United States Books

Peter Egan is among a very small and very distingushed group of writers who have the ability to invite the reader along on their adventures. He is to motorcycling what Gene Hill, Peter Capstick, and Gordon MacQuarie were to hunting - and that is very fine company to be in. When you read his stories, you're with him, riding alongside, enjoying the adventure with him, and sometimes his Wife. His eloquent, descriptive turn of phrase combined with his ability to create unique and thought-provoking analogies makes for smooth, sophisticated, and absorbing reading. To Egan, a motorcycle is far more than the sum of its mechanical parts. It's freedom, dreams - both old and new, exploring, learning about yourself, your country and culture. Through Egan's words, motorcycles bring out the best in the human spirit. Reading his writing makes you glad that you're a part of the motorcycling fraternity, and reminds you why you love motorcycles so much. Enjoy this book, and then get a copy of "Leanings II" and relive the enjoyment all over again. These are books that you will reread, perhaps in part, over and over, and enjoy just as much each time you read them.

This one is truly the best of Peter Egan's writing. The second version isn't nearly as good as this one; the real classics are in here. Of course, if you're really a fan of his writing, you'll get both of them, and probably all the Side Glances ones too. But the earlier writing is better in general.

When there is snow on the ground and you can't ride, you will enjoy this masterpiece of riding experiences.

I did not actually read this book, but gave it to my husband for Christmas. He's an avid motorcyclist and he LOVED this book. He's not much of a reader, but he read this book in every spare moment and finished it within a week. He laughed outloud often and read parts of the book to me that he found funny. He liked the book so much he bought a copy as a gift for my father and he loaned out his copy to another friend when he finished. So, as a gift, this book was a great success.

I have read all of Peter Egan's automotive writings so I ordered both "Leanings" books. While I'm not a motorcycle enthusiast I loved this book. Makes me want to go out and by an old British bike!

For this book review I read Little Town on the Prarie by:Laura Ingles Wilder. This book is good reading for preteen girls. The story is historical and is about living in the pioneer days.

In this book Laura and her family work hard to send her older sister to Collage and keep her there untill she finishes. Laura and her little sister Grace have to go to school when they move to town for the winter. Laura is very exited about going to school because she wants to get her teachers certifacit when she is sixteen. To find out what else happens you will have to read the book.

This book was fun to read and kept my intrest. It was a little confusing at timeskeeping up with who was talking. It was very interesting also to learn about how they lived back then. Over all it was a good book and I would consider reading it again.

It's wonderful to see how my children love listening to these books over and over, now that we've been collecting the CDs. The little details really stick in their heads, and have been surprisingly useful tidbits of information on several occasions, as they hear or read other things that relate!

When I first bought the CDs, I was unsure about Cherry Jones' accent, but it just brings a nice, down-home aspect to the reading. Of course, the readings are unabridged - the only way to go, I think!

My favorite part of the CDs, though, is hearing the songs, often accompanied by a fiddle. As a child, I remember skipping over the songs as I encountered them in the text, especially those I didn't know, and it has really added to the experience of the books to hear an actual tune for them. Often, the songs reflect the mood of the moment exceptionally well. Cherry Jones sings them out (usually as Pa!) in her low alto voice, and you do really have to hear a few of them to get used to it, but we love them.

Laura Ingalls thought that being thirteen was difficult, but now she is on the cusp of her fifteenth year, and things around her are changing like crazy. After a difficult winter full of one blizzard after another, Laura is happy to be back on the claim shanty with her family, away from the hustle and bustle of town. But she knows that her family will most certainly head back to De Smet to live in the shop before winter comes again, to protect them from the harsh weather that may lie ahead. Weather aside, however, Laura can't believe how many new things are arising. Especially the most important one of all - changes for Mary.

