Africa Books

Having experienced the power and wisdom of traditional African healers, I was glad to see that Yaya took great efforts to convey the potency derived from following ancient traditions. His life story, like many other traditionalists living in the west, is one that is inspiring given all the efforts he and his tribal elders make to keep their old ways alive in the face of pressures to modernize.

As a student of cross-cultural and shamanic traditions I found this book provides clarity into the use of music and sound for enhancing and stimulating healing, as well as the need to gain sufficient mastery before using this healing modality.

"The Healing Drum: African Wisdom teachings" by YaYa Diallo and Mitchell Hall offers an introspective view into the Minianka culture of Mali. As an African-American student, this book helped me to understand a lot about myself. For example, YaYa explains that in his culture, musicians have a responsibility for the affect that the music has on it's listeners. "In my culture, art is allied with morality." (94)We in the West have debated the issue of the artist's responsibility for some time now. As an aspiring actress and writer, my belief has always been that we have are responsible for the messages we send through our art. YaYa explains that music can not only heal, but also can hurt. This is evident in the complacent attitude of many of today's rap artists and it's consumers. YaYa also expounds on some of the differences between the value of time and structure in Minanka culture vs. the same concept in the West. Understanding this element of an African culture allowed me to realize that I am not as crazy as many of my peers and professsors would have me to believe. YaYa's description of the late-night festivals helped me to understand why I can stay up all night and sleep all day sometimes.
I was offended by one review which stated that YaYa's book describes Minankas as drug addicts. His description of the Minianka's use of herbs and medicines to heal is no different or worse than the Western philosophy of popping pills to make troubles disappear, i.e, prozac, ridalin, sleeping pills, etc. YaYa also emphasizes the importance of music in the healing process, and his descriptions of instances in which music was used to heal in his culture are both moving and sincere.
In light of American's recent "liberation" of Iraq, it was also interesting to read YaYa's description of the French colonization of Mali. "The French glorified their colonization of large parts of Africa as a 'mission civilsatirce', a civilizing mission...The textbooks spoke of Africa rarely enough and then only referred pejoratively to the 'natives', not the human beings who belonged to our continent." (120)
It has been long understood in the elevated members of my own culture, that Africa and America are inextricably connected. I believe a closer look at the statement above could easily be related to the reluctance of many Black youth in America to take an interest in formal education. The teachings in this book are, in many cases, universal and, in most cases, interesting and inspirational. YaYa Diallo tells his story with simplicistic eloquence,humor, and wisdom. The book offers much in the way of history and parables, without beating you over the head. Mitchell Hall has done an excellent job of translation.
I was required to read this book for an African Dance class I was taking at the University of Louisville. For any person who is interested in learning more about music, Minianka culture, or the world, I would highly recommend YaYa Diallo and Mitchell Hall's "The Healing Drumm", and for anyone in Louisville, I encourage you to take Harlina Churn Diallo's African Dance class. Bring out the Drums!

Over the years of owning this book I have returned to "The Healing Drum: African Wisdom Teachings" again and again. As a person of African descent I find it incredibly enriching to read the stories of Yaya Diallo as retold by Mitch Hall regarding his upbringing in the musical culture of the Miniaka (Bamana) people. We are all lucky that Diallo's words are preserved by Hall in "The Healing Drum" because a great deal of healing wisdom of Africa is oral, passed through families, thus it remains secretative. I welcome this open-hearted effort and openminded collaborative work seeking to contribute to international healing through authentic sound, as such I highly recommend this book to anyone seeking knowledge of alternate ways of healing inspired by West African spirituality.

I wanted to read this book because I have recently started learning African drumming and I wished to find out more about West African culture and how traditional music is used to heal. This was the perfect book for both aspects.

The author helps us to appreciate the culture of his village through his own experiences. We read about his struggles to follow the customs and teachings of his village as he is educated in French culture and taught to embrace the Western way of life.

