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Absolutely too funny! A must have for even those who may not consider the late Gary Larson their favorite cartoonist.

Gary Larson is a twisted, demented personality and we are all better for it. His cartoons are some of the most absurd, yet hilarious concentrations of humor that have ever existed and this collection is no exception. Nothing is too sacred or too bizarre to escape the drawing and writing tools of this master. If you have a macabre sense of humor or can tolerate one, then you will love this book.

Far Side really doesn't need a review. It's hilarious and anyone who has ever read it will agree with me. It's a classic! My favorite one from this book is the fear that no matter where you are, a duck a watching you. Too funny!

Gary Larson has created the funniest cartoons in the history of mankind. Unlike other comics you do not need to read them in a series as each individual cartoon tells its own hilarious story in a stand alone fashion. Therefore you do not need to have read the previous volumes to enjoy this edition to its fullest.

Fourth in the series of Far Side collections, the 1994 originally released Gallery 4's cartoons come from the smaller books Wildlife Preserves, Wiener Dog Art and Unnatural Selections. This volume is forwarded by Robin Williams who gives a four paragraph opinion on Larson and his work. Far Side Gallery 4 also have a unique cover where the lenses of the woman's glasses have been cut out, meaning when you open the cover, still viewing the exact same drawing, the glasses are on their own on the next page. This however does mean Gallery 4 has the most fragile cover of all the galleries.

A mixture of four comics to a page and full page comics make up this volume, most are black and white but with the occasional coloured pages every now and then. Classic Far Sides in this volume include aliens with the moon landing astronauts in a jar about to shake the jar to see if they'll fight, the hospital for mothers whose children stepped on sidewalk cracks, the famous Mr Ed verse Francis the talking mule debates, punk accountants and many more hilarious cartoons such a chicken reading a sign on the other side of the road saying Why Do You Need a Reason?

This like all Larson's work is a must own!

This book is a real HOOT!

I guess the thing that makes Larson's cartoons so different is that his mind is just a little further off in space than where most of ours dwell.
Reading a whole book of these cartoons is a very different thing from looking at individual cartoons over an extended period.After 10-15 pages your mind tends to get climatized to this thought process and his cartoons almost start to feel like the normal ,rather than perverse, way to look at things.
We all need this exercise in mind-stretching and it is great to do it with humor.
I strongly recommend it to anyone who is not already a fan of Larso;myself for instance,at least until now.
If there are a few cartoons in the book that you did not "get";it simply means your mind is not totally warped yet.Just keep at it,you'll make it!
Enjoy !

This collection, as the other 4, are one of the best comics you can read! Great! Yuo must have it!

Here's another omnibus edition of Gary Larson's weird, wacky and utterly hilarious cartoons. To enter Larson's world is to enter a world where animals have meaningful conversations, bugs make their homes in nice suburban houses, flies fly planes etc, etc. Certainly not the mainstream kind of cartoon but for anyone who likes 'off the wall' type humour this is a 'must buy'. Absolutely hilarious.

gary larson is one he best cartoonists ever! you have to travel to the far side! all of his comics will have you thinking! its great! buy it, you'll love it!

As a satirical cartoonist, Gary Larson has no peer. His biting and hilarious insights often require a great deal of thought before you get the point. If you are not familiar with the reference used to create the cartoon, it is unlikely that you will get the point.
For example, on page 42 there is a cartoon showing deer engaged in an excavation project with a mounted cowboy observing them while perched on a hill. The caption is "Where the deer and the antelope work." If you do not know about the song, "Home on the range", then you will not understand the joke. Another example on the same page shows three frogs lying among cattails holding wine bottles. The caption here is "Yeah, I remember Jerry. Good friend of mine ... You know, I never understood a single word he said, but he always had some mighty fine wine." Once again, if you are not familiar with the song "Joy to the World" by Creedence Clearwater Revival, the joke will most likely pass you by.
Gary Larson is a genius, where that quality is manifested in ways that are twisted, yet profound. This book is hilarious.

