Langston Hughes Books

The book is worth purchasing for the biographical background. His youth and adulthood were extremely tough and lonely. Hughes seems to have lost his religion early in life.

Excellent book and historical treasure that I intend to pass down to my grandchildren in the future.

I prefer his earlier stuff but there are poems in this book that make the entire thing worth it. Nude Young Dancer, Minstrel Song and countless others made me want to weep and smile. What can I say, I felt this guys pain...

If you haven't heard of Langston Hughes, I suggest that you purchase this, THE COLLECTED POEMS OF LANGSTON HUGHES, as an introduction to his style. Hughes was part of the definitive Harlem Renaissance Movement of the 1920s through the late 1940s, that was a very important period of time for African-Americans in the United States. For the first time, their voices were really being heard [and recognized] in the genres of music, writing, and sculpture, in this country.

This book is an amazing collection of five decades of his most powerful, intelligent and sensitive works. The poems start in 1921 through 1967. There are also several poems, written for children, that I didn't even realize Langston had penned! So beautiful and unexpected. What's more, one of his most well-known poems is featured, here, "What Happens to a Dream Deferred." Langston Hughes' views of race, society and social issues are truly timeless and compelling. For me, reading his works is like listening to a quiet, constant patter of rain on the rooftop, gradually growing with intensity, until the raindrops start flowing like teardrops from the great sky. That is how Hughes uses language. Essentially, he derives his beautiful rhythmic poetic language from an infinite river of words, he then pours them over on another and tells stories. This is truly the book to add to your poetry collection.

More than the exiled Eliott, greater than Walt Whitman, consistently clearer than Ginsberg, more powerful than Pound, freer than Frost, more American than Wallace Stevens, moreso even than the mighty Merton, here at long last is our greatest American poet receiving over-due respect.

A thick tome I purchased for my English learners which will instead fill my bed and my head for many cold and lonesome months ahead. Like the collected Poe, the collected Giovanni, an essential element to any American literature shelf, here for the first time meticulously researched and reported, with promise for more should any further works emerge. This is our American voice, clear and strong. This is the consummate volume of this great American poet, the one who wrote:

"( . . .) I've known rivers, ancient dusky rivers.

My soul has grown deep like the rivers."


May we once more grow deep with him, and by him. Read him, once more, here, complete and correct. Read him, and recall our America. Read him.

BOOK ARRIVED IN EXCELLENT CONDITION, AND THE SELLER DID SEND THIS BOOK ONE TIME.

Many people praise the poetry of Langston Hughes, but I believe that his prose is just as relevant in regards to social criticism, and as magnificent in form. Reading Simple's tall tales, and his anecdotes as he experienced Harlem reminded me of the stories my Grandparents told of how Chicago was during the great Northern Migration. This collection is a wonderful introduction to Jesse B. Simple

I love this book. Simple reminds me of all the men I know where there is that thin line of love and hate but you just can't help but love them and their wit. For anyone who needs a few good laughs and enjoys Langston Hughes you won't be dissapointed because Mr. Hughes truly does it all!

This is one of my favorite Langston Hughes books. His character Simple reminds me of one of my friends. Always bumming money for his vises and having women problems seems to be Simple's lot in life which he bears with hilarious results. Langston Hughes is funny as his put upon friend dealing with Simple's strange but oddly common sense philosphies about just about everything from feet to cops to women. This book is worth reading if for no other reason than that you will find that one of your friends is Simple in disguise.

Collected here in this book is some of the BEST OF SIMPLE (Semple). Simple was a character first introduced in the Chicago Defender and one who quickly won over a diverse group of readers. Here you will find his talking buddy at Paddy's Bar, varying female characters who function as both pleasure and the occasional headache for Simple, and a generous offeringing of black country folk wisdom on a variety of topics, a few still with us today as when Simple first offered them up for thought. The reader piggybacks Simple through all his trials of life as a black man in Harlem and the U.S. Throughout it all, there is this inescapable sense of lonliness and despair which in the end is buoyed up with laughter, perseverance, and an eternal hope for better times to come.

