Arts and Crafts Books
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Used price: $0.48

Love this book!!Review Date: 2007-09-11
Curb appeal made easyReview Date: 2007-08-31
Have my own and now purchasing for a neighbor!!Review Date: 2005-07-15
One of my favoritesReview Date: 2006-05-19
This book is wonderful Review Date: 2005-05-26

Used price: $11.14

Want to learn how to make tiles? This IS the book!Review Date: 2008-09-27
Marvelous! Review Date: 2008-08-13
VERY nice, overall primer to tile making. BEGINNERS will love this book!Review Date: 2008-04-21
tile makingReview Date: 2008-04-21
Making and Installing Handmade TilesReview Date: 2008-02-29

Used price: $16.39

AWESOME BOOK!Review Date: 2008-09-26
Beats Beyond the HorizonReview Date: 2008-03-19
Loving LandscapesReview Date: 2008-03-18
Kay S.
Points of View - Landscape Quilts to Stitch & EmbellishReview Date: 2008-04-07
The simple techniques that you can try will encourage you to then design and make your own landscape quilt.
Excellent bookReview Date: 2008-03-19

Used price: $3.05
Collectible price: $19.95

Polymer clay bookReview Date: 2008-07-02
great bookReview Date: 2008-04-27
Excelente guía para principiantesReview Date: 2007-09-05
Felicitaciones a la autora Syndee Holt.
Wonderful Book For The First Time Clay Artist!Review Date: 2007-09-01
"Polymer Clay for the first time" begins with explanations of the basics: types of polymer clay available, tools needed to begin working with clay, and some of the various ways in which this clay can be used. The next sections--which make up the bulk of the book--are instructional, beginning with the simple and becoming more complex as the reader acquires skills and knowledge. There is, finally, a Gallery section of finished works (some quite astonishing in their minute detail!), a Metric Equivalency Chart, and a very useful Index.
"Polymer Clay for the first time" is a wonderful book that will give the beginning polymer clay user the basic techniques in order to start crafting immediately, as well as a strong foundation for expansion and growth, should the artist desire to further explore this flexible, colorful medium.
Just a beginnerReview Date: 2006-08-20

Used price: $7.30
Collectible price: $21.95

Another Winner from Margaret Rolfe!Review Date: 2006-01-23
A Fabulous Introduction into the World of Foundation PiecingReview Date: 2001-10-23
The book is a great reference for other sewing projects and consists of 112 pages so it's rather thin. The book covers basic embroidery stitches (chain, french knot, stem, and more) with directions and illustrations, ways to add borders with directions and illustrations, assembling the quilt top, binding, and quilting of the finished work. There's a section pertaining to fabric selection and sewing materials/equipment.
I'd never paper pieced in my life and this book covered all the bases to complete these mini-quilts in a short period of time with professional looking results. I've surprised several family members with my work!
If you need a quilting book with easy to make animals, purchase this book as you will not be sorry.
Artwork, not patchwork, beautiful quilting easily doneReview Date: 2001-05-12
So Easy! Even for a beginner!Review Date: 2003-04-25
So Easy! Even for a beginner!Review Date: 2003-04-25

Used price: $2.93

Good, but not great.Review Date: 2005-09-21
Best yet book on making flowers from ribbon!Review Date: 2007-05-07
FantasticReview Date: 2006-07-16
A history, a guide, and lovely flowers, too!Review Date: 2005-05-27
book + practice = nice ribbon flowersReview Date: 2006-03-14

Used price: $18.65
Collectible price: $57.75

Solid goldReview Date: 2008-05-11
Magic with threads indeed!Review Date: 2008-03-19
One of the best Thread Painting book availableReview Date: 2008-03-06
Thread Magic The Enchanted world of Ellen Anne EddyReview Date: 2008-02-13
Great bookReview Date: 2008-01-14

