History Books

Brief Description of Book
This book lives up to its name and is a great gift for someone you may know who is just getting hooked on buying vintage costume jewelry. It would make a great companion gift to a fabulous vintage piece. This book Collecting 101 is a bit basic for absolute beginners only.
The core thesis of the book is G-U-I-D-E an acronym that stands for:
* Is the piece in Good condition?
* Do U Like it?
* Is it a good investment?
* Is the piece designer signed and is it well designed?
* Are there extras that make it more interesting?
These questions are posed to help the buyer select good pieces at whatever price point they are starting to collect at. The author explains her GUIDE concept quite concisely and uses it throughout the book.

The author suggests four designers that beginners should collect Trifari, Coro, Kramer and Weiss. She recounts a little history about each of the companies, shows photos of their marks and recommends pieces to purchase. For example she suggests Trifari from the 50's and 60's because it is plentiful, available in excellent condition and not too expensive. The author uses a lot of photos to illustrate these sections

The next portion of the book is arranged the alphabetically and cameos 130 designers. Each profile contains a little company history, marks, signature look of a designer and recommendations of pieces to buy.

In the next chapter there is a section called "Marked by Style" on identifying unmarked jewelry. A little more than a beginner skill in my opinion but an interesting section to ponder nonetheless. She focuses 75% of her energy on Juliana, the remaining 25% on Eisenberg, Dorothy Bauer, Hattie Carnegie, Goldette, Haskell, Hollycraft, Sarah Coventry, Schauer, Schreiner and Weiss.

The remaining chapters cover:
* Upgrading your collection
* Repairing and Cleaning
* Cataloging a Collection
* Storing and Insuring a Collection

Over all the advice is quite sound, the G-U-I-D-E principle should be followed it will really help anyone avoid unfocused buying.

Quantity of Illustrations:
There are more than 750 total illustrations in Collecting Costume Jewelry 101. There are color photographs, original advertisements in color and black and white. The photos are clear and focused.


Quality of Illustrations:

Comments: The items selected are not riveting I think that they are pedestrian. Maybe that is because this book is pitched at beginners. However I feel that the selections should be inspirational and exciting. This is why the top shelf pieces in a book such as "A Tribute to America" are always fun to look at. I felt the items pictured were what the author could get permission to use. Which leads me to the inclusion of Christmas tree jewelry! There are too many Christmas trees in this book. And I like Christmas tree jewelry.

I have one very pointed example that illustrates my low score on the illustrations. The author devoted 3 pages to Miriam Haskell. In my opinion these are not good representative pieces, they are what was available to include. There is one pair of beaded earrings, a necklace with gold chain and a wood pendant that looks like it was made in shop class to me, several strings of beads, a pearl necklace that is not photographed close enough to generate any excitement and a pair of gilded earrings. I may sound harsh here but the wow factor of buying Miriam Haskell is not expressed in these photos. Feel free to disagree!

As a final note on the illustrations, I am reviewing the first edition of this book. According to the publisher Collector Books a second edition should be available soon. They promise 200 new photos and updates on the price guidelines that are included in the first edition.



Quantity of Information
Range of Information offered:
For the most part this is a good concise book to check for information. If you are looking for in depth information on a particular designer you should probably look at a more specialized book. For example there are entire books on Haskell, KJL, D &E, to name only a few designers.

Is the information thorough?
The information provided seems to be thorough and remember this is a book for beginners.

Values Listed (Prices) Yes
Are they helpful or realistic? The prices are being updated for a new edition
The prices are based on what one might hope to get in an e-bay auction.
Comments: Based on the prices sometimes I want to be buying and other times I want to be on the selling end of the transaction.


User Friendly:
Is the book easy to read and follow? yes
Is there a table of contents and index? yes
Is information easy to find? yes


Is this book a must have? Only for your friends who are just beginning to collect costume jewelry. I think Costume Jewelry 202 is a vastly superior book and I would recommend that (again).

Overall comments
If I had this book many years ago I would have avoided buying stuff I just didn't need. I would have made wiser purchases and would have a better collection today.

I actually bought her 2nd book (202) before buying this one (101) and while I treasure my 202 guide much more than this first one (because I'm not a beginner) - I think it is a fabulous book to have for those starting out. With a lot of fake WEISS and other great designers' jewelry being reproduced and sold as the real thing today (especially on eBay), it's a good guide to have that shows a fair amount and variation of these favorite popular designers' pieces. This will help the beginner collector possibly know a fake when they see it. Not all that shines and sparkles means it is the real thing or that it's collectible. I believe both her books should be bought together but the 202 Guide is definitely the very best there is (because it shows so many patents). I particularly like the fact that both of these books are done in sturdy paperback because if they were hardbound, they would be so heavy given how big they are. Lots and lots of colorful pictures! Well done!!

