Asia Books

This book was given to me less than a month after I returned from a trip to Bhutan in the late fall of 2006. If you are seeking only a portable guidebook on your trip, look elsewhere (I used Lonely Planet). But if the objective is to find the best photographic portrait of a very special place, this is the book for you. This is a reduced version of a book that measures 5x7 feet, that weighs 150 pounds, and that holds a Guinness World Record. It is also a charitable project, intended to provide funds for university education of Bhutanese students. Although the book was published in 2004, I noticed that it includes several photos (such as those of Dochu La and Taktsang Gompa) that were taken before some recent and rather dramatic changes. I cannot help but conclude that many of the shots will become historically significant over time. But as an artistic collection, the photos are truly stunning. It is unusual to find not only intimate shots of a beautiful group of people, but majestic views of the incredible landscape. I look at my copy often, for it transports me to the other side of the world.

nous avons visiter le bhoutan l'année passer et vu le livre dans un suisse guest house et depuis on le cherchait. Tres heureux de l'avoir trouver de superbes photos les paysages, monastères, le peuple et coutume que nous avons pu rencontrer pendant notre voyage inoubliable, merci

This book is amazing, it is just like you are there. Extremely well packaged and shipped 2nd day air via UPS. Worth every penny.

The first time I walked into the West Chicago, IL library after the Bhutan book was placed on display, I thought I had been transported to the Himalayas. Standing in front of these gorgeous mountains, I could feel myself being pulled in. Subsequent days as the pages were turned, I was impressed with the beauty of the area, the beauty of the people, the vibrancy of their costumes. I make a lot of trips to the library-don't want to miss a page. Thanks Dr. George Hawley for donating your son's wonderful work to West Chicago. Worth a trip to view where ever it is on display.

Let's face it. You'd be stupid not to get the "Better Together" deal, which includes an $8 map of Bhutan with the $15,000 book!

I was given this book as a gift. Boy was I lucky. While being interested in Japan, and a "war buff", this book just shook me. The detail that is gone into is just amazing. The author really did his homework when he researched this book. The depth of detail, and thread of every idea is fulfilled. Besides the incredible rich detail, the writing is just so good. If you enjoy beautiful creative writing, this book is great, just for that.

Also reall gems of knowledge come about, than just the Kamakize history and people. Like how resentment had built up by many educated Japanese to Western culture. Many had bad experiences when they went overseas to America or Europe. Also many "human" details emerge about Japanese society during the war years. Such detail in the book, brings this out.

The area I find wanting, is how the issue of key Japanese military officials are treated in the book. Many are veterans of obviously brutal tactics they employed in places like China. Maybe some insight on how such bright and strong men, could be so cruel to other human beings. It wonders how they justified this to themselves.

Last, you just earn the respect of the author. M. B. Sheftall did a tremondous amount of work, to write such a wonderfull book. At the bottom of almost every page is small references clariying many issues or giving background. This is not overdone, or lacking. It is just right.

Really an outstanding book from a rather unique point of view. This book would make an excellent addition to a high school reading list - in both the US and in Japan.

There are several things one can gather about Sheftall by reading "Blossoms in the Wind". Foremost is that he can write a good story. In this case, the usual skills must be supplemented by patience and the keen ear of an excellent listener. He is one who can actively elicit long forgotten or painfully repressed memories from the haze of time and the maze of survivor's guilt, crushed expectations of victory, humiliation of defeat, and suspicion of one who is both from the enemy camp, so to speak, and young. It implies Keeganesk respect, genuine and deep, for the profession of arms and the special esteem reserved for those who sacrifice for what they consider a worthy cause. But in the end it requires an ability to write well and this Sheftall can do.

