Music Books

Great service. What a wonderful book to share with a family who has just adopted a new baby.

The story is a nice sentiment. The song is slow and difficult to sing. I used the book with children 4-8 but couldn't teach them the song.

I was so touched by this book and the CD that I ordered copies for close friends and relatives to give at Christmas. This book expresses my gratefulness so well and I wanted to give this to others. I have received many grateful comments back. A sweet book and an inspiration to look at what one has and not what one has not.

This book really says in a very few words all we need to know about living a full, rich, peaceful, serene life.

The illustrations actually filled my heart with those same feelings, eliciting quite a response physically and heartfully.

Add the included CD and it is no longer a question, adding this book to your library is a necessity.

In fact, it would make a good coffee table book.....

The simple text acknowledges that the world is not perfect... it is blemished, and it is up to us to choose whether to "moan or sing" and whether to "count sheep or our blessings".

This will be one I will collect several copies to give away and keep around my house.

Although labeled for the three and up age range, my experience suggests this book will appeal more to parents and caregivers than to toddlers.

LYRICS: The lyrics repeatedly use words such as "duly" (as in "duly grateful") -- a contrived phrase which appears repeatedly, apparently because it rhymes with "truly grateful."

CONCEPTS: The ideas--gratitude and choices--are important, and do come across, but not to the age group targeted. Too often, the author tells us, rather than shows us.

Some of the book's concepts are simply inappropriate in terms of developmental level for little ones. For example, "There may be times when I lose the light, and let my spirits sink. But I can't stay depressed When I remember how I'm blessed." Three and four year olds talk and think in terms that are both literal as well as much simpler--glad, sad, mad, etc.

For these reasons, and especially for younger children, you may find it helpful to paraphrase the concepts on each page, using language and examples your little person will understand and relate to.

ILLUSTRATIONS. These are excellent. More than the lyrics, they convey the concepts on each page. Very gentle in their impact on the reader.

SONG. As an Art Garfunkel fan, I didn't find his rendition as inspiring as I'd hoped. It's on a short CD, a single track, less than 5 minutes in length. Finally, the tune isn't particularly catchy and it isn't easy to learn.

LYRICS & MUSIC. On the plus side, both the lyrics and music are included at the end of the book, along with the CD in its endcover envelope.

OVERALL: This is a book most suitable for a thoughtful six year old and a caring parent or grandparent to share and discuss.

Here's a little time travel for you. I first got my hands on this book when I was a little baseball-loving kid, back in 1974. This book scared the hell out of me back then.

Thirty years later it turned up again, and this time it blew my mind. It's one of the most creative, touching, thoughtful, mildly mean-spirited works of literature I've ever come across (And I read books for a living.)

Here's the backstory on the book. It's the early 1970's in Boston, and two witty, profound, slightly geeky local bookstore employees decide to rummage through their childhood baseball-card collections and write a book about their love of the game. Please note: this book **isn't** about baseball or even about baseball cards (here I'm citing the authors in their preface), it's a book about childhood as recalled through the prism of baseball cards.

This book isn't for everyone. It's for grown-up men who loved baseball as boys, weren't very good at it (as the authors admit about themselves), and were probably picked near the end in gym class when teams were being chosen.

This book is probably best (and most mind-blowing) for people who grew up during the late 1950's and early 1960's, as the authors did. But the generations of childhood baseball fans ever since will also find great pleasure in this entirely irreverent and clever book.

"GOOD NIGHT, SIBBI SISTI, WHEREVER YOU ARE." When I read this line in the book back in 1974, it gave me the willies. Now I just grin.

Beautiful, brilliant and witty. Once you have the book, you'll never forget it, and you'll probably keep wanting to show parts of it to fellow fans. However, in the name of humor, the book is a little cruel to some players -- for example, "Hal Griggs was to pitching as Wayne Causey was to hitting -- that is to say, nothing." Even as a kid I was made uncomfortable by things like that. But, some of those things, I just LOVED, like the teasing about how ugly Don Mossi was and about how lousy a hitter Hank Aguirre was ("...I mean to tell you, he couldn't even come close..."). So, where should they have drawn the line? Heck if I know. Also, the book seems to show a bias toward players from Boston and Philadelphia, giving them more space than they deserve, and a lot more kindness. But actually I enjoyed that, since, as a New Yorker, I've always been embarrassed about the disproportionate attention that is usually given to the Yanks and Mets. It's nice to see a couple of other towns getting their turn.

