Illinois Books

This is one of the most AMAZING books I have ever read. Touching, heartfelt and gutsy! I have passed this book on to many friends and they have all had the same response. One of those books that changes your outlook on pretty much everything.

I have known Bob Muzikowski for three years now, and he never ceases to amaze me. Reading this book has been a revelation. If you're feeling cynical, or doubt that one man can make a difference in society, read this book. Muzikowski chronicles his life from a tough childhood to a self-destructive early adulthood through his current and permanent persona, a caring, compassionate person who genuinely wishes to spread goodwill. Hopefully, this story will inspire others to follow in Bob's footsteps, and love their neighbors. The narrative is alternately heartbreaking, hopeful, and humorous, but always honest. A seemingly endless parade of intriguing supporting "characters" add color and depth to Muzikowski's infectiously interesting vignettes. Rather than see the Keanu Reeves/Hollywood version, read the real thing. Pass it on!

I never knew Bob Muzikowski ... nor did I know of the book prior to last month (April 2004). However, I was fortunate enough to meet this amazingly honest, articulate, straight-shooting gentleman [yes ... gentleman] at a prayer breakfast in Albany, NY. After hearing him speak [him being the featured speaker] and hearing his story I simply needed to know more. I spent a little time researching Bob and was interested in reading the book.

OK ... now for the book review ...
DON'T READ THIS STORY if you are not interested in changing your heart and mind for a greater good. THE RIPPLE EFFECT will occur in your heart as you realize the full potential each and every one of us has to better the lives of others. HHHMMM ... isn't that what Jesus taught?
AND if you're an Evangelical Christian, the story will either motivate you INTO service for Him or it will refresh your walk and current service.
Either way ... this story is SO MUCH BIGGER than Bob and his boys. It's a glimpse of the ON-GOING ACTIONABLE LOVE AND COMPASSION for everyone associated with Bob and Tina ... and for you and I? It's fuel for our hearts ... raw honesty, compassion and love seen through very tough circumstances and people.

BOTTOM LINE ... this book is an example of what God can do when a heart is willing to be transformed.
PS: Check out the Chicago Hope Academy ... a school opening in 2004 that was built on the fire and determination of these folks.

When Bob Muzikowski and I sat across from each other on a plane ride last September, I mostly listened as he told his story. As publisher for Zondervan, I knew by the time we landed I'd be asking him if he was interested in telling this story in print! The world is hungry for stories about "everyday heros" with whom we can actually identify. Bob is a regular guy who, in spite of a rough and tumble first few decades of life, has found a way to live an extraordinary life. His story reads like a novel but the inspiration that drives him is compelling and accessible to all of us. This is a book that you will not be able to just read. You will most definately encourage your adolescent children to read it and you will talk about it with your colleagues and friends. Trust me...for what started as an idle conversation on a plane last September is now a wonderful book that in just over a month is being read by thousands.

Although Bob Muzikowski's book, "Safe at Home," is catagorized as an autobiography, it is so much more! This book is a real life story of THE Author's plan for one man. Bob Muzikowski has shown us how one man (and woman, Tina!) can make a difference when he chooses to please an Audience of One - the blessings of God on Bob Muzikowski's life have been multiplied exponentially to others! "Safe at Home" has been described as "inspiring," but Bob's story will only be truly inspiring if it generates a response from its readers; one that takes them out of their comfortable church pews and into the God-prescribed place that He wants them to be! "Batter Up!" The choice is yours: you can take the challenge as the designated hitter or warm the bench in the dugout!

Here is a bold and well-documented argument that the Abe Lincoln-Ann Rutledge romance was real and not the stuff of legend or outright fabrication. Walsh presents testimony from numerous persons who knew Lincoln and Rutledge. Although I don't accept every source Walsh uses, I find the cumulative impact of his research to be persuasive.

This was an excellent book regarding the story of Lincoln and Ann Rutledge! Logical and concise--well worth the read! And I like the fact it doesn't bash Mary Todd Lincoln. The two relationships were at different times with different Lincolns---apples and oranges!

The Abraham Lincoln/Ann Rutledge romance is once again being debated among historians; any who want to get to the source of the legend would do well to start here.
Walsh does not write histories, so much as stories about how history is written. He takes small but important moments in American history - Lincoln's fabled "Almanac murder trial," or the hanging of British spy Major Andre during the Revolutionary War - and methodically peels away the layers of revisionist history to give us an unvarnished look at the event through the eyes of those who experienced it. At the same time, he lets us see how layer upon layer of scholarly interpretation can muddy the waters of our past to the point that the truth is all but invisible. In "The Shadows Rise," he meticulously traces how Lincoln's chief 19th-century biographer, William Herndon, first heard eyewitness accounts that, while living in New Salem, young Lincoln fell in love with, and became engaged to, a lovely, bright and popular woman named Ann Rutledge. Tracing all existing accounts of former New Salemites, he puts together a convincing and warmly human portrait of Lincoln's first love, and of her tragic death. In all, more than 20 people who knew Lincoln and Rutledge in New Salem (the entire population of which was only around 100) testified the two were in love and engaged, but historians - often basing their opinions on other historians' analysis, rather than first-hand understanding of eyewitness testimony - have hotly debated the story since Herndon first went public with it shortly after Lincoln's death in 1865. The book succeeds in revealing a tender and telling chapter in young Lincoln's life, and in introducing us to a charming young woman it is difficult not to fall a little in love with yourself. Perhaps most importantly, it also shows how much confusion historians can cause when they spend too much time talking to each other, and not enough time listening to the real voices of the past. This is a marvelously readable book, equal parts history and detective story, that will have history buffs thinking about the past in some new and important ways.