Found this book to be very helpful at my jewelry shows. Has lots of pictures and information on vintage jewelry and numerous designers. Does not go into great detail, but gives enough good information to be helpful. Because the information is listed in alpha order, my customers find it helpful when looking up specific designers or styles. This book is great for beginners and old collectors alike.

This book along with the "202" book by the same author are "must have"s for costume jewelry collectors, buyers and sellers. I can't rate them highly enough.

I learned many of the basics overtime and searching the internet. It is great to have so much information in one book. The photos are excellent and I would recommend this to anyone starting a collection. Great do's and don'ts.

Do you want to study and understand kabbalah in details? Are you trapped or met blinds in your studies into mysticism? Are you intrested to know who and who are the true author/authors of the great and renowned book in kabbalah The Zohar? You have met blinds in your kabbalah studies? Here is the one amongst other books that would shead light on your path to the true wisdom of the Ages. You would definately get more than your moneys worth.

When reading Scholem I often feel like I am reading an old testament prophet; his writing and words seem to convey a great dignity and authority and power beyond their age.

Major Trends is basically a set of lectures Scholem gave on Jewish mysticism. Scholem was one of the first scholars to apply scientific methods of criticism to Jewish mystical texts and traditions and their sources, which had been neglected to a large extent in favour of the rational Jews like Moses Maimonides. The age of Reason had little time for religion, myth and mysticism and it was really only in the latter part of the 20th century people began to return to their mystical traditions.

Scholem made many important discoveries, including showing the author of the Zohar (which supposedly came from the 2nd century) was written by Moses de Leon, a 11th century Spanish Jew. Also in this collection are some valuable studies of the relationship between Kabbalah and Christian Gnosticism, and on Isaac Luria's bizarre theosophic ideas, and of chariot mysticism which influenced early Christianity and many apocryphal biblical books such as the Books of Enoch.

Scholem's study remains the most important 20th century study of Jewish mysticism.

Gershom Scholem was a pioneer in the academic study of Jewish mysticism. Major Trends in Jewish Mysticism is an excellent introduction to the kabbalah. The book covers the main historical movements and personalities. It explains the basic doctrines, rituals, and texts. The footnotes and referenced authors and texts become an excellent source of further study for both the academician and the spiritual seeker.

What I love best about Scholem is that he wrote eloquently about spiritual enlightenment without presenting himself as being a mystical master or guru. He will guide you through the history of Jewish esoteric thought, after which you can sample some source texts (many of which now are available in English translation). No preaching here - just good scholarly thought and clear, eloquent writing. It's also amazing how a 60-year old volume remains the standard introduction while still being regarded as controversial in fundamentalist quarters. An awesome achievement!

Kabbalah is one of those things that everyone seems to want to be part of, and something that enjoys a high level of fashionability at the moment. While this is great, it also means that there is a lot of rubbish out there with "Kabbalah" printed on it. For the beginner or the curious, this can make getting at the real thing a bit daunting and difficult.

Scholem's book "Major Trends in Jewish Mysticism" is rightly considered a classic in the field of Kabbalah and the study thereof. While somewhat aged, the book still retains its status as among the most respected of works.

Scholem covers the major phases of Kabbalah, and includes sections on each one. He delves into the details, teachings, personalities and the impact of each phase, and brings the reader an erudite introduction to them. He includes early Jewish Merkabah mysticism, Lurianic Kabbalah, Abulafia, the Zohar, (a big section on this!) and even the very interesting Sabbatianism.

I found some points of terminology a little objectionable in connection with Gnosticism, but this would not be an issue for the general, non-Gnostic reader. As such, it should not discourage you from reading it.

As a starting point, Scholem's "Major Trends in Jewish Mysticism" is unbeatable for both its scholarly approach and also for Scholem's ability to make it all understandable and absorbable. This is a fantastic book and one worth getting. I could not praise this book enough.

To be honest, if Gershom Scholem wrote it, you can't go far wrong with it.

With all of the current claims by people of what the Founding Fathers intended for our country I decided to begin reading them for myself to achieve a personal perspective on what the Founders intended. This book and the writings contained are an excellent source of information and insight as to what Thomas Paine's intentions were.

Thomas Paine is an important figure in the founding of the United States. Although he was later ignored by the United States (when he was a prisoner in France...).

The book is a good compilation of the works of Thomas Paine. Paine was a smart man and his writings were influential in the American Revolution (Common Sense) and the French Revolution (Rights of Man). This book combines the writings into one book.

Common Sense is a short phamplet that greatly influenced the United States foundation. The sensical arguments seem obvious to readers in the 21st Century but in the late 18th century they were ideas that people needed to hear, and was a kickoff to the drive for independence. Common sense was read by a lot of Americans at the time and would do students of American History well to get the feelings of the Revolutionary period.