I received this as a Christmas gift one year and was initially disappointed. I had only heard of a few of the guys that were showed on the cards and I set it aside, figuring on sticking it up on my bookshelf with the other boring books that I had and never bothered with. Several days after Christmas we went on the annual family gift return, a day I truly hated. In desperation I grabbed this book off of my pile and took my accustomed place in the back of the station wagon. For the rest of that day and night the only time I put the book down was to eat, and then only briefly. This is a completely irreverent look at baseball as a whole, and the thing that really sealed the deal for me was the card of Whammy Douglas and the comments made by the author. I tried to get my dad to read it because I figured he would get more out of it than I did, (I'm 41 and consider myself to be on the trailing edge of those who might "get it",) but he wasn't interested. Maybe I'll try again. This book might have a limited range of interest, but if you have fond memories of baseball in the 50's and 60's, I think you'll fall right into that range.

This book is a treasure. I think if I had to pack one bag of books for a long stay on a desert island, this would be one of the first ones included. Like one of the other reviewers, I have worn out more than one copy and find myself puzzled why it's been allowed to go out of print.

"The Great American Flipping, Trading and Bubble Gum Card Book" has three principal sections. The first, "Where Have You Gone VINCE DiMaggio" is a warm and very witty recollection of the co-author's childhoods in the 1950s and the central role that baseball cards played in them. Part two, "This Kid Is Going To Make It," is a look at how the baseball card business operated circa 1973, the date of the book's original publication.

As entertaining as these openers are, the best (and largest) part of the book is the one simply called "Profiles." Reproduced in full color are hundreds of cards from the early 1950s to the late 1960s, accompanied by the author's observations about the players immortalized on them. You'll find greats on these pages, like Richie Ashburn, Stan Musial and Ted Williams...but the real joy is the rediscovery of the men on the fringes of the game's glory...."immortals" like Chris Cannizzaro, Frank Leja, Foster Castleman, Clyde Kluttz and Coot Veal. It's tempting to quote from the book at length, but that would spoil the fun. Just to give you a sense of the flavor though, I opened at random to the page featuring Hector Lopez, poor-fielding third baseman for the Yankees and Kansas City A's. After judging Lopez not to be just a bad fielding third baseman for a baseball player, but for a human being, they declare, he did not "simply field a ground ball, he attacked it. Like a farmer trying to kill a snake with a stick."

This is a wonderful book for any baseball fan, and should especially be treasured on those short, cold winter days when the crack of the bat and the warm blue skies and green grass of summer seem oh-so-far away.--William C. Hall

Each of us occasionally has experiences that are so vivid that they make immediate and permanent imprints upon the memory. For example, I can still remember my excited first day of kindergarten, as well as my first glimpse of Three Rivers stadium, as our family car approached it along the jumbled, congested streets of the North Side.

Believe it or not, I can similarly remember my first experiences reading this book, as though they were yesterday. I was in grad school in California, and a friend was visiting me with this book in tow. As he spread out a sleeping bag and nodded off to sleep, I curled up with his magnificent book. I can still picture that entire scene, my old apartment as it was then, and even one particular page on which I lingered in fascination (the Joe Fornieles profile.) The feeling of reading it was that electric, that hyper-engaging.

A book has got to be good if reading it is remembered as a formative experience.

Let me try another way to explain how much I loved this book. When I couldn't find this book anywhere (it being out of print), I directed a nationwide book search to try to find it for me. They did, a flawless hardback edition that I still treasure, and still maintain in carefully guarded, pristine condition. Mind you, I was a starving grad student when I did this, and could hardly afford such luxuries.

As you can see from the other reviews below, this book takes that type of hold on those who love it.

