Asia Books

As far as I'm concerned, this book does an excellent job detailing China's foreign policy. From relations with the West to African affairs, Nathan and Ross are able to concisely explain the importance of each relationship and the dangers confronting China. Furthermore, they also touch on the internal security concerns that the Chinese government must confront. This is a great book to read for people interested in China's foreign policy and what impacts it has on the world.

This book should be mandatory reading for anybody interested in China, or in world politics. Nathan and Ross explain China's place in the international political arena, both froom Chinese perspective and from western point of view.

Excellent!

Nathan and Ross have constructed an excellent book discussing the vulnerability of China. The book goes into great depth discussing issues such as: Taiwanese independence, nuclear proliferation, the strength of the chinese military, the necessity of U.S. intervention in Asia, the relationships existing between China and Japan or the two Koreas, Tibetan freedom, technological exchange with Pakistan. Ultimately, Nathan and Ross conclude that China is a weak and vulnerable country that is more concerned with maintaining its borders and internal stability than initiated a policy of imperialism. This book is a great edition for any student of Asian Politics. Easy to read.

Andrew J. Nathan and Robert S. Ross's THE GREAT WALL AND THE EMPTY FORTRESS is a clearly and tightly written presentation of Chinese foreign policy and defense issues. It is as reliable in its treatment of aspects of the pre-modern Chinese state and society that impinged on the course of modern Chinese affairs as it is authoritative (and well documented) in its analysis of the contemporary Chinese situation. With books on contemporary Chinese affairs, one must be concerned with material becoming dated, but though this book is some four years old in content, nearly its entirety is nevertheless very relevant. Its treatment of Chinese-Taiwan relations, for instance, is still on the mark. Since the book was written before the restoration of Hong Kong to China, the reader will not be able to glean anything new about that situation here. However that may be, this book remains as "must reading" for any student of contemporary China. The reader will happily discover that the style is eminently readable.

National security is a term we're used to hearing in the United States, but with rare exception "security threats" are in fact threats to America's vast informal empire abroad (military bases, troop deployments, the security of client regimes and business interests). As Ross and Nathan ably show, this is emphatically not the case for China. Even though "China is stronger today and its borders more secure than at any other time in the last 150 years", it continues to face a bewildering array of vulnerabilities -- from internal unrest to border insecurity to economic instability.

This book is a good corrective to the growing right-wing trend of playing up the "China threat". Ross and Nathan make clear that China's goals are not particularly ambitious and their capabilities so limited that even if the sinister cabal of Communists plotting against America's beneficent reign were real, it would be hard pressed to act out its evil intentions. Chapter 8, in particular, demolishes the idea that China's military will any time soon provide a real challenge to Japan, much less the USA.

Despite the great service Ross and Nathan provide in refuting the containment school's arguments, this book also has basic problems. Because it is a survey, the authors can only superficially treat each of the many issues raised. They do a good job of integrating history and current events, and the book should be quite useful for those mostly unfamiliar with its topics, but for those with more detailed knowledge it will often by unsatisfying.

Second, the authors use the national security paradigm to orient their analysis, but seem unaware of the drawbacks to such an approach. "National" security indulges the false idea that all groups and individuals within a nation can share the same interests and that national leaders act, fundamentally, on behalf of the whole population. In reality security policies generally hurt the interests of some groups while advancing those of others, and China's leaders act to perpetuate their own power and the power of the Communist Party, and to protect the interests of the increasingly influential business elite. The authors' inability to consider such matters leads them to seriously downplay the ruling class's increasing economic exploitation of workers and its violent domination of ethnically non-Han peoples in East Turkestan/Xinjiang, Tibet/Xizang, and Inner Mongolia.

And finally, the authors approach the subject from the perspective of the engagement school, which has both strengths (discussed above) and very serious weaknesses. Proponents of engagement are ideologically incapable of seeing that the current global economic system is based on inequality, exploitation, and the denial of people's basic needs (food, health care, shelter) and that it is upheld by American military domination of other people. Ross and Nathan's ultimate recommendation, then, is that China be safely integrated into this system -- not because doing so will help the Chinese people, but because doing so removes a threat to the safe operation of a fundamentally unjust world order.

