Europe Books

I was unfamiliar with the Kindertransport that moved 10,000 Jewish children to safety from the Holocaust. This biography brings that event to life through the memories of Lisa Jura. At 14, her parents sent her to London and the book covers that wrenching journey and the next six years of her life. Growing up during the blitz in a refugee home with 31 children makes a fascinating book.
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa

author of Cooking Jewish: 532 Great Recipes from the Rabinowitz Family

from the Jewish Journal of Greater Los Angeles
August 30, 2002

Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.

Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."

Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.

As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."

In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.

"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."

The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."

"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."

And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.

Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.

The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.

Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.

Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.

On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."

"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."

This is one of my all-time favorite books. If you are a musician, you will fall in love with it. The story is inspiring and moving and will make you appreciate music to the greatest extent possible.

Full of history. Easy to follow. Great read for young and old alike.

This is a story which every parent should read to their children. Talk about the history of WW2 and discuss the extremes of humanity. A book which once read you will never forget.

Nash does one of the best historical accounts of a massive and complicated battle that I have yet read,The extra time spent on the personalities involved and their relationships adds tremendously to the value of this book. Winning the battles but losing precious equipment and ground was a big part of the German retreat, Sadly the loss of life here is also extreme and the personal stories that delve into that loss are painful and foretell of worse to come.Filled with rare fantastic photos and first person accounts this is the definitive book on Korsun/Cherkassy. I hope that while survivors of battles like these are still living Nash will continue to create works like this that add so much to history and our understanding of WWII.

Col. Nash has written what I consider to be an epic on the war on the Ost (east) front of WWII. His plain language style and the relating of participants accounts are compelling and draw the reader in. He makes a theater of war not fully known in the west understandable. The story as depicted could be the basis for a screen play in what would be an epic film matching "Das Boot", "Saving Private Ryan", "Band of Brothers" and "Stalingrad" if Hollywood only had the courage to show it the way he presents it (sans politics). The strugle for survival is basic and one that everyone can understand and Col. Nash is an artist in painting that picture. This is the kind of book I love, one that gets into the day to day life of the soldier while giving the bigger picture. If anyone reads just a few books about the eastern front in WWII make this number one on your list!

Expert writing on a relatively little-known albeit vital battle on the Eastern Front in 1944. Military History does not get any better than Mr. Nash's account of the battle of the Cherkassy pocket!

"Hell's Gate" is a meticulously researched volume of a little known brutal winter battle on the Eastern Front during World War II. The writing is clear and unambiguous; the text is supplemented with many photographs, including previously unpublished photos made available to the author by participants of this battle.
There are some irritating production shortcomings, such as the occasional line dropping off at the bottom of a page and the seemingly inevitable misspellings throughout.
In all, I readily recommend this book.

Excellent book, with loads of anecdotes and personal accounts, at least for the German side. The book would have been even better if the author could have managed to obtain more Soviet first hand accounts as well, but even without them he does a good job of describing and assessing the Soviet side of the battle as well.

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

This is not your so called war stories. It is about a man and the men he served with without any liberal gibberish (see his references to more modern times)and the fact that wars happen and will happen, just or unjust depending on one's views. But, they won't go away like some Utopian dreamers think just because other "Utopians" weren't up to it. There were so many pages that hit me in the gut because one could so readily identify with things on the page. I never expected such a great book from a journalist / media person which proves that there is good in every crowd. I salute Fraser and I wish I could tell him so in person.

GMF has outdone himself with this book about his part in the Horrific war in Burma during War II. He tells of his time as a junior enlist then junior NCO with the Border Regiment. He spins his tale extremely well about the story of the last great War fought by the Old Anglo-Indian Army of the Raj. So if you want to get a feel for a bygone Army, its various & exotic troops, weapons and some great characters like the Iron Duke and the Impressive FM Slim then this is the place for you.

I read this entire book with a smile on my face, punctuated by frequent outbursts of laughter. George MacDonald Fraser's memories of his WWII service with the British Commonwealth Army in the Burma campaign was the first of his non-Flashman works I've read. Although it's impossible to really compare two completely different literary genres, I'll just say that "Quartered Safe Out Here" was-in its own unique way- as hilarious, if not more so, than the best of the Flashman novels. The difference is that in the Flashman novels, Fraser's obvious respect for the sacrifices and achievements of the British soldier had to be viewed as a backdrop to the foreground humor while the opposite is true in this work, where the humor plays a supporting role to his tribute, which is explicit.