In today's politically heated atmosphere, people seem to have forgotten what this great nation was founded on. Reading this book is enlightening, awakening, and reminds us of what it took to make America. Sadly, it's also a pretty sharp reminder of how more and more of our rights are being stripped away from us. I think this book should be required reading in school, and certainly before any political discussion. I recommend this book to ANYONE of ANY AGE. Absolutely amazing.

every american should have a copy to see how the american goverment has taken away every liberty that was so hard to get!

Great book by one of our greatest patriots. Should be required reading for all American citizens.

I'm just getting seriously interested in composition and music for films and I literally knew nothing about the process. This book was an excellent overall primer, was written very plainly and clearly and I walked away feeling like I understood the entire process of film scoring, all the steps involved, people involved, how royalties worked, how to get started, etc. I also really enjoyed the last section which contained many good interviews with seasoned composers. I would definitely recommend this book, especially if you are just getting started.

I've come to recognize that any of the Berklee Press books will be excellent, but this book exceeded my expectation in nearly every way. Even though this is a textbook, it reads easily, and just as important, it is inexpensive. I was expecting a much smaller book for the price, and was surprised by the amount of material covered.

The only negative thing I could say about this book was that I had kind of expected more musical examples and tricks, for example that a whole tone scale is commonly used for dream sequences. There really isn't that kind of material covered in this book at all.

What is covered is the various legal and practical aspects of making film music as a profession, and it is covered very well.

I definitely recommend this book for anyone considering a career in film music, or even to someone who is interested in film music.

Finally, a bit of trivia from the book: Where much of the classical community derides John Williams' Star Wars score as being a rip-off of Holst's Planets, it turns out that Williams actually had to convince Lucas to use original material, in the style of the planets suite, instead of Holst's Planets itself which was the temp track.

This is simply a wonderful book, essential for a composer interested in film sountrack world.

This book arrived at my house yesterday, and I have since nearly completed it. I really can't put it down. This book is a real gem, with interviews of the real pros whose work you have certainly already heard. This book really gives you an extensive background of music in movies and a formidable description of what kind of work it REALLY takes to take on such a monumental task. For someone who is interested in film scoring, it shows you just about everything and everyone you will encounter. The interviews towards the back of the book are total gems. This book was a shot-in-the-dark buy, but a real gem. If you write music and you don't own this... you get the idea.

It`s all Berklee here !!!

Written by the great Richard Davis it`s an invaluable book that reveals the film scoring process.

It's just perfect for people who wants to begin a composer career. Very practical to read.

And if you're pro this will ilustrate you how to do it better, and have some important considerations

It's amazing how soothing just reading William Blake's poetry is on the troubled soul. I always look for his work to ease my mind and lift my spirit. Everyone should treat themselves to his work. Peace be with you.

A wonderful paperback edition, containing all the works of
William Blake, with a excellent introduction
of Harold Bloom. An priceless tool for students
and teachers

This is an outstanding resource for anyone interested in the works of William Blake. It's well organized and easy to work with. I'm very pleased with it.

What to write for my last review? That was tough. Since I was a little boy I have always been one of those who had his face in a book. Books, books, books. When I began my jobs as a paperboy, and later at the grocery store, I began buying books. This hobby grew so large, that my father made our rumpus room a library for me. And it grew ever larger. By the time I enlisted in the Air Force, I had amassed quite a large number of volumes. While in Europe and the Middle East, I would scour book stores and began purchasing leather books. Some very old, and many in foreign languages. Since the Air Force only allowed for a 5,000 lb limit, I spent a fortune sending books home. When I left the service my house looked like a library. Running out of space, I began to make my garage a library. However, it grew ever larger. Therefore, I made use of my brothers garage, then my mothers, and eventually even had to make due with having to rent a few storage spaces.

Yes, it's that large. I was hoping to make a large home library some day. Books have been my life: Even though I write mostly about Asian films. And I was glad that VHS films came into vogue, as they afforded me the opportunity to begin amassing a large collection of Japanese films which I have a soft heart for. That got real big too! Anyway, back to the question as to what to write for my last review? Well, I just happened to stumble across this book last night, one of many. There is a poem by the gifted and enigmatic poet, engraver and painter William Blake. I do recommend the book by the way. Events in my life have gone in a very negative way, therefore, I have decided to impart a poem as my last review. Hope you like it. It's one I have remembered from my childhood. There are too many great things to write about, and I figured this would not be a bad goodbye. It is William Blake's "THE TYGER"

THE TIGER

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?


William Blake (1757-1827)

It has all his writings: letters, anotations scribbled in the margins of other people's books, everything. Only downside: it doesn't show his illuminated printing.

