Music Books

I've always been a Sonar fan and had every book Scott wrote related to Cakewalk. This will be my last one. It's a cheap paperback and several chapters are missing available only via a download.

The material is still well written though. It's also a good tool to have for Sonar. I think due to the cheap quality of the material the price is overkill. Just my opinion.

This book saved me so much grief. The Sonar manual is just O.K. Scott's book fills in all the minute details in a simple, easy to read reference.

I always like the way Scott Garrigus presents his information and how he covers what Sonar missed and this book is no exception. I keep it close by when working in Sonar and even thumb through it when sitting in the living room. Excellent buy!

This is the second book of Scott's I've used to help get familiar with Sonar. Scott's approach to the subject is laid out in a clear and concise manner. I've found this book to be indispensable in learning the ins and outs of my DAW, and my recordings have improved a great deal in the process. Thanks, Scott!

Classify me as expert in PC's but complete beginner in PC audio/MIDI recording. I got Sonar 6 Home figuring I could learn it myself. No way. Too tedious and just not fun. So I got this book. Learning Sonar became enjoyable. Great book, well-written. Sonar is confusing to the beginner because there are so many different ways to do the same thing. This book is thorough and explains each of the different ways, so you get the confidence that you are not missing anything.

This book should be called "How to turn chords into chord progressions" because that's pretty much all there is. As a reference book it's pretty decent, but working through the whole book is a tedious process. Also there is no index in the back which makes it har do look up specific subjects.
As a whole, this book promises more than it delivers.

I've been playing guitar forever, and writing songs for years, but like most other writers I get stuck in ruts from time to time. Now, whenever I need some new ideas, whether an entire song, a verse, a chorus, a bridge, or a lift, I just look through this book. Even a basic I-IV-V can be made more interesting by advancing or delaying a change. I also like that he relates the CD examples to particular musical styles, which provides a good template for writing to that style.

As with Rooksby's other books, the material is presented with great clarity and is well edited. A songwriter could do a lot worse than build a library of his books.

man, this book has really really come in handy for me, expeically early chapter, good thing i have this. some of the think in here i have never seen or heard on the internet before, this book seems rare with its information.

I have over last two years developed into a real fan of Rikky's books. This one really surprised me for progressive depth in the structure of each chapter. Each chapter builds on the next. And sandwiched between the 'tips' are these gems of compositions that helps broaden and deepen the constructive elements of songwriting. The book is focused more on chord progression in songs and then the composition of the song's components, verse, chorus, bridge, etc. The great surprise, and I think, and real beauty of the book is the way he uses the CD with the last chapter. He records 12 or so songs, and then in that chapter, he breaks them down in to their component structure, and tells you why he made the choices he did. A really GREAT book. Worth the price!

This book taught me so much about songwriting, it's scary. I'm not a novice, either! It teaches you about chord theory better than any other book I've read.

This book is great.I have every single spice girl book,poster,cd,magezine that has come out since the spice girls started.I even have all the spice girl merchandise.I am a spice girl die-hard fan.This book I would rate one of the better spice girl books.I even have the spice girl book that is out of stock.It was really good also (because the spice girls wrote it themselves).

just realy good

I THOUGHT THE BOOK WAS PRETTY GOOD IT GAVE ALOT OF INFO. BUT IT ALSO TELLS ALOT OF HISTORY ABOUT ENGLAND.BUT I GUESS I WOULD RECOMEND THIS BOOK!

It had tons of detail and cool pictures!If you liked those other phony Spice books you'll love this REAL book about the coolest band today,THE SPICE GIRLS!!!

this book was not that good, it was just the same old stuff I allready know (nothing new) why can't someone make a book that doesn't borr you to death! I can write a better book! You know what I think i will, thanks for the idea!

I just finished the book--WOW, What a great read! This book is MUST READ for any Fleshtones fan and a highly recommended read for anyone interested in the 1970's-80's NYC punk/new wave/garage rock music scene. The Fleshtones have always been one of my all-time favorite bands and they have always seemed very cool every time I've interacted with them at their shows. After reading their bio, I feel like I have a whole new appreciation and respect for the band. So glad the Fleshtones are still preaching their SUPERROCK to the masses!! I am very much looking forward to reading "Sweat, Pt. 2" in another 30 years :)

Joe Bonomo's book is a great journey with the most fabulous live band of the last decades.

