Arnold Books

The great power of Arnold's book is in the real world examples of forgiveness he offers. Some of the examples have an "everyday" kind of quality to them while others are staggering in terms of the ability of people to somehow cut through their hurt, anguish and rage to come to the point of forgiveness. Arnold avoids the "Oprahzation" of forgiveness by reminding the reader that forgiveness takes both truth and grace into account He neither diminishes nor denies the hard realities with which people must live. Arnold devotes much space to the self-interested nature of forgiveness. We forgive because such an act works toward our own good. I would have liked to have seen him devote a bit more space to those instances in which people forgive because they see it as a way to display something of the character of God even when they themselves may never find peace through forgiveness. My only critique of the book is that author does not provide bibliographical references. The book is full of wonderful quotes and stories. I would like to have known the sources. Further, a recommended list of readings would have been helpful. However, having said all of that, this is the kind of book that makes you want to take off your shoes as you read...you recognize that you are on holy, holy ground.

Why Forgive? Hard as it may be this book shows in a simple and powerful way that the only way to true freedom is through forgiveness. While bitterness seems the roads to take and hatred towards those who have hurts us the excepted emotion, Arnold dares to tells us the true stories of people who choose the road less travel and in the end found the freedom to let go and change their world by forgiving. He also gives us a look into the lives of those who choose to be angry, only to destroy themselves. This book is moving and powerful, it is a striking lesson of something most people and talkshows refuse to speak about. I only pray that people out their struggling with bitterness and revenge read this book and know there is another way.

A powerful, emotionally driving book, "Why Forgive" provides a framework of forgiveness that not only defines why it is important to forgive, but also how not forgiving eats at us like a cancer until it kills our happiness and our very essence.

With true life stories of amazing acts of forgiveness, the book shows how forgiveness is required before truly moving on to complete healing when you have been wronged. The extremely powerful stories show how forgiveness has allowed individuals to regain their lives after severe tragedy has entered their lives. Instead of taking the easy path and allowing anger and hate to destroy them, they make a choice that results in a deep peace. Pick up the book, learn to forgive, learn how it is necessary for true peace, choose the road less travelled and choose forgiveness. If there is a book that should be required reading for everyone, this is a contender for that book.

This book will banish any lingering doubt that forgiveness and reconciliation is the linchpin of good in this world. Filled with compelling personal accounts of those who truly have the right to ask us all to forgive, the book has the power to change the direction of your life for the better. Don't miss it!

Forgiveness is the key to real freedom. The path to forgiveness is not always easy. The renewal of the act of forgiving makes the path easier to travel. The road to forgiveness becomes smoothly paved as we forgive and keep on forgiving. Our journey gets easier with each trip down the original path, leading to the paved road of freedom and happiness. See chapter 14, Not a step but a Journey.

The book is worth purchasing for the biographical background. His youth and adulthood were extremely tough and lonely. Hughes seems to have lost his religion early in life.

Excellent book and historical treasure that I intend to pass down to my grandchildren in the future.

I prefer his earlier stuff but there are poems in this book that make the entire thing worth it. Nude Young Dancer, Minstrel Song and countless others made me want to weep and smile. What can I say, I felt this guys pain...

If you haven't heard of Langston Hughes, I suggest that you purchase this, THE COLLECTED POEMS OF LANGSTON HUGHES, as an introduction to his style. Hughes was part of the definitive Harlem Renaissance Movement of the 1920s through the late 1940s, that was a very important period of time for African-Americans in the United States. For the first time, their voices were really being heard [and recognized] in the genres of music, writing, and sculpture, in this country.

This book is an amazing collection of five decades of his most powerful, intelligent and sensitive works. The poems start in 1921 through 1967. There are also several poems, written for children, that I didn't even realize Langston had penned! So beautiful and unexpected. What's more, one of his most well-known poems is featured, here, "What Happens to a Dream Deferred." Langston Hughes' views of race, society and social issues are truly timeless and compelling. For me, reading his works is like listening to a quiet, constant patter of rain on the rooftop, gradually growing with intensity, until the raindrops start flowing like teardrops from the great sky. That is how Hughes uses language. Essentially, he derives his beautiful rhythmic poetic language from an infinite river of words, he then pours them over on another and tells stories. This is truly the book to add to your poetry collection.

