Arts and Entertainment Books

HAUNTED HEART: A BIOGRAPHY OF SUSANNAH MCCORKLE isn't likely to reach the general interest, non-musical reader, for her name is likely to prove familiar only to those with an in-depth interest in female jazz vocalists. This audience, however, will find HAUNTED HEART a brilliant expose of a troubled American songbird, surveying her many achievements as she devleoped her own style and performed in venues around the world while struggling with bipolar disorder. From her emotional ups and downs to her influences on singers of the 70s through the 90s, HAUNTED HEART is a key piece of musical history not to be missed.

Diane C. Donovan
California Bookwatch

This is an exhaustive biography of the jazz/cabaret singer Susannah McCorkle. The book features a blow-by-blow account of McCorkle's musical career and psychological processes. Why "psychological processes?" Susannah struggled with bipolar disorder for at least all of her adult life, if not longer. She took her life at the age of 55. It is therefore very relevant to showcase her mental state as a major focus of the book. I found it exhausting to read about all of her ups and downs. Think of how Susannah must have felt to live through them!

The other focus of the book of course, is a detailed account of her musical career. McCorkle started out as an aspiring author and one day in early adulthood heard a Billie Holiday recording and decided she wanted to sing jazz. Even though she still wrote short stories with some success, Susannah then started on the road to become a prominent, although always struggling, singer. I felt I was with Susannah as I read about her career and life. The author, Linda Dahl, brings this woman into sharp focus.

To me, one moral of this biography is, "take your meds, folks." Ms McCorkle was not taking her prescribed medicines when she died. I can't help but wonder if the outcome could have turned out differently.

Haunted Heart by Linda Dahl is a biography of American cabaret singer Susannah McCorkle, who took her own life in May of 2001. The author seems to have had extensive cooperation of family members and friends in researching the book. McCorkle suffered from depression and bipolar disorder all of her adult life, and part of her childhood as well. Much of the book is given over to her illness.

Like many women, McCorkle was dissatisfied with her physical appearance, this combined with her mental illness no doubt contributed to her unhappiness. She was a large woman, though well-proportioned and not at all unattractive, but far from her own ideal of feminine beauty.

The author says McCorkle was in love with the idea of being in love (as in the song), she also seems to have been in love with the idea of being a cabaret singer. None of her many romances was entirely satisfactory, despite the fact that she was twice married to men who seem to have been loving and caring. Though a respected professional singer for over twenty years - winning several record of the year awards, her career was not actually very successful. She had a loyal, but small, following among New York's cabaret set, but was not otherwise highly sought after.

The shortcomings of both her personal and professional lives seem to have been related to an inability to compromise. Though, for example, her husband lived in Schenectady, NY, she insisted on living in New York City - even when not performing there. Likewise, she often complained about people talking during her shows and the noise of waiters serving food and drinks. She failed to accept the idea that a cabaret singer is supposed to "put butts on chairs", as someone puts it in the book, not give a master class on the subtlety of Cole Porter lyrics!

Susannah McCorkle comes across as having been a "user", viewing others merely as ways to achieve her goals - particularly musicians, critics, club owners, and others connected with the music business. Repeatedly, she is shown cultivating those whom she feels can advance her career, while ignoring, even dismissing, others. Many people helped her get started, paying for demo tapes, for example, or by encouraging owners of small restaurants and clubs to let her sing, if only for tips. Yet, there was no mention of her having helped others get started later on.

One story near the end of the book struck me as typical of her manipulative behavior. The manager of her favorite venue, the Oak Room at the Algonquin Hotel in New York remarked, that in Autumn of 2000, she had acted affectionate to him, even giving him a hug, which she had never done before. Later on in the book it comes up that she had taken pains to be affectionate with him, suggesting it was a conscious effort to do so, not a spontaneous act of friendship. Only months before she died, she was still "playing" people she thought were useful.

Significantly, she had few friends among professional musicians, though several friends were amateur musicians. For the most part, her close associates were writers and others connected with the arts and show business. Many of her acquaintances were themselves involved in psychotherapy, both as patients and practitioners.

