Music Books

This is a very well written and engaging biography of one of the most incredible musicians of all time. Totally worth it!

This will probably be one of my shorter reviews [A sudden shout: "Yeah, right Doc!"] because I can quickly cut to the chase, to wit, Dr. Alan Walker has produced in this painstakingly researched 3 volume biography [spread out over 25 years during the research] with this 1811-1847 book being the first in that series, the 'definitive' Franz Liszt! This trilogy is a must read for those interested in Liszt and, IMO, is not only the definitive Liszt from "the" acknowledged authority and foremost Franz Liszt scholar but a decided asset to the Liszt biographical literature per se.

Two more comments: Watch the Amazon vendor prices for the 'hardcover' editions! Originally, these were rather pricey books in hardcover [although well worth it! Knopf quality!] but I was able to get 'used' albeit literally mint hardcover editions of the 3 volumes from 3 separate Amazon vendors. What's that? Sure! The original harcover editions were, in order of publication, $25.00, $39.95 and $45.00. I'll generally check out the hardcover offerings over the paperback editions in most of my books and sometimes there are some really exceptional buys out there although if it's a choice between 'good' and 'very good' pay the few dollars extra for the 'very good' or 'like new' grade notations.

Finally, check out among other of Dr. Walker's tomes on Franz Liszt, "The Death of Franz Liszt: Based on the Unpublished Diary of his Pupil Lina Schmalhausen" which is quite an eye-opener with regard to the "treatment" [or lack of same therein] of Liszt prior to his demise. As I said when I reveiewed that book, I trust the source of the diary find as well as the findings and its editing, annotations and examination via Dr. Walker as to the veracity of the Schmalhausen remarks. I quoted the remarks of the conductor, Felix Weingartner, who was 'there' at the time and his own observations [et al] lend credence to the Schmalhausen diary.

So too, and if finances permit and you want Franz Liszt a la mode, get the 3 volumes in one swoop plus the Lina Schmalhausen diary book which was edited and annotated by Dr. Walker in re the death of Liszt and finally, putting it all together, the 2005 published Dr. Alan Walker 'capstone', if you will, "Reflections on Liszt." See my reviews on those two tomes as well.

Doc Tony


What's that? Why not! Doc Walker with a straight white haired wig resurrecting Steve Allen's "Meeting of Minds" and doing the one and only "F. Liszt" as a sort of latter day counter-balance to Victor Borge's 'interpretation' so to speak in that classic Mike Wallace skit! Who better than Doc Walker to play Liszt and concurrently know what he's talking about! Ahhhh! That's the rather cogent difference!

A sudden voice: "What about Doc Walker's Chopin and Schumann tomes?" Fine! They could be played next! ;-) [as I place much trust in Dr. Walker's sense of humor! But the obvious compliment of his research is clearly evident!]

As a music student in the 70's the subtext when discussing Franz Liszt was that he was a showman who leaned on his empty virtuosity. Chopin, Mendelssohn, and Schumann on the other hand, were the true romantic artists.

It's taken me over 35 years of studying piano and music to get to the point where I would read this wonderful biography of Liszt, and my eyes have been opened even wider about the wonderful artistic character of Liszt and his completely indespensible role in 19th century music.

This book (I have all three) is a wonderful read, at some times it is "laugh out loud" funny, and is filled with musical examples that perfectly illustrate the points that Mr. Walker makes.

If you are a musician interested in the piano, or the Romantic period, you owe it to yourself to let the scales fall from your eyes, and read this enlightening exposition.