More than the exiled Eliott, greater than Walt Whitman, consistently clearer than Ginsberg, more powerful than Pound, freer than Frost, more American than Wallace Stevens, moreso even than the mighty Merton, here at long last is our greatest American poet receiving over-due respect.

A thick tome I purchased for my English learners which will instead fill my bed and my head for many cold and lonesome months ahead. Like the collected Poe, the collected Giovanni, an essential element to any American literature shelf, here for the first time meticulously researched and reported, with promise for more should any further works emerge. This is our American voice, clear and strong. This is the consummate volume of this great American poet, the one who wrote:

"( . . .) I've known rivers, ancient dusky rivers.

My soul has grown deep like the rivers."


May we once more grow deep with him, and by him. Read him, once more, here, complete and correct. Read him, and recall our America. Read him.

This powerful work is at once inspiring, frustrating and captivating. Kozol draws the reader into a world called Mott Haven that is filled with substance, love, service and hope. He poignantly describes the lives of children while blasting the manner in which we have chosen to deal with our most needy sectors of society. Kozol's gifted and powerful storytelling reminds us of several truths:

1. Segregation is potentially a bigger problem today than ever. White flight, private schools, school choice, home-schooling, virtual schools and lack of equitable access to technology are widening the gap.
2. Inequities in education must be addressed with the underlying belief that every child has the potential to achieve his/her dreams. Society must be responsible and held accountable for creating conditions ensuring that this occurs.
3. Teachers and students must all be able to work and learn in optimum conditions that safeguard and ensure dignity.
4. Although children appear to be resilient, we must protect their innocence, ensure they have the chance to dream and be inspired by their eternal optimism and hope. The real heroes of today are those who spend time with our children, listening to and nurturing their dreams.
5. We spend too much on our prison system and must figure out a way to divert that funding to education and healthcare so we can be proactive rather than reactive.

Kozol manages to convey the realities of inner city education by illuminating the complexities behind the daily challenges facing teachers and parents. His manner of connecting the problems to the institutions and practices that society has created to deal with those who do not "fit the system" provides a wake-up call to all of us who are working to make a difference in the lives of children. Kozol shows us that the system we have created is nurturing itself instead of helping people to break out of the vicious cycle characterized by lack of quality education, health care, meaningful work opportunities and dignity. We can no longer ignore the problems in the inner cities of America, not just because it makes economic sense but because it makes human sense to individually develop our most precious resources - our children. Community leaders, parents, educators, and corporate leaders should put this compelling book on the top of their "must read" list.

In Ordinary Resurrections, Jonathan Kozol deviates from his usual "gloves off" attack of the issues facing minority children. Instead of building the case against the inequitable system with facts and figures, as he has in previous work, he has chosen the subtle but effective approach of a storyteller. He paints a very descriptive portrait of the victims of continued segregation and racism that may inspire those in positions of influence to make more compassionate decisions regarding the lives of the children they serve.

Things that scream out to me from Kozol's book(s):

1) Incarceration vs. Education (do the math!)
The incarceration industry is thriving on blind public support. If taxpayers knew they were paying on the average ten to twenty times more to incarcerate supposed perpetrators of victimless crimes than it would cost to educate them, I'd bet they might even overlook their racist fears. The corporate/federal mentality that chooses to decide early on what these children will bring to the economy seems to prefer them as a product in this system versus potential contributors to something greater.

2) Resilience (despite our conditional "help")
In their innocent naiveté the children neglected by the system remain courageous, hopeful, and resilient. This resilience may diminish as they weather the inequities of the system that oppresses them, but it is often the attribute that enables them to succeed regardless of our preaching and teaching. Just imagine what heights they might reach if they continued to be nurtured as they are by the caring individuals in their lives now.

3) Compassion (essential)
As a beneficiary of white male privilege his reflections from the other side of the gap are poignant and insightful lessons for those of us too far removed from the reality that exists in many of our cities. Even after this racial inequity is acknowledged it is difficult for most of us to express empathy in ways that ring genuine. Kozol does! He is trusted and welcomed by the culture and community he strives to serve. His stories reflect a model for learning and practicing compassion which, in my opinion, may be the single most important factor in saving ourselves from extinction. Kozol repeatedly demonstrates the importance
of compassion in his work. Listen to him!