James Baldwin said he could understand his father's rage and anger at whites, and, his mother's desire to build bridges of understanding and tolerance with whites through the character of Jesse B. Semple (Simple), Langston Hughes' most endearing character who is often called the black Aristotle. Baldwin's comment was perceptive because these two divergent views were embodied in Hughes himself and much of his body of work. (Hughes said that in the Simple stories it was often him having conversations with himself.) Hughes didn't hold a favorable view of whites in general as critics and others have already noted. He had too often been at the stinging end of injustice for being a proud African American while at the same time not being given the same treatment as less talented white writers within the same publishing house as himself. At the same time, unlike the rise of black militants he witnessed toward the last years of his life, he always understood that some whites where allies in a shared humanity and fight for justice with many blacks and should not be lumped into one large catagory as instigators of intolerance.

Like Simple, Hughes wanted to keep hope alive for better times ahead. The poem I DREAM A WORLD is a good example.

The book contains over 40 short stories and 4 early works by Langston Hughes. As a high school student, I have enjoyed each and every work of Hughes and am fond of his writings.

I'm not usually a big fan of short stories but I love these. They are insightful, attention grabbing and always interesting. I got this book as a gift when I was 15 still come back to it frequently years later.

THIS BOOK IS TRULY A MASTERPIECE!I HAVE ALWAYS LOVED LANGSTON HUGHES WHETHER IT WAS HIS POETRY OR HIS SHORT STORIES. HE WAS A VERY INTELLIGIENT MIND(WHAT A BRILLIANT MAN). R.I.P. MY DEAR LANGSTON!

If you want to read some really deep and powerful insights into the human condition, check out "Mary Winowsky" (written when LH was in HIGH SCHOOL!), "The Gun," Fine Accomodations," "One Friday Morning," "The Little Virgin," "The Young Glory of Him." These stories will make you weep and think about the everyday people you pass in the street and wonder about the stories they may have inside of them. This book should be in EVERY literature class!

This book tells more than just what it is to be Black, it says a lot about being human.

Langston Hughes entire body of work is a testament to his love and pride of being a black American. Though he never excluded his common bond of brotherhood with other people of non-African decent, black Americans occupied first place in his affections and concerns. He never turned his back to them to win the approbation of a larger audience by catering to stereotypes. He had a profound dislike for blacks ashamed of being black,ashamed or who denied their African heritage, ashamed of their skin, and who catered to the worst prejudices of the larger audience in any medium for profit and fame or just to be liked and accepted--like a worrisome number today.

Like his poetry, Hughes short stories reflected much of his philosophy about being proudly black and the shared commonality of all people. Here in LANGSTON HUGHES: SHORT STORIES, edited by Akiba Sullivan Harper with and introduction by Arnold Rampersad, is the proof. Many of the stories presented here are those that have been out of print for some time ,or, are being printed for the first time since they were created. Much like the COLLECTED POEMS by Rampersad, an effort has been made to put the stories in chronological order by the date they were written or published. In all the stories represent a brief overview of specific short stories, not "all" Hughes short stories, and are different in tone and universal in some topics while still embracing black identity. My favorites are "Blessed Assurance" (protesting homophobia in the black community and black church in Hughes's own understandably gay closeted way) and those inspired by his early sea travels. The appendix of this book contains those stories written when Hughes was still in high school.

Like much of Hughes body of work, what he produced is still relevant today in one way or another as in the day he first put pen to paper or struck the keys of a typewriter to entertain and make a statement.

The SELECTED POEMS of LANGSTON HUGHE by Langston Hughes is exactly what is implied by the title. Absent from these "selected poems" are the more radical and controversial poems written by Hughes in the 1930s. After Hughes was forced to testify before the anti-Communist committee to defend himself, he shied away from the radicalism that so entranced him and other Afro Americans who saw socialism as an better alternative to Jim Crow.

