Africa Books

In 1924, Dr George Reisner led an expedition to Egypt to explore the archaeological site, Giza 7000X. There, he and his team discovered a secret underground tomb belonging to Queen Hetep-heres, the mother of King Khufu who built the Great Pyramid. The tomb was carefully opened and painstakingly examined, but the contents yielded many questions and mysteries as to what happened to the queen, how she lived and died. Join fictional character, Will Hunt, as he and his family travel with Dr Reisner and participate in this amazing expedition and discovery, and maybe you can help solve the 5000-year-old puzzle..... Author, Claudia Logan, and illustrator, Melissa Sweet, have joined forces to create a fascinating and inspiring book filled with history, drama, archeaology, fun facts, trivia, anecdotes, and much, much more. Ms Logan's engaging text, told in Will Hunt's easy to read, diary entries, pulls the reader into the story and sends him/her back in time to a faraway and mysterious place, for the adventure of a lifetime. Ms Sweet's bold, busy, and captivating arwork includes original paintings combined with postcards, cartoons, collages, ancient artifacts, photographs, newspaper clippings, documents, and informational sidebars. Young and old alike will enjoy poring over and exploring the illustrations, and finding something new and exciting with each page turn. Perfect for youngsters 8-12, The 5000-Year-Old Puzzle is a creative and inventive archaeology lesson, presented in an innovative and entertaining format. So come join the expedition. The secrets of Giza 7000X are waiting to be discovered

In 1924, two years after the famous discovery of King Tut's tomb with its amazing treasures, Dr. George Reisner, a world-famous Egyptologist, is exploring an archaeological site known as Giza 7000X. Joining the dig is young Will Hunt. The conceit here is that while Will and his family are fictitious, the rest of the information about Giza 7000X is true. Reisner was the director of the Harvard University/Museum of Fine Arts, Boston, and everything you see in "The 5,000-Year-Old Puzzle: Solving a Mystery of Ancient Egypt" is based on the actual records of a history-making dig (diaries, object registers, photographs, and drawings) of the his expedition. Author Claudia Logan, a former museum educator and teacher, made this book with the cooperation of the Museum of Fine Arts, Boston.

We follow Will's adventures through his journal entries and postcards back home to his friend Sam, another member of the King Tut Club. Artist Melissa Sweet's illustrations, created in acrylic and watercolor, consist of luminous paintings of the pyramids and inventive collages of authentic documents and artifacts. Throughout the book there are sidebars providing information on ancient Egypt regarding the layout of the Great Royal Cemetery at Giza, cartouches, and hieroglyphs, as well as explaining the tools and tricks of the archeological trade. From pouring over "The 5,000-Year-Old Puzzle" young readers will come to appreciate the process by which archeologists unearth the past. Logan and Sweet also provide a sense of the time involved; Will saves a postcard telling about all the digging he has to do and there is a point where everyone sits around and waits for four months Dr. Reisner to return so they finally open the alabaster sarcophagus that has been found.

Even more impressive is the revelation that the puzzle of this title is one still waiting to be solved. Consequently, after suffering with Will through the tedious and painstaking tasks that are involved in discovering and opening an Egyptian tomb, young readers get to exercise their minds as well to come up with an explanation that fits the eight clues revealed through the book (do not worry; they are listed at the end to help). Dr. Reisner and a modern archeologist offer their own explanations, but the key thing here is that no one knows for sure. Whether teachers find a way of using this book for a class discussion or assign a bright student to do a report on it for class, "The 5,000-Year-Old Puzzle" is a great opportunity for challenging young minds to make their own judgments about each clue and come up with their own conclusions about "what really happened." The rests of us can hazard our own guesses as well.

With "Abolitionists Abroad," Lamin Sanneh has produced another great piece of scholarship, one of the best books on West Africa ever written. Sanneh examines antislavery not as an intellectual exercise by Western elites but as a movement of former slaves and former captives who went to West Africa to fight slavery and the slave trade. Crucial to Sanneh's book is the concept of "antistructure," which is the framework used by Sanneh to signal the opposition to chieftain authority structures that became the foundation of antislavery in Sierra Leone. These former slaves and former captives sought to undermine the chieftain values of birth, rank, and patronage and replace them with enlightened values--informed by American Christianity and republicanism--such as freedom and inclusiveness. The proliferation of evangelical Christianity taught ex-slaves the idea that everyone is equal in God's eyes, and these blacks soon began to find its "earthly counterpart in liberty without prejudice." Former American slaves and recaptives alike insisted on equal rights under the law, and opposed official British attempts to meddle with their religious practices. They found prosperity in the growth of legitimate trading enterprises, which served as an alternative model to the economic system of the chiefs, which was closely tied to the slave trade. The final result was the creation of a new kind of society in which chiefly authority was contested, Christanity was tranformed, and former slaves were able to use their "second chance" to pursue dignified and productive lives.

