Africa Books

Today I'm back--rebuying this book in hopes of reliving some of the experience it produced 20+ years ago when I read it on a transatlantic flight. Everyone around me was solemnly absorbed in tearjerker movie while I was convulsed to tears of laughter in their midst.

When I realized Indecent Exposure was a sequel to Riotous Assembly I raced from the airport to the bookstore and ordered that one too. It was no disappointment. That came when I voraciously bought nearly every other novel Tom Sharpe wrote and found none of his other works even came close to his 2 South Africa novels.

Small wonder that oppressive regime expelled him. I ought to mention that however slapstick funny this has been described to you (and it is!) it is not an appropriate gift for your 12-year-old niece. The uproarious misanthropy is midnight black and as politically incorrect for many Americans as it was subversive for South African censors.

Hilarious, extremely funny. This is one of the fiction works that have made me laugh more in my life, including films, comics, or whatever.
I read this book after discovering Sharpe trough Wilt' s saga. One tip: read the african novels first! I have read almost all the books from Sharpe, and I think the two south-african satiras are the best, specially Indecent Exposure.

Tom Sharpe's novels, always popular in Britain, are known for being rude spoofs on the political establishment and of the upper echelons of British society. However his earliest works, as in 'Indecent Exposure', the setting is apartheid-era South Africa. His humour is still very baudy, perhaps repetitively so, and his target are the hypocritical, racist white establishment. Some of the language is a bit vulgar, and I imagine some folks might be offended. But Sharpe hits the bulls-eye on his target: the squabbling, pretentious and myoptic white (English/Afrikaan) establishment.

As for the story? Well, it somewhat doesn't matter. Some nonsense about a rural town's police force trying to fight (imagined) communist insurgents using some rather ridiculous means. It's all very slapstick, farcical. Enjoy the book for its now dated (historical) view of South Africa, not for its paper thin story.

Bottom line: a very curious and funny piece of Sharpe's earlier works. Certainly not his best, but he delivers the laughs.

This book must be one of the funniest I've ever read. My girlfrind threw me out of bed at four in the morning because I'd apparently been laughing in my sleep after having read the book. The best thing about any of Tom Sharpe's books is that you can read them again and again and still laugh all over again! Superb!

What more can I say? Go read it! I read it about 12 years ago or more. It was fantastic. I read it at least once every 2-3 yrs after that and it has never failed to make me laugh again and again. Though Apartheid is dead, the humor is still valid worldwide. Read it as satire or just for its humour. Either way, you'll love it. By the way, dont be put off that its British and thus a bit heavy in the reading department. Its not. Its a great read and you could easily finish reading it in one day unless, of course, you fall off your chair or bed and injure yourself laughing. Believe me, I'm not exaggerating.

I simply adore this book. I was a Peace Corps volunteer in Togo (next door to Benin) and my daughter enjoys hearing my stories about Africa. We both love this book. The illustrations are a beautiful, astoundingly realistic depiction of life "au village". The story is sweet and entirely plausible. The title almost turned me off from the book but I'm sure glad it didn't.

It Takes a Village is an excellent resource for teachers.
The characters and setting are wonderful, the use of color
and pattern on the characters clothes is fun. I teach kindergarten and substitute K-6. I have yet to teach a class of any age that doesn't enjoy the book.
A must have for the classroom!

It Takes A Village is the well-crafted story of Yeis who joins her mother for market day. She's been entrusted to watch after her little brother Kokou and is quite proud of her responsibility, so she heads off with her brother. Departing, she shares news that she's watching her brother all alone. Knowingly, her mother smiles...moments later Kokou is separated from Yemi and she searches through the marketplace worrying over his safety.

Not only has Cowen-Fletcher given us a moving story, but it is complemented well by her beautiful colored pencils with watercolor washes. They bring out the importance of community and the saying "it takes a village to raise a child."

Reviewed by Tee C. Royal...

It Takes A Village is the well-crafted story of Yeis who joins her mother for market day. She's been entrusted to watch after her little brother Kokou and is quite proud of her responsibility, so she heads off with her brother. Departing, she shares news that she's watching her brother all alone. Knowingly, her mother smiles...moments later Kokou is separated from Yemi and she searches through the marketplace worrying over his safety.

