Arnold Books

This is one of the greatest novels ever written. Whites style is always powerful;each word, each paragraph builds vividly in your mind, and within a simple story framework he explores how human ambitions, hopes and dreams are eroded by nature and the eras we live in.
All that occurs is that Stan Parker builds his farm,takes a wife,has two children,lives through flood and drought and sees the area in which he lives expand,grow and change. No one but a supreme master craftsman can illuminate such a plot with such powerful and biblical imagry (man in Eden,the brief hopes,the failings and disallussions of human existence,the reuniting with God)
So powerful was the writing that, when White refered to a sewing machine on a hill late in the book,the image created in my mind some 400 pages earlier of that scene during the great flood instantly came back. White has that unique capability.
And the story rings true for all of us. Stan had his dreams of how things would grow,yet it is things outside our control that thwart these ambitions. Was it his fault Thelma grew up ashamed of her parents and as a prissy shrew? Or that Ray turned out to be a petty hoodlum and ended up being murdered? Something in human nature makes us blame ourselves for other peoples free will.
An extraordinary book.Not for those who like something quick and easy,but definately for anyone who loves literature and wants to be wholly absorbed for the duration of a classic book.

Patrick White is one of those rare writers - Well, the only other one that comes to mind is Halldor Laxness - who is able to create great literature out of the seemingly mundane. How he accomplishes this feat is not a simple matter to explain in a review, but it has, in part, to do with what White describes here as the "mysticism of objects, of which some people are initiates." I could say that this is primarily a book about an uneducated fellow in the Australian Outback who clears some land, raises a family and then dies. I would be quite correct, just as correct as I would be in reviewing Laxness' book, Independent People, as a story about sheep. But I would be leaving out, well, thunderbolts like this:

"Iron lace hung from dark pubs, and the heavy smells of spilled beer. Dreams broke from windows. And cats lifted the lid off all politeness." P.22 (in my edition).


But, more importantly, I would be omitting what perhaps can't be included, the deep sense of wonder imbued in the sinews of the work. It makes all modern novels with blurbs such as "ends by exposing the dark forces at play within the heart of man" and such like ring hollow and trite. All forces of the heart, dark and light, are at play throughout the book, from first page to last, but the reader has to let these forces slowly seep into his or her own heart and mind. They aren't emblazoned on a marquee. They aren't easily accessed. But, for that, they are the more dearly prized once they begin to stir one.

It's no great surprise that there are so few reviews here of this quiet, deep work of art. To the average reader, it must come across as ineffably boring, but, for lovers of literature and art, it is moving beyond my ability to convey, moving "with all the appearance of aimlessness, which is the impression that spiritual activity frequently gives." P.397

This is a truly extraordinary novel. It demands a certain amount of quiet to be read well. I found myself reading it more like poetry. Because of White's compelling storytelling and writing style, it held my attention despite the fact that very litte happens. Perfect to take on trains, airplanes, or to the beach.

In the tradition of DH Lawrence, Thomas Mann and Halldor Laxness, Patrick White has written a story that teases out the secrets of a family's existence and, in so doing, explores, without ever mentioning them expressly, the issues and mysteries universal to humanity.

The plot could barely be simpler. In the early days of Australia's nationhood a young man and his wife set off into the bush to begin their lives together. They find some land, build a house, have a family, grow old and finally die. Around them the dramas of life unfold: friendships, disasters, disappointments and infidelities. The book is less about them, though, than about the unremarkable moments in between. These times of quietness are White's triumphs. His unhurried prose admits us to the intimacies of the characters, their griefs, their dreams and their successes. We share in the man's unarticulated affinity with the land, the woman's chronic loneliness. We notice how many words are never spoken, how many uncertainties never resolved.

By the end, one sees that the characters' struggles are his struggles. Briefly, perhaps, one's view of life becomes wider than his self, and a larger landscape, if not a plan, crystallises in the world. You finish the last page, close the book and sit still and speechless for a second, as if someone real has died.

I have read two of White's novels: the present work and Voss. The present novel, The Tree of Man, is more complex than Voss, and unlike Voss here the author manages to breath some life into the characters.

