New Books

The story of Olive shows us how we all have strengths and those strengths are important even if they are different from others. It can teach us to be creative on how we can best use our strengths. Most of all it is a sweet story about a very sweet dog named Olive. I loved reading it as an adult and gave it to someone who also enjoyed it very much.

this is a great edition of Olive. the illustration is as wonderful as the story. it's one of my husband's favorites and he wasn't disappointed. the look of this book corresponds with the latest movie edition.

No other Christmas carol has such a hold on children's imaginations as "Rudolph, the Red-Nosed Reindeer." (*see note) Even the youngest child understands the joke of this book's title.

When a little dog named Olive hears the lyrics "All of the other reindeer..." she thinks the line is, "Olive, the other reindeer" and concludes that she is in fact, a reindeer, not a dog. Hi-jinks ensue.

This tenth anniversary edition has scratch and sniff gumdrops, flaps to open, levers to pull and a pop-up scene at the end. Reading the "otto-biography" of Seibold on the Chronicle Books site, I learned that the names of his children (and their images) are tucked into the illustrations, shades of Marc Brown and his Arthur books.

Skip the video and enjoy this book. It is a charmer.

I got this for my 3 granddaughters, ages 6 and under. They loved it!

What a great book! My family and I loved the dog, Olive, that came with the book, too. I plan to read this book, and share the stuffed toy with the area school.

Playwright Peter Shaffer is an exceptional dramatist. His characters are unforgettable, and each one is dealing with a psychological struggle. In "Amadeus," Shaffer examines seventeenth century Vienna and the life of Wolfgang Amadeus Mozart and his rival, court composer Antonio Salieri. This play shatters the view of Mozart as an innocent child prodigy, and instead paints a picture of a childish, scatologically minded, yet ultimately tormented musical genius. Trapped by the financial demands that are placed upon him, and the demands of a domineering father, Mozart strives to make his music and to be excepted.
The main focus of the play is upon Salieri, whom the audience sees as a sweetmeat loving, conniving schemer who is appalled by Mozart's new ideas and manner. However, Salieri is not one demensional. He is a sympathetic character, who wrestles with his conscience. Feeling betrayed by a god who shows favoritism, he recounts his desire to make music that will provide him with unsurpassable fame. However, his music is ordinary when compared with Mozart's genius, and Salieri is fully aware of this whereas ordinary citizens of Vienna are not. Vowing revenge, Salieri decides to lash out at Mozart: "God's Flute," therefore providing an opportunity for a terrifying confrontation in which Mozart is driven into madness and early death. Everyone can relate to the character of Salieri because we have all felt betrayed when our own specific talents were regarded as inferior to someone else's.
Shaffer introduces us to two tortured individuals who are nevertheless sympathetic and unforgettable. Please give this play a chance.

When I was younger, I almost never reread anything. My hunger was so voracious that I gobbled up a book and then rapaciously moved on to the next. But as I've aged, I read less frantically, returning again and again to a few works that especially move me. At the top of the list of such works are the plays of Peter Shaffer. And at the top of that list is his masterpiece "Amadeus."

What I find remarkable about Shaffer's "Amadeus" isn't so much the title character, Mozart, as the character who becomes Mozart's nemesis, Antonio Salieri. Salieri is one of the great tragic figures in literature. He's an individual who appears to genuinely love musical beauty, and who genuinely wants to dedicate his life to it. (In an early scene, for example, he makes a deal with God. "Signore," he begs, "let me be your flute, your mouthpiece. Let me produce absolute beauty. In return, I'll be your slave.") But Salieri is also a hopeless mediocrity. He knows good music when he hears it, but he's simply unable to create it himself. His compositions are acceptable, and sometimes even pleasing to the ear. But when compared with the music of Mozart, they reveal themselves for what they are: technically proficient, but utterly uninspired. The awareness of his own mediocrity, coupled with his absolute yearning for beauty and his life-destroying jealousy of/admiration for Mozart, is the heart of the play. (Milos Forman's 1984 cinematic production of the play unfortunately rewrites the script to put Mozart rather than Salieri centerstage, thereby missing the whole point.)