This is a book that has been 50 years overdue. The book effectively destroys the unwarrented attack on Ann Rutledge by Mary Todd Lincoln's defenders. Walsh shows that not a single person in New Salem at the time denied the affair. It was only when the Randalls in the mid-20th century decided to become Mary Todd Lincoln's defence attorneys that there was even a question about Ann Rutledge's affair with Lincoln.

A question that has never been answered is why did it matter? Why did MTL's defenders feel it cast aspertions on MTL if Lincoln was involved with a woman four years before he even met her?

I HAVE BEEN A LINCOLN SCHOLAR ALL MY LIFE AND ALL THE EVIDENCE POINTS OUT THAT ANN WAS ABE'S TRUE LOVE.WHEN SHE DIED ON AUGUST 25,1835 PART OF LINCOLN WENT INTO THE GRAVE WITH ANN.SHE WAS BEAUTIFUL,KIND AND LOVING-THE TYPE OF WOMAN LINCOLN WANTED.I AM SURE THAT HE LOVED MARY,BUT THERE WAS ALWAYS A SPECIAL PLACE IN HIS HEART OF ANN RUTLEDGE.I STRONGLY RECOMMEND THIS BOOK!GOD BLESS ANN AND ABE!!!!!!!

In my humble opinion, the history delineated in this writing should be taught in classrooms across America and beyond! I learned so much about the evolution of citizenship, religion in the USA, and music of all genres from this book. I was left feeling that I owe such a great debt to so many who suffered and sacrificed so much that I can enjoy life in this country. The privileges and the luxuries we bask in have deep roots enlivened by much blood, sweat and tears. So much was made clear, especially where it pertains to different music artists, their styles of delivery and their associations with other genres of artists.

I grew up loving both Rev. C. L. Franklin and Clara Ward. I was glad to learn that they loved each other, as Aretha Franklin also attests.

"Singing in a Strange Land" is very valuable as a sketch of this highly successful, complex legend. It was a compelling read that prompted me to read biographies of two of the most famous supporting characters, Mahalia Jackson and Clara Ward. For chronicles of these I read, and highly recommend, "Got to Tell It", Jules Schwerin's unsparing bio of Mahalia and "How I Got Over", Willa Ward-Royster's portrait of her gifted sister Clara Ward. Besides the priceless info about Mahalia and Clara, these biographies provide further details about C. L. Indeed, one of the vignettes in "Got to Tell It" (a conversation between Mahalia and Aretha about C. L.'s alleged drug use) paints a portrait of C. L. that leads me to suspect that daughter Erma Franklin's cooperation with "Singing in a Strange Land" was possibly conditioned on Salvatore's silence on some matters. Notwithstanding details of C. L.'s life unavailable elsewhere, and whatever self-exposure a preacher betrays in his sermons, "Singing in a Strange Land"'s shortcoming is the reader is left in the dark about C. L.'s thoughts and feelings. This is not the author's fault as Salvatore repeatedly refers to C. L.'s reticence to speak about personal feelings -- particularly about his early life in the Jim Crow South. Accordingly the reader is forced to draw inferences about the man, many of which may be unflattering due to the minister's impious personal life (e.g., his wife's decision to leave the philanderer though it meant painful separation from four of her young children).

I enjoyed reading the book not only to hear about black history but to read about my daughter's history. Alyssa Ellan Smith who will be turning one on 1/4/05 will always have her history of her family in a book. Her grandmother Carl Ellan Kelley a remarkable woman who overcame many roadblocks in her life looks into Alyssa's eyes. Alyssa is a blessing to us but in an eerie feeling to look at Alyssa is to look at C.L. Franklin. From her eyes to her chin to the smile on her face she is an identical to her great-grandfather. We hold up pictures of the two and put them down in amazement. The book finally told the truth of Carl Ellan Kelley she was only a child who because of shame was raised by her grandparents who raised her to be a wonderful person. Thank you C.L. Franklin for giving us the gift of life our Grandmother and mother a woman who inspires me.

