C Books

After seeing references to this book in several articles about Permaculture, I knew I needed to get it. So I looked, and I buy a lot of used books from Amazon, so I was hoping to get it that way. No luck. So I found a publisher in India, Vedic publishing and ordered from them. A month later(Air Mail) I got it. It is an easy read, throughly enjoyable. The author challenges you to rethink your daily life and question where your food comes from now. Because a book is hard too find and in demand, it shouldnt be expensive (sheer greed).

Fabulous book. Inspiring look at how not to mess around with Mother Nature. Nature is not the enemy we have been led to believe! I love this book, and it was one of the first to make an indelible impression about changing one's philosophy of how to possibly go about organic farming (I was an organic farmer later on). Poses searching questions (and one man's answers) that every gardener and farmer should look for the answers to, regarding how much we need to interfere with natural processes to produce food. Also a thoughtful look at balancing nutritional needs with what is seasonally available. Vital reading for anyone interested in permaculture, sustainable agriculture, or just a soul-lifting antidote to modern, corporate food production.

I read this book years ago when it was first published and it has been a magor influence on me and my gardens for all these years. I've followed Fukoka's ideas as much as closely I can living in a city and have had wonderful results. He is right, let nature do the work. My garden is the most beautiful in the neighborhood, and without any pesticides, fertilizers, tilling, or backstrain. Buy this book, Gaia's Garden, and Forest Gardening. They all follow the naturalistic, symbiotic, permaculture mode that mother nature has been evolving for a billion years - just plug into the natural order and start growing!

Some have said that the Fukuokan philosophy is the tap root of what is now more broadly called Permaculture, only Masanobu Fukuoka was a Japanese farmer, working with rice and winter grain in a southern Japanese climate. Both are no-till methods that shun the use of chemicals. However, Fukuoka should be set apart from farming in general and Permaculture in particular, in that The One-Straw Revolution is essentially a profound work of literary philosophy. Indeed, in many cases it reads like a naturalist's bible. Although the book is dressed in the language and anecdotes of a farmer, the message looms much larger. We read of a man who came to terms with the problem of death, and then decided to form a profoundly new (or is it old?) relationship with nature. In essence, the nugget of his wisdom is that, instead of struggling to control and command nature, we must learn to work with and learn from nature. Allow me to share one quote:"To build a fortress is wrong from the start. Even though he gives the excuse that it is for the city's defense, the castle is the outcome of the ruling lord's personality, and exerts a coercive force on the surrounding area. Saying he is afraid of attack and that fortification is for the town's protection, the bully stocks up weapons and puts the key in the door." Now I ask you, does the following paragraph sound like the words of a farmer or a philosopher? From the face of it, one might think Fukuoka is here criticizing the nuclear arms race, but he is actually talking about the warlike mindset of farmers who see leaf-munching pests as evil enemies that must be fortified against, sought out and destroyed. Whether we are talking about bull weevils or communities, though, his advice is sound. We must change our frame of reference and establish a different relationship with the world. Concise and yet elegant, Fukuoka's prose is pregnant with meaning. Altogether, this work provides poetic an intelligent critique of industrial agricultural practices and the linear notions of nature and progress that underlay those practices. In fact, Fukuoka goes as far as to declare that the scientific method itself limits our experience and knowledge of nature. An invaluable, timeless work that will move you, even if you have never picked up a hoe.

j.w.k.

Ladies and Gentlemen, please get on board, the Fukuoka earth ship is departing for Earth. All I can say is to get involved with the growing community of Fukuoka farmers around the world. Please come and visit us at fukuokafarmingol.net if you have any inclination towards ecological farming and leaving behind the fear of growing your own food because you are afraid the results will not be what you want or because you are afraid to damage the soil. Masanobu points the way to farming without destruction.