We also gain an insight into the secret societies and social aspects of life in his village. Suspend disbelief at some of the awesome sights that he relates, I only wish that I could see them for myself! The sociological, psychological and religious knowledge that he reveals about his community is fascinating.

Yaya shows us that a musician in this culture does not just "play" music, music is a vital aspect of life which sustains the society and heals lost souls. The musician is a healer and a protector of the people. Each piece of music has implications, positive or negative, and the musician has a responsibility to the community to play well and appropriately.

This book has helped me to gain an insight into African culture and music; from now on my djembe playing will have more significance for me and I feel inspired by the healing potential that I now hold in my hands.

This book is about music, healing, indigenous view of life and above all, it is about harmony, which is achieved when life is lived with respect and with generosity.

Diallo is a member of the mainly agricultural Minianka/Senufo tribe living in what today is Mali. The Minianka have been able to resist the depredations which occur when Islam or X-ianity enters African societies; they are animist, that is, they still observe and follow ancient laws that emphsize the interdependence between humans, nature and the transcendent realms. Music to the Minianka music is much more than entertainment. It is used for work, celebration, ritual, inititations, funerals and healing; each activity (as well as each profession and each person) has its own special rhythms and harmonies. The MInianka understand music as a bridge between the visible and invisible. As such, it is used to establish harmonious relationships between an individual, his community, his ancestors and the Creator. Every night there is dancing at the village square - and EVERYBODY dances. Minianka musicians learn to transpose the essence of their fellow men's characters into music, so that when a villager gets to dance, he is greated by rhythms which match his/her character and emotional configuration. By observing closely, the musicians can adapt the music to the needs of the listener and thereby lead them to health. In Minianka villages, says Diallo, "musicians are healers, the healers musicians.... Music...amplifies to our sense the unheard tones and unseen waves that weave together the matter of existence. The beat, the rhythm, the timing, the orchestration, the flow, the balance between action and rest must all be within well-defined limits...and the music becomes a healing art that helps restore emotionally and psychologically disturbed people to harmonious human functioning. "

THe book is well written and brings us a close -up of Fienso, the village of Diallo's childhood. I found the descriptions of initiation ceremonies, daily work, secret societies very interesting. It made me see the Minianka society as an extremely sophisticated - where there is place for everyone and where everybody is interconnected in a web of mutual obligations between people, spirits and God. Unfortunately, the interdependence on mutual obligations makes the African society also fragile; when reciprocity inherent in such webs is interrupted, as during incursions of oil and diamond money, radical X-ianity or Islam, the African society collapses and we get what we see today in Sierra Leone, Nigeria, Liberia or Sudan - lack of harmony and lack of peace.

Still, we would be fools to pass the opportunity to learn what Africans have to teach us. Music is one of the keys that can open the door of the gilded cage in which the giant of industrial nihilism has imprisoned us and Yaya Diallo shows us in this wonderful book, that it is possible to open one's body, spirit and destiny to the amazing world of harmony and beauty where true healing occurs.

A great book, one of the best on African hunting I have ever read. Hunter is right up there with Pondoro Taylor as knowledgeable yet entertaining as well.

This book is a timeless classic and definitely, definitely worth reading. If you are a big game hunter (or an aspiring big game hunter), this book is an essential addition to your library. This is quite possibly the best hunting book ever written. Better than Hemingway's accounts, in my opinion.

My father picked up an old copy of Hunter in a used book store when I was just about to enter my teens, and it's one of the few books I've read more than once. Indeed, I must have read it three or four times. I can count on one hand (Ok, two hands and a foot!) the fiction books I've read more than once: The_Hobbit and Lord_of_the_Rings, The_Narnia_Chronicles, Huck_Finn, Tom_Sawyer, 1984, Animal_Farm, and Hunter. It truly is a gem of a tale about an adventurous life lived on the last edge of civilization.

I first read "Hunter" when I was in college more than 40 years ago, and I can still remember J.A. Hunter's sadness and lament when he described his feelings upon the loss of his dog. In that instance he said "that you grow too fond of a dog. I sometimes wonder whether the pleasure in owning a dog is worth the misery caused by his death." An excellent book that I would recommend to all readers, but especially teenagers and young adults.

