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Cinderella's Sisters: A Revisionist History of FootbindingReview Date: 2008-06-24
Vision- not Revisionist!Review Date: 2005-12-23
Though some readers feel she euphemizes the "crippled feet" by resorting to cultural poetics which justify oppression, she actually advances a much more sophisticated strategy employed by the Han women of late imperial China. Rather than rage conspicuously against patriarchy the path lies in re-appropriating the meaning of footbinding to a custom that subverts the gender inequity; in short, diminishment of the oppression from within its complicity.
With Cinderella's Sisters Ko addresses the rhetorics called chanzu, tianzu, and fengzu (bound feet, natural feet, and letting out feet, repectively). A conflation of male desires, and a redefined view women had about their own bodies are both at odds with each other yet bound together in a custom whose meaning differs not just across gender and class, but across time and place. Ko produces very original and badly needed insights through new readings of Gu Hongming (1857-1928) and Wang Jingqi (1672-1726) contrasted with (some say) biased western scholars such as R. H. van Gulik (1910-1967) and Howard S. Levy (1920- ).
By translating women-authored works from anthologies of the Ming and Qing dynasties, Ko delights readers of this latest work who benefit by having the feminine perspective so often missing. When this recovered discourse converges with the new deeper readings of male texts, both anecdotal and scholarly, the subjectivity of a whole society comes together, resulting in unprecedented integrity. Indeed, Dorothy Ko's greatest "fault" is appending the subtitle A Revisionist History of Footbinding to Cinderella's Sisters. This book is not revisionist - this book is vision, belonging on every bookshelf of every library.
wonderful book for chineses women's historyReview Date: 2006-02-17
Exhaustively ResearchedReview Date: 2006-09-29
After reading Beverly Jackson's Splendid Slippers (a beautiful and informative book), I decided to find a more academic text on footbinding, and selected Dorothy Ko's Cinderella's Sisters. This book has provided me with a thorough overview of the historical context of footbinding. It explores the difference in gender perceptions of bound feet, the different definitions of bound feet, and more. Ko's style is very readable, and I appreciated her using Chinese terms (tiangzu, chanzu, fangzu) and their rich interpretations to illustrate her points and describe the historical context.

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Time Travel !Review Date: 2003-03-06
"City of Lingering Splendor" is an autobiographical travelogue, one of the best ever written. Dedicated to ' the hermits, scholars, youths and courtesans who inspired these pages ' it's a love letter to Peking and the breathtaking greatness of an ancient civilisation at its twilight, about to be extinguished.
While remote jungles still offer anthropologists the chance to chew the fat with stone age peoples, the romantics among us are simply out of luck. Until someone invents a working time machine, Ancient Egypt is gone forever along with Homer's Greece and Imperial Rome.
But in 1934 it was still possible to travel back in time. Back to Old China, to a culture that had remained virtually untouched for thousands of years---and chew Peking Duck with Taoist sages. . .
Wonderful reading.
Ah - the good old days and the good old writers.Review Date: 2001-04-26
It records the author's love affair with the city before WW2 (and includes a return to Beijing after it). While meeting many of its remaining Daoist, Confucianist, Bhuddist and literary leaders and exploring its temples, nightlife and food, we get a last sympathetic, philosophical, tragic glimpse of the splendour decaying under the Republic. Before it vanished under the Maoists.
If you thought there was little more to pre-War China than footbinding, Dowager Empresses, opium and Shanghain greed and degeneracy, this book will even the score a little.
A Gentle Masterpiece of Lingering SplendourReview Date: 2002-07-31
The streets of Peking were full of Confucian scholars, aging palace eunuchs, adepts of Taoism and Buddhism, starving White Russian refugees, 14-year-old opium addicts, and gentle courtesans and flute girls. Blofeld threw himself headfirst into this world which was on the point of being snuffed out forever. Most memorable are the White Russian hermaphrodite Shura and the Rasputin-like Father Vassily; the decorous Buddhist scholar Dr Chang; Yang Taoshih, the Taoist sage, and his friend known only as the Peach Garden Hermit; the lovely courtesan Jade Flute; and the mysterious Pao, who elopes with a young girl intended for a Japanese colonel.
After Blofeld leaves for a trip to England, the Japanese finally invade. There are two bittersweet chapters at the end where Blofeld revisits the scenes of his youth after 1945. His fragile Peking of the 1930s is now poised between a growingly thuggish Kuomintang secret police and the great unknown of Mao Tse-tung's Eighth Route Army.
Blofeld's Dr Chang says it all: "Decay is inherent in all things, as Shakyamuni Buddha bade us always remember. Death swallows all that has been born; rebirth or re-creation follow in their turn, as spring follows winter. Things rise and wane in unceasing flux."
CITY OF LINGERING SPLENDOUR is recommended to all sentient beings who were ever young once and are now faced with a confused welter of possibilities, none of which seem particularly appetizing.
one of a kindReview Date: 2006-11-10
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Exceptional!Review Date: 2006-01-07
Good overviewReview Date: 2004-05-10
Pretty Damn Good! Review Date: 2006-07-12
Concise and to the pointReview Date: 2006-02-10