In this selection of his poetry, there is no chronological order to the poems. Rather, they are divided into sections representing a specific theme. Here, Hughes was trying (?) to imitate Walt Whitman in arrangement. "Afro-American Fragments," "Feet of Jesus," "Shadow of the Blues," "Sea and Land," absent is the poem written for the Jamaican sailor Ferdinand Smith, SAILOR ASHORE, "Distance Nowhere," "After Hours," "Life is Fine," "Lament over Love," "Magnolia Flowers," "Name in Uphill Letter," "Madam to You," "Montage of a Dream Deferred," and "Words Like Freedom."

The last section of poems reveal Hughes as a patriot which he actually was in life. Hughes believed in idea of the real USA and what the nation could be without prejudice. The poems I,TOO, DEMOCRACY, AFRICA, CONSIDER ME, REFUGEE IN AMERICA, FREEDOM TRAIN, THE NEGRO MOTHER and so on in this section are indicative of a patriotism despite injustices.

For those interested in a more comprehensive ouvre of Hughes poetry, I strongly recommend the COLLECTED POETRY OF LANGSTON HUGHES edited by Arnold Rampersad and associate editor David Roessel. It contains the most up to date work by Hughes and "all" his "known and published" poems. I purposely emphasized "known and published" because according to some academics there is said to exist unpublished poems of Hughes written to a black male lover that has yet to surface.

Langston Hughes is the poet of black America. His work captures the aspirations, hope, joy, tragedy, anger, and pride of many blacks past and present. But, he is also a poet for the working class man, black and of any race. There is a reason his poems have been translated into many languages and continue to inspire. The other reviews here capture some the essential essence of Hughes spirit.

"Selected Poems of Langston Hughes" is a rich selection from several decades of this poet's work. Hughes (1902-1967) is a poet of many moods and voices. His work is at times mournful, humorous, sensuous, or ironic. Many poems capture the rhythms of African-American vernacular speech. A number of narrative poems tell stories of Black life, and a number of his best poems feature female speakers. He also writes poems of social protest that deal with the anti-Black violence that has plagued the United States for so much of its history.

The poems in this book are divided into several sections. One of my favorite such sections, "Feet of Jesus," contains poems which evoke the prayers, preaching, and religious songs of African-American churches. "Madam to You" contains a number of poems in which Alberta K. Johnson tells her story. A strong-willed entrepreneur who often challenges authority figures, "Madam" is one of the most delightful characters in African-American literature.

The other sections of the book contain many of Hughes' most memorable poems: the sensuous "Midnight Dancer" ("Lips / Sweet as purple dew"), "Mother to Son" ("Life for me ain't been no crystal stair"), "Theme for English B" ("I am the only colored student in my class"), and "I, Too" ("I, too, sing America. / I am the darker brother").

The lines I quoted from "I, Too" may call to mind Walt Whitman's great American poem "Leaves of Grass." Indeed, I consider Hughes to be one of the great 20th century poetic heirs of Whitman, and "Selected Poems" is a magnificent testament to Hughes' passion and vision.

Langston Hughes' poems makes my knees knock. There is a little thrill with each poem, like I'm landing in a vat of buttermilk, and splashing happily about. With the subject matters he dares tackle one would think it'd be more realistic to walk away from a deluge of his work in deep depression.

Not so.

Instead I walked away with a dreamy smile and knocking knees. His ability to cull the beauty from the horror is...is...is

I'm wordless.

I had read several Hughes poems before buying this book, but I will admit that I had no grasp on the extent of his talent. These vivid poems were chosen by Hughes personally before his death in 1967.

They do so well to paint a picture of the time he lived -- of the blues, of love, of passion, of choices. He writes about faith and protest in a way that will move you.

I have read all of the poems exactly as they are placed in the book several times. I think I keep going back to them because this is poetry free of pretense -- it is grounded in reality and in sorrow.

Independent of age, of your ethnicity, and of your literary grasp, you will enjoy these poems. Simple and superb -- read them out loud.

Langston Hughes wrote poetry of exquisite pain and beauty throughout his life. His poetry can be sparse and rhythmic. It evinces visions of cities, the south, churches and deep muddy rivers.