Not only has Cowen-Fletcher given us a moving story, but it is complemented well by her beautiful colored pencils with watercolor washes. They bring out the importance of community and the saying "it takes a village to raise a child."

Reviewed by Tee C. Royal
of The RAWSISTAZ Reviewers

I lived in Benin for two years and I must say that the drawings in this book are amazingly realistic and incredibly detailed. It is a wonderful story for children and families. I usually give it to first time parents (unique baby shower gift). Regarding the previous review - "Cho" and "Yay Gay" are interjections similar to "Oh No" or "Oh My".

Once you start reading, you cannot put this book down. This book is truly a way for people to visit Africa spiritually and experience another culture. Blacklaws' rich and detailed imagery takes readers on a journey of their own; this is probably why Chris Martin the singer of Coldplay said the book was so colourful. To truly enjoy the adventure u must read it with an open mind.

the african setting is poignant, evocative, romantic -- but the author's vocabulary and use of language raises this book to high levels of literary enjoyment...sort of like dylan thomas in its lyricism and poetic achievements...

This beautifully-written book is full of rich characters and convincing settings, but what makes this book special is the story. The protagonist of this coming-of-age tale (set in the South Africa of 1976) must wrestle with deep and painful problems under adverse circumstances. The ending is a stunner. I reread it within weeks of first reading it. Best book I've read in a long time.

Karoo Boy is an ambitious novel, in the sense that it tackles the really big themes that even angels (and definitely first-time novelists) approach with cautious tread: living in apartheid South Africa, growing up to consciousness, love and the loss of it, guilt and death. And yet Troy Blacklaws manages to tame these wild things, and bring them to rest in a compact novel, with a handful of well-drawn characters, surrounded by the vast impersonal canvas of the Karoo.

He is sensitive to the minutiae that make up a life, and he describes these in spare prose that paradoxically becomes lyrical in the repetition of the rhymes: "I paddle out through the ice-tea surf. The rising sun glints in the empty windows of the weekend train to Cape Town. I stand on a borrowed board. No flicks or tricks. The wave barrels. For a moment, I glide. Then the wave tumbles me. I fight it instead of going with it. Have I forgotten everything? I even forgot to dogleash the board to my foot. As I surface I hear the crack of the board on the rock. I wade up out of the water, feeling ashamed."

Karoo Boy is not only a welcome addition to the body of fiction now written by thirty-something South Africans, relating their experiences as teenagers during the unholy hey-day of apartheid. It is also a bloody good story, and it is well told.

"My mother's cry is a sky full of gaping-beaked seagulls." On the Cape in South Africa in 1976, Dee's twin brother is killed in an accident, struck in the head by a ball while playing cricket; the twin loses the other half of himself, his anchor. His mother can't forgive her husband, who threw the ball, determined to make him suffer for the tragedy. The small family unravels after Marsden's death, the parents drifting away from each other in their grief. In Cape Town, "an un-African Africa, death catches the unsuspecting off guard, dealing the cruelest blow." Dee soon realizes that every time his father looks at him, he sees the boy he killed, a constant reminder of his identical twin.

When Dee's mother leaves the Cape for the more rural Klipdrop, south of the Free Orange State border, the white boy finds himself in unfamiliar territory, a Karoo boy. The Freedom Movement has already begun and is growing in momentum, crowds chanting, the authorities responding with violence, bulldozing the Crossroads shanty town. Apartheid has not yet been defeated. Curious about the township, the black shanty town not far removed from the white enclave, the bright-haired Dee wishes to make friends with the Xhosa boys. Dee's new friend, Marika, defies her father to visit the township with the boy. This precipitates a series of unfortunate events, all of which could have been avoided had the adolescents realized the inherent danger they brought along on their excursion.

Caught between his affection for an old garage man, a black appropriately named Moses, and his friendship with Marika, a white girl his age, Dee's wants are few, mainly to live without conflict in his new environment. Moses is a precious commodity, his willingness to make friends with the white boy putting him in constant danger of reprisal, while Marika is careless, impulsive. But Dee hasn't reckoned with the harsh lessons of apartheid. His young world already broken apart by the loss of his twin, Dee's coming-of-age is painful, a rude awakening for a boy of generous heart in an uneasy land. The author sensitively handles his protagonist, exposing the boy's vulnerabilities as he is transplanted from the relative security of Cape Town to the chaos of his new home, where a carefully constructed world is transformed almost overnight and a fourteen-year old boy passes the boundaries from child to man. Luan Gaines /2005.