There are three major sections in this book; one covering the sensory atmosphere of a 1950s suburban childhood, one on the baseball card industry as it existed in 1973, and one a series of profiles of players as depicted on samples from the authors' baseball card collection. The first and third of these are the great ones.

I adore the opening chapter, which brought childhood back to me even though I didn't grow up in the same era as the authors. But some things are universal I guess, including the way that childhood memories exist as scraps and floating debris of the odd popular cultures through which we guide our children.

Boyd and Harris's childhood world will be recognizable to anyone who grew up in America -- a world of advertising jingles, cap guns, yo-yos, Pez, and of course, baseball cards. A time cycle in which the kids learn to break down the interminable flow of their school year according to the changing weather, the holidays and favorite activities of each mini-season. And even those of us whose childhoods weren't so innocent nevertheless cling to those small fragments of memory of a time when we had no responsibilities and the world was a fascinating and wondrous place. I once wrote a newspaper review of this book in which I referred to this opening chapter as Marcel Proust in Levittown, and I think it still fits.

But the real core of the book is the "Profiles" section. This is a procession of baseball cards, one after another, two per page, each of which triggers a particular set of memories from the authors. Many of these, if not most, are really funny. But others are poignant.

Not all of the little capsule profiles are about the players themselves. Sometimes the authors take the opportunity to laugh over the baseball card itself -- a goofy pose, a bad airbrushing job, an inexplicable caption, an ill-considered description on the back.

It's an exquisite feeling, thumbing through their card collection with them. You feel the pang of reverence for the Ted Williams card. You snicker over Choo-Choo Coleman and the lousy catchers collected by the New York Mets. You ponder how it could be that Charlie Smith was traded straight up for Roger Maris. You nod knowingly over the author's continual confusion of Mike de la Hoz and Bob del Greco.

The visual design of the book is central to its power, which is why I particularly treasure my hardback edition. One page of umpire cards has a colored backround on which is stamped,simply, "Boo, Boo, Boo, Boo. . ." A page with the cards of Jackie Robinson and Roberto Clemente contains no commentary, just a respectful black background (each had recently passed at the time of the book's original publication.)

Somehow it all seems to mean something, even without seeming to try to mean anything. And therein lies the book's genius.

I know of no other baseball book like this one. It defies categorization, and despite my poor effort above, it really defies description. Buy it, hide it, shut the door and turn out the world, savor it, ponder it, laugh at it, love it.

Have a good time. It's meant to be fun, you know. Let's play two.

A great guide to guitar repair! Highly recommended to those who wish to learn more about the whys and whats of guitars and how to do your own modifications. If not doing your own modificiations, at least to know more
about how they are done, what to look for and feel more confident when
dealing with your guitar tech as you will be better educated and more informed with respect to the guitar and its components after reading this book.

You will not find a more comprehensive guide to guitar repair nor will you find a more knowledgable or experienced guide then Dan. You will not be disappointed.

I waited for the most recent edition to come out, and I'm glad I did. This is THE repair guide to have for guitar. Covers just about everything (or at least points you in the right direction).

I was about 5- to 7-years-old when I watched Dan Erlewine and his band, The Prime Movers, rehearse in my basement and across the street in my neighbors' living room. Then, in 1969 at age 8, I started playing guitar and haven't stopped. Finally in April 2008, I bought Dan's books, "Guitar Player Repair Guide" and "How to Make Your Electric Guitar Play Great." Wish I'd had this information 30 years ago.

Brilliant.

Not much to say about it, if you play guitar and you care about details, you cannot go without it!

excelent transcriptions, and wait for purchase first part

Guns N' Roses Complete, Vol. 2 is a must buy for GNR fans and guitarists. This book contains 28 songs from M(Mama Kin)-Y(Your Crazy) including: "Mr. Brownstone" "My Michelle", "Night Train", "November Rain", "Paradise City" , "Patience", "Sweet Child O' Mine" and of course "Welcome to the Jungle".