Laura couldn't be happier to be back in school again. After so many months of studying on her own, she is thrilled to be back in the classroom with her old friends Mary and Minnie, and Ida. But there's someone new in the classroom. A person from Laura's past who makes Laura shake with anger - Nellie Oleson. Laura, however, is determined to ignore the nasty Nellie and study as hard as she possibly can in order to gain her teaching certificate, and help to send Mary to college. But even without her being a part of the workforce, Mary is able to go off to college, and Laura couldn't be happier - or more devastated. But seeing how much Mary loves college, Laura resolves to study even harder, and begin earning the money to assist in keeping her there. Of course, Laura never imagined that things could possibly stand in her way. Such as the selfish new schoolteacher who thrives on taunting and humiliating both Laura and Carrie in front of the other students; and working as a seamstress in town. But the most shocking of all, is Almanzo Wilder's sudden interest in young Laura. Almanzo is a handsome fellow, whose Morgan horses are the talk of the town, and now Almanzo seems to have taken a fancy to Laura - something that leaves her confused and excited at the same time. But no matter what, she must remember to continue her studies, or else Mary may have to return home before her education is complete.

It seems strange to bear witness as someone ages, but that is exactly what readers have had the opportunity to do as Laura Ingalls grows in age, height, and maturity. The love she holds for her family is so refreshing and charming, and truly keeps the reader's interest peaked; while the constant maturity Laura displays in each and every one of her decisions is just unbelievable. Laura has completely grown up before our eyes, and each year she just becomes more and more lovable. The inclusion of facts regarding the changes taking place during this era are interesting, and present a fun learning experience for readers; while the sudden budding romances springing up around the young people of De Smet indicates just how much older these characters have become. Almanzo Wilder has grown on me over the past few books, and I love reading the scenes where he is present; and Nellie Oleson, as nasty as she is, will always remain a fun character whom you absolutely love to hate, but hate to love. This series just gets better and better!

Erika Sorocco
Freelance Reviewer

I read this book to my two sons, 7, 9 and my husband, during long drives. We all loved it. Even though the main character is a girl, my boys were interested the entire time and identified with Laura. The descriptions are great and the characters are well-drawn. We're now reading These Happy Golden Years and my family is loving that, too. I recommend this book for a family to read together.

This is a charming, entertaining, and educational story about what life was like among homesteaders in the Dakota territories in the 1880s. I mostly agree with the other positive reviews here. But there is a teaching moment in this book that should not be overlooked. The parents in this book are paragons of virtue, and their behavior matches the highest standards - standards of 1880, not 2006. There is a short scene during one of the "literaries" where several men perform in blackface. Although it occurs with innocent intent, modern readers might find it in questionable taste if they don't allow for the historical context.

If they're smart, parents and teachers will embrace this as an opportunity to open a discussion with children about changing standards, and the work it took to improve those standards.

The book is well written and entertaining. The story was nicely presented around the letters of Mary Pringle. All the similar names of the characters make it a little confusing. A nice reference chart showing the relationship of the characters should be included at the beginning of the book. Did the author hide some things to make the family look better? I wonder. It's hard for a Northerner to muster up a lot of sympathy for this family of slave owners. Perhaps Julius, who likely became a Unionist, was the real hero of the family. It's ironic that the South nearly destroyed our country in the 1860's, but is saving it today.

Mary's World helped me to understand life in the Antebellum South and the culture that thrived on slavery. But it also showed the North's response to winning the Civil War, which was anything but forgiving. It was a thrill to see the Miles Brewton House and the St. Michael's Cemetary on my recent visit to Charleston, and to feel the connection with the Mottes, Alstons, and Pringles.

In Mary's World Richard N. Cote has succeeded admirably where so many others have tried and yet missed the mark. With his succinct style and exceptional organizational skills he has laid bare the thoughts,emotions and lives of Mary Pringle, her family and their slaves, and done so in a way that has given us a book
that is informative as well as enjoyable. By putting their lives
into context with the times Mr Cote has given the reader not only the opportunity to learn what they thought and felt but the ability to understand why they thought and felt the way they
did. This book will appeal to historians and the average reader
alike.
It took me only 2 days to read Mary's World and I found myself
so absorbed that when interrupted I was momentarily confused to find I wasn't in 19th century Charleston.

