Graphics Books

Ok, so I don't even usually read for "fun." But, I my sister had this book so I read it a while back, and it was HILarious! THen, luckily, she still had it. So I just read it again yesterday. It made me laugh just as much as it did the first time I read it! PLus, it's easy enough to breeze through in just one sitting because it's so good. Even though I'm only 20 and not necessarily in the age range that this book seems to target, I can definitely still relate to certain parts. I rate "The Moe Chronicles" the best book I've read so far when it comes to humor! It's the type of book you just can't stop to put down the first, second, or even third time you read it! I don't have one bad thing to say about it....

This was given to me a gift recently, with a short explanation of how it was decided that was for me. That was judged by the cover: a crudely drawn man sitting on a couch, clutching a beer in one hand saying somewhat jocularly "I should write a screenplay." Needless to say, though I'm only 18, I enjoyed this book immensely, and look forward to having similar experiences to draw experiences from. Yes, I was kidding, but when Erik Moe looks back on them, even the most horrible of all the mundane catastrophies abound in urban life seem funny.

I grabbed this book right off the sale rack and flipped through exactly one page and went up and bought it. I'm not what you'd call an 'impulse buyer' (read cheap). This book is for anyone who is 25-35. In that age group this book is nearly autobiographical! For anyone who's ever spent more on a case of beer than they have on that week's groceries. Read this. There are only about 5 books that are truly funny in my opinion- this is one of them.

Woo-hoo! Go you crazy Moe! You rocking, sleazing, bad-copywriter-drawing, carnivorous creative director-dream-having crazy piece of wordboy. You're an inspiration, Moe, to anyone who ever got laid off from an ad agency, watched bad TV with his pixel-monkey, went without for more days than any man should and really truly believes three chords and a Mexican-built Stratocaster makes for an instant ticket to Credville. Why'd they stop printing your book Moe? Why? Whyyyyyyyyyyyy!

(I know this review is already here under another @ress, but I wanted to put it on my member's page...)

A friend and I stumbled across this book in a Barnes & Noble three years ago, and though we opened our copies to different pages, we both started laughing so hard we were doubled over, and we couldn't get to the cash register fast enough. I let people borrow my copy occasionally, but only for short times and after extracting a promise to care for it. Erik Moe captures *everything* about the awkwardness of transitioning from kid to adult in your 20s, watching your friends get married, being stuck in the lame dues-paying job with jerk coworkers, struggling to become a grownup while still enjoying the things you loved in college. I can't do this book justice with mere words. Find yourself a copy!

I wouldn't say Flash MX is for the beginner, so if you are a fairly well versed PC user, and are trying to begin working with Flash, then this book will do the job. It offers a good table of contents which helps you find the information and directions you are looking for. It offers quality step by step instructions with illustrations to follow. It will help you to create a basic flash project, and does offer some advanced techniques.

Overall, I recommend this book as a good step by step guide. Just be sure you are really ready to take on such a powerful and often complicated multimedia program before you spend the cash!

I first got this book because one of my favorite websites recommends it. I got up and running pretty fast. The book made the learning curve pretty easy to ride. The only "negative" thing I have to say is that once you're up to speed, the book just fall short of one's appetite for power. But a good beginner book overall.

This book is perfect for beginners who are just starting out. You will learn Flash MX through step-by-step visual instructions. The book is excellently organized and has perfect chapters as you move on. By the end you will grasp all the great things you can do in Flash MX. It is an excellent way to jump in to ActionScript. Every lesson has a screenshot of Flash MX and show clear steps. So, get this book and see what this book can do for you.

This book is really easy to understand and easy to go about it. If you are a newbie and need some hints on "how to do", this is the book you need. Pretty simple, efficient and pack with a punch. For me, it was breeze and just to refresh things I had learned from past versions, yet I had never put it to use until now. If you are like me, and you want to know what is new on flash mx version. Be ready to breeze through, but if you are newbie. Be ready to dig in deep.