If you live in America, particularly its big cities, you need it. If you lived through any part of the 20th century, you need it. "Singing in a Strange Land..." is a timely witness of the life of Rev. C.L. Franklin as an intersection of many apparently unrelated roads. Most interestingly, it gives insight to a time before Rev. Franklin was thought of as "Aretha's daddy". It chronicles the era when she was "the Rev.'s singing little girl".

Aside from the strictly biographical aspects of this volume, there is much to reward those interested in subjects as diverse as the show business of gospel music, Detroit municipal politics, the civil-rights movement and even the growth of the Black community in Buffalo, NY! But, it it is a true pageturner, because Mr. Salvatore's writing never bores.

Now dear reader, I am no expert on literature or scholastic research, but like the man in the museum looking at a Picasso, " I know what I like". I like this effort by Mr. Salvatore, and I believe you will, too. Don't miss it!

Readers interested in both black church music and black history will relish Singing In A Strange Land: C.L. Franklin, The Black Church, And The Transformation Of America. More than just a biography of C.L. Franklin, Singing In A Strange Land uses Franklin's background to explore both African American religion and musical development in America. Salvatore spent eight years extensively researching, including interviewing Franklin's associates, to develop a winning biography which includes so much more than civil rights history alone.

In Slim's Table, Mitchell Duneier describes and analyzes social interactions among a culturally diverse group, based on his observations and interviews conducted with regulars of the traditional cafeteria "Valois" in Chicago. The customers are mainly older black men of the lower working class living in the nearby ghetto, but also include members of the white population, younger age groups, and members of the middle-class. Duneier shows that his impression of the black men's identity differs greatly from the negative stereo-typical image, but he also admits that his findings are not representative and, therefore, cannot be generalized.
Duneier divided the book into four parts, starting with observations on the micro level and ending with considerations in more general terms on the macro level. Part One, "The Caring Community", focuses on the social and emotional relationships between the regulars of the "Valois" cafeteria. Illustrated by a variety of examples, the reader receives an insight into how the value system of the black lower working class is shaped by a strong sense of tolerance, friendship, responsibility, and respect for others and themselves. Subsequently, Duneier points out the black men's attributive roles and images, then compares them to his own findings.
After a description of the "Valois" cafeteria and its significance for the regulars, Part Two, "The Moral Community", deals with the standard of respectability expressed by members of the black lower working class about their own class and the black middle and upper classes. The discussion includes the thesis that not only the economically successful members of the black middle and upper classes can function as role models but that the morality of the lower working class can be considered exemplary for the black youth as well.
Part Three, "Membership in Society", focuses on the position of the African American population in a white society. Referring to the particular setting of the "Valois", it is reported that the interactions between black regulars and members of other social groups, especially white people, seem to be free of any racial prejudices. Although it is obvious that these positive interracial relations at "Valois" do not reflect reality outside, inside they help both blacks and whites achieve a source of mutual respect, leading to a better feeling about themselves.
Finally, in Part Four, "You're White, He' Black, I'm a Sociologist: Who's Innocent?", Duneier asks who can be held responsible for the long-lasting negative image of African American men of the lower class. In this context, he refers to the innocence that members of the white population feel and express about their negative depictions. Moreover, he criticizes the superficial manner in which journalists, as well as sociologists, investigate and oversimplify the black culture.
Mitchell Duneier sees his book at the beginning of a new tradition which will portray the African American people in an appropriate and truthful way. His sensitive, respectful, and credible representation of the black male regulars at "Valois" as an exemplary community suggests the necessity of redefining the identity of the black ghetto-specific masculinity.

Whether its your major, for an intro class, or just for fun, everyone can walk away with something from this book. Its written well, and really makes you think about our society.

Whether its your major, for an intro class, or just for fun, everyone can walk away with something from this book. It written well, and really makes you think about our society.

Last spring I took a course from Mitchell entitled Urban Sociology at the University of California Santa Barbara. Mitchell would read us exerts from the book and I found it very intriguing. This summer I decided to purchase the book so I could have my very own copy, it's great! The men Mitchell writes about and talked about in class seem to be on my mind; these men are normal men, making the streets their home. I enjoyed their humor throughout the book and Mitchell's too. I highly recommend this book and highly respect Mitchell. I can't wait to read his other book entitled Streetwise.

I've read other sociological works on inner city residents and was invariably disturbed by the soulless way in which the subjects were portrayed. No doubt, the authors of those works would defend their method as being objective and showing rigor. However, at some level, the objectivity becomes stultifying and numbing.

Duneier cuts through all of this by portraying real people as human beings for whom he cares deeply. At the same time, he is able to pull back from the personal stories and draw conclusions that are intellectually sound. One feels a deep sense of pride in the men whose lives are profiled in Slim's Table and a lingering sense of regret that they seem to be a dying breed.

This book is the rare work that appeals in equal parts to the intellect and the soul.

