Woods Books

Perhaps, the planets are aligned improperly or his hair is the wrong texture or people prefer the taste of Coca-Cola to RC.... Who knows why Russel Like has not gotten the attention he deserves? The only question we can really answer is, should we read his books? If you didn't answer with a resounding "yes," it can only be because you haven't read one. In a genre where humour is generally laid on in a lumpy layer of slapstick and puns, Like's books are in a class by themselves. Funny, wicked, clever, thought-provoking, and wildly imaginative -- A BOWL OF FRUIT, just like AFTER THE BLUE, is a comic delight. His characterss would seem absurd if they weren't so much like the people you sit and the dinner table with on holidays. Or, maybe they are more like the people you pass on the street and feel an urge to follow, merely because of something they were mumbling. Like's books give off the same kind of allure, and, if you are smart, you'll follow wherever they lead.

I feel as if I've gotten in on the ground floor of something that's going to be huge! When Russel Like inevitably collects his first "best book" or "best movie" award, I'll be able to say, "I read him when."

If you like science fiction and/or humor, then you MUST read, "A Bowl Of Fruit, A Whale in the Woods." If you don't like science fiction and/or humor, you should read it anyway, because Russel Like simply uses the genre as an opportunity to look at - and more important, to show his readers - everyday occurrences in delightful new ways.

Image what Dave Barry would be like in a slightly awry alternate reality, and you have a glimpse of what Like is like in "A Bowl of Fruit."

Enjoy!

His career uninspired and his personal life unrelentingly tedious, Greg Fisher started to mess around with a special device that would embroil him with alternative realities. Author Russel Like has an original, somewhat quirky, and always entertaining flair for writing the kinds of stories that are so easy to pick up and so hard to put down! A Bowl Of Fruit, A Whale In The Woods is especially recommended for science fiction and fantasy fans who like their tales wild, whimsical, eccentric, and uproariously funny!

This is an outstanding book, for professionals and casual readers alike. Dr. Woods breaks down the taboo of teenage suicide with personal anecdotes and a truly engaging style. She shows us that this subject, which might make us cringe, is a very real part of our world, with impacts ranging from the quiet lives of individual families to headline-grabbing events such as the Columbine massacre. Rock music lyrics, a teenager's internal tug-of-war between pressure to achieve and desire not to disappoint, gender- all these aspects and others are brought into the open and discussed in a way that is both interesting and scientifically sound.
The entire book is solidly supported with references from medical and scientific journals, yet the author's writing style makes this book completely engaging and a truly absorbing read. It is an empowering book: it not only lists signs that can indicate a greater risk for teen suicide, but goes on to describe ways of addressing them- some original and logical "do's" and "don'ts". Overall, I loved this book because of the undeniable importance of the subject and the author's terrific writing style.

A subject rarely talked about in public and even less in schools. Teenage suicide is a problem that we must actively deal with. Dr. Woods gives insight into the many ways that we as individuals can make a difference in another person's life and possibly prevent another person from taking their own life. Dr. Woods explores many cases of teenage suicide showing many different view points of triggers that can lead to suicide - signs to look out for and possible approaches to handle them. It is commonly believed that depression is the sign to look for in a person who is considering suicide. Often this is not the case as Dr. Woods illustrates.
The book does not cover all the reasons for suicide such as side effects of a medication, nor does it claim to be the definitive encyclopedia on the subject. More importantly it sheds a light on an epidemic that is prevalent in our society and should be discussed towards prevention and positive action.
This is an important book that parents and adults who work children with should read.

A subject rarely talked about in public and even less in schools. Teenage suicide is a problem that we must actively deal with. Dr. Woods gives insight into the many ways that we as individuals can make a difference in another person's life and possibly prevent another person from taking their own life. Dr. Woods explores many cases of teenage suicide showing many different view points of triggers that can lead to suicide - signs to look out for and possible approaches to handle them. It is commonly believed that depression is the sign to look for in a person who is considering suicide. Often this is not the case as Dr. Woods illustrates.
The book does not cover all the reasons for suicide such as side effects of a medication, nor does it claim to be the definitive encyclopedia on the subject. More importantly it sheds a light on an epidemic that is prevalent in our society and should be discussed towards prevention and positive action.
This is an important book that parents and adults who work children with should read.