Unlike his Flashman creation, Fraser was an honest-to-goodness war hero- courageous, honorable, and immensely proud of his country, regiment and platoon section. Like old Flashie though, Fraser cuts through the B.S. and shows no tolerance for armchair generals, civilian second guessing, and the nattering classes' politically correct sympathizing for Britain's enemies, so long as they were black, brown or yellow. It was amusing how Fraser's account of his argument with a bleeding-heart over the atomic bombing of Japan exactly echoes Flashman's dustup with a supercilious academic at the beginning of "Flashman and the Redskins". The alert reader will notice other such episodes in this memoir that seem to have found life in that series, but as Fraser noted, sometimes real life in Burma was so bizarre that he would have been laughed out of town if he had tried to slip some of those stories or dialogue into his fictional novels or screenplays. That's why I'm glad he finally got around to writing this book. It would have been a real shame if this story had not been told.

Fraser details his time as a 19 year old soldier in Burma during the last months of the war. His writing is brilliant, as usual, his stories engrossing, his attention to detail is fascinating, and the characters we meet, from the lovably obscene Cumbrians to the unbelievable Captain Grief, are unforgettable, the more so for being real. Apart from the entertainment value, which is considerable, Fraser's insights into the nature of war and the warrior are poignant and valuable as a historical record of, and paean to, a lost Britain. He bemoans the fact that that Britain (not to mention America) has been replaced by a therapeutic society of hypersensitive p.c. twits who have been severed from the warrior tradition and stoic ethos which made their existence possible in the first place. As with most of Fraser's books, it's not for someone who thinks that the world has improved much in the last 50 years. What else is there to say? This is simply a great book. Read it and love it.

This book had been brought to my attention by the author John McKinna ("The Sen-Toku Raid" and others) when it was learned we both had been combat infantry. And a great recommendation it was. The name of the book was taken from a Rudyard Kipling phrase in "Gunga Din", and outlines the infantryman's life during the final days of WWII as the Black Cat Division pushed down the Burma road towards Rangoon.

His book is unique in that it recounts the perspective of the war-fighter on the ground, who's entire knowledge of a world conflict is about 300 yards. At one point, he described every piece of equipment on his person, a bit of historical information I found of great interest.

Interspersed with this narrative however, was Fraser's meticulous research of after action reports of the units involved to weave a mosaic for the reader that helped round out the full picture of the campaign itself.

Overall, a great read.

George MacDonald Fraser, best known for his Flashman novels, and, in my opinion, one of our best writers, gives us here his nearly fifty-year-old memories of his service in Burma in 1945.

There is so much to like about this book that it's difficult to know where to begin. There is Fraser's absolute honesty about his fears, his mistakes, his attitude toward the Japanese, and the virtues and vices of his comrades. There is his ability to place his unit's activities within the context of larger campaigns and yet give a vivid impression of what fighting with his unit must have been like. There is his brief but compelling portrait of General William Slim, for whom he has an unabashed admiration. There are moments of low humor, of heroism, and of tragic loss of life, and there is an unapologetic pride in what he, his comrades, and the rest of the British and Allied forces accomplished.

This is one of the best books that I have ever read, and I recommend that you make it one of yours.

I have always been a museum addict. If the Metropolitan Museum of Art would let me place a cot somewhere, I would probably take up housekeeping. So, it was extremely rewarding to read this story of how so much of the stolen art from WW2 was found, protected, recovered and finally returned to rightful owners. These "Monuments Men" should all have received medals. The world owes much to them for making so many artistic marvels again available.

The illustrations are quite good. Many are available in other sources but so many, at least for me, were viewed here for the first time. The attempts to protect many objects - e.g., St. Marks in Venice - were also interesting. When I visited there a few years ago I was very appreciative.

Mr. Edsel is to be commended.

Excellent book with many historical pictures and historical comments of the war's effect on the art of many countries.

This book shows and tells another side of war. It is the story told in picture of Hitler and his Nazi thugs pillaging Europe and stealing priceless art objects, painting, statures, books, even ancient scrolls then hiding them in caves and bunkers in Germany. What I loved about this book were the photos of US Army units rescuing those stolen art treasures then returned them to the towns, churches and cities. The author has done an exemplary job of finding photos and stories which has made this an important work. Photos I've never seen and story I have never heard about. I think this book needs to be in every high school library in the country. Students need to be shown how our American Army worked to recover all this lost art. His book made me proud to have serviced in the US army.