4) Racism, segregation, inequality (market view politics)
Racism is institutionalized in the United States despite the hope segregation was ending that the civil rights movements of the sixties inspired. "Kids notice that no politicians talk about this. They hear the politicians saying, "We're gonna have tougher standards in your separate-but-not-equal schools. We're gonna raise the bar of academic discipline in your separate-but-not-equal schools." But nobody says we're going to make them less separate and more equal. Nobody says that." - Kozol interview in Education World

5) Toxic environments (no one to litigate)
AIDS, asthma, drugs, violence, toxic pollution, poverty, malnutrition, lack of medical attention, apartheid economics, and neglect are common elements in the environment Kozol's children try to survive in. Basic needs must be satisfied before we can expect children to be receptive to that which we would have them learn. Kozol is issuing a wake-up call to the complacent masses that are either unaware or in denial that this situation is serious and threatens all of us socially, emotionally, and economically.

In my opinion, implications for educators that may be gleaned from Kozol's book include:
* The extreme importance of compassion in all aspects of dealing with children.
* Recognition that before we talk about diversity we need to spend a lot more
time in the conversation about racism.
* Locking people up is not rehabilitation and in the long run is socially,
emotionally, spiritually, and economically disastrous. Break the cycle of incarceration!

The Bronx has a long history. I'm always bumping into middle-aged and elderly professionals from the Bronx. Their mothers scrubbed floors; they went to City University. They now live in million-dollar condos in Manhattan. The ghetto is a conveyor belt for those who make up their minds to sacrifice their youth for future gain. Today's Bronx looks very much as Kozol describes. The very young are cute and inspiring, I suppose, but there must be a reason he leaves out the teens and their older brothers and sisters. The modern ghetto doesn't put a premium on discipline and learning. Kozol feeds into the victimology, seeing the community suffering from the failures of others to "do" right by them. Teachers know, however, that much would be improved if parents would simply make their children go to bed on time. Crime would be halved if kids were told to come in by 9. Early immigrants left the Bronx for the affluent suburbs, having devoted themselves to their children's education. Today it is rare indeed to meet a parent who has even one book in the house. Funding won't make up for this basic poverty of values.

Ordinary Resurrections is one of the most important books I've ever read and one of the most poignantly beautiful. It is an absolute must read for everyone who cares about children, the wide disparity in economic opportunity in the U.S., and who dares to hope for our future. Kozol movingly brings to life in his first-hand descriptive account the lives and conditions in their own words of children and their families who have been deliberately neglected, ignored, hidden away. This true story of their hope, strength, resilience, and beauty testifies to the dominance of the human spirit in the face of unspeakable abuse by government at every level and all systems that have failed them.

Jonathan Kozal has taken away the protective myth that America's school children are all treated equally, with dignity and given unvarying opportunities. In his latest book, ORDINARY RESURRECTIONS, Kozal's readers get a glimpse into a reality that replaces equal value with present day segregation to children of the poor. Although many in power would like to ignore the disgrace of how our underprivileged students are educationally treated in areas such as Mott Haven, New York, Kozal's first hand account of such inequality calls for a recognition and reformation of America's priorities. Told in the children's words, this book contributes awareness to the desperate need for compassion to and knowledge of the struggles of many American youth. The facts are both shocking and compelling, and will challenge the values one holds to necessitate action on our children's behalf. As Kozal states, the reality is that "...there are few areas in which the value we attribute to a child's life may be so clearly measured as in the decisions that we make about the money we believe it's worth investing in the education of one person's child as opposed to that of someone else's child." Once read, ORDINARY RESURRECTIONS destroys the bliss of ignorance. One is faced with the decision to powerfully act or despairingly ignore.

I love this book! I have used it over and over for my scrapbooks, for the "blank" greeting cards I purchase, for notes to my children, and bulletin board topics for my classroom! I especially love the friendship and volunteer quotes. A wonderful, organized and varied arrangement of inspiration!

This book covers everything that you will ever need to use to journal or find a title. It is worth every penny.

Love this book. I keep it handy for all my creativity blocks. I shared it with a friend who loved it so much she's getting one too. Use it just once and it will have paid for itself. Well organized and covers all the topics.