When one thinks about it--and I believe that this is what makes Shaffer's play so poignant and profound--Salieri is everyperson. Let's face it: most of us are mediocre. We fall somewhere in that great middle zone of "average." We'll never be able to create artworks that express the yearning for beauty that even the dimmest of us occasionally feel.

As if that's not bad enough, the world, as Shaffer demonstrates in his play, is unforgiving of mediocrity when it comes to art. One can work like a demon, as Salieri does, but it's genius that the world wants, genius that the world demands, and genius that the world rewards. Moreover, the creative genius is allowed anything by the admiring world--in fact, the world expects its geniuses to walk to the beat of a countercultural drummer. The mediocre artist, however, is allowed no latitude whatsoever in personal lifestyle.

The paradox of this situation, as well as the horrible burden of mediocrity felt by artists like Salieri (and the rest of us), is the tragic message of "Amadeus." When Salieri at play's end tells us, in his decrepitude and madness, that we can pray to him when we feel the sting of our own shortcomings and he will bless us, most of us ought to shiver. For, after all, we don't want our mediocrity blessed, do we? And yet the tragedy of the human condition is that, blessed or not, it's what we are. And so Shaffer leaves us with this question: how do we overcome our Salieri-like resentment and frustration at not being able to create beauty long enough simply to appreciate beauty when we encounter it?

The best part of the book is the introduction, which tells of the changes made to the script over the years, based on on-going research by the author. I saw the movie and the play, then bought the script in order to compare the different renderings of this amazing story.

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Like a newspaper article, theatre has to convey its story with an economy of words.

In this way, great playwriting is a rare skill much like land the penny toss at the carnival and Shaffer is that rare playwriter who accomplishes his task so seemingly effortlessly.

Deftly, Shaffer tosses his Amadeus and Saliere together and in so doing plays each against their type rendering his Amadeus into the simple squeezebox which provides the background for the languid single note of Saliere's mournful jealousy.

What's so amazing is that in telling us the story of Amadeus' art, Shaffer shares important insights about his own. Don't have too many or too few notes but just the right number. Don't be so flashy in being good that people concentrate on the flashiness instead of the point.

And don't become so engrossed in your art that you lose sight of the ultimate ends it was meant to service in the first place.

Whether we are each more Amadeus or more Saliere we can connect with this play.

One of those books every home needs on the shelf. By the way, read it.

I have made it a habit this year to get through many of the classics on audio book during my daily commute. I picked Pilgrim's Progress since it was one of the most influential English books ever published, and I wanted to see what it was all about.

The audio book was published by Blackstone Audio and the reader was Robert Whitfield. The reader did an excellent job and was very easy to listen to. He did some characterization with his voice that made it easy to know which character was speaking. I was a little worried about the older style English, but it gave me no problem. It probably helps that I am familiar with the King James Version of the Bible. Overall, listening to this book worked out very well.

This is the first book length allegory that I have been through and I thought it was an excellent way to teach. There is no doubt which principal each character is supposed to represent by their name, and their actions represented that well also. I can understand why so many families had this book in their libraries. As far as Christian doctrine goes, there are a few things that some would disagree with, but most of the principals taught are still generally accepted today. The path to God's presence is filled with opposition, but there is help available and the reward is worth it.

I highly recommend this book for anyone wanting to understand an important part of our heritage, and to see what an effective tool allegory is.

I love this book. It was written from a jail cell in the 1600s. This version is the original so the text is difficult to read at first but I would not want a watered down modernized version (which can be purchased). I find if I read in chunks it starts to flow nicely. The characters have names like, "Evangelist", "Piety", "Talkative", "Faith", etc. So you know just where someone is coming from. I have marked up this book with pencil just like I do my scriptures! It is like reading one long parable in story form! Cool book. I'm glad to have found it.