James J. Heaphy has provided the perfect picaresque historical account of daring and brio and spying in a Morocco which is struggling for its independence from the French. Heaphy is the perfect tour guide for the labyrinthine route; he provides an operational narrative of entwined complexities with delightful intricate details of privity that can only be supplied by someone uniquely qualified because he was an active participant in the intrigue of the time.
But history is infinite, and for me the most important function of this historical memoir is that it enables one to appreciate all the more the subsequent metamorphosis to the modern moderate Morocco, guided by the brilliance and inspired leadership of Mohammed VI, the present king of Morocco. With Morocco poised to lead in assuaging the many factions of the Middle East, Legerdemain contrasts for us in bold relief what we hope that rational leadership can accomplish.

This book was great! It made me laugh, cry, and left me wondering what was going to happen next. I highly recommend it, even if you aren't in to history (which I'm usually not), its written like a spy novel which pulls you in and makes you wonder how it all is going to end.

What a remarkable read! Heaphey's story made me sit up and wonder as to what really goes on in this world. His writing style made the book move like a novel. I hope he has more books on the way.

Legerdemain is a crackling good yarn. It's also an unexpected five-star mixture of history and travelogue stirred into a Cold War memoir. Oh, to have such memories.
As a Middle East specialist, I read books, magazines and web sites from necessity. I don't often enjoy much of the stuff I have to read to keep up. Legerdemain is a happy exception. I've added it to my bibliography because I found a gem of prediction among Jim Heaphey's well-crafted recollections. But you don't need utility as a motive to pick up this book, although you may learn a few things of interest, if you do. This is a five-star tome for me because I found a forewarning of our confusion over the current conflict with Islamists that is pertinent to my work. It could earn your five-star rating for any number of other reasons: clear writing, believable people, exotic locales and a special viewpoint into the early days of our conflict with the Soviets are all worthwhile reasons to follow this narrative for the fun of it. You are as likely to find a bonus in it as I did.

A tremendous read. This book moves along at a blistering pace. And it all actually happened. James Heaphey tells his story with great enthusiasm and really illuminates the inner workings of Government Agencies. I hope he has more stories to tell.

These letters are the life and thoughts of an honest-to-God human female--a real woman, not a trumped-up tricked-out product of society. She is inspiring, honest, real, and as wild and natural as Africa itself was during her time. Every woman who has truly lived, even a little, will see herself in these pages. I reread it every few years as a pep-talk for courageous living, humility, and honesty. I will forever feel sad that she had to leave Africa.

I actually had several of Isak Dinesen's works - "Out of Africa," her seven tales, and her book of letters. I hadn't seen the movie and I honestly wasn't even that interested in Africa or Danish people. But I'm fascinated by women's letters, and that is why I bought this book. I have read these letters and nothing else by her, to be quite honest, and these letters have inspired me to read more of her writings (once I stop finding other women's letters in book form to read).

I share all of the other reviewers' observations and feelings toward this book, so I won't repeat them. One thing I will add is that it is truly fascinating to read passages of her letters that have to deal with hunting game ... I don't know much about Africa or its colonizations, but if I recall, the colonizing didn't start until late in the 19th century - when "game" was more than plentiful. Even with this in mind, I couldn't help but be appalled when she recited the numbers of animals that were killed simply for sport. This bias aside, these letters made it easy to see how animals became endangered and extinct.

Obviously, there is more to the letters than hunting - otherwise I never would have read the entire book. Karen Blixen was obviously a very determined, passionate woman and this came through in her letters. Her voice and her descriptions of her life in Africa made these letters worth reading to someone who previously had no interest in the colonization of Africa.

"... huge distant blue mountains and the vast grassy plains before them covered with zebra and gazelle, and at night I can hear lions roaring like the thunder of guns in the darkness". Passages such as this one make it worthwhile to read this book. Karen Blixen is a master at poetically describing her foreign surroundings. If you enjoy the movie and the book Out of Africa then you will enjoy reading this book. Although at times the letters are repetitious and the author tends to ramble on, it is still an interesting book as it allows the reader to look through a window into Colonial East Africa from 1914 to 1931. The reader is able to go into Karen Blixen's mind and follow her daily struggles, joys and sorrows during her long stay in Africa and through her many safaris. This book unlike Out of Africa is not written through rose colored lenses. As you read this book, you feel a much harsher Africa. Also in this book she writes about her lover Dennis Finch-Hatton and doesn't hide the fact that she's crazy about him from her family. I highly recommend this book to any fan of Karen Blixen/Isak Dinesen.