I have now read more than 5 of Lamin Sanneh's books and many of his published article's. Being a student of his at Yale, I was fortunate enough to learn side by side with a legend in the field of African history. Abolitionists Abroad is one that everyone must read. Sanneh writes in a clear and easy to comprehend manner that every book lover will appreciate. I highly recommend this book and others written by Lamin Sanneh including Translating the message and West African Christianity. I was fortunate enough to learn in the classroom with this brilliant mind, here is your chance to learn in your home. Five stars.

This is definitely a humorous , visual rendition of the tales of abunuwasi. I recommend it to anyone interested in African folk tales or specifically Kiswahili culture and folklore. I hope there will be more versions of Abunuwasi .

I grew up reading the "adventures of Abu Nuwasi" and the "Picha-HADITHI" caricature series. Definitely worth a read!

First, before you proceed any further with this book, you ought to know that it's not a chapter-by-chapter synopsis of Things Fall Apart. If you're looking for a book on plot details and character profiles, this is not really the book for you. Ogede's study is specifically about the context, style, and themes of the African classic, and generally intertextual, placing the novel within a broader framework of postcolonial writing.

Having said that, it needs to be pointed out that Ogede's book is the most brilliant reading of Things Fall Apart ever published. He explores the background, themes, and stylistic patterns of the novel, focusing especially on proverbs and the structure of Achebe's sentences. This, of course, has been done repeatedly over the 50 years since the novel's publication, but Ogede's perspective is startlingly new. Rather than simply reproducing the same tired explanations, he pools the materials into fresh combinations and also brings in entirely new insights. To begin with, Ogede goes over the novel's background--the author's upbringing, colonial education, historical accounts of colonial rule in Africa where the novel is set--and relates these to the themes of traditional Ibo (African) culture, the role of missionaries, soldiers, and colonial administrative officers in establishing colonial rule, how these impacted the native peoples of Africa, and how they attempted to fight off the intrusive forces. By exploring these subjects, Ogede puts together a picture of Ibo daily life, onset of colonial rule and native resistance to foreign occupation, how the native peoples lived, worked, played, made conversation, and acquired friends; and these were traumatically disrupted. Ogede uses these accounts as evidence of a vibrant Ibo culture before the arrival of European rulers destroyed it beyond a point where it could be reclaimed.

In the end, Ogede gives a scene by scene account of the television adaptation of the novel and provides expert guidance to the reader on essential criticism relating to the text. Ogede's final argument is that Things Fall Apart is Africa's best cultural export internationally.

When all is said and done, Ogede's book is dazzling. Well written, engrossing, lively, and felicitously expressed, this book is a must for anyone interested in African literature or world fiction generally. The witty style, accuracy of claims, sound literary judgment, scientific exactness, and detailed documentation simply add to the value of the book.

An excellent book complete with interesting new interpretations of one of the lasting monuments of world literature. A great source for those researching the contexts and literary strategies of Chinua Achebe's masterpiece Things Fall Apart. The book is scholarly but the witty style makes it a good read. How well, for instance, proverbs are explained and previous readings of the novel distilled! Highly recommended. Also would imagine that this would be an excellent resource for students studying African Literature, especially Chinua Achebe's works as well as professors and teachers alike.

It is a great work by a classic 20th century cartoonist. An outstanding 1930s black and white story about drug and arms smuggling. For all ages, full of mild humour, suitable for young children.

As you might or might not know, most early Tintin was originally published in B/W format, with old style drawing. Yes boys and girls, it wasn't the colour edition we have now in hands. The first 9 titles are sceheduled to be released in English. This Cigars of the Pharaoh is one of them.

Most early Tintin might look very old to us. The drawing weren't that smooth, compared to the later coloured edition. If you're a die-hard Tintin fan, I'm sure you really wanted to know what the book originally looked like. You will notice that the panels also changed. Not just the size, but also the sequence. Some panels were even edited or deleted. Some panels are added. In short, you can compare both editions.

The book was carefully printed and packaged. From the looks, people would already guess that this book (and also the others) is a lux book. The paper was good. The hard cover was good. The binding was good. The printing inside was also good. What more can you expect? Here the book also provided several pin-ups or covers in colour. It's a very nice gift!

