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deserves the big screen treatment. Far more interesting than the X-Men, this is the story about a group of people who become superheroes through no fault of their own (its the result of machinations from somebody, but you'll have to read the series to find out), and how they deal with being "different". Negative Man, Robotman and Elastigirl are three of the most tragic figures ever to grace the comic page and their stories are far more pathetic than anything in X-Men(not that I don't like X-Men). Read the series. You won't be disappointed.

Doom Patrol, as represented in the first volume of their Archives Edition, was an interesting attempt in the 1960s at DC to expand the notion of what makes a super-hero, along with Deadman, Challengers of the Unknown, Eclipso, and Metamorpho (most of these heroes created by Bob Haney, the author behind the Doom Patrol). Their resemblance to the X-Men is obvious although DC was never able to create an environment where the oddball heroes fit in as well with Superman, Batman, et al, whereas the X-Men never seemed out of place in the Marvel universe. But Doom Patrol's biggest weakness was its lack of stand-out villains. The X-Men had Magneto and his Brotherhood of Evil Mutants while the Doom Patrol struggled along with General Immortus and the Brotherhood of Evil. The Doom Patrol stories are still quite charming, though, and show great promise for what could have been. It was an adventurous experiment at DC to create a team of outcast heroes that is worth checking out.

Found this to be one of the best archives that DC has to offer. And from one of the least popular series they had. The art and stories are superb. And still stand today. I had reservations about getting this. But when DC announced that there was going to be a new Doom Patrol series coming I decided it was time to get to know these characters all over again. And guess what. Not a single disappointment.
Pick this up if you get the chance. You will not be disappointed. So glad I did. Already ordered Vol.2. So enjoy.

They were four damaged people: Rita Farr, a beautiful actress who, while shooting on location, was exposed to a gas that gave her the power to vary her height; Larry Trainor, a daring test-pilot who flew through a belt of radiation, and come through with the ability to release an embodiment of negative energy, but only for a minute at a time; Cliff Steele, a race-car driver, until the crash that destroyed everything but his brain, which was transferred into a robot body, and; Niles Caulder, the brilliant genius who brought these people together as a force for good. They are Elasti-Girl, Negative Man, Robotman, and the Chief: the Doom Patrol.

Contrary to popular belief, DC Comics figured out pretty quickly that rival Marvel Comics formula of character-development was something that they needed to infuse into their own line. The problem was that they were very hesitant to do this with their big gun characters: Superman, Batman, and Wonder Woman, iconic characters that never had any of the problems Spider-man did. However, DC had no problem creating new characters in the Marvel style: fantastic characters with a down-to-earth core.

Perhaps the best example of this approach is the Doom Patrol. This was a team of strong individuals who found themselves possessed of powers that they didn't want. Indeed, for these characters, there was very little hope of ever being normal again. So, they did the next best thing: they fought people who were in worse shape than them, hell-bent on spreading evil.

Arnold Drake's writing made the most of the bizarre premise. The villains were sinister, vile, and above all, quirky. Of course, while General Immortus, the centuries-old genius, was perhaps the team's most persistent enemy, by far their best loved was the Brotherhood of Evil. Led by the Brain, a disembodied brain, and Monsieur Mallah, a surgically enhanced gorilla, the team was the Doom Patrol's counter-part; misfits that sought revenge on the world.

Amazingly, Drake's scripts never stretch credibility to the breaking-point. He stayed within the rules he set for himself, and never forgot that his heroes were suffering, and not always in silence. They pined for normality, they wished for acceptance, they bickered amongst themselves. At the same time, he never let the action get bogged down in the team's personal traumas. Moreover, Drake tailored the stories to spotlight the unique abilities of his characters, while examining the strengths and weaknesses of their individual personalities.

Bruno Premiani's name is not one of those artists who immediately named when discussing comic book greats. He probably should be. As his artwork proves here, Premiani had a strong sense of realism. He made the most of his talented line work, grounding his art with a realistic sensibility that further underscored the bizarre tone of the series. One only need to look at the gorilla Mallah, and the extraordinary detail he paid to the character's design. Truly, Premiani was a craftsman, and deserves much more recognition.

It's not hard to see why, although never a first-string book, "The Doom Patrol" is still remembered fondly today. It was a unique mix of absurd super-heroics and sharp character-drama. While DC recently made some questionable continuity decisions about these characters, they've wisely pulled away from them. So enjoy these wonderfully weird stories.

A group of disgruntled social outcasts with super powers comes under the guidance of a wheel-chair bound genius and is frequently called on to save a general populace they increasingly grow to despise.