McCorkle began her career as a writer, only later becoming a singer. She continued to write throughout her singing career, and worked (unsuccessfully) to become a novelist. Her singing style and careful phrasing reflected her interest in words and story telling. She often sought out original lyrics to old songs, and even taught herself Portuguese in order to translate Brazilian songs, so popular in clubs during the 70s and 80s.

The book itself is a little scholarly, perhaps, and not always easy to follow - for example, when the author quotes someone who is quoting someone else. I would have appreciated more frequent date references since the author attempts to intertwine McCorkle's career and personal life with the progress of her illness. The book is a well-documented and carefully researched biography of a person with a troubled personal and professional life. Recommended.

I have always been an avid reader and credit that as the source of my strength in communicating ideas and concepts when I teach. "A Hawaiian Life" proved to be a most enjoyable reading experience for me - and not because of the inclusion of pidgin english which I am so familiar with - but more so because of the stories told. George Kahumoku Jr. has lived, as is living, an incredibly full life and Paul Konwiser has been able to capture, through first person narrative, some of the exceptional and wonderful experiences of George. The stories are a window into a lifestyle and are sprinkled with insights into the multi-cultural and multi-ethnic diversity that is unique to Hawaii. That alone, though, is not the allure or appeal of this biography. George has had EXTRAORDINARY experiences few, if any, of us will have. Each chapter is subtitled and "Almost Dead at Six Weeks Old" and "A Shark Attacks" may give you an idea of what I mean. Often humurous, at times touching and wonderfully illustrated by George, this book did what I want books to do - entertain and captivate me. Buy it today and ENJOY! I'll be waiting for more stories from Paul and George!!

"A Hawaiian Life" is a collection of stories from the daily experiences of a contemporary Hawaiian man, George Kahumoku Jr., a master slack key guitar player who has entertained all over the world. The stories are funny and unpretentious, such as an ahi (tuna) fishing disaster; teaching his son to be an entertainer; and adjusting (or not) to life in an elegant resort hotel. The book gives a generous view of a Hawai'i most people never get to see. Illustrated by the author, these allegorical tales are layered with meanings, often spiritual, and they resonate for a long time after being read.

The only bad thing about "A Hawaiian Life" is that it's over so quick. I could have read another 1000 pages of Mr. Hakumoku's story. For any Hawaiian at heart who longs for sitting down with a true Hawaiian and talking story, this is as good as it gets. A picture window into a lifestyle so far from what some of us are living today. Sit back with inu, kick off da kine slippas and escape brah. Feel Hawaiian for a while. Mahalo nui loa George!!

I've had the rare pleasure of reading Alexandra Tomnalonis's book, "Henning Kronstam: Portrait of a Danish Dancer" and it is wonderful. The book is crammed with information; with Ms. Tomalonis's writing style I never felt I was plowing my way through an encyclopedia. The narrative flowed and my interest did not waver. Kronstam emerges a fascinating man. He was a silent Dane not given to letting others know much about him. An artistic genius, his style was all but lost in the era of the Ballet Boom and the following changes in the art. The book tells about his exciting entrance to Royal Danish Ballet, his dancing career, his dramatic excellence, the dancers of his era, and the nurturing of the Bournonville tradition. It continues with his career as artistic director and ballet master, and his influence on the dancers fortunate enough to be coached by him (there are many insightful quotes by his protégé's). He was a man of great detail and it is fascinating to read about those tiny details he'd add or subtract from a ballet in order to make it perfect. I highly recommend to book.

This remarkable book looks superficially like a ballet biography. It is so much more than that. It deserves, and I hope finds, a readership far broader than a ballet book would normally reach... In the book we learn that his first experience as a professional was as a child actor in the very theatre he would later dedicate his life to, so his destiny on stage in some capacity was assured. He danced the principal roles in all the major ballets, and was especially notable in the Bournonville tradition that he helped maintain. He had many new works created for him by modern choreographers, including the part of Romeo in Ashton's Romeo and Juliet. Whenever the Royal toured, which was not often enough, foreign critics and audiences singled Kronstam out for special recognition for both his dancing and his acting. But I venture to say that ballet lovers who know of Nureyev and Bruhn, who were roughly Kronstam's contemporaries, may not know Kronstam's name. This book gives some interesting perspectives that help explain why.