I was a rock critic back in the day and I bought "Marty Thau's 2X5" when it came out and was immediately struck by "Shadow Line." Sometimes when you hear a song, you can immediately envision a band on stage charging through it. It blew me away. Hmm. Who are these tones of flesh color?

When I spotted the EP "Up Front," I could hardly get it home, get the shrink wrap off and get the platter on a turntable fast enough. Only five songs, but three were absolute knockouts: "Girl from Baltimore," "Cold, Cold Shoes" and "Vindicators." In fact, whenever I would put "Shoes" on at a party, everybody would hit the dance floor, shouting "Whoa! Who's This?" To this day, I consider it one of the greatest rock and roll dance songs ever written.

Then came "Roman Gods" with more powerhouse stuff, including the title track which has one of the greatest use of horns in rock song I've ever heard.

I have only seen them once, at a small club in Philadelphia. Great show.

It not only puzzles me, it angers me that such great talent has not been met with the reward it deserves. It is absolutely infernal that it has taken the French, who adore them, to keep their fortunes afloat.

It is rare to hear a rock band whose taste in music seems to come out of your own head, like they were reading your thoughts. To me, the Fleshtones are that band. Some contenders are Jonathan Richman, Neil Young and the Feelies.

I think one problem could be their name. It's semi-comical instead of abstract and "cool." Maybe it shoulda just been Flesh.

Anyway, thanks, Joe Bonomo, for giving us the truth and the legend about these enduring, underappreciated rock and roll geniuses.

From about 1985 onward, I've been a steady fan of the mighty Fleshtones, although I confess that by about 1993 I sort of stopped keeping up with them. But if for no other reason than to understand why "Roman Gods" and "Hexbreaker" have never been reissued on CD, I bought this book. Little did I know how insane the story of the Fleshtones really is.

In a nutshell, "Sweat" reveals that despite the jolly, party-time atmosphere that is the essence of the Fleshtones, the band and its individual members have truly been through hell along the way. The well-documented drug use by this band is nothing short of legendary, and at least one member, Marek Pakulski, ultimately had to leave the group do to his uncontrollable heroin addiction. Other members, particularly Keith Streng and Bill Milhizer, are probably lucky to be alive considering the amount of alcohol they've consumed. As for Peter Zaremba, it's surprising his body didn't just blast off into orbit, with the amount of speed he was taking!

Funny personal story - I saw the Fleshtones in Boston back around 1988, and got a chance to meet them before the show. I'd brought along the cover of my "Fleshtones vs. Reality" CD and Keith, Bill and Peter all cheerfully signed it. But Peter was irked by the fact that the label, Roadrunner, had included one of those anti-drug public service messages inside it. So Peter scribbled over the message and wrote underneath, "Do what thou willst! A.C." (An Aleister Crowley quote) I had no idea at the time just how serious he was!

And then of course there's the most notorious Fleshtone of all, Gordon Spaeth (R.I.P.). Who would have thought that a member of the Fleshtones served several years in prison after killing a man in a drunken fight?!

Author Joe Bonomo does a fantastic job of tracing the band's history over more than 30 years. From the young hipsters prowling lower Manhattan at the dawn of the punk era, through the 80's where at least Europe embraced the band and they enjoyed some celebrity, and on through the 90's to the present, as the bandmates have continued to make music on their own terms, even as material success has eluded them, "Sweat" spares no detail and offers compelling proof that the Fleshtones, albeit on a small scale, are true living legends.

And by the way, why won't I.R.S. allow those classic early albums to be reissued? You guessed it - it's all about money. As much as any band in history, the Fleshtones are a prime example of why major labels suck.

This book is essential for any Fleshtones fan, and even someone who never heard of them should still find "Sweat" to be one hell of a good read.

(p.s. The Fleshtones' brand-new album "Take A Good Look" is their best album ever.)

R&R is not defined by its stars. Although undoubtedly R&R in their hey days Elvis, the Stones or Springsteen do not define the genre. The may make up for its aspirations, but they are not at the core of what R&R is. At its heart R&R is literally thousands of bands busting their chops in the garages and sordid basements all over the world, dreaming to make it in the big league one day. The Fleshtones have been at this game for about 30 years now, never escaping the basement. In a sense they are the text book example of R&R. Joe Bonomo's book "Sweat" captures their ongoing search for ever elusive fame perfectly. Anybody familiar with the band couldn't have thought of a better tittle to this autobiography. The Fleshtones have been guaranteed to give the best R&R show around for as long as they've been together. Yet the subtitle to sweat, "30 Years, 2.000 Shows, 1.000 Blue Whales, No Hits, No Sleep" gives the perfect summary of what to expect when reading "Sweat".