Patrick White gained fame as the Australian Nobel prize winner in literature, and as a person with a prickly or difficult personality. He was educated at Cambridge but settled and wrote in Australia after World War II. He wrote about a dozen novels and a biography.

This is a good novel and it deserves 5 stars. After a dozen pages or so it becomes clear to the reader why White is famous: he has an unusual style and he is a gifted writer. There is no question about his writing ability. We see great writing ability in Voss and that skill is present in The Tree of Man.

The story is set in rural farm country in Australia and it follows the life of a young couple through to their deaths at old age. The male protagonist is a bit like the Voss character. In any case, we follow their lives, and the births and lives of their two children, and the lives of a few of their neighbours. The story describes the day to day life of a typical farming couple, along with the problems and challenges of raising children on a small rural farm. The story of the two children are followed into the marriage of the daughter and we follow the troubles of the adult son with the law.

I liked the way White handled the four family members. The lives of the four are realistic and interesting; they are human and one can relate to their actions. The discouraging feature of some of White's writing is that the characters seem stiff or cardboard like. His Voss character was not a man to show much emotion or talk. There are any passages that simply describe Voss's activities in that slightly dry book. The present book is much more complicated and White does a much better job with his characters. They are human and give way to temptations. Each character shows a wide range of human emotions.

Overall, I thought it was a good book and an interesting read and an interesting book to read if you are interested in the works of Patrick White.

Excellent recipes, very accessible - not full of esoteric ingredients that you'll only ever use once. I wish there was a Wagamama in Portland :(

While Wagamama restaraunts are mostly known to those who have been to London, this cookbook is made for an American audience. They include cup and spoon measures, say shrimp instead of prawns, cillantro not corriander, snow peas not mange tout. However, the DVD that comes with it is of minimal use if you have any experience with stir-fry and they use British words. A great book for anyone wanting some slightly westernized Asian dishes, as well as those anglophiles longing for London. (Note: Not all the menu dishes are included. My favorite, chicken katsu curry is not in the book).

I've never done Japanese cooking before, but with this book I can. I have made four recipies from this book, and they have all turned out spectacularly well -- the sort of thing I thought was only available in a Japanese restaurant. Some of them have needed special ingredients, which is easy for me because I live in NY where there are Japanese groceries, but some need nothing more exotic than soy sauce. Terrific book: I hope they write more.

If you like asia food, this is a pretty good book with very easy cooking meals.
Very tasty food.

Wagamama is a Japanese-like restaurant I frequented while living in London. After going through withdrawals when I returned to California, I came across this cookbook. It is so good that you would not believe my review if I really, honestly wrote of how much I enjoy their food. The noodle dishes are best! For those of you who have not tried the food at Wagamama, think of simple and fresh ingredients tossed together in non-traditional ways. The recipes in this book are pretty easy and my limited skills in the kitchen are enough to make great meals.

Epstein and Segal have produced an easy to read primer on the judicial appointment process. The authors show the intertwining influences of the President and Senate and their role in the ideology and politics of the justices and (to a lesser extent) judges approved to sit on U.S. federal courts.

Common sense dictates that Presidents nominate nominees who are close ideologically to their own views. Epstein and Segal show this to be true. Common sense would also dictate the difficulty if such considerations are taken into account as a president nominating a judge to the state where senators of his own party hold seats (and senatorial courtesy plays a stronger role), if the senate and president are of differing parties, and so forth.

Epstein and Segal have produced a primer for those interested in motivations in nominations to the court and the inherently political considerations that must be taken into account. I highly recommend this book.

