Hawaii Books
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Educational, fun and easy to read.Review Date: 1998-06-15

Little Known Facts About HawaiiReview Date: 2006-04-19

Ancient wisdomReview Date: 2007-09-19
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adult speaks through children for adultsReview Date: 1999-09-28

Nancy Bannick, Philanthropist of HonoluluReview Date: 2008-02-23


Great MapReview Date: 2005-08-20

A Lucid Study of Korean Christian NationalismReview Date: 2002-12-12
More than Wells's ultimate thesis, the book is a lucid, much needed study of the limitation of Korean nationalism in the face of Korean and Japanese resistance. The study includes a discussion of the March First movement and the rise of socialist alternatives to Christianity. Wells attempts to defend Korean nationalism for its apolitical nature, while stressing the difficult task of creating Christian communities by reconstructing moral individuals from the bitter, forlorn Korean masses. Wells also examines the practical sphere of cultural nationalists, like Kim Sonsu, who prospered in business, but were accused of collaboration with the Chosen Government-General. Briefly, he also examines the role of foreign missionaries in the major Korean communities.
Although the book is concerned with a theological subject, namely, the relationship between nationalism and religion, it is more helpful as a Korean history text. The dearth of good English-language materials with access to Korean-language sources frustrates a balanced and non-politicized discussion of Korean development. Wells's portraits of numerous Korean nationalists are fair and illuminating. Wells also advances the thesis, that both the New Village Movement (sae maul undong) and the Self-Sufficiency (juche) ideology are offshoots of the reconstruction ideology.
This book is for advanced students of Korean studies and theology, not for beginners. It is also well-written, but fortified with some precise argumentation only experts would appreciate. But for those with a good knowledge of Korean history history, theology, and economics, it is a fresh glance at a very important chapter in Korean history. It is also a window on current events on the peninsula, which does not seem to have advanced much beyond 1937.
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Excellent reference text.Review Date: 1998-11-27

Fascinating, tragic tales of life in St. Louis projectsReview Date: 2005-11-13

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An outstanding and inspiring studyReview Date: 2005-08-12
It is worth noting that Matsuo Basho, the esteemed poet, saw figures such as Ippen and Saigyo as role models, their itinerant lifestyle, lived close to the elements, informing his own ideal of the 'furabo' - that of the homeless monk, with sleeves flapping in the wind. Thus, one might say that Ippen and Basho were fellow travellers on the pathless-path, their poetry informed by a kindred feeling.
Still, Ippen is primarily remembered for the way he propagated Pure Land Buddhism among the people, his poetry an unmistakable expression of his faith.
Say the Name (Amida)
And there is neither
Buddha nor self;
Namu Amida butsu,
Name Amida butsu.
- a paradoxical truth. Among other things, Ippen was noted for chanting the Nembetsu with a measured dance, rather like certain followers of Krsna. Ippen's Buddhism is by no means easy to categorize. On one view, Kamakura Buddhism comes over as a rather entrenched body of schools. However, there is nothing closed about Ippen's Budhism. While idiosyncratic, based on Pure Land ideas, advocating the nembetsu etc, Ippen's Buddhism had much in common with other Buddhist schools. The idea of 'yugyo' or 'travel as practice' tied in with certain Tendai/Shingon practices. Moreover, it is said that Ippen received 'inka' or approval from (Shinchi) Kakushin - a noted Zen master who had travelled to China.
The title of this book - No Abode,' can be taken in two ways. On one level, it alludes to Ippen's chosen mode of life as an itinerant monk, yet insofar as 'yugyo' or 'travel as practice'
necessarily involves the spiritual dimension, 'no abode' might also be said to signify the 'pure land' as the realm of prajna. Thus, despite its surface simplicity, Ippen's understanding of Pure Land reached directly into the heart of Mahayana Buddhism. As Hirota-sensei notes in his well informed introduction, even the adopted name of 'Ippen' (one-time/once) carries a number of meanings. 'Ippen-nembutsu' meaning 'one time nembutsu/one utterance nembetsu' - could be said to signify the temporal event, Ippen's exchange with a passer-by, at which time Ippen would hand out a fuda or printed inscription of Amida's name. But as Hirota sensei points out:
"One utterance, does not, however, refer to a numerical
count; rather, it indicates the instant of the
immediate present that becomes, through utterance,
the point in which the person's salvation and Amida's
enlightenment are both fulfilled simultaneously. The
'one utterance nembetsu' never becomes two or three
utterances, but is always the present moment rooting
itself in Amida's enlightenment that transcends time
. . .
Reading this account, the genius of the artisan who carved the famous statue of Ippen - on display in Kyoto, becomes even more evident. He had endeavoured to illustrate the 'ippen-nembetsu' by carving a succession of 'Amidas' linked by a single thread, thus suggesting a continuous presence and standing 'now.'
This rather bare review does scant justice to Dennis Hirota's
book. It is veritable treasure trove of material about a fascinating Buddhist figure. Besides Ippen's own material, his letters, poems etc., we also find 'Words Handed Down by Disciples' and 'Passages from Other Texts' - illustrating Ippen's life and teaching. The main text is supplied with copius notes and a map etc., but these are placed unobtrusively outside the main text.
A word about Dennis Hirota. Although a Professor with the best of academic credentials, Hirota-sensei comes from a family background which has enjoyed long-standing links with Buddhism. Thus, he writes as one familiar with Buddhism - from the inside. This has enabled him to pick out the subtle nuances of Ippen's poetry. But - unlike some Japanese Professors, Hirota- sensei has a perfect command of English and is a gifted translator - as the poems in this book will show. This text is a classic. It is not just another, dry study, but conveys the living spirit of a whole tradition.
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