Alan Walker deserves 5 enthusiastic stars for making his life's purpose the writing of Franz Liszt's definitive biography, and succeeding nearly as well as humanly possible considering the availability of the always-emerging Liszt materials throughout the years. For me, I would have liked to have seen an even more musically-oriented life of Liszt. More than a few times, Walker mentions that eyewitness accounts exist of important concerts, only to refer us in a footnote to some person's diary (probably only available in some Transylvanian dialect if you could ever find it) rather than telling us about it himself. Meanwhile we're treated to almost painfully detailed renderings of Franz's love life with Marie D'Agoult and the many domestic dramas which haunted him as his pursued his life on the concert trail... but these are minor quibbles. The book is great, no doubt about it. Poor Liszt, he was the busiest piano virtuoso in history at that time, traveling in various carriages and carts across thousands of miles of potholed roads where he was jolted mercilessly and endured illness, exhaustion, rain, mud, snow and ice while he raced to his next gig. He was literally thrown to the ground violently at least twice, when wheels dipped into ditches or the drivers fell asleep and the whole carriage overturned. (It's sad and sobering to realize that this is exactly how the original bassist for the rock group Metallica, Cliff Burton, was killed more than 150 years later on a lonely road in Sweden. He was sleeping on the band's tour bus when it overturned. In a similar accident, singer Gloria Estefan was lucky to escape with her life.) Somehow, despite these gritty and dangerous travel conditions, Liszt performed a grueling succession of mostly triumphant concerts everywhere from Italy to Scotland to Russia before he decided he had been bounced around quite enough thank you, and settled down to compose and teach in Weimar, where Volume two of this epic biography begins. Towards the end of Volume 1, I began to feel as if author Walker's spark was fading slightly. And lo and behold, as I began reading Volume 2, I was very pleasantly surprised to see that the intervening years in which the author was researching the next installment had allowed him to completely recharge his batteries, and present part 2 to the public with a fully-renewed sense of brilliance, wit, and passion for his subject matter. Highly recommended reading for biography buffs interested in great musicians and composers!

This is simply the standard of Liszt biography. The fact that Alan Walker researched enough to fill three volumes is an achievement enough, but you know what else makes this biography so good? It's fun to read. Without a doubt, anyone interested in Liszt will find anecdotes, insights, illuminated facts, and even musical analysis of the most colorful and exciting character in classical music: Franz Liszt.

I've read this book twice, actually, and the second time was even more enjoyable. This owes to many things: Alan Walker's superb writing style, eloquent organization (gives the pedantics many footnotes to absorb at the bottom of the page) and a fine cohesion of thoughts and ideas put into each chapter. Sometimes I can't help but enjoy the biography as I would a novel. Yet Walker does not write it like a novel and clearly sets out to chronicle Liszt's life from his youth all the way to his retiring from the concert stage. In between these pivotal times, Walker manages to debunk myths, explore Liszt's underrated music from his virtuoso days, and examine other characters who interacted with the Hungarian composer. Walker is always focused on Liszt but never detracts by discussing Clara and Robert Schumann's reactions, or Sigismond Thalberg, Chopin and even Alkan. Walker depicts their perspective of Liszt and goes on to explain why there were so many misunderstandings.

Stories of Liszt's true meeting with Beethoven, his exciting romance with Marie D'Agoult, the duel with Thalberg, his generous nature to play for charity, and so many enticing stories of his concert days all help to shed light on what a remarkable man Liszt was, and at such a young age, too. The whole book is an exquisite panorama of Liszt's character, detailed through his letters, his travels, his music, and his legacy as researched by the author. What Walker has done is set the standard for the way Liszt should be viewed in the history books. For so long, musicologists were almost feeding us false information. From the really low ones we were even getting propaganda that he was a womanizer, a cheat, some kind of vulgar pianist, and even a fraud. Walker candidly mauls those old and incorrect views into the dust; he explores and accurately dispels the myths and ignorance that so many people harbored and still harbor for him, and for that I feel thankful.

Never have I read a biography twice like this and found the second reading even more engrossing. There is never a dull moment, never a chapter that slows down. To be fair, the only chapter that was uninteresting was the prologue and biographical information of Liszt's family. Despite that, once you're absorbed into Liszt's young world with Czerny, his move to Paris, and his tours all over Europe, it's like being on a rollercoaster ride during the whole book.

Bottom line: Liszt lovers must read this book; it's the best wealth of knowledge to get on the young Franz Liszt and it is written in a way that doesn't just educate, but also entertains. Highly recommended.

Great book for any player. A good 101 of subdividing the funk riddim for both non solo players. These skills are adaptable to almost all other styles of music. Pick it up!

I've always wanted to understand how James Brown got that Funk sound. This book breaks it down for drums, bass, and guitar. It isolates each part so you can focus on finding the groove. The transcriptions are accurate, although some recordings may have variations depending on the player. The book also gives a brief history of the players behind the Godfather of Soul. Bootsy is a monster, and this book has his lines laid out for you. Worth it!

Really a great book. Has a bit of interesting history about James Brown.

Really breaks down the interplay between drums, guitars, and bass on JB's band. Also provides some insight into the different bassists during JB's career. Finally, really provides a good description of the rhythmic interaction between the drummer and bassist.

If you want the FUNK - start here.