Sheftall has skill in description. An example, minor to the main thesis but which provides setting and tone is his easy use of the vocabulary of architectural historical styles, aesthetics, and ornamental and functional details. Images of the people he writes about are brought to the mind's eye in a few words with perhaps special solicitude on behalf of the female form - the caressing recreation of the semi-salacious angels in "Chinkon no Mitsugi" being a pointed example. His descriptors give character and life to the people and events narrated in the book yet serve also to remind the reader that this text is documentation. He is fastidious about the machines of war, worrying over evolutionary development in aircraft or model changes in watercraft. Yet these delineations do not burden the reader but rather clarify or move the action of the story. These salutes to accuracy are reassuring in an historian and no doubt his recordings and photographs will serve as important primary sources on this topic well into the future.

Like de Tocqueville, whose broader vistas into American culture stemmed from his study of US prisons, Sheftall provides insights behind what is often the inscrutable face of Japanese culture beyond the title's subject. The men and women who live to tell the "kamikaze" tale seem to me a character study of rugged individualism not typically thought of as a Japanese virtue. These survivors, after the war, take risks, establish businesses and in general seem to behave in a manner beyond what might have been indicated by their caste. To the extent that this is true, might the phenomenon be explained as the self-liberation claimed by those who have embraced the inevitability of death only to be given, by grace or chance, an indefinite reprieve? May it represent the need to achieve for those comrades whose crowded hour was their final hour? Perhaps it is a cultural idiosyncrasy credit given to those whose loyalty and commitment to the emperor and collective are proved beyond doubt. Whatever the case, there is a certain irony at work in that the "tokko" program's systematic reduction of individual qualities that could hinder total dedication to the mission would create in the survivors the moral fortitude to find their own way. Contrast them with growing number of "hikikomori", marginalized young men who, like Japan itself often enough, choose voluntary isolation in the confusion of stifling cultural expectations and fear of the new.

Sheftall provides a carefully evolving narrative that sustains a reader's belief in what is nearly unbelievable. His challenge is to explain these young warriors' embrace of death and the lingering reverence for their sacrifice in an age where such fanaticism is mostly associated with terrorism. He does this, sometimes touchingly, sometimes with humor, through incisive observation, careful reconstruction of the mood and perceptions in Japan at the time, and a humane sympathy for the very real people who tell their stories.

M. G. Sheftall has produced a very finely balanced account of the Japanese suicide attack programs of World War II. This is a major feat, as the Tokko ('special attack') program is a field so larded with biased and poorly-researched work that a serious historical approach must require doubting or discounting a great deal of what has already been written.
Sheftall has done what any responsible historian should when dealing with such a recent set of events: he went and talked directly to those involved. Unlike accounts of the same events from the Allied side, however, this was something he could only achieve by first learning to speak Japanese, behaving correctly in the presence of very sensitive people and leaving his own agenda at the interview room door. Sheftall happily has a strong grasp of effective techniques for this work, and the result is a very good read presented in a style that mixes skilfully-wrought historical accounts with gentle first-person reportage somewhat reminiscent of Bill Bryson. Sheftall visits and describes the shrines and societies that today perpetuate the bonds forged among the wartime Tokko personnel - both the successful and the survivors - and manages neither to sneer nor fawn; he meets and travels with men who in their youth accepted self-willed extinction in defence of their homeland without once judging them or sensationalising their accounts, and he leaves at least this reader with such a clear picture of the Tokko program as to make one wonder why so much mystery and myth surrounded it for so long.
As Sheftall points out near the end of the book, twentieth-century history is simply not taught in Japanese schools. Japan nowadays is gradually shedding its MacArthurian post-war sackcloth, however, and in view of the actions and pronouncements of its neighbors it is understandably keen to reassert itself in the region before the balance of power tilts too far towards some very unwholesome regimes. A steady supply of dispassionate, balanced accounts of Japan's recent history will help reassure the world that it is not unaware of its dark past, but the shortage of serious native scholarship in such matters still means that these will have to come in large part from foreigners. With this great book, Sheftall steps up to join John Dower, Herbert Bix and the many others who are quietly helping Japan get its historical house in order.

