Arts and Crafts Books

Who says you can't complete a masterpiece?

For just a few dollars, you can be Picasso! Pick up your crayons, colored pencils or whatever you wish, and repeat the choices of the Masters, or show Grant Wood how it really should be done with some choices of your own. (I've always suspected that those American Gothic folks would look a bit more cheerful with auburn hair!)

Fun and educational!

Wonderful book! I like the summaries of the artist, the orginal pictures for examples, and the amount of detail for a beginner to moderate colorer is not too much. I bought this book for myself (44 years old), Dad (82) and Mother (78). This will be the Christmas gift this year for everyone in my family.

Iknow there aren't many out there who enjoy coloring at my age, but it is a very relaxing hobby while watching TV in the evenings. This book is fun and has great variety.

A great fun way to introduce famous art works to the young. It has a small version of each art work on the cover. Your child/student can color the art work the same or make it their own.

Jessie Groeschen does an excellent job documenting chainsaw carving from the "Founding Fathers" (and Mothers) to modern day artists. She also includes summaries of some of the more prestigious events in this relatively unknown form of artwork. The biographies also include a plethora of pictures of each artist's works. To top it off the author provides a step by step pictorial to create your own chainsaw art. It would be a great coffee table book for chainsaw enthusiasts, art enthusiasts, and/or Pacific Northwest culture enthusiasts.

I am a collector of chainsaw art. My first purchase was back in 1986. I feel I can't have enough carvings. I even own a few pieces by a couple people featured in this book. Knowing some of their story makes it even more meaningful. I enjoyed the book and have it on our coffee table for others to enjoy.

I read this book cover to cover and in my opinion, no other chainsaw carving book allows the reader to feel as though they know the carvers the way that this book does! Jessie does a GREAT job at having the reader identify with the top carvers of our time! I've personally been carving for about two years and through reading about all of the various artists journeys, it has helped me to realize that someday, if I continue to work hard, I could actually meet some of these wonderful people! Jessie has made it clear that if you work hard and believe in your art, that a dream can become a reality! Thanks Jessie! Steve Rager...

I'm very happy to have this book, to show people who come to see my carvings, to inspire me, and to reinforce the idea that there are as many approaches to carving as there are carvers, and only a few of them involve bears.
The book is excellently produced, with great photos and entertaining text. I have met some of the carvers featured, and it's good to know more of their history and approach to carving.
For the record, there's one step-by-step in the book; Jessie showing how to carve a chair. If you want to learn how to carve, there are other books. But if you want to know why we carve, this is the one.

Can't think of anything but praise for this fabulous book. The objects selected, the color photography, the insightful introduction, the artists' info in the back ‹ all top-notch. If you think the world is doomed, this will be great antidotal weekend reading!

A visit to the De Young Museum on my last day in San Francisco turned a time-filler into an experience of a lifetime. The exhibition itself was truly amazing; the collection superb. The lighting, layout and flow of the exhibition allowed me to get lost for a couple of hours. Here was true craftsmanship in its purest form from all over the world; even an Australian artist was represented in the collection!

A visit to the gallery shop was next on the agenda to see if there was a catalogue, but since I thought a lot of the presence of place would be lost I wondered how you could put that on to paper.

But there it was. A fine book with excellent production values and fine photography. It will be a great momento of my visit and comfort me to know that there are great people who support artists and help keep the barbarians from the gate.

Dorothy & George Saxe are amongst the foremost collectors of art made from traditional craft materials...glass, clay, wood, fiber...art categorized as coming out of the Post WWII Arts & Crafts movement. This book beautifully documents that part of their collection now on view at the DeYoung Museum in San Francisco.

Tim Burgard, Curator of American Art at the DeYoung Museum, writes accessably with the voice of a scholar. He contextualizes this art movement and documents the show from the Saxe Collection that he's recently installed at the DeYoung...THIS IS A GORGEOUS BOOK.

The Saxes have made a bequest to the DeYoung of 600 works of art from their collection. This book and exhibition documents more than 1/3 of these objects.

A MUST READ FOR ANYONE INTERESTED IN CONTEMPORARY ART!!

If you are interested in glass, this book will be of particular interest. The Saxes have pieces by Chihuly, Lino, Flora Mace, Bertil, Therman Statom, William Morris, and many other well known glass artists. Also beautiful ceramics, furniture, wood bowls, sculpture.... If you can't make it to the exhibit, buy the book. You won't be disappointed.

Very Informative Great book To lean about grades of stones and thier uses

Men have always decorated their weapons. The main items being decorated in the United States have been guns. But in Japan it is the traditional Japanese sword. Being more of a land of tradition, the Japanese sword became more or less standardized in shape as long ago as the thirteenth and fourteenth centuries and polishing the sword had to have followed shortly after that.