When I read this book sometime back, I was reading it just to read.As I got into the book I found it hard to put down. I cried, I got angry,I hated HATE. I lost two brothers in this mess! Whose loss is greater. Are we not all equal? What these people went through just to survive was dispicable. We take advantage of life! I fell in love with Haing Ngor, I wish I could have met him and hugged his neck. Not in a sexual way, but as a loving sister. This was the most precious kind of man. He gave of himself in a way we should all be doing.What he went through we could only imagine. To watch babies be ripped out of the wombs of women and to go from rich to poor, to watch your world crumble before your eyes and still have love for your fellow man. I have a respect for all life, we all need to open our eyes and look around. Life is a blessing and we should count ours. I love my country,and our people, but that doesn't mean I can't love others to. Haing S. Ngor was a great man who gave for all countries, and all men. He had a heart of gold. May God forgive us all for the Hate we hold.

Enter into the compelling story of a truly remarkable man, Haing Ngor, living through the Cambodian holocost of the late 1970's under the Khmer Rouge. Be prepared, however, for some of the most gruesome torture that a man could suffer - both physically and mentally. If you have any heart at all, you will be changed by this book.

The story begins with a history of Haing's early life in a peaceful Cambodian existence that would be no more. You see a life that is transformed into that of a frial, hungry, tortured and battered peasant. He has everything physically and materially stripped away from him and only his wife to live for. And the story gets even worse. But, through it all, this man clings to hope and a faith in his God that defies all sense reason.

The story does not end painfully. You will see how this one man's deep scars and loss literally transform him into something greater than what he began as. It is not an easy read, but a very compelling one.

I'm sorry that it took me so long to find this book, partially because the book is actually entitled "SURVIVING the Killing Fields: The Cambodian Odyssey of Haing S. Ngor" (and after all this time it took only a few days to read it). Aside from that, it's probably the most intense memoir about life under the Khmer Rouge. Also gives thorough insight into the social and political maze that led led to Pol Pot's reign of terror, and what happened to Cambodia afterwards. Ngor also told not only the *deeply* disturbing details of his life as a war slave, but also the difficulties of starting a new life in America. In addition, he clearly portrayed the bizarro-ness of life as a celebrity, as opposed to the life he lived in his homeland. The reader gets a real sense of the isolation he must have felt, even after his successes in America. All this, along with his spiritual beliefs in karma, which helped him explain some of the madness, make this a beautiful and haunting story. By the way, reading this will make you want to see 'The Killing Fields' again, just to see his performance one more time. It's clear that this memoir served in part as a therapeutic device for him personally, but it's also a truly inspiring book for anyone to read. Reading about his journey was weirdly prophetic, bittersweet and sad because ten years after this book was published, Ngor was killed in a senseless act of violence in L.A.

This book was my first exposure to what had happened in Cambodia. I saw a man go through a typical childhood for his class abnd become a doctor and meet the woman of his dreams. His life was perfect. Then on April 17,1975 it all came crashing down. He and the rest of his family were plunged into some of the worst conditions to ever exist in history. He survived almost his whole family. Then, he had the courage to show the whole world what had happened to his people. Sadly, this man was killed in a "random" murder in his home in LA. We promised the survivors of the Holocaust that we'd never let it happen again, but we did in Cambodia. Read this book and see why again we must try and keep it from happening ever again.

This is an outstanding portrait of a man who survived the barbaric reign of terror of the Khmer Rouge in Cambodia. Anyone who has seen the movie "The Killing Fields" has a cursory understanding of the Khmer Rouge and their attempt to transform Cambodian society during their control of the country from 1975 to 1979. However, this film omitted most of the astounding atrocities committed by the Khmer Rouge as anyone who has visited Tuol Sleng S-21 in Phnom Penh (as I have) can tell you. In this book Dr. Ngor relates his horrifying experiences of life under the Khmer Rouge in detail and in the process educates the reader as to just how horrible an existence it really was.

This book is remarkable because of the detail related by Dr. Ngor and the personal nature of its content. Many Cambodians to this day will not talk about his period in their lives. For many, the mental and physical abuse they suffered during this period was too painful to re-live ever again. As I read this book, I could not help but wonder how Dr. Ngor was able to keep himself together.