There's no better way of getting to know the real Karen Blixen/Isak Dinesen than by reading her Letters. Blixen shares her life with you a letter at a time, and in such rich detail that one feels a bit inclined to purchase a ticket to Kenya and appear on her veranda for tea!

Blixen's deep love for "her people" finally comes out in its truest sense in that she considered the African natives her soul mates.

The letters to Ingeborg, Aunt Bess, and brother Tommy, reveal (to me at least) that Blixen felt a greater kinship and sense of mutual acceptance with her "black skinned brother" than she did with her Danish relatives.

"Letters From Africa" is essential reading for any Dinesen fan.

Isak Dineson, or Karen Blixen, was a fascinating woman. Most people know her as the main character from the movie Out of Africa or as the auther of the book of the same name. While the movie and the book are both good, I feel that this collection of her letters gives the best picture of who she was and what was important to her. The struggles of trying to make a go of her farm are heartwrenching, but the joy she expresses in her surroundings is enchanting. She describes the people in her life, especially the Kenyans who worked on her farm, so well that you feel you know them almost as well as you know her. Her description of the Europeans who lived in Kenya for economic or political reasons has enough of compliment and criticism to seem much more fair than many books from the colonial era. By the end of the book, it is easy to think of Karen as a friend.

I brought this book because of the title and the cost, plus it's Malcolm, but when I began to read it, it was more than what I expected to be. Best 80 cents I ever spent

Malcolm X Talks to Young People is an immensely relevant and instructive book for the young and the young at heart. His words, spoken to university students in Africa, the United Kingdom, and the United States in 1964-65, ring as true today as they did then.

"I just try to face the fact as it actually is and come to this meeting as one of the victims of America, one of the victims of Americanism, one of the victims of democracy, one of the victims of a very hypocritical system that is going all over this earth today representing itself as being qualified to tell other people how to run their country when they can't get the dirty things that are going on in their own country straightened out," he told students at the University of Ghana, May 13, 1964.

A new expanded edition of this book has been available since November 2002!
This new edition includes 43 more pages than the previous edition, with the complete text of Malcolm's Speech at Oxford and a more complete text of his speech at the London School of Economics. The expanded introduction together with Jack Barnes' "He spoke the truth to our generation of revolutionists," a memorial speech for Malcolm given in March 5, 1965, provides an excellent short introduction to Malcolm's life and ideas.

There is a six-page index, eight pages of notes, as well as an expanded photo display of 17 pages including Malcolm X with students and young people from Tanzania to Alabama, including a picture of Fidel Castro and Malcolm X smiling together in Harlem in 1960 when they were both still young!

This edition of Malcolm X Speaks to Young People is being produced together with a first-ever Spanish-language edition, entitled Malcolm X habla a la juventud, which is being released simultaneously by Pathfinder Press and by Casa Editora Abril, the publishing house of the Union of Young Communists in Cuba.


While this book may not be directly available from Amazon at times, they are available from the booksfrompathfinder on Amazon that you can find by clicking on the new and used books on this page.