As others have written, "Hunter" by J.A. Hunter is one of the very best of the classic hunting books to come out of Africa.
J. A. Hunter's writing takes the reader through some of the most interesting tales set in the most interesting time of this most interesting land. Like others, I've read this book so many times I could probably recite large parts of several chapters by rote. It's that good, that spellbinding, and that entertaining. To see it become readily available again is grand news and I hope it is available and read by several generations to come.
One of it's most endearing traits is it omits the typical heavy and self-aggrandizing tone of many of the 19th Century writers of African hunting literature. It also bypasses any political stance and simply speaks to the reader seeking the romance and excitment of unadulterated adventure.

Professor Godfrey Mwakikagile is unquestionably one of Africa's leading academic and public intellectuals addressing our continent's problems today with intellectual verve. One has only to read his book, "The Modern African State: Quest for Transformation," among others, to appreciate this.

A Tanzanian by birth, but a Pan-Africanist in outlook, he draws inspiration from two African titans, the late former Presidents Julius Nyerere of Tanzania and Kwame Nkrumah of Ghana, my native land, who saw Africa as one, even if a fragmented whole. Dr. Mwakikagile also takes a continental approach, providing a sharp analysis of the modern African state which, he contends, is deeply flawed. Few would disagree with him. Just come to Africa and see for yourself. Those of us who live here know this to be true, painfully true.

I just wish that his works were more accessible to members of the general public. As hardcover and library editions, the cost is prohibitive; and as college textbooks, accessible to only a few.

His work is outstanding, nonetheless. Africa has many intellectuals of his stature and calibre, but few as committed and analytical, and as compassionate for the masses as he and a few - very few - of his colleagues are. One is also reminded of firebrands such as Wole Soyinka and Ngugi wa Thiong'o and my fellow countryman George Ayittey, an economics professor and author of "Africa Betrayed," and "Africa in Chaos." Africa is indeed in chaos. It is, in fact, chaos!

We wish we had more of such committed intellectuals. And it would be even better if our leaders paid attention to what they say. Unfortunately, they don't. Instead, they destroy them. While other countries highly value their intellectuals and the contributions they make, African countries - the leaders in particular - destroy ours. And you wonder why Africa has lost so many of them to other countries where they have the freedom to think and say what they want to say? And you wonder why so many of those still in Africa end up in the grave or rotting in prison?

Our leaders can stop this brain drain, the carnage, and the persecution of these committed intellectuals and others - just plain ordinary folks - who demand their natural right to be treated as human beings in their own countries. But such fundamental change is impossible without transparency and accountability. And it is impossible without democracy, true democracy, not the counterfeit kind so prevalent across Africa. And the author make this clear, abundantly clear, in his masterpiece, "The Modern African State: Quest for Transformation."

African leaders, nothing but dictators, may hate to hear what Dr. Mwakikagile says in this book and others. But they would at least be of some service to Africa if they heeded Voltaire's advice: "I may disagree with what you say, but I will defend to death your right to say it."

Unfortunately, they are not that enlightened, because of the darkness in their mind.

An excellent book, well-written, packed with vital information, highly analytical, and professorial. But not pro-African, I'm sorry to say, in spite of all its merits.

Why highly intelligent and educated people like Godfrey Mwakikagile and others of his ilk write books so critical of Africa, is beyond me. What they say is true. Rwanda made history - it was our Nazi Germany. So did Somalia, Sierra Leone, Liberia, Angola, Congo, Ethiopia and Eritrea, Sudan and many others, leaving indelible scars on our continent. We couldn't even hide that from the rest of the world, and still can't, I'm ashamed to admit. They all made history. And many continue to do so.

But why help our detractors and enemies make Africa look so bad? You can say - we already look bad! And we do. It's all on television, on the radio, and in newspapers worldwide, in all kinds of languages. But that does not mean we Africans should also harp on it, like these African writers and our enemies do.