FOR THOSE INTERESTED IN ANTEBELLUM CULTURE AND THE CIVIL WAR, THIS IS A MUST READ. EVEN FOR THOSE WHO AREN'T A STUDENT OF THE ERA, "MARY'S WORLD" IS STILL A FASCINATING GLIMPSE OF THE LIFE OF AN ELITE SOUTHERN PLANTER FAMILY. TAKEN FROM FAMILY PAPERS, THE STORY OF THE PRINGLES IS A FIRST HAND ACCOUNT OF THEIR INNERMOST THOUGHTS AND FEELINGS.

THE READER GETS TO WATCH WILLIAM BULL AND MARY ALSTON PRINGLE'S CHILDREN GROW UP. BY THE END OF THE BOOK YOU FEEL AS IF YOU HAVE KNOWN THEM ALL. I DREADED FINISHING THE BOOK BECAUSE I FELT AS IF I WAS LEAVING OLD FRIENDS.

DO YOURSELF A FAVOR AND MAKE TIME FOR THIS BOOK. REGARDLESS OF WHETHER YOU ARE AN "ANTEBELLUM-OPHILE" LIKE ME OR NOT, THIS IS AN EXCELLENT BOOK.

I found this book in Charleston on vacation after touring this home. I loved this book! Now I want to visit again because I am so much more invested. I read this book for pure pleasure, and di it deliver! One doesn't need to visit the south to enjoy, the book takes you there. It gives such insight to the era and history the reader gets pulled right in.

Jonathan Eig is developing an expertise at rehabilitating hackneyed young-adult biography heroes. First with Luckiest Man: The Life and Death of Lou Gehrig and now with "Opening Day", Eig takes a baseball player whose legend has become tarnished by excessive praise, and retells the story from its original context, restoring a sense of wonder.

The story of Jackie Robinson has with time become a story about the heroism of Jackie's white teammates. History now tells us that they bravely accepted and embraced him, over society's disapproval at the ending of baseball's color line. At least, that's how Eig first approaches and then rewrites the tale. In "Opening Day", the spotlight rightly shifts back to onto Jackie himself, as well as to his wife Rachel, the rock at the center of his life. We hear from Jackie himself via contemporary interviews and from his assigned beat-writer from the black press.

The discussion of Jackie's acceptance among his teammates is limited to how they did not in fact accept Jackie as one of them: Eig fails to uncover any evidence that the rest of the Dodgers tried to socialize with or befriend Jackie in any meaningful way once they stepped off the field.

Branch Rickey, who gets rightful credit as the man who integrated baseball, is also shown as the shrewd businessman he is, in both the good and bad sense. Rickey was the executive who refused to trade one of Jackie's most vocal teammate critics, realizing that his pennant hopes resided in that man's bat. He further refused to give Jackie a significant raise for 1948 even though Jackie's presence generated value in publicity and gate that far exceeded his meager rookie paycheck.

Most compellingly, Eig retells the story of the 1947 season month by month, primarily through contemporaneous newspaper accounts. We see the variable way Jackie was treated by the press, and whose agenda affected which stories. A national publication tried to anoint Spider Jorgensen, a strictly league-average third baseman, as the league's top rookie, in a veiled slap at Jackie's aggressive Negro League style of play. We also learn things not commonly told: we know, for example, that Larry Doby was the second black baseball player in 1947, but Eig goes further and tells us who came third and fourth (a cynical move by the St. Louis Browns), and which white owners opposed integration in the disingenuous name of preserving the Negro Leagues.

"Opening Day" could stand to go farther and tell a bigger story. Jackie's post-1947 career and personal life is shunted into a brief epilogue that hints at a possible second book of equal depth. Of course, the space within "Opening Day" is well used: the three chapters devoted to the 1947 World Series are well researched and lively told. Even in a book about Jackie Robinson, the other unlikely heroes and goats of that series (Bill Bevens, Cookie Lavagetto, Al Gionfriddo) still deserve their space.

A complex, nuanced portrait of Jackie Robinson, told with stunning detail and insight into the first black man to play major league baseball in the 20th century. As an historical account, this book goes beyond myth and revisionist morality to create what feels like a genuine account of a complicated man in a complicated place. As a baseball book, it is wonderfully expansive on an important era with lots of legendary players. As a literary work, it is a top-notch narrative told in an elegant, rhythmic cadence. It also gets high marks for journalistic technique and style. If all writers of sport possessed Jon's rare combination of gifts, the genre would be a lot richer.