As a guitarist, this book rules for expanding your chord base and learning new rhythms. The CD tracks are great to play along with on repeat until you nail 'em, and the historical text is a nice bonus. Quit dorking and buy this book, whether you are just beginning or an expert guitarist. It is a NO BRAINER!

Go no further, it's all broken down for you here: the history, the songs, individual tracks. This is a great learning tool and obviously a labor of love.

On a warm summer evening in either 1954 or 1955, I was lying down listening to the radio when a strange new composition began, something I had never heard before. By the time it got through "The Pink Houseboat," I was definitely hooked. A local radio station was playing the entire SEVEN DREAMS. I told my wife about it, and she ordered it for me for Christmas that year. I still think that it is one of the best things ever recorded. It was after this that I became an avid Gordon Jenkins fan.

This biography by his son is worthy of its subject, very effectively written to celebrate the life of one of the best all-around musicians ever. It gives a brilliant insight into the music business, with striking vignettes of some of the legends of a few years back, like Sinatra and Garland and Armstrong and Nat Cole. I read it with great pleasure and have just ordered a copy to be sent to my son, who is also a pretty good musician, and who I am sure will love this book.

I also discovered that SEVEN DREAMS is also now available on CD and have already obtained a copy to go along with my old LP, which in turn was a replacement for the original one, which was worn out by frequent playings years ago. If Jenkins had never written another thing, his life would have been worthwhile just for this, I think, but I am so glad that he turned out such a great many excellent compositions and arrangements. He was simply the best--period.

What a great job Bruce Jenkins has done in revealing the "behind the scenes" goings on of his Dad's life, and the stories that lead us to
understand the man (Gordon Jenkins) and his genius! I have an inkling of that era...being born in 1937, but; this book opens the door to new appreciation of Jenkins' magic, and sentiment in his work. I indeed have met (musically); and have a new hero in Gordon Jenkins! Way to go, Bruce; you've made your Dad proud!

I enjoyed this bio from cover to cover. As a musician,i always wanted to know more about Gordon Jenkins life as a person and a musician. His son, Bruce did a wonderful job of enlightening me.

I first became aware of Gordon Jenkin's music as a boy through his marvellously exciting arrangement for Peggy Lee's "Lover". Later his style changed totally through superb albums for Sinatra, Nat "King" Cole and even "Nillson". Some thought that style old-fashioned even then but those artists thought differently.
Now thanks to this superb book by his son and professional writer Bruce, we learn that away from the podium and arranging desk Gordon Jenkins had a wonderful mordant wit and great courage in the way he coped with life's cruelties and particularly his last illness. I lent my copy to a friend who immediately had me get him his own copy. No higher recommendation than that!

I have been an admirer of the musical talent of Gordon Jenkins for decades, and I enjoyed his son's biography of the life of
a most talented arranger, composer and performer, along with
insights about Jenkins' relationships with the many artists who
benefited from their associations with him.

This is an incredible album. Vince's phrasing is amazing, his picking impeccable and his singing serene. Ostensibly a country artist, Vince composes and performs an excellent collection of titles from the blues-influenced, rock 'n' roll flavoured "One Dance With You" and the gentle ballad "Pretty Little Adriana" to the fantastic "Little More Love" and - one of my favourites - the moving "You and You Alone", a track which perfectly showcases not only his outstanding song writing ability, but also his vocal phrasing and his world-class electric guitar picking.

Other stand outs include the touching "Worlds Apart" and "Jenny Dreamed of Trains" - yet more examples of perfect melody and lyrics. The closing number is a reprise of the title track: Only this time it includes the hugely respected bluegrass artists Alison Krauss and Union Station. This album isn't just an outstanding collection of songs, the actual recordings - namely, the musicianship and vocal work - is second to none.

Despite being comparatively young - and still performing - it comes as no surprise that Vince Gill has now been placed in the Country Music Hall of Fame.

I love Vince Gill's music. His sweet, mellow vocals embrace you and take you on a journey of heart and soul. His musical versatility makes him a singer for all seasons. I highly recommend "High Lonesome Sound"!

I bought this because of "Pretty Little Adriana" and "Worlds Apart", which are two of the prettiest songs I have ever heard from anybody. I ended up discovering some of Vince's most outstanding material that never got the attention it deserved. "You and You Alone" is a really good love song, and the 2 versions of "High Lonesome Sound" are one of a kind. I would recommend this album in a second, especially if you like songs with plenty of heart and true emotion.