Remember the old saying: Do not air your dirty laundry in public. Although you may not always want to keep it in the closet. But don't just toss it out there in the yard, either.

Say something good about Africa, even if it's not much. So nothing good comes out of Africa, just because we have all these wars, AIDS and other diseases, hunger, illiteracy, poverty and corruption? Come on!

If Mwakikagile had plenty of good things to say about Africa in the same book, in spite of all its negative aspects, I would have been tempted to give it the highest rating, five stars, for excellence. I'm sorry I can't.

Professor Mahmoud Mamdani, a leading African scholar who teaches at Columbia University, uses Godfrey Mwakikagile's book "The Modern African State: Quest for Transformation," as a textbook for graduate studies. Other professors use the book as an assigned or recommended text for graduate students in African and development studies and international affairs. It is also found in graduate school libraries across the United States like all the other books written by Godfrey Mwakikagile who, himself, is becoming an increasingly influential African scholar.

But that is not the only reason why his book, "The Modern African State...," got my attention. At a recent academic seminar on Africa, one of the participants cited George Ayittey's work, "Africa in Chaos," together with Godfrey Mwakikagile's "The Modern African State...," in his discussion of civil conflicts on the continent. Most of the participants knew or had heard about Ayittey. But that was the first time some of us heard about Mwakikagile, although quite a few had. His work, "The Modern African State...," equally trenchant as Ayittey's, is a great contribution to the growing literature about post-colonial Africa written by the Africans themselves.

It is interesting to see that more and more African intellectuals are taking an "internalist" approach to Africa's problems instead of always blaming external forces for her plight. Dr. Mwakikagile is one of them.

But such an approach must be balanced with an analysis of external involvement, including colonialism. Africa is still reeling from its devastating impact. However, this does not mean that all of Africa's problems should be placed entirely on the shoulders of her former colonial masters, as many Africans who take the "externalist" approach are fond of doing.

Most of the problems Africa faces today - rampant corruption, mismanagement, brutal repression, ethnic conflicts, hunger, illiteracy, endemic poverty and disease - are either caused or exarcebated by the Africans themselves; not by the former colonial masters who are now even being asked by some Africans to go back and rule them again. Things are that bad. And it is African writers like Mwakikagile who should be commended for taking up the challenge to tell the truth about their continent, however bitter.

It would be even more encouraging if their kith and kin here in the United States, African Americans, also faced this reality, instead of romanticizing Africa. Randall Robinson of TransAfrica is the exception, together with a few others; although their attitude is not the same as the attitude of black conservatives who are sometimes extremely hostile toward Africa and usually don't want to have anything to do with - "that place." Foregetting that white Republicans and others don't care about them either. They don't even want them in the Republic party. Alan Keyes knows that. Brilliant, highly articulate, he should have been the standard-bearer of his party, but still was not nominated as the Republican presidential candidate because he is black. And, yes, African!

But bad as their attitude is, one must not entirely ignore what black American conservatives - they hate to be called African Americans - say about Africa. Africa's problems can only be solved by Africans. We can help them, but the initiative must come from them.

It is also in this context that Dr. Godfrey Mwakikagile's highly acclaimed work, "The Modern African State: Quest for Transformation," must be viewed; although, unlike black American conservatives who hate Africa and by extension hate themselves, he writes out of deep concern for the well-being of his continent as much as his compatriot Professor George Ayittey does, as do many others.

This is a work of mature scholarship by one of our finest and most mature African intellectuals writing about Africa today. Having read his other writings as well, there's no question that they meet the criteria of informed scholarship and standards of rigorous analysis one would expect from a writer and scholar of this calibre.

Africa has lost an entire generation since independence because of bad leadership. And the author is blunt about it.

Highly critical of corrupt leaders across the continent, also notorious for brutal repression, he's mature enough to be on guard against blind acceptance of multiparty democracy patterned after Western parliamentary institutions, unlike many other Africans who have embraced wholesale the virtues of multipartyism as it is practised in the West, without taking African realities into account, simply because they have suffered so much under the one-party state, de jure and de facto.

