Baker Books
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Very good....Review Date: 2003-08-07
GreatReview Date: 2001-08-06

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A FIVE MINUS JUST BECAUSE IT WAS TOO SHORTReview Date: 2006-12-26
Well Cindy Wagner is a rich, spoiled little daddy's girl and is now 21 and walking down the isle and getting cold feet. She doesn't really love Paul and she keeps remembering her mother telling her that Paul would not make her happy. He is too work orientated.
Native American Ethan Stormwalker, is 24 years old, and loves his way of life. It will not allow many luxeries but is sufficient for him. He is following his ancestor's teachings and beliefs. He was born and raised on the Rez.
When the two met, Cindy was 16 and Ethan was 19. I can see how Cindy had a lot of growing up to do. Now Ethan is portrayed as very much the masculine male. And his dancing just adds to his mystique.
Add his wolf dog and the buckskin stallion and we see the Alpha male who is her hero.
He works on his aunt, Dorothea's Dude Ranch, where he has acquired quite a female gathering, including a 16 year old customer, Linda and a waitress, Millie who would willingly offer Ethan most anything.
Paul's flaws became more evident when he came to the ranch to take Cindy home. Man, he just won't listen when she tells him they were no longer an item.
Then it seemed that history was repeating itself when he went off to a Pow Wow to dance and comes back to find Cindy gone. Five years ago it was the same thing [almost].
There is so much more to the story - You will love finding out how Cindy and Ethan [he has to rescue her] resolve their bitterness and fall in love all over again.
HIGHLY RECOMMENDED -- Definitely a keeper [just too short]
Madeline Baker's first series romance is awesome!Review Date: 2003-02-07
Cindy Wagner walks down the aisle on her father's arm to wed a man she does not truly love. Then she listens to her heart and flees the church before taking her vows. During her escape in the limo she sees a billboard advertising the Elk Valley Dude Ranch and instantly starts to think about the man she had loved in the past. The driver takes her there and as she exits the limo she does not see the silent man but he sees her, and he remembers.
Ethan Stormwalker is a professional competitive pow wow dancer, and he works on his aunt's dude ranch. Five years ago he had been desparately in love with Cindy but what future could he have had with a beautiful and privileged young girl. Cindy had adored him as much but circumstances had succeeded in tearing them apart. But now, five years later, will their love survive?
I have read many Native American books but this is one of the best to date. DUDE RANCH BRIDE is creatively written with beautiful Native American tales woven into the story, bringing this wonderful culture to life for me. The hero, Ethan Stormwalker, is proud and strong, and his spirit shines through as his heart battles his pride, to win the love of the one woman that the Great One has chosen for him. DUDE RANCH BRIDE is endearingly fantastic!!!

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Fascinating and controversial survey and timeReview Date: 2004-12-01
I expected the worst sort of academic exercise, in both senses of the word, and read on only because the book had a great cover and I am fascinated with New Thought ideas.
But "Each Mind a Kingdom" is anything but a dry academic tome.
It's as alive as a novel, and full of ideas and opinions. It's rather like going to a movie like "My Dinner with Andre", in which the author sets up ideas with scenarios, and then allows the ideas to subtly hover.
I'm not saying that I found everything in "Each Mind a Kingdom" to be a plethora of positions with which I agreed. Indeed, in many cases, I felt that Dr. Satter over-eggs the pudding, and draws conclusions beyond her citations, and, in some cases, dismisses as "ambiguous" or "unclear" those authorities which do not fit her premise. I found the omission of Elizabeth Delvine King's work, whose "purity new thought" ideas would not fit the author's "chronology" of the rise and fall of the "purity" movement, to be puzzling, and the near-dismissal of the Unity School and Religious Science to be curious in light of the far greater mainstream impact each movement had upon the culture than many of the people whom the author covers in detail.
Still, this book merits reading because it is a narrative voice making important points from fascinating subject matter. She introduced me to thinkers with whose work I was less familiar. More importantly, she tackles the gender rhetoric of early New Thought writings, particularly that by women, and examines the impact of the competing ways of looking at things on the broad culture.
Dr. Satter has three to five books of material in this work, and it is in some senses a shame that she tries to do so much.
Her conclusory points about Freud and modern self-help,each interesting, appear to be "toss ins" to try to "add relevance" to a work which needs no such effort.
But this is a fundamentally satisfying work, even though it is not free of flaws, because it has a rich sweep of ideas and characters better suited to a wonderful set of novels than to a single tome about gender imagery in New Thought. One might wish (as I do) that Dr. Satter adopted a style a little less quick to jump to conclusions and a little more willing to consider the rhetorical and metaphoric value of gender terminology (rather than the more mechanical, if fascinating,angle she takes).
But nonetheless, the work simply fascinates--it's a good read, with many troubling and promising lines of analysis.
Dr. Satter's explorations all prove quite interesting, and well worth reading, although some of her conclusions are notions with which I could not disagree more. This is perhaps a mark of a good book, though--you can dissent from the author's point of view, and yet still like the work.
I encourage anyone who wishes to understand the turn of the 20th Century to read this work, which offers ideas which will be both controversial, sometimes perhaps even unacceptable, but always fascinating. Well done. I wish that every dissertation read so well.
Interesting and EnlighteningReview Date: 2006-04-19