The concept of the Kamikaze warrior has always been looked upon with horror and fascination in the West. In many ways, it seemed to Americans, these "brain-washed" pilots were a natuaral offshoot of Bushido-inspired Banzai Charges and the National Death Cult that gripped Japan more and more as the tide of the war turned against it.
Author Sheftall has done an outstanding job of breaking through these sterotypes to tell the very human side of Japanese suicide corps. Motivated by desperation and love of family and country, driven by subtle coercion, scores of young men swore to give all they were and ever would be for their country, and the ripples from those decisions still affect lives to this day.
This is an outstanding book and a must-read for any serious student of the Second World War.

Ngor details the coming and going of the Khymer Rouge regime in Cambodia. This was a purely evil regime. As Ngor states Angwa was the all knowing, all seeing Cambodian regime. Unfortunately, they were simplistic in how they chose to solve Cambodia's problems. Not enough food, empty out the cities and send the urban population to grow crops. Medical problems, well grind up vitamins and give shots to the population. While the city and rural population grew thinner, the soldiers and the regime bureaucrats got fatter and fatter. Ngor details the incredibly evil regime of Pol Pot. In the end, some of the evil doers meet justice. One of the regime region's chiefs is roasted over a fire and Ngor gets to see the end of this evil man.

This is the life story of Haing Ngor. He survived three prison camp experiences in the gulag of Cambodia. He ended up seeing this evil regime of Pol Pot replaced with a North Vietnamese backed Cambodian puppet regime. He eventually is placed in the U.S. and then goes on to star in a Hollywood film called the Killing Fields. This is a great story of love and endurance. It is all true.

What a great story of determination and power. The irony of it all was, that, after all the suffering he went through, he died because of someone trying to steal his watch.

The Khmer Rouge seemed to be illeterates governing a country, and the result wasn't good. I cannot believe they inflicted the pain they did on their very own race. In the 20th century, creating an equal society was UNREAL. The Khmer Rouge, some men, most of them teenagers with guns, did not realise this. Even more surprisingly, as strict as the Khmer Rouge were, the Khmer officials got as much food and commodities as they wanted, while they fed the rest of cambodia a watery rice.

The ending left me thinking, especially about his niece Sophia. Haing Ngor, had lost everything by then, but gained fame. Which really at the time, wasn't much to him. I recommend the reader to buy this book as not only is it interesting and very hard to put the book down once you start, but its historical accuracy and the amazing events described are unbelievable. Anyone over the age of 16 who reads this book will love it, and for a variety of reasons.

I was drawn into this book after first viewings of the film "The Killing Fields." At the time, I was unaware of a lot of the background to many of the events depicted onscreen, and was looking for something a bit more detailed.

As it turned out, this book was something far greater than that, on a par with the writings of Primo Levi, or Elie Wiesel as a depiction of survival amid the most grotesque extremes in ideological depravity humanity could conjure up. Through survival, later stardom and human rights work, Dr. Ngor became (and posthumously remains) one of the great human rights educators of our time.

In this eloquent autobiography, he also accomplishes something else - vivid and affectionate portrayals of Cambodian culture (pre-revolution), and a detailed description of the slide into civil war and the anarchic chaos of Phnom Penh immediately before the fall.

And he also crafts a love story; a memorable and majestic one, of a romance that he attempted to nourish in spite of the societal upheaval occuring around him and his wife. The detail in his descriptions of family are affectionate, and also written with a rare clarity - for this, among many other reasons, this book is a classic.

-David Alston

What a great story of determination and power. The irony of it all was, that, after all the suffering he went through, he died because of someone trying to steal his watch.

The Khmer Rouge seemed to be illeterates governing a country, and the result wasn't good. I cannot believe they inflicted the pain they did on their very own race. In the 20th century, creating an equal society was UNREAL. The Khmer Rouge, some men, most of them teenagers with guns, did not realise this. Even more surprisingly, as strict as the Khmer Rouge were, the Khmer officials got as much food and commodities as they wanted, while they fed the rest of cambodia a watery rice.