Neither the one-party system, suppressing dissent, nor the multi-party system, promoting sectarianism, is ideal for Africa. The author is critical of both, yet realistic enough to give multiparty politics a chance in this highly unstable continent whose most combustible elements include conflicting ethnic loyalties transcending nationalism. How to defuse this highly volatile situation is one of the most urgent issues Godfrey Mwakikagile addresses in his book, "The Modern African State: Quest for Transformation."

I have only one complaint, although even this does not in any way impair the quality of his work or diminish the validity of his central thesis. AIDS is devastating Africa. Entire communities are being wiped out. The author should have devoted at least an entire chapter or two to this pandemic which has already killed more than 20 million Africans, and is killing millions more every year. May be that is a subject for one of the books he may write in the future. I hope so, on a continent with so little hope.

Mwakikagile's work is a masterpiece of fact and analysis. In the one book he manages to extensively cover the 'rebirth' of Liberia, the 'powerless' state of Sierra Leone, 'ethnic cleansing' in Rwanda, 'stateless' Somalia, slavery in Mauritania and Sudan, and the fall of Mobutu in the Democratic Republic of Congo (former Zaire). Any one of the topics is the subject of a book in itself.

Mwakikagile uses the precedents of the history of other African countries, as well as other countries around the world, to make a case for the fragility of the 'African State' as an institution owing to structural flaws.

In his introduction he states, "In a very tragic way, Sierra Leone is Africa, and Africa is Sierra Leone. So is Somalia, Congo-Brazzaville, the Central African Republic, Kenya and Angola. And so is Rwanda, Burundi, Congo-Kinshasa and Nigeria."

This sets the tone for the rest of the book that is full of comparisons between countries. At times this can be confusing for someone trying to concentrate on a single issue. But then Mwakikagile deliberately does this to bring home the fact that Africa is not, or should not be, considered a collection of numerous unrelated states, but a continent with a common experience much closer than many would care to admit.

Mwakikagile does not pull any punches in condemning those who he considers guilty of causing the current woes of Africa. He also does not hesitate to name the continent's heroes.

The whole book is a great read for scholars and people merely interested in affairs on the continent. Some scholars may quibble with some of the facts as he presented them, but in general the book reads as a piece put together by someone who has taken the trouble to research his facts properly.

Recommended reading for anyone wishing to get up to speed on African affairs.

This was a most excellent book. I found it hard to put it down. If you are interested in reincarnation and the Ancient Egypt of the Pharaohs then this is for you. Very well written!

Knowing Hanny El Zeini and all of his family since years and having them as dear friends, knowing them as broadminded and intellectual, helpful and adorable people far away from any obscurity but with both feet on the ground, I have to admit after also having read his second book about Omm Sety that there must be quite some more than scholarship usually teaches us. Hanny El Zeini does not tell us any cranky stories here!
Though myself not believing in reincarnation, I must say that Omm Sety showed us that there are more ways for revealing the hidden things than just digging deeply enough somewhere in the sands...
All those who are with me still on the side of logic should nevertheless read this book and ask themselves how we could enable our full capacities leading to results the classic scholarship would not have allowed to postulate - but also how we could find ways that the acceptance of those findings is advanced in our world - having in mind that Omm Setys "knowledge" is hardly to bear in our days' scientific world - and nearly everybody would firstly shout out: "Amentia!". But I feel, it was just deepest love and affection that made possible what Omm Sety showed us.

As books go, this one was desert for me. I am a beleiver in reincarnation anyway and a lover of Egyptian history. With this book the two naturally go together. The author is not only credible as far as getting his facts right, he is also sincere and, I might add, a friend to this amazing woman the world now knows as Omm Sety. I read the book in one sitting. It is an adventure, a love story and a good case for life beyond this life. I highly recomend it.