Originally issued as the first Gulf War began,in these pages Malcolm explains how in the Congo the US govt bombed women,men,children, and babies and called THEM terrorists,as he points out,the same as in Vietnam.He shows how it was the U.S. and U.S.-flunky ( "anti-Castro Cubans pilots" ) who were the terrorists in the Congo in the early to mid 1960s. At a time when the word "hero" is twisted so obscenely, it is a breath of fresh clean air to read Malcom's descriptions of the herois Simba fighters of the Congo who tried, and failed to liberate their country from U.S. neocolonial domination after kicking out the Belgian colonizers, and to hear him describe the equally heroic fighters who defeated the Empire in China and Cuba and Vietnam in the same terms.He exposes the use of UN cover for the Yanqui Empire's wars and drive for profits.He explains that these crimes are the doings of a system, the imperialist system ,as he calls it himself.He points out they use the cops to do the same at home :brutalize working people. Malcolm further points out that both the Republican AND the Democratic parties are the twin parties of racism and imperial exploitation. Oh yes, both parties ! He explains how he came to the conclusion that " capitalism is like a vulture...it used to be able to suck anybody's blood...but now it can only suck the blood of the helpless. It's only a matter of time , in my opinion, before it will collapse completely " and how he became prosocialist. He points to the Chinese, Vietnamese, and Cuban revolutions as examples for Blacks - today he would add and we can add, all working people -- to emulate in this country, in our time.And, he makes his stand to fight alongside anyone, any color, who fights to better condtiions for humans on this earth. As the 2nd Gulf War begins, again under UN cover and "inspections" just as the liberals pleaded, as more working people's blood, Iraq and American, for the sake of the oil profits of a tiny few, it is good to be reminded that as, Malcolm says in these pages, " The young generation of whites, Blacks, browns-you're living at a time of revolution." He was right then and he is still right.If you seek serious fundamental social change, you owe it to yourself to buy and STUDY this book.

I think the best way to describe this wonderful book is a few excerpts (from the 2002 expanded edition).

"The young generation of whites, Blacks, browns, whatever else there is -- you're living at ... a time of revolution, a time when there's got to be a change.... And I for one will join in with anyone, I don't care what color you are, as long as you want to change this miserable condition that exists on this earth."

"It is the teenagers ... all over the world, who are actually involving themselves in the struggle to eliminate oppression and exploitation.... The young people are the ones who most quickly identify with the struggle and the necessity to eliminate the evil conditions that exist."

"In America the Black community in which we live is not owned by us. The landlord is white. The merchant is white. . . . And these are the people who suck the economic blood of our community."

"We are not for violence in any shape or form, but believe that the people who have violence committed against them should be able to defend themselves.... I have never said that the Negroes should initiate acts of aggression against whites, but where the government fails to protect the Negro he is entitled to do it himself."

[In Africa] "I'm from America but I'm not an American. I didn't go there of my own free choice.... [I am] one of the victims of Americanism, ... one of the victims of a very hypocritical system that is going all over this earth today representing itself as being qualified to tell other people how to run their country when they can't get the dirty things that are going on in their own country straightened out."

[In Africa] "When we find a Black man who's always receiving the praise of the Americans, we become suspicious of him.... Because it has been our experience that the Americans don't praise any Black man who is really working for the benefit of the Black man."

"It is impossible for capitalism to survive, primarily because the system of capitalism needs some blood to suck. Capitalism used to be like an eagle, but now it's more like a vulture. It used to be strong enough to go and suck anybody's blood whether they were strong or not. But now it has become more cowardly, like the vulture, and it can only suck the blood of the helpless."

I recommend the ads in the back of the book. Pathfinder Press is defined by a political goal, not commercial success. It aims to provide a platform for revolutionary leaders speaking in their own words. If you like one book, you will probably like others.

This is a book that should be on Oprah's list! Simply and beautifully written from the heart and deserves as much publicity as possible. Would make an incredible movie too!

This is a remarkable effort from unknown authors who not only put their heart and soul in writing this heart-rending story about my country, but were brave enough to have it published at a time when their lives could have been at risk. Mengistu Haile Mariam's brutal military revolution destroyed the lives of innocent people causing great suffering and humiliation. This is an excellent, well written tear-jerker that touched the core of my heart. A great read that keeps you glued until the very end.

I read this book some time back and am delighted to see it on the amazon web. A truly emotinally gripping adventure story of two different cultures blending into shared human experiences which often move to tears. I was hooked from the first page by its blend of interesting historical information always presented through the eyes of individuals from different cultures experiencing history in the making. A real page turner.

I actually bought this book while I was visiting the region. I found it good reading with a lot of information about the "Red Terror" period of which we heard relatively little in Europe. It is obvious the author is not a professional writer, but her involvement make up for the lack of stylistic sophistication.

I write this review on behalf of many who lived a good part of their lives in the heart of Africa and who share my views. Ethiopia has left a print in our hearts and now after almost 25 years, Lukas and Mellina Fanouris have managed, with their book 'Meskel', to bring to life some of the happy times and, albeit, some of the sad and painful days that spoilt a once beautiful country. Through some painful but very accurate descriptions, this couple have managed to record an era that will go down in history. For those of us that were fortunate enough to have 'escaped' in time, this is a true testimony of what happened when the leadership of a country fell into ruthless hands.