I purchased this book off of a recommendation from a friend who said that everything that you need to know for the AP test is in this book. He was right. I first read the information provided about the test itself. I began to read through the five chapters of history in the book while supplementing my reading with my class notes. My teacher, though, ran out of time to teach us history from about 1980s and onward, so all of my knowledge about that era came from this book, which allowed me to answer those questions on the test. The book also has practice multiple choice and essay questions that I informally sampled; they were suprisingly similar to the real test. Overall, this book has enough information in it alone to guarantee a 4 on the test, and possibly even a 5, which is what I received.

I strongly suggests this book because it covers everything one needs to know for the AP European history test. Since the test itself is not that long. The book, though quiet short, covers everything one needs to know from 1450 to the present day. The book almost gives you a story for every era, from the age of Exploration, to the Renaissance and finally to the Industrial Ages and the Post-War modern era. If you love history, then this book will help you a lot. There are only a limited amount of things that you have to memorize, and if you are good at memorizing things, this book is the right source for you. The questions from the test are almost identical to the ones covered on the book in a way, if you read this book well enough, you should get at least a four on the test.

I was taking AP Euro as a Sophmore in the year 2005-2006. A friend from the previous year ('04-'05) got this book and passed the exam with a 4. She didn't do so good in the class as she got a C in both semesters. She gave me her used book as a gift. I got a B in both semesters and I can tell you that the course is tough stuff. I took I believe 2 practice tests before the actual AP Exam. And to tell you the truth, I got a 2 on both of the practice tests and was close to giving up for the actual test. But right on the night before the actual exam, I skimmed the book. I took the test on Friday (if I remeber correctly). I answered about 45/80 questions, and did pretty bad on my free-response questions (considering I wrote about submarine warfare on a question about WWII hahaha...). I left school after that day ashamed because I felt like I failed that test. However, today I just got my AP scores and to my surprise I got a 3!!! This books rocks like A lot!! Don't buy REA, i doubt I would read that book since it's too long. Princeton Review is the way to go because I got a 3!

I had a horrible AP Euro teacher, but I ended up getting a 4 with the help of this review book. It shouldn't be used as a substitute for the textbook, but I remember my textbook being the worst, and I used the older western heritage by Mckay. You can probably buy it on Amazon as well.


Another book that is probably just as amazing as princeton is "Modern European History" by Birdsall S. Viault. For some euro classes it's even required, and it's great for just reviewing before a test. If you read both these books, you will definitely have a good chance of passing the exam.

Princeton Review is a very good resource, especially for AP and (P)SAT preparation. This book has some great tips, especially with the DBQ and free-response essays. The review is excellent (though rather implicit-not too much EXplicit). This is why I STRONGLY encourage you to utilize the Cliffsnotes (excellent prep book as well, great features: timelines after every chapter, but poor review questions) books as well. Some information may be presented in this title a little better to suit your specific learning style. Nevertheless, the review questions after each chapter mimic the College Board's questions. Undoubtedly, the best feature of this book is the two AP exams in the back. I'm not sure if these exams are past College Board releases, but they are very similar. All in all, buy the Princeon Review for the review and practice exams, and buy the Cliffsnotes for its great review as well, timelines, and comprehensive layout.

While it's size may seem like overkill, this book packs a punch! Once you open it you'll see that it is definitely worth the money you'll pay for it. The photographs are really great and they give you a really cool behind the scenes look at the sets of the entire Star Wars Saga. Many of these pictures have never been published, so that alone is a very neat feature! And this book is more than just a pretty picture as it has some really well written and informative bits that I had very little understanding of before I read it. I now have a better grasp of set building and computer animation and special effects. I recommend this to any Star Wars Fan!

WOW - photos I've never seen anywhere else! What a fun non-read this is!!!! For sure a book to talk about and keep on a coffee table! Small, packed and colorful!

This book offers a very nice mixture of inside views to the making of the original Star Wars movies as the new series Episode I to III. Each day (or double page) is showing one aspect of this amazing series with lots of pictures and information waiting for you.

Only downside in my opinion is that it is a bit too much focused on the new Episodes even though there is tons of information about the original movies too.

On the other hand you have a CD with 360-degree-views of some sets and some rare pictures on your PC!

All together this might be the perfect gift for a Star Wars fan like me ;-) 5 Stars!

This book is not the same old thing. It features pictures I'd not see anywhere else. Its a very heavy, very thick book full of great behind the scenes stuff. Worth every penny. I just wish John Knoll would make an equivelant book for Pirates of the Caribbean.