This is the second book that I have read from author Jonathan Eig. The first, Luckiest Man: The Life and Death of Lou Gehrig, was such a great retelling of the life of the Iron Horse, that my expectations when picking up Opening Day: The Story of Jackie Robinson's First Season were quite high.

Opening Day is the story of Jackie Robinson's first year in the majors, and the challenges he faced when he became the first black American to play Major League Baseball. Any true fan of baseball knows the story of Jackie Robinson, his importance to the game and the lasting impact he has had on the United States. But, Eig manages to provide a fresh look at this historical year, focusing not only on the challenges and bigotry that haunted Robinson, but also on the lives that he touched in 1947 and for years to come.

One of the more intriguing stories from the book was that of Jackie's teammate Dixie Walker. When Robinson's Dodger teammates were informed that he was coming up from the Montreal Royals to play with the team, Walker wrote the team's general manager, Branch Rickey, asking for a trade. There were also rumors that he led an effort by the Dodger players to get Jackie off the team. Dixie always denied the accusation, but nonetheless, he was basically a self-proclaimed bigot - worried about what his family and friends in Alabama would do if he played alongside a black man.

Like authors before him, Eig could have easily cast Dixie as the villain of the story. But instead, he details how playing with Jackie helped Walker evolve into a better man. Within time, Walker started to respect Jackie for his toughness and determination. He started giving Jackie pointers on how to improve his game, and later in 1947, he stood up for him (along with all of Jackie's other teammates) when opposing teams would hurl racial epithets at Jackie. Robinson made Walker start to question his views on minorities and Walker came to realize what he learned about blacks while he was growing up was wrong. After that, Walker played with, coached and managed black players throughout the rest of his career, and later said Jackie was "as outstanding an athlete as I ever saw."

This is just one example of the impact that Jackie had on the lives of others. Stories are sprinkled throughout the book about the significant impression he left on his teammates, other players in the league, broadcasters, league executives - and most importantly, the next generation of black Americans who would continue the struggle for equality in America.

Opening Day, definitely lived up to my expectations and surpassed them, and I highly recommend it for any fan of baseball and/or American history - and to anyone who is interested in understanding the important role Jackie Robinson played in the evolution of the United States.

I found Mr. Eig's book very well written and felt it was well researched, though not until I read the `Acknowledgments' section did I realize how much leg work he put into "Opening Day: The Story of Jackie Robinson's First Season." He interviewed Rachel Robinson three times and that background is readily apparent throughout the book. She tells how Jack felt about certain situations, which sometimes were in complete contrast to published reports that historians rely on when writing these types of books. (Interesting also that Mr. Eig's research uncovered the fact that Mr. Robinson did not like to go by the name `Jackie' but preferred `Jack.' And my recollection is that every time I've heard Rachel Robinson talk about her husband, she always referred to him as `Jack.') Mr. Eig also interviewed some of the principals written about in the book like Ralph Branca, Carl Erskine, and Joe Garagiola, as well as the Robinson children and Branch Rickey III.

The book did a fine job of painting a picture of the United States circa 1947 and with that perspective, made the reality of Jack Robinson's first major league season much more believable. I'm in my 40s and what I learned about Jack Robinson's first season - from watching baseball games first on Saturdays on NBC and then later on cable, was much more passive than what was presented in this book. However, as much as I would have wanted to stay comfortable with my pastel-colored memories, I do believe this presentation in part because of my own life experience, but also because of the copious research Mr. Eig invested in the writing.

I would recommend this book for any baseball fan, as well as for people interested in the history of civil rights and the long, not-so-steady growth and improvement of equal rights for African Americans in the United States.

Eig's extensive research and thoughtful treatment of Jackie Robinson does not vary or question the general truth of his legend: Robinson played the game well under tremendous pressure with little or no support and demonstrated in the process the skill and courage that entitled blacks to equal opportunity. But Eig does add some new perspectives that make the legend far more interesting.

First is the general unpleasantness of Robinson. He's like Pete Rose in his burning desire to win at all costs and would rub some people the wrong way regardless of his color.