"The Music of Black Americans: A History shares some of the most important, yet fascinating events of black America".

Book was in mint condition! I was completely satisfied.
Kimberly :-)

I am using this book for my masters thesis and I must say that I am very pleased. Ms. Southern did an excellent job researching the subject and the book is put together well. There is so much information involved!!! She starts from the VERY beginning and smoothly takes you through the ride of African-American music. Each section is very thorough. This text is perfect for anyone who is researching the subject or just wants to gain knowledge on this rich music. A+++

Cosa consigliare ad un appassionato di musica afro-americana che, conoscendo un po' di inglese, decidesse di leggere qualcosa per cui valga veramente la pena di fare un po' di fatica?
Personalmente non avrei molti dubbi: credo che l'opera più completa che esiste sul mercato e che associa alla competenza una buona leggibilità anche per chi non è di madre lingua sia proprio questo.
Eileen Southern è Professor Emerita di Musica e Studi Afro-americani alla Harvard University di Boston, fondatrice ed editrice della rivista The Black Perspective in Music, che è stata pubblicata dal 1973 al 1990, e autrice, coautrice ed editrice di numerosi volumi sulla musica e la cultura afroamericana.
Il libro in questione, di 678 pagine, ripercorre tutta la storia della musica afroamericana dalle origini (1619) fino all'ultimo decennio del XX secolo. L'opera è suddivisa in 14 capitoli ed è completata con un'accurata bibliografia e discografia e un indice dei nomi e dei temi.
Il linguaggio è piano e comprensibile anche a chi non abbia una quotidiana familiarità con l'americano scritto.
Il libro della Southern affronta tutti i diversi generi musicali dei neri americani, dal canto in congregazione alla musica urbana del primo ottocento, dai worksongs ai traveling road shows, dal blues al ragtime, ecc..
Il taglio critico trasversale, che analizza l'emergere della musica nera all'interno della più ampia realtà sociologica e culturale dell'America Settentrionale, consente di cogliere con chiarezza le fasi dell'evolversi della cultura afroamericana, non solo musicale. Si tratta di un'opera più descrittiva che interpretativa, in tal senso più adatta a chi, volendo avviare la propria conoscenza del fenomeno musicale afroamericano, non è interessato all'analisi del significato profondo della musica e dei testi e a conoscere i diversi modelli interpretativi proposti dagli studiosi.
Fondamentale!

Have you ever heard about The National Negro Opera Company? Founded by Mary Cardwell Dawson, the company made its debut in Pittsburgh in 1941. This is but one of the fascinating things you can discover in this marvelous book. If you have an interest in music of whatever variety, your library is incomplete without this book.

This 3rd edition was done in 1997, thus it is quite up-to-date in its coverage of classical, jazz, rock, pop, gospel, swing, ragtime or blues. If it is music as practiced, performed or composed by people of color, this is where you'll find valuable information about it. Beginning with Africa and continuing to the present day, the four sections detail this rich history: Song in a Strange Land (1619-1775); Let My People Go (1776-1865); Blow Ye the Trumpet (1865-1919) and Lift Every Voice (1920-1996). The latter section is particularly informative reading with sections on Jazz, The Harlem Renaissance, and the Mid-Century Decades. It is these years in which artists of color finally took their well-deserved place on the musical stages of the world. Of course, they had been visible in their own world, and the popularity of such major composers as Scott Joplin and Duke Ellington allowed them to more or less effortlessly cross-over to the 'white' world. Lena Horne, the Mills Brothers, Louis Armstrong, Cab Calloway were--and still are--names to be reckoned with in any list of fabulous performers.

And then there was Marion Anderson who finally made her way to the Metropolitan Opera at the very end of her career, making way for Robert McFerrin, Leontyne Price, Jessye Norman, Simon Estes and George Shirley, who were very much pioneers in their respective repertoire. Today, thankfully, artists of color are not at all rare on the concert and/or opera stages of the world. But lest we forget the individual trauma these artists suffered in order to be able to compete in this way, we need to remember the past while we are glorying in the present. This book will, if you let it, open your mind and your ears to wonderful, glorious sounds, without which our world would be a much quieter and poorer place.