We've read this book to our son and he has really enjoyed it. He doesn't yet fully understand everything and we had to stop and explain a lot to him, but it is something that we plan on reading over and over again as our kids continue to grow.
I read a review that stated that a main flaw in this book was the lack of one on one relationship with Christ. I can understand what they are saying, but I think what you have to keep in mind is that while we are here on earth and in our day and age we do not physically see Christ. He was once here walking and living on this earth, but He is now in heaven. He uses other means now to maintain a personal relationship with us. For example, we can know Christ through His word and through prayer. Just as in the book, He often also sends other Christians along in our life to help us and encourage us. This book is a good example of a walk of faith. We can't see and physically touch Christ right now, but when we are in heaven we WILL see Him just as Bunyan talks about in the book. Christian persevered in his walk without physically seeing Christ and he was rewarded in the end for his faith. For now, how much greater our reward is for those who have not seen Him and yet believed!

Every christian household should have this volume to read and share with the famiy. It never fails to bring me to tears when pilgrim falls before the cross and looses the burden of sin. It is a must have for every christian library and the additional insights from Bunyan are a added blessing!! I cannot say enough good things .....

I liked the Singapore Grip, but the Siege of Krishnapur stunned me. It was wry, light and devastatingly apt at developing each character. He took no prisoners as the clueless denizens of the Raj came to realize, or not, the depth of their ignorance and folly. Loved it.

The Indian mutiny of 1857 sees the cantoment of Krishnapur besieged by sepoys. For three months Mr Hopkins (the collector) galvanises the British community in resisting the onslaught...
This book is superbly written and often reminds one of the style of George Elliot. It is both witty and profound and wonderfully researched and charactorized.Like the best of Elliot,Farrell uses his narrative to inform on other topics-the great cholera debate;the Great Exhibition at the Crystal Palace- and questions the basis of what culture actually lends to civilisation.
Books like this just don't get written these days.

Paul Scott wrote in his RAJ QUARTET that it was in India during the last days of the Raj that the British came to the end of themselves as they were. In this superb Booker Prize-winning novel written concurrently with the QUARTET (and which casts a similar cold eye towards the British imperial ambitions in India), J. G. Farrell shows how the Raj itself was formed and how it already carried within it in embryo the seeds of the destruction for the entire Empire. The novel takes place in a city in Northeastern India during 1857, the year of the Great Sepoy Rebellion: the British stationed in Krishnapur hear vague rumors of what they will call "The Mutiny" from faraway towns but are mostly unwilling to take them seriously. The ensuing siege they endure carries on for months as they wait for help to relieve them; though slowly forced to an absolute subsistence level--and then to even less--, they refuse to relinquish the habits of social conditioning that have made them already who they are. Social snobbery, physical modesty, gender segregation: all remain firmly ensconced even as their physical conditions start deteriorating so greatly they start dying in large numbers.

The novel's subject would seem to suggest that the novel would make for almost unbearable reading: oddly it does not, because the characters of the novel (who are almost entirely British) maintain such a droll and uncomprehending attitude towards their conditions, no matter how desperate things seem. Thus, since Farrell focalizes his narrative mostly through his thoughts, everything seems unreal throughout the entire siege and not quite so nightmarish as it might have been had he used a more distanced narrator. The work is in part a parody of old-fashioned "Mutiny novels," so you should know that the ending is very much in keeping with those kinds of novels (which proliferated throughout the Empire during the latter half of the nineteenth century); characteristically, however, Farrell puts his own intelligent spin on things, so even if the ending you had been expecting does occur it doesn't in the way you had expected. This is the second, and perhaps most famous, of the three superb works of Farrell's "Empire" trilogy which beautifully illustrates the conditions of Empire described in another nearly coeval work, Jan Morris's famous PAX BRITTANICA trilogy. It's exciting, amusing, intelligent, and greatly worth reading.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

"The Siege of Krishnapur', the second of J.G. Farrell's now classic works on the British Empire, (see also Troubles (New York Review Books Classics) and The Singapore Grip (New York Review Books Classics)) is a fictionalized account of the Siege of Lucknow during the Great Mutiny of 1857-1858 (aka the Sepoy Rebellion). The mutiny or rebellion, depending on one's point of view, was ultimately defeated by the British and led to the replacement of East India Company rule by direct British governance under the Raj.