Dr. Ngor effectively puts the period of Khmer Rouge rule in historical context by explaining the historical events and forces which led to their capture of the country. These events and forces included the People's Republic of China, North Vietnam, the Vietnam War, the United States, and of course, the C.I.A.

I admire Dr. Ngor for his extraordinary courage, and I regret that I did not have the opportunity to meet him during his lifetime. May he rest in peace.

Even as the art & tradition of classical gamelan music fades in Java, gamelans are built & organized in America & Europe, the music is studied & taught in universities. This has occurred since the 70's, when recordings of gamelan music became widely available, particularly in a major series on Nonesuch Explorer. For many people, hearing gamelan for the first time is not only a delightfully exotic experience, the music unlike anything one has heard, but there is often also a strange shock of recognition, as if one somehow already knew the music, although where & how remains a mystery. Perhaps this is what happened to Colin McPhee. For McPhee in 1930, as for so many western musicians since, hearing gamelan inspired something like a religious conversion.

I was given an old copy of this book shortly after I heard gamelan for the first time, & so I was able to follow McPhee on his great adventure to find where the music came from. When he arrived in Bali, he discovered that although the culture was vibrantly alive, much of music was in danger of being lost. He met, befriended, & studied with some greatly talented Balinese musicians, old masters & several younger composers & leaders, including Wayan Lotring & Made Lebah. They set about restoring a Semar Pegulingan gamelan. The task of bringing this music back to life is the "plot" of the "A House In Bali." McPhee quickly realized that his western musical training was of limited value, because the "values" of music - technically & culturally - in Bali were so different. Music had popular, ritual, & concert functions, as in the West. But the music was inseparable from the instruments, & each collection of instruments - each gamelan, was unique. Compositions were learned by rote, in phrases, with the gamelan functioning as a kind of all-ages social club for men. McPhee had to become, as best he could, a person of Bali, a villager, someone with a place & a role in the life of the community. He recounts his immersion in Balinese life, As strange as Bali was for McPhee, he was the "stranger," the outsider, & he remained one, oddly indifferent to what the Balinese thought of his lifestyle. Most inexplicably, he seems not to have become a gamelan musician. One wonders not only how he resisted this experience, but also why?

McPhee later attempted to translate Balinese music into a western idiom using pianos & a symphony orchestra, with beautiful results, but losing what he had learned in the process, Sadly, when he returned home, he had left the most important stuff behind.

I'm heading to Bali this month and this book provided a great intro to the customs and nature of this island. I'm even more excited to get there after reading it.

I am Balinese and live in Ubud, about 10 minutes walk from where Colin McPhee stayed, when he came to Bali in 1931. My aunt worked for him.

He heard a record of gamelan music in New York and couldn't wait to get to Bali to listen to the real thing.

He stayed in Bali for almost 8 years and set about documenting gamelan music. Much of his research was carried out in a village near Ubud where my Villas are. There are still old people in the village who remember him.

His book is beautifully written and tells stories of his adventures and life in the village and his encounters with the local Balinese. It's not necessary to understand technical music matters to enjoy this book - it is totally accessible.

Highly recommended.

I first heard Gamelan was coming out of the oldest temple on the Island of Bali, near Ubud, and was reading this book at the time. I purchased the book at the Jakarta airport and was hooked by the first paragraph. I think that this is a wonderful, insight into the island, the music, it's people and culture. If you have a love for exotic music and or artform, this historical work is a captivating read. My only regret is that Colin McPhee never went back to his beloved Bali.

It's a very interesting book in regards to what I have actually read. It seems to have accounts on Balinese culture. I found it enjoyable and interesting to read because it not only talks about Balinese culture but about the conflict and clashes within the village like the little dancer named Sampih and his dance teacher Nyoman Kaler.

Colin McPhee conveys many interesting things like when bad luck happened in his home in Sayan and how they had to do a purification ceremony in regards to dispel the demons, witches and evil spirits. His wanderings in Bali to record music and study their music like the rare gamelan angklung and gamelan selonding from Tenganan who were the Bali Aga. Colin McPhee was drawn to the scintallinating sounds and metallic shimmer from the gamelan. At times there are humours accounts of what goes on between him and his friends that happen in the village or when they are touring around Bali. I found it enjoyable because, he seemed to have fitted in well with the Balinese people without too much problems compared with other writers before them spoke of barbarity and the animal like behaviour of the Balinese at certain functions. He writes with passion about what goes on and how things have changed with the colonial rule of the Dutch. The loss of autonomy by the Rajas who were reduced to poverty at times and how their obessions with cockfighting led to their ruin. Yet in times of despair and hardship they are always humble to him.