Thank you for writing this book

I was really surprised by this book. I thought it was going to contain more text but it's really all about the art and the people who rescued it. The result is a very impressive, easily readable 'coffee table' style book that's beautiful and informative. Teachers should grab this up for the classroom and it also would make a great gift for anyone interested in WWII and it's aftermath. I can't say enough about the photos and the story they tell. Bravo!

This is one of the most fascinating books i have ever read. The period images are amazing, just the photo of italian masons bricking up Michaelangelo's iconic David is worth the purchase. After reading this book I was stunned that so few art treasures were destroyed. I had no idea that much of the treasures at the National Gallery of Art in D.C. was stored at Biltmore because of its remote setting. I was also blown away to see the images of workman removing winged victory from the Louvre, I just had no idea all of this went on leading up to the war and during the war. The German pillaging of the great European art treasures is disgusting of course, especially the art they looted from the weathy Jewry like the Rothchilds and others, some of which even to this day are trying to get back art work that is rightly theirs. I highly recommend this great book to anyone interested in art, history, art history, or frankly has an inquisive mind. I want to thank the authors for a job well done.

Samurai is Saburo Sakai's own story of his times as a naval aviator for the Imperial Japanese Navy. Mr. Sakai tells us about his past (yes, his ancestors were samurai's), his time spent learning to be a naval aviator, the pre-war (meaning hostilities prior to those with the US), and yes, his time fighting US pilots.

Things that I personally found very interesting in his telling:

What Japanese Naval personnel (aviators and non-aviators) went thru in basic training. Very brutal treatment. Mr. Sakai tells about Petty Officers beating trainees, ordering them to do physical things that bordered on the impossible. Aviation training was better, but only from the perspective of beating not occuring due to minor infractions. However, the standards they were held to... Obviously, the training was not run by kinder, passionette people.

Mistakes in combat. Mr. Sakai remembered his mistakes so well. The simple fact of failing to arm the guns, over shooting a target, or worse yet, failing to properly identify the target (Mr. Sakai mistook a unit of TBM/TBF Avengers for F6F Hellcats).

His respect for his opponent. Most of Mr. Sakai's combat time was spent in New Guinea flying against US units that were flying P-39's and P-40's. Both of these planes were outclassed by the A6M Zero in almost every category except diving (note, since neither the P-39 or P-40 were supercharged at this timeperiod of the war, their performance went from bad below 15,000 feet, to terrible if they went above 15,000, thereby denying them altitude to dive for an extended period). When this is merged with the fact that the Japanese pilots were combat seasoned veterans, while the Americans were green, it makes for a bad time for those flying the P-39's and P-40's. In remembering these engagements, Mr. Sakai spoke very well of how the US pilots tried to engage the Japanese pilots.

Mr. Sakai's writing style if very readable. It's direct, to the point, without great flurishes or breast beating. This does not mean that it's unemotional, but rather that when he uses emotion, it's very memorable. For rating purposes, I have to give this 4 out of 5 stars (Amazon rating system). I don't know how he could have made it better (writing style?) but I can definatly say that it's a very good read!