The Oxford Companion is a must-have shelf reference for anyone intending to seriously study the Second World War. As with many encyclopedias, this means that the amateur or buff will use the entries themselves, and the expert will use the bibliography and suggestions for further reading. It is, at least at this moment, quite reasonably priced for such a serious work of reference, and I likely would not have bought it otherwise. The only drawback is that in changing over to the current edition, the editors seem to have removed the full-color maps that used to be placed at the end of the volume. I do not remember enough of those maps to tell if they are now among the black and white maps placed throughout the body of the work; I do know that the color maps were one of the highlights of the old edition and are much missed by this reviewer.

the Oxford Companion to World War II is very complete and simple to use for poeple who study the WW2, he contains a hundred maps, stats and chronological fact, englobing the totality of the allies or the axes. he's the best way to find all the information you'll need.

I have both the current and first edition of this book (in hardcover). As far as I can tell, the new edition is only shorter because it uses a smaller typeface, allowing several more words per line.

However, the new edition is also a bit easier to read despite the smaller size, because the new edition uses a glossy paper and the text seems more sharply defined on the page. This is particularly noticeable in the text of the maps, which I have struggled to read in the first edition, but seem clearer in the new edition.

As an aside, I agree with the general view that this is the single best reference book on World War II. I can't really tell what is changed in the new edition, although it may just be minor corrections, since the several longer articles I have compared seem identical.

This is a wonderful one volume encyclopedia of WWII, covering all fronts, participants, and major events. This outstanding work is an absolute must have for any serious student of World War II in my opinion. More than 100 scholars and professional historians contributed to this book. This work is certainly detailed, well written, and well researched, but it is not comprehensive (how could one describe WWII in one volume of about 1000 pages?). I think the description of this book as a `Companion' is entirely appropriate, it has been my companion for more than ten years now. I've flipped through pages of this book several times a week for the past ten years and (effectively) read the entire book through at least half a dozen times. This book is filled with an unbelievable amount of information. There are major sections on each of the combatants that include discussions about the military, political, economic, and cultural developments and changes that took place throughout the war. All the major battles are discussed, as well as people, equipment, and events. In my opinion, this is not a reference book, it is a learning book. If you already know a great deal about the Battle of Kursk or Uboats, for example, you will not find much new here. You will find, however, a wealth of information about all aspects of the war that you probably weren't even aware of. I have no complaints about this book and would consider it a bargain at twice the price. My only warning is that this book is probably not suited to someone who has only passing interest in World War II; if Steven Ambrose is your idea of a good historian, you probably aren't going to like this Companion.

I'm a fan of the first edition (1995) of this fine book: I'm a World War Two buff, and this is the best one-volume reference book on World War Two that I know of. So why would I give only four stars to the revised edition of 2005? Here's why. Prospective purchasers of the revised 2005 edition might like to know that it is 1,039 pages long, whereas the first edition of 1995 was 1,343 pages long. That's a loss of 304 pages, representing 23% of the material in the first edition---a considerable loss.

In the case of The Oxford Companion to Music, there was a beautiful, lavishly illustrated edition of 2,017 pages of 1983; it was replaced by a revised edition in 2002 that had 1,434 pages---a whopping loss of almost 600 pages of material. In this case I know what I'm talking about, because I have both editions: the 2002 edition represents a substantial abridgement and cheapening of the 1986 edition; I doubt that anyone who had the chance to compare the two would choose the newer edition.

I don't know if the same thing is going on with this Oxford Companion to World War Two (I don't have the new edition at hand to compare the two), but the loss of 23% of the material in the first edition, and my experience with The Oxford Companion to Music described above, would incline me to approach the new edition with caution.

Patrick Demarchelier is one of the best artist of this age; his Photographs are pieces of history. Into this book you'll find his masterpieces: emotions in B&W!

A must own book for people that love b&w photography. Patrick is excellent at getting the perfect angle for the image. The way the natural light and shadows enhance the objects is great. The true persons are drawn by the way the pictures are taken.

My 12 year old saw this book on one of the display tables, picked it up... for the cover (naked lady) and glanced through it. He then later came running up to me saying... Please buy this book. The pictures are excellent. Well now, my son is interested in photography as a hobby.

This depicts some of what we know and expect of Mr. Demarchelier. His ability to capture so much in a photograph, in a look, is what makes him so incredible as an artist. If you are a fan of his work, this work should be part of your collection.

This is one of the best books of portraits that it has been my pleasure to view.

Before going further, let me observe that the book contains much female nudity that would earn an "R" rating if this were a motion picture.