This book is really cool for most Star Wars lovers. It shows you how they filmed the movie. You can see who played the Wampa. I think the coolest part is Mustafar because you can see the lava river bank. You can also see on one page all the Astromech droids. You can also see alot of cool other stuff.
You should buy this book if you're a Star Wars fan!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

This book is a amazing book of Heroic Truth. It tells the truth about many of the literal hells of the 20th century, the countless deaths of millions. It is also the first book i have seen that actually deals with all murders by people/goverments.
In the Kellog-Briand act, if they wanted to outlaw WAR, they should have first outlawed Geonicide and Mass Murder. This may sound strange to many who think of war as the most evil thing of mankind, but in fact, it isnt. War has some loose honor, and loose rules, but they are still there. Geonicide has no rules. Geonicide, and Deomicide are just killing, pursuing, and exterminating.
This book offers a great perspective, and should be read by every living being capable of reading, and if they cant read, then it should be read aloud to them by someone else. This should be taught in all courses, all curiculums,and all course in colleges.
This book is a difficult read, but a must read. But remember though, many of these numbers for many of the atrocities are low, and he figures out the numbers by averaging high numbers and low numbers, which in the case of some, like the USSR, and the 32 million low, were placed by the USSR itself to just make propogande and make the thought into peoples minds. The Low for the USSR is at least 50 million, no less. It could very likely go up to 100 million, if you think about it too, and thus the number of Stalin's murders would go up to, as the other USSR Leaders werent as brutal as him.
China's Murder is also a extreme low. The number Mao Zedong killed is at estimates of a incomprehendable 6 million all-time low record, like saying Fat albert is a light-weight, and the number for mao is at about 35 - 56+ million murdered. This causes some strange statistics.
Overall this book is a classic and book that should be honored as much as the Bible.

R.J. Rummel has spent his career assembling data on genocide, politicide and other government mass murder (studying more than 8,200 reports with estimates). He introduced a concept he calls "democide" which includes genocide, politicide, mass murder, and indiscriminate killing of civilians. It does not include battle deaths or collateral damage. He is using a scientific methodology that he applies consistently to come up with consistent mid-range estimates for democide. His findings are horrifying. 170 million people were murdered in the 20th century alone. Later he revised this number to 262 million. For comparison, it is estimated that 70 million people died from famine in the 20th century, 25 million has died from AIDS, 250 million died from Malaria in the 20th century, and 300 million from small pox. In conclusion democide killed considerably more people than war, famine, and AIDS and as much people as the two worst 20th century diseases. It should also be noted that previous centuries were just as democidal.

Rummels book "Statistics of Democide" presents his findings in great detail (very long lists of statistics), and additional information can be found on his web site. This book "Death by Government" gives some statistics on the topic, but the focus of the book is not on the statistics but descriptions of the democides and the regimes that perpetrated them. Therefore this book is easier to read and perhaps a bit more interesting (but just as gruesome) compared to "Statistics of Democide". However, "Statistics of Democide" is a better factoid resource.

In this book he describes the following murder regimes and their democides in more detail: Soviet Gulag State (62M), Chinese Communist Anthill (35M later revised to 78M), The Nazi Genocide State (21M mostly genocide), The Depraved Nationalist Regime, KMT (10M), Japans Savage Military (6M), The Hell State Cambodia under the Khmer Rouge (2M), Turkeys Genocidal Purges (1.9M), The Vietnamese War State (Vietcong) (1.7M), Poland's Ethnic Cleansing after the war (1.6M), The Pakistani Cutthroat state (1.5M), Titos Slaughter House (1.1M), Orwellian North Korea (1.7M), Barbarous Mexico (1.4M), Feudal Russia (1.1M). M=million killed.

The descriptions of the democides are horrific and very sad. The big questions are how can these things happen? People can be very cruel and brutal towards each other that is for sure, but regimes that hold a lot of power over their citizens are the regimes that will commit these crimes. To quote from Rummels web site: "Why do dictators kill and make war? Is it for glory; for things, for beliefs, for hatred, for power? Yes, but more, because they can". Regimes that can't do it won't. Democratic regimes, especially liberal democracies commit very little democide.

It is bewildering to reflect on how many people were murdered in the 20th century by the hand of brutish governments. According to this book's estimates, the figure is around 169,000,000. This one-of-a-kind book is an indispensible compendium that informs the reader about why these mass murders were carried out, but more importantly, how. Hopefully, we will one day learn the lessons of history and stop these kinds of atrocities before they are allowed to reach the magnitude of those chronicled here.

Rummel delves into the historical tensions that brought about most of the conflicts that lead to mass exterminations. Many of us may know nothing beyond the basics about Stalin's Great Terror or Hitler's Holocaust. What's frightening to realize as you read this book is how the demagoguery that lead to these mass murder incidents is not all that far removed from what we hear from some of our own politicians today.

The author also goes into quite a bit of detail about some of the lesser known campaigns of genocide (or democide, as he insists on calling it) of the 20th century, such as that of Turkey against the Armenians, and incidents by the Polish, Japanese, and Pakistanis.