You got it...the X-Men, right? Nope. The Doom Patrol.

The comparisons are immediate and striking (The Chief/Professor X, The Brotherhood of Evil/The Brotherhood of Evil Mutants), and given that Doom Patrol actually predated the X-Men by several months, one has to wonder if Stan the Man and the merry men at Marvel didn't pass out a few copies of Doom Patrol at editorial meetings.

But to the stories themselves: the characters are great. The heroes find that their powers have literally ruined their ability to lead normal lives. They are resentful. They find code names stupid and embarrassing and call each other by their first names. Even in attempting to forge relationships with each other, they frequently fail due to shattered self-confidence over their own perceptions of themselves as nothing more than freaks. Remember kids, this wasn't written in the 80's or 90's. This was written in 1963!

Arnold Drake's scripts are hokey by today's standards, with what can be called B-movie dialogue and plots. However, once you accept them on that level (don't look for the gritty realism of the 80's or 90's), they are great fun. Bruno Premiani's artwork is simply excellent, at places it reminds me of Brian Bolland. I agree that it is simply unfathomable that Premiani is not held in more esteem.

While X-Men became a mass market phenomenon, Doom Patrol has had what can be charitably called a star-crossed publishing history. No incarnation of it has ever lasted, although Grant Morrison gave it a great run in the early 90's which I recommend to anyone. Somehow, though, this is sadly appropriate for Arnold Drake's original vision of the quintessential unhappy super heroes. They just never got popular enough to sell out.

The next time you see Hugh Jackman or Patrick Stewart onscreen, or walk past the endless rows of X-Men compilations in a comic book store, do yourself a favor and find the DC section and introduce yourself to these characters. Take the Doom Patrol challenge: go for the original.

Reading all the praise here, I was pretty anxious to receive this book, EVERYTHING YOU EVER WANTED TO KNOW ABOUT CARTOONING BUT WERE AFRAID TO DRAW. I expected to get inspired and learn techniques in writing and drawing I had not perhaps even considered before. In this respect, I can't hide my disappointment. I had not read for long before I realized that what this book had to offer would not be of much use to me. I am a self-taught cartoonist, I've been doing comic strips my entire life and all the advice this book provided I found to be completely obvious; not without relevance, certainly, but I didn't purchase this book to be told that "monsters get more effective if colorized green," or to study the contrast between a happy face and a sad face. Also, the drawings used to represent the points in the text are just about as stereotypical as they can get; I'm not saying I expected it to do the process of creating original characters and ideas for me, but in a book of this kind I find it of invaluable importance that the author is able to really inspire the reader to go ahead and make something good. After all, we've got HI AND LOIS and U.S. ACRES already, or what?

However, if you have just discovered that you got a knack for drawing and want to try it out as a cartoonist, but need guidance in the (very) main rules, this is a good book. If you have been part of this medium for a while and seek new opportunities to get inspired or learn new tricks, try elsewhere. Your own mind for instance.

I love how Christopher Hart really delves into the hard things to draw. Like hands and feet and expressions. This is a wonderful art resource. The pictures are fun and will help you generate many of your own ideas.

This would make a great gift!

I have never done any kind of drawing other than when I was 8yrs old for fun. I wanted to learn how to draw cartoons and this book was my first purchase on my road to drawing.

I thought the instruction was simplified for the beginning artist like me. I am very visual and so I was pleased with the tremendous amount of examples included. I also thought that the lay-out of instruction was helpful, step by step.

Over all this book was very helpful, to the point, and interesting to read. Christopher Hart kept my attention while teaching me the basics of cartooning.

thanks

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

Everything You Ever Wanted to Know About Cartooning but Were Afraid to Ask by Christopher Hart and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Christopher Hart has done several books on drawing comics. He provides excellent common sense content, and teaches the skill very well though his words and cartoons.

Some the sections that I found especially helpful were: Expressions, How to Draw Hands, The Art of Character Design, Body Types, Principles of Layout, Layouts from a Distance, The Special Effects Lab, Explosions and more.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book..and there have been many positive comments about them from people who have the book!

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

The Cartoonist's Workbook Drawing, Writing Gags, Selling

Far more detailed than the How to Draw Cartoons book by this author. There are examples of heads, eyes, noses, mouth, hands, and many other elements in good detail.

When I read don't start reading until you have the time I had no idea how true the statement really was. I found myself not only captivated, spellbound, and utterly mezmerized by the story that evolves on the very first page, I was blown off my chair literally.