Larsen is the world's greatest cartoonist. Too bad he retired. I have envelopes filled with his cartoons clipped out of the newspaper (10+ years ago!) that I still can't bear to throw away. So I suppose this book was a good idea. It will take up less space than several bulging envelopes.

For younger people who can't remember his cartoons in the paper every day, you need to hurry up and start collecting his books so you can always be within arm's length of a smile or a laugh.

Also, I love the story about the "Jane Goodall Cartoon"

--George Stancliffe

This is a good source book on firecrackers from China to the world. It was well organized with large pages of colorful photos in rare package labels. The chapters on the origin, evolution and manufacturing of firecrackers were concise and informative. Of significance was the chapter on Chinese celebrations. For more than a millennium, firecrackers have been there from weddings to dragon dances, from funerals to store openings (p.27). For the Chinese, firecracker is a must for festival tradition celebration especially to welcome the Chinese New Year (same as firing guns at New Year Eve).

However, Chinese Christians celebrate Christmas with firecrackers (p.36) is a doubtful assertion as the authors failed to provide where, China or US. The same page said firecracker is celebration and sadness. To Chinese, firecrackers never are associated with sadness. It can mean scare off the evil spirit, negative chi and bad luck.

It is a great book to read and enjoy the colorful labels and package with different themes, ranging from Chinese mythology and folklores to western tradition. The Chinese knows the American market well. The nude angel with wings (p.76) is a case in point; others included are battleship (p.121), Red Devil, thunder cloud, dinosaur, Robinson Crusoe, King Kong, cowboys, Indians, aquatic animals, astrospace and explosives (atomic bombs), bullfight, woman boxers, baseball, football, circus, auto race, military and Dixie boys. The un-named artists were impressive. Labels from Guatemala, Indonesia and India are included as well. Of special meaning were the two package labels related to WW II - four Chinese soldiers with weapons on hand, a firing tank, a Chinese flag and three double decked fighter planes heading East resisting Japanese aggression (p.100); a young Chinese soldier in green uniform, gun at back and bullet case belt with a raised right hand V finger sign, an obvious V- J Victory celebration (p.101).

This book gave good information. However, the authors failed to mention that firecrackers and fireworks, the Chinese invention are intended celebration for prosperity, happiness, luck and peace as well. But once introduced to Europe, they were turned into weapon to wage war against Chinese as recorded in history 150 years ago under the free trade in China's favor excuse.

Next time, when you light up a package for July 4 celebration, think about the excitement and joy this Chinese gift brings.

This book shows great insite into the history of the firecracker and the intricate artwork involved with the packaging of them. The clarity of the illustrations are wonderful, its hard to believe some of the labels are as old as they are. I highly recommend this book to anyone who can remember the excitement of being able to "set off" these firecrackers on the 4th of July, without worrying about breaking the law. Those of you who were not as lucky to experience this thrill, will definitely find this book fun.

My husband was looking for a book on firecrackers and I tried the local book stores, i.e. Barnes and Nobles, Bookmart, Books a Million, but no luck. I browsed the internet and the reviews on firecracker reference materials were few and far between. Finally I came across this book on Amazon and took a chance it would please him.....he's quite picky about his reference library. This soft-cover book is GREAT! It is packed with beautiful, vibrant full color photos of the common labels all the way up to the very rare. The book layout is dotted with photos and the glossary is helpful to even the intermediate collector. The section "Interview with a Collector" gives a nice insightful look into the pursuit of fireworks labels. The history of firecrackers is also discussed, giving the collector a great back-story to the industry. No price guide, but that is fine with my husband, as it tends to date a book after a couple of years. This is an informative addition to the Hubby's library......he's happy and I'm glad.

Excellent beautifully illustrated book well worth the money. The illustrations and layout are extremely well done. This is easy reading that covers some terrtory not well documented anywhere else (Vietnam.) Some historical inaccuracies especially in the history of the manufacture of "Chinese" crackers in the 20th century. Overall an excellent job! Highly reccomended to anyone who has an interest in the subject, or who just likes the imagery of the old labels.