THE FINE COMPANIES WHO PRODUCE REPRODUCTIONS HAVE NO OFFERED A NUMBER OF BOOKS ON STEPHEN DOUGLAS, NONE OF THESE OLDER WORKS OFFER THE CLEAR, SOMEWHAT IMPARTIAL PICTURE OF THE LITTLE GIANT THAT JOHANSEN GIVES US. AS ANOTHER REVIEWER POINTS OUT IT GIVES THE LINCOLN ENTHUSIST SOMETHING TO HTINK ABOUT AND AT THE SAME TIME ATTEMPS TO PUT DOUGLAS IN HIS PROPER PLACE.
THIS IS A LONG BOOK NOT WRITEN IN AN EASY TO READ BOOK. IT IS WELL WRITTEN, VERY WELL RESEARCHED, AND MOST WORTHWHILE FOR THE SERIOUS STUDENT OF NINETEENTH CENTURY HISTORY. IT WILL NOT PLEASE THE INDIFFERENT STUDENT.

The standard biography of Lincoln's political rival has much about Illinois politics involving both men, and of course the book treats great national issues on which they took opposite sides. The volume is massive and well documented. Its treatment is sympathetic to Douglas but not unduly so, raising points worthy of consideration by admirers of Lincoln

Stephen A Douglas was the political heir to the great nationalist politicians who first became prominent during the War of 1812. He literally followed the footsteps of Clay and Webster. His leadership was vital to passing the Compromise of 1850. Douglas always took the course that he felt best kept the nation together, always supporting expansion and economic development and decrying the rise of divisive slavery politics. He was not an apologist for southern radicals however. Despite being know as Abraham Lincoln's nemesis in Illinois, Douglas ended his life as a supporter of Lincoln's war proclamation. I really gained a level of respect for Douglas after reading about his forlorn tour of the South during the election of 1860 where he tried desperately to stave off secession. Douglas though was a virulent racist and it is hard to speculate if he would have continued to support Lincoln through Emancipation.
One the best biographies I have ever read.

This is probably going to stand as the ultimate political biography of the Little Giant.
It's all here. Beginnings, rise to prominence, decades of tireless work, Kansas-Nebraska in detail, the Senatorial campaign of '58 then the eventual breakup of the country in '60.
I did not know until reading this book what lengths Douglas went to in order to try to keep our Union together. He was willing to stand WITH Lincoln, (his political rival!), in order to keep our Union together. Many were furious with him for aiding a Republican. But Douglas was a great man who transcended party for something much more important. He felt that party affiliations were secondary to the safety of our nation. How many politicians would have the guts to do what he did today?
This is a very long book-more than 800 pages. Lots of detail.

A five-star political narrative history of the leading statesman of the nation after the passing of Henry Clay, but a four-star biography as it barely touches the subject's domestic life. However, the author has painstakingly accounted for almost every political act of Douglas, who the reader discovers was the only possible savior of the Union in 1860. His electoral failure was the failure of the nation to understand what the disastrous consequences would be - a total civil war willingly initiated by abolition and secession extremists. Although as racist and expansionist as most of his contemporaries, his political motives were of the purest democracy (as he understood it). His constant attempts to get the nation's attention away from slavery and back on nation-building were futile was were his attempts to find a compromise on the eve of war. His anguish at seeing his beloved nation and party fall apart brought on his untimely death which left a 25-year void in the leadership of the Democratic Party. A great read for antebellum political junkies!

As N. Chomsky brilliantly states, `Alex Carey draws the veil of deceit and imposed ignorance in the struggle for freedom and justice.'
Alex Carey shows how corporate propaganda protects corporate power (the few) against democracy (the many). Skilled manipulation conceals the real human nature and the needs of the common man in the interest of corporate efficiency and profit, in other words, in the interest of the privileged segments of society.

The effectiveness of propaganda depends on the availability of emotionally charged symbols and ideas. The most powerful ones are nationalist symbols. Therefore, corporate propaganda tries to identify the free-enterprise system with US national values, and strong unions, interventionist governments, communists and alleged liberal fellow travelers with threats to national security, subversion and tyranny.
A surveillance network detects early signs of ideological drifts. Corrective persuasion is immediately disseminated through the media, completely controlled by fellow megacorporations. As the social scientist H.D. Lasswell said: `propaganda is the one means of mass mobilization which is cheaper than violence, bribery or other possible control techniques.'

Another means of manipulation is the filtering of social science studies. Only those which improve the industry's image and interests are propagated.
Alex Carey shows the nonsense and fundamental hypocrisy of alleged `basic' social experiments (the Hawthorne studies, the experiments of K. Lewin and F. Herzberg), which `prove' that salary, job security and good working conditions are only of secondary importance for employees. In the meantime, corporations pocket superprofits.
Alex Carey's dissection of the Hawthorne studies is simply devastating. He unmasks social scientists as servants of power and union busters.

This book contains also excellent historical information (the McCarthy crusade, the great steel strike of 1919) and exposes rightly the link between propaganda and the pragmatism of Dewey and W. James (the promotion of false beliefs is justified if they are socially useful).

