Multimedia Books

The Definitive Guide to Actionscript by Colin Moock is a must have for anyone serious about Actionscript. Moock explains object oriented programming with ease. There are many samples and examples making this book easily accessible to a wide range of programmatic abilities. This book is a great learning resource and also serves as a reference for developers.

i dont need to say more, I even pre orderd the second edition allready

It's all good... lot's of info, examples, details, etc etc...
I do have to comment though that everything you find in this book is EASILY found and sometimes in a way more deep and detailed manner in the Macromedia Flash Help section and in www.macromedia.com Flash support section... I would not consider this an essential book even though one feels secure to have it close...

Nice book, found it pretty pleasant at first, but it was too easy to digest (six, seven hours and you can toss it over your shoulder). The real answers I need (mostly dealing with movie clip behaviours) are only vaguely explained or absent and I found the book more of a frustration than otherwise from about 1 week onwards.

Having said this, there doesn't appear to be any other title for Flash that caters to those whose programming knowledge exceeds their experience as a graphical design user.

Finally, an actionscript guide that is superb in its production! My hat is off to Colin and Gary for this detail-oriented volume that has cleared the smoke out of my head and has made a programmer out of an artist.

Bravo!!!

Very informative, a mmust read for anybody doing video work. Many valuable tips and info to help you start and finish your production.

Simply an essential part of the aspiring film-makers arsenal. Stu not only goes into a decent amount of depth on the art of film-making (and compositing), but injects it all with a great sense of humour (which really helps to keep it easy to read).

I haven't even finished reading it and I don't know how I ever lived without it.

this book was a very welcome change to all the theory books i've been reading on directing & cinematography.

the author writes in a very direct, concise, and clear manner... he's even got a real sense of humor. he knows his target audience, and he communicates very effectively to us, because he's really not that different than us.

he has tons of examples, pics, practical explanations, tables, reference material, and even a DVD-ROM that came with the book loaded with more writing, project files, media files, and so on.

this is the most practical and accessible book on indie filmmaking i've ever read.

definitely recommend!

Do you have Adobe After Effects? If not, I wouldn't purchase this unless you are just an armchair filmmaker because this book's techniques are based on that program. I wish I had Adobe After Effects and this book would be useful, not just entertaining.

There is so much to ProTools, Gina puts it into perspective! Her writing style is outstanding, and if you are like me who thinks the technical instructions and white papers seem to require a degree, this book is for you! I am currently on Chapter 5 and in one week, I have surpassed what I learned on my own with the "manual". Her additional downloads and assistance goes above and beyond!
As far as a response to the previous "click track" comment, with respect. I have talked to several studio musicians, and they all say they record with a click track, drummer, pianist, and guitarist.
If Gina comes out with an "advanced" ProTools guide, I will purchase it immediately!

I bought this book because I needed to learn to use Pro Tools fast and because I learn best through tutorials (like the Apple Pro Training Series books). This book got great reviews so I chose it. Unfortunately, I need to learn Pro Tools in reference to working with film soundtracks. This book doesn't address film so you'll need to look for another book if you want that aspect. I still gave it five stars because it is a very well designed and well written book - similar to the Apple Pro series. The tutorials make sense and all of those 'but what about' questions that often pop into your head while working in tutorials are answered. Concepts are clearly explained so that you can actually apply what you learn to other situations within the software. The focus of the book is on live recordings and working with loops. If that is what you are looking for this book is A+ and I kept it as a valuable reference for my library.

I admit that I hate to read a manual.
I am a visual learner: I can watch someone else operate, say, Final Cut Pro and get the general grasp of the work environment.
If I have to wade through text, it doesn't seem to click as easily.

Having read several books on Pro Tools as well as countless instructional web pages, I was still struggling with my Pro Tools LE system.
That's where Gina Fant-Saezs' book comes into play.
I took a chance and spent the money.
And it was money well spent, for someone with my learning curve.

Easy to use, fun to read and plenty of visuals.
Where other books explained Pro Tools in word, Gina's book augmented the text with excellent images.

I highly recommend "Pro Tools for Musicians and Songwriters" for beginners as well as those who need something more than just words on pages.