Bright, colorful pages packed with color illustrations and photos chart the art and history of the firecracker, from their construction and advancement to the making of labels and items promoting them. Beautiful drawings pack an illustrated history which invites leisure browsers as much as researchers, and which is very highly recommended for general library collections.

While I enjoyed this collection, it doesn't have as much depth as Flight #2. The imagery in general doesn't take you to a unique universe like really great comics should. Some of the writing is quite mundane which makes this collection seem like second string work. However, in a field ironically devoid of real creativity the stories are still some of the best to be seen. Perhaps the amazing level of Flight 2 was just too hard to sustain. Despite the general, everyday, autobiographical nature of many of these stories there are still enough gems that create their own unique world that I recommend this book to all serious admirers of the comic genre.

I love this one...and ordered a copy for myself after seeing it at the library. Unique, colorful, clever imagery and stories in comic form that are not to be missed. A real treat after a long day. I have not read issues 1 & 2 yet myself, but heard several times that this one is even better than both those prior editions.

It's an amazing book, I did not expect to find treasure like this :)
I really love the fact that different artists have put their short comic stories. I get to see different styles, stories and very diverse ideas. Amazing!

I was first attracted to Flight Vol. 1 because of the story by Kazu Kibuishi, who had done the very entertaining comic Daisy Kutter. As I began to read Vol. 1 I was astounded by the quality of each succeeding story. Most were terrific and even the few could be considered to be "clunkers" were actually interesting experiments that only partially failed for some reason or another. Amazingly enough Flights 2 and 3 were even better. I swear that there's not a bad story in the lot and I'm sure that the upcoming Flight 4 will continue this high level of quality. Cudos to Erik (Savage Dragon) Larsen for using his position as Image Comics publisher to get the first two entries published.

The Flight series books are great! These comics have the greatest comic art I have seen and many of them have very intellectual meanings. Thank you.

The fourth of the Chronicles of Barsetshire, Framley Parsonage (1861) is a gentle novel filled with memorable characters, including many characters from The Warden, Barchester Towers, and Doctor Thorne (Barsetshire Novels). Mark Robarts, a young vicar with a devoted wife, has a comfortable situation at Framley Parsonage on the estate of the indomitable Lady Lufton. Her son, now Lord Lufton, had been a friend of Mark Robarts at school, and it was their friendship which resulted in Mark's position. Mark, though conscientious in his duties and grateful for his situation, is ambitious, however, anxious to expand his horizons beyond Framley.

Lady Lufton, who rules with an iron hand, is appalled when Mark decides to spend a weekend with a "fast" crowd, one which he believes can advance his career. Young and naïve, he becomes the dupe of an aristocratic "con-man," an MP named Nathaniel Sowerby, who persuades him to help him out of a financial jam by signing a note for five hundred pounds (more than half Robarts's yearly salary), allowing Sowerby to draw funds on Robarts's name. In the meantime, Robarts's sister Lucy arrives at Framley Parsonage upon the death of their father. Lucy, a sweet ingénue in mourning, soon comes to the attention of Lord Lufton, but Lady Lufton has many more "significant" matrimonial prospects in mind for her son. As Robarts's financial miseries become more pressing, and as Lucy's disappointment in love increases, the scene is set for a final showdown.

Numerous peripheral characters, many of them known to readers of the series, add to the drama of the primary action. The implacable dowager Lady Lufton, wishing to maintain her family's social position, pushes Griselda Grantly, daughter of Archdeacon Grantly, as the Duke's suitor. The competition between the (Archdeacon) Grantlys and the (Bishop) Proudies for suitors for their daughters adds great comic relief to the story, and the internecine manipulations among the clergy provide gentle satire in a novel which seems to be remarkably domestic in its focus.

