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Thoroughly Scripted and ResearchedReview Date: 2007-11-08
Prophetic religion for the rest of usReview Date: 2007-08-20
A New Look at W.E.B. Du BoisReview Date: 2007-07-27
Blum's volume uncovers Bu Bois's multiple religious selves, and since the biographical details of his life are relatively well known, Blum resists a chronological approach and instead offers an innovative, thematic analysis that investigates The Souls of Black Folk (Enriched Classics Series), Du Bois's sociology of religion, his understanding of Christianity and Communism, the uses of religion in Du Bois's creative work, and the reception of the spiritual Du Bois among students, scholars, and cultural critics. Blum canvasses Du Bois's massive corpus, not only including weighty academic works, but also letters, literary expressions, and even prayers written for students at Atlanta University in 1909-1910, published in 1980 as Prayers for Dark People.
The result of this thematic investigation is a convincing picture of the multiple ways Du Bois engaged religion--and in particular Christianity. One of the book's major contributions is to show when, where, how, and why Du Bois brought spiritual insight to bear on global issues he investigated both historically and sociologically, particularly those related to black Americans. It is interesting to note that Du Bois's commetaries on the issues of his time still resonate deeply with today's concerns--something I suppose prophets are able to do.
Blum's book is clearly an academic work, but unlike many scholarly monographs, it also speaks to students and other curious, interested readers, a notable achievement and something for other writers to emulate. Blum's work is a must read for anyone interested in American history, religious history, or even world history.
There is no doubt _W.E.B. Du Bois, American Prophet_ will stand as one of the most important works for understanding this important historical figure. Be sure to pick up your copy today.
DefinitiveReview Date: 2007-08-06
Blum delves in to so much with respectable sensitivity, and his analysis and insights go much deeper than all other biographers concerning Du Bois's relationship to religion.
Brilliant. Highly recommended for students, professors, people interested in religious studies, history, identity, etc.
A Major Reinterpretion of the Life and Thought of W.E.B. Du BoisReview Date: 2008-02-06
In this marvelous new book by Edward J. Blum, an historian at San Diego State University, Du Bois emerges as a major thinker in Christianity and the social gospel. As Blum demonstrates, Du Bois was in no small measure motivated by the life and ministry of Jesus Christ, by the moral teachings of scripture, and by the thinking of theologians throughout the ages. And in this aspect of his life, like all others, Du Bois found ample scriptural and moral teaching advancing equality of all people. It is an eye-opening and unexplored aspect of Du Bois's character and one that all future investigators of his life and career will have to bring into the discussion of his other activities. As Blum shows, Du Bois's work cannot be understood absent his spiritual life.
This work is a fine analysis that progresses through a series of Du Bois's writings to probe the depths of his moral and spiritual beliefs. A major chapter on "The Souls of Black Folk," as only one example, demonstrates the significance of his seeking universal truth in religion. Part sociological analysis, literary criticism, and theological exploration, Blum's work on Du Bois offers a new avenue for understanding one of the towering figures in American race relations. It is a brilliant, authoritative, and seminal study that all scholars of U.S. religion, race relations, and the early twentieth century will find invaluable.

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Poignant and Scholarly information of what is neededReview Date: 2007-05-01
A Must ReadReview Date: 2002-03-01
A Timely Guide for Parents of Black ChildrenReview Date: 2002-03-03
A must have for parents!!
Must read for those concerned about 'Black Boys'Review Date: 2003-01-26
A MUST HAVE FOR EVERY AFRICAN AMERICAN PARENTReview Date: 2002-04-03

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What's Right About It?Review Date: 2007-08-01
A great primer for Marketing execs who think they know how to talk to African-AmericansReview Date: 2006-12-22
EXCELLENT FORMAT AND CONTENTSReview Date: 2005-11-08
sidebars to describe the meanings of the discussions. This book is very easy to read and gives many examples of African American
cultures and habits. This kind of information is certainly important to those promoting marketing in this area.
I think that the book could be used as a suppliment in schools, where Black History is being taught.
John H. Hunter- Chicago, Illinois
What's Balck About It?Review Date: 2005-11-12
As a black moderator I am often asked how black perspectives differ from other ethnic groups. Pepper Miller and Herb Kemp in What's Black About It? both affirm and enlighten me on key cultural cues. They illuminate the black experience while highlighting the best practices needed to succeed in marketing to African Americans. From the importance of brands to blacks' relationship with time (which has been elevated from `CP Time' to Kairos Time) they provide a DNA map of insights to help you capture your share of a changing African-American market.
Lisa Gaines McDonald
President, Research Explorers
What's Black About It?Review Date: 2005-09-30
This is handy tool that brings to the forefront new insights and dispells stereotypes. For those in this industry, you'll find that you spend more time educating clients about who African Americans really are and how much they impact EVERYTHING; "What's Black About It?" is filled with statistics and facts that make the ride much smoother. I give this book two thumbs up and encourage all to purchase. Thanks Pepper and Herb for a job well done.
A. Sikes
Strategic Planner