I've just finished reading "Omm Sety's Egypt", and wanted to say what a delightful book it is. I recall seeing a documentary a few years back centered around Omm Sety that left me wondering. Hanny & Catherine did a remarkable job of fleshing out that fascinating character in a warm, compassionate manner that also was quite scholarly. As a long-time student of ancient Egypt, I will never look at things the same way again, which can be called "growth", I think.

A glimpse, however seemingly fantastic, into our ancient world is a golden opportunity to learn things the strictly academic world does not offer. It's been my firm belief for decades that the fields of archaeology and Egyptology in particular have had their heads in the sand, so to speak. New discoveries are being made daily; I just wonder how many of them are getting swept under the rug because they don't dovetail with accepted theories.

I think I accept the experiences of Dorothy Eady because of a pet theory of mine. Greek mythology, I think, tells about the deceased being dipped in the "river of forgetfulness". If reincarnation is real, and I think it is, that might describe a "seal" placed on the consciousness at death, which would serve to separate "lives" from one another, to prevent contamination and preserve the purity of each individual "life". Traumatic injuries or near-death experiences might rupture that seal somehow, perhaps even provide a "link" to another place/time, as in Omm Sety's case. We know so very little about the "soul", but every testament like Dorothy's opens up a new window of exploration, and adds a missing piece to the puzzle of life.

This book will be read and re-read until it's dog-eared, I'm sure.

Through-out my life which has lead to eventually owning an Egyptological academic bookshop I have felt influenced by the lady known as Omm Sety. When I first read about her in a Reader's Digest book "Strange Stories and Amazing Facts" at the age of 12, I was smitten with the idea of past lives. My own interest in Ancient Egypt was already well rounded at that age. This was just another part of the jigsaw for me.

I have gone on to know several people who knew Omm Sety and I have visited her grave in Abydos. The first book I imported for my business in 1988 was Abydos, Holy City of Ancient Egypt. If you can get a copy do so as it was Omm Sety's seminal work.

Having said all of the above I highly recommend this book to readers, I read it over a few days, some of the information in this book you will find in earlier writings such as the Jonothon Cott book mentioned by the other reviewers, but this book rounds out the picture, it also covers Omm Sety's marriage and more information about her son, Sety.

Therefor this book now fills in the gaps in our knowledge of Omm Sety, what an extrodinary women she was, in her own way she influenced Egyptology greatly although many Egyptologist will only talk of that privately, she was also a great humanitarian and did very good works for the village surrounding Abydos temple.

I enjoyed the book very much and I hope that one day Hanny el Zeini will publish Omm Sety's complete diarys and notes to absolutely complete the picture.

Whether you are a academic Egyptologist, a past lifer, a romantic, or just interested in Strange stories I feel you will enjoy this book, and you'll want to buy a couple of copies for it would make a great gift.

Blessings to you Omm Sety your amazing life is an inspiration to all.

Thank you for this book. It was exactly what I was looking for. My husband and I will travel to Senegal and Ghana early 2008 and we will be touring those places associated with the slave trade. I am also researching our family trees and am looking forward to returning to the Motherland.
The part of the book that gives a snapshot of each country on the west coast of Africa, things to take with you and proper behavior in each country was helpful. We would not want to do anything to offend our African brothers and sisters.
Continue doing what you are doing.

Sincerely yours,
Hazhin

This book opened my eyes. I was brainwashed about Africa and did not know it. It was if the book was speaking directly to me. This is a great book easy to read but alot of information

Roots Recovered is not only a practical travel guide, but also a valuable guide for tracing African-American ancestry! The resources and references in this book are extensive and the writers have traveled to these places--making it a treasure trove of information. The traveler can trace one's roots to specific African tribes. The book contains bits of history and is informative, as well as educational and helps Blacks with the misrepresentations about Africa. As a bonus, the reader learns how to travel for free or on a budget. I especially enjoyed these sections: useful phrases, watch you back, women travelers, photography etiquette and places of interest (not your ordinary ones). This book is a must read for anyone planning to travel to Africa.