This is an excellent book, not just because its from a Canadian author. I picked the book up about a year ago but never gave it much chance. I finally decided that I wanted to learn Flash so I began to go through the book. In 5 days I finished the entire book and I learnt so much from this books style. Instead of the way alot of books are written, where you work on a project and apply a bunch of techniques to it, this book shows you all the functions and where they apply to without all the hassle of having to create a big project to learn new concepts. Excellent book for people who are new to Flash.

can't get enough Ellis. Smart, relevant, the way a sci-fi Hunter S Thompson homage ought to be.

Warren Ellis has created a fictional world that in many ways resembles ours. Warren has a lot of guts. He probably is on the hit list of the KKK, The American Nazi Party, The Religious Right Wing, and The Arm White Militia e.g. The Oklahoma Federal Building Bombers and all Jingoistic Americans that believe we are a Militaristic Empire. We are the new Conquistadors/Conquerer of the world. Amazon's books were in mint condition as usual. They are still the best online store on the internet.

Spider Jerusalem's old vices surface again. Namely, politics and drugs, and he indulges in a lot of both. He writes a lot about politics, and does a lot of drugs.

He is annoying the political powers now, and this is enough to get someone he likes killed.

The story is really getting interesting at this point. Spider's been well introduced in the previous two books, and now Ellis starts to introduce some real complexities.

Spider makes what seems to be a definite decision that he's going back into the mountains after it's all over.

He gets an assistant that appears to be a long term one.

His editor reveals that Spider needs to be hated to work.

And, he starts covering the election, which seems like it's going to be big in the upcoming books.

I love Spider's different facial expressions. And, the writing is excellent. I'm going to read all of Transmetropolitan.

Here in Volume Three, Spider Jerusalem finds his life once again driven further into madness by the demands of his Editor. Spider has been back into the city for a while, and except for a short but memorable run-in with The Beast, he's failed to address a seemingly unavoidable topic of the news (by choice of course): politics.

It's an election year, and his hated enemy, The Beast, on whose depravity Spider literally wrote the book (the same book which made his career, and drove him out of civilization entirely), is seeking reelection. The Opposition party is in town, and Spider is being dragged kicking and screaming into discussing their imminent convention. Unfortunately for Spider, the front-runner in that race is a neo-fascistic nutjob, and his adversary is a man who only seems to do one thing: smile dementedly.

Can Spider save the American Electorate? Can he pry himself away from the needles, pipes, and pills long enough to find The Truth?

Read Transmetropolitan Volume Three to find out.

This is a great series! Absolutely worth to begin an excellent Star Wars series! The art is great and there are a lot of details and things to watch in these magazines.

Excellent story and artwork. Brings forth 2 new villians Asajj Ventress a dark jedi and Durge the bounty hunter. Dark horse comics truely know what they are doing with these comics. i deffinetly recommended this comic.

This comic- excuse me, 'graphic novel' is part of one of my favorite series. The artwork is OK, but some of the characters look a little odd at certain angles. However, the slight flaws in the art disappear form your mind as you get wrapped up in the plot and the new characters- Durge (he's really cool, even though he's really evil) and Asajj Ventress (who isn't technically new because she appeared on Volume 1. This was the first time she and Obi-Wan met) This one also interested me because Obi-Wan was the most featured character. Everyone mostly thinks about Anakin and his turn to the dark side, and not about the other important and interesting characters, like Mace Windu, Obi-Wan, Quinlan Vos, Darth Maul (yeah, he didn't last that long, but wasn't he cool anyway?) and General Grievous. At least Vol.1 had a lot of Mace in it. Anyway, the first story is about the Seperatists bio-weapon, and the first Obi-Wan vs Ventress fight. The second story is about Obi-Wan's mission to find the antidote to the weapon, and he teams up with four jedi legends to do it. We learn about their histories breifly, then a detailed acount of "how their histories ended" anyway, as a lame way to finish this, this is good. Buy it with vol.1.

This GN was better than vol. 1 in many ways. The main reason is that it focuses on Obi-Wan for a change instead of Anakin(Yay!). Contains an excellent story about a Seperatist bio-weapon. It involves Durge and Asajj Ventress, which makes everything much more fun. Also, Durge is much improved from his cartoon version in how he knows how to talk. To improve things, what he has to say is usually intelligent (and funny), contrast from most little-known Star Wars villains.
A good Durge quote:

Durge: "You know, it's been over a century since I killed a Jedi... and today, I get to kill four of you. Add that to the Gungans I already murdered, the hostages I'm going to kill later, and all the Naboo who will die tomorrow, and it's a damn good week."