There are many books that describe the techniques of polishing and blueing guns. But this appears to be the first book available in English that discusses the polishing techniques used by Japanese craftsmen.

The Japanese practice is a strikingly different process than that used here. Polishing stones, not unlike whetstones but in far more diversity are used. A shop selling such stones is pictured with what appear to at least a couple of hundred different types of stones. And unlike here where stones are simply given numbers to indicate coarseness, in Japan they are given names.

The polishing area used with Japanese swords is a traditional form as well. It sits on the floor, and the polisher typically sits in a traditional position that most of us would find difficult to get into, and impossible to maintain for any period.

All in all, a fascinating book on techniques very different to those commonly used here.

After reading the book entitled "The Art of Japanese Sword Polishing" I now have a much clearer and detailed understanding of the process used by traditional Japanese sword polishers. The book takes the reader though all of steps from the foundation polish, used to shape and sharpen the blade, to the finish polish, which is used bring out the details of the steel and shape of the temper line, using good text and a fair number of detailed photographs. It includes some Japanese sword polish theory and how Japanese swords have changed over the historical periods. It also explains how the age of the sword can affect how the sword should be polished and what damage can and cannot be repaired by a polisher. In the last section of the book it contains a few profiles of professional Japanese sword polishers the authors of the book had interviewed which I enjoyed reading.
As someone who studies and appreciates the Japanese sword I found the book very helpful in educating me more about the process of how a Japanese sword is polished. I would recommended this book to anyone interested in learning in detail how Japanese swords are polished.

I wish I had this book 20 years ago when I first started to investigate the art of polishing. This book provides a wealth of information on the technigues, the material and the different ways that can be used to get a sword polisihed. In fact, the diversity of the art is highlighted by the book and certainly dispells the notion that there is only one way to restore a blade. The section on foundation polish discusses how to achieve the proper shape without removing too much material. The different stones are described and how each is used to establish and refine the shape. The finishing section covers the range of materials and tools used to bring out the grain and tempered edge unique to the Japanese sword. It also shows the burnishing and how to highlight the boshi.
There are sections that talk about the history of polishing, the schools of polishing and interviews with several modern polishers. As always there is a note warning about the perils to the blade that can be inflicted by an inexperienced person. The book doesn't reveal all the secrets to the art, such as the various forms of nugui (other than the basic hadori and sashikomi formulas),what types of stones work best with each school or era, etc. But it certainly does provide a well documented, well photographed look at this art form. I highly recommend it for anyone interested in Japanese swords.

Sally Collins' Art Of Machine Piecing [...] tells how to use precision piecing methods to help attain quality quilts. Almost fifty traditional blocks are represented in the course of explaining how machine piecing works.

Sally Collins has outdone herself with this book. In our modern day society, there is an emphasis on speed - everyone rushes around trying to squeeze in as many activities and projects into each minute of every day. This sometimes has the unfortunate consequence of less attention to detail and the result is sloppiness. In this book, Sally shows the quilter how to slow down and enjoy the process of creating each quilt block.

She starts her book with a chapter on Philosophy and Creativity and her deep love for quilting is very evident in the words that she uses. Phrases such as "..take pleasure in the journey", "..experience the joy and bliss that quiltmaking gives each of us". She views errors as "gifts...opportunities for success" and says that "problem solving is a real key to finding the joy in quiltmaking". With these statements, she removes the fear of making mistakes and turns errors into learning opportunities. She states that quality workmanship is not just about perfect sewing, but also knowing how to solve problems as they occur. One would be tempted to skip this introduction and jump right into the technique and block sections - this is a mistake. It may sound a bit corny, but after reading these pages, I was inspired at the prospect of making miniature blocks rather than being intimidated as I know most quilters are by the tiny pieces used in small scale blocks.

She follows the introduction with a detailed section on tools and explains what they are used for which is very helpful. A chapter on Color and Fabric is next and she does a wonderful job explaining the importance of color and fabric selection in general and also how to select appropriate fabrics for small scale blocks. There are a number of helpful example images that accompany the text. As we progress further into the book, we begin to learn about designing blocks and drafting. She goes into detail on how to draft blocks from beginning to end, a discussion that I found fascinating. Sprinkled throughout this chapter and each of the ones that follow, there are tip boxes titled "Noteworthy" that are filled with valuable information.