The ending left me thinking, especially about his niece Sophia. Haing Ngor, had lost everything by then, but gained fame. Which really at the time, wasn't much to him. I recommend the reader to buy this book as not only is it interesting and very hard to put the book down once you start, but its historical accuracy and the amazing events described are unbelievable. Anyone over the age of 16 who reads this book will love it, and for a variety of reasons.

This is an outstanding portrait of a man who survived the barbaric reign of terror of the Khmer Rouge in Cambodia. Anyone who has seen the movie "The Killing Fields" has a cursory understanding of the Khmer Rouge and their attempt to transform Cambodian society during their control of the country from 1975 to 1979. However, this film omitted most of the astounding atrocities committed by the Khmer Rouge as anyone who has visited Tuol Sleng S-21 in Phnom Penh (as I have) can tell you. In this book Dr. Ngor relates his horrifying experiences of life under the Khmer Rouge in detail and in the process educates the reader as to just how horrible an existence it really was.

This book is remarkable because of the detail related by Dr. Ngor and the personal nature of its content. Many Cambodians to this day will not talk about his period in their lives. For many, the mental and physical abuse they suffered during this period was too painful to re-live ever again. As I read this book, I could not help but wonder how Dr. Ngor was able to keep himself together.

Dr. Ngor effectively puts the period of Khmer Rouge rule in historical context by explaining the historical events and forces which led to their capture of the country. These events and forces included the People's Republic of China, North Vietnam, the Vietnam War, the United States, and of course, the C.I.A.

I admire Dr. Ngor for his extraordinary courage, and I regret that I did not have the opportunity to meet him during his lifetime. May he rest in peace.

GOLDEN BOY, Memories of a Hong Kong Childhood
By Martin Booth
Picador Press |(St. Martins) 2004
ISBN 978-0-312-42626-2 (pbk)

What gave a seven-year-old British boy courage to explore the Hong Kong of 1952 in places where no foreign child belonged? Martin Booth felt safe among unusual friends during his adventures, because Chinese people believed rubbing his golden hair brought them luck.
Booth's superb prose pictures brothels, opium dens, Chinese drug-lord friends, forbidden temples and also the wild life and flora in both Kowloon and Hong Kong. Often lonely, Martin's independence was encouraged by correspondence and gifts from his grandfather in England. He never told his parents the extent of his explorations into forbidden and dangerous areas.
The boy also endured the hostilities between his bigoted, bureaucrat father, a man who never quite succeeded, and his out-going mother who was fascinated by Chinese culture.
The author calls himself a "curious, somewhat devious, adventurous and street-wise child whose heart never left Hong Kong" after his father's job sent them back to England four years later.
Anyone who likes biography, history, adventure, Chinese culture and beautifully written literature will enjoy this book.

Martin Booth had an amazing memory for the details of post-WWII Hong Kong and the times he had there as a seven to ten year-old boy. His civilian father gets transferred by the British to the far-flung colonial outpost. While his father is more of a spoilsport, his mother tries live life to the utmost--wherever that life may be--and she allows Martin the freedom to do the same. He takes her fully up on that offer, befriending hotel staff, local storekeepers and more and tasting practically every Chinese dish and joining in every local festival with eyes wide open. However, there are actually very few stories of his escapades with fellow children, mostly stories with the adults that surround him and the nature and culture of Hong Kong.
Hong Kong is ruthless with its built history, so a book like this is the only way to get to know the Hong Kong that existed only fifty years ago. It includes one of the few descriptions of a westerner in the `Kowloon walled city.' And from an eight year-old boy too!
I am grateful that Mr. Booth was able to finish this book before he died. I wish he had lived a few more years for selfish reasons--so that he could have finished a book on his second time around in Hong Kong. I am sure he had just as many adventures as a teen as he did as a young boy.
Richard Mason's `World of Suzie Wong' takes place at approximately the same time and is a great and recommended look at a decidedly different part of Hong Kong. So it was neat when Booth's world and Wong's world intersected (innocently) in a few of Golden Boy's pages. Mason actually spent very little time in Hong Kong prior to writing the fictional Suzie Wong, so Golden Boy is a more knowing portrait of Hong.