The best purchase for Pro Tools rookies. I had no prior experience with Pro Tools before reading this book and I feel completely comfortable navigating both the editing and mixing modes. Gloria explains her information in a totally easy to understand format while directing you to record and patch songs together in various different ways so you can determine what method you personally prefer. I was up to speed and recording professionally sounding CD's in days! Thanks Gloria!!!

This is a good book for getting started in Pro Tools. It covers pretty much what a musician would need to know to start making songs.

The author is really good at making complex concepts and procedures understandable. She even uses a blog where she will personally answer your questions if you get stuck.

That said...
The book is using Pro Tools version 7, and because I was using Pro Tools LE 7.4, there were quite a few discrepancies between what was presented in the book, and what I had in front of me, and the reader is required to extrapolate from time to time. All this will probably be fixed if the author ever revises the book. Then she can specify exactly what version is being used.

Also, in the revision, I hope she uses XPand, the free (and extremely cool) sampler from Digidesign, and not the $600 SampleTank, which you can only try for 10 days before buying.

Another thing I think would be very beneficial to new users and should thus be included in the possible revision. is a whole section of the book on creating your own loops, right from the beginning.

Thanx Gina

It's now over 6 years since this book came out and it still has a tremendous amount of relevance. I am rereading it again and stop by every now and then in hopes that a new edition will come out. I have all the other Zeldman books and they are all useful, but nothing approaches how much I learned from this book. It amazes me how much of the content is still applicable. Anyone who's been doing this since the book came out can make mental notes about what has changed. A proponent of CSS before it was practical (really), Jeffrey seems to have planned a long shelf life for this book.

If you're a graphic designer who is entering web development (which is a large segment), it's still a must read, but beware the 4.x browser version suggestions, and don't bother to try and support tables any more. It's not necessary, and it's bad form for oh, so many reasons. Everything else in the book is absolutely essential for the transition. Your best bet would be to read it and ask questions from someone who's been developing websites for a long time (and is open to web standards).

And if you've been building these things for a long time, it's still a great book to revisit at least yearly.

You can't really go wrong with a Zeldman book, imho, at least so far. If he writes something on knitting, I can't guarantee it...

This book gives a good overview of Web Design till 2001.
People who are interested in where the web is coming from will like this book. If your are looking for how web design is done today anno 2005 I would like to recommend Jeffrey Zeldman book "Designing with web standards".

Even though some of the content in this book is outdated (such is the nature of a book based on the internet, which evolves daily), it is still a mainstay in my collection. I would recommend this book to anyone even remotely interested in web design.

Jefferey Zeldman teaches basic, foundation building principles that you will use almost daily during your tenure as a web designer. If your looking for a book to hold you by the hand and teach you how to perform specific actions with step by step coding, this isn't your book. Instead, it touches upon ideas and methods. Zeldman covers topics from designing good navigation to fundamental steps in working with a potential client.

I gave this book 4 out of 5 stars. It would have received a perfect score if it wasn't for some outdated material. Purchase this book, it should be a part of any collection.

A thorough, comprehensive and usable book for people trying to migrate from traditional media into the (sometimes) scary world of new media.

Jeffrey Zeldman's unique voice permeates the entire book, holds your hand, and gently guides you through the ups & downs of working with the web. His examples are concise and to the point, his writing style (as always) humorous and friendly, and, most importantly, you get the feeling that he truly loves this medium, and would like nothing more than being able to help another person discover just what the fuss is all about.

Should be on the shelf of every designer - no matter what your level of experience is.

This book opened my eyes to issues such as accesibilty, css and xhtml, I now have a site that is fast to load and easy to update. I found this book to be an easy read,[ I am neither a graphic designer nor a trained web designer] I really like Zeldman's writng style and will use some of his points in my classes web design for photographers. The mix of code and ideas was great and for once I just read the book rather than being tempted into turning on my computer and starting work.

It's valuable to know how a professional approaches character development. I believe that initial hurdle of creation is an obstacle for many artists and this book helps get over that. Working without a model is very intimidating. If you are in this situation, this book will help a lot. There is a reason those animated characters are so appealing and funny. This author tries to tackle that difficult subject. This book is definitely worthy to own. The way you tell a good book is by the knowledge you walk away with and your desire to extend that knowledge in your own way.