Great resource for scrapbooking! Has great quotes and titles for use with those "hard to find the right words" scrapbooking pages....has a wide variety of subjects and topics too! Highly recommend!

This book is a must-have for serious scrapbookers who are always on the search for page titles. I have owned this book for over a year, and I have used it for inspiration dozens of times. Even if it doesn't have the "perfect words" for my page, I can usually tweak the ideas to make them perfect. Definitely worth the buy.

Frog and Toad where helpachful to eatchather.There storys where creatav.I like Frog best.He teaches Toad alot of things.Frog and Toad spend all year together.

Frog and Toad All Year continues in the delightful and thoughtful tradition of Arnold Lobel's books. It has stories for each season and as always they are deceptively simple but actually full of love, truth, good values, and humour. My daughter's, 3 and 5, love them.

Frog And Toad All Year


Hi, if you are a fan of Arnold Lobel's books, and you have not read Frog And Toad All Year, then you might want to read it.

If you like ice cream, then you should read page's 30-42. It is about Frog and Toad sitting by a pond Frog wishing for something sweet like ice cream. Toad thinks that is a great idea, so he gets some but before he can make it back it melts. They both go and get more ice cream. But instead of going back, they sit under a tree by the store. I like this chapter is because of the ice cream melting.

I liked this book because of the lessons like the lesson in chapter Ice Cream and the lesson is never travel with ice cream on a hot summer day.

If you are scared of being alone, well, you might pick Frog and Toad All Year by Arnold Lobel. Find out if Toad will ever learn how to be alone.

In the beginning, Toad was so nervous to be alone in the sled. So Frog was behind him. There was a big bump and Frog fell out. Toad was still on the sled. And he went by himself all the way to the bottom. Toad learned that being alone is not that bad, and you don't have to be scared.

If you like this book you might pick others in the series. There is Frog and Toad are Friends and Days with Frog and Toad.

I was at a wedding where the minister was a very good friend of both the bride and the groom. When it came to the part of the service where the minister imparts words of wisdom, he started to read the Frog and Toad story of "The Surprise." It is all about how one October when the leaves had fallen from the trees Frog decides to go to Toad's house to surprise his friend by raking up all the leaves on his lawn and Toad decides to go to Frog's house and do the same thing. The minister read the story, showing the surprised groom the pictures, and when he finished the story he explained how it was all about thinking of somebody else before you think of yourself. All I was thinking is that I have to get my hands on this story.

"The Surprise" is the fourth of the five stories that make up "Frog and Toad All Year," a Level 2 (Reading with help) "I Can Read Book." The stories begin and end with winter, starting off with "Down the Hill" as the two friends go sledding and end with "Christmas Eve." In between Toad finds that Spring is waiting around "The Corner" and buys some "Ice Cream" cones for he and his friend to enjoy, before it is time to rake the leaves. Lobel's stories have an exquisite simplicity that should really resonant with young readers. I know that frogs and toads are both amphibians, but I had to look up the biological differences: toads have brown skin that is dry and leathery because of convergent adaptation to drier climates and environments than frogs. So there is a reason why frogs are green and toads are brown. What that means to kids is not evidence of convergent adaptation, but rather than Frog and Toad are alike and yet different. In the end what is most important is that they are friends. Whether you think of yourself as a frog or a toad, you still need a friend and friendship is what these stories are all about.

"Frog and Toad All Year" was originally published in 1976, the fourth of Lobel's collections of stories about these characters. It follows "[[Frog and Toad Are Friends" (1970), "Frog and Toad Together" (1971), and comes before "Days with Frog and Toad." Each has five stories and if I think this one is the best it may just be because it was the first one I happened to read. If you have the soundtrack to "A Year with Frog and Toad," the musical adapted from Lobel's charming stories, you will find that three of these stories end up in Act II. "The Surprise" becomes "He'll Never Know," "Down the Hill" retains its title, and "Christmas Eve" becomes "Merry Almost Christmas." I mention all this because once your young reader reads one of these books they are going to want to read the rest, and when they find out that there are only four books you might need something else to keep them happy and the musical is out there to be enjoyed as well.

This series of books is an outstanding history of the reorganization of Soka Gakkai International after World War II in Japan. It provides a great insight into the rebuilding of Japan, and the struggle many endured to rebuild the SGI and their lives. Recommend to all SGI members.