Second and perhaps most important is Eig's ability to introduce more subtlety into the story. Eig destroys the legend of Pee Wee Reese publicly encouraging Robinson on the field in the face of racial abuse. That did not happen, at least not in 1947. Robinson is utterly alone in 1947 and has to prove himself to his teammates. Branca is the only guy to make a point of shaking his hand when he first appears, which adds to Branca's own legend as a man of character, but even Branca essentially ignores him for much of the season. Some of this is racial, of course. But some of it is the culture of baseball: a rookie must prove himself.

Robinson's ability to peform in these circumstances, under the most tremendous pressure possible, adds to his legend and makes his 1947 season perhaps the most admirable of all seasons. Eig is also good at introducing subtlety into the legends surrounding Robinson's oppressors. There is some rumbling on the team, but that quickly dissipates. Most interesting is the role of star player Dixie Walker. Walker felt compelled by his southern roots, and by his desire not to have his business punished in the south, to make a point of objecting and asking for a trade. But thereafter, he drops the protest. The problem for Robinson was not simply the obvious bigotry, but his freeze-out by the rest of his team until he could prove himself under the most trying of circumstances. Walker may have given Robinson a few batting tips and may have dropped his trade demands, but neither he nor anyone else took Robinson under his wing. Even in baseball's demanding culture of ritualized abuse of rookies, a rookie will eventually be taken under someone's wing. Robinson did not have that benefit.

The protests of other teams has also been exaggerated. It appears that there were some murmuring on the Cardinals to try to boycott Dodger games, but that fizzled before it started. The Phillies were grossly racist in their bench jockeying, but backed off early in the season. The Yankees in the 1947 World Series had a few nasty bench jockeys.

What emerges from all this is the pain of the gross racism aggravated by the agonizing loneliness of Robinson as he has to endure everything and prove himself. Eig convincingly shows that by the end of 1947, Robinson succeeded in proving himself and was the MVP of this team. Only then was he accepted by Pee Wee Reese, the team's captain.

All of which demonstrates Branch Rickey's wisdom in choosing Robinson as the man to break the color barrier. Robinson had mental toughness and competitive fire. The rap on black athletes was that they were not mentally tough, and Robinson was exactly the right guy to disprove that myth. Choosing a more passive personality would not have made the point, and choosing a less disciplined soul who would have got into physical fights in 1947 would not have worked either. But it is interesting to learn how Robinson sometimes crossed the line (such as spiking Rizzuto in the 1947 Series) and how close Robinson came to losing it.

Robinson emerges as a complex and truly great man in this narrative. This is an excellent book that I highly recommend.

Wow, Joy Butler has just made our lives easier. The Permission Seeker's Guide Through the Legal Jungle is a user-friendly, detailed, wealth of knowledge for authors, producers and anyone who wants to use copyrighted material. I've written 4 books and had to wind my way through the jungle of permissions on my own, which was tedious and painful (news flash, your publisher doesn't track that stuff down for you and YOU are legally responsible for any inapporpriate use of material your use in your books and productions.) Thank you Joy for making every book I write in the future a breeze with your book now on my shelf right next to my desk.

Joy Butler's The Permission Seeker's Guide Through the Legal Jungle arrived promptly and I was blown away. The guide expertly covers rights, clearance issues, how to obtain clearance, minimizing risksThe Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions (Guide Through the Legal Jungle). It also has a section at the end for resources and forms. Butler enables the reader to navigate through complex issues with ease. Her style is comfortable. You can pick it up and read straight through or skip to the sections that are of immediate concern.

This book should be required reading for all of us creative industries. Sure wish I'd had it earlier!

Shannon Grissom
Author: Monkey Made of Sockies
Television Producer: Give Your Walls Some Soul!

Joy R. Butler is endlessly impressive as she charts and details all of the legal choices, decisions and ramifications behind being a producer: that higher stage of artist which combines talent and inspiration with the realities of the global marketplace. This is, definitely, a book for the artist who is taking their craft and their lives to that next level.