Samurai! documents the wartime exploits of Saburo Sakai, the greatest Japanese fighter pilot to survive World War 11, in which he was credited with downing 64 enemy aircraft. Sakai, who died in September 2000 of a heart attack became a legend in his own lifetime. This book explains why.
Samurai! takes us from early victories over the Chinese airforce to the later dogfights with the Dutch, the Australians and, finally, the unstoppable Americans. Sakai, in describing his journey from a rookie pilot to the final surrender, also chronicles the rise and fall of the Japanese Imperial Naval Air Force as seen from one of the most spectacular cogs in its vast apparatus.
Saka, who was never decorated for his actions, was a truly amazing fighter who was held in adulation by his mechanics and wingmen. Indeed, of all Japan's aces, Saburo Sakai was the only one who never lost a wingman in combat. This is an astounding record for a man who engaged in over two hundred aerial melees. But then again, Saburo Sakai's story is an astounding one.
His retreat from Guadalcanal is evidence enough of that. Having suffered paralyzing wounds in his left leg and left arm and having being permanently blinded in his left eye and temporarily blinded in his right eye, with jagged pieces of metal in his back and chest and with the heavy fragments of two 5-caliber machinegun bullets imbedded in his skull, he managed to fly his crippled Zero all the way back to New Guinea. That is the stuff of Hollywood legends.
So too is his dogfight against 15 Hellcats over Iwo Jima. Although he only had sight in one eye, Sakai managed to out manouver the Hellcat fighters and land safely back on the besieged island. His escape from Iwo Jima is also the stuff of Hollywood legends.
Hollywood bases its stories on legendary warriors. And Sakai and his comrades quickly became legends as their honed skills and Mitsubishi Zeros allowed them to cut a swathe through their Chinese, Dutch and Australian enemies. Sakai's accounts of those earlier battles are like reading th accounts of Cochise, Crazy Horse or Geronimo. Sakai and the other Japanese warriors of the air went out and did what they felt they had to do. Their Zeros were as precious to them as the finest steeds were to the warriors of old. They were the cream of the crop.
Unfortunately for them, their numbers were whittled down as the war dragged on. Midway accounted for over 300 of Japan's best pilots.The Americans, meanwhile, came relentlessly at them with their Wildcat and Hellcat fighters, which were purposely designed to outpace the Zero. Time and again, Sakai stresses that it was only the Americans' lack of combat experience that saved him.
They didn't save the others. As the war dragged on, the standard of the average Japanese pilot plummeted.
This book is not a glorification If this book glorifies anything, it is the futility and blaspehemy of war. Sakai describes how business went on as usuall in China even in the middle of combat zones. He describes watching Australian pilots being eaten by sharks. His account of how his superior skills saved him at Iwo Jima reflect the skills he noted in the Dutch and Chinese pilots of the earlier chapters. The Japanese, who had been the confident hunters I nthe earlier chapters, were now the prey. Usually, they were sitting ducks, powerless to do anything but volunteer for a kamikaze mission or to train the young novices who made the bult of the kamikazes.
Hiroyoshi Nishizawa, another top air ace who was later shot out of the air in an unarmed transport plane, was one of these. Sakai describes him as bing "unpredictable in the air, a genius, a poet who seemed to make his fighter respond obediently to his gentle, sure touch at the controls." Sakai constantly uses similar imagery to decribe his love for the Zero. This book has been reissued on countless occasions. Read it and find out why.

Sakai gives us insight into the progression of the war from the Japanese perspective, revealing the mindsets of those on the other side, without meandering into the chronological army list minutiae that many others succumb to. Action and emotion, quandaries of conscience and honour are always the subjects discussed.

Very good book. Highly recommended - very pleasureable read.

Also of increased value to those of us who play WWII combat flight simulators (grin).

I read this book while I was in high school. It gripped me from begining to end. Saburo was a proud and disciplined flyer. His combat prowess seems almost super-human, but as he is quick to remind us knowing the aircraft's capabilities and the tendencies of your enemy is half the battle. His description of the unsuccessful surgery to repair his face and eye after shrapnel is really painful to read. Amazingly, despite the lack of vision in one eye he continued to fly for the Empire, though with a severe handicap. This book is excellent. Anyone interested in learning about Japanese WWII aviation needs to read this book, you will not be dissappointed.

This book shows that combat warriors on both sides have the same thoughts and concerns. They worry about their families and complain about their leadership.

I bought the Classics of Naval Literature volume after reading a library copy. That's how much the book impressed me. The top-surviving Zero naval ace of WWII, Sakai had realistic and controversial opinions of Japan's role in the war. He did much to build postwar friendships with the United States, even at risk to his own life.

Little did I realize when I bought the book that I would someday meet him. I visited him in his Tokyo home and hosted his visit to Naval Air Facility Atsugi. My book is now autographed.

The Golden Milestone uncovers the most amazing facts about Italian and Italian-American accomplishments. It is a very unique book that covers just about every subject. Great stuff and fun to read. We also used the book's "Italy Travel Guide" that is included as a supplement for our trip to Italy this year. Read this book and pass it on. It is refreshing to read the positive things instead of stereo-types that the media usually servers up about Italian-Americans. Thank you Mr. Esposito for writing this book.

This thoroughly researched, masterfully written, and fascinating book is truly an encyclopedia of accomplishments from Roman times right up to the 21st century. The book lists countless fascinating facts from Roman, Renaissance, modern Italy, and Italian Americans. It also lists 19 Nobel Prize winners. A great review of somewhat forgotten information about Italian heritage, that is assembled and at your finger tips for reference. A refreshing change from the negative stereotypes offered by shows like "The Sopranos."
Read this book and give it as a gift.