For the quilter interested in improving their accuracy in assembling blocks, the chapter entitled "Workmanship" is without question, the most valuable one to read - and should be read through several times to reinforce key concepts. Sally discusses various factors that cause problems from cutting to sewing to pressing. The bottom line is that the quilter needs to pay careful and close attention to each step of the process. Her quilting experience is evident in the tips on pinning, blocking, and measuring that she includes.

The last chapter before starting the block section deals with various construction techniques, such as assembling half square triangles, English Paper Piecing, and using bias bars. But, she does not stop there - she ends the chapter with a detailed and well illustrated tutorial on matching seams, a very important factor in sewing quilt blocks and one that is rarely addressed in instructional quilting books.

The Block Collection consists of forty-nine blocks with familiar names such as Churn Dash, Dresden Plate, or Bear's Paw and six of the blocks are her own designs. Each block is accompanied by a color photograph and includes template outlines and color coded measurements for three, four, and six inch blocks. She always includes a tip or two appropriate to the block, perhaps about construction or color selection. Each of these blocks is used in her quilt that she discusses in the last chapter. I was fortunate to see this quilt at a show and can vouch for its beauty and attention to detail. I spent several minutes looking at various blocks and marvelling at how well she put it together. If you are interested in making a similar one for yourself, she includes the instructions for the quilt along with fabric requirements.

She concludes the book with more eye candy in the form of a Gallery of full color photographs of quilts that she has made using the blocks in the book to whet the appetite of the reader. An alphabetic index and a brief biography of the author can be found on the final pages of the book.

It is well worth taking the time to read the book from cover to cover before embarking on the blocks. The instructions are clear and concise and well presented from a visual standpoint. This is definitely one to add to the collection!

this is a wonderful book for a quilter of any level of skill or experience.

i have no plans (right now!) to work at the scale the author enjoys, and i do not intend to enter any comptetitions, but i still want to do the best work i can. just one quick reading has improved my technique. thanks to ms. collins, i am more aware of how i am cutting, piecing and sewing, and more aware of what the machine is doing, can do, or will do. some of what she writes about i knew, some i never considered, some advice i've seen in other publications, but having all of this information in one source reinforces the lessons.

even if you have other technique or block books on your shelf, you will benefit from this one. as other reviewers have mentioned, ms. collins accepts the time and attention that good craftmanship requires, and encourages her readers to put that time and attention into their work.

This book is a must read for ANY quilter, whether working with regular or miniature pieces. Thanks to Ms. Collins for sharing all these terrific ideas.

Of the 65 origami books I own, this is one of my favorites. It's simple and clear with wonderful color photographs. I love the clothes models at the start and the instructions for origami jewelry at the end. I wish it were still in print.

This book exposes the reader to the wonderful range of origami. It's clear directions and diagrams are among the best I've seen. I have been trying to locate other copies of this book to give as gifts to friends who I think might be interested in origami but may be intimidated by other books with complicated instructions.

This book will hold your interest and get you intrigued with origami even if you have never tried it before. Instructions are easy to follow and the results will have you looking for more paper to fold. My copy mysteriously disappeared and I have been trying to replace it. Would like to hear from anyone with any leads.

I throughly enjoyed this instruction book. The directions are clear and easy to follow with great illustrations and photos. There are practical models that can be made for fun and entertainment, but also for gifts and your own use. I also enjoyed the varied levels of difficulity - from very easy to challenging

This book does an excellent job of showing the cream of the crop of collectable 19th and 20th century perfume bottles (and often their presentation boxes). The text is profusely illustrated with small black and white photos, while also containing several full color sections illustrating in detail hundreds of different bottles. The text goes into intricate detail for the novice to expert collector without dumbing it up or talking down. The 16 pages of concise bibliographys at the back are infinately useful, if you are wondering when where why who or how a house started its probably in this list. Jam packed with facts, tips, annecdotes and illustrations by a TRUE expert in the field.

This book is lavished with the most magnificent perfume bottles and their pacaging. full color photos of Lalique, Baccarat, and other exquisite bottles along with the histories of the fragrance companies who commissioned them. There is also an index of these companies for quick refrence. I found the title missleading. the author is of the belief that the "art of perfume" died 30 years ago. All of the bottles are from the late 1800's to the 1960's and I feel that the title should have mentioned this. If you collect antique bottles or are looking for a good fragrance history book, this is a must.

As an avid collector of advertisements and literature on perfume, this is the first book I always recommend to fellow collectors. In the past ten or twelve years, many books were published to cater to the exploding popularity of perfume bottles as a collectors item. Christie Lefkowith's book stands out because of its focus on the ART of perfume bottles (hence the title), rather than their monetary value. Bottles are viewed in the cultural context of their time, with photographs of by far THE best quality I have ever seen in perfume books. I agree with the previous reviewer, though: too bad the book ends with the fifties. There should be a sequel.