Farrell masterfully recreates the insular British upper-class life in India - and the siege only intensifies this insularity. As the siege drags on and on, the inhabitants strive to maintain expected standards of behavior and decorum. Farrell populates his book with interesting characters who debate and dispute morality, religion, progress, and civilization.

Excellent introductions are a hallmark of the New York Review of Books Classics and the introduction to this volume by Pankaj Mishra places the book in historical and cultural context and adds significant value.

Highest Recommendation.

Atmosphere and a strong sense of place make this novel excerpt about early 20th Century New Orleans a delightful yet very dark treat. You can feel the magic swirling above the city's squalid streets and quarters, and Maistros gets the sound of people's thoughts and voices just right. The opening imagery turns downright unforgettable, setting the stage for what can only be darker events to come. Characters' moral struggles, only hinted at in this beginning section, will clearly take center stage in a tale that uses the sultry air and sound of the Big Easy to great advantage. Coupled with a dark yet evocative title, and lyrical prose, The Sound of Building Coffins is a promising start to the kind of book we expect to "break out" and bring the author to prominence. Based on the start, it would be highly deserved.

The music and the magic...and the gruesome details. What a fantastic book. Reading THE SOUND OF BUILDING COFFINS is like stepping through a portal into a dark yet tasty past. The sights, sounds, and scents of New Orleans are here, the real emotions of real people, and the compelling lure of jazz music.

And like THE BIG PUNCH, Maistros's first novel, this thing will knock the wind out of you.

I'm looking forward to his next one.

This exerpt is driving me crazy. It features profoundly haunting images (perhaps uplifting, perhaps disturbing), unique, believable characters, and a strong sense of place. It's an exerpt from a larger work, and it's stuck in my head like a moving song I can only remember the chorus of.

Amazon, why not provide a link to let me buy the complete novel - at least in in e-book format?

The Sound of Building Coffins by L. Maistros presents a masterfully crafted introduction to the world of Voodoo and mystical realism in New Orleans.

We begin by following Typhus Morningstar, one of a clan of siblings with 'sickly' names. At nine, Typhus works (so far) as a deliverer of unborn babies to their watery rebirth. The scene of transfiguration from dead fetus to live catfish is extremely thought provoking as well as paints touching and magical imagery. There is definitely something special about this boy.

Noonday Morningstar, father of Typhus' family and Baptist minister, hears God's voice every day; sometimes every minute. He has little choice but to follow the call. That's his lot. One call brings him to the home of an ailing one-year-old. While reading scripture to the child, the voice of Jesus calls out for Noonday to scram. What follows in the scene with the child is eerily provocative and telling of the mystical forces at work behind Voodoo.

The author does an excellent job a relaying this story through various perspectives. I was completely enthralled throughout. While there were a small handful of incomplete sentences (the subject was MIA), no other flaws were noted and nothing really comprised the overall flow of the story. Job well done.

Oh why did PW miss this? The opening's grand--a midnight ride in Storyville-era New Orleans. Can it get more moon-dark-midnight than this? A kid named Typhus on an errand with a burlap sack in his bicycle basket...

Of course, I wonder what parent would name their kid Typhus. Noonday Morningstar claimed naming his children for diseases was for God's glory.

Typhus isn't a complex kid. He doesn't appear to hate his name or anything else. He likes things simple and he hopes he never grows past the point of a simple cure for his problems:

"Typhus loved his midnight bicycle rides. The sound of the water, the feel of night air against his skin, and the acrid smell of burning tar; it all conspired into a comforting sense of oneness with his father's God. And that's all his child's heart had ever really pined for. Not much else, anyway."

