Asia Books

This book is the essential book about Bali. I read it 26 years ago when I first went to Bali and it still ranks as thee book about Bali. If you wish to learn about the Balinese people, their culture and religion and beliefs I highly recommend this book. jim

If you only read one book on Bali, read this one. Believe me, I'm Balinese.

Miguel Covarrubias, and his wife Rose,who were Mexican, went to Bali twice, once in 1930 for several months and again in 1933 again for several months. The first time they stayed in Denpasar, the capital, and the second time in Ubud, where I live.

They stayed with Walter Spies in Ubud,who was an extraordinary German, who had been living there for years, and who totally absorbed Balinese culture. My mother worked for him. He taught the Covarrubias's a lot.

They then wrote their book. It is regarded as the bible and all subsequent books owe a lot to it. Some things have changed, of course, but only on the surface. We are very traditional, especially in the Ubud area. The book is an excellent introduction to our rich culture.

The book discusses family and village life, rice farming, our Bali-Hindu religion, ceremonies, history, drama, art and dance.

It's very readable and the photographs and line drawings are great.

I must confess this book is thick but hey!!! It's well worth reading about for those who want to understand a little about Balinese culture as well as it's lovely people. I found it very interesting since it covered almost everything about Bali, however the book was written before World War II and well I still think it's great to have a book that is still resourceful. Even though so much has changed with Bali over the decades this book will never die surely. This is a must and is essential for those who want to have a better understanding of Bali back before World War II and they can still relate it to the present. Nothing much has changed but a few things have altered. It was like stepping back in time when I read this book... I hope everyone will enjoy the book as much as I do too... great book to have...

This is by far the best book available if you want to know about the people of Bali - their unique lifestyle, religion, customs and beliefs. Written in the 1930's, it still holds true today. The classic black and white photos are worth the price alone. The Balinese people still live a magical life that is difficult for a westerner to comprehend, unless you read a book like this.

Mexican painter Miguel Covarrubias set sail for Bali in 1931 on an optimistic personal quest to discover, absorb, and chronicle Bali's traditional living culture. Buy into the romance and seduction of Covarrubias-driven by a feverish imagination-- inexorably pulled towards and teased by the lure of Bali, half a world away. Travel back sixty-four years in time to Bali's unspoiled natural vistas-a happy, peaceful. pristine retreat standing apart from a West mired in crippling economic depression and poised on the precipice of World War II. As a fellow artist on an island with three million artists-in-residence (creativity is considered both a religious and a natural activity on Bali), Covarrubias penetrated deeply into the spirit of the dance, theatre, music, decorative arts, and pastimes of Bali.
Embellished by 114 half-tone photos and 90 drawings by the author and other Balinese artists, this essential, still-relevant classic consists of twelve chapters on the Balinese people and their civilization in the 1930s. Accompanied by painter Walter Spies, Bali's most famous expatriate resident, they roamed the countryside together with eyes, ears, and canvasses wide open, observing the local life. Covarrubias's most notable writing describes the organization of the traditional Balinese village: the markets, social order, etiquette, language, caste system, the banjar, law and justice, the courts, the subak, rice culture, and the distribution of labor. This intimate, insider's foray into every nook and cranny of his own paradise produced key chapters on everyday family life in Bali: the house, cooking, costume and adornment, childbirth, childhood, adolescence, sexual customs, and marriage.
Covarrubias explored the place of the artist in Balinese life and the development and evolution of Balinese art, crafts, sculpture, and architecture. Drama and dance are important components of Balinese life: they come alive through the village orchestras, musical instruments, classical Legong, and the ancient shadow plays. Island of Bali unveils material on priests and religion, temples and feasts, offerings and exorcisms, the Balinese calendar, and the original Bali Aga people. Written from a day when primary forests reigned supreme and witch doctors wielded terrifying power, Covarrubias delves into the cult of the Barong and Rangda, black and white magic, folk medicine, the sacrifice of widows, and death and cremation. The Balinese still lead a magical, mystical, harmonious life that is difficult for Westerners to understand unless they read a profound work like Covarrubias's Island of Bali. With an artist's sensibility and a Bali-lover's eye, Covarrubias paints a complex nirvana with words and easel in this great literary achievement.

A great resource if you wish to get a better grasp of the many Japanese ghosts and supernatural elements which appear in woodblock prints. Well researched. I enjoyed it very much.

As the preface to "Japanese Ghosts and Demons" notes, this book is the fruit of interdisciplinary studies undertaken by the Spencer Museum of Art and the University of Kansas at Lawrence. And it is the results of just such an interdisciplinary approach that have lifted this book out of the realm of an ordinary exhibition catalogue and propelled it into the rarified ranks of an art history classic.

In historical terms, the focus of the book is the Edo period. This long (1615-1868) and peaceful period saw a concatenation of several important trends, including the perfection of the woodblock print, a democratization of art that--for the first time in Japan--served the masses, the rise of the kabuki theater, and a diffusion of popular literature and tales that often focused on the ghostly and the supernatural. The fusion of these trends was most clearly seen in the woodblock prints of Tsukioka Yoshitoshi, Utagawa Kunisada, and Ichiryusai Kuniyoshi, many of which are reproduced here. These three giants of the late woodblock period not only made a major contribution in documenting the theatrical and literary trends of the Edo period but also provided many of the visual models still employed in Japanese-style tattooing.