Overall the book contains a few photographs of his friends and colleagues. I found it wonderful and intriguing and as well as captiviting at times which he covers so many topics like the temple functions like Galungan, Wayang Kulit (Shadow Plays), the music club etc... This book you will grow to love like the book written by Miguel Corrovabias "Island of Bali".

Appachana does an excellent job of bringing India to life in these stories. Her ear for dialouge is so acute that I could literally hear the characters talking, thinking, etc. If you like literary short stories, these are wonderful.

This book of short stories is absolutely excellent. The main theme is the compromises that we make to continue to live in within society's standards. They are everyday scenarios taking place in India or Canada. There is a strong feminist slant in this collection, which is definitely refreshing from the other more traditional stories that I've read. However, there is a price for being liberated, especially in India. The two Sharmaji stories are quite entertaining and the issue of expectations becoming inflating as a result of an unionized environment definitely isn't unique to India. I'm looking forward to reading Ms. Appachana's other book.

As I read Ms. Appachana's work, I was constantly reminded of how things were and still are back home. For me, there was no drowning myself in fiction - the characters were real enough to touch and smell (surely every Indian is aware of a Sharmaji!). There was no unnecessary drama - no unchartered territory to explore - no special messages to convey. Such genuine depiction of character and events, free of frivolous mentions, stands dignified in its own accord.

There are not enough words to express the excellence of this book. I have read many books by Indian authors, but not one of them has depicted life as vidvidly and honestly as this author. Her stories speak of the lives of the common person, the hypocracies, the trajedies, the compromises made just to continue living. She even gets the dialect right when portraying different characters and their form of speech. Anyone who is South Asian can relate to the experiences of her characters, and for everyone else, this is life in South Asia.

Appachana does a wonderful job of getting her points across without being preachy. The stories touch on many issues, mainly of gender inequality, but also of class, caste, and other social issues. She shows these issues through the eyes of her wonderfully portrayed charactors very effectively. Although her writing style is excellent, I found it a little flowery for my personal taste. Many of the stories were extremely moving, some even left me in tears. This book is definately worth reading, whether or not you know anything about India.

"I hear they are building a bridge
To the island of Tsu.
Alas...
To what now
Shall I compare myself?"
- old Japanese poem, included at the start of the book.

The reason I decided to read this book is that the idea of ambling around some quiet Japanese islands with an Ozu nut sounded like a good time. And I was not wrong. I can only echo most of the sentiments expressed by reviewers above. This is a wonderful book.
Ostensibly, it's a travelogue, and a farewell letter to a Japan that was fading from existence when Richie made his trip in the early 60s. While I'd be the first to sympathise with Richie's remorse at the changing face of Japanese society (had I experienced it, that is!), I visited Japan for the first time last year and when reading this book on my return found many of my impressions reflected in the book (if much more eloquently than they existed in my head) Furthermore, while the book undoubtedly appeals to many at some stage of "the syndrome" as Richie calls it, it is really a book for anyone who has wished to cast themselves off for sea, and utter those words that bracket Richie's story, and that title this review. This is a man who has sought a world in which he will always be a stranger.
In the afterword to the original edition, the author states that Japan is a mirror to the western soul. Perhaps it's not so much that, as that other cultures cast our own ways into relief and force us to ask questions of ourselves; for many westerners, the questions that Japan asks are fascinating.
As other reviewers have noted, prudes or puritans ought to be a little wary; others may wish to be a little subjective about which lines they read between. Still, something had to happen in Onomichi to stop it turning into a lecture on Ozu I suppose.

Regarding this new edition. I have to agree with Willy D's comments. I can put up with the two columns of print (sort of giving it the book a bottom of the backpack quality; to take out and meditate on at random), and I haven't even bothered with the new introduction. But while the new afterward is interesting, the omission of the old one is a bad mistake, and worst of all, the replacement of the beautiful photos in the original edition (sorry I forget the photographer's name) with some tacky little low contrast snaps of places visited is very sinful. Perhaps the next edition could fix these errors up...?