The fact that the book is called "Portrait of a *Danish* Dancer" (rather than simply "Portrait of a Dancer") puzzled me at first. But Ms. Tomalonis has thoroughly captured Kronstam's complex personality, and in many ways that personality was the Danish national character in microcosm. It seems that many of Kronstam's inherent strengths and weaknesses were reinforced by the societal expectations of both his family and his nation. This may have contributed, consciously or unconsciously, to Kronstam's choice to remain in Copenhagen for his entire career when others chose to leave to pursue international recognition with foreign companies.

The book succeeds on so many levels. It has all the hallmarks of a good biography. The author, who personally met with and interviewed her subject extensively and also spoke with scores of his relatives and colleagues, discusses Kronstam's personal matters with tact and dignity. She portrays Kronstam with a kind of tenderness that does not detract from her clear-eyed understanding of him. The fact that Kronstam, an intensely private person, was comfortable and candid enough to reveal as much as he did to her bespeaks a level of trust in the author that few biographers enjoy. Inspite of the pervasive sadness of Kronstam's story at the end of his life, when she met with him, Ms. Tomalonis is able to show Kronstam's warmth and humor as well. It gives Kronstam an aura of nobility which he, in his typical humility, would probably have derided.

For balletomanes, like me, the book showcases Ms. Tomalonis' depth of both historical and current ballet expertise. Her writing style is so fluent and graceful, however, that the wealth of ballet detail never interferes with the book's story line. One can sense that this very expertise was part of the common language between author and subject that made it possible for Kronstam to communicate his thoughts so effectively to the author.

Finally, for anyone interested in understanding the creative process, there is a unique opportunity to hear Kronstam's own recollections of how he developed his roles, how he was able to inhabit a role with his characteristic intensity. Several of the modern ballets in which he created characters contain harrowing psychological plot lines, and one can only wonder how Kronstam was able to both shield and use his own vulnerabilities to bring these works to life. This section of the book should be required reading for dancers, because it illuminates the thoughtfulness and dedication required of any intelligent performer who wants to do more than execute steps and pantomime emotions. Actors, I am told, embrace the opportunity to "be" their characters, to try on other lives. Here Kronstam conveys that process in a human and insightful way. Ms. Tomalonis somehow manages to make herself invisible during these passages, so that it is Kronstam who emerges with tremendous immediacy... Kronstam could have expected no greater tribute than to have his story told with so much grace and feeling.

Although Henning Kronstam was a dancer of world-class talent and style, he chose to remain close to his beloved home, the Royal Danish Ballet. While Erik Bruhn made international headlines, Kronstam remained mostly at home, blessing the Danes with his perfect technique and great stage presence. I never understood why he had chosen so to shape his career, but Tomalonis' excellent book examines the artistic, psychological and social forces which informed him, and the reading is fascinating, whether the reader is a ballet fan or not. She writes compellingly and with grace and wit, so much so that one is almost loth to finish the book, which must, of course, end with its subject's death. One wishes men like Kronstam to live happily forever. Here is a story of a life well worth examining, and from which to learn.

Fantastic, well presented cookbook for everyone. The recipes are easy to follow and there are a wide variety of dishes for every palate and season. I would recommend this book to any cook experienced or novice.

This book is beautiful to look at, wonderful to eat, and provides warmth to the heart! The format of the book is amazing with the graphics, pictures of the food, and the color. The recipes are delicious, I personally have tried the doorknob sweet potatoes, nuts and bolts salad, and white berry mousse, which have all been terrific! I recommend it to everyone for holiday gifts!