Glenn O'Brien in the book's introduction captures the essence of the book well, "The beauty standard is being raised once again."

Whether the subjects are beautiful (and many are) or not, the result is the same -- a deep look into the personality and character of the model done in large, vivid detail in wonderfully contrasting duotone. One of the best tests for this book is to compare the celebrity images you see here with others you have seen of these same people. These images are more warm, more revealing, and more fun to see. Mr. Demarchelier has a light touch that gets out the happiest version of a person. You'll find yourself laughing and smiling your way through this collection, for sure.

The portraits displayed here are uniformly of very high quality, and provide nice contrasts of subjects (nose rings, boulders, children, and elephants among the beautiful people).

Here are some of my many favorites:

Nude, St. Barthelemy, 1994

Nude, St. Barthelemy, 1989

Her Royal Highness, The Princess of Wales, London, 1993

Warren Beatty, Annette Bening and their daughter, Los Angeles, 1994

Versailles gardens, Versailles, France, 1994

Gianni Versace, Paris, 1992

Nude, New York, 1995

Corbassiere, Paris, 1994

Helena Christensen, New York, 1992 (second image)

Cindy Crawford, Leh, India, 1989

Jasper Johns and Leo Castelli, New York, 1993

Roy Lichtenstein, New York, 1993

Naomi Campbell, New York, 1990

Isabella Rosselini, New York, 1994

Robin Williams (4), New York, 1990

Robert De Niro, New York, 1990

Sisters, St. Barthelemy, 1991

Christy Turlington, New York, 1990

Alice Dodd, New York, 1994

Natasha Kinski, New York, 1993

Warren Beatty from "Dick Tracy," Los Angeles, 1989

Elton John, Paris, 1992

Janet Jackson, Miami, Florida, 1993

Arthur Demarchelier, New York, 1991

Patrick and Mia Demarchelier and their three sons, New York, 1987

Meg Ryan, New York, 1994

Claudia Schiffer, St. Barthelemy, 1991

Paul Newman, Beacon, New York, 1994

Elle Macpherson, New York, 1990

Cindy Crawford, New York, 1990

After you look closely at these images, notice how lines and flaws provide balance and perspective in the same way that perfect figures provide proportion. How can you create more waves of enjoyable symmetry?

Drink deeply from the bubbling joy of humanity!

Gods be feathered, how I love this book. The four-book Chanur series is one of the greatest SF epics of all time. (The fifth, Chanur's Legacy, is a fun afterthought but not as deep as the original chunk.) This first volume is a satisfying stand-alone read, but trust me, you'll want to read the rest. I always warn people not to start this series unless you have a large chunk of time set aside--even though I've reread it countless times, once I get started I still find its momentum impossible to put down.

Pride of Chanur starts with an unforgettable image--a mostly naked fugitive human writing numbers on a spaceship deck in his own blood to prove his sentience to the startled alien who has just slashed him with her claws in self-defense. From there it rolls along into an intelligent, funny, and utterly satisfying adventure. Cherryh achieves an amazing feat in telling the story entirely through alien eyes, yet still giving us completely satisfying, believable, and likable protagonists. She vividly depicts four entirely distinct and fully realized oxy-breathing species, each complete with distinct patterns of thought, traditions, and psychology, plus several other more mysterious methane-breathing species, in all their complex and troublesome interactions, plus humans (well, mostly just one) thrown precipitously into the mix. The human is the alien in this story, and we hear his perspective only through the often garbled and always incomplete computer translator, an approach which is unusually realistic (unlike so much SF where translation always works perfectly, instantly) and always leaves you curious to know more. The reversal of perspective is so convincing and complete that you'll find yourself looking at your own species' psychology as the strange one.

Plus there's the fascinating reverse-sexism of the hani, the main alien culture, which essentially follows the structure of a sentient lion pride: men are considered too volatile and unstable for everyday business, thus are kept secluded except during dynastic battles; the sensible, pragmatic females take care of commerce, law, alliances, and space-faring. (In the sequels, these beliefs get confronted and deconstructed in interesting ways.) The quintessentially feline temperament and mannerisms of the hani--vain, swaggering, hot-tempered, affectionate, physical, fierce, loyal--are convincing and irresistible, especially if you're a cat person anyway! And be warned, the pidgin and idiom the characters use for inter-species communication will completely infect your brain.