Like so many other readers I was expecting a terrorist 9/11 story but I was fooled. Instead I got the very best Vietnam story I have ever read bar none!

Harold Beck tells a tale of the war unline any ever told. I enjoy modern day thrillers and this one is set against a totally believeable historical backdrop every American can identify with. It was a book I just couldn't put down

Where did this author come from and why haven't we heard about him on television? I found myself thinking the story was real, especially the part on Che Guevara. The story is historically accurate as Guevara died on the date he dies on in the story and he also died in the same village he dies in in this story. Is it a coincidence or is the author revealing some well kept secret, as is the main story line in this book? I could not put this book down and I also didn't want it to end. The images created in this story were all too real.

I began casually reading this book and was hooked by the end of the first page. I give it 5 stars as it is the best I've read in a long, long time.

Reading The First Terrorist Act was as if I was reading the newspaper. This is a story that could easily be non fiction and I found myself living the experiences of Charley Reed.

I am a Vietnam Vet and I remember the battles as the author describes them. The battle for the City of Hue was exactly as he described. No doubt he was there!

Arc Light was Operation Archangel and there is little doubt in my mind his account in Bolivia with Che Guevarra is factual.

Where has this author been and why haven't we seen more from him? I'm hooked. When do we have a sequel or when will this be on the big screen?

This book is a must for all thriller fans.

What can be said about Harold Thomas Beck other than he is an extraordinary author cut from the same cloth as a Tom Clancy.

There is little doubt in my mind that this novel will rank with those Clancy has given us. I know. I am a Clancy fan. Now I am a Beck fan also.

"The First Terrorist Act" was given to me with Clancy's "Rainbow Six". Clancy and Beck are pure page turners! There are no if's, ands or buts about it.

As most Clancy reader's know, his characters are all well developed characters. Beck does it even better than Clancy. I couldn't believe it. Where has he been? His bio indicates he is not a youth new to writing.

I initially did not want to read this masterpiece because of the obvious inference to that tragic day of September 11, 2001. However when I was told this was along the lines of a couple of Clancy's novels I thought better of it and went forward. I was not disappointed. I loved this book.

From the first page to the last this novel, like Clancy novels, is purely enthralling and you will hardly be able to put it down. Even if you've never read a Clancy novel before, pick this up and then go to Clancy for a mild let down. He is better than Clancy.

If you're looking for pure intrigue, thrilling action and a few good laugh's along the way, as well as real life women, something missing in Clancy, you won't be disappointed. I wasn't.

A huge thank you to the Author for this one.

My husband told me I would like this book. Why would I like a book about spys, soldiers, and the Vietnam War?

Hello!

There are women involved with spys, soldiers, and the Vietnam War - especially the soldiers who served in the Vietnam War. And are there ever women in this story!

Jerilyn and Cindy are the opposites yet so much alike. The dark haired slut versus the blonde who did everything she was supposed to do. They shared Charley, they lost him, and now they have him back. Wow!

Then there is the driven reporter, also a woman who faces all the problems women face in their drive to the top.

We also have daughters. How does this man know so much about women? Moreover, how does a man write so expertly about women?

The historical backdrop as well as the current events unfolding and me remembering where I was when makes this all the more interesting. I loved this story. When will there be more from this wonderful author?

It's been a while since I've been able to grab a book and really have a good read for myself. This was it. Right from the first page, the character Jerilyn is exciting and the mystery starts with how this is all tied together and what the women all have in common and what they have up their sleeves.

The book is very well written. I had never read any of Mr. Beck's books before and needless to say, I am now reading another. I figured what could top "The First Terrorist Act", but another book by the same author.

The book is very good all along, without giving away any of the juicy details, but be prepared not to be able to put this book down until the well-done ending.

It's a great book. I love the way you get to know more about Frazz. I also love the relationships Frazz has with some of the students and teachers.

I really would rate this a 7! It's also really good to see children put in a good light. All parents and teachers should read this and the second one.

The first of the author's Frazz series, hilarious and real life from the first strip to the last. All will enjoy reading this and reliving our youth, a keen insight into the minds of the youth and all others. Read it, you will put this in your library and refer to it often.

My first encounter with Mr Mallet's work, and definitely a case of love at first sight. I'm astonished at how deeply Mr Mallet can make his characters come alive, while still being at least as funny and deep as any other of my favourite comics.

If you are not familiar with Frazz (or Mr. Frazier) the Janitor at Bryson Elementary School, let me take a moment to introduce you. Frazz is a triathlete, a song writer, a poet, a literary buff and, surprisingly, a janitor at an elementary school. He is into healthy living, good food, good fun, and loves a good battle ball/eraser fight. He is the shining star of Bryson and is loved by all the kids there. He is a better teacher than some of the other paid staff at the school.