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Let's start to communicate about healingReview Date: 2008-06-02
Donna L. Franklin has begun to open the doors to communication in this secretive area for us. Thank you, Donna. We need to move forward. Let's talk about our African American relationships. The youth are learning by the failed examples they witness. Let's leave them with more than that.
[....]
Wow this is so trueReview Date: 2005-07-20
Why Can't We Just Get Along ???Review Date: 2000-10-10
A crime has been committed. Who is guilty of this crime? Who must pay? Who must be held accountable? For the destruction of black male/female relationships? The destruction of the black family? The destruction and denigration of African culture and consciousness? The insanity of homocide, suicide and fratricide in the black community? Slavery is Donna Franklin's answer. Miss Anne and Uncle Charlie out back, in the cabin, in the bushes, in yo bed room, in de school room, in yo mind.
Insanity passing for sanity. Black man walkin' down the street mumblin' to himself, holdin' himself like he gotta piss. Black woman standing on the street corner with a blond wig on her head charging two dollars. Apein' mr charlie. Apein' miss anne! Playing in the dark, writin' blues for mister charlie, wearing black skin and a white mask, with no name in the street!! Because - Nobody knows my name!!! Not even me! What's yo name Boy??
Franz Fanon said it best: "The Negro is a slave who has been allowed to assume the attitude of [the] master. The white man is a master who has allowed his slaves to eat at his table." "Relationships between black men and women in America are in crisis," says Donna Franklin. "The current divorce rate for blacks is four times the 1960 level and double that of the general population." "Interracial marriages have risen from a reported 51,000 in l960 to 311,000 in l997." "The rates of violence between black men and women are higher than those of other races." ". . .Seventy-two percent of the African American husbands reported using a confrontational style of dealing with marital conflict. . ." "Forty-four percent of married black men admit to having been unfaithful to their wives, almost double the percentage for whites." Sixty percent of young black males between the ages of 18 and 24 are caught up in the criminal justice system.
In the end Donna calls for healing. But healing in this instance must be spiritual as well as social. The cancer has spead too far. The community is too sick for surgery or psychotherapy. To heal the rift between black men and women will take time. But time alone won't do the job, as Donna implies. We must understand the history and place today's black male/female relationships within the context of that history. This book goes a long way toward helping us to understand -- to understand that history and context. Holding up a mirror to American society, Donna Franklin reveals strange fruit hanging from the poplar tree. No matter how painful, America, you must have the courage to read this book!!!!
What's Love Got to Do With It?Review Date: 2003-09-19
It contains well written and informative validation to theories and facts that serve to answer the largely ignored phenomenon of why it has been so difficult for too many black couples to enter into and remain in stable relationships.
Even the therapy sessions I once attended, in an attempt to save my family eluded this dynamic. The therapist was seemingly unaware or otherwise unable to implement this information in addressing the unique circumstances associated with black couples...
As a matter of fact, I realize later, and as a black woman herself, she was probably struggling with many of these dynamics in her own relationships...
The answer begins with awareness!!!
This book should be standard required reading for all African Americans and Americans in general need to be aware of this information also. It's just part of the healing process for the whole country.
There is no more time to ignore the combined effects of racism and genderism.
I apologize to no one for being strong, but I sure am sick of being strong all of the time, especially while being resented and disrespected for it in the home...that I bought....
Thank You Donna!
What's Love got to do with it?Review Date: 2000-10-08

