the muscular heros of Ancient Rome. His logic dictated that he would become a living work of art and later, as a mature muscle man, displayed his physique as the sculptures were viewed in art museums.
Chapman is the first author I have read who strips away the prejudice of those who would say he was a simple sideshow performer who displayed himself as an egotist. Chapman clearly dispells myth, both good and negative to draw us near to the man and his thoughts, his fears and ultimately, his triumph in defining who and what he was...the father of modern bodybuilding.
Extremely Impressive BioReview Date: 2005-01-29
Eugen Sandow had both incredible talent as well as sly business savvy. With a chiseled physical in a day when massive muscles were few and far between, he is the first man to successfully market such a wild physical fitness mania, an industry that seems to be at an all time high in the 21st Century. This book serves as a tour of Sandow's evolution from theatrical strongman to a pioneer in mail order fitness courses and health clubs (Sandow's Institute of Physical Culture).
While it is easy to fill this book with Sandow's many legitimate achievements, Chapman never shies away from showing his embarrassing flops, like Sandow's continuous reinvention of his biography, his joke-of-a-fight with a circus lion, and the "Sandow's Health & Strength Cocoa" debacle. We also see the rare instances where Sandow realizes a challenge from a rival strongman or wrestler is out of his league, and his wise and sometimes clever ways he bowed out of the competition. It should be noted, however, that Chapman shows us more instances of Sandow being the man making the challenge, resulting in showboaters and "Sandow impostors" trying to duck the challenge.
This book also reveals the balance of Sandow's personal and professional life, from his rocky but lasting marriage to Blanche Brookes Sandow, the multitude of women (including some female celebrities of the day) who hit on him, to his professional and personal friendship with Florenz Ziegfeld Jr.
If you are a fan of bodybuilding or pop-culture, this book is an essential addition to your library. This is one of the most underrated biographies I have read in quite some time. David Chapman's notes and bibliography are impressive alone (and there are SO MANY books on pop-culture history that penny-pinch in this department). This book will reel you in at the beginning, and hold your attention until the last page.
Fascinating Book on the Father of BodybuildingReview Date: 2000-07-05
His position as the father of the sport is assured, not least by the fact that the Weider Organisation/IFBB call their Mr Olympia trophy (the highest honour in todays bodybuilding world) a Sandow. The irony is not lost on this reader.

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Season of the good book (title recomended by a close friend...)Review Date: 2006-04-27
outstandingReview Date: 2003-07-12
The characters are the kind you respect. Parisi is worth bringing back again and again. Very well written.
Mystery book loverReview Date: 2003-02-14
You might not want to read this book at nightReview Date: 2003-02-10