Dive right into this satisfying yarn, and know that in the next three books a far, far wilder, bigger, and more complex story will unfold...nail-biting action intertwined flawlessly with deep psychological and cultural insight, tangled intrigue, agonizing moral dilemmas, and extraordinary character transformations. Enjoy the ride!

Not many writers can do aliens as well as Cherryh -- bilateral, oxygen-breathing, most of them, but with minds and emotions and evolved biologies that are very, very different indeed from human. Pyanfar Chanur is the successful, wealthy captain of a Hani trading ship, a powerful figure in the powerful Chanur family, leading a crew composed all of family members, like all Hani ships. And then she's suddenly saddled with Tully, a refugee human escaped from the Kif, an opportunistically piratical race that evolved by blood feud. Humans are newly arrived on the edge of the space occupied by the member races of the Compact and trading rights with them will be worth a lot, but Pyanfar will have to risk everything. And the profoundly untrustworthy Kif aren't going to make things easier. Cherryh does a terrific job of gradually introducing the reader to the intricacies of the vaguely lion-like Hani society, in which females do the work and tend to the psychologically unstable, world-bound males, who are lords of the estates -- until they're challenged by younger males and finally lose. You'll come to know Pyanfar and her crew as individuals, too. The plot gallops, the characterizations are intriguing, and the dialogue is snappy. Yet the book is much denser than it appears. What more could you want -- except the three following volumes in this saga?

Yeah, this book was pretty cool. It's not quite as dense or sprawling as I've come to expect Cherryh books to be (not that that's a bad thing!), but that doesn't detract from it one bit. And this book moves, moves, moves. It's probably one of the most engrossing books I've ever read.

This is another one of Cherryh's first-contact type novels, and I think it's the thing she does best, really. It involves a lone human somehow lost in alien space who manages to sneak abord a Hani merchant ship, and how his presence upsets the delicate balance of power there. It's serious without being too oppressive, and it is without question the best of the series. I've read the other three, and really you can take those or leave them--the book is complete enough in itself. (With the others, I kind of feel myself playing the Star Trek 5/Aliens 3 game--if I didn't like it, it didn't happen. Trek 5? Nope. Went from 4 straight to 6....)

I highly reccommend this book. It's typical Cherryh, in that you'll have to wait for your gratification until the very very end--but then, it's always worth it.

After reading and enjoying Ms. Cherryh's "Cyteen" I started searching for more of her novels and decided to begin reading Chanur's Saga. "The Pride of Chanur" is its first volume.

Ms. Cherryh creates, once more, an astounding backdrop Cosmos full of intricacies, depicting the other end of the universe shown in "Cyteen".
Here she elaborates The Compact's Media where many alien races compete, trade and fight. There are oxygen breathers and methane breathers; big cat-like people and gray somber entities; aggressive races and peaceful ones; some species are deceitful and others are straight forward.
Just to make things more complex a Human show up demanding asylum from the Hani (Chanur's kind) and giving way to a feud between Hani & Kif (the bad guys of the story).

One astounding feature of the book is that the main character is Captain Pyanfar Chanur and her ethnocentric point of view is THE point of perception. All other races (including human) are strange and requires all her imagination to figure up what kind of entities they are. Are they friendly? Stable? Trustworthy? All these and many more questions she has to answer in order to survive.

The other bewildering aspect is that Hani kind is conducted by their females. Ladies are in charge of commerce, space travel, politics and any other significant activity (even war). Males are the Lords, pampered by females, sporting and hunting. Only one by Clan, he may be defied by other males (his own exiled sons are suitable) to singular combat and the winner takes all.

The novel has the typical Space Opera structure, enriched by new elements as character's depth and culture's coherence.
It is a very good sci-fi novel that will be enjoyed by fans & general public!
Reviewed by Max Yofre.