In the 1990s, the Country Music began to go through some transitions. Country music which had for the most part stayed in a vacuum began to go mainstream and embrace other genres of music. As a result, the sound started to change. By the end of the 90s, Country Music had full blown established music superstars in Shania Twain and Faith Hill. One may argue that Twain and Hill have deviated from their Country Music roots - and to some extent I can agree with that argument. I do think that other Country Music artists have found a way to go toward the mainstream while keeping to their Country Music roots. One such artist is Vince Gill, who proves his album "High Lonesome Sound" that it possible to go mainstream and keep to the roots of Country Music. In addition, Gill also proves that the end product can be something that is very enjoyable.

By no means do I consider myself a Country Music expert. The nice thing about "High Lonesome Sound" is that I believe it caters to a fan like myself that may not be deep into Country Music, but can appreciate many of the elements Country Music can bring to the table. While Gill's Country Music could be directed to a more casual fan like myself, I think Gill does an admirable job at addressing the fan who is deeper when it comes to the Country Music genre. Vince Gill also isn't afraid to explore some different directions - and I think this goes a long way for helping this become more appealing to the mainstream fan.

Gill assembles a nice cast of studio musicians to help him on this effort. The most noteable musician is Leland Sklar on Bass. Sklar is best known for being a part of Phil Collins "Serious" band. He was the long hair, long bearded bass player. Sklar does an admirable job on Bass on this collection. There are also some noteable vocalists that help Gill out. Patty Loveless does harmony vocals on "Given More Time" while Shelby Lynne lends vocals on the tune "You and You Alone". Lynne's vocals really connect well with Gill and I wish they would do more work together. Other vocalists, Jeff White and Kim Richey lend some terrific background vocals on multiple tracks.

The opening track is "One Dance With You". When you listen to "One Dance with You", there immediately is a feeling for a country sound. However, there almost is a Doo-Wop-ish type of theme to this song. This Doo Wop-ish theme can be heard in the melody as well as some of the names that are in the lyrics ("Peggy Sue", "Mary Lou", etc). This is a very nice track and appealed to a casual fan like myself.

The title track "High Lonesome Sound" appears on the collection twice. This is a very Country sounding tune that is a very catchy tune. This song is the second track and the last track. The difference is the latter track has Alison Krauss and Union Station helping out with this song. You will hear a stronger fiddle element on the latter track that will give it a much more of a "Dixie Music" feel to it. Alison Krauss plays fiddle on that track and also lends background vocals to both of the tracks. I find the earlier track is the one that will appeal to a more mainstream fan, but the latter track isn't bad either.

The most popular track is the ballad "Pretty Little Adriana". This is definitely a cross-over track. Although it does sound more Pop/Adult Contemporary-ish - the gentle melodies and powerful vocals of this song I still think remain true to the Gill's Country Music Roots.

Another song where Gill does things a bit different is the song "Down to New Orleans". While Gill explored a Dixie sound on the latter version of "High Lonesome Sound", Gill integrates some Jazz and Blues sounding elements into a definite "New Orleans" feel of a song. Once again, Gill doesn't abandon his Country Music Roots and the end result is another great product.

Gill also proves he can be an outstanding storyteller. This is shown on the track "Jenny Dreamed Of Trains". This is an oustanding written song by both Vince Gill and Guy C. Clark. A lot of this song reminds me of Dan Fogelberg. It has a Dan Fogelberg-like soft piano introduction for about one minute. The song then proceeds to be a story in which he tells the story of a girl named Jenny who had a love of trains and then deals with the decline of the railroads in the U.S.. Another song in which Gill tells a nice story is "Given More Time" in which Gill portrays himself as a Working Man trying to balance time with his family. The song "Worlds Apart" is also very well written and deals with a couple going through empty nest syndrome and starting to question the love between them. There is a pause a little after 4 minutes into the song - giving it a very powerful effect.

Another good track that is very enjoyable is "A Little More Love" is another example of a Country Music song that appealed to a mainstream fan like myself.

The liner notes do contain all of the lyrics to all of the tunes. They do a nice job at lining up the studio musician credits to each song. This album pretty much surprised me. I originally wanted it for the song "Pretty Little Adriana", but I ended up discovering so much more. I especially got hooked on the title track. I also discovered what a diverse musician and talent that Vince Gill is. I think this is the perfect album to introduce yourself to Vince Gill and I think Gill fans will not be disappointed with this collection. I'd recommend adding it to your collection.

Vince has a very distinctive voice, which he uses to good effect on this interesting collection. Vince wrote or co-wrote all the songs, which are an excellent mix of ballads, mid-tempo and up-tempo songs.