I sometimes think that Frazz is a grown up Calvin (from Calvin and Hobbs)

I really love Frazz. This collection allowed me to catch up on a lot of the old Frazz cartoons. Mr. Mallett's drawing style is very consistent from beginning to end. His humour is always gentle, loving caring, thoughtful and morally sound. The lessons Frazz provides to the kids of Bryson elementary school are deep, valuable, honest, socially responsible, healthy and usually indirect and subtle. If I take the time, I even learn new words from Mr. Mallett.

My teens also love Frazz. Then again, they like Garfield a lot too, so there is no accounting for taste.

My family and I will be reading and re-reading this collection of Frazz cartoons over and over again in the coming weeks.

Gotta love Frazz!

At first I was hesitant to purchace Fun with PhotoImpact 4.2 because I had just upgraded to 5.0, but there was so much I didn't know I ordered it anyway. I have never been so happy with a graphics book. Features and tools of the program that seemed so complicated were explained in plain english and Stephanie Baker-Thomas guides you each step of the way. I had no idea PhotoImpact had so many "hidden" goodies. The mini tutorials are wonderful and the lessons learned in each give you the understanding needed to apply them to any other PhotoImpact project. This book is a must have and I am eagerly awaiting the release of Fun with PhotoImpact 5.0. Stephani Baker-Thomas is a true Diva of PhotoImpact.

If I had this book when I first started using PhotoImpact, I would be miles ahead of where I am now, after many months of trial and error learning. The text is very clear, with many screenshots and great hints. My favorite parts are the 'learn by doing' exercises at the end of every chapter...they really make the techniques you learn stick. A great book, and the only one in English for us PhotoImpact lovers.

I had my doubts about purchasing this book because I have Version 5 of PI. Now that I have the book I don't know what took me so long. This book is so well written and easy to follow for novice to intermediate user. It is very applicable to version 5.

Even with the $7.35 duty that I had to pay because I am Canadian, it was the bargin of the century! I received it just 3 days after ordering on a Friday.

Great Book!

No doubt about it, digital imaging can be a fun and rewarding endeavor, but contemporary imaging software is as daunting as it is powerful, and many budding digital artists may be too intimidated by the wealth of options and features available in a top-notch program like PhotoImpact. Fun With PhotoImpact 4.2 takes the novice or intermediate digital artist by the hand and leads them through the basics of the wonderful world of PI. With the knowledge and experience of the author for guidance, the reader can approach this exciting technology with a minimum of apprehension and feel confident that a new world will be opened before them. I highly recommend this book, and I am looking forward to the author's sequel on PI 5.0.

While the book may be of some use to folks who are completely unfamiliar with PI, I was a bit disappointed. It reads almost as a restatement of the PI user's guide ("this button does this...") rather than as a guidebook to innovative use of PI ("In order to get this effect, use these buttons and filters in this sequence . . .") that the title rather led me to expect. To be sure, the author does have an excellent and thorough web site with exactly that kind of hands-on "how do I do this?" data, but it was a bit of a let-down to find the book contains virtually nothing of the sort.

any book by Ralph Steadman requires serious and not so serious reading. his perspective on life is truly unique and worthy of consideration.

I'm very pleased with my purchase...It arrived promptly, well packaged, and in stellar condition. A flawless venture.

I love his work, have since he did the cover art and animation for Pink Floyd The Wall. This book is worth grabbing if you respect the artistic value of total insanity and the furthering of freedom of expression.

May the ghost of Hunter S. Thompson come down and become the next President of the United States - and may Ralph Steadman be his Art Director!

Having had, as many people did, my first taste of Ralph via Hunter S Thompson's books, I found this to be a great introduction to the Hyperactive and frantic style of a dude who is probably my favourite artist. This has a forward by Hunter, gives great colour examples of his works in the realm of Gonzo, and also has many written, poetical works, and songs. My fave piece is 'Stand up and be counted.' IE: The maverick beast will ALWAYS raise his head in the crowd. A perfect definition of Gonzo.

"Cerebus" is these days a controversial piece of work due to some of the rather unorthodox views propounded by its creator, Dave Sim, who, in the mid-90s, formulated some theories about women that fell afoul of, well, civilized views. This has retroactively cast a shadow over the earlier volumes of the series, such as "High Society", the second volume in the collection, and the first of the volumes that is genreally considered to have arrived at the higher artistic standards the series is famous for (the first volume consists of a series of short arcs that parody "Conan the Barbarian"; while starting at volume 2 will result in some confusion about the characters introduced earlier, some may prefer to start here). "High Society", though, remains well worth your time, coming years before Sim went off the rails.