The Fleshtones story starts in a basement in Queens. Much to the dismay of the neighbors, some of the key members of what later would become the Fleshtones, throw legendary Blue Whale parties while churning out raggedy R&R, barely being able to master their instruments. A Blue Whale apparently is quite the toxic mix of various kinds of alcohol, preferably served in big barrels. That loud and lethal mix of three chord R&R would be a constant in the band's bumpy career. It would get them kicked out of their apartments, make them lose record companies, would find them in bloody brawls, turn them in the gutter but would also make living legends out of them. Although there are way to little people to recognize them. For the lucky few who fell under their spell, they are R&R best hidden deities. For the lucky few who stumbled onto their albums the Fleshtones have come to symbolize sweat drenched good times at their shows, roaring saxophones, screeching farfisa organs, rambling guitar riffs, raggedy soul crooning and pure and simple R&R.

The Fleshtones came smashed between the burgeoning Punk scene of NY city in the late seventies and back to basic superstars such as Bruce Springsteen. Like the latter the Fleshtones went back to the core of R&R. They found their inspiration in a time when 45 was king. The core of the Fleshtones, Peter Zaremba and Keith Streng found themselves in their love for the format. Swapping obscure 7" records filled with R&R, ranging from Hank Ballard and the Midnighters to the Strangeloves. At the time when Punk and Springsteen were about to burst wide open, R&R had strayed from its true path. The scene was marred by various horrific super groups, making guitar based intellectual drivel that had very little to do with R&R. Both Punk and Springsteen were a counter reaction to that drivel. The Ramones brought R&R back to its (barely) three minute essence in a loud cartoon like mess. Blondie did much the same, giving R&R a new sense of ice cold cool. Building on the foundations Punk's god fathers, the MC5 and the Stooges, had built, NY busted R&R wide open again.

"Sweat" unravels the mystery why the Fleshtones, despite a killer live reputation and rave reviews, never managed to reap the benefits of that movement. In a sense R&R was the Fleshtones final destination. Though you couldn't accuse the Fleshtones of being a retro act, the strand of R&R they tapped into just didn't gel with the all too self conscious Punk movement, especially in NY where Punk was as much high fashion as it was a new form of musical rebellion. The Fleshtones simply didn't thunder down the same tracks the Punk movement lays down. In Bonomo's excellent write up of that scene it soon becomes clear that the Fleshtones' brand of good times and party hard R&R "danced" to a different beat than the Punk movement where shaking it up was branded out of style. Punk rebelled against the drivel of the day, but wasn't about to put the fun back in R&R. The very fuel that kept the Fleshtones running.

At the same time the Fleshtones never made R&R any grander than it was. Unlike Springsteen who infused his brand of R&R with big dreams and a lingering sense of melancholy. Where R&R was the door to ultra coolness for the Punks, to Springsteen it was the door to something bigger, an escape for his small town background. R&R as a means, R&R as a promise, not an end. To the Fleshtones R&R was the final stop. They live to recreate the exitement on the records of Larry Williams, The Kingsmen, Lee Dorsey and Link Wray. The Fleshtones never aspired to anything bigger, be it a fleeting sense of cool or the realization of bigger dreams. The Fleshtones simply wanted to be R&R and indulge themselves in the accompanying lifestyle of sweaty parties deep into the night, raving live shows, sex & drugs.

It's not that the Fleshtones never dreamed of making it bigger. Bonomo's book is drenched with frustration. The Fleshtones were chasing that same all to elusive dream of R&R stardom. Save for in Paris, where they were treated like R&R royalty throughout the years, they would find that dream always more than an arm's length out of reach. Although their career seemed to be off on a promising start when they got signed at Punk legend's Marty Thau's Red Star label in 1978, the band soon hit that brick wall they would ram in to on various occasions throughout their career. Red Star folded after the recording sessions, the Fleshtones' "American Beat" single fell of radar and their debut album never properly saw light of day.

