Europe Books

I shall add little to the other reviewers of this extraordinarily fine account of the history of Indian (particularly North Indian) music and how it was introduced to Western ears and influenced modern popular and classical musics. I will instead say that having myself lived that history--being exposed in 1955 to the first LP recording of Indian Music and watched Ali Akbar Khan on CBS Sunday's Omnibus, having been among the first to purchase the World Pacific and Prestige recordings of Indian musicians, having attended numerous concerts of Ravi Shankar and Ali Akbar Khan, Bismillah Khan, Jasraj, Shivkumar Sharma and other Indian masters, and having become a Friend of the Ali Akbar College of Music, where I met John Handy, Terry Riley, and Ravi Shankar, as well as having followed the influences and explorations of Indian modes and rhythms in classical music and rock as a Bay Area academic hippie--I can attest that this book is amazingly well researched, comprehensive, and gets it right. Indeed, through the many insightful interviews, we go well beyond the mechanics and structures of musical infusion across cultures into the realm of spirit, humanistic motivation, and metaphysics. For instance, Mickey Hart's interview expands and details his own previous accounts of his and the Grateful Dead's musical transformation by interactions with Shankar Ghosh, Alla Rakha, and Zakir Hussain (a two-way street for the latter). Other useful interviews are with (from the classical world) Philip Glass, Zubin Mehta, Terry Riley; (from the Indian tradition) Ali Akbar Khan, Zakir Hussain, Anoushka Shankar, Tanmoy Bose, George Ruckert, Shubhenra Rao; (from jazz and rock) David Crosby, John McLaughlin, Cheb i Sabbah. But the interviews are only spice to the meat of the text, which explains the uniqueness and detail format of Indian music, supported by a glossary, and the origins and construction of the various instruments. When our world is plagued by fear and misunderstanding of other cultures, music arrives as a source for common ground. This book demonstrates its power and its promise.

Musician and author Peter Lavezzoli presents The Dawn Of Indian Music In The West: Bhairavi, a history of the recent yet amazing infusion of East Indian classical music into western culture. Though Indian music was largely unheard of until 1955, when Ali Akbar Khan issues an LP called "Music of India: Morning and Evening Ragas", its appeal steadily gained ground, to the extent that Indian and Western disciplines began to borrow concepts from one another to aid in composition and training. When "Music of India" was re-released as a compact disc in 1995, it won a Grammy. The Dawn of Indian Music in the West follows the influence and impact of Indian classical music in extensive detail, meticulously researched and presented especially for intermediate to advanced music scholars and theorists. Highly recommended especially for college library and music reference shelves.

Among the many thought-provoking quotes in Peter Lavezzoli's new book is this one from tabla player Tanmoy Bose. "If you talk to any music lover in the West, they know more about [Indian music] than Indians ... they have a thirst for it, and they are very critical in the West for that reason." At first, I was tempted to reply that these Western fans are so enthusiastic because they (we) are such a small minority. In India, interest in Indian classical music runs the gamut from devotion to mild interest. There is, for example, a sense of national pride that makes Indians feel they ought to like classical music even if they don't. In the West, you are either a devoted fan or completely ignorant on the subject, and it often seems to us that all the devoted fans are gathered in the Bay Area. However, Lavezzoli paints a significantly different picture, arguing quite convincingly that Indian music has deeply influenced both American and European music for over half a century.

Peter Lavezzoli's first book, "The King of All, Sir Duke," took a controversial approach to biography. He devoted relatively little space to Duke Ellington, the book's ostensible subject matter, and instead wrote about Ellington's influence on other prominent musicians (including Frank Zappa, Stevie Wonder, and George Clinton). His newest book, "The Dawn of Indian Music in the West: Bhairavi," follows a similar format, but it is not a story of one musician's impact on other musicians. It is the story of the influences of one entire musical culture on another, and the tracing of those influences from connection to connection is the perfect format. Lavezzoli's goal is to document every aspect of that impact with interviews and historical summaries. The result is a long and engrossing read, full of remarkable anecdotes and thoughtful discussions with some of the most important creative people in many different Indian and Western musical domains.

About a fifth of this book will probably produce a sense of déjà vu for regular readers of this magazine. There are detailed interviews with many local artists, including Cheb i Sabbah, Ali Akbar Khan, Zakir Hussain, Terry Riley, George Ruckert, and Mickey Hart. If you know little or nothing about these people and their music, you get all the introduction you need. But no matter how much you may think you know, Lavezzoli has new information for you. Those of us who live in the Bay Area know that there are lots of Americans and Europeans who have carefully studied Indian music. But Lavezzoli shows us who was first, where they did it, and how things developed from there.