This book was recommended to me by a friend who said she was sad when it ended. Well, I am recommending it, and also sad when it ended. It is a delightful memoir of a blond 9 year old boy living in Hong Kong in the 1940ties. Blond means "luck" to the Chinese and everyone wanted to pat his head. He learned Chinese and was allowed into areas that no other "white" person could go.

I read this book because I love Hong Kong and its history. I was totally unprepared for Booth's parents and adored Joyce. How cannot you not like someone so lively, loving, accepting (except of Ken) and adventuresome?

While the family (Ken, Joyce and Martin) are exploring Algiers, Joyce buys some dates from a market stall, and Ken pitches a fit because they are probably unsanitary. He asks, 'How can you tell where they've been?' Joyce replies that they've been up a date tree. 'And they picked themselves I suppose?' 'No,' Joyce rplies, 'I expect they were plucked by a scrofulous urchin and thrown down to his tubercular aunt who wrapped them in her phlegm-stiffened handerchief.' I had a large mouthful of iced tea when I read that and spat the tea I didn't snort up my nose all over the page. I couldn't stop laughing. This was, I learned, pure Joyce.

'Golden Boy' is delightful, insightful and something more - a word or phrase that escapes these old brain cells. This is the first book by Booth I've read, and I'm eager to read more.

I had the pleasure of travelling to Asia in 2004 during Chinese New Year and have been to the places mentioned in this book. What a wonderful account of life in Honk Kong. Speaking with persons who have actually lived in this city and during that time I was assured that the descriptions are right down to the point. What a wonderful book.

How Walter Dean Myers ever dreamed up a picture book of the Vietnam War is beyond me. I immediately wanted to read it and buy it. It turned out to be very good and contains imagery of the scariness of war. It avoids gore but people do die and soldiers do kill. Haunting.

"Patrol" by Walter Myers is a great book. The main charactor doesn't have a name in this book. Anyways, he is in the forsests of Vietnam during the vietnam war. He is slowly walking through the woulds and than he hears gun shots. He dives to the ground and and looks for the opponent. People who would like this book are kids to adults. Adults would like it because they can remember the war that was going on when they were a kid. Kids would enjoy it because a lot of times kids like to play as if they were army men fighting in a war.Thise book is Historical Fiction because the war happend but not this particular scene.

This book has different types of pictures. The pictures are a bunch of picturesf cut out and put on one piece of paper. I think this army book is a great book for kids to understand what it feels like to be in a war.
The writting of this book is also unique because it is a type of poem writting form. This book is easy to read and understand. Kids should read this book if they are interested in war stuff and if they don't like to read long books.

Boom! A granade went off next to my buddy and sent him flying back to his death. Could I be next thought the brave soldier? Patrol is about the Veitnam War and a soldier who is very cautious about his surroundings. This book is very mysterious because you don't know what will happen to the soldier. He is constantly thinking about his family and how his death could come to him.
He is trapped in the middle of the Vietnamise forests and is lost with his buddies. They have a long maze of problems ahead of them including how they get back home. This book is good if you are a follower of this war or if you like stories that always are mysterious and are hard to guess what is going to happen. It is a picture book but that doesn't mean that is isn't good. Patrol is a mix of mystery and heroic. The author, Walter Dean Myers, realy knows how to make a great book for children.
I enjoied reading the book Patrol so I think you will too! Don't get too caught up in the pictures because they are awsome. If you are looking for an awsome picture book to just read then this is for you.