Out of the first 4 Clone Wars novels, this is the best.

After the disappointing Volume 1, this was a much better story. It introduces an extremely interesting Jedi named Master Fay, who is much too short lived. I know that tons of tons of Jedi die in the clone war, but it doesn't make it any easier when it does happen. I'm much more a fan of the prequels because of the Jedi and the abundance of them. Luke Skywalker is so weak whines even more than Anakin and is never really a real Jedi. Even though I was born in the mid 70's, the classic era isn't as interesting and the victories seem so far fetched, just like all the death of the Jedi seem in the Clone Wars. Anyway, both Asajj Ventress and Durge are present in this book for fans of those two characters.

I'm not a VB programmer, but I was able to understand the theory in this book, and I could easily work through the code examples to translate them into Delphi and C#. It's very hard to find a book (for any programming language) that explains 3D graphics in simple terms, and with useful code examples. Even though this book is getting a little dated, this book will still be among my highest recommendations for years to come. The basic theory does not change, even though programming languages evolve.

This is an excellent book. It covers many aspects of Computer Graphics including Vector Graphics, Raster Graphics, Animation, Curves and Surfaces, 2D and 3D Transformations, and Rendering. Each chapter comes with lots of sample code on the CD. The underlying mathematics are also nicely explained.

I only wish their was a 3rd edition for VB.NET.

If you just HAVE to develop graphics apps in VB, this is your best bet.

I am happy with my decision to buy this book, it has what I was looking for and even more than expected.

Highly recomendable.

This book is very close to perfection in covering topics of the graphics manipulation, which up to the current times was an option of C/C++ developers ( as far as availability of information and samples). It's good for novice and seasoned developers alike.

I have not had the pleasure of seeing Howard's follow-up work, "Pool Light," but if it is anything like this it is absolutely remarkable! "Water Dance" has several pages of written introduction followed by a stunning array of hundreds of full-page, sharply contrasted and brightly colored photos of nude dancers/models exhibiting many traditional ballet style moves under water. There are other kinds of poses as well, some showing full frontal nudity of male and female figures, most with long veils and ribbons that further enhance the fluidity and grace of the poses. Howard Schatz has truly charted new territory here. This work should serve as inspiration to all aspiring artists of the nude figure as well as photographers and students of dance. I bought a new paperback copy in 1998 but would gladly pay the (much) higher used prices people are selling it for (as I do intend to buy a used copy "Pool Light" for it's even higher asking price). This is a positively magnificent work!

And, to Amazon's credit, I also recommend the following: David Hamilton's "Age of Inncocence," Jock Sturges' "Radiant Identities," also (for some more abstract and hard-hitting photography, demanding personal interpretation) Jan Saudek's, "Saudek," and Boris Vallejo's, "Bodies," Christian Voght's "In-Camera: Eighty-Two Images by Fifty-Two Women" and, of course, Howard Schatz' "Pool Light."

Howard Schatz is a master at creating amazing photographic images of the human body. "Water Dance," his fourth book (1995), is a collection of over a hundred stunning color photos taken of ballet dancers underwater in what started out as an experiment and ended up as new and alluring choreography.

The introduction to this book talks about man's quest over time to conquer gravity, and how dance is created to give the illusion of weightlessness. This discussion is a perfect foreword to Mr. Schatz's work, in that having dancers "perform" underwater essentially solves the gravity problem. What you see in "Water Dance" is a collaboration between photographer, dancer, choreographer and even costume designers to produce a sort of ballet that is weightless . . . underwater. Virtually all of the subjects are dancers from the San Francisco Ballet and other companies, recruited by Mr. Schatz to perform in this project that uses a pool as a stage. Each image is entitled "Underwater Study #..." and features usually one, but occasionally two or more dancers, captured in the midst of an expressive movement or pose, but suspended in a way that the fluidity is still present. An interesting attribute to these photos is the use of the surface of the pool as a mirror, or as a plane through which a portion of the body can penetrate to become hidden. Note also the use of special chiffon fabrics which were created for the underwater studies to take a shape which complements the dancers.