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This is not a sugar coated slice of Empress lifeReview Date: 2005-01-08
Despite the title, this fictionalized history goes far beyond anything racial. Author Moncrief suggests that on one level this is a story of acceptance. For me it also stimulates thoughts and debate on many of today's situations: the complicated society of working women, sexual roles and identities, domestic violence, life on the road, the rap artists and the thugs and the players. . . and on and on. This book also inspired me to delve deeper into Bessie Smith research and I guess that is the greatest compliment that can be paid to any author.
"Blues on my mind . . . I said blues."
An intriguing world!Review Date: 2004-09-17
Fasinating Read!Review Date: 2004-09-16
This book is easy reading so I was able to finish it fairly quick. Actually I couldn't put it down because I was captivated by its subject, Bessie Smith, as well as by the other colorful characters that occupied her world. "When Color Was Cool" is not only entertaining, but also a look into a very significant part of American history that we don't often hear about. After finishing the book, I ran out to purchase a couple of Bessie Smith cds. What an amazing woman! What a delightful reading experience.
An impressive look into the life of the Empress of the BluesReview Date: 2004-09-07
Loved It!Review Date: 2004-08-26

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Review from the Wellsley Women's Center's Women's Review of BooksReview Date: 2008-02-01
Once she has built firm connections with her readers, she introduces the "hook" at the end of each essay. She describes the day her brothers, walking home from work, were jumped by a group of "white boys" and cut with switchblades. She ends the essay with a reflection on her brother Sam, a college graduate:
the deep, ugly bruises of a lifetime of blows--the long, long walk on a cold, wintry day to the segregated school, the push to the back of the bus, the climb to the "jim crow" section of the theater to see a special movie, the longing walk past the spacious parks and swimming pools reserved for whites, and job--truck driver, under the supervision of a man whose education could not touch his own. The switchblade marks were only the surface marks--a symbol of "what they think I am."
Many essays end with similar anecdotes: her daughter's white schoolmate whose mother won't let her "come over"; a bright black child with excellent grades placed with the "slow learners" in school; a school dance so fraught with racial and sexual tension that her daughter asks later: "I was so embarrassed . . . Why didn't they just tell me not to come?" In places she addresses her audience directly: "But I can only tell you that they are human as are your own children." Of the night she watches Vivian Malone walk past Governor Wallace and enter the University of Alabama under armed guard, she writes, "I cannot help but believe that somewhere, perhaps in the South, a white mother, simply because she was a mother, also watched with tears and pride and fear."
Rutland returns frequently to the theme of social class: her father was a pharmacist and though she insists they were poor, she admits "we were so much better off than many of our Negro neighbors." All her mother's relatives had graduated from college, and her mother consistently had hired help. As a child her world existed "across town," where friends and members of her extended family lived among the black bourgeoisie of Atlanta. Of her friends, she says "All had cars--comparatively rare in my day--many had fine houses, some had maids, and most attended private schools." Returning as an adult to these neighborhoods, she writes:
Visiting Atlanta, I would go from one spacious home to another--luncheon and bridge during the day, parties at night. Or we would visit Lincoln Country Club--the Negroes' private club with its own little golf course. Or we would take the children to visit our alma maters and the other surrounding Negro universities, stroll on the beautiful campuses, listen to a lecture, attend a University Players production, walk through the library. How I wished my children could grow up there, go to school there. How beautiful it seemed--Atlanta with its ermine-trimmed, diamond-studded, velvety cloak of segregation.
Though one may read the above sentence as tinged with irony, Rutland was a proud woman: proud of her race and class; proud of her family, especially her compassionate and tolerant mother; proud of her children; and proud of the "brave young people" who decided "segregation was wrong anywhere--schools, bus stations, lunch counters--and picketed all over the country"--even when they shut down her beloved five-and-ten cent store.
At the same time, though she denies it, she is touched by shame. She writes that the color of her skin is the mark of the slave ship, the stamp of shame upon her heritage. As she explains,
The shame transmits itself to you, and you lower your head when confronted with the symbols of your past--a bandanaed Aunt Jemima, a black-faced comedian with a Negro dialect, a bare-footed boy with his face sunk in watermelon.
And the shame becomes a burden on your heart, a chip on your shoulder, carried with you into the marketplace, the streets, the schools.
In the next breath, though, she insists that because of her family and her segregated schooling, where she learned Negro history and literature (especially the poetry of Paul Lawrence Dunbar), "I think I escaped the shame altogether, and the chip rests lightly on my shoulder." I'm not so sure. She does have a sense of humor and is able to laugh at herself. But in her urgency to convince her white female readers of the full humanity of Negro mothers and children, pride battles shame. Continually imagining herself through white eyes, she remains shadowed by what "they" think, the double-vision so well described by W.E.B. DuBois in Souls of Black Folk (1903). In the end, pride wins out. Her book closes as she watches the 1963 March on Washington: "But most of all I was proud of the people, black and white, who stood in the sweltering sun, tired and weary, quiet and dignified, saying more eloquently than we ever could, We, the people of the United States."
From the January/February 2008 Issue
"Stepping Out and Moving Forward" by Margo Culley
(RAW Rating: 4.5) - African-American Parent on Child Rearing/RacismReview Date: 2007-11-22
Norman Rockwell never got around to painting. Eva Rutland, with
absolutely no formal child-rearing knowledge, is the ever so
delightful wife, and mother of four children. She makes it
possible for us to sigh and then laugh in WHEN WE WERE COLORED. She
shows how raising four African-American children during the early
years of segregation was accomplished. There were no textbooks or
how-to magazines, and rarely does Rutland seem to be even advised
by her own mother; trial and error is the order of the day.
Recognizing no priorities keeps her sane, if you can call it that.
She is the normal African-American mother who is not afraid to take
advantage of segregated neighborhoods and allow her children to