Perhaps the strangest song is Jenny dreamed of trains, about a girl living near a deserted railroad. I wonder what inspired Vince to write this song, which was covered by John Denver for his train song album, All aboard.

Two versions of the up-tempo title track are included, both with Vince singing lead and Alison Krauss sing harmony but with one featuring Alison Krauss's band, Union Station, giving the song a bluegrass treatment. Apart from Alison, other harmony singers featured on the album include Kim Richey (A little more love), Patty Loveless (Given more time) and Shelby Lynne (You and you alone).

Other outstanding songs include Pretty little Adriana and Down in New Orleans, but every song here is worth hearing.

While I don't regard this as Vince's best album (my favorite is When I call your name), it has much to commend it. No self-respecting fan of Vince's music should be without it.

If you know Suzanne Farrell you will love and respect the lady even more after reading this book. Many artists can relate with her experiences and feelings. I'm sure anyone who was in the arts in college knew of someone who had this type of relationship with their teacher.
Honesty and truth abounds in this volume. Ms. Farrell has an accurate memory of the past. We have proof of that in her restoration project of Balanchine "lost" ballets. She is putting together choreography that she danced in her early twenties.
A remarkable lady!

Farrell had a rather dramatic climb into the spotlight so this is not the book to learn how a young dancer makes her way up through the ranks. It's also a little I-danced-this-then-I-danced-that, which makes it hard to remember important roles early in her career. That being said, she is a brilliant dancer, with an unusual career and the truest sense of Balanchine's choreography. If you're interested in Balanchine, American Ballet or the New York City Ballet, this is a must.

Suzanne Farrell was often regarded as Balanchine's ultimate "muse", although she was neither the first nor really the last. Balanchine in the 1960s became obsessed with this willowy, mysterious dancer, and choreographed many ballets for her. Their personal relationship was much gossiped about. But Balanchine was married (to another "muse", Tanaquiel le Clerg), and Farrell was a staunch Catholic. Eventually, she married another dancer, and left the New York City Ballet. When she returned 5 years later, Balanchine's personal obsession was over. They worked professionally till his death but it seems as if Balanchine never became emotionally invested in her again. Farrell for her part loftily insists that the relationship was consummated through "dance" and not the traditional way. One wonders if it was this remoteness and unattainability that made Balanchine so hurt when Farrell married and left the company.
Farrell's book is a moving personal story, and I'm too young to have seen her dance but surviving videoclips make it easy to understand Balanchine's obsession. She was indeed a beautiful, electrifying dancer. However, like a lot of singer autobiographies, Farrell can't help but sound a bit self-centered. She was isolated at the NYCB due to resentment from the other dancers, but it seems impossible that she'd remain so completely oblivious to the company's other members. Thus, 1960s mainstays of the NYCB like Edward Villela, Patricia McBride, Karin von Arnoldigen, that all figure so prominently in any chronology of the NYCB, are completely absent in Farrells story. From someone reading her book you'd think Balanchine choreographed solely for her, that she was the only important ballerina in his life, and that the company essentially revolved around her. This is not a criticism, but it's something to keep in mind when reading the book. I'd suggest also getting a biography of Balanchine, to keep this in perspective.
To Farrell's credit, she never self-aggrandizes or vilifies anyone. She admits Balanchine could be selfish and smothering, but overall she treats him very sensitively. She is also fair about her mother, a typical stage-mom. Overall, this is one of the best autobiographies of a dacner that I've read. Its candid and personal. However, like most autobiographies I wouldnt read it as an entirely accurate history of ballet either.
As an interesting footnote, Farrell's frequent stage partner and new NYCB dancermaster Peter Martins fired Farrell from teaching at the NYCB after a blowup in the late 1990s. In a preview of the book Farrell mentions the firing.
Farrell's co-writer was Toni Bentley, who's also written a fascinating personal account of being a NYCB dancer.

I stumbled across this book by accident almost a year ago and have been touched by it ever since. I'm not sure that I can explain the specialness of this of this story but it feels like a real life fairy tale. You can feel Ms. Farrell's emotions and passion of what it must have been like for her to work with her teacher, George Balanchine. What a dynamic duo they must have been together. I would recommend this book to everyone, whether you have been exposed to ballet or not, as a special glimpse into a very public but very private life. Truly a lovely story.

i read this book as a young adult, when i was entrenched in the rigours of technique and training and it inspired me in many ways. from farrel's honesty and dedication to her art to the descriptions of balanchine as both a person and an artist. i love this book and i highly recomend it.