On those rides, Typhus gives life to the lifeless--and catfishes to the river. His friend, Marcus, has a strange obsession with fishes, too. Sometimes he catches perfectly good ones and throws them back...

Oh, why don't I have the rest of this? The characterization is good. The feel is dark as 87% cacao and just as bittersweet. I don't know why Penguin or PW missed this excerpt, but I'm glad I saw it and had an opportunity to make note. The writing's submission quality and the story's quite different.

Congratulations, Louis Maistros, on an excerpt well done. I wish I had the rest and I will be looking for the book. I hope it hits my store's shelves soon.

Contrary to some beliefs, female Rabbis have added immeasurably to the wealth of Jewish thought and understanding. This book is an example of such wisdom. If you are looking for a good gift for someone struggling with loss - this is it.

Although I (Thank God) have not experienced a tragic loss like the ones described in Rabbi Levy's book, I related to and loved every chapter. I have read this book twice and have given it to at least 5 friends to read. Why does this book touch me in such a personal way? I am not quite sure (I'll just have to read it again!)

Perhaps it's her down to earth writing. Perhaps it's the human-ness of the book - real people with real problems (or ordinary people with extraordinary situations?). Perhaps it's the use of blessings to confirm life itself. Perhaps it is a confirmation of Judaism (liberal or traditional) as a path to live a more fulfilling life even when life "isn't fair." Perhaps it is a realization, as we mature, that bad does happen (and, sometimes good does come out of bad). Also, human pain is real and common - and, becomes easier to live with in a caring community.

My husband is Romanian Orthodox who is dealing with Multiple Myeloma, a cancer of the bone marrow plasma. I am Jewish and dealing with his disease and other issues. But we both have found enormous comfort and wisdom in this book. He has read many spiritual books since his diagnosis but this is the book he continually goes back to. Because of Rabbi Levy's style of talking about her own experience and that of her congregants, she offers a spirituality that is not abstract but very authentic. Because of her humility, I read her books and feel like we are comrades in facing the tribulations of life. I feel less alone. This is definitely the best book I have ever read about practical spirituality and one that I recommend whenever I can.

In this very personal book Rabbi Levy takes us through her own very personal story of loss so that we may ourselves recover from the death of a loved one. As a young teenager she lost her father and in this work of nonfiction she takes us through her struggle with G-d (HaShem), with helping her mother, and with living the rest of her life without her dad. We are able, as readers, to bond with the author as she takes us through her life from teenager to young adult and then through college. We experience the transformation of Rabbi Levy through rabbinical school to her obtaining a pulpit of her own in a congregation full of daily and weekly worshipers. Each chapter of this inspiring book finishes itself with a wonderful peaceful serene meditation that leaves the reader feeling just wonderfully at peace and without grief. This book was recommended to me by my therapist. I was hesitant to read it at first because it was written by a female Rabbi. I did not feel that I would have anything to gain from the female perspective. Then I had to stop and think. I am grieving over the loss of my dear beloved wife who died too young at the age of 47 from brain cancer. She is up there in heaven whacking me on the side of the head if I don't change my "Archie Bunker" ideas and read the book. Well, I did. It proved to be a defining decision in my road to recovery from grief. This book is one of two that I read and, along with individual and group therapy that helped me overcome the 2.5 year nursing home ordeal of brain cancer, that finally culminated in death. It does not matter whether you are Jewish or not, whether you are male or female, buy this book if someone you love has died, it will help you.

If I had a wish it would be to talk to Rabbi Levy. What a wonderful source of wisdom she is. I usually speed read books but this one I purchased after the prayer book and it has been rabbit eared, underlined, and had many tears spilled on it's pages. My story is a series of bad things over the last ten years and I've turned to many books and people for guidance. Now I realize God is there and he is there in this book. This book helped me believe again. She also said something that helped me explain myself to my family. I read all the time. Especially spiritual books; She talks about how studying and reading can be God's way of talking to you. This book is an example of that through Rabbi Levy. I admire her for her strength to become a Rabbi. I always wish my church would let women be Priests so I understand her prayers to be able to become a Rabbi. Anyone going through any kind of difficult time could benefit from this book. Her own experience, when you look at her smiling picture in the back of the book, you cannot believe her father was murdered. I guess it is true that great sorrow often gives way to great wisdom. This one will stay by my bed with my rosary.