Hughes touches on every subject important to life in 20th century America: family, friends, race, religion,love, music, prejudice and poverty. Each poem sparingly provides an image in words. Together these poems represent the great work of a true artist of the American Poetry.

One of his most popular and poignant poems is Harlem. It contains such beauty in his phrase - "a dream deferred" and such power in his words or does it explode?

I recommend this highly to anyone interested in modern poets and poetry.

The book "The dream Keeper" by Langston Hughes is a complete tresure. The first time i saw it was in high school,the poem i had to read was "As I grew older". It really inspired me to fight and never loose faith in what I belive in. African american poetry, in general, are great poems to have and keep for eternity. they teach us to respect and accept everyone for who they are, without looking at the color of their skin.
God Bless!!!

This is real poetry that you can see, hear, and feel in your heart and head. Langston Hughes has captured our hopes, dreams, life and love and put it in words. This book is a great stepping stone to making fabric dream catchers to hang about. It cries out to be shared.

Hughes' words come to life in this book of poetry. This collection, originally issued in 1932, is as powerful as it was seventy years ago. As an added bonus, there are seven new poems for the reader to enjoy. The struggle and celebration of the African-American experience is apparent here. Brian Pinkney's black-and-white scratchboard illustrations add life and expression to the poems. Hughes' classic collection is appealing and inspirational. This astonishingly wonderful set of poems is definitely a collection that would spark the interest of children learning about poetry. Hughes' gift of lively words live on!

The Dream Keepers and other poems is a book that you must read. Langston Hughes puts you through so many different moods during this book. The poems reach out to you. I especially like the I,TOO poem. This poems speaks about progress, determination, and being focused. There is a poem for everyone to connect with. The illusrations by Brian Pinkney are black and white with a lot of curvy lines. There was a great of time put in each. The pictures assist in putting you in the mood of the poem. The only thing left to say is read the book!

The Dream Keeper and Other Poems is essential for anybody trying to share the beauty of Langston Hughes with children. The poems in this collection rank among Hughes' finest. Pinkney's illustrations compliment the imagery of the poetry wonderfully. Children and adults will become true Langston Hughes fans after reading this introductory book.

The man that poetry made stands luminous
on the broken corners of history's suicidal cravings,
he watches splashing in the street
birds cleaning their feathers inside
the crystal flow of words he gave them,

he is a vintage wine now,
traveling with ease over the tongues
of other people's intentions,
he is a quilt
made of one billion black hands
spread like guarantees from a single living God
over the heads of the misbegotten.

The man that poetry made wonders
on which day will he finally recite his soul.
Ask him who his mother is
and he will sing for you memories
of bosom-heavy haikus
filling his mouth with the milk and nectar
of joy neverdying.
Ask about his father
and he will boast about a ballad
that thundered all the way
from Spain to Zaire
bouncing him like a sack full of sonnets
upon his broad whistling shoulders.

This man that poetry made stumbles barefoot
through the city, a huge blue ribbon wrapped
around one big toe, a small pink one tied
to the other, ragged jeans loose
upon free-verse hips, fluorescent eyes blinking
surrealistic kisses of negritude revisited--

To the woman confused
by his lust for peace
he begs "forgive me lovely genius
I was not born as you were born,
my blood was written
by a different kind of coupling."
To the man frustrated
by his lack of animalia
he sang, "Beauty is a thing finer
than exalted fears of actual love."

The man that poetry made sometimes
blows himself to pieces with bombs
made from metaphors, he enjoys watching
the words that shape his life
scatter like golden ashes of imagination
then one by one float back down to earth
covering him with forms and meanings
he never knew existed.
People passing the corner
where he stands luminous and throbbing
rarely see a man at all.
They look at the man that poetry made
and see a public toilet
or a burning bush flaming in the most unlikely place.
Sometimes they see him as a rare jewel
and snatch him up before anyone else
can look. He is always curious riding along
inside the pockets of strangers
wondering how they shall react
when they see him for what he is,
and he reveals, with
love lighting up his every cell
exactly who they are.


by Author-Poet Aberjhani
author of I Made My Boy Out of Poetry
and Encyclopedia of the Harlem Renaissance (Facts on File Library of American History)

This is the most complete writing on Hughes' life. Beautifully written yet very thorough. Arnold Rampersad is probably the most talented biographer alive.