As a big fan of John Michne's website, I became very interested when I heard this book was coming out. I ordered it right away and I was not disappointed. The are a few books out today on the subject of boatbuilding for the home hobbyist that are really fantastic and this ranks right up there along with Ted Moore's Canoecraft, John Brooks' Glued Lapstrake Boatbuilding. The author's combine boatbuilding skill and documentation skill which is not an easy or common feat. They have done a great job in documenting the build of the H. Dwight Grant design 16' Guideboat "Virginia" so home boatbuilders like me can follow right along. I would not have considered building a boat like this without this book. The book includes all of the steps and precise details on how to reproduce this great craft. Many tips and techniques are shown that will insure high quality if carefully followed. The authors approach is one of setting a very high standard instead of mass appeal simplicity. The sanding stick idea is ingeniously simple for sanding rolling bevels on stems and ribs but I had never heard of it before. The sections on seat caning and brass metalwork clearly illustrate that it is something within my reach. I particularly liked that the authors were faithful to the Grant design "Virginia" lines as precisely documented by John Gardner. It is a great tribute to Grant, Gardner, Kenneth Durant and anyone who appreciates this special piece of history. I am sure they would be happy that new guideboats will continue to emerge from workshops and garages and be used all over the world rather than slowly fading away as museum pieces only. The Adirondack Guideboat design is really not for a beginning boatbuilder who is looking to build a first boat. It will turn out much better if you have already built a few boats. Don't miss out on this book though just because you are not ready to build one. No other type of book exists that I know of on how to build this remarkable boat.

im no expert on any type of boat,nor a writer.

i enjoyed this book quite a bit. its amaizing what you learn that you never ever heard of before.
i would definatly like to build one of these boats,, but,i must first build a smaller less complicated dinghy type first. to get a bit of practice. after all, thats alot of money in wood and epoxy,FG so,, id want to be a little more confident before i begin one of my own.
the book has great pictures,and the text..... well you begin to admire the builders that came before us.. (i always do) the craftmanship of these boats is truly amaizing. and they did alot of it with old school tools.

i cant recomend this book enough. i buy two types of boat books.
one type shares building information with me,techniques,tips,ect,ect..,so i might build a beauty of my own somday.
the second reason i buy boat books,,is for the history of boating in general. and this book has a full load of both kinds of information.

its nice to have it on the shelf.

roy

This is an absolutely excellent book! If you have any interest in Adirondack guideboats or in strip building canoes, you owe it to yourself to buy this book. The authors do a masterful job of explaining - in excrutiating detail - how to build a reproduction of a guideboat that is currently in a museum. They leave no stone unturned and describe the process very clearly with lots of photographs. They do a great job as well of weaving throughout the chapters the history of guideboats and their construction. Much of what they describe can be used for building other boats as well. This is a must have if you're into boat building or guideboats or the Adirondacks. It's probably the best book available on this topic!

This book is an excellent overview of the history of civil aviation, terminals, and airfields. The attention to detail, both photographic and linguistic, is marvelous and provides a wonderful account of airport design. The faithfulness to the original traveling photo exhibit allows readers the opportunity to experience the cultural presentation alongside the historical reconstruction. All in all, a wonderful book for any aviation fan.

BfAT is one of the most intriguing books you'll find about airports. It covers a lot of airport design aspects- but it is not an engineering book. In other words, you won't have to face boring charts and graphs. All you get is interseting texts, divided into differnt issues, and many rare and beautiful pictures. If you really like airports- you should have this book.

A truly comprehensive book, enjoyable to both read and look through. It covers the history and scope of air travel, including airport and aircraft design, corporate identities and marketing in a thorough, extensive and compelling manner. It is distinctive in how it successfully melds a global scope and a focused perspective.

Good reference book as well as good instructions for carving and painting caricature figures. I highly recommend!

If you have been a caricature carver for a long time or just starting out, this book holds a wealth of information for you. All but the most advanced carvers will be able to put some tricks in their bag from this book.

Pete starts with just a piece of basswood and begins carving. You don't even need a bandsaw to do these projects. He takes you from blocking out the head and the body all the way through carving the eyes, mouth, ears, hands, clothing wrinkles, etc. The numerous color photos are presented well and there are enough close-ups to help you stay on track.

Let me end this review by stating that if you don't own Pete's first book "Carving Caricature Head & Faces" then you should. Pete's philosophy on caricature carving is that the head and face are the most important feature of the carving. While "Carving Caricature Figures from Scratch" does detail the head nicely, I think the first book will give you a lot more insight.

Pete takes you step by step through the process of carving a complete caricature figure. Each picture shows enough detail to easily follow and the carving steps are frequent enough so there isn't any wondering how he moved from the previous step. Pete emphasizes the importance of carving the head, since the most engaging feature of a caricature is the face. I have most of Pete's books and would recommend them all. If you are a beginning carver (as I am) or an experienced carver looking to try something different, this is the book for you.

Very well done. Highly recommended. I've been carving and painting for over 40 years and am pleased that I added this book to my library.