Mitchell, a well-known reporter, has filled a role in history that will always be remembered and loved by those who lived the life he wrote about.

The people in his stories are unique and have qualities some would find interesting. His writing is very descriptive and he captures countless details not understood or seen by the casual passerby. You can easily place yourself as a fly on the wall soaking in your surroundings.

If you read Up in the Old Hotel with literary merit in mind, then you will be in for a good dose of excellent writing by a standard of yesteryear. If you are looking for people who fit outside the box, you will surely find them. If you are looking for a glimpse of the past, then be prepared to journey back with a fine guide who didn't miss a thing.

There will be many of the older generation that will remember, with clarity, when Mitchell's writings first appeared and the impact they made. It is to this group that I recommend Up in the Old Hotel.

Though a brilliant writer, I was not drawn to his stories. For me they lacked the "snap, crackle, and pop" of today's aggressive writing style. If New York had been my home over the years, then I would have found a deeper appreciation and understanding for those who made up Mitchell's fine work.

Armchair Interviews says: From a man who knew how to observe and then put it down on paper.

Joseph Mitchell, a fine writer for The New Yorker magazine, put together a wonderful grouping of short stories during his many years of searching out the people and interesting places in New York City which was his beat for many years. I highly recommend this book to those who enjoy a good story about ordinary people, or one of an interesting landmark s such as McSorley's Bar and the people who frquented it during the 1920's and 1930's. It has been at the same location since 1854 and is still there today. My favorites are the first story, The Old House At Home (about Mcsorley's) and Mr. Hunter's Grave, towards the end of the book. Many others are excellent and bring out the heart of the city and its people. To me it brought back New York as it was then with kids "roasting mickies" as I did as a child in New York. G. H. Owens

A book that covers the nooks and crannies of lower Manhattan. Oddball characters are brought to full
bloom under the author's pen. He knew how to listen! Towards the back some great essays on
growing up along the Carolina coast.

Up in the Old Hotel is a masterpiece. I've read it so many times (it is my ultimate desert island book) and have yet to tire of it. The essays (and the few short stories that are included) are timeless, generous works of genius. Joseph Mitchell captures his odd and wonderful subjects as richly realized individuals, and appreciates the smallest of beautiful, dark and humorous nuances. His vision is presented so humbly and offhandedly, yet with absolute precision and so much respect. You truly feel a part of the experience. I'm not sure there is anyone who could write better. All of the essays are amazing, but my favorites are Mr. Hunter's Grave, The Old House at Home, Mazie, and Up in the Old Hotel. The short stories in Section II of the first book are heart wrenching. This book also makes a really great gift.

Are you going to visit "the City"? Have you been to NYC (and loved it)? Up in the Old Hotel was written before most of us were born but still delivers the savory secrets of this great metropolis. Characters abound who could only exist in NY. Meet them before you go. And be sure to eat a slice of Ray's pizza on Sixth Ave. and 11th Street!

This book is great for infants. It shows babies a cute way to stop crying by involving animal noises and adorable illustrations of all the animals trying to help. This is a great bedtime book.

Awesome book! Great pictures, not too much text, opportunities to make animal noises. Our youngest adores this book and the older ones love to sit and "read" outloud making all the noises.

I've been reading this book to my son since he was 2 months old before bedtime and he LOVES it, especially when I say "boo... hooo... hoo". He smiles everytime I bring it out and looks at me funny if I bring something else out before bedtime. He loves to look at the pages and I do too! It's a simple, fun story that gives you the opportunity to perfect your mooing, mewing, barking and quacking skills. (I assume I'll be using these skills for a while).