Apart from the rich feast of art presented in this book, "Japanese Ghosts and Demons" will nourish the souls of those interested more in the fields of anthropology and comparative religion. Even today, when Japan has emerged as one of the most technologically advanced nations on earth, fundamental cultural beliefs are still strongly informed by a sense of mutability. "Japanese Ghosts and Demons" makes an important contribution to explaining this phenomenon, in which the boundaries between the living and the dead, humankind and animals, the animate and the inanimate, and the sacred and profane are far more permeable than is believed to be the case in the modern West. Several thousand years ago, before the rise of the three great monotheistic religions, most of the world's societies believed in a universe more pregnant with magical possibilities, a type of universe that this book helps us better understand.

"Japanese Ghost and Demons" is something I really wish I could have been a part in making. A college with a fine collection of supernatural-themed Japanese art, in a variety of mediums, decides to offer an interdisciplinary study class with each group producing papers on a folklore theme, with supporting artwork from the collection. Brilliant.

Each of the chapters is incredibly insightful, providing a complete education on the topic. Along with the traditional subjects such as the Oni, Ghosts and Tengu, there are many less-often covered subjects such as Sennin: The Immortals of Taoism and Shoki the Demon Queller. I was particularly pleased to learn about Shoki, as I was browsing a print shop in Kyoto and was able to recognize the Demon Queller himself in a few prints.

The plates are, of course, beautiful, and cover an incredible range of medium, from the familiar prints to the drawings, paintings and netsuke carvings. The reproduction quality is high, and the size of the book is "coffee table" size, allowing for nice sized images. The majority of the plates are in full color.

As someone who has read quite a few books on Japanese supernatural folklore, I recommend "Japanese Ghosts and Demons" as one of the best. It would be hard to be disappointed by this treasure.

I almost hesitate to add a review since there are two other reviews here that do such a fine job. I actually attended the University of Kansas and was therefore able to visit the Spencer Museum of Art and see some of these works on display. I purchased my copy of this book at the museum and used it as part of my source material for a theses I wrote while matriculating at KU, so I am very familiar with this book.

This is a very, very impressive book with loads of gorgeously rendered and reproduced wood-block prints. If you like Japanese art you will wish to have this book simply to look at the pictures. My children actually like to get this book down and look at the pictures, half because it is truly amazing art and half because the art is focused on the creepy-crawly and supernatural. An element of Japanese culture and psychology is viscerally on display in these fine prints and it is easy to see that this form of art is the precursor to the Manga that is so popular today.

This book is much more than a simple visual display though. There is a wealth of information, meticulously researched, presented here on the creatures that make up the pantheon of the eerie and supernatural in medieval Japan. For serious students, or even those with a surfeit of Hobbits just wanting a better grounding in an alternate milieu of the supernatural, this is an excellent tome, well-written, easy-to-follow, and chock-full of information. Buy it for the pictures, buy it for the text, or buy it for both, you won't be disappointed.

If you are looking for sources for traditional japanese art for tattooing purposes this is an excellent place to start. I was very suprised when I got this book and found it to be SO thorough and much nicer than I expected. If you're expecting a flimsy cheap paperback, this is not it. It is a quality book very thick and almost as sturdy as a hardbound, perfect for reference material for a tattooer!

This is part two of one of the four great written masterpieces of China, beautifully translated by Professor Yu. It is, I believe, the closest English speakers will get to the original Chinese text. Occasional awkwardness of wording in the translation is unavoidable as this work has gone from its original to a greatly contrasting culture. Do not let this discourage you as you read, let it instead encourage you to learn to read the Chinese original. Seeing it via one of the many movies / TV productions available is a great help in enjoying this work. I highly recommend the CCTV production from mainland China done in both 1986 and 2000.

This translation of Journey to the West is awesome. I'll admit that I haven't read other translations, but, from people that I know that have read the Chinese version, and also seen the Chinese series, and I have discussed the book with them, they say it is a great translation of the book.

A really great book, I could hardly put it down. The subtle comedy and the continuos action is perfect for anyone above 9 years old. I LOVED it.

This is a great story not just this volume, I really recommend these books to be read by anyone it has everything that a great -great story need.
Prepare yourself for a great journey...read the story.

Yu has done an excellent job in this translation. The book is heavily footnoted with Buddhist and Dao references. It's an older translation so it uses Wade-Giles instead of modern pinyin. It's also the least abridged. If you can't read the original Chinese this comes a close second.

Written by an author who also served in the United States Army in Vietnam, Killed In Action is the biography of draftee, journalist, and anti-war activist Stephen H. Warner. Though staunchly opposed to the war, he refused to avoid service to his country for the sake of principle, and served as an Army journalist until enemy fire slew him. An eloquent, articulate account, that draws heavily upon Warner's own words and testimony from people who knew him, Killed In Action is a singularly vivid portrait and testament of shining ideals and a life brought to its end all too soon.

Mr. Amchan has managed to explore all the contadictions and ambivalence of the Vietnam era through the forgotten story of one complex and courageous young man -- Stephen Warner. Deftly paced and brimming with historical fact and insight, it is of interest not only as great history, but as American drama.

THIS IS A TERRIFIC BOOK ABOUT AN ANTIWAR ACTIVIST DRAFTED OUT OF YALE LAW SCHOOL AND SENT TO VIETNAM LATE IN THE WAR. TOWARD THE END OF HIS ONE YEAR TOUR, STEVE WARNER, WHO DEVELOPED GREAT RESPECT AND AFFECTION FOR THE COMBAT INFANTRYMEN WHO FOUGHT THAT WAR, IS KILLED IN ACTION.