The degree to which she covers virtually every subject that could be covered re copyrights, permissions, trademarks, etc. is daunting. The book in fact is so detailed and voluminous that being shellshocked or momentarily disheartened as an artist will be inevitable. Showing once again how litigious our society is, amongst her many examples of interpretations of the law--and what artists and producers must contend with in that context--include the following: a treasured Muslim friend & assistant of Spike Lee unexpectedly suing him for the right to be considered a co-writer of his masterpiece MALCOLM X; and Eminem's fourth grade bully suing him to get a share of a song written about him being overcome later in life after it broke the Billboard charts! (And we wonder why stars can be so aloof.)

Butler does say at the outset, however, that there may be big chunks of the book not designed for you, given your artistic specialty. And indeed, every artistic specialty is covered: from visual arts to computer arts; dance to drama; music of all genres to literary works; videos to commercials, TV, cinema and documentaries.

You may walk away from this book thinking as I do: I gotta hire her as my lawyer! But either way, in the end, you'll walk away from this book feeling inspired, as the wealth of information provided supplies you with new ways to approach your work--beginning with the degree to which it is or isn't dependent on the inspiration and marketable work of others. Knowing your options regarding trademarks, copyrights, and other rights to use or transform works that have either come before you or are part of your individual and unique production teaches you how to think big time--really big time--as an artist. And helps make the inevitable success associated with taking this mindset on possible.

Highly recommended.

Serendipitously, I received entertainment and business attorney, Joy R. Butler's "The Permission Seeker's Guide through the Legal Jungle" when a good friend of mine was in the process of designing and launching his website. Knowing that he had some trademark issues ( he had recently come up with a logo for his goods and services and wanted to protect his intellectual property) I promptly handed over this book and awaited a detailed synopsis of his first hand experience with it.

His comments exceeded my initial impression of this guide. While my reading of the book revealed a tightly crafted compendium of situations and solutions that arise during the identification and elimination of rights clearance problems in media production ----think anything through which people communicate and express themselves i.e., film, video, television programs, newspapers, magazines, posters, computer games, comic books, paintings, photographs, fine art, advertisements, websites, sculptures, books, etc.--my friend's opinion waxed practical as he followed the steps to insure that his production contained no material that violated the rights of another person.

Specifically, he wanted to use a song and CD photo on a website that he had heard on a CD and change key lyrics to reflect and promote his product and personal enterprise. Author Butler explains how to identify the rights owner - in this case the owner of the recording and the photographer of the photograph used on the CD cover----and how to seek permission to use the music and the photo. Using Butler's techniques, my friend successfully accomplished his mission and both the edited song and the photo appear on his website without the fear of kindling a lengthy expensive and tiresome lawsuit.

Butler's guide is definitely well organized; the summary table of contents, the table of contents and the index lay out with an encyclopedic precision exactly what the book contains. She presents an overall format for using the book, defines and explains relevant rights and laws, relays clearance issues for each media type, details the process of clearing rights and seeking permission, while minimizing risks and protecting oneself from possible lawsuits. Specific information is extremely easy to find within this volume; all topics are comprehensive, well documented and easy to read and comprehend with procedural information as well as examples of up-to-date cases and court rulings.

Bottom Line? On a real and practical level, Joy R. Butler's "The Permission Seeker's Guide through the Legal Jungle" provides a wealth of information that every writer and publisher should own and reference to avoid rights clearance problems in any media production. Recommended highly for all those who need to know the law and make it work in their favor.
Diana Faillace Von Behren
"reneofc"

This book is written for publishers, writers, visual artists, muscians, music producers, film & TV producers, producers of Web sites and software, people, celebrities, and businesses. They all have or want intellectual property, and by reading this book they can learn how the commercial licensing of intellectual property works. The book has 28 chapters:

1. Guide to using this book
3. Copyright basics
4. Trademark basics
5. Common elements of privacy, publicity & defamation law
6. Right of privacy
7. Right of publicity
8. Defamation
9. Other relevant rights & laws
16. Getting organized (to seek permission)
17. Putting your own house in order
18. Submitting the request for permission
19. Negotiating the rights agreement
27. Methods of minimizing risks
28. Dealing with lawsuits