"This is a superb and even indispensable resource. Careful, precise, objective, and nugget-filled, it's a wonderful guide to past, present, and future debates. If you want to know about judicial appointments, this is the best place to start." -- Cass R. Sunstein, University of Chicago Law School

"An important and timely study that adds an essential framework for understanding contemporary slugfests over judicial appointments. Beautifully presented and argued." -- Louis Fisher, author of American Constitutional Law

"Lee Epstein's and Jeffrey Segal's new book could not be more timely. It provides the most comprehensive and systematic examination to date of the roles of politics and ideology in Supreme Court selection. It is indispensable reading for anyone interested in how justices and judges decide cases, the limits of legal reasoning, and the contributions of social science to better understanding how the Supreme Court functions." - Michael J. Gerhardt, author of The Federal Impeachment Process

"Writing in pristine, jargon-free language, Epstein and Segal...inject some much-needed context and evidence into the current debate about judicial appointments." -- The American Prospect

"Epstein and Segal...draw together a wealth of research and empirical findings from a plethora of studies, many of which they authored, and fold them into a compelling narrative that examines all levels of the judiciary.... This book combines the best features of past studies on judicial appointments. It is also very accessible for students and citizens interested in the judicial branch." -- Law and Politics Book Review

"Thoughtful and illuminating.... Qualifications matter-as much today as they have in the past. (In that sense, President Bush might have done well to read Advice and Consent before nominating the ill-fated Miers.)? -- Chronicle of Higher Education

"A thorough look at the process, politics and presidential aspects of court appointments. Witty yet well-informed, Professors Epstein and Segal give an insight into the whys and wherefores of federal judge appointments." -- www.mayitpleasethecourt.com

Over the last five years, we have seen a consistent debate concerning judicial appointments and politics ranging from the filibusters over circuit nominees to the recent Roberts and Alito nominations. The persistent myth is that the outright influence of partisan politics on judicial nominations is a new development; that prior to the last 30 years or so, judicial nominees were only judged on the basis of qualifications and not ideology. In this book, two preeminent political scientists demonstrate that this is empirically false: while qualifications are not irrelevant, the consistently dominant factor in judicial appointments has always been politics, especially on the Supreme Court. One has only to point to the very first nomination defeated in 1795 when Washington's nominee for chief justice was defeated because he supported a politically unpopular treaty. What Epstein and Segal demonstrate is that political concerns infuse the appointments process from the very beginning and the voting of judges, at least on the Supreme Court, usually correlates to the political beliefs of the appointing president. Usefully, they also examine the lower federal courts in demonstrating how various political factors come into play in these comparatively understudied courts.

In total, Epstein and Segal have produced an excellent, brief study that is empirically sound and unbiased. While current Republicans are shown to be hypocrites, the same is dealt to Democrats. For example, many of the Democrats pushing filibusters recently complained strongly against this practice when Republicans used it in the 90s; many Republicans who complained about stalling in the Bush I administration, used the same tactics during the Clinton years and then changed the rules to make the Bush II administration's appointments easier. This is a treasure trove of empirical analysis of appointments that will not disappoint anyone looking for the facts of the situation instead of partisan talking points.

This is just an extraordinary book on judicial appointments written by two distinguished political scientists with decades of experience studying the federal courts. While it obviously is primarily designed to be a brief (168 pages, including the extensive notes) introduction to the process of judicial selection for the general reader, it skillfully incorporates some of the most significant research findings drawn from professional journals and papers. As a result, even those who are somewhat familiar with the topic and the professional literature will derive some valuable new insights. The writing is brisk and moves quickly and smoothly through the material, with the assistance of some helpful charts. In addition, the book's coverage is not limited to the Supreme Court but covers all three levels of the federal judiciary. One nice feature is that some interesting statistical data from "The Supreme Court Compendium," edited by one of the co-authors, are sprinkled throughout the discussion (e.g., no more than 20% of lower court nominations have generated any opposition). The authors' discussion of "do Presidents get what they want?" in making nominations, and if so, for how long, is particularly effective. After all, how accurately can Presidents, Senators or the rest of us predict how a nominee will perform once safely on the bench? A most timely contribution given the current Roberts nomination process and the unknown Associate Justice nominee yet to come.

The book has many beautiful pictures and may easily be dismissed as just another pictorial Chamber of Commerce celebration of a city's history, a "coffee-table book." But instead, it is a great and accurate account of a city built by Deutsch (Dutch & German) and Irish ethnics, written by a historian and public man of breadth and character, who is intimately familiar, through his family, with the history of the city of Albany to the mid-19th century. I am myself a historian of 19th century New York State, and found the book not only to be very informative, but enjoyable to read as well.