The book is subtitled "Bhairavi" because the first significant musical contact between Indian and Western classical music was a recording of that raga in 1955 by Ali Akbar Khan. Bhairavi is also a morning raga traditionally played to close a concert that has gone on past midnight, so Lavezzoli also uses the word as an allusion to the "dawn" of Indian music. This recording was the first 33 rpm long-playing record of Indian classical music. Prior to this, the only recordings of Indian music were 78 rpm records, which had poor sound quality and lasted five minutes or less. This was also the first performance of Indian classical music in the West, except for an unrecorded concert at Columbia University by Inayat Khan. (It is a tribute to Lavezzoli's thoroughness that what little is known about that Columbia concert is in this book.) The Bhairavi recording included a verbal introduction by Yehudi Menuhin, who had discovered Indian music while touring India. Menuhin's endorsement helped to convince his colleagues that this music was a serious disciplined art form, not an exotic ethnic curiosity. Lavezzoli has some interesting parallels between the harsh pedagogic methods used by both Indian gurus and Western conservatories, which justified labeling both traditions as "classical."

There were, however, parallel influences occurring in rock and jazz, spearheaded by George Harrison and John Coltrane respectively, who were both great admirers of Ravi Shankar. Rock and jazz musicians were attracted not only by the complex use of rhythms and microtones, but also by the freedom to improvise, and by altered states of spiritual consciousness. These musicians usually associated altered states with drugs, creating a controversy that endures to this day. For most Westerners during the 1960s, Ravi Shankar's sitar was the soundtrack for drug experiences. This was a serious misunderstanding: Shankar did compose scores for psychedelic movies like Chappaqua, but he also insisted that his audiences not use drugs. Lavezzoli asks almost all of his interviewees about drugs, and discovers a spectrum of opinions that reveal another great contribution of Indian music to the West.

Western music had fragmented into two conflicting elements: the emotional drug-tinged intensity of improvised jazz and rock, and the tightly controlled intellectual discipline of European classical music. Because Indian music had never separated emotion and thought, it could show Westerners how to reunite them. It challenged rock musicians to acquire discipline, enabled jazz musicians to see their improvisation as a spiritual practice, and reminded European classical musicians that music is not just marks on paper, but is played by a musician, and heard with the ears. Sometimes Western musicians tried to capture the mood of Indian music with little awareness of technical details. Other times, they took Indian techniques and reworked them to create very different moods. But Lavezzoli shows us that all forms of Western music now have a healthier relationship to each other, and to the rest of the world because of the Indian influence. Perhaps in the new millennium, there may even be Westerners who will be great virtuosos of Indian music. Will this music then still be Indian, and will its players still be Westerners?

This historical study is full of detailed information about a disparate collection of the most inventive musicians of the 20th century, all drawn together by the thread of a fascination with India. The book gives equal attention to legends like John Coltrane, and more marginal avant-garde figures like Don Cherry, John Mayer (of Indo-Jazz Fusions), and John Handy. It also refers to rock stars like David Crosby, and contemporary classical composers like Philip Glass. Each musician's biography is woven into the text, so the entire book (nearly 500 pages) gives you an intense impression of the deep spirituality of this generation of musicians.

Peter Lavezzoli is a very astute critic of the key albums of this movement, and I learned a lot from his detailed discussion of Duke Ellington's "Far East Suite," Coltrane's "India," and Don Cherry's "Mu." When reading this book, you really feel you are being guided by someone with a highly developed intuitive feel for integrity and truth in music, as he himself is a musician who is concerned, as he admits, with "the connection between musical and spiritual expression."

In this book, historical narratives are interspersed with interviews with the leading musicians in Western and Indian music, such as Terry Riley and Shujaat Khan. These interviews are not your average magazine interviews, however, as the central concern of Lavezzoli is always wisdom, and his questions are always subtle and searching. If you glanced at this book, you might be put off by the way the text is crammed on the page, the lack of margins and smallness of type making it seem somehow a hurried book or not carefully thought out, but do not be deceived by bad design--this book is a true labour of love. It will inspire all musicians to take their work on to the next level, and it will inspire all record collectors to rush out and get hold of Alice Coltrane's "World Galaxy."

This is a fantastic book for many reasons; Peter Lavezzoli has done an amazing amount of research, delivering a lovingly written treasure trove of well-rounded details that will interest music enthusiasts from many different schools and tastes. Fascinating connections are drawn from the histories and influences of Indian music on rock, jazz, western classical and more. Included are vivid chapters on the pivotal history of Allauddin Khan, teacher of Ravi Shankar and the father and teacher of Ali Akbar Khan; Yehudi Menuhin's discovery and presentation of Indian music to western audiences (he is pictured with Ravi Shankar on the cover); the fabulous chapter on George Harrison; and a powerful section on John Coltrane, to name just a few personal favorites, with numerous connections to Ravi Shankar, who is widely referenced and featured (in too great a depth to summarize in a brief review).