Trollope provides a full picture of Victorian life, representing many aspects of society, and though his view of the clergy has in earlier novels been a bit jaded, he is sympathetic to many of its representatives in this novel, seeing them as humans, rather than as types. A sweet novel, part love story and part social commentary, Framley Parsonage is charming, memorable for its characters and picture of Victorian England. Mary Whipple

Anthony Trollope is a favorite author of mine, and this audio CD version of Framley Parsonage, read by Simon Vance, is well worth the investment. Deft use of language and a keen sense of human motivation, time, and place characterize all Trollope's writing, and those who enjoy period literature will be more than satisfied with this book. It starts slowly, as Trollope's stories often do, but once the background information is given, there are many interesting social, political, financial, and romantic plot developments to engage the reader and listener. Simon Vance's reading is superb, as always. The only caveat is that his rendering of the voice and character of young women is not as good as his pitch, tone, and inflection when narrating the voices of mature women and all men. His skill in rendering different dialects for different social classes and geographical regions is matchless. By all means, listen to this book.

The fourth of the Chronicles of Barsetshire, Framley Parsonage (1861) is a gentle novel filled with memorable characters, including many characters from The Warden, Barchester Towers, and Dr. Thorne. Mark Robarts, a young vicar with a devoted wife, has a comfortable situation at Framley Parsonage on the estate of the indomitable Lady Lufton. Her son, now Lord Lufton, had been a friend of Mark Robarts at school, and it was their friendship which resulted in Mark's position. Mark, though conscientious in his duties and grateful for his situation, is ambitious, however, anxious to expand his horizons beyond Framley.

Lady Lufton, who rules with an iron hand, is appalled when Mark decides to spend a weekend with a "fast" crowd, one which he believes can advance his career. Young and naïve, he becomes the dupe of an aristocratic "con-man," an MP named Nathaniel Sowerby, who persuades him to help him out of a financial jam by signing a note for five hundred pounds (more than half Robarts's yearly salary), allowing Sowerby to draw funds on Robarts's name. Though Sowerby swears he will resolve the problem within weeks, he needs an additional four hundred pounds when the note comes due.

In the meantime, Robarts's sister Lucy arrives at Framley Parsonage upon the death of their father. Lucy, a sweet ingénue in mourning, soon comes to the attention of Lord Lufton, who is fascinated by her naivete, a marked contrast with the women he has known to date. Though Lady Lufton has much more "significant" matrimonial prospects in mind for her son, the courtship begins, and though Lucy declines Lord Lufton's initial proposal, she remains in love with him. As Robarts's financial miseries become more pressing, and as Lucy's misery at having turned down Lord Lufton increases, the scene is set for a final showdown.

Numerous peripheral characters, many of them known to readers of the series, add to the drama of the primary action. The implacable dowager Lady Lufton, wishing to maintain her family's social position, staunchly opposes the Duke's relationship with Lucy Robarts, pushing Griselda Grantly, daughter of Archdeacon Grantly, as the Duke's suitor. The competition between the (Archdeacon) Grantlys and the (Bishop) Proudies for suitors for their daughters adds great comic relief to the story, and the internecine manipulations among the clergy provide gentle satire in a novel which seems to be remarkably domestic in its focus.

Trollope provides a full picture of Victorian life, representing many aspects of society, and though his view of the clergy has in earlier novels been a bit jaded, he is sympathetic to many of its representatives in this novel, seeing them as humans, rather than as types. A sweet novel, part love story and part social commentary, Framley Parsonage is charming, memorable for its characters and picture of Victorian England. n Mary Whipple

The Warden
Barchester Towers
Doctor Thorne (Barsetshire Novels)

In this novel we find one Mark Robarts, clergyman and parson of Framley. He is an ambitious young man desirous of rising in society. He is friends since childhood with Lord Lufton who makes an unfortunate introduction in the person of Sowerby who seduces poor Mark into signing his name to a debt which the parson cannot afford.

Mark Robarts's father passes away early on and his sister Lucy joins Mark and his wife at Framley Parsonage where Lord Lufton falls in love with her. Two more couples form and while I won't reveal how any of these relationships work out it wouldn't really matter if I did. Trollope's plots usually vary from bad to good but they are hardly ever of any importance anyway. What is important in a Trollope novel isn't what the plot is or how it concludes, it's how it works itself out and how Trollope paints his characters.