I thought this was a very interesting book. It is VERY well written, I recomend it!

Long before the advent of the 1960's motto of black pride and black beauty, there was Langston Hughes who championed and celebrated black pride and black beauty, both African and black American, at the height racial inequality in the United States.

The two definitive biographies of Langston Hughes are written by Faith Berry, LANGSTON HUGHES: BEFORE AND BEYOND HARLEM, and, the two by Arnold Rampersad's, THE LIFE OF LANGSTON HUGHES VOLS. 1 AND 2. For those able to do it, I would recommend reading Berry's biography first and then DEFINITLY follow it by reading Rampersad two exquisite biographies of Hughes. Reading the two is the only real way to get a complete and accurate picture of Langston Hughes. Both books briefly address Hughes family background which isn't unique to him alone in the black American community as those non-persons of African decent on the outside repeatedly fail to understand. Both books address Hughes' humanity despite of the racism he faced as an extremely confident and proud African-American. Both acknowledge Hughes dislike of those blacks like Toomer ashamed of being black and their African heritage. Both reveal his living through all the moments in early 20th century American history like the Harlem Renaissance and meeting and befriending such figures as Dubois and facing McCarthy on charges of communism while punctuated moments of his life with wanderlust in world travels. Both books address the obstacles and triumphs he faced as being only the second black American to earn a living by writing , the first being Paul Lawrence Dunbar who was also Hughes idol and influence alongside Whitman and Sandburg. Both books take care to explain how Hughes relationships with his parents and grandmother may have shadowed his other relationships in terms of his race pride and the half hearted and insincere assignations with women he was linked to.

Where the two books differ is in discussing Hughes being gay. Berry appears unbridled by prejudice in acknowledging use as gay. Rampersad, a conservative black scholar and now part executor of the Hughes estate, is too eagerly fulsome in his attempts to deny Hughes being gay along with the coded references Hughes used to describe his affections for black men in poems which are similar to those used by Whitman in describing his same sex interest. This dangerously borders the homophobic line. (** READ the recent appendix in Rampersad biography where he rightfully takes issue with being called homophobic by his critics.**) This has been the chief criticism by many of Rampersad two biographies of Hughes. The great irony is that Rampersad actually confirms Hughes being gay by indicating the price Hughes would have paid if he was openly identified as gay at the wrong time in history (even in some circles of the black community today for that matter). Plus, in volume 2 of the LIFE OF HUGHES, Rampersad is less virulent in denying Hughes being gay and pretty much comes close to acknowledging him being gay but holds back for reasons of
his own.

Moreover, Berry discusses Hughes in a straight foreword manner. Rampersad biography is almost lyrical in its historical documentation of Hughes life like a number of biographies being written these days by certain scholars. Rampersad goes into great psychological analysis of Hughes and barring certain before mentioned instances gets it right.

"'The Africans looked at me and would not believe I was a Negro': ...
`You - white man'," they said. Repudiating the idea that he was not one of them,
Hughes asserted "the unity of blacks everywhere." Hughes' choice to embrace
his African-American heritage is a major theme of Rampersad's biography.
Hughes rejected his father's path and the chance to pass, to escape prejudice
and win easy acceptance as a member of Mexican society. Poetic inspiration
came from Harlem, from Jazz, and from anger at prejudice. Despite, or because of
its format, with chapters divided by years, this book made riveting summer reading.
Along the way it introduced me to wonderful poetry in the context of the life:
-----
Mercedes is a jungle-lily in a death house.
Mercedes is a doomed star.
Mercedes is a charnel rose. ... ----
AND:
Passionate, cruel,
Honey-lipped, syphilitic -
That is the South.
And I, who am black, would love her
But she spits in my face . . .