A good portion of the book features the musicians and associates themselves having their say through remarkable interviews with Ali Akbar Khan, Mary Johnson Khan, Mickey Hart, Zakir Hussain, Jim Keltner, Terry Riley, Cheb i Sabbah, Zubin Mehta, Anoushka Shankar, Ravi Shankar, Tanmoy Bose, John McLaughlin, Bill Laswell, Shujaat Khan, George Ruckert, Shubhendra Rao, Suskia Rao-de Haas, David Crosby, Roger McGuinn, and Philip Glass. The author asks good questions and gets rich answers, making for a highly enjoyable reading experience.

This is a book I can spend hours re-reading. I've learned enormous amounts about a wide variety of music forms within each chapter. Readers with virtually any level of music interest will find something of value here. A real stunner! Highly recommended.

A very enjoyable read that informs and entertains. It feels as if our upcoming trip to Tuscany has already begun.

This is a great read. Short, funny and I loved the way he wrote the book. Passed it on to friends and they loved it also.

I dearly loved this book. I vacationed in Vagliagli, the tiny Italian hamlet and recognized the sites and people the author talks about. When he describes the sights and sounds (the rooster, hunting dogs barking) upon waking, I find myself back at our villa down the way from Cignano. Everyone who appreciates the solitude and the true Italy needs to read this book. Thank you for sharing, Dario. I am a fan of your books.

When I finished reading Castagno's book, A Day in Tuscany, I felt like I had visited the Tuscany region. His ability with Robert Rodi, to bring in interesting and humorous history mixed with sorrow gave me a greater portrait of a portion of Italy I was not familiar with. The people he wrote about came to life and I loved their mannerisms and the way they approached life with each being a delightful individual. You do not have to go to Italy to appreciate this glimpse into life in Tuscany.
Bettye Johnson, award-winning author, Secrets of the Magdalene Scrolls.

Dario Castagno is a wonderful story teller, and his gift for painting beautiful pictures with his words really comes out in this book. I laughed, I cried, and I enjoyed every page of this book. Whether you've ever been to Italy or not, you will love this book! I also loved his first book - "Too Much Tuscan Sun" - a delightful and funny read.

Heading to Germany for the Football (Soccer) World Cup in June 2006? Take a detour to Berlin and be amazed by the vibrancy and architecture of this new/old city. Reading Ruth Baja Williams' "Detour Berlin" is an excellent introduction to your visit, giving the city a unique flavour from the perspective of a 20-year-long visitor. The former East Berlin is currently being transformed with renovated apartment buildings, stunning new high rises, and everywhere there are trees and parks to soften the built environment. As you wander around Alexanderplatz recall Ruth's experiences there, imagine the life she describes of her friends residing on the `other' side of the Berlin Wall. Visit cosmopolitan department stores, putting yourself in the position of a long suffering 1960 -70s East Berliner attempting to purchase scarce, very basic products. Picture yourself living in West Berlin, separated from family and friends by a forbidding wall. Allow Ruth, through her warm, yet incisive observations, to take you on a journey that will make your own visit so much more meaningful and appreciative of a lifestyle often taken for granted. Ruth's prose is vividly accessible as she generously shares the daily lives of her family and friends in a way that brings a European city into the realm of understanding of a non-European. Do detour!

Ruth Baja Williams memoirs of post-wall pre-unification Berlin are hard to put down. Buy this book and you're guaranteed to be caught up in her vivid storytelling abilities and compelling gifts for observation. In a way, her book also serves as a mini-biography of her husband Charles Williams, one of America's most gifted and creative singers and teachers (he created the role of Sporting Life at the Metropolitan Opera's premier performances of Gershwin's Porgy and Bess in 1985).

What a read! Ruth took me to Berlin, placed me in her family, and brought me a rich, honest encounter with a place I knew little about. Thank you Ruth (and Charles) for letting me share your wonderful detour to Berlin.

Ruth has witnessed a period of our modern history which is too little known and understood by much of the supposedly educated Western world - and written so well and thoughtfully about her experiences. We share her disappointments, admire her achievements with the German language, freeze with her, are inspired by the stoicism and even good humour of individuals who have suffered so much in war, feel the warmth of her German friends, can imagine the hassle and frustration of crossing into East Berlin and appreciate the fascination Ruth and Charles had with the events, culture, history, politics and customs of Berlin.

This 20 year detour by an interracial American couple in Cold War Berlin is an interesting, compulsive read which also permits valuable insights into personal interactions within the culturally diverse international community.

A compelling account of a 20th-century love story set in Cold War Berlin. Ruth Baja, a girl from an upper class Philippine background, marries Charles Williams, a black American singer, against her family's wishes. They find themselves in Berlin--temporarily they think--soon after the Wall divides the city. They stay and raise a family while Charles pursues a European career. This is a voyage of political, cultural and personal discovery, told with wit, poignance and grace. You'll fall in love with Ruth and Charles, and with Berlin too.

i loved this book. i felt as though i was right there with him and his family through every phase of their lives. this book had everything going for it, sadness, chaos, happiness, tragedy. it was so personal and you just felt as though the author let you in to share with him.