So if you can, get to the library and find the crusty old 1971 edition, but whichever version you read, I highly recommend this terrific book by a wonderful writer.

Honesty is a characteristic of Richie's writing, along with humor, insight, and detail. He's often quite brutally honest, in fact, and though he hides little about his own failings, he's sometimes a bit more judgemental of others. But aren't we all and his observations are so entertaining, sometimes astonishing, that I always have a hard time putting his books down.

There are times, however, when Richie's judgement wears on me. The qualities that allow him to do his best writing, his marvelous detachment and curiosity, seem to make him miss aspects of the humanity of those he's observing. He romanticizes where it serves his personal needs and dismisses, sometimes churlishly, where he becomes tired or irritated with the scene and the people who he then allows to become only part of that scenery.

I recently had the enormous pleasure of reading his Japan journals while traveling Japan. The journals extend to 2004, well after "Inland Sea," and I find less of the irritating Richie in them.

In the final analysis, I just can't help mostly loving Richie. This small volume is just another gem in the wonderful body of work from this writer who should be appreciated as a writer, not just as a writer on Japan.

Donald Richie wrote a journal in 1962 which formed the ground work for everything in the book. In the 9 years until he decided to publish his journal/book, he reprised the journal with additional insertions, in which he sometimes took pieces of his experiences within Japan, that although they did not occur in the Inland Sea of Japan and during the time the journal was written, he nevertheless recognized them as very much a part of what he considers to represent Japan before modernization. Although it is unknown what exactly didn't occur within Japan's Inland Sea, it is undeniable that the book is a masterpiece of a travelogue that very much captures the essence of everything he specifically mentions. He may well have written the journal with the expectation of it being published eventually, once he was ready.

In many ways it is hard to think of it as a travelogue due to the fact that Donald Richie has already experienced half of his life within Japan, and what appears to be an individual reflecting much of his personal life into the narration. It comes across more as an journal written by an individual whom by this point into the published version has become established within Japanese culture and integrated his life within Japan, and is so able to absorb himself into his encounter, that a deeper visual presence of this world and his psyche emerges integrated into this work, that not even a well developed visual experience within cinema could do it justice.

Donald Richie has written many books on Japanese Cinema, namely Kurosawa and Ozu. His visual thinking style is very evident in this book, and I must mention he has a gift for visualization. Compared to Alan Booth, he appears to be far better at writing, and is a far more reflective an individual. Able to decipher the meaning to things, he doesn't simply note down the illogical peculiarities of the individuals he encounters. A note of warning though is that Richie has some definite vices, namely he acts upon sexual gratification with young women, and almost gets taken away with a high-school girl. He doesn't do anything illegal in the story (at least, not that I'm totally familiar with, given the time and place, and nothing with which you couldn't do, and get away with, in the US.) Although he does so during a marriage, and his actions would well be chastised by many readers, he is who he is. The end notes of his book (in the first edition, published 1971) do tell the reader of his decision to keep much of the journal writings intact without any changes made to the events. By doing so, some may find his encounters reason enough to steer clear of the book; however I must let you know you will be missing out on a very memorable experience.

The man is a brilliant writer, and one you will not find too common-place. It is also an incredibly rare experience, even more so that time has passed since then. Not to mention, the book does not come across as a book written from memory, as the writing takes a very concerted effort to engage the reader as though the reader were Donald Richie, living scene by scene in real-time. And more importantly is that the book is even better with some of the hilarious aspects of his adventure, and is much more believable with accuracy than Alan Booth. Not to mention, is Donald Richies noticeable appreciation for the Japanese people, despite clear impression to avert from some of the fine nuances that are presented in their culture, and which one might believe that he is seeking to escape his own cultural background, as if a vagabond in search of his soul. In this way he seems to have a sad and endearing appreciation for something that doesn't entirely isolate itself to Japan, although in many ways unique to it. In part because he gets caught into the moment of his experience, he sometimes steps back and picks at nuances, sometimes disrespectfully callow; though this is rare for him in this instance. Read it and maybe what I said will make sense, as I didn't write this too well.

RMP

This is a rare gem of a book.