Mr. Hughes brings a zen like quality to his stories regarding his life and what he was forced to endure. He persevered, triumphed and soared. If you want to feel at peace with yourself this is a book to help you get there. Mr. Hughes is a role model that we should be glad we have. a gracious kind compassionate human. imho ;>)

Mr. Hughes, in my opinion, is the best African American writer, whom describes the life as a balck man traveling throughout the world. This book is poignant and evokes a sense constant despair and the writer confronts different predjudice throughout the world.

As the sequel to "The Big Sea", Mr.Hughes again speaks the language of a poet so well that he makes the reading of his life seem like a first-person experience. After his travels on several ships and the taste of his first successes(and failures), he simply explores and writes: of Paris, Russia, and Cuba, and shares his experiences with the reader. His writing is so rich and vivid that he makes every location in the world seem like poetry in motion. This book and "The Big Sea" should definitely be on reading lists everywhere-or, if you have a friend or relative who feels like they're a "wandering spirit", these books would make great gifts. Mr.Hughes touches on everything human: from the strained relationship with his father to the blatant racism he encounters everyday; to the women he becomes fond of and his neverending thirst for experience and knowledge; to the countless sights of wonder in the world that one never sees when they are ignorant. Beautiful writing by a true poet.

IN THIS BOOK , MR. HUGHES REALLY OPENS UP AND LETS THE READER INTO HIS WORLD. IT IS NOT HARD TO IMAGINE BEING IN THE PLACES THAT HE DESCRIBES. THE EVENTS AND CHARACTERS POP OUT AT YOU. THIS BOOK IS AN ENJOYABLE READ

HUGHES HAS BEEN RECORDED? That was my first reaction when I went to the library and found this CD. The pleasure I got listening to Langston Hughes reading his work in a relaxed non rehearsed atmosphere was one of the most thrilling experiences I'd had the pleasure of experiencing in months. I can't wait to share this with my family and discuss the contents. Any one who enjoys poetry, social commentary and history will enjoy this CD.

Humor, anger, and all the eloquence of the black experience in America is to be found in some of the poems presented here on this audio cd from the THE VOICE OF THE POET SERIES: LANGSTON HUGHES. Also presented is commentary inserted in-between Hughes reading of his poems. You get the background of how a certain poem came into being. You get Hughes talking about his childhood and racial pride. You get Hughes voice, soft, sort of high pitched, and inviting. MY LORD, MERRY-GO-ROUND, THE NEGRO SPEAKS OF RIVERS, JUDGEMENT DAY, MY PEOPLE, WHEN SUE WEARS RED, and FIRE are a few of the poems recited on this cd by Hughes. For those able to do so, I recommend purchasing the audio tape, LANGSTON HUGHES READS HIS POETRY, because this cd truncates some of Hughes commentary and poems.

It does a disservice to Hughes to dismiss much of his body of work as "wry" to make a particular audience more comfortable with it. It does a similar disservice to Hughes' integrity to ignore that both his parents were black and play up distant white blood to make him more palatable, so-called universal, to the larger audiencences prejudices (most of black America share his same distant bloodlines). One of Hughes's biographers said you cannot respect Hughes without respecting black American people and their culture in the U.S. To disrespect one is to do so to both. Hughes's black pride permeates his so-called race poems and poems of social protest from the 30s and the vast majority of his work in general.

Langston Hughes showed his anger and bitterness toward the injustices of racism as he sharecropped his way among many different genres of the arts as a proud and unflinching black American. His genius, and lesson, was that he did not allow this bitternerss and anger to cause him to hate or infuse his body of work with hate. He may not have liked some in gerneral, but he "never, never" hated. Hughes had to much humanity in him to reward hate with hate. Even in his anger, Hughes could be benevolent. Hughes did not hesitate to like anyone who showed respect and gestures of friendship to him and his people. His lesson to black artists was be proud of their heritage in their work and not run away from it for a quick profit and fame in catering to the prejudices of the larger community beyond that of black America. His lesson was also that they should not be
consumed with anger and bitterness even though they had a right to be angry because through their words a world could be enlightened and made better.