This book will be enjoyed by all who read it for it is a story of survival from the ashes of the Holocaust. This book is also an excellent book club selection that will spark much thought and conversation.

Joseph Berger has written a story that needed to be told, but he has included too much extraneous material about his own life. Much of what he tells reveals what it was like growing up as the child of a refugee, but who cares whether or not he dated in high school?

The best parts of this book were those about his mother's life and about how she managed in the United States as a refugee. Berger's writing is more journalism than story telling. He's got all the facts, but none of his descriptions flare above the mundane. His mother's reminisences are far more artistic, and reveal more than the words on the page.

My father's story parallels Joseph Berger's in eerie ways...they were both at the Schlactensee DP Camp and the Landsberg-Am-Lech DP camp...Berger's mother's story of her youth could be my grandmother's, from an unpleasant step-mother to the flight East to Russia. My father was born during my grandparents' refuge in the USSR, and crossed illegally with his family into Poland after the war ended. I have always been close to my grandparents, but this book brought clarity and insight into topics they don't generally discuss...the duality that immigrant survivors (the displaced persons) felt between their new lives in America and the tragedy and loss left in Europe. When I look at my grandparents' happy faces at family occasions---graduations, weddings, bar mitzvahs, birthday parties---I wonder if the events make them remember times similar back in Lithuania. Berger's story, beautifully written and researched, is a must-read.

This book resonates on many levels. It is a compelling and vivid narrative detailing the acculturation of Holocaust survivors in New York City, specifically, during the immediate post-war period. But this is no dry text. You feel the bewilderment of these brave souls as they desperately try to make a home for themselves in their newly adopted country while, at the same time, deal with the perpetual anguish of searing, catastrophic loss of family, country, and hope (or faith, or optimism). This is all presented through the lens of the author's memory in a series of poignant vignettes, capturing just the right detail to press itself into your heart, time and time again. From the particulars of these experiences, it deepened my understanding for what my own mother went through when she immigrated -- she is considered a Holocaust survivor because she experienced Kristallnacht in Vienna, but she was fortunate enough to have come to America pre-war -- and strengthened my compassion, empathy, sense of kinship and profound respect for all survivors of catastrophe due to war, or abuse, or illness, etc., who have nonetheless managed to make reasonable and productive lives for themselves. So...get the book and treasure it!

When I met Jacques Sandulescu, I was a pasty college kid whose idea of exertion involved a highlighter and a textbook. Jacques was twice my age, a giant, rock hard, with hands that swallowed pens whole. Romania was deep in his past, as was his career as a professional boxer; in l968, when we met, he was a Greenwich Village bar owner.

Like Big Daddy Lipscomb --- the legendary giant of a football player who used to help opponents up "so the children won't think Big Daddy's mean" --- Jacques was a calming force in every room he entered. You couldn't imagine trouble erupting with him around; he was that big and strong. And, at the same time, peaceful --- he had the kind of calm only people who have passed through fire seem to know.

It wasn't until I read his book that I understood the horror Jacques survived.

"I was arrested in Brasov on my way to school," his book begins. And right there your stomach sinks. Because you know what's coming: a terrible story, told in unadorned prose.

Well, brace yourself, you're about to be devastated.

As "Donbas" opens, Jacques is 16 years old, 6 feet 2 inches tall, 180 pounds. He's the youngest person in the box car filled with Romanians that the Russians are shipping east in January of 1945. But his youth vanishes fast when he watches guards execute some would-be escapees. On one hand, he envies their death: "no more cold, misery, hunger." On the other, he wants to live. Which means he'll have to escape.

This is a book about noticing everything, paying sharp attention, looking for an opening. His first conclusion: Don't try to escape in winter, don't think you can get out of Russia without knowing Russian.

But after a few days of working in the mines of Donbas (now considered part of the Ukraine), his thoughts turn from escape to survival. The work is wet and cold. A cave-in could come at any time. Exhaustion, exposure, hunger --- death comes in many forms here.

I have never read an account of work in a coal mine that made me so claustrophobic. I found myself reading faster, as if getting to the end of a particularly horrible shift would provide some relief. But it didn't --- above ground, there were sadistic guards and icy winds. "Many prisoners died," Jacques reports matter-of-factly. "Over half the camp. Four hundred and fifty weak and sick weren't suffering any more."

Jacques is comparatively well off. He is strong and uncomplaining, a good worker. He gets privileges --- when he goes to nearby homes for dinner, it's a delight to read as he eats and eats and eats. But he's never fooled; there's always a power-mad guard around the corner. And one does beat him so badly he almost dies. Which makes it all the more satisfying when, with the permission of a senior officer, Jacques stomps that sadist mercilessly. "It was a good feeling while it lasted," he says. I think even a pacifist would agree.

After two and a half years, his luck runs out --- Jacques is trapped in a cave-in and rescued only by a friend's heroic efforts. He fears his legs will be amputated. He must escape. His legs are running with pus, he is a mass of sores, but he slips onto a train, hides in an open coal car and begins the slow, freezing ride to the West.