Bravo, finally a superb book on the history of Albany and Albany County by the man who lives and breathes Albany, John(Jack) McEneny. Such insight and history into a city I grew up in. From the dutch settlements through the great Democratic political Machine, Jack captures the essence of what Albany was and is like to this day. Memorable photos take you back to a wonderful time gone by. It is truly our great city on the Hudson. I HIGHLY recomend to all.

This Book Tells About Albany's History. John McEneny Did A Great Job On This Book. It Has The College Of St. Rose In It. It Also Has Historic Areas Like Lark St. Albany's Village, The South End's South Preal St., State St., The New York State Capital And Education Building, The Empire State Plaza, N.Y.S. Museum, The Corning Tower, And It's Bus Company Known As C.D.T.A.

John McEneny gives a full coverage of the history of Albany, NY. Well researched; easy to read; some great maps included.

Each first battle of each war where the US fought is described in terms of training, equipment, doctrine, and political factors. The analysis of the performance of US troops is critical and focused to describe both the successes and failures, especially the failures.

The common theme is that US troops faired poorly in the majority of their first battles, but the leaders were able to adapt and learn from the failures, except for Vietnam where the first battle had mixed results that were incorrectly perceived that a war of attrition and casualty ratios would bring success.

Another common theme is that by reducing the military to a garrison army relying on conscription to fight wars, resulted in severe losses in those units who fought the first battle, but also it took over one year or more to fully prepare and successfully deploy combat effective units above the regimental level.

Learning how to use new military innovations also had an influence on how US forces fared and the amount of casualties suffered, but not preparing and analyzing the destructive power of new weapons (rifled musket in the Civil War, machine guns in World War I), US forces took thousands of casualties until the training doctrine was revised to account for the increased lethality on the battlefield.

Overall, am personally very glad to have purchased this book and add it into the collection. Once started reading this book, quickly went though each chapter as they flowed very well. The diagrams/ maps of each battle are also informative and helps the reader understand the battles and locations of the units engaged.

This book has provided a wealth of knowledge and insight into the battles fought by the US prior to 1965. The book arrived as promised by the retailer.

Charles E. Heller and William A. Stofft assembled a distinguished team of American military history experts to examine the first major battles fought in each of the nations wars through the Vietnam conflict. This is militay history at its best, dramatic, insightful and informative, not only for an audience in uniform but also for any American interested in how the military functions in our society. The descriptions of battles ranges from well known actions such as Bull Run in the Civil War to the savage jungle fighting at Buna, New Guinea in World War II. I frequently refer to America's First Battles as I prepare my lectures on American military history. We can only hope that the editors will consider a new edition in the future to take the story through the triumph of Desert Storm, and the confusion of the Clinton administration. A military history classic.

As the title indicates, West Point cadets are required to read this book (or at least they used to be when I was a cadet) to understand the role that first battles have played in American military history. The reason cadets are required to read this book is because the U.S. record during the first battle of most wars has been less than stellar. Citing examples like Task Force Smith in Korea and our first battle in North Africa during WWII, the authors expose flawed strategies, low training, and poor equipment. Many times the military enters a war completely unprepared because the normal cycle of demobilization after a conflict reduces the funding and attention our leaders pay to military preparedness. This is a fantastic book to read if you wish to understand the issues and constraints which military leaders and our country usually have to overcome following our first engagement. Given that our "first battle" in the war on terrorism has already occurred, this book could help leaders think through the issues that will be necessary to change our military readiness, as well as homeland security posture to suppress terrorism to more acceptable levels.

A must have for any military library. As a student of military history, I am rereading the book more than ten years later. First Battles is still as relevant today as it was in 1990.