This is a very revealing book and a must read for all those wanting to understand the world we live in.

Alex Carey's work is absolutely some of the best. My favorite quote of his is this: "The 20th century has been characterized by three developments of great political importance: the growth of democracy, the growth of corporate power, and the growth of corporate propaganda as a means of protecting corporate power against democracy." This has become a touchstone for Sheldon Rampton and me in our books Toxic Sludge Is Good for You, Trust Us, We're Experts, and our writing for PR Watch. Carey is much missed.

Mr. Andrew Lohrey informs us in his introduction, to this collection of essays by the late Australian psychologist Alex Carey, that Carey was prevented from going to college by his parents after he finished secondary school as they wanted him to manage their sheep farm which he did with such success that he could sell it about a decade later and enter a university.

Here and there this book is dreadfully dry, particularly towards the end. His ideas probably would have been made clearer and much better organized if he would have been able to put together a regular book instead of a book of essays put together by someone else but he died in 1988 before he could get it done. But the topics he discusses are very important especially now when business and government propaganda has never been more powerful.

The main title of this book describes what big business and their intellectual and political minions have tried to do particularly in the United States as rights to vote and to organize in this country were extended to large segments of the population of this country over the last hundred years. Carey's old friend Noam Chomsky quotes in his preface the numerous intellectual advocates (Walter Lipmann, Harold Laswell,etc.) of what Thomas Jefferson called late in his life "a single and splendid government of an aristocracy" made up of the "banking institutions and monyed incorporations" whom he feared would destroy the freedoms gained during the American revolution. Many prominent liberal intellectuals devoted loyal service to the state during World War one particularly in the government propaganda agencies putting out massive bogus atrocity stories about the Germans and turning a largely anti-war population in a short period into a bunch of maniacs looking to destroy everything remotely connected with Germany and German culture. A young German soldier named Adolf Hitler was deeply impressed with the allied propaganda effort and blamed German weakness in this field for their defeat and vowed that Germany would learn its lessons by the time the next war came around.

The best part of Carey's text, by far, is about the first five chapters. The first topic discussed is the Americanization movement begun in the few years before World War one by big busisiness associatons who were particularly worried about such events as the victory of the IWW led strike of textile workers in Lawrence Massachusetts in 1912. Big business was particularly worried about the influence of IWW-type radicalism on the U.S. immigrant population which mostly worked under very bad conditions at very low wages and set to work with a somwhat successful drive to inculate immigrants as well as the population at large with "American" values like free enterprise and the status quo and social harmony and against alien values like socialism or the welfare state or non-pliable unions. Out of this campaign came the Fourth of July holiday signed into law into 1918. This campaign culminated in the government crushing of the labor movement during 1919-21 under the cover of chasing communists and German spies.

The labor movement, says Carey, did not recover until the Great Depression which forced the U.S. government to enact very basic welfare legislation and protection of unions. This greatly alarmed important segments of big business. The National Association of Manufacturers literature in 1938 warned of the "hazard facing industrialists" of the "newly realized political power of the masses."

The end of World War two saw the beginnings of a massive attack on independent thinkers and organized labor under the cover of a red scare. After a lag in the early 1970's, the elites in this country began to steer this country towards a very markedly right wing political climate, seeing the rise of previously regarded fringe elements as represented by such think tanks as the American Enterprise Institute and the Heritage foundation which featured such profound thinkers as former Nixon and Ford treasury secretary William Simon who fulminated about how the Carter administration was steering the country towards collectivist totalitarianism.

He goes into some detail examining the right wing apparatus in his native Australia. He ends with discussion of some matters dealing with industrial psychology and industrial sociology culminating in a study of the Hawthorne studies, laborious research at an Illinois assembly plant made up of female workers in the late 20's and early 30's where a group of industrial psychologists tried to secure evidence that workers don't care about money and just want to be left alone to do the wonderful jobs that the labor market has forced on them. The Hawthorne chapter is in large part almost unintelligible and very dry, probably inevitable given that it is a scientific paper.

Carey points out that citizens living in totalitarian regimes have no choice but to tow the government line out of fear for their personal safeties. In free societies, Carey explains that more subtle means are used to keep populations under control. Specifically, propaganda is used to ensure that most people will think in a manner that is consistent with the corporate agenda (such as belief in the free market and business' right to unlimited profit). Carey documents how Americans and Australians have been subjected to corporate propaganda during most of the 20th Century, and explains how these efforts have perverted our democracy (for example, American's over willingness to fight communists, real or imagined, to protect capitalism). Indeed, while many Americans were conditioned during the Cold War to believe that propaganda existed only in the Soviet Union, China and other communist regimes, Carey persuasively argues that propaganda actually played (and continues to play) a more critical role in molding the attitudes of citizens in democracies.

"Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty" is a pioneering work in the field of corporate propaganda analysis which reveals just how much of a major force corporate propaganda is in contemporary society. Alex Carey quotes the business press as stating that the public mind is the greatest "hazard facing industrialists."

"Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty" points out that there are two types of propaganda, each of which have specific societal functions. The first type is aimed at the educated, articulate sectors of the population that are involved in in decision making and setting the agenda for others to adhere to. The second type of propaganda is aimed at the unwashed masses, to keep them distracted so as they don't interfere in the public arena where they have no business in being. All in all, "Taking the Risk Out of Democracy : Corporate Propaganda Versus Freedom and Liberty remains a seminal analysis of corporate propaganda and its uses in creating an obedient elite and a subserviant citizenry. Very enjoyable.

Well written tale with strong plot line.

Another great one from Hugh Holton. The story begins when a young Larry Cole overhears a murder plot and the action just keeps going and going and going. Mr. Holton knows how to keep you at the edge of your seat. All I can say hang on and enjoy the ride as this novel has it all.

See my review of "Presumed Dead."

I started reading Hugh Holton's books this year. Just found it on the library shelf. I wanted to read them all. I have read all of his books and find "Time of the Assassins" to be the best one yet. I have ordered it, also his new book "The Thin Black Line" and "Red Lighting" which I could not get from the library. I am sorry that we will not be able to read more books by him. A sad lost to the readers and writers world. Gripping suspense and a surprise ending. What a writer he was. He writes about things we know, but are afraid to say. So today.

This time Hugh Holton gives us an excellent story that is both believable and entertaining. This is Holton going with his strengths -- solid characters, great police procedures and enveloping mystery. It doesn't get much better than this unless you're also a fan of Eleanor Taylor Bland's Marti McAllister Mysteries (which apparently Holton is since he mentions her in his acknowledgments). However, unlike the McAllister police character, Holton's Chief of Detectives Larry Cole is still one dimensional. He sacrificed his wife and son for his career and ends up becoming a stud puppy for two very deranged sisters whose plot (despite his super-cop instincts) Cole fails to recognize. Go figure. Nevertheless, Time of the Assassins is a far better effort structurally than Holton's Red Lightning, Left Hand of God or Presumed Dead. The high-quality work which brought Holton and his cop character, Larry Cole, to national prominence, Chicago Blues, is evident in Time of the Assassins. Bravo, Mr. Holton, Bravo!

This book was one that opened my eyes to the welfare program and the problems it has. It has also illustrated the social gaps that have been created by gender, race, and poverty. Rosemary did an excellent job in description in the life that she lead, and to how she has overcome the many barriers in her life. A great read for all!

Unafraid of the Dark is a beautifully written, inspirational and deeply touching book. I was unable to put it down from the moment I read the first page. I admire Rosemary and feel that she is an inspiration to all African American women.

This woman knows how to write and she has something to say. She makes her point very effectively. For the cost of a paperback, you can give a copy to every Republican or other person who matters to you who doesn't understand or support Aid to Dependent Children or welfare, etc. Her book leads people to care about her and understand.

A deeply moving, inspiring story. I felt like I was right there with her when she described her brief childhood encounter with Martin Luther King. Her writing brings characters alive like the best fiction I've ever read. I would seriously consider trying to get my school to order this book (I'm studying to become a high school English teacher).

Rosemary Bray's memoir cuts through the anti-welfare hype and contempt for poor people, especially poor black women, that brought us "welfare reform." Her mother went on AFDC because her father was a violent gambler, and she had four kids to raise. Welfare enabled rosemary to grow up in threadbare but at least decent poverty--food on table, roof over head,school supplies and so forth. Far from promulgating the "culture of dependency," welfare helped Bray's mother get some independence. And far from passing welfare on to her daughter, Rosemary went to yale. Bray writes so perceptively about her family and her childhood, about the racism of l960s Chicago (and of yale). she made me think about all the little cruelties and deprivations poor people are expected to just accept, and how wrong this is. I wish every white person would read this book, and every person who thinks people are poor because they "don't want to work." Isn't it interesting that even in the midst of the "memoir boom," this book didn't get front page reviews?

This book is a must-read for anyone interested in history as told through the eyes of an individual. I have always found history texts very difficult to read because they tend to be just a presentation of facts. Mr. Dannenmaier weaves the Korean War and his personal experiences into a well- written book. And there's a lot to be said for comic relief!

Having read several Civil War, World War II and Vietnam autobiographies (e.g Seven Roads to Hell) I found this one to be among the best. Easy to read and interesting from beginning to end. I wholeheartedly give it 5 stars and recommend it for any history buff.

Bravo!!! This is one good book. At one time I read a lot of the 'my personal point of view' vietnam books and this is better than those. They all had a discernable 'hook' or angle which was entertaining but also tried to masquerade as substance and didn't quite pull it off. Dannenmaier's story is substance. Innocents is a simple and straightforward account of a real experience in war and it rings so true.... I am not so much impressed as thankful for the enlightenment of this experience - one I came close to but didn't have.