The Fleshtones would be forever stuck in the basement their story is defined by bad business decisions, botched album preparations, odd production decisions and sometimes disastrous tours drenched in and caused by a haze of alcohol and drugs. Although "Sweat" is superbly written, Joe's subject is what makes the book hard to stomach at times. I don't think that there are a lot of R&R biographies out there that are as honest and confrontational as "Sweat". Even though Joe is clearly a fan, he doesn't spare the band. Peter's and Keith's erratic moods are thrown right in their faces, they come off as troopers of R&R yet seldom as heroes. Through out the book you keep waiting for that release of success and career highs that are trade mark to most R&R biographies. That release never comes. Instead there's this uneasy sense of "what if.......". You can't help but escape the notion that with a little more luck and discipline the Fleshtones would have been inducted in the R&R Hall of fame by now, doing high priced reunion tours. In stead the Flsehtones stumble their way through their career, seemingly forever one step behind or beyond the zeit geist. Never really fitting into the Punk movement, too raggedy to go up against the super stars of the eighties, too upbeat for the chronically depressed Grunge movement and finally too old for the recent Garage revival.

Yet despite all the hard knocks and set backs the Fleshtones have managed to keep that train rolling down the track. They are still living it up on the road, albeit with moderate amounts of drugs and alcohol these days, garanteed to give you one of the best R&R shows you'll ever witness. They seem to have found a stable record deal at Yep-Records, issuing some of the best albums in their career. A new Fleshtones album is slated for early next year. I don't think it will make any dents in the charts. Meaning that quite a few people will deny themselves some of the finest R&R there is to find.

I almost didn't get this book because of the cover. But I trust Sharon Hinck to deliver a great story and I wasn't disappointed. The main character, Amy Johnson, is someone whose personality is outside my experience, but still Sharon portrayed her so well, I identified with her needs and became intrigued by, what is to me, her peculiar mindset. For me o cheer on a character who doesn't fit into the norm means the author did an astonishing job. Good work, Sharon Hinck!

There isn't a book by Sharon Hinck that I haven't loved, and I've read them all. What I enjoyed the most about this book, Symphony of Secrets, was the realtionship between the mother and the daughter. It was so real with all the fun and pain that goes into raising a child. The mystery in the story enriched the full enjoyment of a good read.Symphony of Secrets: A Novel

Open this book and enter a world of symphonies, mysteries, cheerleaders, romance, laughter, faith and love. Sharon Hinck managed to compose a story as entertaining as the symphonic music her main characters perform.

Amy Johnson has dreamt of playing flute professionally instead of for weddings. Her dreams are realized when she earns a place in the Minneapolis Symphony. But, what is she to do when her daughter becomes more interested in cheerleading than music, her attraction to the conductor leads to distraction and the mysterious disasters and near-misses threaten to close the symphony for good? She turns on her amateur sleuth skills to investigate and solve the crimes. Then she will be back in control of her life, her daughter, her destiny.

Amy's daughter starts attending church with her best friend and talking about God. Amy is certain God has no place in His heart for her. While playing in an ensemble between masses one Sunday, the creator of music touches a spot in her heart.

Will Amy solve the mystery before her beloved orchestra, her one chance at the profession, closes? Will she and her daughter find a way to reconnect? Will the attraction between Amy and Peter, the maestro, bud into something bigger before they drive each other crazy?

Read the book. You will laugh out loud. You will love the story and if you listen carefully, I believe you can hear the symphony playing. Sharon has done it again, creating great story and endearing characters. You'll want to revisit them and see how their lives turn out.

Amy is a single mom who has two passions in her life: her daughter and her flute. When she hears that tryouts are open to join the local symphony she jumps at the chance for what could finally be her big break. But it's not all happy melodies and cheery tunes. Amy has to put up with a jealous flutist and a daughter who can't seem to understand her passion for music. Then there's her symphony master who seems to have more than just a musical interest in Amy. To top it off someone seems bent on destroying the symphony's reputation and closing it down for good. Will Amy be able to use her amateur sleuthing skills to track the culprit?