Departing from his area of specialty, Nietzsche and the existentialists, Kaufmann is no less able to authoritatively present a balanced, masterful, thorough, yet concise analysis of the life and work of perhaps the least understood philosopher. As those who have assayed the Phenomenology or the Logic surely realize, exploring Hegel without a guide can be perilous. Kaufmann neutralizes many of the language barriers and ambiguities in Hegel's great works, clearly presents their core themes, and, much to the delight of this reader, locates them within the intellectual currents of the time and Hegel's own intellectual struggles and victories. As all soon find out, parsing a single work of Hegel's is less a challenge than understanding it in the broader context of Hegel's "system," let alone the movement begun by Kant and Fichte and carried onward by Schelling, Marx and others. Kaufmann brilliantly brings the reader from a tight focus on the many subtleties of Hegel's method to a broad view of the intellectual landscape of Hegel's Germany. An added bonus is a diligent if sometimes ascerbic analysis of key players in Hegelian scholarship.

When I was young, I was taught that I should appreciate J. S. Bach and other musical geniuses about like Walter Kaufmann grew up thinking that Hegel was really something. Kaufmann and I have both noticed how reluctant Hegel was to admit who he was talking about, so he considers it an anomaly on page 490 of the J. B. Baille translation of THE PHENOMENOLOGY OF MIND that the name Oedipus has been inserted into the sentence "In the story of *OEdipus* the son does not see his own father in the person of the man who has insulted him . . ." Walter Kaufmann lists the persons whom Hegel actually mentioned in his manuscript ("only thirteen men and women are named." p. 125). I would say Kaufmann left out Julius Caesar, since the preface happens to discuss historical facts like the year in which Caesar was born. Reading the translation of the preface by Walter Kaufmann in HEGEL TEXT AND COMMENTARY, a separate paperback volume with the same index as HEGEL A REINTERPRETATION, is the best approach for understanding Kaufmann's method of explaining Hegel. His commentary in that book is mostly in the form of notes at particular places in the text, and they do not always refer to persons that might have been meant by Hegel, as a lot of philosophy has happened since Hegel, and Walter Kaufmann was aware of various interpretations and more modern philosophers like Kierkegaard and Heidegger (who, "unlike Hegel, seeks to move philosophy closer to poetry rather than science." note 10 on Commentary page 93). Having HEGEL A REINTERPRETATION as a separate book allows Kaufmann to try to demonstrate the scope of philosophy in a way that Hegel attempted to do, encompassing it all as no one had tried to do since Aristotle.

I learned a lot reading this book years ago, allowing myself to feel a lot like Fichte in the comparison, "Nobody today would rank Fichte with Kant;" (p.110). Self-consciousness in German is not quite what it is in America today, but a large part of how modern the intrusive nature of our media has allowed us to become is the constant measure of our own sorry self-consciousnesses becoming aware of each other, a very Hegelian philosophical theme. The appreciation of particular geniuses in our own day might be troubled by knowledge such as Kaufmann's, that "There are not many non-German composers in a class with Bach, Handel, Haydn, Mozart, and Beethoven; and during their era German poetry was coming into its own, too. The great achievements of the period were triumphs of the artistic imagination." (p. 114). Our own composers always seem to be thinking about something else instead of what it would take to make their music better.

Did anybody notice how long the song "Lily Rosemary and the Jack of Hearts" was on Bob Dylan's "Blood on the Tracks" album? If "the drilling in the wall kept up, but no one seemed to pay it any mind" could be applied to philosophy, it might be as a form of consciousness which seeks to avoid an overwhelming awareness of anything which is actually going on. Hegel ought to be considered good for philosophy in the way that Bob Dylan would be good for people whose interest in music involves owning the rights to the songs. The big legal questions in our society are about who has to pay for people to keep singing or swapping this stuff. Most people who buy this book will read it as consumers. Hegel was usually not a philosopher to be considered dangerous, but somehow, people like Marx, who read Hegel as an introduction to how unsettled things of their own day were, were dangerous in a lot of intellectual fields. I learned a lot about Fichte the first time I read this book. His attempt to identify God with a moral world order is clearly stated, and it only takes a little knowledge of human nature to see how his career suffered the consequences, with the result, "Accused of atheism, he published a couple of vigorous defenses in 1799 and threatened to resign if reprimanded, which was construed as a resignation--and he was let go." (p. 102). Hegel managed to avoid getting clobbered in that kind of argument, and modern philosophy has a lot of appreciation for everything he managed to say without causing a lot of trouble. This book pulls it all together.