As the title suggests, every guitar riff, arrangement, rhythm, lick, solo, and fill is fully transcribed, note-for-note, in music and TAB! From the timeless intro and solos of "Sweet Child O' Mine" to the wooing acoustics of "Patience", it's all here, fully transcribed to learn. The transcriptions themselves are of the best quality money can buy and include all of the guitars in each song, not just rhythm or lead. As a bonus, the lead vocals are also included and make following the music much easier. Basically, all your GNR needs are found here and in Volume 1. (By the way ,if you are debating, buy Volume 2 first because, by chance, most of GNR's hit-songs begin with M-Z--as listed above)

It is worthwhile to note that when I say 'perfect', I mean it subjectively. There are people out there you critique the book's accuracy. However, all of these arguments are inconsequential. For instance, I heard someone say that on the final two notes of "Mr. Brownstone's" signature riff, Slash uses a 1/2 bend instead of a hammer-on as the book denotes. To this and similar claims I respond with: Who Cares! They both sound the same, both give you the same pitch and sound, and you play it so quickly it really makes absolutely no difference. Most of the "Inaccuracies" claimed of this book are equally trivial, and depend on what each person perceives. To be fair to critics and any claims I have not refuted or heard I will compromise that % 99.99 of the book is accurate.

Now, while the transcriptions themselves are out of this world and need no further discussion, I have a word of caution. Be prepared to work hard for them! Despite the inclusion of the lyrics, it is very hard to follow the music at times (I can read music and still go through hell at times). And this is only made worse by the fact the pages are as crowded and hectic as the beaches of Normandy; any notation denoting a coda or repeat is easily lost in the jumble of rhythm slashes, fill and riff signalers, chords and other special notations. You will find that making sense of it all is a task in and of its self, and thus learning a new song can be annoying as you try to follow it all. I would be willing to pay more money for a thicker book if the authors would write out all the parts on the same staff all the time, instead of resorting to the short cuts they take.
For example: the book will often say "Play Riff A" over the staff, referring you to an obscure rhythm piece written out two pages back, which you now have to hunt down, recall, then flip back to the original page, figure out how it fits and play...etc. This and other similar little short-cuts are ANNOYING! Would it kill them to simply write-out bloody "Riff A" again where it is supposed to be played?

That said, if you can't read music (or read at all), this book will be very hard to follow. Yes, it includes TAB, but without the musical knowledge it will be hard to know what is going on. Also, for any would-be-Slashes-and-Izzys out there (including myself), none of these songs are quick and simple to learn, so if you are only a casual guitarist or fan, don't waste your time and money. You will need patience and skill to play what's in this book because, after all, this is a note-for-note transcription of Slash and Izzy's playing. If you are easily frustrated or bored, this book isn't for you, and you would be better off buying one of the more simply arranged books available on Amazon. But if you really want to rock-out just as GNR did for whatever reason, by all means BUY THIS BOOK! You will find yourself learning not only the songs, but tons of musical techniques and skills.

Guns N' Roses Complete, Vol. 2 is a fantastic buy if you are looking for the perfect guitar transcriptions of many GNRS songs. As long as you are willing to go through the long hours of practice and some frustrating layout issues, this book will rock you world with its priceless contents! (Conveniently priced under $20)

Well there are only a couple of things I have to say. Those things are:

1. Guns n roses what else do I have to say?

2. If you are a big fan and what to play their songs, buy this along with volume 1.

3. Guns n roses rule.

4. buy it

5. this is an ordinary tab book and it's of one of the many classic bands.

6. the notes are PERFECT so you do not have to go searching for them on the internet for hours to end up with the wrong notes.

7. has lyrics to help you find your way

8: Hoped it helped and pushed you over the edge to buy it.

Finally I can learn the songs how they're supposed to be played. I've downloaded and printed so many different versions of tabs of some of the songs in this book and most of them just never sounded right. This is a great collection of songs, I have the tab book for use your illusions II and I really didn't want to go out and buy all of their other album tabs seperately. This was the perfect solution. Excellent collection.
Just don't expect to be playing these songs the day you get this book - Slash isn't human, some of this stuff is impossible.

From the humble beginings of Reckless Life and It's So Easy through to their transition into the best rock band on the planet this book covers every song from the Gunners first 4 albums, unlike "GNR For Easy Guitar" everything from fills and intros to solos and riffs is covered.