The author of this book is the renowned Eileen Southern (Professor Emerita of Music and Afro-American Studies at Harvard University) who is herself a musician as well as a writer, and is eminently qualified to illuminate The Music of Black Americans to the world in general.

Pages 613 through 646 comprise a rich bibliography and discography; the index takes up 41 pages. NO music lover should be without this invaluable reference work.

THIS BOOK IS POWERFUL, ITS SHOCKING, AND IT IS ASPIRING. THERE IS NOTHING ON CHANNEL 11 THAT BRINGS THE HONEST, INSIGHTFUL, VERY REAL ACCOUNT THAT MR.DOUGLASS DOES IN HIS BOOK. FROM SLAVE TO FREE-MAN, THIS IS TRUELY AN AMERICAN SUCCESS. SKIP THE INTRO, AND JUMP INTO IT.

Douglass's second, and lengthier, narrative fills in many of the gaps left in his first autobiography: we learn about his mother, his siblings, and more details about his psychological transformation from brute to man. It's quite insightful, as Douglass is careful to relate each of his personal experiences to the innate evil of the peculiar instituition, for both the slave and the slave holder.

What are your impressions of Frederick Douglass? What would you say about Douglass observation that "conscience cannot stand much violence? Do you think it was possible to be a good slave owner?Why or why not? Why does Douglass view slaveholders as well as slaves as victims of slavery? Why is education incompatible with slavery? Why do you think the white children's attitude toward slavery is different from that of their parents? How would you describe Douglass attitude towards Mrs. Auld?

Having read a biography of Douglass many years ago, I thought I knew his story. Hearing through his pen was an entirely different matter. What a master of the language and insighful set of observations on human nature.

I am a man of many words, but words fail me in my endorsement of this book. The letter to his former master in the appendix is worth the price of the book by itself.

Standing in line at the Lincoln Memorial, a book beckoned to me that I previously hadn't seen before. The face of Frederick Douglas grabbed my attention; a man that I've respected for many years, encountering him mainly through my study of Abraham Lincoln. On the spur of the moment, I snatched up a copy of "My Bondage and My Freedom", and within a few days, my admiration in Frederick Douglass was transformed from interest to awe.

Frederick Douglass orginially penned his book as a response to people's accusations that someone as articulate and composed as he couldn't possibly be a former slave. With that goal in mind, Douglass wrote his memoirs, in a straight forward, powerful way. In the book, he painfully and honestly documents the path his early life took; the memories of being owned, how slaves coped during these times, and how he managed to pull himself out of it all.

While Douglass' life in itself is amazing, (as he describes the amazing process he undertook to learn how to read), what amazed me even more are Douglass' discourses that he sprinkles through the book, discussing relevant issues during the time. In one instance, he addresses the concern about why slaves simply didn't run away from their oppressive situations. It's almost as if you can actually hear the people talking to Douglass and he responding to them.

This book does not only tell the tale of a truly amazing American, but gives us a unique insight to the times. This book should be required reading in every high school in this country.

Book lived up to all expectations and is a valuable research resource. Postage was prompt and effective except at this end (Australia) the postal service provided delivery to destination by contract courier who left the article in an exposed situation and it was badly affected by heavy rain. Claims have been made on Australia Post - the book is barely usable and will not last because of the damage - none of which is attributable to Amazon.
Thank You
Barry HARRISON

General Paul von Lettow-Vorbeck was the commander of the Imperial German armed forces in East Africa during WWI. At the outbreak of hostilities he realized that he could not possible hope to defeat the combined military might of Britain, France, and Belgium in Africa so he chose to use his small force to threaten British interests in Africa and tie down a much larger number troops that might have been used more profitably at the decisive Western front. Almost completely isolated from Germany (he only received additional supplies a few times, and never after 1916), he nevertheless tied down more than 100,000 British (and allied) troops and led them around East Africa, inflicting several crushing defeats, and never being defeated himself. He initially defended the borders and threatened English colonies, later as the English manpower grew he evaded a pitched battle and fought a guerilla war surrendering several days after the armistice on the Western front.