The characters in Framley Parsonage are a little whiter and blacker than those of the previous novels in the Barsetshire series. Sowerby is by far and away the blackest and Trollope was so effective in painting him black that towards the end he clumsily appeals directly to the reader and assures us Sowerby isn't really as bad a fellow as he seems.

Dr. Thorne and his niece Mary Gresham appear (from Doctor Thorne) as do the Grantlys and the Proudies (from Barchester Towers). Lucy Robarts is a fascinating woman even more headstrong here than Mary Gresham was in Doctor Thorne, but my favourite character in this novel is Lady Lufton. She opposes her son's desire to court and marry Lucy but does so politely and with consideration. At the same time, Lucy behaves in way Lady Lufton can only find irreproachable. So of course, not having anything with which to reproach Lucy, Lady Lufton has nothing with which to oppose her son's suit. And yet she does. How will this three-sided battle of wills, pitting Lord Lufton against his mother against Lucy against her suitor, resolve itself?

Well, that would be telling, wouldn't it? Let's just say that Lady Lufton has painted herself into a corner and let us leave it at that.

All in all, another fine example of Trollope's mastery of moral calculus.

Vincent Poirier, Dublin

Framley Parsonage is the fourth in Trollope's Barsetshire novels. Trollope (1815-1882) wrote the novel as a serial in the influential Cornhill magazine in 186-61, This novel along with the others in the series: The Warden; Dr. Thorne, The Small House at Allington, Barchester Towers and the Last Chronicle of Barset is a delightful return to mid-Victorian middle class society in a rural mythical county named Barsetshire.
In this long novel of over 600 pages there are several stories. The main character is the Rev. Mark Robarts, a
doctor's son, who at a young age becomes the vicar of Framley Parsonage. He has children and a kind wife Fanny. Mark has visions of grandeur in his head. He lends money to the unscrupulous Member of Parliament Mr. Sowerby. As a result of this fatuity Mark falls into debt. His friends rally to his aid.
Mark's sister Lucy Robarts is novel's heroine. She falls in love with the wealthy Lord Lufton who lives at Eustace Court with his formidable mother Lady Lufton. Lady Lufton wants her son Ludovic to wed Griselda Grantley the statuesque but dull as dishwater and cold as a cucumber daughter of Archdeacon Grantley. Lufton is torn between these two women. We see Lady Lufton overcome her prejudice against Lucy. Lucy is a kind girl who minister to the family of the poor clergyman Josiah Crawley. She wins over the heart of Lady Lufton and the reader.
Secondary plots concern the midlife romance of Miss Dunstable and good Doctor Thorne. Olivia Proudie daughter of the fussy busybody and scold Mrs. Proudie and the uxorious Bishop Proudie weds a clergyman Mr. Tickler who is a widower. Griselda Grantley is courted by the stupid Lord Dumbello who possesses a name and title to the Hartletop lands and fortune. Will she win Lord Lufton or choose Dumbello?
All's well that ends well in this classic Trollopian tale. Long before Jan Karon, Anthony Trollope wrote humorous, moving and plot driven tales of the lives of the clergy dealing with real life problems, romance and challenges. In my opinion, an Anthony Trollope novel is a good way to spend a quiet evening before the fireplace. Enjoy this wonderful author and the world he created.

These 1st volume of GL's archives shows us the way that hal jordan became the first GL of earth. The mistic and innocence of the silver age is present in those more than 200 pages full of science fiction and outer space stories. John Broome wrote the best adventures , and the art of Gil Kane is excelent ! These re printed edition has extraordinary colors and a very good cover. Let the battle against "those who worship evil's might" begin , and welcome to the game !!

This hardbound volume containing the start of Hal Jordan's Green Lantern adventures is superb. From the quality of the book itself to the great original stories, it's a worthy addition to your bookshelf. You definitely see striking differences when you compare this volume to the Green Lantern graphic novels of today. But there's room for us fans to like both.