In this book, Bob Saget has one of the funniest stories about spending Thanksgiving with Rodney Dangerfield before he died that's probably worth the price right there. It's beautifully laid out, could definitely dress up a coffee table, and the recipes look worth cooking. But, let's face it, $5 from every book sold goes straight to the charities supported by these celebrities. I bought several as holiday gifts.

This is an informative and delightful set that has information on Hollywood songsters that can be found no where else. Each entry has a wonderful picture accompanying. I have spent many, many happy hours pouring over the entries and learning facts about my favorite stars. This is a must have for all libraries and any scholar of musical theatre or musical film or just popular music of the 20th century. Well worth the money! It is clear that Parrish and Pitts have done their homework, but even clearer that they have a love for the subject matter and it shows on every page. As a songwriter with a love for the field, I use this book constantly.

Film historians James Robert Parish and Michael Pitts's "Hollywood Songsters" have outdone themselves with this handsomely designed three-volume set that is worth every penny. Filled with rare photos, "Hollywood Songsters" has comprehensive, accurate and fascinating entries on over 100 "singers who act and actors who sing." The lives and careers of everyone from A to Z or June Allyson to Mae West are covered in intriguing and fact-filled detail. Who would have thought that such an indespensible reference book could also be a page-turner. Once you start reading this treasure trove of information it is hard to put down because of the insider tidbits and behind-the-scenes facts that fill the well-written pages. As theater and film critic and lover of musicals, I find this a most wonderful addition to my library as well as a great read. The filmography and lp and CD bibliography on each singer is unparalled. Bravo to Mr. Parish and Mr. Pitts!!!

This project has to be a mad labor of love on the part of the authors -- how else / who else would produce a 3-volume directory of singing in the movies? We must applaud and support the authors for this massive work -- I can't imagine it not being definitive -- by urging local libraries to carry it. A database like this should be available to everyone!

How Dark the Heavens is a valuable resource of historical information on the Holocaust, and an authentic recollection by a survivor. It is unique, in that this book pulls the reader into the story as would a novel.

the author writes in a "detached" style.I guess that is the only way he could recount these horrible experiences inposed upon him by subhumans. It is a superb diary.

Perhaps you, like I, at times wonder of what stuff you are made. In a truly horrible situation, would you do what it right at all cost? Would you have the inner fortitude to persistently march forward, to place your life at risk for the good of others? Often, and sadly, I suspect I would not; but, my ego hopes I would. Lithuania might be an unfamiliar name to you. But, this true story invites you to join the author in his nightmarish run from the Nazis during World War II. You'll know what it is like to be suddenly wrenched from your home, country and family by the pursuit of others out to exterminate you, simply because you happen to be in the way. In his flight, the author chooses paths of moral and physical courage, in order to preserve meaning for his life. Would I have joined him? Or would I have given up? What about you? Here's a chance to "test your stuff," at least in the safe pages of a good read.

Former Editor-in-Chief of "Back Stage West" magazine and Los Angeles Times theatre critic Rob Kendt is the author How They Cast It: An Insider's Look At Film And Television Casting, a keen examination of the film and television casting process for popular modern-day shows including "Will and Grace", "The Lord of the Rings", "Alias" and many more. The "presenting partner" of How They Cast It is Breakdown Services, a successful casting notice firm that contributes insights, anecdotes, sample documents from the casting process, and valuable suggestions for casting directors and auditioning actors alike. How They Cast It is not written in a "how-to" or textbook style; it is entirely about the close analysis of its chosen cases, each of which forms a different chapter, giving it an episodic structure that is as enjoyable for lay people wondering how the "Friends" cast was selected as it is useful for professionals who have already studied "how-to" manuals and want to learn from real-life examples.

Breakdown Services is the starting point for casting actors in just about every television show or feature film in Hollywood. Providing this little-known window into the needs of each television show or feature film, Breakdown Services is proud to present an insider's look at how the biggest films and TV shows matched their actors with the roles they went on to make famous-and in some cases, even created into cultural icons. How did Lord of the Rings find their Frodo? How did Will find his Grace? How did Sydney come by her Alias? And just how hard was it to find a nine-year-old guitar prodigy for Jack Black's School of Rock? Find out in this entertaining, fact-packed guide that takes you from script and "breakdown" through the casting (and recasting) process. Read about the inside stories that happen even before they go "behind the scenes."