This book (series) chronicles the history of the Nichiren Buddhist laity, Soka Gakkai,from 1960 to the present. It's a collection of the personal struggles and victories of the pioneers of Nichiren Daishonin's Buddhism in America. No matter how many times I read it, it never fails to inspire me with hope and courage. The SGI motto "No matter what, never give up!" echos from every page.

As a foreigner living in a foreign land, I can understand from my own life how the Japanese war brides who introduced Nichiren Daishonin's Buddhism to the USA felt. President Ikeda gave them four tasks to perform and they were:

1.) learn to speak English 2.) learn to drive a car 3.) buy a car 4.) become US citizens.

Impossible dreams for these women. By taking US citizenship they'd lose their Japanese citizenship and could never go home. English was very difficult to learn. Buying a car for a newly wed military couple, often with young children, was also seemingly out of reach.

Though their deep faith they made they impossible possible. Please do read the entire series. It will become one of your favorites as it has become mine.

As a practitioner of Nichiren Buddhism and a relatively new member of the Soka Gakkai International, this book was a great surprise to me. I knew that the book was a history of how the Soka Gakkai was reinvigorated by Josei Toda after WWII. But I had no idea that the struggle was so great. I am learning every day more about Buddhism by reading how the characters in the books use their faith to overcome their own struggles (karma) and become enlightened people. Maybe the expert on snake oil does not practice Buddhism so the story does not make much sense. I look forward to reading "The New Human Revolution."

As a novel in which the protagonist, Josei Toda, discovers a deeper meaning to Buddhism while imprisoned by a militarist government during WWII may not connect with every reader. I read this novel approx. 30 years ago as I was learning about Buddhist practice and philosophy. It provided an excellent medium through which I learned the application of Buddhism in a practical setting, rather than simply as abstract concepts. I have continued my Buddhist practice and this novel was a key to keeping focused on the primary goal of enlightenment, a.k.a Human Revolution. Why another reviewer dismisses this as "snake oil" is odd. This Buddhism is a simple practice which requires no belief to undertake. An interested party, as I was, may begin without spending a penny, as I did. It is certainly not focused on trying people to spend large sums on ever continuing seminars and such. This school of Buddhism does alarm some people, as the novel illustrates, because other "mass movements" of the time were facist and not humanist. Furthermore, any new movement is seen as a threat to established institiutions. The Soka Gakkai, which this novel explores, is now recognized by a plethora of peace organizations as a beneficent organization.

The concept of human revolution is based on the Buddhism of Nichiren Daishonin, that enables people to elevate their life conditions to the highest through their buddhist practice, thus revolutionize them from within.

But, the true greatness of the Daishonin's Buddhism lies in making the practice possible and available to anybody, and through giving each member of the world the opportunity to continuously change him/herself for the better, the world peace can be achieved. The idea itself is revolutionary, I believe, that it goes totally the opposite of what has been done historically to achieve peace, which is to make the change at the top to force the changes downward to people (in many cases with lots of sacrificing and suffering).

The SGI, whose president is the author of The Human Revolution and The New Human Revolution series, practices the Daishonin's Buddhism; therefore, its ideal is to make each individual happy and to promote peace throughout the world. The New Human Revolution can be read in many ways, but I would recommend to pay a little more attention, when you read it, to the fact that the Buddhist ideal is put into practice and actually happening.

As a SGI member, I am proud to be a part of this endeavor and recommend anybody to check it out.

This book was a joy to read. Not only is Arnold Steinhardt a superb violinist, he's also a very good writer. No doubt it helps to appreciate this book if you're a fan of the Guarneri Quartet and a lover of the string quartet literature, but I found Steinhardt so charming, and the story so compelling, I imagine the book might have a broader appeal. It's a story of a kid pursuing a dream, then the kid and the dream both maturing while a love of chamber music develops, which then requires the dream of solo stardom to give way to a lifelong collaboration with three others. The three others, of course, share his passion for chamber music, and particularly for that ineffable, almost perfect form they choose to make their life's work together. They start out exploring and experimenting, with hardly a penny. They grope their way towards playing as an ensemble, gradually become established, and then come the constant touring, recording, families. They learn how to stay together by creating boundaries, and they stay together for over four decades (although the original cellist retired before the rest, this book was written before his retirement).