This is a very light book on the subject of using cartoon techniques to inject personality into animated characters. The author's background in the Disney film animation studio made the book something less than I was looking for. I still found the Disney approach to character creation usefully laid out. That I was looking for the Pixar or Hayao Miyazaki's approach is irrelevant. This book is plenty of material for somebody doing light animation stories.

I've read several how to draw books. So far the the most instruction I've ever gotten was "do this, then do that." The books never explained why. This book explains why. The reason why you start out with simple shapes was probably the biggest "Oh yeah! OK!" moment for me and there were several other momnets.

The book is very well narrated. I actually read through this like a story book, the first time. It is easy to follow and at the end of each chapter there are homework assignments to help you get going. The assignments are a little tough, so you are expected to know how to do a few things, but I haven't met a how to draw book that started with "This is how you draw a line."

I personally love Anime and Manga and that is the style of art I try to emulate. With this book it doesn't matter what style of art you are trying to master, you will get help from this book.

This book by Tom Bancroft was a very entertaining and helpful read. I am not a professional in the field of animation or illustration, but I am trying to learn how to improve my skills in the area of character design in hopes of moving into this field in the future. This book does an excellent job of covering all the different facets involved in designing and bringing to life a drawing with real personality. It teaches the basic principles needed to convey character types, emotion, and personality with many helpful examples.
The two best "stand-out" features of the book to me are the guest artists who each come from a different field of "cartooning"; whether it be humorous cartooning, tv animation, comic books, or feature film animation, to name a few. It was very interesting and informative to read these professional's take on designing the same character, and to see how each artist approached it. The other "stand-out" feature was the progression of assignments given throughout the book. These really helped me get a feel for what a real assignment could actually be like for a character designer. They were very helpful in allowing me to think through the process of designing each character for the "script" provided in the assignments.
All in all, my hat's off to Tom and company for a wonderful resource for aspiring professionals and hobby artists alike. Definitely a wonderful investment!

As an aspiring cartoonist with my own cast of characters on my Captain Cockle website I found this book an excellent and yet simple guide to creating characters that leap out of the page. The inclusion of guest cartoonists, many of them very famous in their own fields, is a great idea and adds depth to the book. If you have a limited budget and are confused by the huge variety of "how to" books on cartooning, I would strongly recommend this one as an essential starting point.

This book literally launched my CG animation career. I later took a class in CG animation and modeling and the tutorials in this book were in that class. Its was an excellent class, since it helped you learn the book's content is covered in 3 weeks instead of 2-3 months of night time after work animation. But this book is $30 not $2k.
What a great book. It does assume you know the basics, so learn the basics first and then dive in head first.

not even worth giving it up to my dog to chew on.

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

Finally a book that merges great tutorial writing and impressive content. Going through this book, I was intrigued with every sentence. Not only did I want to read what Chismar had to say but I would learn things at random times. New techniques and tricks sprawl throughout this book, were at times I even felt a little guilty getting all this info for just a few bucks. Don't keep us waiting too long for the next one, John.

This book is not only about creating music, but it's also about the business of music. From tips on buying instruments and equipment, to finding practice space, to touring and promoting your music, Michael W. Dean crams his book full of useful information. Plus it contains pearls of practical wit and wisdom, including: A musical use for used pantyhose; a simple workout regimen for drummers; and how to be invited to stay at someone's house for as long as you want, rent-free. Overall, I learned a lot, and the book was a very enjoyable read.

Michael has done it again. Reading both $30 Film School and $30 Music School back to back has definitely given my confidence and knowledge a jump-start.
With the $30 series and the documentary DIY OR DIE, Michael W Dean has created a foundation to start your own artistic journey and equip you with enough knowledge to survive in what can be a very cutthroat environment.

It is time to wake up, take control of what is left of your life and make an impression to last the ages. The $30 series is here to help prevent you from making the mistake of living old with regret.
For $30 you get way more than what you pay for.

The book's OK, but it's not about music: it's about running a garage band -- which is very different: in music school you study your instrument, solfege, harmony, and counterpoint; in a band you need to know how to find gigs, how to fight with your bandmates and come on top -- every time, all the time, how to deal with the gear, etc. With this in mind, the book is a good read for a newbie (but if you have a couple of years' experience in that area it is unlikely that you'll find anything you don't already know).

What's next for the author? I'm hoping for a $30 Brain Surgery School book, why not. After having starved in the company of beautiful women, one realizes that a man's gotta eat. ;-) God bless.