First published in 1971 it is just as topical now more than 30 years later. Richie travels Japan and captures the essence of the people, their humour, kindness and unique attitude to life. Opening the book at random here is a taste;

"The mist rose like a curtain, obscured the mountain, revealed the beach, the pier, the three girls. They looked like small children, small on the black pier, the black mountains behind them.
The sun lifted itself above the mountains, flying. The rising mist turned gold. The entire island floated large on the sea like a mirror. The girls were gone, swallowed into the morning." (Page 88)

The front cover reads, "A masterwork of travel fiction..." and that is exactly what it is.

I really could not praise this book enough. It is one of my favorite books of all time and a truly astounding piece of "travel writing". However, this edition is a bit wanting.

The new afterward is very good but a bit sobering, confirming that, yes, to a large extent the place you have just read about is now dead as the dodo, all too effectively ending your "fever dream". Also, the new pictures are junk. They look as though they came from a Lonely Planet guide, whilst the original edition had beautiful, mysterious, haunting, high contrast photos that came across more like paintings.

Most puzzling is the page layout which consists of 2 columns per page, like a magazine article. Why? So it looks like something from "Outside" or GQ? Needless to say I preferred the musty tome from the library that read like some brilliant forgotten diary.

Since this is written much as a diary of a young WW2 fighter pilot there are some sections that, like life, are a little tedious. That fact aside I found Mr. Lopez's work an interesting and inciteful view of the famous Flying Tiger unit after it was absorbed into the Army Air Force after the US officially entered the war. I highly recommend the book to anyone interested in the China theater of the war and how it was used to get the Japanese to attack us and get us involved in WW2. The vivid air combat descriptions are great insights into what pilots of that era were up against as opposed to the "video game-like" air battles of today.

Haven't read a pilot's memoirs for quite a while, although doing much more of it now. Into the Teeth of the Tiger was the first of a long line of new purchases that I need to read and it was well worth the purchase. Mr Lopez, while an excellent flier and leader, is also a wonderful writer. He writes with modesty and is not afraid to describe his errors in addition to his successes. The action sequences are superb and the humour used by the pilots and crews to lighten things up a bit is guaranteed to generate a smile and even a chuckle. Of course, this is war and the deaths of friends and the treatment of the civilian population was no doubt shattering for all involved. I get the impression that this book has become somewhat of a classic and justly so. It is a well-written account of a less publicised theatre of the war by a (then) very young pilot. What these guys did at 20-25 really puts things into perspective. A bloody good read!

I've read a lot of World War II flying book and this is the best! Mr. Lopez writes well and tells the unvarnished truth of what it was like to fly a P-40 against an agile and determined foe.

Don Lopez was a 23-year-old fighter pilot in the 14th Air Force Flying Tigers, flying a war-weary P-40 against the Japanese army air force in such close combat that he once took a wing off a Nakajima Ki-43 Hayabusa ("Oscar"). Good pilots are easy to find, and so are good writers, but Don is that exceptional individual: a pilot who can write well and to the heart. This book is a keeper.

This is an engrossing story of a young fighter pilot's experiences flying P-40s and P-51s in mid to late World War Two with the 75th Fighter Squadron in China. Donald Lopez writes excellent flying sequences and conveys the essence of the people he flew and fought with. A good read if you have any interest in military history or aviation.

In my haste I incorrectly wrote Saipan....I meant to write Peleliu

James Johnston gave a vivid, poignant and heroic account of his life with the Marines fighting in the Pacific during World War II. It was fascinating to read how it life was for the Marines in the Pacific as like he said, the media tended to focus on the European theater and thought of the Pacific theater as "easy."

Using letters that he wrote home, Johnston managed to add a personal touch to his account. It was interesting to get a glimpse on how he felt emotionally, the friendship that was formed between the soldiers and how a lot of times, soldiers are fighting as hard as they did, for their friends because they did not want to let their them down. When Johnston was the section leader, he was able to show the burden of responsibilities as you were not just in charge of your life but of others too.
Lastly, how he was disappointed with the Marines. He found flaws with the system but at the same time, it was very much part of him.