I used to play an instrument. I played trumpet in the middle school band for three years. I got as high as first chair. So I could definitely related with Amy and her quest in the classical music world. Even if you're completely tone deaf, you won't get lost amid all the musical terms in this book. Everything is explained precisely so even the those who don't know a timpani from a tuba will be able to follow along. To be honest I didn't really like Clara that much. Usually it's because I bond with the protagonists that makes me dislike other characters who don't get along with them. I felt at times that Clara was selfish towards her mother's own wants and needs. Yes, Amy should have told her daughter the true story about her birth father from the beginning and not kept it a secret. But at the same time, I felt like it wasn't fair that Clara would place guilt trips on Amy for not being like the other moms. Obviously Amy was not a cheerleader type mom and I felt that Clara didn't seem to realize that being a single mom is not an easy task. I'm glad that for the most part they have a wonderful mother-daughter relationship but it just irked me a bit at the unreasonable demands placed on Amy at times. I loved the growing relationship between Amy and Peter. It wasn't your typical love story, fused instead with lots of humor and realistic feelings. The mystery part was great as well. Love seeing Amy's skills being put to use. This book was like several different stories combined into one - music, romance, relationship, mystery. Just like a medley of different songs, the author meshes them together to form a wonderful melody to the eyes. Another winner for Sharon Hinck!

I just finished reading Symphony of Secrets and loved it! I enjoyed how she wrote about a non-Christian and her journey towards faith which is unique in Christian fiction. Hinck made flutist Amy Johnson seem real as a musician with music affecting her whole life. I enjoyed all the music references. The dialogue was snappy and fun. The mother-teen daughter relationship was very real as well. I really appreciated how Amy was moved by the more classical piece she had to perform at the Basilica rather than through the contemporary music at the church her best friend attended. Of course all the Minnesota references were fun to visualize. Amy's sleuthing sometimes got a little over-the-top.

It is obvious the author is planning a sequel--I just hope it is sooner than later! I am anxious to see the church Amy chooses and her continued spiritual growth, Clara finding her father, and of course how her relationship with Peter, the conductor, develops. He is very endearing.

This is the first book I have read of Hinck's because I do not like sci-fi and the books about the young mom didn't interest this grandmother. But she nailed it with this one for me. I am seriously considering having our book club read it next year. I will certainly
recommended it to them as an interesting, fun, and good read.

If you are in a group of hardcore U2 fans, and you say, "the U2 bible" or "the Pimm book", they will all know which book you mean. For collectors, bootleggers, and general fans, this is THE book. While Pimm has sadly passed away, well known U2 insider Caroline Von B. has taken over and kept this tradition alive. This is the U2 book that the U2 crew take on the road. Need I say more?

This is the ultimate compendium for the true U2 fan. Not only does it document every single show they've ever played but it gives a lot of background and behind the scenes info on the albums. When I found out this updated version of the book was coming out I got excited and now that I've received it I was not disappointed!

This is the updated version. The first book that came out covered U2 from their earliest stages up through to the beginnings of the Popmart tour. This one carries us through the Popmart tour right through to the end of the Elevation tour. Pretty much every U2 show ever played is covered to some extent, whether it's just with a setlist or a lengthy review. Each tour has a page or so dedicated to an overview and then each show is detailed to some extent. If you're just a fan of the band you'll get a kick out of many of the shows details (the pizza order/delivery from 1992 being fantastic). If you're a collector of shows this book is to U2 fans what Deadbase or those Tapers Compendium books are to Grateful Dead fans. It's either a lot of fun to read or a rich source of information. Just a blast.

On a side note most of the book is written by Pimm Jal de la Parra. I'm not sure if it says it anywhere but apparently he had passed away during the creation of this updated version. A few people had gotten together to finish it off for him. They most certainly did him proud.

Hands-down the best book for collectors, fans, completists and trivia buffs. Compiled from thousands of sources by devoted but objective fans, this book is a good read, reference book and very interesting look inside each tour. As a long time collector, I have always heard that if a setlist exists in this book, there is a recording of that show, somewhere in the world.

This book is hard to put down! Every U2 gig is detailed from setlists to attendance. Lots of photographs, some that have never been seen before. I love it!

Au unforgettable journey through the century written by one of the most open-minded and talented jazz journalist of our time! A MUST and HIGHLY RECOMMENDED READING!!!