If you feel you're a die-hard fan of Tintin (and Herge) then no doubt you must have all these 9 B/W original editions.

I first would like to start by saying that at first glance Africa didn't seem like something that would interest me in reading, but considering the author is about my age and I also had the opportunity to take a course with him at the University of MN.I decided I would read, for a few reason, 1. to help support him as an author who is still getting out there, and as someone who enjoys writing and someday would like to have something published, to see what a "finished" product would be like for someone that is almost equivalent to me (or maybe it should, me almost equivalent to him) Point being is that most of what I read is by well know authors, or books that come highly recommended--I was truly surprised by how much I enjoyed reading Africa and now can be the one to highly recommend this book to my friends and other people.

For the book itself--Africa really gives you a little bit from a variety of genres: action, drama, some romance and even a little bit of mystery, which I think is a greater part of the structure of the book than the actual story. I could not believe how captivating the story was...it was almost impossible to put down for it is a great page turner. I really enjoyed was that it wasn't written to just tell you a story, but it was able to open you up to a new perspective of Africa, even a new perspective on the way of life.
This is a book, regardless of what you like to read, is a book that you will find great enjoyment in reading.

Africa is a story that has everything; adventure, romance, drama, and even a little magic. It is a wonderful historical fiction and once you start reading it you will have trouble putting it down. I would recommend it to anyone.

"Africa" is the companion volume to the recent PBS series of the same name, and like the series, is organized into eight parts, each one focusing on a particular geographical region of the continent. In clear, concise language, John Reader gives us the historical and geographical background of each area, the current economic and social structure, and the problems affecting the particular region. The photographs are mind-blowing; they are so gorgeous that they almost dominate the excellent text. The one disappointment, for one who has also seen the PBS series, is that the book doesn't follow the individual stories of people in depth as the PBS production did; however, no one who hasn't seen the TV production will miss it, and it in no way detracts from the overall value of the book. This is one book about the "dark continent" that does the continent, and its people, proud.

This is an excellent book for anyone who might find Reader's earlier book "A Biography of the Continent" too much of a good thing. "Africa" explores many of the same themes and issues, but the information is arranged differently and there are more illustrations; this book is aimed at the educated lay-reader. Still it is an important and outstanding book. Reader is a good writer and his research and grasp of a myriad of disciplines related to his subject is impressive.

The story is told by geography: Savanna, Desert, Rain Forest, Mountains, Sahel, Great Lakes, Coast, Southern Africa. Being a "companion" to the PBS/NGS TV series there is some (but not much) focus on the people who appeared in the television documentaries. Mostly Reader tells the stories behind the story; his history of Africa is as much about the environmental, geographical, and physiological as merely chronological. For example, Reader tells why bananas and plantains are so important in African history; what makes camels so invaluable in the Sahara, how sickle cells and malaria are related, even the advantages and disadvantages of walking upright. Of course there is some in-this-year-such-and-such happened, but that is kept to a minimum. This "Africa" is not only an outstanding introduction to Africa, it should also be of interest to any Africanist.

The photographs by Michael Lewis are good enough to be a book of their own; they combine with Reader's well organized and informative text to make "Africa" an excellent portrait of the continent. Reader's "Biography of the Continent" is also highly recommended.

When I first saw this book the first thing that came into my mind was that I need it badly. I was simply astonished by the amazing pictures Leni Riefenstahl composed. If someone wants to see the beginning of our civilization and feel it up, close and personal, then this book is a must. Other than having a picture about how man survives in harmony with Mother Nature, one can see how beautiful the human body is in itself.

Leni Riefenstahl's book Africa is simply a huge compilation, a massive photo journal; page after page after page of full sized photographs depicting both the people / their culture and the land of Africa. (Other than the photos, the book is quite spare of words, chapter titles, that's it.) Riefenstahl's work is very strong but not particularly arty or glossy. True to her filmmaker's voice however, every picture tells a story. (*An important side note, it's ALL photographs. There is very little text to critique.)

I would highly recommend this book to anyone who loves similar photography as what you would see in National Geographic or Angela Fisher's books such as Africa Adorned and African Cermonies.

I was thrilled to receive this book. I felt as if I was there with you. Very well written. Congratulations. I hope to see more books like this in the future.