The title of this book caught my eye and I bought it after reading 1 page. It is well written and informative without being dry. Along with the practical advice given on purchasing gear, dealing with bandmembers, club owners, recording and other facets of getting your music heard, integrity and win/win situations are stressed throughout it. I have already applied some of the info presented and have undergone some major attitude adjustments (positive ones) toward my music and my musical goals. Although there is a lot of humor and an easygoing style about this book, it is very serious in its focus on how to get your music out there. Anybody who wants to pursue music further than garage band status should read this book. People who want to be big rock stars would benefit from $30 Music School, too, as it may prove to be a reality check for them.

Michael's writing style realy makes this an enjoyable read. This how-to for garage banding covers everything from managers and road managers and bookers to the handful of guitar and keyboard chords you need for rock 'n roll to tutorials for various software packages. Hmm. Like a boyscout manual for punk rockers. Lots of anecdotes and real-world advise.

Sure the program comes with a PDF manual but having a printed reference can make learning so much easier. This is not a book on technique, it's a book on features, functionality and workflow. I primarily use Final Cut Express, thankfully most of the tutorials contained in the book are applicable. There's nothing terribly exciting about the book itself, the information is presented in a no-nonsense fashion. If your looking for anecdotal storytelling, humor and opinion you'd do well to consider another title. I keep it handy at all times, it's saved me a lot of time and frustration...well worth the money.

I like Lynda's personal publications best but anything bearing her title "H.O.T." is worth having. Very practical and useful. Norman Borge

When looking for a book on FCP, I just read the various reviews. Even though some others looked quite interesting, I chose this one and am glad I did. I wanted a specific type of instruction because I have some expert-level chops and ignorance at the same time. I'm new to video but am a professional recording engineer by trade. I'm fully conversant on the Mac and non-linear audio programs so I needed a book that got both completely simple (for video concepts new to me) and also provided some depth at the same time.

The type of instruction in this book is having the user execute step-by-step, starting at the most basic level but progressing into more complex stuff fairly quick.

I forget the wording but there's some Chinese proverb........something like
You tell me, I hear
You show me, I see
I do, I learn

That's me and this book suits my learning style nicely. I'm sure there are other books as good but I doubt that any are better, hard to see how you could go wrong with this one.

I consider myself to be a "seasoned user" of Final Cut Pro. I have been editing with FCP since the original release of version 1.0 and have worked on numerous documentaries, features, commercials and episodic television.

I learned about this book from the Apple website. This is the official textbook used for Apple Pro Certification (FCP Level One). So I decided that I would "forget" everything I already knew and begin with Lesson 1. I'm very happy I adopted that attitude because there are so many neat little tips that I picked up in the first few lessons. Now I wonder how I ever survived without them. Those tips have already saved me a lot of time. I have only completed one-third of the lessons thus far and I can already see an improvement in my productivity.

Every chapter of the book is a "hands-on" lesson. The files and media for each lesson are provided on a DVD-ROM (included). You will first copy those files to your hard drive and then open each lesson file and then follow the step-by-step instructions in the book.

I'm looking forward to getting my Level One certification with the help of this book, and I can't wait to continue onto the Advanced Level certification with the second book.

Please note this is essentially the same book as the the "Final Cut Pro HD" book. The DVD is the same and so are the exercises. I had a chance to compare both and noticed only only one minor detailed (a detail is now circled on a screen shot) and, of course, there could be some that I missed. Even so, the back cover of the HD book acknowledges...

"This book was previously published under the title "Apple Pro Training Series: Final Cut Pro 4. If you previously purchased this book, there is no need to purchase this revision: All the project files and exercises in the previous edition can be used with Final Cut Pro HD."

Bottom-Line: Newbie or Pro? It doesn't matter! This is a GREAT book to own if you use FCP.