THE AUTHOR, HIMSELF A VIETNAM VET, TELLS THE COMPELLING, TRUE STORY OF STEVEN WARNER. A MUST READ FOR THOSE OF US WHO SERVED IN VIETNAM AND ENJOY READING ABOUT OTHERS WHO SERVED. THE AUTHOR'S DESCRIPTION OF ARMY BASIC TRAINING IS, BY ITSELF, WORTH THE PRICE OF THE BOOK.

Killed in Action is a short, powerful book about SP4 Steve Warner, US Army, who could arguably be called the most intelligent enlisted man to have served in Vietnam. This remarkable story begins with Steve's undergraduate years at Gettysburg College where he became an articulate anti-war spokesman at a time when it was not popular cause. Graduating summa cum laude, he went to Yale Law for one year after which he was drafted. Rather than head for Canada he decided to serve and served admirably. The details of Army basic training in the late 60s are as accurate as any I have read. Anyone who went through at this, or any other time, will appreciate it. The story of Steve in Vietnam is absolutely incredible. He had a nice safe job in Public Information but chose to use this position to go out into the field and get stories from the fighting soldiers first hand. His journal entries from these trips are fascinating as is his metamorphis into a soldier. This book will interest both those for and against the war and shows the power war has to change a person. The black and white photographs (all taken by Steve) are stark and haunting. Highly recommend to anyone interested in the Vietnam War and its related affects.

Drawn from the diaries and letters of a former anti-war activist who chose to serve rather than evade the draft and died in the waning days of the War, this gripping account of life in Nam has special poignancy today. Drafted out of Yale Law School, Steve Warner faces the dilemmas of his generation, but his war experiences change him. The author writes the book that Warner the journalist wanted to write but could not. Reads like a novel. I couldn't put it down.

Both these books "The Knights of Bushido" and "The Scourge of the Swastika" are brilliantly written and from an Englishman with as little emotion as poossbile. I am 62 years old and read both these books when I was 12 years old. My Mother,a forward thinking woman, purchased both books with the idea that her daughters should read and know the facts of both enemies during a recent war. Statistics now say(in 2006) that less than 60% of under sixteen year olds in Britian are aware that the massacre of Jews at various concentration camps took place. Based on that fact and others I have gained from recent media coverage I will purchase again both of these books and circulate them among my children , grand-children and great grandchildren, not for bitterness or to continue hatred, but rather to inform as the saying is " If history is not known it is easy to repeat, as the knowledge of the consequences is unknown"

We've seen the movies, the Hollywood glamour of Japanese POW camps in such movies as "Bridge over the River Kwai" and "Empire of the Sun". I had read hints of Japanese brutality, I knew about the rise of the military culture within the government and I, of course, knew of Bushido and the characteristic, xenophobic racism of the Japanese. But I was not prepared for the reality of the Japanese scourge upon the Orient. This fantastic book chronicles the war crimes of the Japanese soldiers and government from the very beginning of the Sino-Japanese conflict and the Rape of Nanking to the frenzied coverup when defeat became evident and the atomic bombs fell.

The author relies heavily upon what was uncovered during the war crime trials of the Japanese hierarchy, as well as testimony from both Allied and Japanese soldiers. The brutality and inhuman conditions of the POW camps, the horrid transportation by ship, and the long death marches (the most famous of which, Bataan) inflicted upon the Allies, the Chinese, the Pacific Islanders, the Indians, and everyone who crossed the path of the Japanese are detailed so meticulously you can see the human skeletons, feel the agony of the raped and slaughtered Chinese, and weep for those prisoners burned alive or bayoneted only because their care had become a burden.

I adore Japanese culture. Bushido is an honorable path for a warrior and the Samurai who practiced it, honorable men. But you cannot forget an atrocity for an honorable past or an affluent future.

With all the candid and realistic portrayals of WWII in Europe and the Nazi concentration camps we have seen come out of Hollywood in the last decade, I am surprised that there is no accurate screen memorial to the millions fallen under the boot of the Japanese.

This book is great for a WWII buff or student of Japanese or Asian culture.

This book is long overdue. At last, a book that doesn't whitewash Japanese atrocities during WWII. This book tells it like it is.

The first chapter was hard for me to get through. It was the politics...too many different Japanese names...too confusing. But after the first chapter, it is Riveting. Unbelieveable! Should be required reading. The bombing of Pearl Harbor, was the tip of the iceberg.

This is a British lawyer's narrative of Japanese atrocities in WWII and in the years immediately preceding. Baron Russell of Liverpool was a senior legal advisor to the British Army of the Rhine during the nazi war trials, and on the basis that someone who writes history is a historian, he qualifies for that title too. Russell starts his narration in the early 30's with the Japanese concession in Manchuria, the running warfare this involved with the Kuo Min Tang government of Chiang Kai-shek, and the conduct of the Japanese military during that period. His purpose in taking his start-point here is to analyse, to some extent at least, the roots and origins of the mind-sets that led certain human beings to behave in the way they did during WWII.