I, too, like Ms. Ryan, am a believer in "true love." I found it only
once in my life for a brief time; consequently, once it became only a
memory, I felt I might never find that special someone or share those
wonderful feelings again. I am still in search, but after having read
Ms. Ryan's tender thoughts, I now feel this is still there for me and
possibly anyone who will just keep their mind and heart open for that
someone to "come in." I have dated recently with the hope that this will
happen. If it does not, I am not discouraged, however; I feel it
is "just around the corner," and some day I will discover it all over
again. I do not want to settle - I want the "bells and whistles" all
over again, along with the heart "flutters" waiting to see and be with
that person who will make my life complete again. This will happpen -
Please read "If You Believe in True Love," and you will understand and be
uplifted to a new level of hope and encouragement. I plan to give this
book to a couple of my friends this year as a Valentine's Day present. I
know they will appreciate it and cherish its contents forever.

I have finally allowed myself to meet someone after reading Marlene Ryan's Book, it helped me to understand that I must listen to my own
feelings and to recognize these feelings for what they are. She helps you look at things in a different light. I have so longed to please other people
my whole life and it left me feeling empty inside. Now I am doing what makes me feel happy inside and I am now my own person. Her book is full
of so much information on so many situations that take place in life. I have taken to heart all that she pours out from her heart and it is working for
me. I encourage others to read through her whole book first; after open to a page and read.

The Author's true love cd is so expressive as it touches on various topics sharing so much love, misunderstandings, faith. I highly recommend it to anyone. I want to thank the Author for a true work of art, combinding her book with a music cd.

Author's Book is very open and honest. She stresses you to listen to your heart, for it is as she has stated, 'a Protection.' I really found myself very involved and the further you get into her book the greater or should I say more intense it gets. I do recommend her Book to anyone that would like to look a little more into themselves, certainly has opened my heart to true love by understanding and recognizing what it really is and to follow your heart for it does exist as the Author brings out.I found the Introduction to her Book very informative. I am more then empressed with her talent and writings so different then anything I have come accross as far as poetry, this is far more then poetry. These are stories, meditations, more along those lines, wisdom. Very professionally put together! Her Music CD; which I have listened to many times. You need to, there is so much. Alot to absorb in one sitting. I love the songs: So Sorry, Time for A Change, Believe, Is This How We Parted, Cared, Should Find, High On a Mountain, 'True Love' (great story). Other songs; Ever Since You Left, Remember Me (very moving) Music CD. The Music is somewhat not only exciting but coupled with the lyrics amazing as I again, recommend you to listen to it a few times to get the drift, deep. There are alot of songs; with such meaning. This Unusual Book with Music CD certainly deserves a 5, if not more for the simply fact it takes courage to put something so different out into the Market Place. The Author has done a great job, I give her lot's of credit! Very Well Done! I hope to see her on a talk show soon! Worthwhile and should be shared with the public on a larger scale. Someone who has the knowledge of the industry should take a hold of it and run with it, she deserves to be heard!

Her Book with Music CD is a whole new concept; the Author has done something very unique and I was greatly amazed at her futuristic style of mixing a book with a music CD in a very interesting way.

Never saw a book put to music before. The whole concept of having her meditations turned to lyrics put to music on a CD is so amazing. Picked right out of her book and I like that I could just take them in the car with me and listen to them on the way to work. Songs like So Sorry, Time For A Change, Should Find, High On A Mountain the whole CD is so meaningful. This should be the new wave of the future, not having much time to read, I can appreciate this. Upon opening my package, I was surprised how appealing and how I knew I made the right choice to purchase it. Hope others will have the opportunity to read such deep and thoughtful works. Definitely would give it to a friend for a gift, because it would be something out of the ordinary. Her pictures throughout the book are beautiful. Thank you for giving me the chance to say what I feel about the Author's incredible Book and Music CD. Thanks to the Author on her out of the Ordinary Works get's my 5 stars, worth it.

As i turned the pages of the authors life I became intrigued with her writing style. She is open and pure and takes you on an emotional roller coaster of the heart. I felt her pain, joy and her honesty. Her poem "Sweet Dreams and The Little Things "is one i like very much. It reminds us in life IT IS the simple things that brings the greatest joy!!!!. Finding your True Love and holding on to it is what the book is about. She writes about freedom, love, friendship, loss and longing. It makes you ponder personally on your own life teaching you to cherish and protect those you care about. As her poem "TIME" states "if its true love, time is of no concern "True Love" has a life of its own. Time teaches lessons and enables us to see what we feel and lost, this book is a wake up call to our hearts. I urge all to go out and buy this lovely book. It will give you the courage to Make that call, Swallow that pride, or Follow that Dream to find or reunite again with your True Love. I hope Ryan as the Author has found her true Love. For it made me realize who mine is.