2. Checklist of clearance issues
CLEARANCE ISSUES FOR ...
10. Publishers & writers
11. Visual Artists
12. Musicians & music producers
13. Film, TV, & audio-visual producers
14. Producers of Web sites and software
15. Business
CLEARING RIGHTS AND SEEKING PERMISSION ...
20. To use books & other printed material
21. To use visual art
22. To use music
23. To use film, TV, & video footage
24. To use Web site & software materials
25. With respect to people
26. To use trademarks, products, & locations

The numbers above correspond to the chapters as they are sequenced in the book. I have rearranged the chapters in the order in which I would have liked to have seen them included in the book. Also, I would have liked the book better if it had been split into two parts instead of six. Part A would have included the chapters "1-28" as cited herein above. And Part B would have included the chapters "2-26." As a result of the way the book was organized I almost gave it a 4-star rating. But this book really is a gem and full of content.

My favorite chapters were chapters 2 & 3 (intellectual property law) and chapters 6-9 (tort law). And chapters 18 and 19 were really good, too. Clearly much of the book is aimed at topics an entertainment lawyer handles in her legal practice. But from my perspective as a SCORE small business counselor I think chapters 3, 4, 10, 14, 15, 20, and 24-28 are the most relevant to my clients' concerns. 5 stars!

Most teens are embarrassed by the things their parents do. But in Meg Powers' case, she and her family are under constant national scrutiny, for her senator mother has just announced her candidacy for president.

Although dealing with the issues surrounding Katharine Powers' campaigning and frequent travels, the Powers family is still refreshingly normal. Meg and her younger brothers regularly compete with dinnertime witticisms, and she and her best friend Beth spend embarrassingly long hours dreaming about the day that handsome and popular Rick will ask one of them out.

Firmly entrenched within '80s pop culture (references to things like Tab and Joan Jett are sprinkled throughout the book rather liberally), this story is simultaneously set in a time that has yet to come -- making it something of an anachronism, but a fun and quirky one.

This book is a sooooooooo cool! Sixteen year old Meg has two brothers. Her mom is a senetor.One day her mom decided to run for president. Meg is than thrown into getting used to everyday life being the presidents daughter while still juggling homework,friends,boys and family life. This isn's a book you will soon forget.

I bought this book based on other reviews and the plot seemed interesting enough. I LOVED this book and could not put it down. The characters are lively, the dialogue very fun to read, and the story line was original. I challenge anyone to read this book and not fall in love with the President's family. They're witty, likable, yet they have their problems like any normal family. A wonderful read. You'll definitely want to read the 2 sequels after this one. I know I do! Good luck finding them though. They're out of print and I'm still searching.

I have read and reread (and loved, especially the first one) all three Meghan Powers books in their original editions. I am grateful to Hawk Publishing for reprinting these three books (now called the "President's Daughter" series) so that more people can enjoy them, but I do feel that people should know that these reprints are not high quality. They are trade paperbacks with bindings that seem sturdy enough, but the text is not at all crisp -- in fact, it looks like the publisher may have enlarged the pages from the original mass market editions on a Xerox machine and then reprinted these new editions from those copies. I am basing this guess on the fact that the text looks enlarged and somewhat blurry.

The covers of all three of the reprint editions are hideous; the first one shows a girl who looks to be about 8 or 10 years old instead of a teenager. ...

If you can get past all that, these books are marvelous to read. The first book in particular was very entertaining and educational to boot. I learned a lot about the nomination process used at the Democratic National Convention. Meg's "voice" is unique and distinctive, and a lot of the book is laugh-out-loud funny. Again, I am grateful to Hawk for reprinting these, even if the quality is a little disappointing.

I first read the first two books when I was in high school...in the 80s. I enjoyed them then, and sorely regret loaning them to a younger cousin when I got to college and was ostensibly 'too old' for them. My local bookstore didn't carry "God Save the Queen," so I've never read that one.

I'm 36 now, and I've read one heckuva lot of books. But two of that stay with me are "The President's Daughter" and "White House Autumn." Like the very best in young adult fiction (Harry Potter, etc.), the themes are universal, the characterization is excellent, and the glimpse into another world is fascinating.