This book is a great review of significant Italian and Italian-American accomplishments since the beginning of time! It is full of information that you may already know in the back of your mind, but the book clarifies it and recognizes the individuals instrumental in the contribution. The author inserts a little of his own humorous antidotes along the way. All in all it is a very interesting book. It would be good for students of any age to learn an overall view of the subject matter. Any reader should be both amazed and entertained!

There is no way to describe the amount of in-depth research on so many interesting subjects in this book. Well written, researched and organized. I got it as a birthday gift and couldn't put it down. It's mind-boggling how anyone could have done so much in-depth research. Amazing stuff that wont disappoint any reader interested in the origins of inventions, artifacts, conventions, foods and traditions, as well as biographies of many famous entertainers and sports personalities. For me, the book's chapters on architecture and American government alone make the book worth the price. Read it and share it. Something for everyone in your family to explore and discover.

Book Description (from Amazon's Editorial Reviews section)
This highly acclaimed and uniquely comprehensive book offers readers over 2500 years of Italian and Italian-American accomplishments. The book's 22 chapters cover every subject: art, architecture, music, fashion, science, law, culinary arts, economics, medicine, automobiles, the entertainment industry, sports, and much more. The author's ability to blend facts, with some humor and personal anecdotes makes this book a joy to read. The book covers the wonders of ancient Rome, Renaissance Italy, as well as modern contributions and Nobel Prize winners. The book is illustrated and contains an astonishing collection of inventions and accomplishments. For example, Italians invented the piano, violin, opera, ballet, battery, telescope, radio, and telephone in NYC years before Alexander Bell. Discover how Enrico Fermi ushered in the atomic age, and how Italian sculptors carved the Lincoln memorial in Washington D.C. Explore the chapter on Literature to uncover the origins of many famous fairy tales (Cinderella, Snow White, Pinocchio, etc.). In the chapter on American Government, the author quotes John F. Kennedy who wrote in his book, "A Nation of Immigrants" that the great American principle, "all men are created equal," originated with an Italian physician, Philip Maezzi, who was a personal friend and neighbor of Thomas Jefferson. Also, learn about many other distinguished personalities: NYC Mayors, the former Chairman & CEO of the New York Stock Exchange, the President of the European Union, and the Director of the European Space Agency. The Golden Milestone has thousands of notable entries and fascinating facts. Critics agree. It is a must for anyone's library.

This book also includes a unique `Italy Travel Guide' supplement that combines history and attractions for over twenty cities and locations in Italy. A great virtual tour!

Superbly researched, detailed, and precise. In 22 chapters the author proves his points. He sometimes got overly preachy, but with all the negative stereotyping of Italian-Americans by many in Hollywood and the media I can sympathize. It is one of the most organized books I've ever had the pleasure of reading. From the Roman Republic to the present, Italian contributions to Civilization are described. It also contains a unique travel supplement and some funny personal stories. Anyone who is a history buff should read it, every possible field is covered.

Judith Sherman's Say the Name can be seen as a theodicy that arises out of the Jewish tradition and in response to the events of the Holocaust. In poetry and prose we see, on the one hand, the horror of human evil, and on the other, the hope and meaning that arises out of tragedy in the form of poetic expression and imagination. Sherman a provides vivid and horrific account of physical pain, mental suffering, and moral wickedness. In a moving passage, Sherman recounts:

Today a woman runs suddenly from the Appell line--she runs towards the electrified fence. The dogs get to her before she reaches it. Screaming, she tries to put push the dog away...The animal is not called back, he attacks until there is no more movement. Every horrified one of us wants to rush and help--no one does. Silence. There are so many of us here, how are we so crushed into silence and inaction? The reason right there, in front of us--they watch us closely, provocatively, hand on the trigger and dogs at the ready--hoping for another futile sacrifice...We are filled with rage and pity and helplessness and are paralyzed by their brutality (102).

This passage confronts us with the reality of evil as experienced by Jewish women in German concentration camps. Based on this reality, it is not difficult to see how people who believe in God, and have a particular image of God, can question or call into account the God in whom they believe. Sherman's account reveals a questioning of the divine. Is God not outraged? Does God not hear what is going on? Indeed, where is God? "Where is the judge? Where are you, judge? Is there a judge?" (117).