The main reason I read this book is because I have become a Billie Holiday fan in the last 2 years and up till now not a true lover of jazz. This book caught my attention when I did a search for books on Billie. There was about 6 to 7 pages on her but I never imagined how long this book would be! Not a bad thing though. I know it took me a long time to read as it is SO detailed and thorough. It was truly an education for me and I have a much greater apprecation for jazz! Gary Giddens is an exceptional author and is obviously a veteran writer and really knows his stuff! A truly well written book. Highly recommended for lovers of jazz and those of us who are just beginning to have a love for it!

The source of Coltrane's 'Impressions' was (Morton) Gould's "Pavanne" and not Ravel's "Pavane Pour Une Infante Defunte" Giddins, however, confuses them on page 484. (After all, what's a pavane among friends?)

As someone who has spent a career reviewing documents and spreadsheets, I have a simple philosophy: if there is one error, I assume that there are others. This cost Gary a star.

Gary Giddins was only a name to me until Ken Burns's JAZZ series aired on PBS in early 2001. While I appreciated all the commentators in that remarkable series, it was the observations of Giddins that I began to eagerly anticipate night after night. He made me SEE music that I knew and loved but whose structure and complexity I had often been unable to grasp. Despite some jazz appreciation classes in college and haphazard collecting of old jazz records over the years, I had not gotten much past the "I know what I like" phase. His passion for music I was less familiar with led me on some rewarding treasure hunts.

I bought "Visions of Jazz" shortly after the conclusion of the Burns miniseries. I devoured it. I have turned to it time and again in the intervening years. Many critics overanalyze their subjects to the point where they suck the life out of the very thing they're attempting to illuminate. Giddins does not have that problem. His prose sings and swings with the elan of his beloved Sarah Vaughan.

Giddins's re-examination of the music of Ellington and Armstrong may seem at first blush to be superfluous; you may think you know all there is to know on that subject. But he proves that even the most accessible jazz figures and their music evolve from and operate within a such a complex idiom that periodic re-evaluation is necessary, and, if approached with respect for both the subject and the reader -- which Giddins has above all else -- it is most welcome indeed.

There are chapters in "Visions of Jazz" about musicians with whom I was completely unfamiliar. But I took a chance and read them, and wound up buying some Matthew Shipp recordings. It's that kind of book. You can take out as much as you put in.

As much as I appreciate Giddins's bone-deep love of jazz, his scholarship and wry humor, I also respect him for his fearlessness in making a case for, say, the inscrutable Cecil Taylor. But I am probably a big fan of someone who leaves Gary Giddins cold, and that's OK. The jazz tent is big enough for us all.

Why not 5 stars? The only "perfect" thing in jazz is Ellington's "Just a-Sittin' and a-Rockin."

To the previous reviewer: Mr Giddens was RIGHT. Coltrane's Impressions was based on BOTH pieces of music.

Very comprehensive. Lots of photos, very good history. It did come out a while ago so doesn't have anything about Entwistle's death. But it's a great history of the Who!

The definitive book to have on The Who. Loaded & re-loaded with amazing photographs & anecdotes from a friend of the band who isn't afraid to point out the bad in addition to the good.

I bought this book on its original release back in the 1980's; the updated section to review the years 1983-96 is most welcome. Hopefully, Richard Barnes will release yet another edition that takes into account the years 1997 to the present.

If you're a Who junkie, this book is a must. If you're a new fan, this volume is a fantastic primer into the history of the greatest band there ever was.

This book is an excellent resource for all fans of the classic rock band, The Who. Telling the band's story from their earliest days, the reader will find plenty of detail, interviews, and wonderful photographs to enhance this "amazing journey". The author takes a relatively unbiased stance, leaving out personal opinion in favor of simply stating "the facts".

If you are a fan of The Who, this is certainly a book that deserves a place in your library.

This book is really a great overview of the WHO's career. Starting out when the band started to meet as teenagers and spannig all the way to a few years after Keith's death, this book covers every single recording the WHO did.

Aside from just following the WHO through their career, this book is also jam-packed with those crazy Keith Moon anecdotes and interesting picures.

I really enjoyed this book, and enjoyed seein what one of my favorite bands was really like. I would definately recommend it to anyone who loves the WHO.

As a HUGE Who fan, I first picked up "Maximum R&B" in the late 80's, and recently dug into the updated version.

Richard Barnes was an old art school friend of Pete Townshend's, and remained close to him and the band over the decades. His history of the Who is detailed, mixed with intimiate remembrances, especially of the early days of the band.