Cerebus the Aardvark, a barbarian from the north now in the service of the Groucho Marx-esque Lord Julius of Palnu, is sent as emissary to the city-state of Iest. Cerebus is the definition of "uncultured", an do si not particularly suited to diplomacy, though he finds plenty of time for the activity that comes most naturally to him in any situation: self-aggrandizement. Allied with Astoria, the politically involved former acquaintance of Julius, he eventually becomes drawn into a race for Prime Minister of Iest, which is near-insolvent due to various trade and lending practices. Cerebus just wants to be the last man out before the collapse (said man will be very rich), while Astoria an dher faction have more political concerns (to which Cerebus is supremely indifferent). Once in office, Cerebus, having to keep the country out of bankruptcy, launches a war of conquest in pursuit of riches, but, with the strangely wily Julius in the mix, things do not turn out as he had hoped.

Most of "High Society" is a genial political satire, which has in its sights both the cynics (Cerebus chief among them, without scruple in exploiting others to gain power for himself) as and the idealists, who appear mainly as fools for Cerebus to manipulate. Sim's writing is marvelously clever. At the same time, he is capable of striking a serious note: the ending is quietly revelatory, as Sim seamlessly goes from satire to laying bare the genuine stakes in politics for people.

At the book's end, we have been Cerebus rise and fall, and, much the same as he was when he arrived, he departs for parts unknown (which, as we will find out in "Church and State", will involve first a return to where he already was).

There is a lot of parody in Cerebus, of Elric, of Batman, etc. In High Society, Sim starts to write longer continuous stories that a little bit deeper.

Cerebus is a barbarian, and the movers and shakers around him are looking to exploit that as he enters their high society circle. The manipulators get him elected PM, which leads to bad things.

After reading the first I was hooked and this second volume game me the only thing missing from the first, a solid plot. With Cerebus trying to move up into high society and gain the role of prime minister his character becomes even more diverse and you love the little ardvark more and more. Best comic series I have ever read.

To my mind, High Society remains a high point in the Cerebus epic. Like the much later "Guys," it is a (relatively) self-contained chunk of the story, and takes place largely in a single locale. The political parody, which normally would not be my cup of tea, works incredibly well here because of the *detail* Sim injects it with. I never would've imagined that an electoral process could be so much fun to read in graphic novel form. Unlike later books, in High Society, Sim manages to remain focused on the story itself, sparing us the pretentious trappings and scattershot, heavy-handed meanderings that would mar later segments of Cerebus. In other words, this is when Dave Sim was still doing Cerebus, as opposed to his "Hi, I am Dave Sim and I am very clever and here is what I think about the world and here is what I look like and here is my latest experiment in the comic medium and oh, by the way, this is a comic book called Cerebus and yeah, it has something to do with him, when I'm not writing about whatever famous author I just finished reading and when I don't have anything arrogant and irrelevant to share with all of my fans" -- work. I like a lot of what Sim's done, but he's at his best when he leaves himself out of it and concentrates on coherent chunks of actual story.

I started reading "Cerebus" when Dave Sim's independent black & white comic book was on the cusp of the "High Society" story line. "Cerebus, Book 2: High Society" (issues #226-50) constitutes the first "novel" in the history of the book and the point at which Sim had clearly moved beyond the idea of Cerebus the Barbarian stage, where it was basically a strange animal walking around in a world that was drawn in the style of Barry Windsor-Smith. I first became aware of Sim for the work he did with funny animals, beavers in particular, for "Quack." Actually, what got me reading "Cerebus" was not just that the comic book was getting a reputation for being one of the best of the alternative comic books put out by the independent press, but more importantly that there was a character in it who looked and talked like Groucho Marx.

That would be Lord Julius, one of several key characters in "High Society" who is introduced during the first two years of the title, along with the Roach, the would-be superhero that Sim would transform into a parody of whichever Marvel character was the current flavor of the month. Then there is Jaka, the dancer Cerebus first met in a tavern in Beduin. These three characters represent three major impulses in Sim's work. Lord Julius represents the inclusion of real characters into the world of Cerebus, which would eventually include the likes of Mick Jagger and Oscar Wilde. What began as a sort of simple joke (Groucho popping up is always going to be funny), became serious when the characters started symbolizing the reality of their real world counterparts. The Roach symbolizes Sim's commentary on the comic book business, which for me is the weakest of the three impulses. The whole Petuniacon takeover on a comic book convention is funny at face value, but it detracts a bit from the political satire that is at the heart of "High Society." Then there is Jaka.