Full of detail and top notch tabbing, the two volumes of Guns N' Roses Complete are the definitive guide to Izzy and Slash's guitar playing. I searched for these titles for many weeks and could not have been happier when they were delivered. Make sure you grab your copy of these hard to find titles before its too late. Over 45 songs in total are covered (22 on the first and 28 on the second)

To conclude if you buy any GNR tab books, make sure you get these two, plenty of songs and a good price

this book is great for an older beatle fan. i grew up with them from ed sullivan on. while we all had our own ideas what every song was about it was good to finally learn the true meaning of so many of my favorite songs.

This book provides many great details in the stories behind the songs. My husband and I both love it. It's a must-have for any true Beatles fan!

This is so interesting on what was the inspiration behind the "BEATLES'" songwriting.

This is a lovely book, exactly as advertised. Wonderful anecdotes from my growing-up years in the 60's. It's a gift for a musician friend who shares our love of the Beatles. I'm going to order a copy for my husband this Christmas as well...he'll have to fight me for it.

This book is very valuable for people who haven't read many Beatle books and don't know much about them or their music. If you fall into that category you will find this book indispensible. It gives an accurate outline of the stories behind every Beatle song, and what interesting stories they are. The people who inadvertantly influenced their writing, the events that inspired them to write a particular song, (sometimes a TV commercial or innocuous statement made by someone in the room or in their recent past.) A wonderful insight into their creative process and into their minds as well. Unfortunately for me, I've read so many Beatle books, that I have heard all of these stories before, so by the time I came across this book, it was kind of anticlimactic. Even so, there were still some things I didn't know like, Everybody's Got Something to Hide Except for Me and My Monkee is actually referring to Yoko Ono,(she's John's monkee) and is not about having a heroin habit, like I had assumed. I won't give anymore away though because if you are reading this, I recommend that you read A Hard Day's Write and find out for yourself.

The only thing I found mildly annoying, is the author's slight over analysis of Lennon's songs. Maybe he is right about most of them, he certainly doesn't seem off the mark when he talks about Lennon's abandonment issues. However his editorialising about John's, And Your Bird Can Sing really got under my skin. He seems to have the idea that John is singing about Paul in this song, and trying to say that Paul isn't as cool as he is, when he sings, "Tell me that you've heard every sound there is" etc. According to Turner, when he sings, "You say you've seen seven wonders," he's referring to Paul's "seven levels" remark when they first got high together. (huh?) What does one have to do with the other? John uses the 'seven wonders' reference as a metephor for someone who's 'seen it all'. I picked up on that when I was eleven for heaven sake. It's so obvious. And it's anyone's guess who he's singing about. Maybe he's singing about himself! Or the press, or maybe the fans, or the establishment...whatever. It was beyond stupid for Turner to stick this song with his clumsy oppinions. No one knows what the song is about. It makes me think that maybe Turner is the one who thinks this about Paul and he was looking for something in John's lyrics to validate HIS feeling. He even talks about the Anthology 2 version of the song, where John and Paul break into uncontrolled giggling at the mic, saying that Paul seemed unaware that the song is about him, judging from his giggling. Yeah Mr. Turner, only you and your idol John Lennon are in on what the song really means. I guess he whispered it in your ear and told you not to tell Paul. And what a fool Paul is! Here he is thinking that John Lennon is his friend, when he really isn't! Thankfully there is you, Steve Turner to set things straight. Hopefully Paul read your drops of wisdom and realized once and for all that he just wasn't cool enough to be friends with that wonderful Lennon.

Every once in a while, Turner's feelings seem to peak through like this, and it diminishes what is otherwise, a great read. There are a couple caption mistakes, especially a big one which features more editorialising. On one page there is a large picture of a Beatle reclining in his seat on a PanAm jet. It looks like the flight to New York on Feb. 7, 1964. He has a clothe over his face, so you really can't tell who it is, except...if you look at the watch worn on the right wrist instead of the left,the checked shirt, and the cuff links,you'll know that it is definitly Paul. ( he was dressed this way on that flight, while John had a white shirt and was sitting with his wife.) But Turner writes in the caption that JOHN always needed time to be alone and get away from it all and the picture shows this. No it shows that PAUL needed time to be alone and get away from it all. Or maybe he was just TIRED and needed a nap! This editorialising is dumb. Like he's trying to show that John was the only one who needed to be alone. Because he was cooler?,more brilliant?,the 'artistic Beatle'?,the 'smart Beatle?' Paul was maybe too busy being 'cute'.