Patrol
Patrol is about a soldier in war looking for the enemy and doing what he is told. War makes the main character relies what he could loose and what he could gain. The captain never let up on the main character and never lets the platoon or him rest. Even when they are fired upon the captain tells them to shoot and keep moving. The main character calls in a bomber and the gun battle is over but that's not the end to the book.

I have found most books concerning "foreigners" or "foreigners running businesses" in Japan to be either overly pedagogical, overly repetitive, or downright depressing. Kudos to Carl Kay, Tim Clark and the editors. They have done a marvelous job putting together a fast-paced book, rich with facts and unique insights on real "gaijin" success stories. And, it's not about the typical white, Anglo-Saxon corporate raider from New York City. We hear feel-good stories of Chinese and Indian entrepreneurs, too. I couldn't put the book down. Order it now and you'll end up recommending it to your friends, as I have.

The authors accurately portrayed how foreigners living in Japan can become successful entrepreneurs and address the country's unmet needs in financial, real estate, IT and health care services. Shortcomings in the market have been corrected by persistent foreigners who don't take "no" for an answer.

Although this 2005 book was intended for non-Japanese readers, it contained so much insight (which was not available in Japanese publications) that it had to be translated into Japanese.

I have to say I was blown away with this book in how accurately Clark and Kay demonstrate their knowledge and expertise on the future trends and opportunities in Japan.

This book reads extremely quick and is filled with interesting anecdotes with spot on comments on Japanese culture and diffuclties/advantages that foreigners experience working and setting up businesses in Japan.

A well-thought out book, it is difficult to do other than just nod as one reads through count after count demonstrating the viability of the the thesis in "Saying YES to Japan" being that this economy is far from dead and that it truly is on its way to a renaissance.

For a Japan lover or anyone else interested in the global business, highly recommended!!

As a layman who is neither well versed in Japanese business practices nor inordinately interested in Japanese culture, I found this book to provide fascinating insights into Japanese culture. The book is easily accessible for the non-MBA type and for those who are not intimately associated with the nuances of Japanese culture. Very interesting read and I would highly recommend it.

This book is good value for money. In accepting the end of Japan Inc, it shows how and where opportunities are opening up in a range of service related areas from healthcare to shopping malls. The economics behind the book is that Japan neglected services and frills when it was playing economic catch up with the West. The business potential stemming from that is immense; while the Japanese excelled at making electronic gadgets, they lagged in a range of other areas. Instead of clobbering us over the head with a dense academic treatise, the authors give us plenty of examples where huge gaps in the market are creating lucrative market niches for a range of foreign players. If you are interested in running a service business in Japan, this small book will give you quite a few hints and a lot of hope. Definitely worth a read: so much so that I gave my copy away to some fashion designers who are making headway here.

A delightful chronicle of an odyssey back to VietNam, by two unlikely travel-mates. An engaging, funny, at times disturbing account of war, memories of war, and the personal costs of relationships in wartime. Hard to put down, I loved the writing style that seemed to blend Jack Kerouac and Hunter S. Thompson.

Educational, Emotional, Entertaining....like spending an evening with a good friend with a great story to tell. Hopefully this is a first of many for this talented writer.

Jim Fallon has an amazing way with words. His writing illustrated his jouney to Vietnam in a way that was clear to the reader.

I must say I did not expect to laugh as much as I did while reading Virga Tears. It is clear the writing has a unique way of telling the truths of his serious jouney, at the same time seeing the humor in traveling in a third world. If you have traveled the world, you will laugh with understanding, if you have not, you will laugh at the reality of his words.

The hard truth of life in Vietnam, then and now was not lost in humor. It was very human.

Great book.

I was surprised to find tears of laughter from a book on Vietnam. This is one that I will read over and over and send to friends for the Holidays.

A new twist and a story not previously told about the war. What a trip what an adventure.