It is hardly surprising that the original characters created by Sims would become the most important. In "High Society" this means not only Jaka but also Astoria and the Regency Elf. The Roach can move on to become first the Moon Roach and then Sergeant Preston of the Royal Mounted Iestan Police, and you can throw in the brothers Dirty Fleagle and Dirty Drew McGrew, but they are mere comic relief while the trio of feminine figures are at the heart of the story. Suddenly we have moved well beyond a funny animal to larger issues such as politics and gender (with religion and creativity to come in future novels).

Cerebus shows up in Iest at the Regency Hotel carrying with him the last few pieces of loot he has acquired on his travels. Expecting to be denied admittance, Cerebus is surprised when he is given free lodgings and food. Suddenly people are paying him bribes to just to remember the name of a company that makes gold-plated streetlamps when he talks to Lord Julius. From Cerebus the Aardvark to Cerebus the Barbarian we now have Cerebus the Lobbyist. Actually, it seems Cerebus is now a ranking diplomatic representative of a southern city-state and if you think the aardvark is in over his head, wait until Astoria shows up and starts dispensing political advice. More importantly, wait until Cerebus runs against a goat for the office of Prime Minister, because that is when "High Society" shifts into high gear, even as Iestan society falls apart.

That is also the point where "Cerebus" gets told sideways, starting in issue #44 "The Deciding Vote." I highlight that particular issue because it includes my all-time favorite page by Dave Sim, which would be page 383. In several of the preceding pages Sim shows Cerebus and another character traveling across a snowy landscape. What he was doing was drawing the landscape, dividing the drawing into vertical panels, with Cerebus and his companion shown in each panel making their way along. But on my favorite page on the dozen pages the first eight include the exact same drawing, with the last two being identical. What changes is the sound of Cerebus walking away on snowshoes ("WUFFA wuffa") and walking back ("wuffa WUFFA"). The page represents one of Sim's best jokes ever and whenever I have had occasion to lecture on comic book art I have always shown these pages along with those in one of Frank Miller's "Daredevil" comics when he retells the character's origin and has a line representing the Fixer's heartbeat indicating a heart attack going across the panels of DD chasing the man down.

"High Society" is my favorite Cerebus novel, although it is neither as ambitious as "Church and State" nor as polished as "Mothers and Daughters." But the impression it made when it was clear that Sim was now working the deep end of the poem has stayed with me and I do have an inherent love of political satire. Besides, Cerebus' reconciliation with Jaka is more touching than their poignant parting, the Regency Elf shakes up things nicely at inopportune times, and I love liberty as much as the next person raised in a free democratic society. Still, more scenes with Lord Julius would have been nice, especially if Astoria is involved. After this novel Gerhard starts doing backgrounds for Sim and the look of "Cerebus" changes dramatically (Gerhard did the cover, so if you compare that to the first splash page inside you can see how much of a difference this will make for the rest of the 300 issues of "Cerebus").

I bought this book based on the raving reviews I read on Amazon from other users, but when I received it I found some MAJOR issues. This book is a true and utter disappointment for any intermediate or low-intermediate designer.

The Good
- This book is very comprehensive and good for TRUE BEGINNERS as it covers the basics of html, xhtml, php, javascript, and image editing.
- The only mildly useful bits for the hobbyist web designer are the PHP and Javascript chapters... but you can find the same, or better information on the basics of these two technologies posted for free on the net. You don't need to pay 40.00+ bucks for this info.

The Bad
- This book is extremely, extremely outdated. Most of the design tips date back to the time when IE 5.5 and 6 were the cutting edge, and the examples are aimed at IE and Netscape Navigator users! Hence, the tips & techniques are virtually useless now that IE 7 is standard, IE 8 on the horizon, and FFox 3 about to be released.
- This book is filled with statements such as "PNG-8 and PNG-24 formats have only recently received FULL support from the most used-browsers, Netscape Navigator 6 and Internet Explorer 5"(pg 290). THAT's how old this book's tips are.

DO Buy This Book...
- If you have NEVER built a web page before
- If you want the basics to build a personal web page, a hobby web page, a static site with less than 10 pages and no functionality other than a mailto form.
- If you don't mind building your site for primarily for IE users.
- If you don't mind your web page looking like the Geocities Sites of back in 1999.