I also recommend "Green Lantern: Rebirth". Hal's a hero for the new century as well as the last.

I bought the Batman and Superman Archives before buying the Green Lantern Archives. When I placed them all side-by-side I noticed the GL Archives is much thinner; there's an eighty page difference! Also Sinestro appears in GL# 7, 9 and 12 which will be in Green Lantern Archives #2 just in case anyone out there is buying this for his stories. Even though I mention these negatives, this is a must have for any Green Lantern fan! I would give this book 6 stars out of 5 if I could ... the art is beautiful and the stories are simple but amazing. Go buy this now! Next on the list is Aquaman LOL!

The first Volume reprinting the Hal Jordan Green Lantern series.

As the issues are not affordable this is just the way to enjoy the old stories that we all loved.

Some Classic stories here including the first Hector Harmond and the first glimpse of the Guardians of the Universe.

Far and away better than the current series both story and art.

Looking forward to future issue featuring Alan Scott crossovers.

To create a hit comic today you need to tell the origin in the first issue, begin the exploits in issue 2 and kill a character in #3, just to stay alive. When Green Lantern was reworked in the pages of Showcase - in the 60s - this was not the case. Broome and Kane's SF masterpiece takes a full year to unfold GL's origin; and this is how it should be. Giving bits and pieces of the complex tale of an intergalactic police force while providing good characterization and admittedly somewhat gimmicky stories, Green Lantern is a blast, and one of the few comics of the era with a strong Science Fiction bent.
I leave it to others to review Gil Kane's art but suffice it to say that Green Lantern, some 40 years later, is still thought of as his character. Enjoy!

There are a handful of making your own comics and scads of books on drawing them, but there's not much on making a living off them, particularly with webcomics. "How to Make Webcomics" spends very little time on the stuff that's been covered elsewhere and does a great job filling the niche that other books have missed.

Again this book focuses not on "10% inspiration" fine art aspect of comics that there are already have shelves worth of books about, but the "90% perspiration" topics that are the difference between a talented artist and a successful talented one. Topics like maintaining a good update schedule, proper site design, self promotion, merchandising, dealing with supporters, working comic conventions, and other aspects of building a fan base that leads to a lucrative webcomics career.

This is also one of the best examples of a multi-author book I've ever seen. Most books written by more than one person have no difference in who's "speaking" or have clunky transitions between authors. In this book, you always know who's talking and each author is established as a unique, experienced voice on the matter and will actually butt it on another person's chapter to offer a different opinion on a subject.

The lessons passed on in "How to Make Webcomics" apply beyond online funny pages and are required reading for any artist looking do more for themselves on the internet.

And if nothing else there's plenty of funny comic strips throughout to keep you entertained.

This has is all. From start to finish, if you want to get going in Webcomics...this really has it all. Damn this is cliche! But its true. Everything you need to know about it. Hosting services. Publishers, merchandising your web comics and a bunch of great stuff. You won't regret buying this book. Sure the comics in it are dry., the information in it is sound and got me going! I would recommend it to anyone who wants to give it a go and wants a complete understanding of the business.

While the book is great and Amazon itself did a great job of shipping and giving me a good quality undamaged book. It took me almost a month dealing with Amazon's partners who offered the book much cheaper and claiming to have it in stock before I was able to cancel and order with Amazon directly. Days and weeks after submitting the orders both sellers all of a sudden claimed that the item is out of stock but they would be getting it in. Why are they allowed to offer it as available when it is not? This to me is false advertising and a bait and switch scheme that Amazon needs to look into. After dealing with these partners I ordered from Amazon directly and they were quick and efficient.

- Kevin Johnson

I'd still buy this, but be warned: the business model is unprofessional and unreliable. This may be why two authors of four carry full time jobs. The advice about what kind of comic to pursue does not match with what kinds of comics are successful, probably because these are black and white strip artists with a long record of newspaper rejection.