Russell's analysis takes him and us as far as this - Japanese imperial culture was based on total loyalty to the Emperor. A faction in the army took a fanatical interpretation of this loyalty, not one that was amenable to reason, and saw or purported to see a divine destiny for Japan in dominating the far east and possibly more than just that. So absolute was this mission that no consideration of humanitarian values, and no laws that stood in the way of the mission's fulfilment, could be tolerated. Russell does not try to probe much deeper that this, and I would say rightly not. His book was first published in 1958 following the success of his earlier Scourge of the Swastika. The prime virtue of his writing is precisely that it recounts the events from a lawyer's perspective, not totally detached by any means, but having its focus on facts rather than on expressions of outrage, and steering clear of sensationalism. He does not try to account for the change in Japanese posture from its traditional isolationism to this new spirit of aggression, and he does not try to assess the extent to which the religious or quasi-religious element was genuine and to what extent a garb for something more secular, like the contemporary nationalism in Germany. Still less does he probe the basic question of what `faith' may be said to be in the first place or ask (let alone try to answer) the question that should be asked of any believer in any religion, namely `Why?' Why believe in the divinity of the Emperor rather than in, say, Zeus and Hera? Why indeed.

I support entirely the limitations he has accepted for himself. He had quite enough to do in following his agenda of factual accuracy, his lawyer's perspective is valuable furthermore in assessing matters of legal interpretation, and his unemotional tone helps the reader's focus too. Here and there we catch glimpses of theories that must have crossed his mind, such as in the mention of inferiority complex at one point, but he sticks to his last and does not pursue these. I found that my own interest was less in the grand political scenarios and strategies than in what little the book contains about the mentality of those perpetrating the atrocities. There are excerpts, for instance, from the training manual of the Kempei Tai, a kind of Japanese equivalent of the Gestapo though with some important differences. These leave no doubt that torture was considered legitimate on the basis of `do what you have to do'. There is a statement from no less than Tojo himself at his trial that Japanese foreign commanders had wide latitude in their choice of methods and that questions about these were not asked. There are reported comments from certain local commanders that the prisoners were subhuman, and these, together with the strategic perception that supposed global dominance by the Anglo-Saxon powers had to be fought, seem to me to lend credence to the theory of inferiority complex. In particular there are a few snippets from letters written by the troops. These mainly give plain statements of what was done, but one or two actually evince an access of humanitarian conscience. Rightly, Russell knows better than to draw conclusions from unrepresentative sampling, and I for one was left with a picture common to scenes of undisciplined behaviour by soldiery down the ages, regardless of creed. No doubt it was on a bigger scale, but it was a familiar picture, Emperor or no Emperor. One squaddy puts his and his fellows' excesses down simply to `excitement', and that is hardly new or specific to this divine mission as opposed to other divine missions or their secular counterparts.

Lord Russell's style is dry, clear and economical. As far as it's possible to read such stories without revulsion, it's possible in this book. The final chapter, as we might expect from a lawyer, is a summary of the trials of the major actors and the sentences they received. As usual, Russell permits himself a certain amount of comment but does not become emotive. One interesting detail is that there was a dissenting opinion from the Indian judge, who found that all the prisoners should be exonerated on all charges, on the ground that these trials were, or would be seen as, victors' justice - I'm not quite sure how to read this. There is no mention whatsoever of the fire-bombing of Tokyo, of the nuclear bombing of Hiroshima and Nagasaki, or of General LeMay. As these topics are not mentioned, there is no discussion of the difference in principle from atrocities performed hand-to-hand at ground level. Issues at this depth are not explored in this book, so regarding this particular difference the question left with us once again is - what exactly was it?

This is an exceptionally beautiful and interesting book. Even though I had no prior interest in chinese textiles I was quickly drawn in by the stunning photographs and the helpful essays. The book makes a great gift for anyone interested in Asian art or textiles in general!

This is a must read if you are interested in collecting Chinese Rank Badges.

A great reference book to identify the symbols, styles & the various techniques that was used. The color photos are just beautiful showing over 150 different types of Rank Badges.

I love this book! The two different parts of this book really works. In Part One, written by Beverley Jackson is an interesting look at Chinese culture and the journey to the mandarin squares. The fictional story of two boys and their different journeys brings the mandarin squares to life. The studying and sacrifices involved in order to wear the mandarin square are staggering. It heightens the appreciation of the squares themselves in Part Two.

In Part Two, David Hugus does an excellent job in dissecting and then explaining the elements making up the squares. Beyond the intellectual and technical issues, Hugus also discusses mandarin squares in the marketplace.

The two authors obviously have a great love and interest in the mandarin squares and the Chinese culture. I recommend this book highly.

This is the best and most complete book available on Mandarin Squares. A must read for the collector of these badges.

The text is extremely informative and the most comprehensive on the subject. It has well over 100 beautiful pictures of many examples of the nine civil and nine military rank badges.

I highly recommend this book to anyone interested in Chinese Textiles especially in the intricate embroidered Mandarin Squares and learn about their history.

This book is a must for anyone interested in Asian art and, in particular, the Chinese rank system and the textiles associated with it. I expect this book to become THE reference book on the subject. I highly recommend it to all those dealing in antique Chinese objects and museums specializing in Asian art. It is obvious to me that both authors have not only throughly researched their topics but also are impassioned by them.

I agree with the other reviewers that this book is completely engrossing. Rarely cam that be said of a reference type work like this! The author did an excellent job of making things understandable for someone like me who does not know any Chinese. He gives a very clear overview of the different dialects, including discussion of what exactly characterizes these dialects. It is also a great into to the other language families of China (Mongolian, Tungusic, Tai, etc.), information which is not easy to come by. I highly recommend this book to anyone interested Chinese, China, minority languages, and language classification in general.