DO NOT Buy This Book.
- If you know how to style a paragraph using CSS.
- If you have ever used an editor like Dreamweaver, or Adobe Golive, or even FrontPage.
- If you want a site with any sort of interactive functionality like wikis, blogs, discussion boards, etc.
- If you are aware that the world has moved on from Netscape Navigator 6.

In summary, I found this book to be a giant pile of rubbish. In the future, I would strongly recommend NEVER buying a Web Design book that has been published more than 1 or max 2 years before your actual date. Its 2008, DON'T buy anything written prior to 2006 in order to learn basic web design. You'll end up wasting your time, as I did.

This book is outstanding. It covers everything you need to know about web design. It was highly detailed, explaining everything you need to know. And it's well written.

Inside the chapters are small sections that they refer to as Tips, such as Explaining the Uses of a Table as a layout tool. With the tips, it makes it a lot easier to go back and look over something you forgot or don't understand.

Overall, exellent book, and I highly recommend it as a resource

A friend of mine recommended this book to me. I read it in about a week. It was very simple and understandable. Plus I learned some very intresting things I never knew about CSS.

The best coverage of PHP that I have found. Excellent discussion of tweaking server, appl, and session variables. Security discussion was very easy to apply.

I found this book to be excellent. It is very rare today to find a computer science book that is thorough, logical and well organized, yet brief and to the point. This can be said for all of the chapters in this book. I would strongly recommend this book to anyone wanting to learn about web programming.

It is my belief that the word 'subtle' is not in Rumiko Takahashi's dictionary. 90% of the characters in Ranma 1/2 lack the trait, and several of the people in Maison Ikkoku need a lesson. We won't even get into Ataru and his crowd from Urusei Yatsura. Inu Yasha has provided us with some new examples of those who speak their mind and constantly make you hang your head and sigh.

While not as boisterous and arrogant as Inu Yasha, the Buddhist monk Miroku shares some traits with the dog-demon. Both tend to say what they think, regardless of the consequences. Both are stubborn as mules and as dense as rocks. But that's what we love about them.

Miroku has a tendency to ask something quite...personal from the women that he meets. As for what this is--you'll just have to read the books won't you?

It's a great book! I would say it's one of the best Volumes!

Ok!I am tottally in love with this series so listen closly! Things have started to heat up as the group meets a monk named Miroku. Now, they know that Naraku is the true cause of Kikyou's death! This series is so cool but I reccomend that 10 year olds read this!

...All of which are contained in this manga. This manga is VERY IMPORTANT plotwise, because not only is a new main charachter introduced but the nice little dead lady has some interesting things happen that stick with us for the rest of the series so far. As for the painter, he's of little importance in the big scheme of things, so it'll suffic to say that we get to see Miroku use that hole in his hand, as well as some brain power and Inu Yasha also kicks butt liberally.
Enjoy!

I've been a manga fan ever since I was introduced to Sailor Moon three years ago, and have been following Rumiko Takahashi's work for almost as long. Inu-Yasha, her latest series is my personal favorite. In ancient Japan, a doglike half demon, half human named Inu-Yasha, attempts to steal the Shikon Jewel, or "Jewel of Four Souls" which has the power to turn him into a full-blooded demon. The priestess whose duty it is to guard the jewel, Kikyo, uses her remaining lifeforce to ensnare him in an entrapment spell. The girl and the jewel are burned and laid to rest. In the future (1997 to be precice) Japanese high school girl Kagome is sucked back though time to fifty years after the Shikon Jewel was destroyed. There she finds out that she is the reincarnation of Kikyo the priestess, and has to carry out the responsibility of guarding the jewel. After an unfortunate "accident", the jewel is shattered and flung to the four winds, and Kagome and Inu-Yasha are burdened with the near-impossible task of restoring the jewel to its original, whole state. Which means finding every shard. And they aren't the only ones after them (but probably the only ones with good intentions). As a saftey precaution to keep Inu-Yasha from losing his temper and mauling someone, he is forced to wear a necklace that lets Kagome control him with a single word. By simply saying "sit" poor Inu-Yasha is knocked to the ground, pancake style. As the story progresses, you meet other entertaining characters, like Myoga the flea-demon, Shippo the young fox-demon, Miroku the easygoing, cursed Buddhist priest, and Kaede, Kikyo's little sister, now an old woman. Inu-Yasha has hints of Rumiko Takahashi's previous works, and yet it's a whole new cunningly irresistable story. I definately don't recommend it for the squeamish, or weak-hearted; there's some of everything, humane and inhumane. There is some brief nudity in some (but not all) of the books, and a lot of bloodshed (but it's not as violent as the Mermaid Saga) The first two books aren't as good as they could be (the plot seems thin and rushed in some parts), but it gets better. In the fifth book, an unusual twist of the plot occurs and after that, you just can't put the series down. Rumiko Takahashi also throws in a little of the romantic comedy that she's famous for as you get further into the series. Don't expect to be rolling with laughter through the whole book, though; Inu-Yasha aims for a slightly more solomn note than Ranma 1/2 and Urusei Yatsura. I would recommend the series for 13 and up, although I was able to read some of it to my 10 year old brother by editing out the less "respectible" parts. This series is definately worth recognization and I'm sure that I'm not the only one counting the days until the next volume is published.