CONGRATULATIONS TO MS.BARBARA BROWN & MS. SHIRLEY BROWN ON THEIR BOOK ON THEIR EXPERIENCES IN AFRICA. AFTER READING THIS BOOK, I FELT I WAS THERE. I REALLY ENJOYED THE PHOTOS AND VIDEO THAT WAS TAKEN. CONTINUED SUCCESS. -T BROWN

For those of us who may think we know Jane Goodall as theheroine of National Geographic specials, the champion of primateintelligence and animal rights, one of the great scientists of thetwentieth century, Africa in My Blood comes as a revelation. Here is the young girl and woman discovering life for the first time, having a crush on the local curate, writing to her best friend Sally and her "Darling Family," traveling by slow boat to Africa, and then launching the career that we have never seen through such fresh eyes. Most astonishing of all, it turns out that Jane Goodall is a splendid writer of letters, which are full of comic anecdotes and finely-observed details, capturing in vivid prose the immediate events of her life and much wonderful material not included in her other books. Dale Peterson has done a superb job of editing, organizing, and introducing this monumental collection, showing Goodall as both private and professional woman, in both intimate portrait and dazzling display of her gifts as a writer. One can only hope that a second volume is on its way soon. END

The letters in this collection date from Ms. Goodall's youth through 1966, when her stature as a scientist was well established based on her pioneering research in Africa.

Books of letters are normally associated with great female authors of novels, such as Virginia Woolf. In those wonderful volumes, beautiful style and playful use of words adds joy to one's appreciation of the literary works themselves.

So, I did not know what to expect from a book of Jane Goodall's letters. What I found was a most pleasant surprise. The letters provide a deep perspective into the personality of Ms. Goodall and how that contributed to the development of the research methods she used. I found the letters fascinating and very rewarding, despite the fact that they are the opposite of high literary style.

If you are like me, you may primarily know Jane Goodall from her National Geographic television specials. Those were very accessible and enjoyable. But I did not know the background concerning how her pioneering research with chimpanzees was initiated and developed. This book wonderfully filled in that background. Also, I did not know how an attractive young Englishwoman came to become a field scientist in Africa in the first place. Also, the shows made it all seem rather natural and easy.

First, you will come away impressed with what a devoted correspondent she was. Over 16,000 letters were found by the editor to draw from. Now, how many letters have you written in your life? Also, these are mostly long, newsy letters to family, friends, and professional colleagues. If she had been a book reviewer, no one would have believed her production. Remember that she had no computer to help her draft the letters. In fact, she had the balkiest manual typewriters imaginable.

What was even more remarkable to me was that so many of her early letters had been saved. How many letters have you saved from people under the age of 15? That these letters are available is quite a testimony to her relationships with these people, and the impact of her personality.

Then, I did not know that she was a secretarial school graduate when she went to Africa. A few jobs quickly convinced her that she was not cut out for indoor work. She was eventually accepted into a Ph.D. program without ever having attended college! In fact, she had done most of her breakthrough field work before her Ph.D. was even granted. So much for formal education as a way to create new scholarly methods.

Ms. Goodall has a wonderful love of humans and animals that makes no significant distinction between them. I was overwhelmed to read her descriptions of her pets and the chimpanzees and baboons she studied. It is remarkable to read page after page as she gossips with people about the animals by name in more detail and with more sympathy than in much of what she writes about people who were not close to her. This perspective is a fairly unique one, and led to her finding ways to relate to the animals throughout her early years.

There is great humor throughout the letters. Her many descriptions of men becoming interested in her and how she handled them are echoed in her descriptions of the female chimpanzees eluded the hovering males. Humor and laughter came easily to her. You will laugh too at the descriptions of the chimpanzees tickling each other.

You will come away with a great respect for what she accomplished. The difficulties she overcame were incredible, and the work that she put into her research is beyond imagining. She mostly wrote these letters around midnight, after working from 6:30 in the morning . . . often in the driving rain. This was a 7 day a week effort for her. Frustrations were everwhere. Great sequences would occur, but where no one could photograph them. Or the exposures were set wrong on the camera, and the whole roll of film produced nothing. And the camera problems were just the least of it . . . although they were the most maddening to Ms. Goodall. Malaria, shingles, and mysterious diseases affected her and the others she worked with. But her commitment remained strong.

Dale Peterson has done a fine job of selecting the letters and summarizing them at the beginning of each section. My only complaint about the editing was that more footnotes would have been helpful. I was regularly lost in trying to understand who some of the people were whom Ms. Goodall refers to.

I suggest that you give this book to a young person who loves animals. Perhaps something will "click" that will allow that person to see that she or he can live a life devoted to inquiry and closeness with animals.

Follow your instincts!