This book is such a great read. I read it before and rarely do I read the same book more then once. This got me emotionally invested now as it did the first time around. I am reading book two of the series and I highly recomend these books.

This series is a fast page turner .you should read the first which is

In My Fathers House
A Thousand Shall fall
Say Tt To This Mountain
Shiloh Autumn.
The stories are so clear, you become a part of the story.You will fall in love and dislike some, just as the ones you are reading about. Thoene is a wonderful writer.It is history at its best.I learned more than I have ever known of how bad it was in the pass.Because of the wall street crash and the very hard times that followed.Each book should be read in turn .They are outstanding for young and old.It is a very good knowledge of our pass, that a lot of kids today have no idea.Boys will love the Shiloh Autumn. It is packed with fun .I laughted so hard I was crying. Great Books!

I read numerous books by numerous authors, and Theone is by far the best I have ever read. I have read her Zion Chronicles and Galway Chronicles and Shiloh Autumn. But the Shiloh Legacy is definantly the best one. Theone defines hisorical fiction and makes it real to life. She is a master in descriptive writting. Her characters come alive and you find yourself becoming a part of them and their joys and struggles. After reading one of her novels I learn and understand so much more the events and places in history that she is writting about. I haven't read the second book in this series but I know that it will be just as good as the first book or even better.

In My Father's House got me started on Thoene books. Then I read the whole series of Shiloh Legacy. After thatI read Shiloh Autumn (which I think is the best book I ever read.) I have kept going on Thoene books and never regretted buying one of their books. Anything the authors write is a cut above. No wonder they dominate all the awards for Christian writing.

The Shiloh series is the best of the Thoene's work, but all of it is excellent. What really stood out to me, reading this book, was the experience of the black soldier. He served many more hours on the front lines, fighting in the most dangerous positions. He was honored while overseas for his service. Then he went home, proudly wearing the uniform in which he served his country, and was condemned for being uppity. Who did he think he was?

These black men were beaten, accused of crimes they didn't commit, and lynched.

As a white woman, I could never live that experience. But I lived it vicariously along with Jefferson Canfield.

The characters are real, with strengths and flaws, just as the people we meet every day. They experience good things, but they also experience horrible, awful things too. That's life.

It isn't light reading, but it IS riviting. And it is educational, because you experience things along with the people in the books, things that really happened at the time. I loved the love story between Birch and Trudy and the biding friendship that developed between Jeff and Birch.

This ties in with the Zion books, too, because Max Meyer and Ellis Warne were the fathers of two of the main characters in the Zion Chronicles, I believe, David Meyer and Ellie Warne.

They are worth reading. The only drawback is that once you've read the first, you HAVE to read them all, and they are LONG books!

Fantastic artistry to go with one of the classic songs, especially for those of us in West Virginia. Can't help but sing as you read. Great fun for the whole family.

I am from West Virginia so Country Roads has always been dear to my heart, especially being a WVU grad where it is blasting all over town on football Saturdays! I bought this for my nephew and I'm sure he will love all of the illustrations as much as I do. Lots to look at on each page and I love how the illustrations are done as if it has been quilted.

My son received this book as a gift for his first birthday. He loves it (and he has no clue who John Denver is)! We've read/sang it a hundred + times. He loves looking at the illustrations, as do I. My husband & I graduated from WVU, so this song is near & dear to our hearts. We hope to make a little Mountaineer out of our son too....this is a good start.

A great song with amazing illustrations. All the pictures look like quilt pieces. This song is timeless and kids love it. I've got kindergarteners who can belt this out and they never get tired of reading/singing it over and over. Very well done. Can't wait for more John Denver songs to come out.