I picked up the book out of curiosity and could not put it down. It gives an engrossing history of the Chinese people by way of a study of the languages of the area. It is not just a linguistic text however; it is about all aspects of life in China: politics, economics, poetry,history, everything. Language is just what ties it all together, much like the language ties the country together.

This book is completely engrossing. I knew next to nothing about the history of my native language and it's place among the "dialects" of Chinese. Nor was I really aware of the roles played by geography, politics, and cultural influences in shaping a language or even in a language's classification. The writing is concise and lucid; and much of it is accessible to laymen. I think for the information contained within and for the price, it deserves a 10. (FYI, the colors on one of the maps seem to be offset in my book. Maybe it's intentional?)

S. Robert Ramsey's THE LANGUAGES OF CHINA is a survey originally published by Princeton University Press in 1987. China is an immense country with a rich linguistic heritage, and it is a challenge to cover even the basics adequately in a mere 340 pages. Ramsey does an admirable job, and this student of historical linguistics was thrilled to see such attention paid to the diachrony of many languages mentioned within.

The "Chinese language", the set of mutually unintelligible dialects belonging to Han people and descended from a relatively recent common ancestor, is by far the most widely-spoken in China, and Ramsey dedicates the first half of the book to it. He begins with a presentation of the historical debate over Han linguistic unification, with the northern dialects winning out over southern dialects like those of Shanghai and Guangdong. Since Mandarin has, for better or worse, been taken as the standard, it is the phonology, morphology, and syntax of Mandarin that Ramsey describes as representative of the entire language. Ramsey clearly wrote for a non-specialist audience, as he tries to debunk older Western myths that Chinese is somehow a "primitive" language due to its lack of inflection. The grammar of Mandarin here is splendidly full for just a few pages, though the debate over the use of the particle "le" isn't mentioned.

Ramsey's coverage of Chinese isn't, however, purely synchronic, for he also devotes space to the earlier stages of the language. He begins with an explanation of the Qieyun rhyming dictionary, the document compiled by Lu Fayan that, in spite of its faults, is our only useful source for the pronunciation of Middle Chinese. Ramsey then gives a colourful presentation of the life and work of Berhard Karlgren, the Swedish scholar who, by applying the comparative method to modern Chinese dialects, worked towards a phonetic reality for the mere algebraic relationships of the Qieyun dictionary. But this is not mere blind adulation, Ramsey does acknowledge Karlgren's faults and lists the younger scholars who followed him and improved on his theories. Ramsey also briefly mentions Old Chinese, the reconstruction of which is quite uncertain, and talks about some of the important changes from Middle Chinese to modern Mandarin.

The second half of the book deals with the many non-Han languages of China. First is the "Altaic family" spoken in the north of China, the Turkic, Mongolic, and Tungusic languages that may or may not be a valid genetic grouping, but which have significant typological similarities. Here again Ramsey gives abundant space to diachronic issues, showing how various modern languages each differ from their common ancestor. Writing systems, too, are covered. The languages of the south come next, including the Tai, Tibeto-Burman, Miao-Yao, and Mon-Khmer families, as well as unclassified or isolated languages. The story of how these languages have fared under Han domination is a major theme of the book.

If you have little bit of Mandarin under your belt (and you don't need a lot) and are interested in the linguistic diversity of this part of the world, THE LANGUAGES OF CHINESE is worth seeking out. This is especially true for historical linguistics curious about China. I can only wonder why it hasn't been reissued.

The book is divided into two parts. Part I examines the Chinese language and the Chinese dialects while Part II surveys the other languages spoken and written in China.

The book offers fascinating historical, grammatical, and political, insights; for example about possible reasons why the north is more unified than the south (easily traversed northern plains vs. isolating southern valleys and mountains).

Westerners often say that Chinese is a language without grammar simply because it's uninflected. This is grossly wrong and Ramsey describes the rudiments of Chinese's positional grammar and how the grammatical rules change somewhat from dialect to dialect. He also gives many examples of morphemes and words and how different dialects put them together.

As for political insight, I am no fan of China's repressive government and its policies. But when it comes to the cultural and linguistic minorities, its policies are surprisingly tolerant and have been for centuries. When we think that as recently as the 1950s, the French government was still trying to suppress the Gaelic language of Bretagne (Breton) we must wonder if there isn't something we can learn from Chinese policies. After all China has for centuries been making room for its minorities, and when Mandarin (putonghua) was created and adopted as the national common speech, much was made that it was no one's native tongue.

I personally wasn't very interested in the other languages of China, but they get the same, though shorter, descriptive treatment of their history and grammar. On the other hand, one real failure of the book is that all the examples are romanized (pinyin) but almost always without the corresponding Chinese characters. This is a pity since with them the book would have certainly been more useful as a study aid. I suppose in 1987 it was much harder (and expensive) to typeset Chinese passages in English books.

All in all, a fascinating survey of the linguistic landscape of China.

Vincent Poirier, Tokyo

Haven't finished reading the book but I found it to be very ineresting and worth my time. It takes an in-depth look at the Manchu imperial family, something that is oftentimes glossed over or ignored in history classes.
When Evelyn Rawski wrote about the Forbidden City- literally and figuratively, it is forbidden to outsiders- a real wonderland populated with characters that might eerily remind one of Alice's adventures in wonderland.