Soldier NurseReview Date: 2003-11-08
Inappropriate PraiseReview Date: 2005-10-04
I also edited an edition of G. K. Chesterton's Eugenics and Other Evils, one of the few books critical of eugenics to be published in the 1920s. In nine appendices I placed articles by his English eugenic opponents, including Marie Stopes, Margaret Sanger's English counterpart. Even the most casual reading of her Birth Control News makes it clear Stopes was not a champion of reproductive freedom. The full name of her organization was the Society for Constructive Birth Control and Racial Progress.
As a feminist, Margaret Sanger did not even pioneer the idea that the solution to our social ills lies in curtailing the birthrates of the "unfit" women. Victoria Woodhull did that with a series of speeches across the U.S. in the 1870s, speeches I'm republishing in the soon-out Lady Eugenist: Feminist Eugenics in the Speeches and Writings of Victoria Woodhull. Merely listing the titles of two of her short books: The Rapid Multiplication of the Unfit (1891) and The Scientific Propagation of the Human Race (1893), makes her point of view clear. That's why a good case can be made that Woodhull--and not Francis Galton--pioneered eugenics as a movement both in the U.S. and the U.K, where she moved in in 1876. In what were perhaps her last public remarks, the New York Times described an interview in which she praised the 1927 Supreme Court decision legalizing forced sterilization, Buck v. Bell, and said she had "advocated that fifty years ago in my book Marriage of the Unfit."
This history of bigotry, mostly focused on poor immigrants, does not mean that Sanger was the personification of evil. In her private correspondence she comes across as a loyal friend, even to people such as H. G. Wells, who snubbed her in one of his novels, and Havelock Ellis, who scarcely mentioned her in his autobiography. She was also, within her personal limitations, quite supportative of her much older second husband, including in the late 1930s, when he was considering evading prosecution for tax evasion by paying off someone in government. It'll be interesting to see if that correspondence finds its way into a later book in this series.
Even Sanger's negative eugenics does not appear to have come naturally to her. The daughter of a Catholic mother and an immigrant father, her early efforts on behalf of the poor appear to be as genuine as any such activity by an affluent 'parlor pink' can be. It was only on a visit to Glasgow's public housing projects that the Fabians taught her that a progressive welfare state had, of necessity, to reduce the birthrates of the poor to below the replacment level to avoid being swamped by a prolific poor. Glasgow did that by offering marvelous public housing to the poor with small families while cruelly consigning larger families to the horrors of the city's slum lords. Sanger first protested the policy, then agreed, and then returned to the U.S. to start a birth control movement with a similar agenda.
With all that in mind, I would recommend that readers, if they can't afford this rather pricey book, at least get their local library to purchase a copy. Like many of the more radical feminists, Sanger's variety of self-asserting individualism, which I call "heroic selfishness," was the first wave of what is now our much larger "culture war" between red states and blue states. (It's why the 25 states most generous in their personal charitable giving all went for Bush, a very revealing statistic.) To understand the real Sanger, turn to the biblical book of Esther and contemplate the fact that Sanger considered Vashti the real hero of the story and Esther, risking her life to save the Jewish people, a mere "washboard." I only hope the editors have the good sense to include those early remarks in some part of this book series. As Sanger herself hinted, it's a near perfect illustration of what motivated her and it's an attitude that comes through more clearly in the shrill pages of her The Woman Rebel than in her later writings.
And if you want to grasp just how interesting a study of Sanger can be, contemplate the fact that, almost alone on the radical left, in The Woman Rebel (July 1914) she praised some terrorists who intended to blow up the Manhattan home of John Rockefeller and yet a little over a decade later was exchanging polite little notes with members of the Rockefeller family. Politics does make for strange bedfellows. The politics in that case was eugenics, the once-favorite cause of both the radical left and very wealthy. It's why today both are great fans of legalized abortion, particularly for the poor and minorities.
Papers that make a powerful biographyReview Date: 2002-12-04
FROM THE JACKET
The Selected Papers of Margaret Sanger
Vol. 1: The Woman Rebel, 1900-1928
Edited by Esther Katz
Cathy Moran Hajo and Peter C. Engelman, Assistant Editors
The birth control crusader, feminist, and reformer Margaret Sanger was one of the most controversial and compelling figures in the twentieth century. This first volume of The Selected Papers of Margaret Sanger documents the critical phases and influences of an American feminist icon and offers rare glimpses into her working-class childhood, burgeoning feminism, spiritual and scientific interests, sexual explorations, and diverse roles as wife, mother, nurse, journalist, radical socialist, and activist.
These letters and other writings, including diaries, journals, articles, and speeches, most of which have never before been published, have been selected and assembled with an eye to telling the story of a remarkable life, punctuated by arrests and imprisonments, exile, love affairs, and a momentous personal loss--a life consumed with the quest for women's sexual liberation. Because its narrative line is so absorbing, volume 1 may be read as a powerful biography.
Volume 1 covers a twenty-eight-year period from her nurse's training and early socialist involvement in pre- World War I bohemian Greenwich Village to her adoption of birth control (a term she helped coin in 1914) as a fundamental tenet of women's rights. It traces the intersection of her life and work with other reformers, activists and leaders of modernity on both sides of the Atlantic, including Havelock Ellis, H. G. Wells, George Bernard Shaw, Emma Goldman, Max Eastman, and Eugene Debs, as well as many leading radical artists and writers of the day. It highlights her legislative and organizational efforts, her support of the eugenics movement, and the alliances she secured with medical professionals in her crusade to make birth control legal, respectable, and accessible. This volume also includes letters from women desperately in need of fertility control who saw Sanger as their last hope. Supplemented by an introduction, brief essays providing narrative and chronological links, and substantial notes, the volume is an invaluable tool for understanding Sanger's actions and accomplishments.
The documents assembled here, more than 80 percent of them letters, were culled from the Margaret Sanger Papers Microfilm Edition, edited by Esther Katz, Cathy Moran Hajo, and Peter C. Engelman. Two subsequent volumes will address later periods in her life, and an additional volume will cover her international work in the birth control struggle.
"Mesmerizing letters from the days when birth control was legally obscene and jail sentences were regularly given out for talking about it in public. Nearly a century ago, Margaret Sanger was defending woman's 'ownership of her own body' and linking access to contraception to civil liberties and personal freedom. Rights we take for granted have a long and sometimes surprising history that comes clear on these pages. Required reading for our own time, whichever side of Roe v. Wade you are on."
-- Linda K. Kerber, author of No Constitutional Right to Be Ladies: Women and the Obligations of Citizenship
"These wonderful letters, diary excerpts, and essays dramatize women's long struggle for respect, self-awareness, independence, influence, and control over our bodies and our lives. To contemplate Margaret Sanger's harsh reality and the enduring vision of this courageous pioneer--while the war against women escalates on every front--is a heartening and galvanizing act of rebellion. Esther Katz and her splendid team have given us all a very great gift."
-- Blanche Wiesen Cook, University Distinguished Professor, John Jay College and the Graduate Center, CUNY, and the author of Eleanor Roosevelt, volumes 1 and 2
"This engrossing volume, meticulously edited and selected, captures Margaret Sanger in all her complexity during a formative period in her long career. Open to practically any page, and something will grab your historical attention."
-- Susan Ware, editor of Notable American Women, volume 5
From the PublisherReview Date: 2002-12-10
The birth control crusader, feminist, and reformer Margaret Sanger was one of the most controversial and compelling figures in the twentieth century. This first volume of The Selected Papers of Margaret Sanger documents the critical phases and influences of an American feminist icon and offers rare glimpses into her working-class childhood, burgeoning feminism, spiritual and scientific interests, sexual explorations, and diverse roles as wife, mother, nurse, journalist, radical socialist, and activist.
These letters and other writings, including diaries, journals, articles, and speeches, most of which have never before been published, have been selected and assembled with an eye to telling the story of a remarkable life, punctuated by arrests and imprisonments, exile, love affairs, and a momentous personal loss--a life consumed with the quest for women's sexual liberation. Because its narrative line is so absorbing, volume 1 may be read as a powerful biography.
Volume 1 covers a twenty-eight-year period from nurse's training and early socialist involvement in pre- World War I bohemian Greenwich Village to Sanger's adoption of birth control (a term she helped coin in 1914) as a fundamental tenet of women's rights. It traces the intersection of her life and work with other reformers, activists and leaders of modernity on both sides of the Atlantic, including Havelock Ellis, H. G. Wells, George Bernard Shaw, Emma Goldman, Max Eastman, and Eugene Debs, as well as many leading radical artists and writers of the day. It highlights her legislative and organizational efforts, her support of the eugenics movement, and the alliances she secured with medical professionals in her crusade to make birth control legal, respectable, and accessible. This volume also includes letters from women desperately in need of fertility control who saw Sanger as their last hope. Supplemented by an introduction, brief essays providing narrative and chronological links, and substantial notes, the volume is an invaluable tool for understanding Sanger's actions and accomplishments.
The documents assembled here, more than 80 percent of them letters, were culled from the Margaret Sanger Papers Microfilm Edition, edited by Esther Katz, Cathy Moran Hajo, and Peter C. Engelman. Two subsequent volumes will address later periods in her life, and an additional volume will cover her international work in the birth control struggle.