I started reading this book to my daughter when she was 17-months-old. At that age, she was saying simple words, so she loved pointing at the pictures of the animals and saying "kitty" and "dog." I enjoyed making the animal sounds and having her repeat them. It's a fun story --- following the animals' attempts to soothe the crying baby --- and a fun book to read.

Great for your boo-hoo baby. Lots of animal noises, cute illustrations, a fun story and a happy ending for the sleepy sobbing baby. I read it to my son, and get lots of smiles.

Delightful stories of the Hundred-Acre Wood and all of its lovable characters. Pooh and friends have quite a few adventures (or misadventures) in this collection of Winnie-the-Pooh stories. The stories remind me of childhood, making them special each time I reread them. I wouldn't even be able to choose my favorite chapter in this book -- each one is full of wonder, laughter, and Pooh.

The charming and timeless story of Christopher Robin, Winnie-the-Pooh, their friends and their adventures. I truly enjoyed this more than I thought I would. After all the years working at TDS where we had the Disney version of Winnie-the-Pooh shoved at us from all directions, I'd taken to having a distinctly soured view of the bear and all his friends.

It occurred to me one day that I had never actually read the original, and thought maybe I should give that a chance, and am glad that I did. It's a simple and direct story, and proved to be a joy to read.

What does it say of a reader who, as an adult, reads 'Winnie the Pooh' for the first time - and - and - feels it one of the best novels he ever read.
So pristine, so perfect - would I have appreciated it as a child? Who knows (I was too busy feeding my literary hunger with comics). Anyway I have my copy of 'Winnie the Pooh' on the top shelf of my book case, next to the others I consider great (Ulysses, 1984, Great Expectations ...) for all to see.
And who can contest that for "I am a bear of very little brain, and big things bother me".

My 2 1/2 year old loves this! It is soooo much better than letting her watch tv as this uses her imagination. I'm very happy I bought this.

This book was such a sweet little something to come home to at night. This book isn't just for kids, but for adults too! relax and enjoy!

As a spiritual author myself-- it is rare that I hear something really new and interesting-- Vaishali is my soul sister for sure...I heard Vaishali on a radio show several months ago-- she was that rare combination of authenticity , irreverance and a wealth of knowledge. Her book has so much in every chapture-- get a nice cold beverage put your feet up and enjoy!

patrice karst www.patricekarst.com

Vaishali's You Are What You Love is absolutely fabulous. So many "esoteric" books lose the reader or speak in terms that are way over the heads of beginners on the path to self. She writes so directly and explains Swedenborg's theories in a delightful way. Vaishali isn't afraid to speak the truth and her humor adds spice to a subject that is often very dry.

Her book opens doors for both the seasoned seeker and the newcomer. There is nothing pretentious about her writing style. I have become aware of moments in my own life where I am acting from a head consciousness when really I should be following my heart consciousness. She covers all of the big arenas of self discovery and growth- surrender, self acceptance, forgiveness ~ and weave them consistently throughout each subject tying them all beautifully together. My awareness of what I give my attention to on a daily basis has been raised to a new level. Through reading her book, I have glimpsed true expansion and the possibilities of more peace in my daily life. Thank you for this insightful and funny book...a must read for anyone wanting to live a more authentic, heart centered life.

Vaishali has the ability to cut through all the extraneous stuff straight to the heart of the matter and make everything so clear!

GREAT READ!

As a personal friend and colleague of Vaishali's, I find her unique infusion of humor and willingness to address the darker aspects of human nature to be a refreshing alternative to most of the Pollyanna fortune cookie platitudes that tend to dominate this genre. "You Are What You Love" is actually a very forthright declaration that each of us must love whatever it is that most occupies our thoughts, even if we are complaining about it.

Vaishali's book asks a simple question to the reader, "What do you love?" Throughout the book the reader will continue to ask this question to themselves, and the book helps to guide the individual to find honest answers. If you know what you love, then you know who you are and what you are looking for. Without observation, life will pass you by and leave you with regrets later. Everyone should read this book to help spark their soul journey in the right direction.