I'm currently re-reading this in it's incarnation as the first part of "The Chanur Saga" "Omnibus edition." I wanted to put a separate review here since I intend to rate that "omnibus" low simply because it's not complete. "The Pride of Chanur" is an excellent book. Written in the standard Cherryh "from the gut" manner, it grabs on to your emotions and yanks them hither and yon from the first couple of pages all the way to the end. It's one of those books where you try to read faster and faster so that you can find out what's going to happen (even after having read it several times before). The best part of the book is the fact that it's stand-alone: it finishes what it starts. The remainder of the series requires this book. But, this book doesn't require the remainder of the series (though you'll definitely want to read that). Excellent book.

My daughter and I read this book and we both truly enjoyed it. As a mother it helps reinforce the values we instill in our children to love themselves and be true to yourself and how God loves us all. My daughter enjoyed the story and the illustration and found it to have a wonderful message about confidence. I highly recommend this book.

Awesome! Awesome! Awesome! Princess Briana needs to be in the hands of EVERY child across the globe! Boy or girl!

Children today have so many issues with their appearance, body image, self-esteem and the list goes on. This story touches on each of these areas and children can easily identify with Princess Briana as she experiences these "growing pains" and realizes that she is beautiful just the way she is!

I applaud Yaba Baker on an amazingly written story! The art work is incredible! I just didn't want the story to end!

Every parent, teacher, and child should have this book on their shelf TODAY!

My daughter is in a predominately white school system and this book was perfect for her! It let her know that there is more than one standard of beauty and that you have to love yourself for who you are, braids (which she has) and all. Anytime she starts feeling slighted for not being the same as her classmates, I pull out this book and remind her of her INDIVIDUAL beauty. Loved it and would recommend it to everyone!

My daughter is an avid reader and she absolutely loved the book. She is 10 years old and felt that the book spoke directly to her. The illustrations are wonderful and the story is compelling. I would highly recommend this book to all parents of young girls.

For one-and-a-half years, I've facilitated a book club of African-American girls. We read two picture books by black authors each month. Among our selections have been award-winners and titles that have made recommended reading lists. Never has a book stimulated such discussion as Yaba Baker's Princess Briana.

The girls, many of whom attend predominantly white schools, could see themselves in what Princess Briana was going through. They talked about what it felt like to be one of the few girls of color. They cheered at the story's triumphant ending. After discussing the themes, they decorated foam crowns and wrote about the quality they love best about themselves.

We celebrated the lesson of the story in a princess parade. The girls strutted their stuff for their moms and then one by one shared their poems. It was beautiful to see them talk about the beauty of their brown skin, richness of their heritage and keenness of their minds. It was one of our best meetings yet.

Princess Briana is a special story. In a world that still struggles to embrace diverse standards of beauty, this book is like balm to the soul.

excellent photographs of collection of royal family of england ,from1840-1940.some of the pictures i've seen before ,but there are alot of new one's not seen before.

This is an excellent resource as well as enjoyable reading and viewing. Queen Victoria had a large, illustrious family. This book not only humanizes and personalizes the many family members, it also helps to make sense of the extended family connections - particularly with the included family trees in the back of the book.

I have perused through this book many times, and have recently given one to a friend, who absolutely loved it. This is not a history book that will just sit on a shelf. It is a required addition to anyone interested in the history of Queen Victoria and the Eurpoean monarchies.

Absolutely remarkable. Charlotte Zeepvat takes the reader into the lives of Queen Victoria and her family with the amazing photographs, both candid and formal. The pictures are rare. They are well organized and have excellent captions. Zeepvat is a great writer/historian and I recommend her books to all.

for those interested in royalty. While some of these photos can be found in many different books, some of them I've seen for the first time. Queen Victoria's decendants are so numerous and belong to so many different royal houses. Definitely a worthwhile purchase!

There are certain photos that I simply expect to see when perusing volumes about European royalty. However, upon receiving Zeepvat's book, I was thrilled to find so many rarely seen photos of some of the more obscure descendants of the "Grandmother of Europe." If you're a royalty buff like I am, you can spend hours immersed in this marvelous book and its detailed family trees.

What a superb collection! An anthology that can be read and re-read many times without feeling repetition. I feel sorry for anyone wanting to get a hold of it if and when it goes out of print.