Great analysis of terrible doctrineReview Date: 2007-03-01
The most crucial misconception is that there is no such thing as an organic, self developed insurgency. Insurgency was seen as the policy of a foreign nation seeking to intervene within a country, likely as a prelude to invasion. Insurgencies were dependent on foreign support for supplies, bases and command. Combatting an insurgency required severing the link between the foreign support and the insurgents.
Related to this was a belief that light military pressure, or even just the presence of US forces could compel the withdrawl of insurgent support, because such a presence would signify US resolve to oppose an invasion or intervention.
The application of this logic led to a dynamic where the US pressured North Vietnam in retaliation for VC attacks. North Vietnam interpreted that pressure not as a response to it's own policies but as a direct attack upon it's existence. Consequently it increased rather then decreased supplies and support for the VC, ultimately sending not just supplies but regular troops. In essence the US created exactly the scenario it's policies were intended to prevent.
That this is happening again in Iraq and Iran suggests too few people in command read this book.
A great priviledgeReview Date: 2001-06-12
Perhaps the best book ever written on the subject.Review Date: 1998-10-18
a great analysis of how we screwed up in VietnamReview Date: 1998-09-20

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I cannot afford a thorough readingReview Date: 1998-04-17
Wei: dissident and intellectualReview Date: 2001-04-20
Nobody who studies Chinese politics can ignore Wei's ideas.Review Date: 1998-02-19
Forbidden reading in China, required reading everywhere elseReview Date: 1998-10-19
That makes it surprising to encounter a genuine hero, which the author of The Courage To Stand Alone certainly is. It is doubly strange that he should emerge from China, the land of groupthink and hyperconformity. Who would have thought that a child of the Cultural Revolution would become a major force for decency and dignity even as those qualities were being rendered quaint and passe by the rush for market share in the New Global Economy?
When Wei Jingsheng was first put into prison and began writing the letters that make up the bulk of To Stand Alone, Mandela had been in prison for 17 years, Solzhenitsyn had just published Gulag in English, and the concept of dissent was unknown in China. When Wei was released in 1997 and flew to the US after having served 18 years in China's gulag (known there as laogai), Mandela was president of South Africa, Solzhenitsyn had returned to a free Russia, and Deng had transformed China from a socialist police state to a plutocratic police state. With all the stuff in our hardware stores and clothing shops bearing the Made in China tag, you might even think China had been transformed into a free society. You would be mistaken to think that, however. Wei was imprisoned for exercising one of the simplest and most basic rights, that of free speech. He published a magazine. In it, he urged the Chinese Communist Party to honor all the grand promises it made in the constitutions it churned out from time to time, promises like "The People have the right to speak out freely, air views fully, hold great debates, and write dazibao (large character posters posted on walls in public places for all to read)".
Wei had begun his career as a dissident by putting up one such dazibao: his essay "Democracy: The Fifth Modernization". This document (included in To Stand Alone) is a piece of impassioned logic which a Jefferson or Hancock would be proud to sign. He wrote it and posted it the same night on Beijing's Democracy Wall. Unlike the others who posted writings there, Wei left his name and number. That wasn't safe, but Wei believed the Chinese were getting a worldwide reputation for spinelessness, thanks to people like Deng and Lin Biao who, during the reign of Mao Zedong, had taken the craft of brown-nosing and sycophancy to new depths.
In 1979 Deng was just beginning his reign, and many thought he was a new kind of leader, which he was, in some ways. In other ways he was the oldest kind of leader there is: a tyrant. In his magazine, Wei identified him as dictator-in-the-making a full 10 years before Deng ordered the murder of hundreds of students in Tiananmen Square. That prediction put Wei in prison, the special Chinese kind of prison where you are expected to confess your "errors" and "crimes".
There was a certain amount of international pressure on China, so Wei probably could have gotten out early for confessing his "crimes". But he had that thing about backbone, about standing upright for what you believe in. He was, it must be noted, a little stubborn. Actually, more than a little stubborn. Actually, you know nothing about stubborn until you read this book. Picture David Niven going into the oven in Bridge On The River Kwai for insisting on being treated like an officer according to the Geneva Convention. Now picture him doing that every day for 18 years, and you have some idea of what Wei went through. Not an oven, but a box without windows, very little food, very little heat in a region bordering Tibet, no medical care, sleep made impossible, beatings, solitary confinement for months on end...All these measures notwithstanding, Wei would not confess to a crime he had not committed. He wouldn't even get impolite. In his letters from prison, he demands the basic rights he's been stripped of in a tone less harsh than I use on my neighbor's barking dog. Reading these letters one occasionally gets the feeling he's been detained through some silly bureaucratic mix-up. Of course, he wasn't. He was thrown into the largest system of concentration camps that yet exists on the planet, just like millions of his compatriots. He's out now, but the others are still there, doing slave labor, starving, being executed by the score, involuntarily donating their organs to international markets...
When the Chinese Communist Party falls, as all brutal, sadistic regimes inevitably do, this book of letters and one landmark essay will be remembered as one of the chief causes of its demise.
Wei, if you read this, I would urge you to post Democracy: The Fifth Modernization on this site. It's common for authors to put excerpts of their books here, and that essay would be a perfect sample. I doubt the Party will be able to have it removed.