Vigra tears is a delightful story of two men who visit Vietnam 30 years after the war. The author and his brother-in-law, different as night and day, share a most memorable experience in their journey and it gives you a different perspective of the war.
This book is worth reading, very witty and well written. I especially liked the chapter titles and how they related to the text of the book. It is easy reading for those that don't have a lot of time. The events that take place are interesting and informative and give you a sense of the country and people. The author makes you feel like you are right there with them. I didn't want it to end.

This translation is very readable. The notes are always very interesting and help the text come alive. Red Pine has really provided a lot of value through them - without them, some of the poems could be very obscure. It is rare to find a translation of the complete works of a Chinese poet: most books only present a selection. If one takes the time to read the complete oevre, however, the author comes alive in a different way - you begin to recognize certain recurring moods and themes; in the end, you feel you have learnt something about the things that concerned him, and come closer as a result.
The only criticism is that Red Pine uses a personal transliteration that is neither pinyin nor Wade-Giles; as a result, it is often hard to be sure of the identity of people and places he mentions.

As other reviewers have already stated, this is a very nice volume of poetry, very nicely put together with the original chinese on one page and the translation on the opposite page. This is the third volume of Han Shan that I have, and it is by far the best in terms of completeness and the essence of the translations. Get a copy or three before the print run is over!

This beautiful edition of the legendary poetry by the "Zen" poet Han Shan is a priceless contribution to know and experience his fascinating and miraculous, almost stoic and sometimes mystical utterances. Carefully edited, wonderful translations. I am happy to have purchased this book as a gift for a good friend

Cold Moutain chuckles still
as he reads through my eyes
those poems that he carved in stone.

Appropriate now
as they were back then,
his laughter knows no bounds.

No center, no boundaries,
all opposites dissolve.
Suchness beyond "as one".

Moon over sea,
Wave against rock.
All returns instantly!

Somehow Cold Mountain, limping along from his mountain, creates seemingly simple and clear songs ("called by others crippled / he stands along steadfast") . Wonderful footnoted by "Red Pine" explain deeper references to Taoist or Buddhist texts and humorous digs at Chinese officials. Cold Mountain avoids the dogma or sophistry of any organization or religion, and avoids the chains of strict poetic for:m
"I've made elixirs and tried to become immortal
I've read the classics and written odes
and now I've retired to Cold Mountain
to lie in a stream and wash out my ears".

He has no problem mixing Buddhist and Taoist metaphors if it will make his point. This book provides a nice refuge and finding of a relation to nature:
"Spring water is pure in an emerald stream
moonlight is white on Cold Mountain"

Cold Mountain also finds peace inside:
"we all posses a miraculous creature
with neither form nor name
call and it answers clearly"

To top off the book are 4 poems by Big stick and 49 by "Pickup" friends of Cold Mountain. A great book!

If you're interested in Tibetan Buddhist iconography for whatever reason you can't go wrong with this detailed book. The author's original illustrations provide a wealth of examples of images in Tibetan art, and the text provides rich historical and doctrinal background for understanding why the symbols are important. Highly recommended.

Recieved the book promptly and in the condition promised. The book is an excellent source book. It does suffer from being without an index, for which the author apologizes. A source book without index is less than it should be. Still the images are excellent, and I assume the text is accurate. The author has spent a good portion of his working life in preparation: studying with Tibetan artists and craftspeople; and, becoming accomplished at rendering the brush drawings in an authentic manner. A good compaion book, especially as this does not have a index, is the "Handbook" by the same author

It's a more interesting and authoritative reference for this subject matter. This is due to Rinpoche being a qualified (I emphasise the word 'qualified') Lama and Tibetan scholar. Also at no point does Rinpoche compromise Tibetan Buddhism by giving away restricted information.

I love this book. Having found it a few years back at a tattoo shop in Santa Cruz, California, I was only able to look at it for a short time but I was able to gain so much knowledge as to the wealth of designs and deep meaning found in Tibetan art. This book stayed in my mind thereafter. Here it is a few years and a couple tattoos later and the book resurfaced on Amazon. Great price, great condition and prompt service. This book is great for one who has interest in Tibetan art and it's symbolic nature. The concepts are well articulated and with each 'type' placed into a different chapter it makes refrencing quite simple. If you are interested, get this book!