Her response to these questions is to invoke biblical imagery and to invite God to come and witness, and account for the tragedy that has taken place. In her poem, "The Invitation," she invokes the imagery of Jacob's ladder and asks that God come down the ladder and witness the sights "not fit/ for Godly eyes/ not fit for thee/ is it for me?/ who will make it fit for Thee?" (118). Or again, having experienced so much pain, she requests that God take on her pain, "You have it/ and be/ branded" (122). Does God identify with our pain? Is God in solidarity with those who suffer? It seems that Sherman is inviting God to be present with the women beaten down by guards, chased by dogs, shot to death, and with those who have to witness these events without the ability to respond. It is a moving book in which the author has mustered up the courage to recount her experiences and to "say the name."

How can there be so much evil in the world? More pointedly, how can an all powerful and loving God allow such evil? Where is God? These and other tough questions are asked by Judith Sherman as she reflects on her time spent at the Nazi concentration camp Ravensbruck at the young age of fourteen. Combining narrative prose with short poignant poetry, Sherman walks the reader through the painful and emotional events, describing her sense of frustration at a God who has abandoned her and the rest of the Jewish people. Most accounts of the Holocaust elicit deep emotions and feelings and this book certainly does that, but in a unique way. The prose unfolds the details of her story and then all of a sudden you become struck by the overwhelming emotion and powerful insight of a short three or four line poem. This combination has a strong effect and throughout the book the poems remain clearly in your memory and serve to give more meaning to the details and descriptions of the horrendous struggles of a concentration camp.

With detailed descriptions, Sherman focuses on everyday objects, such as a pair of shoes, and transforms them from their ordinary status into things that have a greater significance and meaning. The transformation and emphasis on objects shows how Sherman's outlook on life has changed and through this outlook Sherman has finally been given the voice to tell her story, giving the reader the chance to connect to it in a moving and profound way. Reading this book will give new meaning to the themes of theodocy, family, memory, the human spirit, and most of all will give you a new outlook on life.

After having learned at length about the atrocities of the Holocaust in history class every year of middle and high school, and after hearing personal accounts from my many Jewish classmates about their grandparents in concentration camps, I felt almost overloaded with news of the horrors and wasn't particularly excited about reading another book about the Holocaust.

But Say the Name is different. Judith Sherman manages to convey the depths of despair and suffering that occurred during her time in hiding, in concentration camps, on a death march without any trace of stridency, but rather with her own quiet and simple words that are humbly defiant and moving. She communicated to me, for the first time really, how it feels to not have any control over what happens to your body, to be stripped of a voice, to be robbed of a name. This poetic novel, more than any other I have read on the topic, speaks to the psychological death as well as the physical one that the Nazis inflicted on so many millions. Judith Sherman resists both, however, and her spirit is evident in the fact that she was able to share in writing her deepest and most agonizing thoughts and memories about her experience.

Another aspect of the book is Sherman's relationship with God, which is a complex and vacillating one. In some passages it almost seems as if she is referring to a lover who has betryaed her, and she is filled with sadness, anger, longing, and ultimately a love that she will not forsake. She does not, however, blindly accept "the will of God," instead demanding over and over, "where are you?" If God should be praised for the blessings he gave her, then he should also be held accountable for his apparent abandonment of his people.

To read this book is to explore memory, theodicy, religion, family, genocide, the human spirit, and will leave you saying its name.

Say the Name is a powerful and poignant account of a young woman's experience in Nazi imprisonment during WWII. After years of silence, Judith Sherman was compelled to come out and tell her story, not only for herself and her family, but for the millions of other who had no voice. The unnamed victims of human suffering in camps like Ravensbruck cannot be put away with the history books. They are people who were made to be things, but they were not things. Sherman describes in her prose and poetry how the life that they had known before the war melted away, and was replaced by a reality that terrorized, brutalized, and destroyed. This reality was the dehumanizing force of the Nazi regime.

I wonder how an author who is so modest with her prose, who even wrote that "words fail" to capture the "monumental horror" of the Holocaust, is able to to move the reader with her words with such remarkable ease. Her voice resonates with the child, the daughter, the mother, the friend, and the person who had to ask God, "Why?". Sherman's writing, and especially her poetry, are evocative and elegant for sure, but I think that it is the place that she is writing from that creates this feeling of "being there' with her. Her pain and the pain of those she names is human pain. Their loss is human loss. As people we have lost something by allowing evil like this to exist in the world. It doesn't have to.