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well-doneReview Date: 2008-01-04
unknown planet Review Date: 2007-04-12
Central Asia: nearer than before!Review Date: 2008-03-27
If you have seen little of Central Asia, this book will deepen and expand your sense of having been there. If you know Central Asia as a scholar or as a wanderer (or both), this book will illuminate your experiences. If you haven't been to Central Asia and want to know about it, this book will tell you. In any event, you will enjoy reading Rafis Abazov's book.
An objective view of the Central Asian cultures and customsReview Date: 2007-02-09

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A Nice Alphabet Book About ChinaReview Date: 2008-10-02
D Is for Dancing DragonReview Date: 2008-01-24
Beautiful BookReview Date: 2007-04-02
Another Chinese Alphabet book - a terrific book for your home library!Review Date: 2006-11-10
Here is a break down of each letter. I hope this is helpful to you.
A - Acrobats ( showing Lion dancers)
B - Bejing ( shows the Forbidden City, Summer Palace)
C - Chopsticks
D - Dragon Dance
E - Ehru pronounced Ay-roo ( an old musical instrument that only has 2 strings) this page also talks about the Chinese instruments.
F- " Four Treasures of Study - brush, ink, paper and ink stone used for Calligraphy which is a must for every child to begin to learn since the Chinese language has no alphabet but characters that are for each word.
G - Great Wall
H - Himalayan Mountain range & Mount Everest
I- Inventions - paper printing, compass, abacus, wheelbarrow & fireworks
J - Jasmine Flower
K - Kites & dough
L - Lanterns ( also talks about the fifteenth day of the Spring festival marking the end of the Chinese New Year celebrations which is the Lantern Festival.
M - Mongolians
N - Chinese New Year
O - Opera & shadow puppets
P - Giant Pandas
Q - Qin Terra-Cotta Warriors
R - Rice Paddies and terraces
S - Silk Road
T - Transportation
U - Umbrella
V - Vegetables
W - Wok
X - Xie, Xie Mandarin for THANK YOU ( pronounced She-eh She-eh)
Y - Yangtze River
Z - Chinese Zodiac ( painted to look like paper cuts of the 12 animals)