Used price: $15.54

InspirationalReview Date: 2008-09-26
by Catherine Ann Jones
At last! A writer who inspires writers to write while at the same time sharing her insights into and experience of the actual writing business. Spice is added to the mix with anecdotes sprinkled throughout about the many famous creative people she has known and met.
'To be an artist of any kind in a time in history that does not value the creative fields provides a continuing tension in relation to the art of survival. Still, you have the advantage of living your dream,' says Jones. After relating an incident where a wealthy NY doctor told her he had always wanted to be a writer but hadn't because his father who had been a doctor expected him to
be one too, she notes that he probably earns a lot more money than she does, then quotes sculptor Louise Nevelson, who said, 'You pay a price for what you do, and you pay a price for what you don't do.' Jones comments
that 'the plain truth is you must choose which price to pay'. She believes that those who do not do as they want to do pay the greater price, and says, 'The challenge is to hold the tension and let it work within you in a
creative, constructive manner...This inner tension aids in creating complex characters strong enough to hold the chaos.'
Yes but HOW does a writer create such characters? In a chapter entitled 'Creating Character-Driven Stories', Jones offers pointers to what she calls the 'solid craft' of writing, plus some additional advice to ease the pain of being an unknown, underpaid or forgotten writer, and inspiration to carry on despite all odds set against one, quoting people like Goethe, who observed in 1771: 'Where the light is brightest, the shadows are deepest.'
She even offers a whole chapter called 'Transcending Writer's Block', considering what it is and how one may counteract the depression that often accompanies it. 'Creative people are committed to risk,' she nobly says, which somehow clarifies the situation and calms the upset the artist feels when everything is seeming to go badly wrong on the material level.
But even success, as she has found, can cause an emptiness to grow in the soul. This led her to escape her success on a coastal walk in Cornwall where she experienced an epiphany upon hearing a small thrush
singing 'for the sheer, natural joy of singing, not for agents or critics'.
Then she relates how a publisher rejected Emily Dickinson's poems in 1866, offering to teach her grammar. Dickinson's poems were found only after her death 'wrapped in a carefully sewn parcel, hidden under the carpet'.
As Catherine Ann Jones says, sometimes time and space are required to 'prepare the ground' for writing, as is courage to 'risk everything for the moment' while remaining 'open to change'. Finally she reveals her secret: that writing arises from meditation on something greater than herself, that it is her way of expressing her connection with that greater something.
Aside from the invaluable exercises and tips on what she calls the writer's 'craft', this is a deeply personal and honest account of what it means to be a writer, and of how to use writing as a meditation practice so that your intuition may be freed enough that it will just possibly lead you to the door of greatness.
- Amy Corzine, Author of THE SECRET LIFE OF THE UNIVERSE: THE QUEST FOR THE SOUL OF SCIENCE (Watkins, UK, 2008); a graphic novel adaptation of JANE EYRE (Classical Comics, UK, 2008); and TAKE THE KIDS: IRELAND (Cadogan Guides, UK, 2nd ed. 2006)
Like a conversation with a trusted friendReview Date: 2008-07-06
The personal anecdotes and quotations Jones uses to illustrate her points are brilliantly chosen.
In The Way of Story, Catherine A. Jones shares lessons learned in becoming an award-winning writer.
Wealth of practical tips for writing a successful script Review Date: 2007-12-02
Good Writing Comes From The SoulReview Date: 2007-12-29
I left the bookstore, looking at the book's unusual cover--a picture of an elderly fellow seated in a large old rowboat, its empty space in the rear crowded with colorful flowers. He uses a single wooden oar to paddle through the wide open sea as sprays of watery foam hit his face and obstruct his view. I see this as a metaphor for the obstacles and endlessly murky situations humans encounter as they row their way through each and every day, experiencing both the beauty they enjoy and the unpredictable vicissitudes that inevitably become obstacles along the way.
Numerous brilliant, relevant quotes by famous people appear on every page of The Way of Story. They remind the reader of the importance of soul to writing, of the path that writing must take in order to include the elusive soul. I read the profound and unique philosophies of such luminaries as Winston Churchill, Rimbaud, Harold Clurman, Lao Tzu, and many more, all of whom guide us to honor the soul. And we honor the soul by listening, by being still, by believing passionately in ourselves. "Passion," Jones writes, "must come first, then craft. The essence of Art is to use the outer form to convey an inner experience. This sacred thread, your innermost being or Soul, binds you emotionally to what you write, and if given respect, will lead you on to the desired end. Stories written from this center will move mountains--and even create livelihoods. Years ago, when interviewed by the New York Times about my approach to teaching, I was quoted as saying, 'We've become lopsided living only in our heads. Writing, in order to serve the Soul, must integrate outer craft with the inner world of intuition and feeling.'"
This book has become my bible because I am among those who are lopsided. And for all those writers who believe they are lopsided, Jones offers excellent guidance. Among the numerous suggestions she offers is a remarkable exercise called Soul Dialogue, in which she guides us to envision our soul, to learn from it what it wants, what it truly wants, and sincerely wishes to communicate to others. This message pervades her book. One of the many quotes I will always remember comes from another spiritual teacher--Butoh, a famous Japanese dancer: "The Soul is the important thing. Form will follow."
Form is the craft; soul, the art and passion. The author insists that the goal of writing is to reach the essence of feeling. She shares stories revealing how she has achieved this. An example was a day when Jones was in an acting class with the famous teacher, Uta Hagen. Jones was playing Ophelia. Having already played Shakespearean roles for a well known director in England, she felt confident that her improvisation was a good one. Until Ms. Hagen shouted, "I want you to play an Ophelia I believe goes to the bathroom!" At the time, she was stunned by her failure, but she carries this lesson over to writing. "Characters," she reminds us, "must be three-dimensional, grounded, and not just an extension of the writer's projected aesthetic imagination."
The essence of the author's advice is to dare to be personal. Jones reminds us that how we remember is how we give meaning to our lives. Lao Tzu asks, "How do I know about the world?" His answer: "By what is within me"--five important words I have placed on my mirror where I can see them each morning before I begin my day.
Catherine Ann Jones does not overlook the supreme importance of craft, and she is nothing less than inspiring in her chapters delineating the various genres. She covers the more obvious and less interesting ones (to me) such as structure, rewrites, outlines and dialogue. But her book is about so much more--about the voice of character and how to convey it, the unexpected synchronicities of writing, the resource of memory, the writer's voice, discovering your personal myth, one woman's remarkable story. She believes we must pay no attention to what will happen to the work, whether it will succeed in the marketplace, whether it will even reach the marketplace, quoting Robert Frost... "All the great things are done for their own sake."
There is no way to do this book justice in a brief review. Like most things in life, this book must be experienced to be fully known and appreciated. I can promise any student of writing, experienced writers, and anyone merely interested in learning more about the craft that this book will make you glad you did not leave it behind in the bookstore.
by Duffie Bart
for Story Circle Book Reviews
reviewing books by, for, and about women
The ins and out of writingReview Date: 2008-02-07
Few books simultaneously pay equal attention to both the architecture AND the soul of the story. Finally, I think the book offers gems to both novice and experienced writers, including advice and a bounty of challenging exercises to get the ideas out of your head and onto the page. I wish I'd had this book when I started!