develop into who they will become. Rutland is the pioneer
of "Mother Knows Best"(tm) or better stated, let the housework wait and
just go with the flow. She is the mother who never made it to the
sit-coms.
In a very charming and witty fashion, Rutland discovers mothering
four different individuals requires patience, delegation,
flexibility, and creativity. Plus adequate amounts of keeping her
children involved in community and church leaves no time for
destructive behavior. Just when her patience runs out, Rutland is
canny enough to pass the torch to Bill, her husband. She is
brilliantly funny enough to know when to retreat into the bathroom
with a magazine and locked door. Readers can follow this mother
through her children's dating years and laugh in spite of themselves
when she suggests how her daughter can remain a lady on her first
date.
You feel the peace emanating from this mother who courageously
selects a house in an all-white neighborhood instinctively trusting
her children will cope. Yes, Rutland is the quintessential mother of
yesteryear and all mothers can learn from reading WHEN WE WERE
COLORED: A Mother's Story. It will leave you enlightened
and inspired, it will make you proud that segregation, racism,
discrimination, riots, and prejudice did not weaken this strong
mother, or inhibit how her children turned out.
Rutland's memoir earned several awards and the only thing left to do, is come up with even more awards for this wonderful story.
Reviewed by Swaggie Coleman
for The RAWSISTAZ Reviewers
A Trip Down Memory Lane Review Date: 2007-09-03
Eva had an open door policy. All were welcome at her door; no one was discriminated against. Eva was born and raised in Atlanta, Georgia in the house that her grandfather, a freed slave, built himself. That community had not segregated itself. Although Atlanta was segregated, where Eva lived, everyone knew each other and Eva knew how to find common ground with her neighbors no matter what race they were.
Bill Rutland, Eva's husband, was a trailblazer. He joined the Air Force at the time that it was first desegregated. Not wanting to be separated from his family, he packed them up and moved them to California. Bill met discrimination when he went out in advance to find a home for his family. Some neighborhoods were integrated but Bill had a hard time finding them or a realtor that would help him. Whenever Bill found a house that he wanted, he would have trouble procuring a loan to purchase it. He found a run-down house in a neighborhood that Whites had began to desert because of integration. When the family wanted to move to better surroundings they had to get one of Bill's co-workers to buy it for them, much to the outrage of the seller.
Eva combated racism by becoming a den mother, joining the PTA and every other group that she could find; so that she could help her kids understand that not everyone was a racist. Eva found that every mother has the same fears for their children so she reached out to all mothers and not just members of her own race. Instead of looking for adversity, Eva always looked for the common ground. Eva was a tireless worker who was so busy insuring that her children's mental health did not get ruined that she often did not have time for herself.
I loved this story! Rutland wrote strictly from a mother's point-of-view and did not let bitterness enter into the equation. I read this book and cheered for her She bared her heart to her readers and wrote with honesty stating flaws and all. Every man, woman and child, especially the younger generation, could benefit from reading this book. This book is not about color but about a mother trying to do what is best for her children, in a world determined to keep them as second-class citizens. Every race would gain something by reading this story.
Margaret Ball
APOOO BookClub- .
advance praise for the bookReview Date: 2007-04-05
-- Cornel West, author, "Race Matters," Professor of Religion, Princeton University
"Eva Rutland's chronicle of child rearing during the transition from segregation to civil rights is warm, poignant, and funny. It is also a powerful object lesson in how and why women - as mommas and grandmothers -have long anchored the soul of Black America."
---Willie L. Brown, Jr., former Mayor of San Francisco and former Speaker of the California State Assembly
"Rutland brings the reader back to a time and place in this country when there weren't protected civil right, when she couldn't swin in the local pools, when a visit from a neighboring white girl who wanted to use their phone prompted a dangerous visit from the police..."
---Martha Mendoza, Pulitzer Prize-winning reporter, Associated Press
"'When We Were Colored' has an amusing 'Moma Knows Best' sensibility. The book also gives the reader a serious look at the West's black middle class - usually invisible in American storytelling."
---Janet Clayton, assistant Managing Editor, Los Angeles Times
"Eva Rutland's evocation of race, place, and time has near perfect poignancy and verisimilitude. With a wonderful blend of intemacy and sociology, 'When We Were Colored' recaptures the wisdom, resiliency, and love of a family overcoming a world once oppressively divided into black and white."
---David Levering Lewis, Professor of History, New York University, and recipient of the Pulitzer Prize for Biography
American Authors Association book reviewReview Date: 2007-04-10
Book reviewer: Joe Fabel, American Authors Association Review Board
Eva Rutland is a most unique individual who has shared with the reader the wisdom of her life as an individual, a wife and a mother. She is unique because she values the virtues which lie within. Exterior behavior norms are not what she is about for her family. Yes, she teaches her children how to live with others; yet she goes beyond to emphasize the true value of living a life of commitment to excellence. She instills within her children, whenever they will sit still and pay attention, the virtues of living and choosing to perfect themselves as full human beings.
There is reference to her upbringing in the South, a time of sheltering within the black community as defined by white segregation mores. She states that it was a time of comfort in the sense that she and her folks understood the boundaries established, knowing what the segregating Southern whites demanded. There was never a question of what one could or couldn't do.
The quiet segregation experienced among people in the West, the quiet yet definite
"lines marked in the sands" is a daily occurrence. Eva Rutland emphasizes that each of her family must achieve academically, socially and personally according to their abilities and gifts. There must be no question of squandering what the good Lord has allotted each of us.
This is a story by an insightful and sharing mother. The book should be on all reading lists of all levels of the schools, available for the parents of all the students. It contains
messages by which each individual must live his or her life, be you a child, a parent,
a neighbor or simply a citizen. Eva's message is a golden rule to live by.