We meet a lot of famous musicians, and there are many interesting and sometimes humorous anecdotes, but the most interesting parts of the book have to do with the music and its making. Steinhardt mentions the cavatina from Beethoven's Op. 130 more than any other piece or movement - clearly it's had a special place in his life. I saw the Guarneri a few months ago, during their final season, and it was bittersweet. They played Beethoven's Op. 74 and his Op. 130 with the Op. 133 Grosse Fuge as the final movement. It was magnificent. I prefer their late Beethoven to anyone else's. Mr. Steinhardt looked liked he'd aged considerably in only a year or so. I'll miss them. I'm grateful to have this book along with their recordings now that they're retiring.

I would recommend this book for any musician, especially a member of an ensemble. This book gives a good insight of the personal dynamics between the members and why they have been successful and together for so many years.

excellent study of the dynamics of a string quartet, or any group of individuals working for a single goal.

Fantastic read for any instrumentalist, especially if youve played in any type of small ensemble.Highly recommended.

This wonderfully humorous and true-to-the-art book is sweet music to anyone who loves chamber music. Steinhardt gets it so right throughout this delightful book, I, like many of the other reviewers was disappointed when I reached the last page - I wanted it to keep on going...

Steinhardt hits a universal chord that will resonate particularly well with those "insiders" who have performed chamber music at any level. While reading it, I found myself digging into my CDs and listening to the piece the author was describing. The unique commentary accompanied by the performance brought me a new appreciation for the string quartet genre.

As other reviewers have already emphasized, this is an excellent English language resource for German grammar. An incredible amount of detail is given, and attention is paid both to general rules and specific exceptions, even down to the most obscure and archaic. Both difficult and simple grammatical terms are explained through examples in English, which makes this book an excellent tool for coming to a deep understanding of the German language.

As mentioned by others, this is no book for beginners. Only high-intermediate and advanced students should look into using this grammar, as it assumes a rather high level of proficiency on the student's part. However, for more advanced students, the explanations and detailed examples are priceless, shedding light on even the most complicated German passages.

A word of caution to teachers: please do not merely have your students read and memorize sections of this textbook. Hammer's Grammar is very complex and includes a large amount of exceptions, a number of which are no longer in common use. Classmates I've had have expressed frustration over having to memorize exception after exception to a rule that seems rare in itself. This book is best used as a reference for advanced learners, and ought not to be the setting in which general grammatical rules are taught. Rather than reading and memorizing, it would be better for students to study this book topic by topic, complete with class discussion, re-mastering the principles before moving on to the many exceptions.

There are also a number of slightly odd English sentences in this book that might confuse the reader. Beware, and proceed at a slow, steady pace.

I commenced learning German in college and concluded with enough credits to earn a minor. Two summers were spent in Germany taking intensive German language classes (Munich and Mannheim), while two additional summers were spent working as an intern with Deutsche Telekom in Frankfurt. Upon concluding my Masters in EE, I married a German and subsequently lived in Germany for 10 years. For 5 of those years I was general manager of my own consulting company. All of our business was in German.

Inspite of this background, on any given page of this manual, there are tips and tricks to assist me in refining my language skills. This book has it. If it is not there, you in all likelyhood don't need to know it. The themes are logically laid out. Any and every topic is easy to find. This book is highly recommended. Beginners should not resist having this gold mine in his library.

I'm a grad student who teaches elementary German. Born and raised in the U.S., I learned German as a second language. I've exhausted the grammars I own, but I know that there are still many constructions and subtleties I've never learned. This has become more apparent as I've worked in a department filled with Muttersprachler.

The reviews for Hammer's grammar made it sound perfect for my needs. They were right on! This grammar is 550 pages of DETAILED explanations illustrated by many helpful examples. I've only just begun the first chapter (less than ten pages) and I've already learned invaluable information.

Did you know, for example, that the gender of 80% of all German nouns can be determined just by looking at the form and/or meaning of the noun? I knew of a dozen or so clues, but after working through these first pages I have learned many, many more and am much more confident with using nouns I know for which I've never memorized the article. Only 20% of nouns actually need to have their gender memorized. I'm now working through similar tips for determining the plurals, which are equally easy to determine just by looking at the noun - once you know how.