This is a great book the let people to know that Manchu still exists, because most of people had been unknown about China was named Manchu, it really named Manchu. It shows the social life style of the Manchus, the power of kingdom, which is never going to forget about the wealthy lives in Manchu, what is forbidden city really means. Forbidden City is a heaven, it is the most beautiful place to live in. It is magnificent, no where could compare with Forbidden City. Kingdom life is the best!

China should changed the name back to "Manchu" Qing Dynatsy is great!!!

This book beautifully describes the social fabric of life during the Qing Dynasty. As the author claims, she was privy to previously undisclosed Imperial records and has unearthed new insights into Qing customs.
I was introduced to this book after reading Jonathan Spence's "Treason by the book". Mr Spence, perhaps the foremost sinologist writing in a Western vein, has himself praised this book for its fount of new information on the Qing period.
I couldn't agree more and can also add that it is highly readable.

I had been taught in my high school history that "Manchus conquered China on horseback but eventually they were assimilated by the Chinese, becoming more Chinese than the Chinese". After reading E.Rawski's book, I'm beginning to question what my history teachers taught me.

E.Rawski's concentrated research on the Manchu royal family shows that the Manchus, particularly the elite did not lose their cultural heritage but in fact strove to maintain it.

The book explains how the Manchu royal family differed from the Chinese dynasties in their various aspects of social life. As the book is divided in chapters, it's easy to follow and read.

In my humble opinion, this book is for those who wish to study the Manchu monarchy in more detail.

In this work Dr. Rawski argues convincingly for her side of the sinicization debate regarding the Manchu conquest dynasty, the Qing (1644-1911). For those of you who are new to the field of modern Chinese history you may be interested in reading the articles of Rawski and Ho Ping-ti (He Pingdi) found in the Journal of Asian Studies, published in the mid-90's. The debate that was started by those articles is still of great importance to modern Chinese history, and it seems that although Rawski and others have presented a very strong case no one as of yet has been victorious. Many scholars still hold the views of Ho Ping-ti (or some version there of). Although, I suspect that over time Rawski's views will triumph. The argument, simply stated, is the question - to what extent where the "conquest dynasties," especially the Qing (Manchu) Dynasty, sinicized? In the past, scholars (perhaps dominated by the sino-centric Chinese interpretation) have agreed that foreign powers who dominated the Chinese empire forsook their own cultures in favor of a Chinese identity. This included the adoption of the Confucian civil service tradition as well as the Chinese language and many other Chinese cultural traits and behavior patterns. In recent years however, scholars have given evidence to support a very different view of dynasties like the Qing. A certain level of sinicization is undeniable, and no one challenges the fact that the Manchu banner-elite adopted a very Chinese approach to governance and cultural issues, however they also held on tightly to their own culture and went to great efforts to distinguish themselves from the Han Chinese as a ruling elite. The Manchu language, which many scholars had previously considered irrelevant (when studying modern Chinese history) has here become increasingly important. Rawski goes to great lengths to demonstrate the ways in which the ruling elite of China did not adopt 'Chinese' cultural practices but instead tried to be all things to all people. For the Tibetans and the Mongols they adopted the identity of a ruling clergy of Tibetan Buddhism, for the Chinese they adopted the Confucian model of governance, and for the Manchus they held on to various animistic traditions of sacrifice and deity worship.
This book is well written, except for a few minor stylistically uncomfortable passages, and really proves her point. Unfortunately, it does drag on a bit at times. Rawski gives an extremely detailed account of life in the upper echelons of Qing society focusing on the imperial household. There is a large body of work here and it will take several readings to truly imbibe all this book has to offer.
If you are looking to deepen your knowledge of the field I recommend "Manchus & Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861-1928 " by Edward Rhoads. It is a bit shorter and focuses on the ethnic and political divides between the ruling elite and the Han Chinese.

I loved this book. He seemed genuine and really care the fate of the Hong Kong Chinese.

Regardless of the so-called hidden agenda behind the rush to the democracy before the handover, the truth was back then none of the patten's predecessors had the political reforms in agenda. They were all diplomats and they only really concerned to kowtowing Beijing. Patten was a politican and he tried to work and fight for the benefits on behalf of HIS constituents i.e. people of Hong Kong. He got unfairly smeared by Beijing in return just because the truth hurts.

The bottom line was Chris Patten did leave a legacy way better than Tung che-hwa, the chief executive of Hong Kong SAR (Special Administrative Region-not the disease) could ever dream of. What an irony it was when the white Anglo-Saxon master who make Hong Kong prosperous and better than the mainland Chinese themselves.

When the Union Jack lowered the last time on June 30, 1997, it symbolized not only the beginning of the fall of Hong Kong, but also spell the death of Hong Kong. Hong Kong-the beacon and the crown jewel of what a Chinese society ought to be back then ceased to exist.

I loved this book. I thought it was a great narrative on Chris Patten and his governorship and the hardships he endured. The book spares almost no detail, but I would have liked to see more of the Democrat's point of view. This book is absolutely necessary for people who wish to know in-depth about his governorship.