Do you need help with your photography skills? If you do, then this book is for you. Authors David Pogue and Derrick Story, have done an outstanding job of writing a book that is designed to serve as the iPhoto manual.

Pogue and Story, begin by covering buying, using, and exploiting your digital camera. Then, the authors cover the fundamentals of getting your photos into iPhoto. Organizing and filing them, searching them, and editing them to compensate for weak lighting. Next, they cover the many ways iPhoto can present those photos to other people. Finally, the authors cover a miscellaneous potpourri of additional iPhoto features, including: turning photos into screen savers or desktop pictures on your Mac; exporting the photos in various formats; using iPhoto plug-ins and accessory programs; managing Photo Libraries; backing up your photos using iPhoto's Burn to CD command; and, even getting photos to and from camera phones and Palm organizers.

This most excellent book provides an invaluable grounding in professional photography. Perhaps more importantly, this book gives you all you need to know about digital photography!

Some say lightening can never strike the same place twice. The Missing Manual series proves that wrong. David Pogue and the O'Reilly gang constantly hit the mark and spark creativity and knowledge in a variety of programs.

IPhoto 6 covers absolutely every aspect of digital photography on your Mac, leaving few stones unturned. In order to make sure you get the great photos you need and minimized the editing needed in iPhoto, Derrick Story and David Pogue make sure you buy the right digital camera for your needs and tells you the basics of lighting and composition. After reading that chapter, I looked at my own iPhoto library and understand why I liked certain shots and why others ended up on the digital darkroom floor.

After explaining how to buy a camera and create great photos, the authors take you through the steps of using iPhoto in logical order: importing, managing, outputting and of course backing up. More technical manuals need to do this. Instead of taking you through the features, they take you through the workflow.

The writing was typical of the series: clear, understandable with plenty of screen shots to explain the concepts. While I consider myself an expert on iPhoto, the book was full of subtle tips and tricks to shave hours off my digital photo management.

The strength of the book was definitely the extensive chapters on what to with your photos after they are in iPhoto. Photos are meant to be shared, not locked up in your hard drive. He went over not just the specifics of all the printing options such as photo books and calendars, but also using iMovie, iWeb, and iDVD to share the photos with the world.

The final chapters covered some more advanced options such as AppleScript and Automator. Unlike other Missing Manual books that simply point you to the website to download utilities, Pogue and Story explained some of these programs and how they can help you expand your iPhoto capabilities. The Appendix was definitely the icing on the cake handling practically every iPhoto error and it's solution, as well as walking you through the basics of every iPhoto menu command and its implications.

My only complaint was somewhat weak coverage on desktop printing of photos. I always get confused about the way to feed the photo paper and how to configure settings to get the proper output. iPhoto, the printer's software, the printer, and Mac OS X must all be in alignment to print properly. These days, I simply upload it to the drugstore website and print it there. Printing to services other than Apple's wasn't really covered either.

While iPhoto basics are simple and quick to learn, "iPhoto 6 the Missing Manual" helps you become the hands down master of digital photos on your Mac. Others will tremble in fear of your massive knowledge after reading this book cover to cover.

Pros: Covers every aspect of digital photography and makes everyone an iPhoto wiz.
Cons: Needed more coverage of desktop and third party printing of photos.

ANY question you might have, any project you might conjure up.....this book has all the answsers in the most easy format. A must have if you have an iMac and a digital camera!

As a beginner with digital photography,there is a great deal of iPhoto that is intuitive;however,there are so many options and errors that can be made,at least in my limited experience,that this book is a constant reference guide. I previously purchased "Switching to Mac,The Missing Manual",and found it so valuable that I bought this "Missing Manual".This series of books has been both informative and entertaining.

Might not have much for experienced power users - but for me as a Mac newcomer it did the trick. iPhoto is easy to use and most things you can figure out by yourself, but this book is a big timer saver in doing so and has also some tips that you otherwise might not have figured out