My husband is a woodcarver and is pretty darn good at it, with one exception --the human face. He carved a clown, an indian and a man's head, a Roman and Don Quixote and he was not satisified with any of those faces. Then he got his hands on this book. When he finished the bust of the female, I was startled to see just how good a carving it was. Now I'm afraid that he's decided that his problem was that he had not carved women's heads. He's looking around for a camera and a model to photograph from a multitude of angles, just like Norbury showed him how to do in this book. I'm just not too sure how far I want him to go with this new found talent....

This is the best book I've seen about carving the female bust. Norbury works from photographs and goes into great detail about using photos to make the pattern for the bust of choice.

His directions are excellent, especially for determining the removal of unwanted stock. This could almost be considered a textbook.

This is a good reference for those interested in figure carving. It has steps on how to create acurate drawings from photos, an important part of the process. There are anatomy drawings to help in the understanding of what is happening as the figure pose changes. There are actual photos of a model to help relate the anatomical sketches and the working drawings.....a well done presentation!

For years, I struggled with sculpting the human form. Occasionally I got lucky and produced something that was "acceptable" but most of the time my carvings could be considered a contemporary distortion of the form-definitely not, what I started out to do. To say the least, my efforts were frustrating. The frustration ended when I purchased two of Mr. Norbury's books, "Carving Classic Female Figures in Wood" and "Carving Classic Female Faces in Wood"

In "Carving Classic Female Figures in Wood" Mr. Norbury explains sculpting the human torso from model to finished work. I was most impressed with his concept of holding things in the square while defining size, points of reference and protrusions before any rounded forming should begin. This helped me to easily maintain proportion.

Also very helpful was Mr. Norbury's plan of attack or sequence of events. This taught me that trying to work the whole project at once was futile. He defines a well-planed method that works. In the final stages, the anatomical drawings with simple explanations were very helpful. I can now go back to my anatomy books with greater understanding.

Finally, the gallery section was most inspirational. Seeing what another can do and armed with basic knowledge, I now have an attainable goal. Thank you Mr. Norbury.

I sculpt the figure mainly in clay, but I have been thinking about trying woodcarving, so I bought this book to get a look at what was possible in wood. It is a very good presentation of how to create a figure in a carved medium.

The book illustrates the construction of two figures from start to finish - from making reference photos of the model, to roughing, to detailing, to finishing. The photos are clear, copious, in color, and are large enough to be easy to see when propped up on the workbench. The text is concise, but adequate. Also included are a number of excellent photos of Mr. Norbury's figure sculpture.

Most of the techniques shown are not really specific to wood, and there is no discussion of tools and technique, which is a bit of a disappointment with respect to my goal of learning about woodcarving. However, that is not really the fault of the author, since this is not intended as book for beginners.

On the plus side, I work mainly constructively in clay, and I hope the technique of working by carving will help me add some new approaches to my sculpture. I think many of the ideas and techniques illustrated will also be applicable to stone.

I'll give the best recommendation I can: based on this book, I plan on buying as many of Mr. Norbury's other books as I can.

I have been teaching graduate social work for fifteen years and have yet to discover a text about psychosocial casework that surpasses this revised classic in its clarity, depth, thouroughness, and wisdom. The basic psychosocial orientation and typology of casework procedures defined by Florence Hollis remains intact, yet the text, as a whole, is substantially updated by Mary Woods, whose fluid prose is rich in clinical detail, articulate, and aimed at what the practitioner yearns to know and needs to know. As an experienced clinician, I still turn frequently to the chapters on couple and family treatment where protocols for navigating these exceptionally tricky modalities are clearly presented. In chapter 16, for example, Mary Woods develops a typology of "relationships and problems" detailing 12 patterns of couple conflict that, in itself, serves as a primer for the novice practitioner. Approaches to nontraditional couples (premarital couples, unmarried pairs, cross-cultural relationships, and gay and lesbian couples) are amply discussed as well with sensitive consideration of social differentials in power experienced by men and women and by couples of color. The text consistently partializes assessment and techniques of intervention so that one can read and assimilate complex clinical procedures in bite size pieces. Heuristics are laced throughout the text, giving one a feeling of personal guidance. The fifth edition of Casework is a treasure chest for students and teachers of social work and the helping professions to dig into time and time again.