17 Little Miricals: The big family handbookReview Date: 2005-12-28
I gave a copy to my grandmother, herself the mother of 10 kids, and she loved it so much that she shared it with friends. And because her copy of "17 Little Miricals" is still making the rounds among the congregation of Corpus Christi Catholic Church in Galesburg, Illinois, you'd best buy your own copy.
HILARIOUS!Review Date: 2005-08-12
Inspirational! Read it to your kids!Review Date: 1998-10-26
A must read for anyone with under 17 KidsReview Date: 1997-08-08

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A Difficult and Rewarding CollectionReview Date: 2006-03-23
What makes Shiva's Drum a collection that is more than angst or writhings about within memories is Cramer's able writing, which works all of these former things into quick, living poems that go beyond his own experience.
Scenes in Penn Station and India have a common rhythm. The poet takes up memories and scenes and then, smashing them into bits in the process, orders them along a greater beat. Cramer offers the reader a clue in the book's epigraph: the eponymous drum of the book's title "beats the rhythms not only of music and sex but also of time which ultimately extinguishes us" through these poems.
Rythm and FlowReview Date: 2006-03-22
Shiva's DrumReview Date: 2005-03-11
poetry that connectsReview Date: 2004-10-24
Let me put it simply: most poetry written over the last 50 years leaves me cold. Therefore, you can imagine how refreashing--no, far more than that--you might say astounding--I found Shiva's Drum: poetry that connects to what I have seen, and heard, and felt, in a way that reminds me of the best theatre, engendering the feeling that we are not alone and that others around us have shared our common experiences, of beauty, and sadness, and of hope. This is a remarkable work.

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great tale of family love and compassionReview Date: 2003-05-02
A very touching story about the deaf parents & children.Review Date: 1998-05-27
"The Silents" were deaf but they never had a loss for words.Review Date: 1996-11-16
A book about ordinary people living extordinary livesReview Date: 1996-10-12

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The Life of Hank WilliamsReview Date: 2006-07-03
No Photos?Review Date: 2006-04-09
The Original and Still the Best Biography of Hank WilliamsReview Date: 2004-03-29
Both books omit my favorite anecdote, which is related by Hank's steel guitar player, Don Helms: Playing at any outdoor venue, Hank and band had to retreat to a covered area when it came a downpour. Looking out at his drenched fans, who refused to leave, Hank had compassion on them. Hank returned to the outdoor stage and informed them that "If you can stand in the rain and listen to me, then I can stand in the rain and sing for you!"
There you go--someone with a god-like talent, a great deal of humility, and who loved his followers more than he loved himself. Is it any wonder that only Jesus Christ and fellow Southerner Robert E. Lee have had more influence on the Southern psyce than Hank Williams?
HANK WILLIAMS IS ALIVE IN THE HEARTS OF HIS FANSReview Date: 2001-07-05
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