Here in THE VOICE OF THE POET: LANGSTON HUGHES, as other works by Hughes, a man is revealed who was often angry and bitter, but who never lost sight that there was some good in the world worth fightiing for. This makes him a writer to be universally admired by everyone regardless of race, religion, and whatever.

I am an author and a poet. Langston Hughes' style of poetry is simply amazing. This CD gives a historical rendition on the era of his childhood, school years, work experiences and poetic growth. His world travels certainly expanded his vision of life and impacted positively on his writings. The enlightenment of his trip to Africa resulted in the poem "My People." This poem has a fascinating view of Africa, the people, and Hughes' connection with them. His articulation of the poem "Mother to Son" is amazing. He shows another side of life and how one's vision influences the rearing of a child. One of the greatest poems on the CD is "The Negro Speaks of Rivers." This was written while taking a trip to Mexico to visit his father. In this piece he gives a visionary perspective and uses the art of personification to make the connection of his people, history, and life from a historical standpoint. The poem "Words Like Freedom' and "Tomorrow" will touch the heart of the reader. The stories on the CD are awesome. The reflection he gives of life during his younger years certainly is a distinctive comparison from then to now, especially highlighting how individuals were treated based on the color of their skin. This CD is a must have for one's poetry library. This is not just a CD of poetry it is also a CD of history. Also check "Trilogy Moments for the Mind, Body and Soul" with the new selection of Epulaeryu poems.

This is a terrific addition to the Voice of the Poet series. Langston Hughes doesn't just read his poems; he talks about their genesis and about his life. For all the ugliness of Jim Crow, he never sounds bitter, but he tells the whole truth, doesn't sugarcoat anything. My one tiny disappointment is that in the book the format was changed on a couple of poems due to space constraints. This CD is worth it just for his story of how he became a poet. I listen to lots of audio poetry and this is one of the best collections I've ever found. You can't miss.

The Sweet And Sour Animal book is a good colletion of animal poems. It's illisterated with paper mache art.

This book is a wonderful tribute to one of America's finest poets. The book appeals to both children and adults. The poems are whimsical and fun. In my own classroom, the children list these poems as some of their favorites. The art work inspires my students to achieve as much as they can in their own art work. The introduction and afterward provide the reader with a history of the Harlem art's movement and Langston Hughes' contribution to this movement. The information provided could be shared with children, however it is written for advanced readers. Overall, this book is one of the most well thought out books that I have seen.

Although I enjoyed this book as a Langston Hughes fan, I was not sure that the children's artwork and Hughes' poetry would be appreciated by children. However, my 5-yr-old clearly responds to the rhyming text and enjoys the art. I've overheard him reciting lines from this book by memory. The rhythym is soothing and the children's art is charming. This is not Hughes at his most profound- (couldn't he have chosen "walrus" to star on the "w" page instead of a white mouse?) and does not teach kids much about the alphabet ("m" is for monkey, but we never hear that word in the poem, instead the monkey's name- "jocko"), but it will appeal to their sense of rhyme and whimsy. I'm leaving it 5 stars because of the beautiful art and catchy poems.

This book helps children make the transition in reading poetry from the beloved Dr. Suess to reading more sophisticated writing. My children loved the rhymes, and related to the stories. Like Robert Louis Stevenson in A Child's Garden of Verses, Langston Hughes captures childhood in his verses. Many current writers of children's poetry appeal to children using gross stories of bodily functions and gum in the hair. Langston Hughes gives kids more credit than that, but still appeals to children. What kid hasn't wanted to look down on "those stuck up clowns" in real life? This book was entertaining, and made my children want to hear more from this author.

This book has 425 pages in. It is wonderful and full of energy. It starts with one of Hughes poems and leads you down the ailes. The book is interesting, to the point and gives you enough information to find out more about how great Hughes is. I loved reading it and it gives you so much information to help you fully get to know Mr. Hughes. It is long but worth reading every page of it. I highly recommend reading this book.