This book is Gen. Lettow-Vorbeck's memoirs of the events of the Great War in Africa. This book contains a wealth of information about the military details of the campaign, but there is so much more. There are several points (beyond the strictly military) that may be of interest to potential readers. First, Gen. Lettow-Vorbeck is constantly concerned about the supply situation. Particularly later in the war, the German army is often on the move and cannot easily maintain and defend fixed supply depots, so one of the primary concerns about maneuver has to be the availability of food in the new district. It is said that amateur generals talk about tactics, real generals talk about logistics, a point brought home in this book. Reading through this book, I constantly thought about the campaigns of the Napoleonic wars in which the armies lived off the land. I don't know of any other military campaign in which growing crops and big game hunting played a critical role! Second, the General presents a can-do, duty first attitude throughout this book that is as relevent today as it was in 1914. The German soldiers were far from home in a backwater, but General Lettow-Vorbeck was determined that they would do their utmost for their cause and maintain a positive attitude at the same time. The General's sense of duty and positive spirit are written on every page. Third, this book presents an interesting slice of life into colonial Africa of the early 20th century and what life was like under German colonial rule. Americans often view the British as the most enlightened of the colonial rulers, but in fact the locals were probably much better off under the Germans (or French). There are some interesting insights into the relationships between the colonial government, the German immigrants, and the natives.

The reasons that I give this book only four stars are three-fold. First, the writing is extremely dry, and the maps are entirely inadequate and some are nearly illegible. I've read a great many dry military histories in my time (see my other reviews), but this one took some discipline and effort on my part to get through. There is an enormous amount of detail about Lt. Such-and-such being sent here, and Capt. So-and-so being sent there without any discussion of the higher level picture. Many of the places can't be found on the maps in the book, and many of the names of the towns have changed so that it is difficult to follow with a modern atlas. Second, the price is rather steep at $32 for a paperback. This is not a book that one will return to again and again and unless you are a hard-core aficiando of the Great War, this book is probably not worth spending that kind of money on (borrow it from the library). Third, you really need to already know a fair amount about the Great War in Africa to put this work into context. Do not read this as an intro. I knew very little about the events of the war in Africa before approaching this book, and I've now bought Farwell's work to fill in the gaps, but I feel that I would have been much better off having read Farwell (or a similar text) first. You should read this book to learn about Gen. Lettow-Vorbeck's view of his role in the campaign, not to learn about the campaign itself.

The bottom line is that this is an absolute must read for any serious student of the Great War in Africa, you cannot possibly claim to be well read about this era without having read von Lettow-Vorbeck's memoirs. However, I would not strongly recommend this book for the more casual reader, as I've described in detail above. The short five-star reviews given to this book do not, in my view, adequately describe this work.

Paul von Lettow-Vorbeck was the German general who handicapped allied forces during the First World War in East Africa. His exploits are legendary. With only several thousand men he defeated, and then harrassed, several hundered thousand British troops.

Lettow-Vorbeck recounts his experiences in this landmark book on guerilla warfare with proud satisfaction. Although his writing style is technical and antiquated, the historical significance of his account is monumental. Never suffering a major defeat, Lettow-Vorbeck only surrendered his highly skilled German and native troops after the war in Europe ended.

Lettow-Vorbeck gentlemanly remarked in his concluding paragraphs that "everyone seemed to think that we had preserved some part of Germany's soldierly traditions." Indeed he did.

I recommend that those interested in this book first try Byron Farwell's "The Great War in Africa".

A memoir of a forgotten war by a great man, should be read anyone who in uniform, who was in the service or as any interest in the military what so ever.

Paul von Lettow-Vorbeck was the German general who handicapped allied forces during the First World War in East Africa. His exploits are legendary. With only several thousand men he defeated, and then harrassed, several hundered thousand British troops.

Lettow-Vorbeck recounts his experiences in this landmark book on guerilla warfare with proud satisfaction. Although his writing style is technical and antiquated, the historical significance of his account is monumental. Never suffering a major defeat, Lettow-Vorbeck only surrendered his highly skilled German and native troops after the war in Europe ended.

Lettow-Vorbeck gentlemanly remarked in his concluding paragraphs that "everyone seemed to think that we had preserved some part of Germany's soldierly traditions." Indeed he did.

I recommend that those interested in this book first try Byron Farwell's "The Great War in Africa".