You don't have to be a fan of dance or photography to appreciate this book. The images are truly amazing, and I believe anyone will find fascination with these photos.

I first saw this book over a year ago, and I have been captivated by it ever since. The high contrast cover says it all: Red and yellow fabric, and a redheaded dancer with cream coloured skin. I like drawing the human form, and especially dancers, but the positions that are achieved by the dancers in this work are floating and effortless. The use of primary coloured fabrics alongside the fair skin of the bodies is superb. The physicality of the movements and the bodies is breathtaking. This book belongs on every artist's and dancer's coffee table for all to see.

Review Summary: This book deserves more than five stars.

Take the most talented dancers from the San Francisco ballet, give them special gossamer costumes for underwater, and see how their poses and moves soar in the relatively weightless space beneath the surface. The resulting color photographs capture exquisite forms, bubbles, reflections, and stressless arabesques. The photographs are done with a Nikonos RS camera and a Hasselblad underwater camera, lit by Balcar strobes.

Viewer Caution: These images contain many nude photographs of men and women that would earn this material an R rating if it were found in a motion picture. All of the images evoke freeflowing, tasteful versions of classical poses for dancers and nudes.

Review: Water Dance is one of the most original photography books I have ever seen. Most underwater images are of fairly still poses, while these are often dynamic in their movement. Mr. Schatz has also found many special effects that mimic mirror images, reflections on the surface of water, and bubbles caught in solid transparent objects. Flowing hair and costumes also serve to capture the undulations and movement in the water in ways that will remind you of the most delicate kites flying in the most gentle, steady breezes.

The dancers themselves are in marvelous shape and seem to have adapted well to making leaps and pas de deux that would be impossible above the water. Those images are the most ethereal. The images are greatly enhanced by the special costumes designed to work well in the undulating world of underwater.

Ms. Katita Waldo is clearly the dancer who has taken most naturally to this new medium, and you will be intrigued by her freedom of expression in these images. But many other dancers were able to achieve remarkable poses that were well photographed and reproduced in this wonderful book.

Here are some of my favorites:

Underwater Study #49 (Shannon Lilly); U.S. #229C (floating costume); U.S. #189 (Heather Nahser); U.S. #117 (Tiffany Heft and Nikolai Kabaniaev); U.S. #179 (Jessica Schatz and Heather Vaughn); U.S. #152 (Katita Waldo); U.S. #107 (Anastasia); U.S. #215 (Julian Montaner and Nicole Panone); U.S. #183 (Wendy Van Dyck); U.S. #130 (Katita Waldo); and U.S. #41 (Katita Waldo).

I hope that someone will take this concept the next step and choreograph a whole underwater video featuring such beautiful dance sequences.

After you finish marveling over these astonishing scenes, I suggest that you think about how your own work could be transformed by being moved into a medium in which it could operate with fewer constraints. What would glass blowing look like in outer space? How would writing change if it were dictated while roller blading?

Extend the joy of life in as many ways as possible!

Having gotten acquainted with several of Howard Schatz' books, and owning more than one, I vouch for the opinions of other reviewers that this collection of photographs of dancers, fabrics, bodily configurations and arresting visual phenomena underwater is just beautiful, and astounding! An earlier reviewer said, "The photos in this book are a bit rawer than those in 'Pool Light' - and by that I don't mean tawdry." Unfortunate use of the word; since true appreciators of dance and the human form don't consider the uncovered body as "raw", but exquisitely natural. Mr. Schatz is very discrete in his exposure of both male and female bodies in this fine collection. To my taste, this book is superior to the later one, "Pool Light" (which I also own and thumb through).

One of the arresting visual phenomena is the reflections of forms from the "mirror" meeting of water and air (mediums of different density) at the pool"s surface.

To me (dance buff) this is much more than a "coffe table" book.

I'm a meteorologist from Poland. Here we have great lack of good books on forecasting techniques. All meteo books are to high technical with equations on almost every page or written by amateurs, usually people without meteorological background. Tim's textbook is what I've looking for since graduate in atmospheric physics in mid 90s. I think it is a very good book for everyone and I'm happy I was able to by to read it.