Books like this have a built-in handicap --- we know the author survived. Only the best of the breed make us forget that there's a happy ending. And this is the best; reading these pages, you will feel cold and hungry, raging with fever, wet and dispirited. But mostly, you will feel Jacques Sandulescu's spirit, his unyielding insistence on life, life in free air, life at all costs. And, after you put his book down, you will, literally, take a deep breath

Jacques Sandulescu

I really enjoyed reading this book. I read it in one evening. It's a real page turner! It's a great book for the teenager, as the hero, Jacques Sandulescu is just 16 when he is captured by Soviet troops and sent to work as a slave laborer in a mine camp. Donbas is his true story how he survived and escaped. The sequel Hunger's Rogues is currently out of print but I found a copy through Amazon.

Amazing story. I'm glad it wasn't lost and is being republished. I bought two copies. This would be a great story for teenagers to read about endurance and survival (for all ages, but the story is easy to read and the guy is a teenager when he was captured by the Russians and sent to the slave camp). It is very remarkable story if even mostly true and now one of my favorite books.

I first read donbus in my sophmore year in high school. It was a 1st edition copy quite tattered and worn. I figured it looked easy enough to read to get my credit for the book report that would follow. In the week that followed, I became attached to the book. Every free moment was spent reading it. His story facinated me. I couldn't put it down. Needless to say, the book never made it back to the school library. I re-read it every year and enjoy it more and more. I contacted the author a few years ago and told him of my enjoyment of his work and how i had permanently borrowed the book. To my surprise, i recieved an autographed copy from him i treasure! This book is incredible. Read it and enjoy the story of one mans will to survive. You wont regret it!

I had first heard about Jacques Sandulescu through my father, after he loaned me the book, "The Carpathian Caper", a novel by Sandulescu and Anne Gottleib. It was a Topkapi-esque adventure, about a man's return to his homeland behind the Iron Curtain after being kidnapped by Russian soldiers as a youth and shipped off to a Soviet slave labor camp, escaping after a mine cave-in crushed his legs, escaping to freedom, working his way West from black marketeer in the Middle East and Europe, to prize fighter in the midwest to nightclub owner in New York. It deals with his friend's plans to embarass the Russian Government by the very high profile heist of priceless religious icons right from under their noses.

The lead character, Jack, was one of those impossible men, like Indiana Jones, Dirk Pitt, Jack Ryan or James Bond. Who knew that he was for real?

Donbas is his story, the true tale of a 16 year old boy's decent into the hell of the mines in the Donbas region of the USSR. His torture, his survival, his escape and his life since then is the stuff great movies are made of. So why is Hollywood sitting on their hands on this one?

Read the adventure, then rent movies like "Moscow On The Hudson", "The Owl And The Pussycat" and "Trading Places". Watch for a big, burly man with a thick Russian accent and say hello to Jacques.

This is an awesome book. Buy it and enjoy it.
Libro cojonudo. Disfrutarás como un chaval.

Este es por lejos una de los mejores libros que he leido. El autor encontro una manera muy agradable de contar una historia de la que la mayoria de la gente no quiere saber, concuerdo con otros comentarios, este no es un libro de texto, sin embargo como historia aporta mas que muchos libros de texto (al menos a nosotros los no filosofos de profesion) y de una manera muy interesante. Este es un gran libro que le deja como herencia al lector el reto de ejercitar la imaginacion y recuperar su capacidad de asombrarse con las cosas mas cotidianas.

Este libro llego a mis manos por casualidad en la biblioteca de Nueva Acropolis. Concuerdo con uno de las opiniones vertidas en esta página: No es un libro de introducción a la filosofía, si estás buscando filosofía no compres este libro. Este libro es un cuento en el que el autor va dejando a medida que se desarrollan los mágicos acontecimientos de manera inteligente una breve reseña de las corrientes filosóficas, sus representantes y sus ideas. Mi formación en este campo era NULA (ese curso no lo lleve en el colegio)...después de leer este libro, me intereso la filosofía y pude comprender de que se trata. Si te gustan los cuentos ágiles, la lectura amena, quizas un poquito de suspenso, debes adquirir este libro. Disfrutarás de su lectura y adicionalmente cuando termines de leerlo, sabrás un poquito desde Socrates hasta Popper, pasando por Nietsche, Lock, Santo Tomas de Aquino, Espinoza...Me despido de Uds. me voy a leerlo de nuevo.