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An example of opeing your doors to others...Review Date: 2007-07-17
Remebering the Great OnesReview Date: 2006-04-06
very important BookReview Date: 2008-07-06
Writers Notes 2005 Book Award WinnerReview Date: 2005-04-28
A fascinating and important sports bookReview Date: 2004-12-24
Doug Smith, who attended the tennis program conducted by Dr. Robert Walter Johnson, chronicles how Arthur Ashe, Althea Gibson and other promising young African-American players learned lessons about ethics and etiquette as well as strokes and strategy. Dr. Johnson, while an altruist, was no saint, particularly in his family life, and his personal adventures and misadventures are part of what makes this biography so fascinating. Sports fans and history lovers will especially appreciate this poignant story. I highly recommend it.

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AwesomeReview Date: 1999-08-17
A True HeroineReview Date: 2000-08-17
White Is a State of MindReview Date: 2000-10-03
OutstandingReview Date: 1999-10-04
White is a State of MindReview Date: 2001-01-11

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The South Comes Alive . . .Review Date: 2005-10-18
A True Page TurnerReview Date: 2005-10-06
A Cracking Good Read - Don't Let It PassReview Date: 2005-09-21
Read It! You'll Be Glad You DidReview Date: 2005-07-21
White Pilgram From Sumac RidgeReview Date: 2005-07-03
This deeply personal and insightful novel is not only educational and entertaining,
but grips the heart and soul of one who reads it. As the author "lives" the story,
one is brought to a better understanding of the dynamics of our race-conflicted country.
A Must-Read!

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A Wonderful Gift to the WorldReview Date: 2002-01-28
Plant a positive seed for unity and racial harmonyReview Date: 2001-02-01
Insightful and Honest.....Review Date: 2001-01-13
Plant a positive seed for unity and racial harmonyReview Date: 2001-02-01
Bringing a concept to fruition.Review Date: 2001-01-20
The author is to be congratulated on both the idea and its implementation in the pages of this book.
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