After my years of professional activities were completed, I had never expected to lose memory of these unforgetable unimaginably pure images of "Changing Diapers, (Gary Snyder) or "Sailing to Byzantium" (WB Yeats) or "The United Fruit Co" (Pablo Neruda.)

After contributing my early copy to the Prison Library, I never thought I would need see that familar print again: But...I Did!

Editors, Robert Bly, James Hillman, and Michael Meade combined a short Introduction, preceeded by these poignant thoughts from William Butler Yeats: "Those masterful images because complete/ Grew in pure mind, but out of what began? ...Old kettles, old bottles... Old iron, old bones, old rags...I must lie down where all the ladders start, In the foul rag-and-bone shop of the heart."

If being reminded in twelve selections of William Butler Yeats, added to dozens of Robert Bly, Robert Frost, Emily Dickinson, E. E.Cummings, Langston Hughes, John Keats, Stanley Kunitz, Dylan Thomas, William Blake, Walt Whitman, 500 pages of familiar and new poems, surely is sufficient then check out groupings under a few orderly headings: "Father's Prayers for Sons and Daughters; WAR; I Know the Earth and I Am Sad; The House of Fathers and Titans; Making A Hole In Denial; Zaniness!" Completely fitting these six most unque titles are combined with ten more, equally imaginative and descriptive!

From the perspective of a Poetry Addict, into being a creator of my own poems, not yet note-worthy, I am back in "Poetry Heaven," with this second memorable discovery of rich word treasures! Sing-cerely from a retired Singer and Chaplain Fred W Hood

Treasures untold, indeed. This is the finest, most inspiring and least predictable contemporary poetry anthology I have ever come across. It has introduced me (I am British, and certain of the US
poets featured are not so well-known over here) to, among many others, Balaban, Nowlen and the wonderful Robert Haydon - his poem about his father is heartbreaking, a perfect poem.
Bly is a hero. I`ve long loved his poetry and his approach to the art. Here, with his compadres, he has given us a cornucopia of living, fire-breathing verse to live, love and get lost in for ever.
`Volume Two?`

This is, indeed, a collection of poetry which is multi-dimensional. The "canned" editorial above, from Publisher's Weekly, is a narrow-minded interpretation of the "purpose" of this collection of poetry. Whoever wrote the "canned" editorial has no understanding of men's struggle to redefine their role and character, constructively, to find a place in the twenty first century. Although many of the poems are multi-dimensional, the anthology as a whole, leads a man out of denial, into the heart, into the spirit, and, ultimately into a celebration of masculinity which misandry (hatred of men) has outlawed for almost half a century.

This anthology celebrates a new masculinity. One that is grounded in compassion, awareness, and, ultimately, the most important aspects of our existence as men.

For instance, one of the most important poems in the collection is Goethe's "The Invisible King." Through Goethe's genius we come to understand, as men, that if we deny the murmurs and whispering of our souls, we do so at grave peril to that which is most dear to us.

Buy it if you dare become something more than Madison Avenue made men in the 1980's and 1990's.

If you loved Iron John, you should read this book. But if you either (1) didn't read Iron John, (2) tried to read but couldn't finish Iron John, or (3) hated Iron John, you should especially read this book. I have to say up front that I don't agree with, or perhaps understand, many aspects and details of the men's movement. I was one person who tried mightily to read and enjoy Iron John, but simply couldn't get all the way through it. Then I found this book, and I have been reading it since. This was 10 years ago. I am exaggerating of course, but only a little. This book is a constant in my reading habits. I refer to it again and again, and have recommended it (and purchased it) for more friends than any other book I know.

Simply, this is a wonderful anthology of poetry, organized thematically, for men. Many of the individual poems are brilliant, and the overall organization is intelligent and, at times, profound. As I have grappled with marriage, fatherhood, aging parents--all the trappings of midlife--this book has been a constant source of wisdom and comfort for me. Do a kind thing for yourself or for a thoughtful man in your life and buy this book.