In his quest to analyze John's songs (to death) he under analyzes Paul's, even Yesterday, which most Beatle scholars think is subconsciously about his mother. But Turner seems to think that if Paul is not writing about Jane Asher, he is writing about.... nothing. Only John has deep feelings that are revealed in his songs. Only John was hurt by the loss of his mother. Not that 'cute Beatle.' He has no feelings and was hurt by nothing.

Except for these flaws, A Hard Day's Write is an interesting book, and highly recommended. I just hate when Beatle writers try to perpetuate the myth that John was the only smart one. The only artistic one. etc. It reduces their credibility. The best Beatle books never stoop to subjective editorialising.

As a person surving MS, times of pain,frustration and stress can really be a hinderance to you and the disease. Just taking a few needed precious moments to listen to this guided imagery tape will help you "let go." I listen to it every night and never get tired of it. There have been many times during the day when I have made time to listen to it also. The tape has gotten me through some tough days. You will be pleased to have this as part of YOUR MS survival armory.

This is an incredible little tape. Side 1 is the guided imagery which is I guess about 20 minutes and side 2 has some reinforcement phrases to say to yourself. The guided imagery is terrific. She takes you to a s pecial place, you address your immune system directly, telling it you're ok and they can stand down, and she helps you surround yourself with support. The first time I listened I cried like I hadn't cried in a long time. I didn't know how much I had kept inside. It is such a good tape I can't say enough.

With a soothing voice Belleruth Naperstek leads the listener to a sense of peace through calming meditative words. It would seem to be helpful to anyone contending with cancer. It is not, however, as helpful to those experiencing other cancer related disease, especially blood related. Leukemia, for example, would require very different images. Still, it would be somewhat helpful to someone with leukemia or lymphoma if they are not terrible distracted by the brief imagery specifically related to tumor cancers.

I found this tape one of the most healing avenues that I have tried. It helps me to let go of the tense, and feelings whether they are mental or physical. It is a gift to yourself to try this tape. I love it.

I think is great to have an imagery tape to relax or heal. Please don't try the tape while driving.

This is a great read-aloud book with fun illustrations! Very jazzy and fun, with a positive theme.

My 2 and 4 year olds love this book! The phrasing is fun. The colors bright. The story about persevering to realize your talent, even when it means eating at all the doggy diners when you're a cat. Though it never says so, the city is clearly San Francisco. So, go, cat, go! Buy the book!

A determined, jazzy cat tries to, and finally succeeds to, make music in a dog-run city, letting the reader see the importance of persevering even in tribulations. The impressionistic, curving illustrations that bleed to the edge every page, as well as the beat poem rhythm of the text, flow together to give the reader an understanding of what jazz is about: improvisation and expression of feelings. Even the placement of the text itself, which sometimes swirls, sometimes indents, and sometimes changes fonts, suggests the unpredictability of jazz music.

This book is definitely hard to get into, but once you do, you're hooked. The jazz theme is awesome (although I wouldn't have chosen a cat...) and the pictures are brilliant. What a great picture book!

This is one of the most amazing children's books I have ever read. Jonathan London is able to convert prose into music. You have a sense of being inside jazz and understanding what it is from a completely emotional standpoint. I was thrilled to have the pleasure of reading this book to my 5 year old son and to introduce him to what jazz feels like. We listened to several Jazz albums after reading this book and the book helped to make a connection to the music. Thank you, Thank you Mr. London for this incredible experience!

Anyone who grew up in the 60's-70's should read this book ... it is very inspiring!