There is also a small section tucked away in a corner that explains how to determine whether one uses an, auf, in, zu, or nach as a preposition to indicate going "to" a location. I thought these also just had to each be memorized for each possible case. Nope, it's very logical and this book will explain it to you along with countless other details that will bring your German much closer to a native level (like whether to use genitive, "von", or apposition in measurement phrases).

Now, if this is nothing new to you, Hammer might still be helpful (though if your German is really great and you only have problems that natives have, you probably just need to work through the various volumes put out by Duden). I know I've never learned this stuff, and I certainly don't teach it in my college courses. Hammer's grammar is likely too much for beginners (a bit like drinking out of a fire hydrant), but its perfect for intermediate and advanced learners who have questions that have just never been answered by their textbooks or by the grad students who teach them.

Also, the workbook is the newest edition, matching the grammar, even though the image here on Amazon is from the older edition (at least at the time that I am writing this). It has excellent exercises, and I do recommend it. For rounding out your vocab, I recommend Cambridge UP's "Using German Vocabulary." It is far more exhaustive than the vocab books by Baron and others.

This is an excellent book for those working on learning German. * HOWEVER * If you are like me and were never able to gain a firm grasp of the English language while in high school you should get this book and a book called "English Grammar for Students of German" to use along side of this one to help you understand the basics in basic terms. You generally need to have a decent grasp of the mechanics of the English language before learning a foreign language. This book goes into great detail and is absolutely packed with information on the mechanics of the German language. Getting the workbook that goes with the book IS A MUST, as just reading about German is worthless. Get the workbook and work the exercises on a separate piece of paper. This makes it so you can rework the exercises again later if needed. Be diligent and work in the workbook everyday. As you go through out your day and have thoughts pop into your head try to think of how you would write a sentence in German that would equal that thought.

I am glad I bought this book as I will have to stretch myself to get through it. It's a great learning tool.

This is the best and most comprehensive english language German grammar reference you can buy. It is definately not for Beginners. If you are an Intermediate to Advanced German student, it is perfect. You should also seriously consider the companion workbook Practicing German Grammar. For beginners to intermediate level learners, I highly recommend Schaum's Outline of German Grammar. Its easier to follow and doesn't cover all the minor nuances of German grammar that you won't need to know at the beginner to intermediate levels.

This was my favorite book as a little girl, and it is now my 4-year old son's favorite book. All of the stories are adorable, especially "The Journey".

ISBN 0064440133 - Based on the reading level, Mouse Tales is for 6-8 year olds, but I think younger children will enjoy it quite a bit, as well.

Papa tucks his seven boys into bed and promises them seven stories, so long as they promise to go right to sleep. Once they've promised, he starts with The Wishing Well... and tells the seven stories, ending with The Bath. His boys have all fallen asleep by then and Papa says good night.

The stories are all so short that just recapping them would be pretty much the same thing as retelling them! There are great possibilities within the very few pages of this book. With simple words and a fairly large font, the stories can be read by a child easily. He or she will find them fun and engaging. They can be read to a child by an adult, who might like to explain the deeper meanings of some of the stories (for instance why, once the mouse in The Wishing Well helped the well, all of her wishes came true). But, much to my surprise, there's a little Aesop's Fables feel to the stories, which might be one of the most unexpected ways to read this little book - as an adult! This isn't true for every story - if it is, I haven't found the message in the story of the mouse who wears out his feet and gets new ones. Still, all around a charming set of bedtime stories with nicely done illustrations that don't take up three-quarters of every page.

There are seven short tales, all involving mice, and bookended by a father mouse who is telling these stories to his children at bed time, one per child. The seven stories included are: The Wishing Well, Clouds, Very Tall Mouse and Very Short Mouse, The Mouse and the Winds, The Journey, The Old Mouse, and The Bath. Of the seven, my favorite is The Wishing Well as it takes an unusual and humorous approach to the usual wishing well story. The most disturbing of the stories is The Journey because it involves replacement feet. Knowing Sean, I think his favorite will be The Bath because of the absurd bath/flood the little mouse creates just to get clean.

This is a great book with seven short stories for kids. I have three kids and they love all of them.
I also bought this book because my grandmother used to have it and I loved to read it when I was a kid.

The cozy narrative of the mouse storyteller makes this great children's book shine. The seven stories are among Lobel's best, and this is the perfect fireside tale to tell to young mice who are not quite ready for bed.