Langston Hughes was a Poets Poet.he had words that were uplifting that took you to another time&Place.Arnold Rampersad does a great job of telling the story of Langston Hughes&showcasing the Greatness of His Writings.Langston Hughes was ahead of time&Very Gifted African-American Writer.He left behind Ground-Breaking work that still speaks volumes to this day.

Arnold Rampersad's LIFE OF LANGSTON HUGHES Volume 2 retains much of Hughes' evident black pride that is inescapable no matter the type of biography and critical analysis done on him and his body of work. Hughes wrote about many other things during his lifetime, but he mostly celebrated his African American culture without shame or apology.

Volume 2 picks up where the first left off. Langston Hughes is at the crossroads of a lived life. His career as a writer has stalled a bit, he has becomes disillusioned by the predominantely white left who rufuses to understand fully and acknowledge the plight of the black American, and he is ill. Eventually, his career begins to get back on track and Rampersad takes the reader along with Hughes through the rest of his life to his death in 1967. Langston reaches out to the rest of the world through his love for his fellow black Americans and their stories and concerns. He faces the McCarthy hearings successfully but with a slight change from the politcal rhetoric expressed so openly in the 1930's where he had merged racial pride with a radical socialism to insure that the left could not
exclude blacks from the agenda. He witnesses the rise of a new generation of black writers, some who pleased him and others who did not, some who loved and respected him and others who did not. He challeged them to be proud of their black American heritage in their writing but also to be objective in their evaluations. He felt the sting of some of these young black writers who felt that he was out of touch and not angry enough. And, he witnessed the return of appreciation from the outside world for his body of work and humanity. Despite a general dislike he held for white people, some wasn't as liked by him as they believed themselves to be, it never materialized into open hate as it did with many in the Black Power Movement. Rampersad provides the best example of this by recounting a moment of outright rage in Hughes where he raises his voice to express his frustration and anger toward white folks, "benevolent anger" as opposed to the "malignant anger" of many in the Black Power Movement. Hughe fully understood the error of blanketing all white people as the same in prejudice.

Arnold Rampersad depth of exhaustive research is evident in the facts he uncovers in Hughes's complicated character. And, some readers will be surprised by what they will read such as his understanding of the short comings of integration where African Americans would to a large degree abandon their own infrastructure instead of building on it to be more secure without self-segregation and imposed segregation from the outside. Rampersad presents Hughes as the human being with foibles and not just a mythic icon of African American and American literature in general. Perhaps willingly to some degree to keep money in the bank as he "sharecropped" his way through his long career, the reader will definitely come away with the knowledged that Hughes was a famous African American of his day being exploited, again to a degree, by the larger community. This is very evident in some of the working situations Hughes would have outside the black community.

Volume 2 is free of much of the rheteric that came dangerously close to blatent homophobia in Volume 1. Rampersad doesn't come out and declare Hughes as gay, but does make the surprising admission that Hughes had a preference for black men like the late Gilbert Price, and, especially dark skinned black men in his life as well as work. This dissonance between not wanting to identify Hughes as gay and Hughes's very evident preference for black men as discovered by Rampersad during his exhaustive research is pandemic among certain scholars who believe sexuality has no bearing on creativity, at lease when it comes to certain icons as Hughes is to black America. But, Rampersad isn't a homophobe and it is unfair to cast him as one. Rampersad is to be applauded for this admission that he could have conveniently suppressed but chose not to do. Kudos!!!! Rampersad comes across as wanting to declare Hughes as gay, but holds back allowing the reader to read the obvious between the lines by patently stating Hughes primary interest for other black men. Rampersad does make references to the women Hughes was only "friendly" with without the slighthest romantic interest, Hughes even going out of his way make it clear that he was not interested in them romantically. This can be attributed to the condition in the black communty where black gay men are often required to "pass" as straight (as done to the ultimate degree by fellow black gay members of the Harlem Renaissance: Countee Cullen, Wallace Thurman, and Richard Bruce Nugent).

To me, Langston Hughes was and is a hero made to order! Hughes icon status still burns bright, beautifully, and unblemished for me and his other admirers regardless of any shortcomings and prejudices outside the love for his people.