An Antidote to DogmatismReview Date: 2001-01-30
Science vs. EvolutionReview Date: 2005-06-25
This expanded and revised edition of "The Early Earth," by Dr. John C. Whitcomb, Biblical professor of Old Testament for 38 years at Grace Theological Seminary, Winona Lake, Indiana, startles the reader with an excellent in-depth examination of the earth as created rather than evolved.
Bracing his position with the first and second laws of Thermodynamics, Dr. Whitcomb thus handily develops his stance for Biblical Creationism while dismantling many of the foundational suppositions of evolutionary conjecture.
In addition, he establishes the suddenness of creation as scientifically supported by many such as Dr. Carl Baugh, Creation Evidence Museum, while proving the instantaneity of earth's beginning over the provably unscientific spontaneity professed by evolutionists.
Written as a scholarly textbook, yet formed in lucid prose, Dr. Whitcomb's work is an excellent primer for any seeking an introduction to the main questions demanded of earth's beginnings.
Perhaps the only surprise is the wonder remaining at the end of the book as to why any would continue to pursue the theory of evolution when even the laws of thermodynamics obliterate all reason for valuing Darwin's hypothesis.
Genesis thus excelled clearly enhances the Psalmist's prophetic utterance, "The heavens declare the glory of God, and the firmament shows His handiwork." {Psalm 19:1, The New King James}
A hearty 'Amen' must be added to the exhortation that 'The Early Earth' is indeed a "must read."
TL Farley,
Author,
When Now Becomes Too Late,
Distant Reaches
When Now Becomes Too Late
{ Prophecy : The Rapture in Brief : Inside The Twinkle ! }
Distant Reaches
{ True Life Adventure in Ireland, Boston and on the North Atlantic }

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Tour de ForceReview Date: 2008-05-25
Required reading!Review Date: 2008-01-19

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Learn to find mistakes and correct themReview Date: 2008-01-05
You can also give them a chance to re-write or retype the paragraph for practice. I really like the Editor in Chief books.
As a former reporter/editorReview Date: 1999-07-06