One need not be African-American to love this book. It is a deep insight into a tough time. She talks of things usual life
does not include, as the powerlessness of women doing full nude strip dancing when one or a few refused to have customers give them money in a particularly intrusive way--what awaited such women and what choices did they really have. Neitzsche called Evil, "All that which proceeds out of weakness." He could have had this book in mind. Yet Ethel Water's life has more than defeat.

If you are not moved by this book, you must have a large problem.

Whew, what an upbringing, what a life. Waters goes into great detail about her rearing in the slums of Philadelphia, her life as vaudevillian Sweet Mama Stringbean and finally the Ethel Waters of stage, screen, and records. I didn't really know much about Miss Waters other than her role in the movie Pinky, so this book provided great insight into her life. Pretty good. The conversational tone makes it easy to read.

I've had the hardback 1951 copy of this book for some time, just picked it up to read last week. It is an astounding story of faith, determination, and strength;It is also an excellent insight into Black History pre-Martin Luther King. I hope the paperback version of this is being read. (and I wish Nikki Giovanni would read it as well).
Highly recommended.

When I was a kid, I knew Ethel Waters as that gray haired old lady that sang at the Billy Graham events on TV... In reading this autobiography I discovered the incredible legacy of her recordings and films.

"His Eye Is On the Sparrow" reads just like you're sitting in the room talking with this remarkable woman... The book not only shares the details of her fascinating career, but it is also an absorbing historical record of early 20th century show business and American society. Absolutely fascinating, warm, funny and poignant.

I'm heading to Bali this month and this book provided a great intro to the customs and nature of this island. I'm even more excited to get there after reading it.

I am Balinese and live in Ubud, about 10 minutes walk from where Colin McPhee stayed, when he came to Bali in 1931. My aunt worked for him.

He heard a record of gamelan music in New York and couldn't wait to get to Bali to listen to the real thing.

He stayed in Bali for almost 8 years and set about documenting gamelan music. Much of his research was carried out in a village near Ubud where my Villas are. There are still old people in the village who remember him.

His book is beautifully written and tells stories of his adventures and life in the village and his encounters with the local Balinese. It's not necessary to understand technical music matters to enjoy this book - it is totally accessible.

Highly recommended.

Even as the art & tradition of classical gamelan music fades in Java, gamelans are built & organized in America & Europe, the music is studied & taught in universities. This has occurred since the 70's, when recordings of gamelan music became widely available, particularly in a major series on Nonesuch Explorer. For many people, hearing gamelan for the first time is not only a delightfully exotic experience, the music unlike anything one has heard, but there is often also a strange shock of recognition, as if one somehow already knew the music, although where & how remains a mystery. Perhaps this is what happened to Colin McPhee. For McPhee in 1930, as for so many western musicians since, hearing gamelan inspired something like a religious conversion.

I was given an old copy of this book shortly after I heard gamelan for the first time, & so I was able to follow McPhee on his great adventure to find where the music came from. When he arrived in Bali, he discovered that although the culture was vibrantly alive, much of music was in danger of being lost. He met, befriended, & studied with some greatly talented Balinese musicians, old masters & several younger composers & leaders, including Wayan Lotring & Made Lebah. They set about restoring a Semar Pegulingan gamelan. The task of bringing this music back to life is the "plot" of the "A House In Bali." McPhee quickly realized that his western musical training was of limited value, because the "values" of music - technically & culturally - in Bali were so different. Music had popular, ritual, & concert functions, as in the West. But the music was inseparable from the instruments, & each collection of instruments - each gamelan, was unique. Compositions were learned by rote, in phrases, with the gamelan functioning as a kind of all-ages social club for men. McPhee had to become, as best he could, a person of Bali, a villager, someone with a place & a role in the life of the community. He recounts his immersion in Balinese life, As strange as Bali was for McPhee, he was the "stranger," the outsider, & he remained one, oddly indifferent to what the Balinese thought of his lifestyle. Most inexplicably, he seems not to have become a gamelan musician. One wonders not only how he resisted this experience, but also why?

McPhee later attempted to translate Balinese music into a western idiom using pianos & a symphony orchestra, with beautiful results, but losing what he had learned in the process, Sadly, when he returned home, he had left the most important stuff behind.