I discovered and read Ms. Carter's lush tale of four intertwined lives some months ago and still remember my regret mixed with exhiliaration at turning the last page. Not wanting a book to end is probably among the higher compliments a reader can pay to fiction; to end a nonfictional story feeling thus, is rare indeed. Prior to RRG, Donna Tartt's fictional masterpiece "The Secret History" was my lonely, sole contender for this sort of accolade...
... It was precisely the lack of any undue focus on the women's probable physical intimacy, alongside a riveting collection of photographs that immediately caught my attention and held it. Throughout the whole of this story crept a quiet, matter-of-fact, stylistic elegance that kept this readers attention first and foremost on the place and the times, on three lives dedicated to art, on four women dedicated to each other. Brava!

Alice Carter has written an incredible story about three inspiring artists. It is ununsual to find a book with such a scholarly, intelligent perspective that is presented with a human warmth and emotional attachment to the individuals that are portrayed. The sensitive approach of the author is perhaps related to the fact that as a young child Professor Carter knew and admired these woman and they served as an inspiration in her life. Whatever the reason, she has crafted an outstanding, beautiful book that will stand as a classic story in the history of art, the struggles of women, and the nobility of the human spirit.

Some great reproductions here too, of some Pre-Raphaelite-style art from the Philadelphia area about 100 years ago. Violet spent over 25 years painting huge celebrations of the founding of Pennsylvania in the Harrirburg State Capitol. She may not ne Michaelangelo, but is not far behind his Sistine Chapel! This small coffee table book will never go out of style, and does a great job bringing back 3 great lady artists!

I bought this book with the idea of finding out more of the types of relationships women shared at the beginning of the twentieth century. I was astonished to find more than I bargained for. The Red Rose Girls provided more than insight into these relationships, it also provided a look inside the rise and fall of the progressive and arts and crafts movements. Pre Freud, the relationship of these woman was accepted and cherished as they lived together, and created their art. Post Freud, their relationships deteriorated as did their careers. All in all I found this book extremely entertaining, as well as heartening (a forty year relationship between two of the women) and the pictures are absolutely beautiful. If nothing else, as an art book it is extraordinary.

It was some months ago when I discovered and read Ms. Carter's lush tale of four intertwined lives. I still remember the regret and exhiliaration I felt on turning the final page.
Not wanting a story to end is perhaps among the higher compliments I would pay to a book, and usually one relegated to a rare work of fiction. In fact, prior to Red Rose Girls, Donna Tartt's masterpiece, The Secret History was my lonely sole contender for this sort of accolade. To add my name to the chorous of other reviews teetered on redundancy, lily-gilding or worse....gushing. But then, we New Englanders are a stiff lot, and loathe to such displays.
It was interesting then, to trip over a Feb. 8th review in which a reader, also from my birthplace, expressed some criticism of Carter's speculation on the probable physical nature of the characters relationship, finding it presumptuous and distracting. (my words)
It was precisely the lack of any undue focus on lesbianism, alongside a riveting collection of photographs, that caught my attention and held it for the duration. Throughout this fascinating account crept a quiet, matter-of-fact, stylistic elegance that kept my attention firmly on the place and the times, on three lives dedicated to art, on four lives dedicated to each other. Brava!

I read almost every reflexology book available during my reflexology certification process. If you were to only buy one book on reflexology, I would recommend it be The Reflexology Atlas. It is the most comprehensive text on the subject, and has superior illustrations of the reflex points.

Especially impressive and valuable to the reader or practitioner are the illustrations. Drawings of the bones of the feet as well as the reflex points are superimposed over photographs of the feet and/or hands. The photographs in the book are extraordinarily helpful. These are probably the most helpful reflexology maps that I have seen or used. The body's organs are also represented as color illustrations superimposed over photographs of the body which is quite helpful for readers learning about human anatomy. Reflex points are highlighted on photographs of the feet from many different perspectives, helping students to learn where reflex points are to be found on the sides of the feet and ankles, as well as on the dorsal (top) side of the foot.

The text is easy to understand, and does a good job explaining the background of reflexology as a healing modality. By following the text and photographs readers will learn how to perform a full reflexology session. A detailed discussion (with illustrations) of reflex points on the hands and ears are also included. Massage, acupuncture, and shiatsu are also touched upon.