This book is the first book to truly go into detail on exactly what goes into professional and non-professional forecasts. The author explains the fundamentals of forecasting while leaving out textbook-style boredom. This book is perfect for beginners who want to learn how to forecast and also veterans who need to brush up. This book explains somewhat hard-to-explain-topics with ease. I am a 4th year meteorology student, and I find the book riveting. Very well researched and extremely thorough, the author is a master at forecasting for the most dangerous area in the world: tornado alley. He knows what he's talking about! Do yourself a favor and buy it. This is the best book on the subject I have ever read, and I have read a lot!!

Geez, if only something like this existed 20 years ago when I was a teenager getting started in the hobby. It's really amazing that after reading this book, I can pick up on some of the most complex weather charts on the Internet and understand quite clearly what is going on. Tim has a way of describing things quite visually and clearly, and highlighting the building blocks of forecasting. Although I'm not a meteorologist myself, my friend who is in the degree program at the University of North Carolina recognizes this title as part of her coursework. I think this really says a lot. Two thumbs up on this one, and if you are the least bit interested in forecasting, trust me, this book had better be on your bookshelf (or better yet, on your desk). It's well worth the investment.

I'm meteorologist from Poland. Here we have a big lack of good books: they're high technics with lot of equations on almost every page or they're very simple, written by ordinary authors not experts. I was lookig for a book like Tim's since I graduated in mid 90s. It is very good book for both, one who want to know forecasting techniques and for professionals who need textbook for fast advice. I recommended it for everyone.

As the author points out, this does fill the gap between novice (not beginner) and advanced books. That said, it is probably not for someone who is not really interested in weather forecasting as a serious hobby or profession. There is a wealth of information and it is organized very well. It is something that you will certainly want to pick up many times as your knowledge grows about this subject.

The appendix has a good amount of information that will further research. At the end are a bunch of analysis charts so that you can apply your knowledge. This would also be suitable as college material and each chapter has some questions to reinforce the learning of the material.

Lynda Barry is idiosyncratic, funny, dreamy, hardcore etc. etc. She's also a practicing pragmatist. Anyone needing a refresher course on disassembling the obstacles to creativity could probably benefit from this book. The collages are elaborate, beautiful and tender but I think I actually like the hand drawn asides that bring the reader into the world of the artist's upbringing and self-talk, the area at which she's always excelled. It's by being herself that Barry becomes Everyman for every man and woman.

This life enhancing activity toybox of a book does not merely instruct, it transcends, uplifts, jumps levels, like a good fairy tale. Follow Lynda Barry's breadcrumb trail through the tangled forest of Creativity to uncover your own treasure chest of images, stories, and creative insights. This book is Lynda Barry's Gingerbread Cottage---with full instructions on how to bake and decorate your own. Five stars? Not nearly enough!

Lynda Barry is such an inspiration and all her publications are moving, hysterical, intense and inspiring. Her latest, "What It Is" is no exception. Through pages of wild collage, drawings, and her signature comic style Lynda guides us through a wild journey of creation. She asks us all to step out of the usual boxes we put ourselves in and try new ways of writing and creating. The main focus of the book is writing, but I find it visually so stimulating that I immediately want to go make some art after looking at it. It's a really fun book full of many invitations to play. I think it would be great for any creative person who is feeling stuck!

I recommend this to anyone who loves Linda Barry. This book is supposedto be a condensed version of her wrtining workshop. Mostly, it is L. B. collages and drawings. It explores many of the issues that arise during the creative process.

One of the most important aspects of writing anything-- memoir, fiction, poetry--is the ability to remember. Sounds simple, but we forget so much naturally and are actively encouraged to forget what doesn't suit the needs of any particular group, usually family. Lynda Barry's wonderful primer on how to being to probe the images of your life is just grand
and will doubtless serve many artists and writers as they explore their lives and the lives of others. An exercise as simple as try to recall the earliest phone number you had and try to picture that phone seem so simple, but take you to places that you'd long forgotten.