Este es un libro bastante entretenido sobre la Historia de la Filosof?a, pero no debes catalogar este libro como un texto in extenso del tema, porque lo mas seguro es que te vas a defraudar. Cierto que nos habla de las principales corrientes filosof?as, pero no debemos pretender que abarque todo el contenido de todas o de alguna de ellas, critica que imagino es con la que mas se se?ala este libro. Como una introducci?n a un curso de Historia de la Filosof?a no es mejor ni peor que los otros cursos de introducci?n, y como quiera que sea, pasa a contar exactamente la misma historia que los dem?s libros. ?qu? hace entonces que este libro sea para mi especial? Es la forma en que Gaarder lo hace: convierte la introducci?n a la historia de la filosof?a en una novela que llega a desbordar todos los limites de imaginaci?n entre un padre y su hija.

Si nunca te has interesado en la Filosof?a, te aseguro que este libro clavara esta palabra en tu mente. Esto, sobretodo, si eres de aquellos que temen los libros textuales y formuleros. Pero si has incursionado en alguna corriente filos?fica con alguna profundidad, no mires este libro deseando analizar lo que seguramente ya sabes de la corriente que deseas, porque es seguro que sabes mas que lo que aqu? se presenta. Pero, como quiera que sea, como sucede con cualquier libro, siempre tendr?s algo que aprender de el.

Me han regalado el libro por mi 15°cumpleaños. Realmente es interesante ver como se desarrolla la trama de tal manera que los personajes principales van evolucionando. Por una parte Sofía la niña que corría el riesgo de convertirse lo que se llamaría un "apatico humano" logro superarlo mediante las enseñanzas de un completo extraño. No es un libro sobre las opiniones del autor acerca de preguntas filosóficas. Al contrario si eres el tipo de persona que te agrada pensar en ellas este libro te ayudará desde el princio al final a razonarlas un poco más por tu propia cuenta y saber opiniones de antiguos filosofos que tal vez coinciden con las tuyas.

An expansion and refinement of the author's Ph.D. dissertation on the diplomacy of Gouverneur Morris during very troubled times in Paris.

Gouverneur Morris was an intelligent man of solid good sense, with an obvious love for life. Dr. Miller, as befits one holding a law degree, writes as an advocate for the historical reputation of this important figure from our country's early days. In my opinion, she wins her case.

Anyone interested in the diplomatic efforts of our country in its infancy will enjoy this book.

I hope that the talented Dr. Miller will continue writing graceful books on equally interesting subjects.

This well-written and lively book should go a long way in restoring Gouverneur Morris to his rightful place among the Founding Fathers. The prickly Morris has had a pretty bad press over the years, but Envoy to the Terror provides a vigorous, in places brilliant, and ultimately convincing defense of Morris' conduct. Miller shows how Morris energetically defended America's interests under extraordinarily difficult circumstances and successfully disproves charges made both at the time and by later historians that his term as minister to France was a failure.

We learn to see our future by looking at our past, and contemporary French and American relations--as they relate to French censure for America's enlarging foreign policy and the U.S. zeal for "democratization" of the larger world--can be viewed in greater focus by narrowing in on the history of our two countries during the French Revolution and the French `Terror' that followed it. The American diplomat pivotal to this period-the only one on whom Washington could depend for analysis of what was happening abroad-was Gouverneur Morris, today one of the lesser known founding fathers, who as United States Minister to France from 1789-92, during the height of the atrocities taking place there, turned out to be profoundly perspicacious in seeing the terrible future of this, one of America's first adventures in `democracy building,' and its unpredictable, and sometimes terrible results. In Dr. Melanie Miller's insightful revisiting of the historical record of relations between the United States and France during this fateful and terrible period, as set down in her recent biography of Gouverneur Morris, Envoy to the Terror, Dr. Miller tells us much that is relevant to French and American relations today.

Gouverneur Morris may be the virtually unknown, underrated key to understanding the American Revolution, and this exciting new book tells his story from a fresh viewpoint. Thorough-going scholarship combines with bright and lively prose to bring Morris to life and set the record straight on his role in the establishment of the American Experiment. Dr. Miller shows that the conventional view of Morris has been much too limited and is due for thorough revision. This study is much more thorough than the recent popularizing biography of Morris by Richard Brookhiser. If you liked that book, which acknowledges Miller's ground-breaking research, you should read this one to learn the whole story. This book is invaluable for serious students of the Revolutionary period.

Gouverneur Morris has been a long underrated yet instrumental figure during important times. He took a critical part in the constitutional convention in Philadelphia, and he played as crucial a role as his predecessor, Thomas Jefferson, in his position as U.S. ambassador to France during the Terror, when French and American citizens alike sought his intervention, hoping to avoid losing their heads by guillotine. The author provides plausible explanations for this strange obscurity. Melanie Randolph Miller does much to humanize Morris's daily life, times and dilemmas, not to mention the big and small events of the French revolutionary era, deftly weaving into her text original and previously unknown sources, such as his own meticulously kept diaries, letters to and from his mistress, Adele Filleul, comtesse of Flahaut and other paramours, and urgent communications with key protagonists: the falling and fallen royal couple, Danton, Robespierre and the Girondins, among many others. The author's prose is brilliantly precise, enhanced by a dry and intelligent wit, and I agree with reviewers that the book is written with "the discipline of a historian but a novelist's eye," "a page turner." I admit that I found myself dragging my heels as I read along because, truth be told, I didn't really want to finish. In the final stretch, I stayed up way past my bedtime, skimming excitedly to learn what happened in the end, even though of course I already knew. I recommend Envoy to the Terror to anyone with more than a passing interest in the events of revolutionary Paris.