....do start here, for Kaufmann is an able Hegel commentator, clarifier, and critic.

Walter Kaufmann's study of Hegel is astonishingly erudite and highly-readable. It is not intended to be an overview of Hegel's thought; rather, it is a supplement to further study.

Kaufmann is mostly occupied with correcting previous misinterpretations of Hegel's thought, providing useful philological material, and interpreting Hegel's philosophy in the light of extensive biographical research. It is clearly the outcome of many years of intensive study, and one comes away with the impression that Kaufmann pored over every letter and monograph he could find.

What the book does NOT contain is a clear, flowing exegesis or interpretation of Hegel's thought. Unlike Kaufmann's "Nietzsche", Hegel's development is looked at chronologically. It is difficult to get a clear sense of Hegel's overarching thought from this study. Bursts of commentary and exegesis are broken by long, technical digressions. A wealth of footnotes provides extreme detail about discrepancies in different versions of Hegel's texts and comments on their editors and redactors.

If you are looking for a tool to assist you in reading Hegel for yourself, this book will make a valuable companion. As an introduction to the thought of Hegel, I recommend Charles Taylor's Hegel and Modern Society.

This is a great textbook and I saved money by getting it here instead of my college bookstore!

If you are looking for a book that is broken down into plain English, is very readable, and is organized in a logical way...you've found it! For someone taking a basic level economics course, I can't recommend a better book. Everything is explained in language that is easy to read and understand. The text is organized in a logical, flowing manner, to include side notes and other helpful bits of information. Also, this book relates the information it is presenting to "real life", making it easier to visualize how economics affects our daily lives. I HIGHLY recommend this book!

As an econ major and teacher of economics this book was the one I wished I had in Micro and macro. Clear, concise, interesting and well-organized, this book is perfect for the aspiring AP Econ student as well as the Micro/macro intro class.

As an instructor who has used this textbook, it is easy to understand and follow. It is written in plain English. It is logical in its organization. Lots of real world examples. The students enjoy studying a difficult subject using this textbook.

Since the local craft store carries the Arnold Grummer supplies for papermaking, I decided to buy his book - Arnold Grummer's Complete Guide to Easy Papermaking. (Mr. Grummer also has a website.) The instructions in the book are very clearly illustrated by photographs. Many variations in colors and textures are shown. You'll need a frame set and cotton linter both available at the craft store, a blender and paper scraps. Easy to recycle old envelopes or paper (discard the black print which will turn the paper grey). Variations: Colored paper tints the pulp. Add dried flowers and leaves. Emboss wet pulp with brass stencil. Hot tip: When pressing out the excess water from the wet pulp, use a rolling pin!

I love this book. Arnold Grummer is fantastic. This book explains everything you need to know about paper, and making paper, in a very simple way. I especially love the beginning of the book where he gets into the technical aspects of what IS paper and why we can make our own. There are also many full-color samples of handmade paper that I found very inspiring. This book will keep you busy trying all the embellishment and inclusion techniques, too, including botanicals, pin drawing, and coloring. I'll be using this book for a long time, and I recommenend it to everyone.

There's an old adage that says, "Never judge a book by its cover."

That was certainly true for me when I first looked at Arnold Grummer's Complete Guide To Paper Casting. My initial reaction to the cover (& many of the 'projects' was--How 70s can you get?

Fortunately, I followed the adage's advice and read a few chapters. Result? I found a valuable addition to my how-to library.

The authors (Arnold & Mabel Grummer) have created a work which is rich with detail. They offer techniques, tips, history, ideas & more in such an easy to read manner that whatever your interest &/or skill level, you will find yourself casting pulp before you know it.

Saavy enough to recognize that many crafty types want to get started without reading 'War & Peace', the authors provide readers with a quick start-up in Chapter 2. I made my first paper cast within thirty minutes of reading the instructions--(took me twelve minutes to find the blender!)