Daido Moriyama by Nobuyoshi ArakiReview Date: 2005-08-09
Japan and Modernity CollideReview Date: 2002-05-14
Decidedly not WestonReview Date: 2001-09-13
Does it help to say, I lost a copy of this in a fire, and am buying it back?
Or that I recommend it highly to anybody who thinks they need better equipment to take good photographs.
Daido Moriyma's Stray DogReview Date: 2000-04-26

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Splendid SimplicityReview Date: 2007-10-08
Marcello's effort to capture the Dalai Lama's inspiration, humor, and devotion is validated in her biography of his life. The clean chronology makes it very easy for a reader who knows nothing about the Dalai Lama and Tibetan customs to follow along and understand the basic principles that he has followed. Sporadically throughout the book, though mostly concentrated in the beginning, are sections dedicated to the history behind specific customs. Marcello does a wonderful job explaining the history of the Dalai Lama and the traditions that are associated with the selection of the Dalai Lama, especially since the customs may seem quite strange to most Western readers. Her biography is obviously well researched with full notes at the end of every chapter and direct quotes that help make the events more real and relatable.
One of the most enjoyable aspects of the biography was Marcello's ability to intertwine the stories with the lovable sense of humor of the Dalai Lama. Each chapter is sprinkled with either a quote or situation which convinces the reader that, even though he dealt with serious and difficult issues, the Dalai Lama still was a human being at heart, one whose wit and cleverness kept him optimistic. It is an often occurrence for the reader to find him or herself smiling or laughing out loud at the comical situations described, which is appreciated, especially because of the gravity of the other events described.
Although the biography is applauded for its simplicity, it is also one of its shortcomings. Admittedly by the author, the book is aimed at a high-school reading level and has little depth when it comes to exploring specific issues of negotiation with the Chinese, or even explaining the perspectives of other players. There is very little attention to the Chinese outlook, which suggests the bias of the author. Understandably, however, it is a biography of the Dalai Lama, not the Chinese, so it is clear why there is not equal representation of ideas.
Also, one of the most difficult things to over come as a reader was the insurmountable number of strange names and places. There was a constant urge throughout the book to look at a map, yet there is not one provided in the book pages themselves. The timeline and index were helpful, but a map and a list of important names and relationships would have been even more so.
After finishing Marcello's biography, I found myself wanting to read the autobiography of the Dalai Lama published in 1990. Marcello refers to it often and many of the fun stories and inspirational quotes come from that autobiography, which creates a certain attraction to it. It would be fascinating to hear about all the events of his life from the Dalai Lama's point of view. In addition, Marcello's biography, though thorough in its descriptions of Tibetan tradition and the lifestyle of the Dalai Lama, had little description of Buddhist teachings themselves. I understood basic concepts from her text, but found it a little difficult to understand where the Dalai Lama's principles and actions were rooted from. I am glad, however, that I read this biography first. It served as a useful introduction to the life of the Dalai Lama and served to keep me interested enough to want more.
The Dalai LamaReview Date: 2003-07-13
Finally I get itReview Date: 2003-07-13
A definitive, and enlightening Work.Review Date: 2003-10-22
The Dalai Lama resisted oppression and unlike some of our American Academics, he doesn't apologize for it.

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ExcellentReview Date: 2007-11-28
important work of philosophyReview Date: 2008-03-11
An exceptional translation.Review Date: 2002-05-08
Roberts is a Professor of Chinese at New York University, and the goal of his work is to assist his reader in understanding Lao-tzu's difficult poem. His book includes a twenty-three page Introduction that offers the historical background of the TAO TE CHING. He then annotates his literal translation of the two-part, eighty-one stanza poem with his insightful commentary. His translation is just as scholarly as Robert Henricks' translation, more literal than Stephen Harrison's poetic rendering of Lao-tzu's TAO, and more challenging than Red Pine's excellent translation.
G. Merritt
A "different" translationReview Date: 2007-03-08
However, I found this translation to be a bit difficult. One of the reviewers on the back of the book refers to it as "poetic" - well, maybe; mostly I found it a bit of a struggle to make sense of it, and had to read through it with several parallel translations to figure out what Roberts was translating. However, in that situation, read with several parallel translations, this translation provides an worthwhile "spin". I find Mair's translation much cleaner, simpler, and more comprehensible. The two together are nice.
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