The eyewitness series is excellent. I own several of these books and we have used them on three different vacations to Europe. The book introduces you to Paris with background and historical information. A summary of seasonal happenings, weather, art, architecture and regional food information. The short essays are occpanied by pictures, maps, photos and graphic representations. It makes the book easy to read and a quick reference for planning daily activities while on vacation. The main section of the book has a break down of "regions" or areas. Each section starts with a map and locations of sights. You can then reference the specific site descriptions, which also include business hours and contact information. The back of the book list hotel and restuarant information. These books are an invaluable resource for planning a vacation itenenary. Also, they make an good refernce tool during your stay. The only negative I have found to these books is they are somewhat heavy to carry in your shoulder bag or packback all day long.

This guide is wonderful - I have never flown anywhere before and was very nervous about going to Paris, but after having this book for a week now I feel MUCH more confident! I am always opening it to look up more info - Theres so much in it I can't imagine how all that stuff can be in Paris!! I researched quite a few travel guides to Paris before buying this one and I am SO glad I chose this guide... it has detailed descriptions of each region, each monument, each street! Even comes with a menu card to help you figure out what you're about to order! haha... It gives detailed walking tours, bus routes, best times and price differences for visiting museums,... The very best part of this book though is the PICTURES!! There are pictures of everything and THAT makes it the best for me... What else can I say - if you're going to Paris - BUY THIS BOOK!

Dorling Kindersley makes the best travel guides hands down. They are extremely well illustrated, have extensive and detailed maps (thank god, because I tend to get lost very easily), up to date information on hotels (rates, rooms etc), restaurants (costs and reservation policies), and sites to see.

The travel guides have wonderful pictures, well researched histories and facts about France and more specifically Paris, what wines to look for and taste (not just by region and vineyard but also by year), sample dishes that one should try, detailed walking tours, information on famous art (there is a great section on the Louvre and all how to speed thru if you only have a limited amount of time).

The guide covers customs, money changing, travel information - you name it! Most importantly, it shares with you the best places to shop (and there are SO many in Paris), where to get good deals and SOOO much more. The book give you wonderful ideas on how to see the city in a limited time or really enjoy it if you are there for more than a few days. The book also covers things to do that many tourists might over look as well as telling you what is worth your while and what to skip. The guide also has great ideas for day trips beyond the city itself.

This is one of the best guides available on the market. It is perfect if you are planning to go to a few cities in a limited time or for more in depth information when planning a longer trip. We always lend this out to people before they plan a trip and everyone else has agreed it is top of the line.

I purchased numerous guide books before our trip to Paris, but the Eyewitness book was the only one I took with me. It is so comprehensive in its coverage of Paris, it was only book I needed. In it's handsome leather case, I felt comfortable refering to it on the bus and metro because it wasn't obviously a guide book. It didn't shout "tourist!" to everyone around me as I consulted it. Do not depend on the maps, however. Invest in a Michelin map of Paris; it's worth it.

I purchased this before taking a spur-of-the-moment trip to Paris with my boyfriend, based on its excellent reviews on Amazon. I was not dissapointed!

This guide provided an incredible wealth of information about everything Paris -- from sights to see, places to eat, and things to do. Almost every site is accompanied with a nicely written description, map, and full-color photograph.

Here are a few notes: 1.) The information (allbeit interesting and informative) is about the touristy stuff. If you're interested in going to visit lesser-known sites, you may want to get a supplemental guide. 2.) Make sure to look up every place you go/have gone. I was surprised to found out that many of the seemingly understated little cafes we visited have long, rich histories, which the book very colorfully described. 3.) The restaurant guide, while good, is not entirely complete. If your visit will center on the French culinary experience,you may want to do a little additional research beyond the confines of this book. 4.) This leather bound special addition also contains 4 laminated, easy-reference information cards (menu reference sheet, address finder, Metro map) and a full-size city map, all of which were incredibly helpful and can not be purchased separately. 5.) The section about customs is good, as it contained valuable information on topics such as tipping and using the bathroom. (Interesting Fact: In many restaurants you have to *pay* to use the ladies room -- even if you have already purchased a meal or snack. Make sure to carry a handful of 2 Franc pieces with you at all times.) 6.) The book, though helpful, weighs a ton. Be prepared -- or beg one of your travel mates to carry it for you!

Bon voyage!

I found The First Hellcat Ace to be a thoroughly enjoyable chronicle of Hamilton McWhorter's experiences in World War II. The book reads well and the story is engaging, providing a balanced view of his personal and professional life as a Naval aviator. The deprivations of shipboard life, the risks of combat, and the pain of separation from loved ones provide a solid foundation for "One-Slug" McWhorter's story.