Rob Kendt is the former Editor-in-Chief of Back Stage West magazine and is a contributing theatre critic for the Los Angeles Times.

"What all casting directors are waiting for, hoping for - dying for - is that one actor who comes in and blows them away with his or her reading. Every audition is a chance to strut your stuff, to make the casting director a fan of your talent. The bottom line: A good casting director never forgets a great actor."
- Ellie Kanner, casting director
Friends, Sex and the City, author of How NOT to Audition: Avoiding the Common Mistakes Most Actors Make (2004)

As an Actress living in Los Angeles, I think this book is a great tool for actors who want to learn more about the business side of the entertainment business.
It is so easy if you don't get a part, to think somehow you did something wrong or to feel like a failure. Well, this book will show you all the things that the Casting Directors and the Powers-That-Be go through to find the right Cast for a TV Show or Movie. I never realized how complicated it can be, and this book was a real eye-opener.
Just reading about the casting of "Friends", and the failed pilots some of the actors were in before they hit it big - well, it just amazed me. And that Lisa Kudrow almost ended up on Fraiser instead ... wow....
If you are an Actor, this book will give you a better understanding of the side of the Biz that you never see. I highly recommend it.

Hugo Friedhofer, one of the great Hollywood film composers, was more than the consumate musician. His wit and his loving personality are shown in this engaging book. His analysis of music, composers, producers, films, actors and actresses is captivating. Hugo worked with George Gerswhin, was close friends with Oscar Levant and had Bud Powell play piano in his living room!

In his interview for the Film Music Archive, Hugo Friedhofer tells it like it is, and the book shows that he is not fake, but was a real giant in the Hollywood that used to be littered with talent and quality. Even if you know little about film music, this book is great history of the Hollywood of yesterday.

Hugo Friedhofer, one of the great Hollywood film composers, was more than the consumate musician. His wit and his loving personality are shown in this engaging book. His analysis of music, composers, producers, films, actors and actresses is captivating. Hugo worked with George Gerswhin, was close friends with Oscar Levant and had Bud Powell play piano in his living room!

In his interview for the Film Music Archive, Hugo Friedhofer tells it like it is, and the book shows that he is not fake, but was a real giant in the Hollywood that used to be littered with talent and quality. Even if you know little about film music, this book is great history of the Hollywood of yesterday.

It's so satisfying to learn about the life of the film composer who wrote the score to such movies as "The Best Years of Our Lives," "The Adventures of Marco Polo" and "The Young Lions" - some of my favorite Hollywood film scores. Much of this book contains the story of Hugo Friedhofer as told by himself through interviews and his own personal correspondence. With droll and witty comments and a collection of truly wonderful photos Ms. Danly has truly presented a well-thought-out book. Hugo was well-respected by everyone in Hollywood (he had a photographic memory and a reputation for knowing the classical literature to a fault) and now with this biography we know why.

This book was fantastically entertaining! The man is as chaotic, eccentric, and strange as you would probably guess but did you know he was funny as well! Of course it is a bizarre sense of humor and some of it very nonsensical but it is interesting nonetheless. I couldn't put it down and since it is not written as an autobiography but snippets of interviews on a variety of topics--you can pick it up and begin reading on any page. I loved this book. A huge book for a huge personality and the pictures are amazing! Black and white rare photos of actors and scenes from his most memorable movies. Many of these are worthy of framing.

This book arrived in perfect condition and I received a very warm e-mail from the seller acknowledging my order and the shipment. Perfect!

This deluxe edition of what renowned Fellini specialist Tullio Kezich describes as the Maestro's "spiritual testament" (in his superb foreword to the book) is bona fide Fellini-esque. Hilarious anecdotes are squeezed in beside a number of very moving meditations on old age, sex, LSD, unemployment, Trivial Pursuit, God, Dante, death and the Hereafter. The newly restored black-and-white photos capturing the Italian director's surreal world are well-served by an excellent English translation. The final entry in the lexicon is a fairy tale titled "Zio Lupo" or "Uncle Wolf" and it pretty much defines Fellini's insatiability. Highly recommended.