After reading the online review of Theroux's Kowloon Tong (a fictional account of the 1997 Handover of Hong Kong), I am surprised to find that only one customer have contributed a review to Dimbleby's marvelous work on the historical events. Dimbleby provided an excellent and comprehensive account of the political events that led to the signing of the 1984 Sino-British agreement, the arrival of Chris Patten, the introduction of legislative reform, and the eventual derailment of the democratic movement by the Communist Chinese Government. Dimbleby also tell the stories of several Hong Kong citizens and their views of the Handover. Being a native of Hong Kong who have spent my last 12 years in the States, Dimbleby's book brought me up-to-date on the big political stride taken by and the obstacles awaiting the people of Hong Kong.

This book is one of the best books about the history and political development of HK. It not only gives a brief but interesting historical outline at the beginning of the book, it also traces the development of HK politics. What the governors before Chris Patten did and what have been changed since the arrival of Patten. It also outlines lots of power struggles between the governor and the ministers in Britain and how Patten dealt with them. For sure the relations between the governor and the Prime Minister John Major is a key factor contributing to the "success" of the governor. Of course one would have no doubt about that the close relationship between the governor and the writer, Jonathan Dimbleby, who followed Patten to come to HK and spent several years with him, which does enable him to access some crucial but secret matters that are not easily accessed by other journalists. Being a HK citizen, reading the book enables me not just to know the past better but it also enriches me about the situations of HK at that time. Reading it is just like passing through the history once again, with all those political arguments between China and both Patten and Britain reappearing in real life. Another interesting thing about the book is that it also touches lots of the everyday lives of the ordinary people living in HK, how did they feel about the political arguments and what did they plan to do after the handover of China. This makes the book more lively. This book is definitely a book that students of history/Political Science/HK Studies should read.

Jonathan Dimbleby's The Last Governor is a tour de force that gives the reader an insider's perspective into the tenure of Hong Kong's last colonial leader, Chris Patten. Dimbleby treats the reader to a narrative account of the trials and tribulations that Patten faced as he attempted to enact democratic reforms in Great Britain's last colonial jewel. Although one would undoubtedly expect the government of the People's Republic of China (PRC) to be vociferously opposed to any belated attempt by the British colonial authorities to bequeath a semblance of democracy on Hong Kong, Dimbleby makes the case that Patten's biggest enemies often came from within his own government. Dimbleby's revelations that selected British cabinet and Foreign Office officials shamelessly sought to downgrade the importance of Hong Kong and sacrifice Patten's proposed reforms on the alter of commercial relations with the PRC, resulted in Dimbleby being investigated by the Foreign Office for possible receipt of secret intelligence materials. Dimbleby was cleared of these allegations, but the vast array of insider information that Dimbleby amassed for this book strengthens the strident arguments that Dimbleby advances. Only a handful of participants in The Last Governor emerge with their reputations unscathed. Hong Kong's local and international business elite is portrayed as willing supplicants in the PRC's efforts to scale back personal and political liberties after Hong Kong's reversion to PRC sovereignty, a position easily enforced by PRC threats to their commercial interests. Martin Lee and Emily Lau, two of Hong Kong's leading democracy advocates, are portrayed as actually weakening Patten's push for democratic reforms through their uncompromising approach. The various representatives of the PRC are painted as unbending ideologues with little appreciation of Hong Kong's way of life. Dimbleby is most critical of the British officials, past and present, who acted to either inadvertently or deliberately sabotage Patten's governorship. Most prominent on this list is Sir Percy Cradock, Great Britain's lead negotiator in the 1984 Joint Declaration and former Ambassador to the PRC. Cradock comes off as a modern-day Neville Chamberlain, willing to cut a bad deal with an unsavory power for the sake of diplomatic expediency. Cradock compounded this error by working both privately and publically to weaken Patten's political position and policies. Dimbleby also argues that the Cradock mentality had infected the entire Foreign Office and selected members of John Major's cabinet, who worked to undercut Patten and sell-out Hong Kong in favor of better commercial relations with the PRC. The greatest strength of The Last Governor is also its greatest weakness. While such open access to Patten gives this book the necessary dramatic propulsion, it also strikes the reader as serving as Patten's mouthpiece. While Dimbleby does downgrade Patten for underestimating the challenges he was to face as Governor, Dimbleby's portrayal of Patten as the lonely David fighting against the multi-headed Goliath seems to diminish the numerous allies Patten needed to help him accomplish the limited reforms he was able to enact. Dimbleby could have also delved deeper into the political rationale behind the PRC's bargaining position and policies regarding Hong Kong. The Last Governor is highly recommended reading for anyone interested in Hong Kong, Chinese, or British affairs and to readers interested in how bureaucratic politics affects international diplomacy. Dimbleby's prose is brisk and should easily captivate and entrance the reader. Keep in mind that this is not an academic tome, so Dimbleby's point of view is repeatedly expressed without reservation or apology.

The Legends of the Samurai is a collection of excellent translations from a number of samurai-related original sources, mostly chronicles and treatises. Along with such better-known books as Kojiki, Yamamoto Tsunetomo's Hagakure, Miyamoto Musashi's Book of Five Elements and Mori Ogai's The Abe Family, this volume includes selections from the sources that are difficult to find in English translation, such as Konjaku Monogatari Shu and the records of various clans from the Sengoku Period. The information on the Forty-Seven Samurai is very valuable and different from that given by Mitford in Tales of Old Japan. All translations are accompanied by commentaries that help put the original sources into historical context. The book also contains a historical map of Japan and a chronology. The edition is hardcover, beautifully illustrated with modern Japanese woodblock prints. This book is a pleasure to read and would be an invaluable addition to the library of any English-speaking student of Japanese culture and history.