Casework: A Psychosocial Therapy, 5th edition

by Mary Woods and Florence Hollis

For many years the classic Woods and Hollis text has been required reading for graduate students of social work at the Hunter College School of Social Work. The updated Fifth Edition is even more useful than previous editions in its in-depth and detailed explanations of modern social work practice. This book addresses clients' concrete practice needs, environmental deficits and pressures, and personal and relationship dilemmas. Seldom in the literature is the field of social work firmly grounded in its own special knowledge and traditions, described so fully that the reader can clearly distinguish it from other helping professions. Recently, when asked about which of many professional writings they found most helpful, eight-five percent of a class of first year social work graduate students consistently identified Casework as particularly valuable in illuminating knowledge essential to their education for social work; they noted the text's clear explications of the unique history, values, missions and rick accumulation of practice experience-and the complexity of the interactions among these-that must be mastered to train for a career in this profession. Students have further indicated that the book is extremely helpful in identifying the theories underlying social work practice and how these theories can be specifically applied in work with a broad range of clients, presenting a vast array of quandaries and difficulties, seen in many settings.

Clear explanations of techniques (the "how-tos" of practice)aid new social workers in developing skills of listening and intervening. The importance of "mutuality" between clients and workers in emphasized. The text explains how clients-individuals, couples and families-can be helped to claim their own strengths and become empowered to resolve dilemmas, make decisions and choose changes. From the outset, the reader learns about social work's dual focus: on people and their environments and on the interactions and "fit" between them. The book describes and illustrates how people's lives affect and are affected by external conditions. Straightfoward discussions and a wide variety of case examples demonstrate how inner and outer phenomena are in constant interaction and inseparably intertwined, and how social work interventions have to be tailored to focus on those systems most accessible to change.

The four chapters on family and couple treatment introduce beginning students to multi-person interviewing and are often studied intensively by second year and post-graduate students who are preparing to gain further understanding and skill in these modalities.

Dr. Florence Vigilante, Professor, The Hunter College School of Social Work, of the City University of New York Dr. Martha Haffey, Associate Professor and Chair of Casework, The Hunter College School of Social Work of the City University of New York

As a graduate social work clinician of 15 years, I turn to Casework: A Psychosocial Therapy to renew my understanding, hone my skills, and refresh myself on the particulars of treatment techniques and procedures involved in individual, family, and couple work. There are few books that blend theory and the "how-to" of clinical practice in the ways that this book does. It is an exceptionally clear text. This book reminds the clinician of the importance of listening closely to what is important to clients as opposed to imposing upon them what we think should be important to them. Respect for the client is foremost, and this book underlines this and other values which represent the best our profession offers. It is the definitive test in psychosocial casework, and I heartily recommend it to others.

After reading a great review of this book I decided to give it a try. I have trouble finding novels that grab my attention and keep my interest, and I was thankful to find that Chasing Tales was fun from the start. I recommend it to any reader who enjoys getting to know the characters. I found myself missing them once I finished the book, and am hoping there will be more work coming from Lanae River-Woods in the future.

Chasing Tales is a true delight! There is a natural cantor to the way the characters are written, making you feel like you are discovering them as you read - similar to meeting a new person and learning about them through shared experiences. The effect is that by the end you feel as though you've made friends of the characters. Also, while the book is easy to read with a story that melts in your mouth, it is not full of brainless fluff. The characters deal with real issues that challenge you and gives you a sense of sinking your teeth into real life.

This excellent first novel by Lanae Rivers-Woods wraps you in from the first chapter with engaging, fully-developed characters, and a fast-moving plot. I was especially impressed that even the side characters in the book had personalities, they weren't just cardboard cut-outs. Several sections tug the heart strings, and the profusion of fine characters gives everyone who reads it someone to relate to. I hated to see this book end and I'm eagerly anticipating the next in the series.

Chasing Warblers was published by University of Texas Press and it received a book design award by Southeastern Library Association in 2000. Book designer: Heidi Haeuser.

While many books on birds are either cumbersome "doorstops" with far too much information (even for the avid) or are comprised of a collection of "only good" photographs that all seem to blend into one at the end of the reading (if you get that far), Bob and Vera's, "Chasing Warblers" is refreshing. Not only are the photographs first class by all standards, but the storyline is original and tight. First off, who gets that close to a Swainson's or a Colima or a Kirtlands, let alone photograph it? Any birder who has even scant knowledge of warblers and their persistant and sometimes frustrating "flutter" can appreaciate their task and acknowledge their success. Second, there is good writing. The story of Bob and Vera's adventures and misadventures from the mountaintops of the Texan deserts to the Pacific forests to the woodlands of Central Park prove exciting and written in colorful coloquial speak. Whether a birder or not - one can appreciate a book that combines truly amazing photos with an entertaining story - a rare entity!! Review by Mark Robert, San Francisco, Ca.

A wonderful book. In addition to great photographs, it is a wonderful story of the adventure taken to obtain the photo's by the photographers.