J. Lyon Layden
The Other Side of Yore

Hanh quickly grabs the reader's attention and mindfully drifts off in euphamism and metaphor as he meanders over, under and through this difficult topic (difficult for most people).

Calming in his approach to death, life, beginning (no beginning) and end (no end), the author seems to have an excellent hold on his spiritual beliefs and his desire to share. For those of any and all faiths, death is a frightening subject, but Hanh paints a wonderful picture of immortality through all that a person touches in his/her life.

The only, and I stress only, misgiving I found with this short read are the over-used metaphorical analysis between human life and that of an oceanic wave. I wish the author could draw similarities shared by all breathing life organisms, rather than something as translucent as water (although I think I understand WHY he often describes life in terms of water).

I would certainly recommend this book.

I read this book after the passing of my Grandparents and it helped me deal with their passing. I recommend this book to anyone who is searching for answers about life and death. Great book!

This has been one of the most powerful books I've ever read. It helped me through the death of my father. My mother is now nearing the end of her life in this body and I'm re-reading it. I suspect that I will revisit it many times . . .

This is an incredible book. If one is not familiar with Buddhism, one must
read past some aspects of it that most of us might not fully believe, mainly, reincarnation, which Thich Nhat Hahn and other Buddhists do believe. That said, the prayers to recite for the dying, and the philosophy that nothing ever dies is invaluable. It's hard to let go of loved ones, so to think of it as simply returning to our physical elements, dissolving into the earth, evaporating to become the clouds, can give one some comfort. If you haven't read other works by Thich Nhat Hahn, I don't know if this book will be as powerful for you, but I think that anyone can gain great insight from it, and hopefully, some inner peace. I have given many copies as gifts.

I first thought the book was simple and repetitive. But when I experienced a loss and re-read the book, I finally realized how profound this book really is.
I had been dealing with the subject of death for quite a few years. (I started with the book HAGAKURE, by Tsunetomo Yamamoto. You may or may not like to check that out. It's a more stoic approach to similar subjects). Anyway, I wanted to conquer the idea of my own inevitable mortality, so that when the time comes, I will handle it with grace. So, my approach was to prepare beforehand.
As I said, I was working on my OWN mortality. It never occured to me that I might also apply it to someone else. Someone I love recently died. That was the 1st real loss that I've encountered, so I was devastated. All those years of preparing myself didn't really mean much (though at the time, I thought I was ready and that I knew it all). I had already owned a copy of this book and read it several years ago. Feeling in the pits, I decided to pull the book out and read it again, as this time it is much more applicable (since I'm experiencing loss).
The book seemed so simple beforehand. It was a quick read. Thich Nhat Hanh also seemed repetitive; I felt bored several times. This, as it turns out, was my fault, not his. He is such a good teacher that he makes everything seem so simple. However, after someone I loved very much died, I re-read this book, and I realized how profound it really is. The reason why Thich is so repetitive, is because you need to drill it into you head so that you really understand it. It's like learning how to count to ten. No one is born knowing how to count to ten. But you drill it until the day when you know it all by heart. Trust me, this book is more profound than it seems; do not just read through it and think that it's all obvious and that you already know it. Reading and learning is not good enough; you have to experience it!
It's like this: death is not real. You cannot create something out of nothing, and you cannot become nothing from something. It's not the reality of things. (Physics will agree with that, for you scientists out there). The problem is that we're deluded. This delusion creates in us a false sense of reality, and that leads to our suffering. We fear death because we think we become nothing. We fear death, because we do not understand it. The problem is that we've learned the wrong way; we need to unlearn our delusions and see death as it really is: simply a change in form. Basically, it's moving on. We want to stay in one place, but the fact of the universe is that it is always changing. We are deluded into remaining stagnant in a universe that, let's face it, is not going to stop and wait for us.
This book helped me immensely in my loss. But it's neverending; you can't just reach a certain point and then stop; you'll lose it. You have to keep going. It's one of those books I will always keep with me. Get this book beforehand, and slowly introduce it into your life and try to apply it. Don't wait until you experience a loss. You will be too devastated. It's never too late to prepare youself for what's inevitable. It will greatly diminish your sense of despair. That much I can gaurantee.