Of course I knew about Elvis but I hadn't read much about him. I wouldn't call myself an "Elvis Fan." Then I happened to get a chance to visit Graceland one day and after that visit, I knew that Elvis answered his life's call and was compelled by Spirit to be the legend that he was. So what would influence Elvis to become so great?

The answer is in this book. The book is not about Elvis. It has a little introduction about how Elvis used this book. "The Impersonal Life" was actually first published anonymously in 1916. The author has been discovered but little is known about the author. Elvis bought this book by the case and gave it out freely to friends and acquaintences. He read this book over and over and over, underlining and putting notes in the margins. He absorbed the meaning of the book and you know that is true after you read it.

The book's content is very spiritually fulfilling. It does not include religous language, symbolism or dogma but it is very spiritual. "I AM" is speaking to the reader. On page 122 it reads "I may be expressing through you beautiful symphonies of sound, color or language, that manifest as music, art or poetry, according to mortal terminology, and which so affects others as to cause them to acclaim you as one of the great ones of the day."

Does that not say what Elvis was about? This book contains the words that caused Elvis to hear and understand his call. The book is small and very easy to read. It is rich with Spirit speaking and it compels you to live out your life answering your call, whatever that may be. Wow! I am glad I discovered this book. I, too, will read it over many times. It's definitely worth more than its weight in gold.

The Impersonal Life is being marketed by DeVorss & Co as "the Little Book in Which Elvis found the light." And for good reasons: it's a sound marketing move, it gets more people to read it....and this potent little book will truly help you find the (inner/spiritual) light if you are even slightly seeking it.

This book has little to do with Elvis, except that he loved it second only to the Bible, handed out hundreds of copies to friends...and it enlightened and inspired him. The Impersonal Life was written in the early twentieth century by the enigmantic Joseph S. Brenner, who wrote and published it under the pen name ANONYMOUS.

So what is it? Firstly, it is definitely a little but very profound book. DeVorss' special Graceland-authorized edition (with a young and thin Elvis on the cover) is tiny enough to carry in your pants or jacket pocket, purse, carry on luggage etc.

Secondly, it's basically an early 20th century version of Conversations With God, although it does not venture near some of the controversial areas that the later (and I think inferior) volumes of that contemporary book did.

The Impersonal Life is also seems like a first-person work(the author speaking as that spark of divinity he contends is within all of us) that could have been written by the great Ernest Holmes, author of the landmark Science of Mind writings. Its core idea is that your mind is linked to a Higher Power so a "Thinker is a Creator...(who) lives in a world of his own conscious creation."

Brenner, writing as the voice of God and appealing and explaining to each reader's own divine spark, writes that "every thing, every condition, every event that ever transpired was first an idea in the mind. It was by desiring, by thinking, and by speaking forth the Word, that these ideas came into visible manifestation."

Why did Elvis care and be influenced by The Impersonal Life -- and why should YOU? This little book, with each of its words as potent as literary dynamite blasting away earthly mental clutter and worries, stresses the importance of belief and nonshakeable FAITH...and argues that inspiration and intuitive flashes just don't happen. There's a reason. And if you follow these impersonal flashes you can live an impersonal life....uplifted from the personal human concerns and preoccupations, better focused on spiritual concerns and increasingly empowered with increasingly documentable spiritual power.

This is the Elvis that few people have ever seen or known about--the Spiritual side. I truely enjoyed reading the SAME words that comforted Elvis in his times of need. The words contained with in this small, but powerful little book spoke out to me as if IT was written just for me. This must have been how Elvis felt while reading it too. This book is like an instruction manual directly from God, speaking from within. I will keep this book and read it many times as a reminder of the power of God, which is found within. It makes a great gift for those who are interested in the spirual side of Elvis, but most importantly for those who want to discover more of the spiritual side of themselves.