Great book, with lots of details. If you are interested in tibetan handicrafts, here you can get any tibetan design you can imagine.

I loved this story. I hope Emily Wu writes more about her life and what led her to America. This was a beautiful story about how the cultural revolution in China robbed people of there childhoods and destroyed families. I intend to read more from this author.

Emily Wu and Larry Engelmann book "Feather in the Storm", an amazing openess of Emily Wu's life and history of China during the Cultural Revolution. The events that unfold carries the reader from youth to adulthood during a time of hardship and struggle which reminds us why hope and love is so neccessary and reasons to allow history to not repeat itself...

Feather in the Storm is a heart-wrenching and deeply moving story of a childhood lost in the terrors of Communist China. The story opens as three-year-old Mao, as she is known by family and friends, meets her father for the first time - in a concentration camp. Moved from family to family and from city to village, little Mao finds herself striving to learn who she is and where she belongs. Fed by her starving grandmother and protected by her outcast parents, Mao attends school and performs her daily chores at home without complaint, maintaining her hope for a brighter future.

Mao's father, a university professor who studied in America, has been labeled as an extreme rightist by the communist party in China. Cast out of the university apartments, Mao's family is sentenced to live in a tiny village so that they can "learn from the peasants," becoming better citizens. Here, Mao and her family live in a tiny mud house which melts away in storms, leaving the family exposed to the elements. Forced to leave home as a teenager after high school, Mao is sent to live in a remote village on the top of a mountain where she falls in love with a young man she is forbidden to marry.

Throughout all of the trials and tribulations Mao faces growing up, and in every village and town she lives in, she is able to make friends and gain the respect of her teachers and neighbors. With an undaunted courage to survive, Mao teaches the reader that hope can be found no matter what the circumstances. Surrounded by death and destruction, Mao creates a life for herself and embraces those who struggle by her side.

Author Emily Wu expertly captures the essence of what life was like during this tremulous age, and helps the reader experience the drama from a firsthand point-of-view.

Armchair Interviews says: Stunning read.

"Feather in the Storm" is a fantastic book. It is well written, and enthralling. I rarely get attached to a story, but I read it through cover to cover with only one break. I couldn't put it down. I am looking forward to the sequel! It is depressing but enlightening. People are really terrible to one another. There is a whole generation lost to the policies of Chairman Mao in the chaos. This comes to light in this true life story of Emily Wu's struggle to survive.

My wife and I met Emily Wu at SIUE while on her book tour. Her story was amazing, so we had to buy the book to get the details.

It normally takes me about a year to read a book, but this one I devoured in a matter of days. The perspective of the book grows as she grows. In the beginning it is written as though you are only a couple feet tall - the details are in the words she hears, people's feet and the underside of cribs and tables. Later on she gets taller and you start to experience more of the people around her. But, like the limitations put on a pre-teen, she can only see so much and know so much, therefore her story is limited to just what she could see and understand. You feel as though you are a child right alongside her.

Often I found myself trying to figure out what things meant (names of Mao's movements and doctrine), but that just muddled the story. At times you feel like more should be written about the backstory of the Red Guard, but if you think about the fact that she didn't know much about them at the time it leaves it all in that child-like perspective. She writes about what she saw and read and experienced as a child, especially her reactions to how it changed the people around her.

The tempo is well-paced and manages to catch you off-guard. It covers issues like capping and de-capping, the invasion of the Red Guard at the Anhui University campus in Hefei, book burning, cleansing of the "Old" ways, living conditions, food, suicide, female infanticide, arranged marriage, bound feet, class struggles, child-on-child violence and much more.

When you are finished, you will view your life through a new pair of glasses. You won't be able to go 5 feet without finding 100 things to be truly thankful for.