From that point on, I found myself enjoying (& learning) so much. I picked up a vocabulary without needing to consult a dictionary; began exploring additives & molds & generally having FUN with paper casting in ways I had not considered.

With the current trend in paper crafts/arts, I heartily recommend this book to scrapbookers, altered-bookers & collagists. I also recommend it to anyone who has ever asked 'What If?'

The day I recieved this book I could not put it down, I had to read the entire book! From the start, it is an encouraging and creative book to be used in every aspect of the papermaking process. Unfortunately the only parts I felt were weak would be for paper artists who want a totally acid free paper. His comments on that though, do need to be believed because He is the curator of the Dard Hunter paper museum and a paper chemist. He feels that the best way to make that type of paper is to start with recycled paper that is already acid free. Those artists who create from plants alone may not find enough information to please them,yet many of His techniques can still be applied with their experience to create very artistic paper. Even beginners can tackle the most professional results with this book in hand. I feel even children could achieve surprising results with the processes he shows, step by step, using mostly home supplies. He shows you how to make your own mold and deckle too! The "moon paper" recipe he shows you how to create is worth the price of the book alone! Out of my entire library of paper books, this does stand on its own for the most part and for that reason, I recommend it for all beginner and intermediate artists and every papermaking teacher.Your creative juices will flow with this book!

Excellent collection of Newman.
Everyone does environmental portraits these days.
Newman is the original and the best.
A beautiful and inspirational collection.

I just got back from the Newman exhibit at the Corcoran Gallery in Washington D.C. and although I thought I had seen most of his work, I was stunned by the boldness of some of the photo collage work and color work which I had previously only seen in B&W. The book has all of the show and many more. It was $40 there and they were selling like hotcakes. The book is beautiful and has $1 million worth of images in it. Hard to pick a favorite. Certainly Picasso and maybe Isaac Asimov too.

I'm an amateur photographer, so when I heard an interview with Arnold Newman on NPR's Morning Edition, I knew I had to get this book. Newman is considered the inventor of "environmental portraits," in which the photographer uses surroundings to capture essential elements of his or her subject.

The photos collected in this volume span Newman's entire career and range from Senator John F. Kennedy to President Bill Clinton. The collection is mostly black-and-white. Leafing through the book, I've gotten many ideas for my own photography, but I've also gained a new appreciation for many of the historical figures Newman captured in his work.

The book is large and heavy, very satisfying to hold and look through, and will make an excellent coffee table book. Whether you're into history or photography, you'll really enjoy this book.

Arnold Newman died recently at age 88 but his photographic work will live one. Newman was known for his environmental portraiture - capturing the famous faces of his time in the atmosphere in which they created their magic and lived their lives, sometimes private, but most times public.

In this superb collection of Newman's work there are the famous photographs of Igor Stravinsky at his piano, Marilyn Monroe ('she was terrified of aging'), Carl Sandburg, Mickey Mantle, Truman Capote, Pablo Picasso, Frank Lloyd Wright, Sir Cecil Beaton, Diana Vreeland and many more. Each subject is part of a personality scape, accompanied with the trappings that made them famous.

Arnold Newman felt that a subject's environment illuminated the subject, and while many other photographers have followed his lead, Newman remained at the top of his genre. This book is an excellent tribute (though not published as such!) to an artist departed whose legacy will linger. Recommended. Grady Harp, June 06

This book isn't a novel, but if it was, it would be the best novel of the 20th century, American or otherwise. In short, this is the most wonderful book that I have ever read in my entire life, and I have led a long and full life.

This factual Hand book is a Wonderfull addition to anyones libary and is all you have to know about the subject. It is breast cancer in a sergants point of veiw. it is great book for anyone who has the disease or is curious by yourself a copy today!

This factual Hand book is a Wonderfull addition to anyones libary and is all you have to know about the subject. It is breast cancer in a sergants point of veiw. it is great book for anyone who has the disease or is curious by yourself a copy today!

This book is full of all the information you need to know about how to handle any problems you may have, from the beggining to the end. It is perfect for a grad school student and it fits perfectly in your lab pocket. The way it is setup is perfect for quick reference.