"The Long Road of War" is a wonderfully-written, highly-emotional story of Marine Corps combat from the "flat-trajectory" soldier's perspective. Johnston shares his own personal horrific views of World War II Pacfic combat. With stirring text, he shows the sudden transformation from Nebraska teenager to Green recruit to hardened veteran. This book is an excellent addition to any historian's bookshelf, once they can find the time to put it down.

In my haste I incorrectly wrote Saipan....I meant to write Peleliu

This was a book that I could absolutely not put down. Mr. Johnston's description of his transition from a Midwest teenager into a battle hardened, front line Marine is told with a grim honesty that is seldom found in books about war. This book does away with any glorification or self-promotion and gives you the tragic, ugly truth about the war in the South Pacific.

This is about the best book available on Myanmar that I know of. I used it extensively.

Problems include the hotels in Yangon that are listed. There are several that are very nice and about $30. US that are not listed.

There's a brand new airport in Yangon and new capitol city. Both are missing as far as I can tell.

Like all travel books, it's outdated when it comes off the press. It is quite good overall however.

I think Myanmar is a beautiful country. The Lonely Planet series is great. However, by going to Myanmar you are supporting an oppressive government that kills innocent people for purely sadistic reasons. I hope you will not visit the country nor buy this book until a democratic regime is installed there.

An excellent book and take the advice. Myanmar is a cash-only society. You cannot use credit cards anywhere and there are not any ATM's anywhere in the country. Also, your currency must be new and without folds or marks.
The book's advice on Yangon was wonderful!

We recently visited Myanmar, and used the Lonely Planet guide extensively to research our trip, and while there to help us get around. It is by far the best English language guide for Burma we could find, and was extremely detailed and helpful. Using Lonely Planet certainly enhanced this travel experience.

There is no other guide which comes close to being as useful for visiting Burma, either as a first-time tourist or an veteran traveller. Its overall descriptions, information on transport, reviews of hotels etc are all generally reliable and up-to-date. The accounts of restarants in Rangoon however is probably somewhat dated, as the restaurant scene in Rangoon changes quickly and there are many new restaurants today (more than a year and half since publication) which are not mentioned.

I would recommend reading The River of Lost Footsteps by Thant Myint-U for an excellent and entertaining history of the country, either before going or during your trip. The LP Myanmar and The River of Lost Footsteps are the only two books you'll need.

I purchased this book as a holiday gift for "tween" members of the family. At this time, all I can say is that the book was accurately described and shipped promptly.

My kids loved the two books in the series, they hardly wait for the final volume.

My 11-year-old son reads everything he can get his hands on. When I asked him how he liked this book, he thought about it, and finally said,"I would have to say it's the best book I've ever read." 'Nuff said!

Having grown up with Edgar Rice Burroughs - this is exacty the sort of high adevnture I loved. These are more sophisticated techically (no need for starnge powers etc). I thoroughly enjoyed the first book and am not disappointed with the second. The presentation ks is superb, with excellent facsimile documents and photographs, made to look like a real journal, beautiful fold out maps and schematics of Ships, and submarines, captivate. The story is fast paced and has and authenticity to it. A real Indiana Jones meets the league of extraordinary gentlemen. Enough to stimulate the imagination of any reader adult or child. t

The ship was tossed and turned as the typhoon ripped through the South China seas. This is just a little of all the action, adventure, and mystery that happens in this book. Operation Typhoon Shore has great action, but the mystery is even better. For me the mystery is what hooked me, and kept my mind focused on the book. The book left me hanging at the end of each chapter motivating me to read more. Joshua Mowll sets the book up so I found clues in the text, and uncovered a little part of the mystery at a time. When I was reading the book it made me feel like a detective, so it felt like I was in the story.
Another reason I liked this book was because of the lively characters. The author gives each character a vivid description. At some parts during the book I felt like the characters were with me. Also, each character had a purpose, so they weren't just in the story because the author wanted them in it. Instead each character is used for a specific piece of the story that without it the reader would be lost. Finally, the mystery and characters is what kept me reading.

'The Rescue' is a must read.The author presents a very detailed look at many aspects of life in the Philippines during the Japanese occupation.From sugar cane farmers,allied prisoners,the resistance,americans hideing in the jungle,life aboard a US submarine just to name a few & ties it all together at the end of the book.It reads like a novel but is all fact.The research is incredible. I have read dozens & dozens of WW2 books,this ranks near the top!!Don't miss this one!!!