I know that the writers are savvy perfume bottle collectors. They have incorporated years of experience into this book. That is the reason why that among all the books on this subject, this one is the most appealing. I have also used part of her materials (w/permission) to write my book (published in Chinese).

This was a gift I gave and was very well-received.It is an exceptionally beautiful book withmany floral prints worthy of framing. I am just glad they are still printing books of this quality.

The Art of the Garden... introduces the beginning enthusiast to the wonderful world of antique flower prints and is an essential addition to the library of the established collector of botanical art.

The gorgeously illustrated book documents the magnificent flower prints produced by notable artists of the 17th through the turn of the 20th centuries. These celebrated artists include Basil Besler, Maria Sybilla Merian, Mark Catesby, Georg Ehert, George Brookshaw, Robert John Thornton, Pierre Joseph Redoutè, and many others.

Illustrated with over 300 full-color images of original and valuable botanical prints, this book fills a void in the literature, as few good botanical references remain in print.

The text recounts the fascinating lives and passions of the artists and their patrons, the technical advances in printmaking, and the discoveries and cultural influences that shaped the depiction of flowers, plants, and trees. Also discussed are many variables affecting the values of original antique botanical prints including condition, rarity, historical significance, and aesthetic appeal. A range of prices is included to guide you in your collecting and a section on framing, displaying, and proper storage makes this an indispensable reference. A fascinating book for collectors of botanical prints, gardeners, and those interested in the history of flowers.

Some of the most beautiful AND important antique flower prints are reproduced in full color in this book. I was amazed at the amount of knowledge and history detailed so elegantly. The authors include even more artist information on their site. Fineantiqueprintsdotcom has striking images and examples. This book is an excellent reference.

This book is well written. Straight forward, informative and intersting. The reproductions of the botanical prints are stunning. The book is super reference for both the novice as well as the more experienced collector. A joy to read.

This is the fourth copy I have bought....both of my brothers are artists and I gave them this book for a birthday present - very happy with it. I also got one for myself and one for a friend - this is an excellent book and was in excellent condition every time!

I BOUGHT THIS BOOK BECAUSE I HAVE BEEN AN ART LOVER SINCE I WAS A KID. PART OF THE ENJOYMENT OF ART IS HAVING AN INTERPRETATION TO GO ALONG WITH WHAT YOU ARE SEEING. THIS BOOK WILL EXPLAIN WHY EXPERTS VIEW CERTAIN WORKS OF ART AND PROCLAIM THEM "GREAT". IT TEACHES PRINCIPLES OF ART FROM PAST AND PRESENT PERSPECTIVES IN A UNIQUE, 3-DIMENSIONAL WAY. IT ALSO INCLUDES INTERACTIVE ACTIVITIES SUCH AS A MOBLILE YOU CAN BUILD AND EVEN CHARACTERS THAT YOU CAN PLACE IN THE PAINTING TO UNDERSTAND CONCEPTS SUCH AS VANISHING POINT AND HORIZON LINE. EVERYONE WHO HAS SEEN MY COPY HAS BECOME ENGROSSED IN IT. EVEN THE PEOPLE WHO DIDN'T KNOW THAT THEY LIKED ART!

A beautifully designed pop-up book that's a MUST for any collector. Very educational and interactive.

I am one of the artlessly clueless. This book, and the others in the series, have all been wonderful fun, which is why they are also wonderful learning tools for beginners. Low stress, major payback, and marvelously intelligent all the way through. They won't make you an expert, but you'll have a good time and be better for it, too.

Make your applique a work of art through Artful Applique The Easy Way which features detailed project instructions for sixteen blocks filled with flowers, birds, and wreathes. The focus on easy applique includes tips for streamlining and patterns for quick use. Superb introduction to easy applique techniques & projects.

Another excellent book by Jane Townswick. I am looking forward to expressing my artistic side in beautiful artwork. This book is very helpful with tools needed and forms of application. I am very impressed.

This is a must buy book for those interested in applique. I have many applique books and count this among the very best.

Over 130 pages of great instruction and realistic photos that show that anyone who takes the time can do applique. Not only are the designs that you can Xerox for patterns crisp, but the instruction is easy to read and follow. And the photos are exact size, so you see what you will get when you are done.

I liked the book because it also says that we can choose our own material, which suits our own desires, where some books say you have to have this or that type of material made by this ir that maker, and you end up running all over the place and come home discouraged and throw your hands up and say *&%#@+ and vow never to try and do applique again.

This is the book that can help you become less discouraged and a success at a wonderful art form.