This book is all I needed to write a report for an AP World History class. Hiroaki Sato takes whatever fictional depictions of the Samurai a reader might think, and throws them out the window, bringing in detail after detail of what they actually are. Instead of tough, merciless soldiers, a more elegant, and "chivalristic" person is unsheathed. Legends of the Samurai is a great title. I recommend it.

First things first. Do not purchase this book if you are looking for a storybook collection of Japanese Samurai legends, for this is not what it is. If I were to try to classify this in a genre, I would say it is a history book written for the lay person. Hiroaki Sato is an extraordinarily gifted translator who has chosen to trace the history, or metamorphosis, of the Samurai consciousness from its primitive roots to the point at which it reached its very peak before giving way to the socio-economic tidal wave created by Edo-era Japn.
Sato's 'history' is not a linear depiction of events that he has marshalled into a unified narrative from a myriad of sources. Rather, he has chosen to wear his editor's hat to select various primary sources and then translate them into the English as faithfully as he can without rendering them meaningless. Many of the 'stories' he relates are translations of official Japanese histories (however fancifully told and embellished), among them some of the earliest extant written Japanese documents, also of autobiographies and memoirs of important Samurai men of letters. Along the way he does a magnificent job of explaining to the reader the significance of certain lines of poetry, or literary references that crop up continually during the momentous and not so momentous exchanges between antagonists, friends, teachers and students, leaders and servants, etc. Thus the tradition of speaking volumes in three short lines of poetry comes alive for the Western reader. Much of the text is allowed to speak for itself, of course with Sato's guiding editorial hand to take us where he wants us to go.
One way that this form of non-narrative narrative plays out, for example, is in an explication of that super-famous story 'The Forty-Seven Ronin.' Sato does not choose to translate one of the many dramatic stories that were written around the tale, but to first explain in dry and informative prose what occured and then to translate various contemporary critiques of the actual events. Thus, we get a translation of the official report filed with the Shogunate by one of the officials who helped to adjudicate and administer the sentence, and criticisms of the hero and heroes of the story as well as a defence of and criticisms of the villain. Utterly fascinating stuff, all.
Also, Sato allows the Samurai to unpack his mind and explain his aesthetic to us by translating select passages from books by Samurai explaining what it is to be a Samurai. Sato's selection of trenchant philosophical gems will have the reader examining himself and resolving to live and think differently henceforth from the way he was before reading this book.
Criticisms: This is not Sato's fault, but because he is translating from official histories, one's eyes can begin to glaze over from the long lists of difficult to remember, multi-syllabic, multi-word titles, names and place-names. Thus a single person can have two or three titles, two or three names and be associated with two or three places and go into battle with a handful of like-titled companions against an array of similarly named foes. This process is made even more difficult by the fact that Samurai might change their names and titles three or four times in the course of their lifetime: One is never just 'Bob.'
I'm sure it was intentional, but the last entry in this volume really sums up all of the flaws and weaknesses of the Samurai system and aesthetic and places a fitting closure on the book when he describes the mayhem that occurs as a result of the death of a Daimyo. The reader is left with perhaps a sense of awe, certainly a new perspective on a way of living life, and finally an appreciation of how cruel and senseless the code of the Samurai can be when taken to absurd extremes. One closes the book with a completely different perspective of the Samurai than the one he had when opening it.

Going by the last reviewer's tirade, one would be forgiven for avoiding this book as another example of Japanese right wing nationalism. Sadly, their review had little, if anything, to with the book "Legends of the Samurai" itself. There is not one whiff of nationalistic parading in the entire book, and Hiroaki Sato avoids anything even hinting at it. Rather than call the Eastern Sea "The Sea of Japan", Sato uses "Eastern Sea", (see the chapter on Oda Nobunaga).

The book itself is divided into 4 broad sections, each containing excerpts and sections dealing with the broad theme at hand. These themes include martial prowess, samurai in battle and war, samurai as they viewed themselves and so on. Although the arrangements come from a large array of sources, they are not as disjointed as they could have been. In fact, Sato has done exceptionally well to blend them as much as he has.

All of the translations come from primary sources, providing a rare insight into a lot of events from people living much closer in time. The translation into English was handled well, and Sato has to be one of the more pleasurable translators to read. I enjoyed the translation for its ease and structure very much.

Sections of particular interest to me were extracts dating to around the end of the Kamakura Bakufu, especially Kusunoki Masashige. Also, the trouble between Minamoto brothers, Yoritomo and Yoshitsune, made for absorbing reading. Having read about Takeda Shingen in novels, it was with relish that I read some primary sources that mentioned him.

Sato provides commentary and explanatory footnotes throughout, and these prove both insightful and helpful in understanding the situation in which the events occurred. Sato's love of Japanese poetry shines through, as he does emphasise it in places and mention it passing when relevant.

Rather than right wing, nationalistic yearning for the past, I found "Legends of the Samurai" to be an excellent foray into the history of one of the most iconic symbols of Japan's history. It would not be an exaggeration to say that I utterly loved reading it, and learned a huge amount about the samurai, their history, and their views on themselves, the world and more. An interest in the samurai almost makes this book a must-have addition to your library.

I really enjoyed reading the accounts told in this book. The poetry and duty of the Samurai are truthfully displyed. Eye witness accounts of events give unique feeling to the stories told.