An alternate business model would not rely on Kellett's questionable anecdotal data and would involve real research and footnotes. For all the cheering about a career in webcomics, the authors become defensive when asked to substantiate claims, and seem to feel the fact that a career in webcomics is possible is proof enough. I am of the opinion that any book called "How to Make Webcomics" should explain exactly that, including the essential business portion, which is shaky and lacking key data.

The fact that the authors are quite willing to hurl written insults at web reviewers who are merely lukewarm suggests a lack of confidence in their own work. Cartoonists who question the business assumptions, including those with accomplished careers, are called "bitter failures" on the web by the authors. "Not everyone can be a cartoonist," preaches co-author Kurtz ignorantly, to a cartoonist whose circulation actually appears to exceed most of the four authors' titles. These are the most pugnacious authors since Norman Mailer was throwing punches at cocktail parties.

My message to shoppers is there is value, but the pitch about becoming a cartoonist is unrealistically hyped, using greatly exaggerated numbers and hype to excite people into opening their wallets. Webcartooning is one of the riskiest career choices one can make, and competitors number in the thousands. The authors claim frequent cautions to readers, but these vague qualifications are outnumbered by cheerleading and "on to the next step" formulations that don't match reality.

It's a shame these authors are so defensive. Simply absorbing comments and recording the best for volume 2 would leave their micro-celebrity status untarnished, but they seem to come from a background where truth is devalued and shouting down critics is OK. It shows in the book.

Scott, Brad, Kris and Dave draw upon everyday household items you might have laying around to create a time machine or a flying car. For good measure they also pass on the secret to eternal youth and the location of the lost Ark.

Well, they might as well have.

Starting from the idea that the reader can already draw enough to make a comic (there is no "How to draw a..." section), they mold the reader into a writer, agent, techie and business person. They pass on all of their secrets in a full confession sharefest that reads like a conversation between the authors (similar to the discussions on their "Webcomics Weekly" Podcast).

The book is full of humor and brilliant ideas. The art comes from each contributor's comics and really adds to the points of the book.

You should buy two books as one will likely fall apart from constant use and you will need the second to give to your children someday. I bought four extra copies and hidden them at the corners of the world, and in my will I have clues to find each copy in an elaborate race to determine who I will leave my entire fortune to.

I really liked this book. It was short and extremely funny. I personally loved the hilarious quizzes.

I love the Happy Bunny. It was purchased as a gift so hopefully the recipient will like it as much as I did.

If you are looking for a laugh, this book will provide it! Jim Benton's humor may be offensive to some but as Happy Bunny says, "I know how you feel. I just don't care." This book makes a great gift for pre-teens on up. I love Happy Bunny!

It's soooooo funny. Happy Bunny makes me extra happy and my friends too. Happy Bunny is soooooo funny. Boys are stupid. Boys in my class.... when you see them that's all the proof you need.

This might have been the funniest thing I have ever read...I literally could not stop laughing. Terrific quick read that will leave you relating, comtemplating and pontificating all the while with a smile on your face.....

Another great treasury from Bill Amend.A great book for Foxtrot fans.Contains comics from Orlando Bloom Has Ruined Everything,How Come I'm Always Luigi and, My Hotdog Went Out Can I Have Another?

I've been reading Foxtrot since the 90's when a friend who already was a fan introduced me to the comic strip and I have never been disappointed since. The Fox family Roger(The loving yet sometimes bumbling father), Andy(The loving,book reading,and video game hating mother), Peter(The oldest boy and sports fanatic but who can't play sports well and eats his weight times ten in food), Paige(The daughter and second child wannabe fashion guru and model), and finally Jason(The youngest son whose a mathematical protegee as well as a role-playing games, and computer games/video games fanatic as well as tormenting his two siblings) The strips will have you laughing both for the humor as well as some inside references to some t.v shows as well as real people. These strips are very light-hearted with nothing serious unlike some other comic strips like Mary Worth or the comic strip For Better Or Worse. So if you're a fan of comic strips like Garfield or Beetle Bailey the Foxtrot comic strip books would be just for you and I'm sure you'll find them very enjoyable and funny

I recieved my purchase in a timely manner. I was sooooo excited to have been able to add this book to my collection. I would purchase other items from this buyer in the future if they had something i liked.