Well written, honest and easy to read - this is the kind of book that gets dusted off every year or so and re-read.

I found The First Hellcat Ace to be a thoroughly enjoyable chronicle of Hamilton McWhorter's experiences in World War II. The book reads well and the story is engaging, providing a balanced view of his personal and professional life as a Naval aviator. The deprivations of shipboard life, the risks of combat, and the pain of separation from loved ones provide a solid foundation for "One-Slug" McWhorter's story.

Professional writer Jay Stout and WWII air ace extraordinaire, CDR Hamilton McWhorter III (USN Ret) have captured a great piece of personal history in their non-fictional book, "The First Hellcat Ace." This is truly one of the all time greatest stories of U.S. Naval aviation history. The authors take us along as we follow a young Hamilton go through his training (During the time of Pearl Harbor) and off on his battles over North Africa against the Vichy French and in the Pacific against the Japanese.

This is not just a story of how one man becomes the first air ace in a Hellcat Fighter but it deals with accounts of other men from "Fighting Squadron 9." These were America's best young men who fought in the skies above the likes of Iwo Jima, Okinawa, and Tarawa Atoll among other places. They risked their lives daily in air to air combat and from hostile ground and ship fire.

There is much depth to the story telling as we get to look at McWhorter's experiences as he reflects back on those days during the war. It is told as if it had just recently happened. The writing style is easy to read and follow and creates great excitement. It also gives us a more personal view of the men and what their lives were like. This book is suitable for most all readers.

If you enjoy aviation, or naval war stories, history, or just like to read about heroes, then this is the book for you. This is an important book that needs to be discovered by young Americans looking for old fashioned heroes. Commander McWhorter is the real McCoy and it would be good to honor him and others like himself before the Greatest Generation becomes just a memory. But when they do, I hope that this book will still be there casting long shadows over future generations.

Given the MWSA's Highest Rating of Five Stars!

I found The First Hellcat Ace to be a thoroughly enjoyable chronicle of Hamilton McWhorter's experiences in World War II. The book reads well and the story is engaging, providing a balanced view of his personal and professional life as a Naval aviator. The deprivations of shipboard life, the risks of combat, and the pain of separation from loved ones provide a solid foundation for "One-Slug" McWhorter's story.

I found an old copy of this book years ago, when there was very little to be found on the USMC in WWI, I am glad to hear it is being published again at this time. My interest in that subject stems from the fact that my Grandfather & his twin brother served in the 5th Marines in WWI.

Even without that connection this is a great book, one of my all time favorites. CPT Thomason keeps you turning pages as you follow the Marines through every battle, where they suffer unbelieveable casualty rates. For a book that was published in the 1920's it has a surprisingly contempoary feel, and is an easy, "must" read for anyone with an interest in the Marines or an American unit in WWI.

As a personal aside, I was looking at my Grandpa's discharge papers from 1919, (all hand written back then) and noticed that the officer that signed his discharge was none other than a John W. Thomason, Captain, US Marines, how cool is that?

I've had first heard of Col Thomason's book when I had read a biography on "Chesty" Puller. When I heard that it was re-issued a couple of years ago I search EVERYWHERE for it. The book is well worth the wait. There are scenes that made me laugh, cry, and just stare in amazement.

And the artwork! Wow! I am most amazed by sketches that were done "in the field." Some of these were done while under fire.

What I found most enjoyable about the book that it was honest. Col. Thomason did justice to himself and his comrades in the US Marine Corps.

I cannot recommend this book more highly.

I first read of Col. Thomason when I was reading a biography on Chesty Puller. Finally, "Fix Bayonets!" came and I was not disappointed. I couldn't put it down. Even though it's been 80 years since WWI, I felt that I was there in the trenches and no-man's land with the 49th Company, 5th Marine Regiment.

Semper Fi, Colonel!

With out a doubt, Colonel Thomason's book stands out as one of THE classic works of literature about Marines and the Corps. If you are a Marine or know a Marine, get your mitts on a copy of this masterpiece. For every Marine that thinks he's Old Corps, this IS Old Corps!

I've had this book on my shelf for several years, and I finally decided to pick it up this week. You can't make up fiction that's half as good as this book! You just can't. See how he describes the Marines: "a number of diverse people who ran curiously to type, with drilled shoulders and a bone-deep sunburn, and a tolerant scorn of nearly everything on earth... They drank the eau de vie of Haute-Marne, and reminisced on saki, and vino, and Bacardi Rum-- strange drinks in strange cantinas at the far ends of the earth; and they spoke fondly of Milwaukee beer. Rifles were high and holy things to them, and they knew five-inch broadside guns. They talked patronizingly of the war, and were concerned about rations. They were the Leathernecks, the Old Timers..." How can you beat that?