Thanks to the author for writing it and sharing his life with us. It is a heroic thing to do - getting what is inside of you out and letting us all see it.

First, this book is very well written and an enjoyable read. Dr. Dannenmaier's style is informal and engaging. It also offers a very good description of the many petty aspects of military life: the pointless regimentation, the boredom, the friendship, and the physical discomfort and depravation.

I would have given the book a five-star rating but for one serious flaw. I found the author reluctant to discuss the horrors of war that he surely experienced. Even his account of the battle for Outpost Harry is oddly detached, detached and vague in a way the rest of the book is whenever the subject is the violence of war. Although Dr. Dannenmaier is very articulate and detailed in his descriptions of the mundane aspects of military life and his judgments about the men he served with, he is almost silent about the experiences that so obviously traumatized him when he came home.

His life after the war offers what we would call today an instance of "post-traumatic stress syndrome." While he describes horrible headaches, concern over his irrational feelings of rage, and an almost sociopathic regard for human life that he dealt with after the war, he says very little about the experiences that led him feel this way. In one touching scene he describes being near to tears when confronted with the first hot meal of good food in a warm, dry, and safe environment in months as he prepared to come home. At the same time, he describes his feelings upon learning the war was over this way: "I never felt more desolate or empty in my life. My meaning was gone, my life was without purpose."

This is a fascinating contradiction. Dr. Dannenmaier was clearly damaged by his experiences during the war, and yet, at the time, he found those experiences exhilarating, a true source of meaning and value. Though I can't know, the explanation for this contradiction must lie in the horror of what he experienced. A book that purports to be an honest account of wartime experience should have dealt with this seriously and honestly. The author does not. For example, we never even learn whether the author killed anyone during in the war. Yet, we are regularly treated to detailed discussions of the minutia of daily life on the line.

I whole-heartedly recommend the book for what is does well. But I can't help but think that there's only half a book here. But what a half. . . .

The Korean War has sometimes been labelled the "Forgotten War," lying as it does between the titanic conflict of World War II and the contentious struggle in Vietnam. For many Americans today, the term "Korean War" only brings to mind episodes from the television series MASH--a fact deeply resented by veterans of this savage fight that cost almost as many American combat deaths in three years as the Vietnam War did in ten. True, within the past few years, the Korean War has begun to creep back into the public eye. From the belated dedication in the nation's capital of a Korean War memorial to a spate of books and a (most controversial) television series, the conflict is finally attracting attention as a watershed event in its own right. It remains the only occasion since 1945 in which the armies of two great powers have met on the battlefield. It is filled with military drama (e.g. the destruction of Task Force Smith; the United Nations drive to the Yalu) and an extraordinary cast of characters, such as Harry Truman, Douglas MacArthur, and Matthew Ridgway. Largely missing from the recent literature has been the story of the soldier, sailor, and airman--an absence all the more curious because one of the most prominent trends in recent military history has been a sharpened focus on the human being confronting the chaos of war. It is here that William Dannenmaier's manuscript promises to make a decided contribution. Based largely on letters that Dannenmaier wrote to family members during the conflict, the memoir skillfully weaves these primary documents with the author's later analysis to make an account that is often captivating in its immediacy and thought-provoking in its reflectiveness. A highlight at one end of this spectrum is the author's riveting description of the brutal fight for Outpost Harry. In the broader sphere, the author's observations on the reaction of fighting men to the challenges of combat and to the incredibly harsh environment present the reader with certain eternal verities. The fact that Dannenmaier's comrades came from a society that seemed largely unconcerned with or even dismissive of them --when coupled with the reality that even their own army was all too often indifferent to their fate--adds poignancy to this story. Transparently honest, occasionally touching, and frequently humorous, "The Korean War: A Citizen-Soldier's Reality" is war literature of a high order.

It has been awhile since I read this book so I have to rely on my memory somewhat of the book's contents. Yes, it is a very interesting book and as a Motown fan, I certainly enjoyed it. Sometimes, though, I wonder about some of Mr. George's comments (and if you are reading this Mr. George I mean no disrespect).

Did he really have to describe the talented Kim Weston as a "dark skined woman with a tendency to put on weight?" Was she really laughed at when she got on stage? To me, Kim Weston was one of Motowns most talented female singers. Couldn't the author have spent a little more space on her vocal talents?

He dismisses the Supremes post-Diana Ross career in a few sentences. Did he ever listen to any of those records? The post-Ross Supremes made some wonderful music which is just now being rediscovered.

He writes off white singer Chris Clark as a "not very gifted singer". From the few songs I have heard, she may not be a virtuoso, but she's not that bad! I know of some rabid Chris Clark fans who would challenge Nelson George on that point.

He spends a lot of time on certain subjects such as Motown's post-70's decline, but seems to spend very little time actually analyzing the music.