Until I purchased this book, I had owned FCP4 for six months. I had learned my way around the software well enough. I felt comfortable, but not necessarily proficient. In order to improve my editing time, I went ahead and ordered this book, also with the intent of getting my Apple certification, as this is the same text used in their classes. Normally, I am the type that I will skip sections that discuss things that I'm certain I know, but I went ahead and followed every step in the book.
What a difference! Each chapter takes approximately 30-45 minutes to complete, using video clips on the included DVD. After 3 days and 10 chapters, I was hardling touching my trackball. Not only had I learned quite a few shortcuts, but the book helped me understand the editing process itself a little better. I feel that this text is very well laid out, easy to understand, and can be done relatively quickly with a sharp learning curve. I highly recommend this to anyone new to Final Cut Pro. With a little time and effort, you'll be flying around the video editing, the soundtrack design and the Live Type titling package. And, after you have completed this book, go ahead and buy Apple Pro Training Series: Advanced Editing and Finishing Techniques in Final Cut Pro 4, you will not be disappointed.

I bought three books to teach myself how to produce DVDs. The Erica Sadun book is for advanced users and was not helpful to me. The Bob LeVitus "Little iDVD Book" is probably one of the most poorly organized and edited books I've ever come across on any subject.

Pogue's "Missing Manual", on the other hand, is comprehensive, clear and well-organized. I've produced about half a dozen DVDs since reading (and re-reading) Pogue's book and it clearly made a huge difference in what I was able to construct using iDVD.

In my opinion, this is the only book you need to read to learn how to produce movies using iDVD.

Beyond teaching readers to work with iDVD, Pogue also offers loads of helpful suggestions about editing in general. This book is outstanding.

I love this book! I was ready to give up trying to use iMovie because of a small glitch that was incurring. After browsing thru the book the very first time I opened it, I came across the trouble I was having with iMovie. Mr. Pogue directed me to the correct settings and I am now having a great time editing my DV movies.

I would highly recommend this book to anyone attempting to use iMovie. There is so much more to this program than Apple addresses in the help file. Mr. Pogue's writing is concise but not out of reach for the average Mac user.

I have many books by Mr. Pogue and I would recommend any of them if you are stumped and need a well explained how-to-manuel.

Can it get any simpler !! ha ha ha ha ha
I found this book to be extremely informative and easy to understand (especially since i am yet to purchace a mac and digital video cammera ).. I will have no hesitation now to go out and purchase a Mac and a Digital cammera .. and feel confident making my first feature film or "Home Movie " LOL

It's OK. It has about the same amount of material as the "iMovie 2 for Macintosh Visual Quickstart Guide" - The missing manual is fatter because it contains additional stories and things that a reader might find amusing, but that are not particular relevant to the topic. The section on movie making basics is very good. For an expanded view see "The Five C's of Cinematography". I thought I would find more information in this book since it is fatter than in the VQG, but it ended up that they are about even in content.

First I have to give props to David Pogue and his Missing Manual series. As a bookseller and computer geek I've long favored the Dummies books as the best entry-level source for third-party information on software. However, O'Reilly made a smart move when they turned their attention on that market and grabbed Dummies standby Pogue to headline the new series. The Missing Manuals (and their mutant-dogcow mascot) are a credit to O'Reilly and a must-have... assuming, that is, that they cover the program you need. The series is still too small, but I'm sure it won't stay that way.

Now, to the book itself. If you need to do something with iMovie, it's in there. That pretty much covers what I need to say in this review, but it doesn't cover everything the book has to offer. Remember back in the 80s when the Mac made desktop publishing a reality, only to unleash a torrent of wretchedly amateurish graphic design? Well, Pogue spends much of the first couple of chapters attempting to prevent that from happening. This book starts off with a very basic primer on video production and how to use your equipment -- assumed to be a typical consumer-grade MiniDV camcorder, but it covers other options as well, particularly video bridges and the like.

The meat of the book discusses iMovie 2's capabilities, including discussions of its weaknesses and how to work around them. Effects, titles, and transitions are discussed in detail, including some useful information on crossfades (never fade straight to black -- instead, you want a black stillframe). Conversion to other formats is also an issue, and a significant part of the book discusses postproduction using QuickTime Pro. Directions are given for converting your work for DVD or VCD as well.

The issue I have with the book is largely its focus on iMovie in MacOS Classic, and the bugs that are present in that version that might not be in the OS X version. Screenshots all come from 9.x, with the only Aqua material being the interface of iMovie itself. I don't mark down for this since the program operates more or less the same, but an inexperienced user may have trouble. (I might note as well that the book works just as well for iMovie 3, which has a superficially different interface but handles more or less identically.)

So, yeah. If you're doing video production on iMovie, this is the book to get, hands down.

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.