Her tale is not one of Jewish suffering but human suffering and survival. She recalls the ways she resisted the forces that sought to destroy her. Sherman's life was never the name when the war was over, which is to say that the experience never ended. However, she is able to take her pain and wordlessness and make something that helps others understand. I thank her for that. Sherman's book would be good for students of all ages and particularly those interested in the stories and history of the Holocaust. I guarantee this courageous little book will move you no matter what you're looking at it for. Her connections with human suffering are particularly intense regarding family loss, motherhood, friendship, the struggle with divine over the existence of evil, and the loss of the "ordinary things" we take for granted when we're home.

Judith Sherman's Say the Name is a survivor's account of a teenage girl's struggle with God and humanity in Ravensbruck concentration camp during the Holocaust. Sherman, now a wife, mother and grandmother living in the United States, writes her memoir some 50 to 60 years after the Nazi's carried out their "Final Solution."

Sherman's poetry and prose in this book reflect a loss of people, places and things that make up the fabric of a person's life, culture and beliefs. She is, at turns, angry and bewildered. She demands an accounting for these atrocities. But ultimately Sherman's quest for survival and her insistence on remembering the names of women who were killed conveys a sense of humanity and even of hope. This is Sherman's first book, and she is not a polished writer. She writes in fragments and one has the sense of poetry scribbled on napkins over the years and then included in the memoir. Her book is all the stronger for this.

Not only do I admire John Conroy's writing, but I admire his courage to put himself right in the middle of 'the troubles' just to get the story right. It would one thing if Conroy was a Belfast resident and was just reporting on his day to day life, but he is not. He is an American who more or less stumbled upon this assignment and saw it through.

It struck me a few times in the book just how close Conroy was coming to being killed in a place where death is a way of life. He is to be commended for this and we owe a debt of gratitude for making this sacrifice just so we could get a look right from the belly of the beast.

I really enjoyed this book. I thought that Conroy did a great job putting the 'Troubles' in Belfast into perspective from an American living in the midst of it all. Having visted the area that he writes of brought back memories. I referred to his map at least 50 times during my reading of the book to recall the streets that I walked in relation to where he wrote the book and spent his time in Belfast. I highly recommend this book.

of what it is like to live, work and experience the turmoil of "The Troubles." Conroy covered the Troubles the right way...he went in and lived among the people in Belfast instead of swooping in for drive-by interviews like too many journalists have done in the past. He also manages to convey what he experienced while maintaining objectivity...this skill when dealing with terrorist and paramilitary violence is something writers covering the "War on Terror" these days could learn from. Required reading for anybody interested in Northern Ireland, its history and how to possibly make a better future in that wartorn nation...

Conroy rolls around in the grit and dirt of life in sectarian violence-shattered Belfast.
Everythings here-the horror stories,police violence, IRA knee-cappings, the tragic tales of getting involved with paramilitary groups, but what is most haunting is just how shatterd everyday life has become for everyone from Sandy Row to Shankhill.
I wouldn't call Conroy pro-Catholic or pro-nationalist be he does de-BBCize his storytelling for the reader giving them a look into the society and goings on of that large minority.
Conroy.
What the reader is ultimately left with is valuabe albiet painful insight into Western Europe's longest (and dirtiest) civil from an outsider's eye-witness view

This book was recommended to me as excellent reading about the Troubles, particularly for Americans. I whole-heartedly agree; it is all that and more. Conroy does describe the daily workings of life in Northern Ireland but he also tackles the prejudices and ignorance of Americans (and the U.S. government) when it comes to the political climate in Northern Ireland. He pulls no punches and sugar-coats no issues. He explicates the situation as he sees it and is not afraid to indict those who turn blind eyes. The version I read was older so I have not yet seen the updated book that includes information on semi-recent IRA ceasefires. But I do think many of Conroy's observations are still applicable, changes in administration notwithstanding. He describes the intolerant view towards Sinn Fein taken by the American government in the 80s and the biased, oversimplified treatment of the Troubles by the American media. Indeed as Conroy notes it has not been hard to sell the British point-of-view to American audiences but what of the counterpoint? When do proponents of the other side get a chance? Conroy also concludes that for as long as Northern Ireland remains a British enclave, continued violence is guaranteed. For that reason alone, Americans owe it to themselves to read _Belfast Diary_.

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.