This is an important book. I believe it is one of the most important books I've ever read. No one who considers himself a serious scholar of 20th century history can omit this book from his collection.

And with reason. There is none of the sacrifice, drama or nobility reported in battles. It's not about Thermopylae or Gettysburg.

This is an account of what humanity has done to itself--and continues to this day. It's a book on comparitive demonology. One almost gets the impression that a soldier ripping a baby from his mother's arms, tossing it in the air and catching it on the point of his bayonet is the rule, not the exception. Ditto for POW's captured by front line troops.

The author is a professor of Political Science who finds it amazing that his colleagues write texts on the purposes of government, yet fail to mention that (with the possible exception of the Jewish victims of Nazi genocide) instead of protecting citizens from "the savagery of the jungle" by rule of law, governments have and continue to be, THE greatest killers of all.

"Democide" is the word he coins to combine genocide (murdering because of membership in a hated race, ethnicity,or religion,) plus politicide ( murdering for political purposes, e.g; dissidents ) and mass murder (indiscriminate killing).

Democide is always committed by governments. It is as organized as taxation or road building. Discounting civilians accidentally killed in cross-fires, or even in the aerial bombardments of cities, this still leaves horrifying numbers.

Pre-Twentieth Century? An estimate of 169,198,000 human beings massacred. Since this includes the victims of Genghis Khan, Incas, Conquistadors, etc., There's an obscene tendency to see them as not quite human, not quite real due to the distance in time. So Tarmelane, the Turkish conqueror slaughtered 100,000 people outside of Delhi and he liked to make pyramids of human heads?--Who cares?--Just stuff in history books. . .

Is WW2 is close enough? We all know about the 6 million Jews, but did you know that constituted only aprox 13% of the victims of The Nazi Genocide State?

Overall, by genocide, euthanasia, killing of hostages, reprisal raids, starvation, forced labor camps and so forth the figure is anywhere from 15 to 31 million, most likely 21 million. Rummel admits he may be off somewhat in numbers, but certainly not as to the State's intentions. The Nazis still head the list when it comes to killing people in occupied territories, with the Imperial Japanese Military being second.

As to murdering one's own people, it's estimated some 35,236,000 for the Communist Chinese Anthill. The author notes that those who were shocked by the 1989 Beijing massacre of students, really shouldn't have been--it's the norm. But even that figure is topped by 54,800,000 victims of The Soviet Gulag State.

(Not counting an additional 5-7 million comprised of German POW's plus non-combatants deliberately murdered by The Red Army).

For sheer numbers, Stalin is our grand prize winner in brutality. In terms of percentage, however, the Khmer Rouge led by Pol Pot beats his insanity--they wiped out nearly one third of all Cambodians.

The chapter on The Vietnamese War State is most instructive, not just for the total toll of 1,670,000 victims but for the inferences Rummel draws: Before the U.S. entered the war, the Viet Minh were already as hardened a bunch of mass killers as the most disciplined SS units under Himmler. America had no idea what it was getting itself get into.

The Balkans are something else. Off the scale.

Required reading.

Professor Rummel's work, Death By Government, is a product of eight years of research into the roots and causes of Democide - defined as the intentional killing by governments through genocide, politicide, and arbitrary mass murder of its people. The cornerstones of current U.S foreign policy - centered around fostering democratic freedom - are based upon Professor Rummel's correct observation, that liberal democracies promote the greater peace and they are essential to eliminating Democide and ending wars between nations. Through empirical research the evident truths become exposed and the reader is left with the overall understanding that absolute power corrupts and leads to the murder of a governments' people and that only through restricting and checking power can these horrors be restrained. Democracies virtually never make war on each other and the more democratic two governments, the less the likelihood of violence between them. So not only is democracy a solution to domestic democide, but globalizing democracy is also a solution to war. The existence and spread of liberal democracies (not just electoral democracies, but liberal democracies in terms of civil and political rights and liberties) provides the long run hope for the elimination of democide and war. Professor Rummel astutely notes that power's relationship to democide is on a continuum - the more absolute the power, the more democide. The problem is Power. The solution is democracy. The course of action is to foster freedom.

i ordered this one and the 'special assignments' book at the same time and read them both back to back. the way that 'achilles' slips from fandorin's view to achimas's view is seamless and well crafted. the story moves quickly, and the internal politics between the different departments are just as interesting as the battle between our hero and his main adversary. i liked very much that akunin gives the antagonist a human side (as much as possible for a professional killer). the fact that fandorin is not entirely perfect, and he's not entirely invulnerable makes him so much more believable. this book is well worth your time if you loved earlier fandorin mysteries.