Barnes for the most part tells the story with a straight-forward, unbiased eye. He details the tulmultuous relationship between the band members, especially Townshend and Roger Daltrey, and draws on numerous interviews and press articles (the press materials are classic--some very early pix of a very young Detours lineup are among the entertaining bits).

Barnes also examines the Mod movement of the 60's, which was so critical to exposing the Who (for a while the High Numbers) to a hardcore audience.

For Who fans like myself, you may find some minor errors, and Barnes doesn't go too deep into some of the band member's personal lives, except where he seems to have an in. Among these would be Townshend's fascination with Meher Baba, his later drug and alcohol problems, and his later struggles with trying to deal with the Who while establishing himself as a solo artist.

In any case, a fantastic document of the history of one of rock's greatest and most talented bands.

this book is great.You know My auntie just sent me this book and just handled it.You know i can't buy books about backstreetboys,(but maybe i do,but it's hard for me to find one because i'm from the philippines) but luckily i've had a nice auntie in the U.S. who've sent me this book.But you know i'm really worried 'coz my auntie sent it through mail,so i'm afraid it won't come because some BAD people(philippines) just get it if they found it beutiful for them,so i kept on praying and hoping that the book will be sent to me,and luckily i did. I really recommend this G-R-E-A-T B-O-O-K

this book is the best book on the Backstreet Boys that i have ever read. there is a bio on each of the guys, LOTS of hott pics-including younger pics and shirtless pics- and behind the scenes stuff. there are also stories of the pranks that they play on each other and of accidents and funny stuff that happened onstage. every BSB fan should have this book. it is worth every cent and worth getting! i love Brian soo much, he is soo hott and soo sweet! keep the Backstreet pride alive ya'll!

This book is the best!!! I'm a AJ fan and all of the pictures of him are great!!! A must have for any BSB fan!!!!!!!!

i love this book as i said, i realy love the pic's on nick they are soooo beautiful and i love the info, and the pic's on the others of coures but nick most, you must get it!!!!!!!!!!!!!!!!!!!!

This is the best book i have ever read.It tells you everything you need to know about Backstreet. It also gives you their biography,and some of their secerts.So if you haven't read it you better get it=)

I am a guitar player. I wanted to get a Les Paul Historic model. They make them now identical to the originals made in 57-60. I bought the book so I could pick out a guitar as close to an original as I could find. The book gave me the knowledge of what the originals looked like and I picked out a guitar that I wouldn't have picked out unless I had the book to work with.

Greg Hough

Beauty of the 'Burst is an overall good book. The photography is excellent, the layout is clear and the printing (critical, since color plays an important part in the discussion of these guitars) is really well done.

The book is definitely for aficionados of the sunburst Les Paul only. What you have are several hundred pages dedicated to one model of guitar, all with the same paint job and hardware. Obviously it's a very special guitar, and those people hooked on LP 'bursts will love seeing all the subtleties between instruments.

There are a couple of areas where I feel the book falls slightly short, but they're minor. In the section following the photographs ("Science Of The 'Burst", where they analyze every aspect of the guitar from the finish to the wood) there are some small factual errors such as the thickness of the maple top-plate. Not a huge deal, but in a book that gets into such minutia and makes such a big deal about the smallest of features, I feel they were obligated to get things like this correct. A person using some of these specifications to evaluate an instrument might be thrown off the mark.

The other thing that slightly annoyed me was the hyperbole used to describe every single instrument. One of the features people love about these guitars is the figured maple top. Some are nicer than others (just a fact of production, not to mention that this was a non-priority for Gibson at that time), yet every guitar is given the "this is the most unbelievable example" treatment. The plainest maple top will be gushed over, sighting something like the "wonderful fading of the color" or the "amazingly straight grain-lines that run the length of the top." Hey, it's some faded paint and wood with grain lines! I was waiting for them to rave about "the incredible way Les Paul's have mass, are affected by gravity and take up THREE dimensions (height, width AND depth)."

Nit-picking aside, it's a very well done book which I enjoy looking at. It also is a terrific collectors tool as well as a nice paean to one of the great, iconic instruments of the 20th century. Recommended.

I couldn't put it down until I read it all.

The delivery was beforehand. The condition is reasonably good. I was so happy that I could surprise my boyfriend on his birthday.

Amazing book! Lots of the vintage burst Les Paul, with photos and specifications. A must have for any Les Paul fan.