I've read dozens of books of the era of World War Ii that this book covers - the Philippines - and this one has to be the best. I like the first person stories but they are only about one man's (or woman's) point of view. Steven Trent Smith tells the story of several different groups of people trying to escape capture by the Japanese. It's as exciting and fascinating as any made-up story as the missionaries and the POWs and the businessmen all prepare, with the help of Filipinos, to meet the U.S. Navy submarine so they can be rescued. I don't know when I couldn't put down a true history book but this one this one kept me up very late at night until I knew those folks were safely in Australia. Some of the facts are a little suspect but nothing that makes a difference in the story. If someone wants to read only one book about the tragic situation in the Philippines during World War II, this one is it.

Author Smith has combined three almost independent stories, that of those rescued from the Japanese on the Philippine Island Negros, the saga of the submarine Crevalle which affects the rescue and the aftermath of the survivors' stories and the historic events of the Battle of the Philippine Sea, influenced by the secret documents spirited away by the submarine during the rescue. Smith richly details the lives and living conditions of 40 Americans who become trapped on Negros by the Japanese invasion of the Philippines after their attack on Pearl Harbor. He follows them as conditions worsen, ultimately causing the survivors to move further and further into the jungles. Some become involved in the Philippine resistance movement, and well documented and dramatic stories of heroism and sacrifice by these men, women and children abound. In time General Douglas MacArthur orders the rescue of these Americans and the Crevalle becomes the focus. The details of the cooperation between the US Navy, the Philippine resistance forces and the survivors leading to the dramatic rescue make for great reading. On a parallel track are events culminating in the crash landing on the east coast of Negros of a Japanese aircraft containing two very senior Admirals and the "Z" Plan for the Japanese conquest of American forces in the Pacific. Through a series of brave actions by Philippinos and Americans, the Z Plan eventually is recovered and liberated, along with the American survivors, by the Crevalle. The book culminates with the Battle of the Philippine Sea (The Great Marianas Turkey Shoot), greatly influenced on both sides by the Z Plan, negatively for the Japanese and positively for the Americans. The book concludes by bringing the reader up to date on the subsequent lives of the key figures described throughout the book. This book is a great read, rich with history, full of heroic actions and giving a unique insight into events of enormous import in the individual lives of ordinary people caught up in an extraordinary time.

Stephen Trent Smith's "The Rescue" is not only a spellbinding account of the rescue of forty American civilians and soldiers from the Japanese-occupied Phillipines, but also a splendid terse look at the Pacific U. S. submarine campaign and the last decisive battle between Japanese and American naval forces; the Battle of the Phillipine Sea, more popularly known as the "Great Marianas Turkey Shoot". Smith possesses both a great photojournalist's eye for detail and the ability to write a gripping thriller; more often than not, "The Rescue" comes across as a well written World War Two espionage thriller. Smith describes one of the most exciting rescues of people trapped behind enemy lines during World War Two and succinctly places it in context within the overall war aims of both Japanese and American naval and general staffs as both sought air and sea superiority over the other. I strongly recommend this fine book as one of the best recently published histories of World War II. I look forward to yet another fine book from Steven Trent Smith on the still largely untold story of American and Filipino resistance to the Japanese occupation of the Phillipines.

I thoroughly enjoyed this book. It makes what we see on shows like "Survivor" trivial trash. That said I offer the following comment in the spirit of constructive criticism.

More care should have been taken in research and/or being critically reviewed by a knowledgeable individual. The text (pg 284) mentions the Japanese carrier Zuikaku as being sunk in the Battle of the Philippine Sea. Try getting sunk off Cape Engano later in the year. Also stated (pg 283) was the Shokaku as being "the last remaining from the fleet that had struck Pearl Harbor." The Zuikaku was. Incorrect also (pg 288) is the claim that two escort carriers were sunk by naval gunfire off Samar. I believe only the Gambier Bay was sunk in that manner. U.S.S St Lo went down due to a kamikaze strike. I am only a casual reader of history and found these errors. Anyone who puts out a book on historical events should take rigorous action to ensure accuracy. I seem to be finding more and more books coming out with errors which distract from the holy grail of historical fact.