Used price: $8.99

great for christmasReview Date: 2007-04-01
Delightful and Inspiring BookReview Date: 2007-03-19
North Pole Welcome - ReviewReview Date: 2007-02-18
Having had the book for a few weeks now, I find the contents very informative, and the instructions easey to follow. I can recommend this product to any would-be enthusiast.
Welcome to the North PoleReview Date: 2007-12-14
Cutest Christmas ever!Review Date: 2006-08-10
Sincerely, LPotts

Used price: $7.45

Cute and biggerReview Date: 2008-07-25
Very cool dolls. Easy to make.Review Date: 2008-06-16
Cute, cute, cute Dolls!!!Review Date: 2008-06-04
Great book with good ideas!Review Date: 2008-03-25
The Cute Book super-sizedReview Date: 2008-03-24
As with "The Cute Book", the patterns are very easy to follow. The instructions are fully illustrated, making it so that you don't even need to read the words in order to make these dolls. The book is beautifully presented, with colour photographs throughout and the captions on each of the pictures are hilarious (for example "Make us cute or we'll be angry!").
This is the second book in the Aranzi Aronzo "Let's Make Cute Stuff" series. People who enjoy this book should also consider purchasing the other books in this series: "The Cute Book", "Fun Dolls" and "Cute Stuff".
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