I first heard Gamelan was coming out of the oldest temple on the Island of Bali, near Ubud, and was reading this book at the time. I purchased the book at the Jakarta airport and was hooked by the first paragraph. I think that this is a wonderful, insight into the island, the music, it's people and culture. If you have a love for exotic music and or artform, this historical work is a captivating read. My only regret is that Colin McPhee never went back to his beloved Bali.

It's a very interesting book in regards to what I have actually read. It seems to have accounts on Balinese culture. I found it enjoyable and interesting to read because it not only talks about Balinese culture but about the conflict and clashes within the village like the little dancer named Sampih and his dance teacher Nyoman Kaler.

Colin McPhee conveys many interesting things like when bad luck happened in his home in Sayan and how they had to do a purification ceremony in regards to dispel the demons, witches and evil spirits. His wanderings in Bali to record music and study their music like the rare gamelan angklung and gamelan selonding from Tenganan who were the Bali Aga. Colin McPhee was drawn to the scintallinating sounds and metallic shimmer from the gamelan. At times there are humours accounts of what goes on between him and his friends that happen in the village or when they are touring around Bali. I found it enjoyable because, he seemed to have fitted in well with the Balinese people without too much problems compared with other writers before them spoke of barbarity and the animal like behaviour of the Balinese at certain functions. He writes with passion about what goes on and how things have changed with the colonial rule of the Dutch. The loss of autonomy by the Rajas who were reduced to poverty at times and how their obessions with cockfighting led to their ruin. Yet in times of despair and hardship they are always humble to him.

Overall the book contains a few photographs of his friends and colleagues. I found it wonderful and intriguing and as well as captiviting at times which he covers so many topics like the temple functions like Galungan, Wayang Kulit (Shadow Plays), the music club etc... This book you will grow to love like the book written by Miguel Corrovabias "Island of Bali".

Dr. Wemp has the unique ability of "pulling the cookies off the top shelf so we all can enjoy them!" I recommend this book to everyone. I am amazed by ease in which we are drawn into a closer walk. God can use this book to reach a lost friend as well, as he shares the Gospel, the Good News of Christ's death , burial and ressurection to pay the penalty for our sin! Don't miss the wealth this book can bring to your heart!

I was highly impressed with the teachings in this book. Dr. Wemp made the reading very easy, and down to earth. I enjoyed reading this book, and found it to be very practical for every day life. I was also impressed with the fact that Dr. Wemp used the scripture references right in the book, so I know that his thoughts were coming right from the word of God. I have had the opportunity to get to know Dr. Wemp, and it is encouraging to know that the words he writes in all his books are self evedent in his lifestyle. He is a man that loves the Lord, and loves people, and has a heart to see everyone come to know his God better.

Because of the statement that"so many people live such a subnormal Christian life, that when they live a normal Christian life, people think they are abnormal", I was challenged to rethink my Christian experience in light of God's Word. I recommend this book for anyone learning to walk in Christ or for anyone wishing to disciples someone else. A must for a Christian worker's library!

How on Earth can I be spiritual will be of great help to any Christian seeking a balanced treatment of the Holy Spirit. The reader will come away will a deeper understanding and desire to allow the Holy Spirit to have His rightful place in their life. Highly recommended reading for the Christian

I doubt there's another book that so clearly and so simply acquaints the reader with the Holy Spirit. When it comes to the Trinity, it seems that most of us have a better understanding of the Father and the Son than we do of the Holy Spirit. This book will clear up any confusion you might have...it did for me! You will not only develop a deeper understanding of the Holy Spirit, but your spiritual walk will improve drastically. If you go beyond the "reading" of the words, and truly grasp Dr. Wemp's teachings, you will be on your way to a Spirit-controlled life. You will start to understand the power, the comfort, and the leading of the Holy Spirit. You will be excited! I can truthfully say that this is one of the top two or three books that I've ever read. I rate it so highly because of how easy it is to read, how well it educates, and how much it motivates one to be a better Christian. I cannot underestimate what a powerful affect this book can have on your spiritual walk, and I encourage everyone to make this one of the next books they read. I know that I'll be reading this one all over again in the near future.