This is the fourth Fandorin story to be translated (with kudos to Andrew Bromfield for a great job) of the eleven stories that Akunin has written. It would be great if the publishers could get moving and get more than one book translated each year. Much of this book is a continuation of the story line from the "Winter Queen" and the conflict between Erast and the assassin Achimas.

The book itself has an inventive structure. The first part (which is divided into chapters) deals with Erast and the 'Death of Achilles' (aka General Sobelev) who was a hero to most of Russia. We learn that the General was planning a 'coup d'etat' and that he planned to set himself up as Tsar. He dies though, inflagarante and this is just the beginning of the story. Erast is certain that the General was murdered but he is not sure why, how or on whose orders. As he works his way through the maze of misinformation, double and triple agents, just as he is about to confront Achimas, the first part ends.

The second part (where chapters are headlined by names) is the biography or history of Achimas. How he came to be an assassin for hire and his training and background. We even see how he first encounters Erast. In the end we follow him through the murder of Sobelev and fill in some of the information left out in the first part. Again this section ends as he is about to be confronted by Erast.

The third part is the short (only twenty pages, two chapters) where the two antagonists square off and we learn the identity of the man who has ordered the 'Death of Achilles' and why.

Though I would have preferred to read more about the six years that Erast spent in Japan (I assume there will be flashbacks in future novels) the background on Achimas is entertaining reading.

Fandorin is back in Russia from Japan with Masa, his manservant, and immediately encounters the mysterious death of General Sobolev, his colleague from "Turkish Gambit". Other reviews have detailed the plot, so I won't elaborate, but as someone once said "the beauty is in the details"; they are in abundance in this book. One of Akunin's strengths is that he creates villains as interesting and complex as his hero Fandorin, and this book contains a very worth match for the intrepid Erast Petrovich. The last third of the book elaborates upon the life of this villain and his motives, essential to the plot and evoking details from "The Winter Queen, aka Azazel", my second favorite Fandorin novel. As usual, Akunin includes well-drawn, intelligent and beautiful femme fatales to add some spice to the mix.

This book would translate nicely to the screen. I have read that Azazel will be refilmed in 2008 by an American director. Perhaps then Fandorin will have a larger, well-deserved world-wide audience.

Strongly recommend to all lovers of mystery who enjoy an occasional mental exercise :)

A remarkable series to say the least , with an incredible backdrop of Russia towards the end of the period of the Tsars. The one thought which crossed my mind when I put down the novel was , just where was Boris Akunin all this while. Erast Fandorin , a 24 carat hero, is one of the best sleuths that you will encounter in literature.
The setting is 19th century Russia flirting with enlightenment , with significant tension simmering with imperial neighbors. The nation is rocked with the death of its favourite general in rather suspicious circumstances, conveniently in the same hotel where Erast Fandorin is lodged. What follows is a remarkable story of unravelling layers of intrigue .Every murder seems to indicate an acceptable closure to the mystery , but a never say die pursuit by the detective takes you deeper into the darker forces involved. Fandorin has a remarkable Japanese man friday which tends to deviate from the usual diet of dumb counterfoils to brilliant detectives. Fandorin is Holmes with Zen nay a Bond with restraint. There's much more than just Fandorin to savor here. The rather brutal rural Russian setting gives rise to a diabolical assassin who almost proves too much for out hero.
Its a great commentary on Russian society during the 19th century, much as the pipe smoking Holmes characterises Britain. Never a dull moment , this is a book to savor.

This is a great book of the behind the scenes with many photos and insights from those around Rod Serling during the creation of the series and effects on the world because of it.

This was a program I had grew up on and I say thanks for the behind the scene cover stories and pictures.

Back in 1983 I received a type-written catalogue in the mail that advertised sets of proof sheets from the Viacom archives...namely the "Twilight Zone"! - Hundreds of rare, behind-the-scenes photos from the 1st three seasons of the show were being offered for sale! Unfortunately, I was "between jobs" at the time and was unable to purchase any of the photos. Some of the sets from the more popular episodes were already marked "SOLD" in the catalogue, and I have always assumed that the remaining ones were snatched up quickly by collectors.

WRONG! Most of them are IN THIS AMAZING BOOK! Author Stewart Stanyard's
introduction explains how he happened to acquire this fabulous collection,
and even though Stanyard's writing is merely passable(he's not a professional author), the PHOTOS are INCREDIBLE! And there are LOTS of them, too!

I have always been fascinated by behind-the-scenes stuff, and as I paged through this book, I could not believe my eyes. I have now spent hours staring at full-page, elevated shots with cast, crew and sets from episodes such as "Death's-head Revisited", "The Purple Testament", "Static", etc....and an unbelievable shot of the dual break-away set of "A World of Difference"; great stuff!