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Light and more light Review Date: 2005-08-31
Eisenstaedt loved his work and lived for it. And there is a certain special kind of light which emanates from his best photographs, the light of life seen into , recaptured on film and presented to us as gift for our immediate viewing and deeper reflection.
I by the way strongly recommend reading the more extensive and simply better review by Donald Mitchell of the Eisenstaedt work which also appears on the Amazon site.
Simple GeniusReview Date: 2001-03-24
Mr. Eisenstaedt straddles the 20th century almost perfectly. He was born in West Prussia in 1898 and died in 1995. He started photography as a hobby while a youngster, and only turned it into a livelihood as a 31 year-old man. He served in the German army in World War I and was severely wounded in the legs in Flanders during 1918. While recuperating, he visited art museums to study the compositions the painters used. It was time well spent. Later he would comment, "I seldom think when I take a picture." "But, first, it's most important to decide on the angle at which your photograph is to be taken." After the war, he sold belts and buttons. But he continued to take photographs as a hobby.
His big break came when he photographed a women's tennis match in 1927. Discouraged with the results, it was pointed out that the image of the woman serving in one frame would work well if everything else was cropped out. This image is in the book for your reference. This photograph immediately sold, and he was encouraged to come back with more. By 1929 he was doing well enough to start photography full-time.
Because of the rise of the Nazis and the popularity of photojournalism in the United States, Mr. Eisenstaedt came to the New York in 1935 where he visited Time. There he learned about plans for a new weekly photography magazine, LIFE, and became one of four staff photographers in 1936 when the magazine started. Over the years more than 80 of his photographs graced its cover.
Sophia Loren was his favorite assignment, and Ernest Hemingway was his least (Hemingway tried to throw him off the dock).
"I like photographing people only at their best." "This means making them feel relaxed and completely at home with you in the beginning."
Unlike most portrait photographers, he was informal. "I always prefer photographing in available light." His approach to equipment was similarly simple. "A Leica, a couple of lenses, a few rolls of film -- that's all he needed."
Totally devoted to his art he said, "I will never retire," and he never did.
Familiarly known to his friends and colleagues as "Eisie," "'Cold fish' or 'horrible man' were his epithets. 'Unbelievable' was his word for wonder."
These details and observations are taken from the excellent introduction by Bryan Holme.
I found Mr. Eisenstaedt's work here to be amazingly luminescent. He captures a spiritual glow in his subjects and in nature. Realizing that he was using natural light, the images and detail are very well illuminated regardless, much like what you find in Ansel Adams's work. His people have an animation of body and personality that makes the viewer feel more alive as well. Whether professional actor or ordinary person, they each resonate with the viewer through intense and attractive emotion.
Here are some of my favorite images (reduced to fit the space allowed): Italian officer sledding, 1933; Toscanni, early 1930s; La Scala, 1934; Carriage, near La Scala, 1934; George Bernard Shaw, 1932; Ruth Bryan Owen, 1934; Robert Oppenheimer, 1947; Albert Einstein, 1949; Bertrand Russell, 1951; Dancers pause, 1936; Roofs of Prague, 1947; Trees in snow, 1947; Janet MacLeod, 1937; Katherine Hepburn, 1938; Carole Lombard, 1938; VJ Day, 1945; Edward R. Murrow, 1959; John F. Kennedy and Caroline, 1960; Dame Edith Evans, 1951; Marilyn Monroe, 1953; Gene Kelly and Vera-Ellen, 1949; Frank Lloyd Wright, 1956; Alec Guinness, 1951; W. Somerset Maugham, 1942; Robert Lowell, 1959; Charlie Chaplin, 1966; W.H. Auden, 1955; Children watching, 1963; Gunter Grass, 1979; Norman Rockwell, 1974; Gilbert Murray, 1951; Menemsha harbor, 1937; Thomas Hart Benton, 1969; First lesson, 1930; Propeller, 1951; Willie Mays, 1954; Leonard Bernstein conducting, 1960; and Tree-lined road, 1978. The effects of well-known painting compositions on these images will be obvious to you.
After you view these photographs, I suggest that you try your hand at capturing people at their best with your camera. Once you get to be reasonably good at that, I encourage you to try to catch them at their best without your camera. Practice the skill of subtly encouraging people to fulfill their potential. That will make you a person of simple genius, as well.
Evoke the best!

Forgotten HeroReview Date: 2001-12-20
Ms. Ella Baker - the heart & soul of the movementReview Date: 1998-07-16

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Excellent and accessible.Review Date: 2008-07-02
Excellent tool for helping understand the message of IsaiahReview Date: 2008-01-22

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Great Overview BookReview Date: 2007-12-19
GREAT HELPReview Date: 2006-02-18
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Highly recommended for young Christian boys who like auto racing. :-)