Of course it gets five stars. You like Foxtrot, and you get the Foxtrot humor. If you like the comic, you'll love the book. Mine was brand new and perfect condition (as promised by amazon) and came at expected date.

Jason and Marcus, the ultimate geeks. I got'em all. This is my alltime favorite comic strip. It sure beats 1 strip a day. Don't do the little books just get the giant treasury books and you won't get repeats.

Excellent, TOTALLY WORTHING BUYING. The life of Kudryavka, the Russian dog that became the first living creature to enter orbit. Abadzis blends facts and fiction, creating a poignant and powerful story. In the end, you'll be crying as the character Yelena cried over Laika's destiny, but also you'll have enjoyed a fine piece of work.

Laika was just a mutt wandering the streets of Moscow when she met with destiny. She was brought into the burgeoning Russian space program and became the first living thing from Earth to be launched into space, onboard Sputnik 2 in November 1957. Unfortunately, the dog would only live about four hours in the rocket, before excessive heat killed her. She might have lived had the Russians taken more time to design the capsule inside Sputnik 2, but the shuttle was rushed into production in just a month --- Nikita Khrushchev was so impressed by the success of Sputnik 1 that he called in top scientist Sergei Pavlovich to rush the next launch to coincide with the 40th anniversary of the Bolshevik Revolution.

Laika remains one of the most famous dogs to ever live and a symbol of the Cold War aggression between Russia and the United States. In Nick Abadzis's graphic novel of the same name, Laika becomes so much more, as do the human beings who catapulted her into history.

Abadzis, a British writer who spent months researching this book, even journeying to Moscow, starts his story with Pavlovich's release from the Gulag in the late 1930s. From then on, Abadzis jumps back and forth in time with wild yet precise abandon, going from Pavlovich's near-death trek to safety after his release from prison to the day of the launch of Sputnik 1 and back in easily followed vignettes.

He also gives Laika a backstory that parallels Pavlovich's. Since so little is known about Laika --- even her breeding heritage is debated --- it's conjecture on his part, but it's wonderfully imaginative and fitting. Laika deserves a story of her own for the advancements in technology and space exploration that she helped make possible.

Abadzis has a soft, reserved style, a rare gift for subtlety and understatement. In an age of overcrowded pages and panels stuffed full of long dialogue balloons, it's refreshing to read a graphic novel that is not overwhelmed by wordiness.

It's clear, too, that Abadzis has done his research. LAIKA is filled with fascinating details on the Russian space program and the people inside of it. Pavlovich, still bitter about his false imprisonment and treatment in the Gulag, had a near-impossible task laid out for him when he was commanded by Khrushchev not only to construct a second rocket to launch but also to make it even more newsworthy than Sputnik 1. The only way to top the first event was to put a living thing in orbit.

Pavlovich lived up to his end of the bargain, but the cost to him is clearly shown in LAIKA. It's a tender and engrossing work that deserves praise for shedding light on one of the most noble and steadfast victims of the Cold War.

--- Reviewed by John Hogan

A riveting illustrated novel about the life of Kudryavka, the wee sweet loyal dog sent up in Sputnik II. You have to ready for the message that adoration an devotion are no match for blind human ambition.

Younger kids may miss the subtle relationships between Kudryavka's humans and may also be uncommonly heartbroken. Everyone else, should not miss this beauty.

A dog story set in the early days of the cold war space race, ending sadly, as many dog stories do with the demise of the main character and the grief of his human companions. Pressured for another spectacular launch to add to the propaganda success of Sputnik I, soviet scientists launch a dog into orbit with no plan for her return.

In this well researched piece of historical fiction author and illustrator Abadzis adds an imagined early life for the dog Laika. This deepens the emotional impact of his graphic novel and forces the reader to consider the ethics of such animal experimentation.

Educational, emotional, dramatic. Also beautiful. Graphic novel format really works here: It can convey things a text-only book or video can't.