And even though the quality of the writing is only so-so, the author at least arranges and presents his material in an intersting format. But in
the chapter entitled "Themes of the Zone", he goes a bit too far trying to
shoe-horn TZ's plots into neat and tidy categories. For instance, I was
baffled by Stanyard's assertion that bookworm Henry Bemis (of "Time Enough at Last") is a "social misfit" who gets what he deserves when he breaks his glasses, since he spent most of his life shunning the company
of his wife, co-workers, etc. Astounding! That's just NOT RIGHT!
Henry Bemis is the quintessential "Everyman", the little-guy who is hounded and misunderstood by the world, who finds comfort and solitude in reading because the real world is a harsh and uncaring place. Doesn't he try to interest his customer in the opening scene in "David Copperfield?" Doesn't he attempt to share his love of poetry with his thug-like wife, who cruelly feigns interest only to shatter her hapless spouse when he discovers that she has defaced his beloved volume of poems?
NO---Bemis' story is an example of the most cosmic sort of tragedy--- the
little guy who is crushed by the most cruel and ironic hand of fate.

Anyway, Mr. Stanyard also mixes up the two actors who play the 2-headed
Martian in "Mr Dingle the Strong"; Douglas Spencer is the guy on the RIGHT (remember him as "Scotty" in the 1951 "Thing from Another World?...the guy who says "Keep Watching the Skies" at the end?)

Also...I realize comedy is a very subjective thing.....but the author
praises "Mr Dingle", "Mind and the Matter" and the ridiculously over-padded "The Bard" as stand-out comedies, while dismissing the truly
funny "ShowDown with Rance McGrew" as merely silly. I think "McGrew" is a comic gem, with marvelously controlled performances by Blyden, Cornthwaite and Johnson in roles that could have easily veered into
total caricature. And Jesse James' arrival at the end as McGrew's agent and the subsequent change in the script cracks me up every time.

BUT WHO CARES ABOUT THE TEXT?!! It's the Photos that allow us to step back in time and peek in on the production of the legendary "Twilight Zone"! SEE Joseph Schildkraut reading his off-camera lines for "Death's Head".....SEE Brian Aherne and Pippa Scott rehearsing their night club encounter in "The Trouble with Templeton"....SEE numerous shots of Fritz Weaver being assualted in the final scene of "Obsolete Man"....SEE Ivan Dixon as boxer Bolie Jackson being photographed from UNDERNEATH the
boxing ring in "The Big, Tall Wish".....the list goes on!

GET THE BOOK!

PS. There is also a nice selection of interviews with actors, writers and technicians who worked on the series, plus a very cool reminiscence by Charles Beaumont's son Christopher.

I was first struck by the weight of it - high quality softcover and beautiful bond - even before opening the book - I knew I was in for a treat - This is the perfect celebration of the great series. Rod would be honored by the care and reverence, by the personal recollections thick with respect and admiration for his genius. Stanyard has formatted each section brillantly - the interviews and essays are a perfect compliment to his own contributions. And the photos - pure magic. But I was struck with a twinge of sadness because for all these years I was convinced that each episode came from the ages - certainly not from prodcuers, actors, cameramen - but they're all right there - Stanyard has pulled the curtain aside.

Any book about The Twilight Zone has big shoes to fill. Marc Scott Zicree's The Twilight Zone Companion is the bible of The Twilight Zone and, moreover, one of the great books about a television show--any television show. Still, give Mr. Stanyard his due, this is a pretty good book.

Wisely, Mr. Stanyard has followed a different path that Zicree. After a few early chapters on history and analysis of the show, the bulk of the book is taken up by interviews. Over 150 pages of interviews with nearly 40 people involved in the show on various levels, from relatives like Carol and Robert Serling, to writers (Matheson, Hamner, etc.), actors, producers and directors. The last pages are a series of "appreciation essays" written by various people who feel their lives have been impacted by the show as well as speculations by people who knew him of what Rod Serling might have achieved had he lived longer.

Mr. Stanyard has also included a number of interesting photos and a few documents like letters and contracts. Most of the photos are backstage photos from the author's own (inherited) collection. This actually poses a bit of problem. Since the photos Stanyard received cover only a fraction of the episodes, there is a lot of repetition from certain episodes and a whole slew of some very great episodes that have no pictures.

In fact, if I were going to nail down one weakness in the book, it's repetition. Besides the pictures, the interviews also end up being somewhat repetitive as many of the people interviewed have very similar words of praise and descriptions of the show. We're all fans of the show but, with rare exception, the interviews are variations on a theme with not as much enlightenment as I was hoping for.

Still, for a fan of The Twilight Zone this is a difficult book to pass by. There are enough pleasures here to make spending time with this volume worthwhile. For newcomers to the series, I would suggest Zicree's book first.