John Denver's music paints a beautiful picture in your mind, but this book brings it to life even more! Book is very animated---almost seems like the pictures move as the vehicles go up and down the rolling hill. Great quilted-look art that covers almost every space in this book. LOTS of things going on (you could look at this book all day long and still find something new the next day) Well worth the money!!! Get is for all your John Denver fans :)

I was amazed at how many photos were included in this book that I had never seen before. I was equally amazed to discover that Gruen had taken some of the most well known photographs of John Lennon during this time period; and it's interesting to know the story behind them. The book is entertaining to look at, but it's also an interesting read with Gruen providing a "fly-on-the-wall" perspective of what it was like to hang out with John & friends during the New York years. Gruen provides a detailed account of what was going on in John's life when a certain photo was taken and, unfortunately, what it was like walking into the Dakota a few hours after John was shot to pick up a package at the front desk that John left for him.

I like very much this book, because has a lot of pictures with John in his intimate life, but i think Bob Gruen as a photographer is not the best. The pictures he had taken of John Lennon, are more a "fan photos". Of course there are "iconic pictures", like the New York series. But still a nice book to have to all the Lennon fans.

Fortunately for us, Bob Gruen was there. I must admit that the book show mostly really great photos, and some others are not (I mean the focus, light, etc), but you can saw John as he was, a normal guy, doing daily stuffs, playing with his guitar, in the studio, off course with Yoko, with baby Sean, public events, etc, a great review of those last years in NY.
I didn't know that so many of the famous pictures of John where taken by Gruen. The quality of the book is great, I think that every Lennon's fan will love this book, and I hope that Bob Gruen show more of his John Lennon's photo collection in a near future, he share a lot with him in those New York days and probably he got more to show!

If you enjoy black and white photos with interesting and informative commentary and John Lennon happens to be one of your musical heros, consider adding this book to your library. It just has a nice touch.

Bob Gruen invites readers and photo aficionados into his chronological photo portfolio into former Beatle John Lennon's life with the book John Lennon: The New York Years. Gruen provides a combination of never before seen and seen candid and photo shoot images of Lennon during his years in New York. Gruen closely associated with John and Yoko as a neighbor and as their personal photographer, and the images show the intimacy and the trust they had in him in capturing their moments in just about every situation, in the studio, a walk in the park, or simply hamming it up for the camera; every picture tells a story behind it.

The difference with this book of photographs and others is that Gruen offers much insight of the time and place in which he took each photograph. Gruen specifically shares with the public his personal account of knowing John as a friend or as he refers, "just a New York guy." He does not concentrate on over wrought information, but rather recounts the first time he met and became friends with John and Yoko and the events that made an impression on him, such as the story behind the most iconoclastic poses: the New York City t-shirt and Statue of Liberty pose.

Bob Gruen covers much ground in a little less than ten years, 1971-1980. However, in that time, he covers the most interesting and controversial period in John's post Beatle life. John Lennon: The New York Years is recommended for all Lennon as well those interested in documentary photography, and is yet another welcome addition to anyone's collection of rock and roll oriented books.

I'm sure I'll love this book. Once I receive it. It's been nearly 3 months since I ordered this...Amazon will no longer be the beneficiary of my internet commerce.

Kind of essential lookback to something we'll never see again. All the messiness, sloppiness & amateurism that had me and my pals going all the time to the FE (Friday Night Late Show Only please!). One of few worthwhile rock books.

I love this book. I frequented the Fillmore East 18 times between 1970 until it closed in June of 71. This book brought back so many memories. The Fillmore East was without a doubt the greatest place to see and hear a concert and I miss it. I am glad that I was able to be a part of the Fillmore East - even got to speak to Bill Graham the night of the last public concert. I am very glad this book was put together and anyone who was there will enjoy it. I sure do miss those days - Thanks Amalie!!! Got anymore tidbits - any chance of a Fillmore East Late Show edition?

This book provides a list of the bands playing each night the Fillmore was open! Great historical insight!

The Fillmore East was not only the Mecca of Rock Music in the late sixties and early seventies, it was also the epicenter of all Rock Music, as well as jazz and performance art from the era. Live at the Fillmore East captures the ambience of the era by capturing not only the acts performing on stage, but the audience's exuberance and the backstage scene in wonderful photography by Amalie R. Rothschild. I'd highly recommend this book to all music lovers, like myself, who have an appreciation for the music of Jimi Hendrix, Janis, The Who, The Grateful Dead (many great pictures of the band on stage), Miles Davis, etc.
A special portion of the book is dedicated to the light shows that were so valuable in those days in highlighting the music as it was being performed. If you ever attended a show at the Fillmore East, this book is a must! If you know the reputation of Bill Graham and the Fillmore East and never attended a show there: this book is a must also! Great forward by Mickey Hart and great text by the author. Buy this book and treasure it for the testament of a great, historical era in music.