I think this book gives good insight and instruction on the pratice of reflexology. I was curious about the concepts that are used in its practice. I found the book to be informative and comprehensive,and do recomment it to others who are interested in the subject.

This step-by-step manual is easy to use. The pictures enhance the directions, which are concise and easy to follow. This is a perfect book for those who wish to learn Reflexology on their own, as well as for those who wish to refresh their knowledge of the skill. I would recommend use of this book to both current and new healers.

I'm a professional Massage Therapist and Reflexologist and this is an excellent resource to use for my students. This book also covers the meridians, although I wish that aspect was a bit more exact in showing it on the anatomy. Very comprehensive. Packed with lots of good info including some ear. Big book size wise. Kind of quirky as I think the authors are European and some wording is not congruent, but all the info is very accurate. Excellent resource especially if you want more than just the basics.

I bought this book as a Christmas gift for my boyfriend. He is a massage therapist. I was very impressed by the book. It is very complete, and easy to understand. The illustrations and pictures are awesome. He loved the book as much as I did. It's an excellent reference. I would recommend it to anyone interested in the topic, or involved in massage therapy.

This is an excellent history book. Even though I was had to read the book in many sittings, I never lost the train of thought of the author.

My only criticism is that I really wanted to learn more about Peter the Great and how he built St. Petersburg. I felt the book was lacking in this very important aspect of the history of Russia

Book was very easy reading and well organized. One of the best history books I have read.

if you want to no about the early to last romanov's and russia history this book is for you.this writer leave nothing out.

W. Bruce Lincoln's history of the 300 years of Romanov rule in Russia (1613-1917) is easily his most readable account of Russian history. While Professor Lincoln's research is meticulous as ever, in this volume he has to cover far more ground than in his other more focused histories and thus he avoids some of the digressions that he normally might allow himself. The result is a superb one-volume history of the Tsars and Tsarinas who determined Russia's development from a minor principality into the largest empire on earth.

The Romanovs consists of four parts: Muscovite beginnings (1613-1689), the Rise of an Empire (1689-1796), Empire Triumphant (1796-1894) and the Last Emperor (1894-1917). The first three parts each consist of several chapters, with the first covering biographical details of the Tsars and Tsarinas in that period, followed by chapters on political and cultural changes in that period. There are only two significant problems with what is otherwise a superb presentation: a non-chronological methodology and a lack of a single supporting map of Romanov domains (there are two maps of St Petersburg's layout). In the first case, Lincoln tends to keep coming back to Tsars in subsequent chapters on culture, politics, etc which is very confusing. Indeed, he seems in a rush to plow through the biographies of the Tsars, then revisit their cultural accomplishments, then come back again and discuss their political accomplishments, and then maybe discuss a few scandals or wars. As for the lack of maps, it makes it extremely difficult for the reader to evaluate the territorial expansions of the various Romanov rulers or Russia's growth over three centuries.

Despite these two flaws, the Romanovs is a delightful read for anyone with a scholarly interest in Russian imperial history. Perhaps the three most significant rulers that Lincoln assesses are Peter the Great, Catherine the Great and Nicholas II. Most histories tend to elevate Peter to hero status, but Lincoln's evaluation is more mixed. While Peter gets great credit for pushing Russia to modernize, the costs he incurred may have been too great. In particular, Lincoln questions Peter's obsession with building his capital on totally unsuitable terrain; the fact that the Russians were able to eventually succeed in constructing Peter's dream capital often disguises the fact that the human and financial losses were exorbitantly wasteful. The reader will be left to ponder the question that if Peter had built his capital elsewhere, Russia's development might have been much less painful. As for Catherine, Lincoln prefers to minimize the scandal and corruption associated with her court and view this as the golden age of Russian cultural development. Finally, Nicholas II appears as even more of a fatalistic dolt bent on self-destruction than he did in Lincoln's previous books. In sum, The Romanovs provides a solid and very readable account of Russia's development under the Tsars and Tsarinas.

A genuinely great book. Lincoln certainly could write, and make
all those old Russians seem really interesting. As Lincoln's
former students (including me) know, his lectures were tediously
boring, so that makes the books all the more remarkable.