Like everything by Barry, it's humane and masterful and compassionate and smart. A wonderful addition to any artist's desk.

you've got to get this book and check out page 97 - tell me what you think.

If you're even a remotely Addams family or cartoon fan, you wouldn't have to read these reviews. Just buy it!

If you are a fan of black humor, then these cartoons are for you. This book contains many of his "Addams Family" cartoons, but there is MUCH more in there as well. A collection of classic cartoons that will have you rolling read after read!

AAAHHHHHH. Now this is an art book. Experience the dark and clever world of Charles Addams in this once-in-a-lifetime treasury of high-quality images. Finally, a masterful collection of his work. Addams' widow, Tee, should be proud of this book, which she assembled, in tribute to good ol' Charlie. God rest his soul.

Charles Addams was the man behind hundreds of delightful and dastardly illustrations for the prestigous New Yorker. Here, in one volume, are 300 of his best pieces. Included are several pictures involving the all together kooky Addams family and the macabre events that to them seem so normal. It is from these illustrations that the popular televison series, The Addams Family, emerged. And if you ever watched and liked the show, you'll love the cartoons it was based on. A great book for the coffee table!

This first book of stone soup is wonderful. I finally understand where the characters began and laughed all the way through. The drawings are less refined than the most recent comics, but I enjoy seeing the figures improve as the writing gets sharper.

How completely, utterly *refreshing* to read a comic strip where the female characters don't value themselves based on their waist measurements, their spendthrift shopping habits, or by how men see them. How wonderful and hilarious to see a comic-strip Mom who's got better things to do than become the family doormat -- Val's no-nonsense dealings with the kids is a refreshing change from the usual Mommy-clean-my-mess (from husband as well as kids) in most family comic strips. Of course STONE SOUP is feminist (Oh! I just said the "f" word!) -- it dares to presume that female characters can carry a comic strip all by themselves, and be funny and interesting in and of themselves, and that families come in all shapes and sizes. Naturally it's taken years for Eliot to come out with a *second* collection of these wonderful strips while the bulimia manual CATHY and the formulaic mommy-doormat FOXTROT are on their umpteenth releases -- some people are just so *threatened* by real women, aren't they?

I read a lot of comic strips and most make me smile, some invoke a chuckle. Stone Soup is the only one that makes me laugh out loud over and over. My refrigerator is covered in Stone Soup and so is the wall of my cubicle at work. BUY THIS BOOK AND THE SECOND COLLECTION, YOU WON'T REGRET IT!

There seems to be a lot of debate going on in the previous reviews over whether or not Stone Soup is feminist. My opinion: of course it is! And it's quite refreshing to see a comic strip that isn't afraid to be. Better yet, the strip is never preachy and, unlike Foxtrot (to which it gets compared frequently), it's almost always funny. I've also seen a lot of comparisons to For Better or for Worse (helped along perhaps by the fact that Lynn Johnston wrote the introduction to this collection) which I find closer to the truth. The big difference there is that unlike FBoFW, Stone Soup is almost never sentimental. Eliot always finds a way to squeeze a laugh out of good times and bad, without dwelling on her storylines or overdeveloping them. While her focus may be on single mothers, her humor is accessible to one and all. And of course, it helps that Val and the gang always manage to keep their sanity intact at the end of each story!

Someone below called this a feminist comic strip but I think that's misleading, especially given the current difficulties in just defining that word. Yes, it happens to have several female characters, and yes it's not a stereotypical mom-dad-dog-2.4-kids-wagon-picket-fence family, BUT: This strip is about all of us, everyone of every sex and age and family style, and it's enjoyable to (and enjoyed by) a wide range of people -- even ordinary traditional people and even (gasp) men! My husband loves it, my 60-something dad loves it, and so on. I think the publisher's blurb on the back of the second Stone Soup collection ("You Can't Say Boobs On Sunday") got it right: "Anyone who's ever had a family, been in a family, or known a family seems to love Stone Soup. ... Readers see themselves and their families in Stone Soup, and they love it." That goes for people who don't consider themselves family-oriented, and for people who do.

Everyone I've known who's read any Stone Soup has enjoyed it and wound up quoting or passing around some of the strips.

Recommended reading for everyone except total grumps, I say.