A writer, of course, has a right to his opinions and I think, in all fairness, he does a very good job with the book. My biggest complaint is that he seems a little cynical about Motown. I know that not all was happy beneath the wonderful music people heard, but there is still something in his attitude that bothers me a little. Sometimes he seems a little bit mocking in his tone. He wrote a later book about hip hop (a music style I don't care for) and seemed to treat the whole subject with more respect.

I'm probably being a little too analytical about this book.

Anyway, this is still a good book. Put on some Motown music and enjoy.

One of my smartest purchasing decisions was to pick up this work by Nelson George in June 1986 when it was still in hard cover. I've never let it out of my sight since. Time has proven it the precursor of a deluge: `Dreamgirl,' & `Supreme Faith' by Mary Wilson (1986, 1990), `Temptations' by Otis Williams (1988), `To Be Loved,' by Berry Gordy (1994), `Inside My Life' by Smokey Robinson (1989), `Dancing In The Street' by Martha Reeves (1994), and `Between Each Line of Pain and Glory,' by Gladys Knight (1997), among others. I bought them all and I read them all. By far the worst, was the October 1993 work by Diana Ross, `Secrets of a Sparrow,' which was quickly named the worst non-fiction work of the year by People magazine. I couldn't argue with them.

`Where Did Our Love Go,' on the other hand, proves a truth we discovered in the day of the very music it chronicles: no amount of tepid covers surpasses a towering original. Perhaps because Mr. George was not an insider at Motown in the 60s, his history of the company is so objectively good. I've read it many times in over 16 years, and haven't found a date or factual mistake.

And it is balanced. The wonderful music of those glory days in Detroit is given the respect and affection it deserves, as well as the how-it-came-about details. Mr. George acknowledges as most of us do, that Motown's 60s sound is timeless, and is going to outlive Berry Gordy, the artists whose names appeared on the labels, and we baby-boomers who were weaned on it.

Yes, the who-struck-John stories of disappointment are delineated fairly too: the career declines and /or disappointments of folks like Martha Reeves, Gladys Knight, Chuck Jackson, Marvin Gaye and, especially Florence Ballard. But unlike the recollections of the authors listed above, `Where' is not told by a writer needing to come out smelling blameless or put-upon at the end.

All these years later, `Where Did Our Love Go,' by Nelson George remains the single most essential biography of Motown Records you can own. Buy it anyway you can manage to, even used - just don't ask to borrow mine. Beyond it, there are two companion works you should also seek out for some fair and detailed `inside' looks of Motown in those days: `Divided Soul,' David Ritz' account of Marvin Gaye's life, which appeared first in 1985, and might have been helped in its excellence by the fact that its subject was no longer around to censor it or `advise.' Finally, from 1989, J. Randy Taraborrelli's `Call Her Miss Ross,' could likely be a dozen times more factual and objective than the 1993 work of the former Supreme herself could ever be!

For the time that it was written, I found this book to be my Motown bible. I still enjoy reading this book on Motown by someone who does not have an axe to grind with the company. Upon seeing the first review of this book, here at Amazon, I felt the need to respond. The reviewer mentioned that the author should have focused on Kim Weston's talents more than he did. Since 1986, Kim Weston has had a ton more recordings released by Motown then ever before. She never even had an album with Motown during her tenure. Her solo stuff released since 1986 could easily fill a box set. Her duets with Marvin Gaye could fill another two CD's. Had these recordings been available when the author had written his book, I would agree with the first reviewer. Her best recordings have only seen recent release. Kim Weston is probably the most talented woman to ever come out of Motown. Diana Ross had the luck and the hits but there was a stable full of women at Motown who were much more talented than she was. Also, the first reviewer mentions the talents(?) of Chris Clark. I love the whole Chris Clark persona and story. There are about four of Chris' recordings that I do love. However, if you listen to all of the Chris Clark recordings currently available on the Motown label (about three CD's worth) you'll question her talents, as the author also did. Mr. Gordy, in all of his arrogance once said, "Give me a singer who can sing three notes and I'll get a hit on her." I think he might have been thinking of Ms. Clark when he said it. By the way, he never got a hit on Chris Clark. This is an amazing book & a great introduction to Motown.

I found this book to be very informative on the music that I grew up with but it also revealed how Mr. Gordy has ruined the lives of talented but uneducated people.

Although a little short on photos (it was obviously not the authors' intention to be another photo book), this is in many ways the best book for someone really interested in the subject of Motown to own,in that the author pulls no punches. Other books on this record company/hit machine of the 60s & 70s suffered from censorship by the record company's head and his people.

This book does not suffer that hinderance, and it allows us to read what really went on behind the scenes. It was not such a happy family with Berry Gordy Jr. as the paternal head as it is often depicted.

An excellent book, both readable and informative, and well worth getting hold of for all fans of the music who want to know what really went on as the records were made and the tours were run.