I really like this book. The resources and references are fantastic and the author proves that he knows what he is talking about. His experiences were exciting, genuwine and informative. In addition there are individual chapters on various West African countries and what you might expect during your visits, plus great information on embassy offices, cheap air seats and safety. A must have for the traveler.

This book is very different. It is a travel book yet it touches upon history and brainwashing of African Americans and how travel to Africa can change the brainwashing. I love Africa so this book did not directly concern me but people who have a bad image of Africa should buy this book. This book is not what I expected but it was a pleasant surprise. This book will make a Black person not be afraid to go to Africa to see it because it informs you of all the misrepresentions.

Compelling, uplifting and utterly absorbing, this book must certainly have been inspired by God. It stands alone in a yet-to-be-determined class, and must, in time, surely be regarded as a classic. HIGHLY recommended for readers of all denominations - including unbelievers!

Compelling, uplifting, and utterly absorbing, this book must certainly have been inspired by God! It stands alone in a yet-to-be-determined class, and must, in time, surely be regarded as a classic. HIGHLY recommended for readers of all denominations - including unbelievers!

I have just finished this book. Now I can hardly wait for the new one. The whole story kept me spellbound and I just didn't want it to end. The writer puts a lot of herself into all her books, and this, as well as everything she believes in, is portrayed in some manner in them. That's what makes them so special. I felt as though I knew right where everything was taking place. I could see Johannesburg on the map and just routed out from there.

I know that I know that I know that this is a good book! I have read many others of this period, and I find this one well written, excitingly paced, with charming characters. For me it's on a par with The Sound of Music in making belief in God attractive and real. Well done!

Thank you for being such a good writer. Your thoughts and the way you express them are pure beauty. Your novels contain such valuable ideas and are so well expressed that the deepest ones can reach the soul. Congratulations! And keep on writing. The world needs you!

There are many good books of reference on African American history published. However, this one ranks among the best. Well written, user-friendly layout, addressing a broad range of topics, this is recommended for a home or classroom library to teach that all members of a society contribute to its advancement and that our society must be inclusive of all members. Every child can be proud of his or her cultural and historical heritage in a country created by immigrants.

The author states in his introduction that this book is not to be viewed as a text book, but rather to be used as supplement. It's a rather comprehensive supplement with captivating text! This book is organized in easy reading segments that are all numbered 1 thru 1001 & also divided within 6 Parts (Sports, Culture and Religion. . .). I feel as if the author is talking with me personally. History boring? I don't think so with this book! I plan to use this book with homeschooling as well as "homeschooling" myself! Can't wait to learn more of what I missed in school!

It's not easy to write a comprehensive history book that is also engaging and user-friendly. Author, historian, and professor Jeffrey Stewart found the way. In 1001 Things Everyone Should Know About African American History, he pens a concise yet encyclopedic narrative that highlights the people and events underlying the amazing story of African American history.

Stewart organizes his work around six sections: Gretat Migration, Civil Rights, Science, Sports, Military, and Religion. This is a book you can read cover to cover or one article at a time in any order.

Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction .

This is a wonderful wealth of information written at a level that easily read and interpreted by students. It should become an addition to every classroom library.

Took me absolutely forever to read this book - months! But I loved it and certainly learned a lot. Stewart is to be commended for pulling so much information together in a marvelously cohesive book. Prints and photographs are terrific. And for those who want more on the subject, and there is more, believe it or not, there is a black history calendar, a desk calendar, also chuck full of history and info.

Shephard created a book satiated with texture, woven in embroidery of dyes and rituals. In African Accents, the author shares with us her stories through textiles. She recreates African accents for readers who have formerly collected pieces of cultural tradition and for the newly converted. Scanning through the craft section of any bookstore, one could notice a scarcity of African crafts, house style, and decorating books. With this book, Shephard undertakes a worthy task. The author's time spent in Senegal piqued her already flourishing interest in African design. Shephard prefaces each chapter with anecdotes, the significance of fiber technique, and facts about the fabrics used for the easy to follow hand-made crafts she shares later in the book. The author separates the fabric regionally and explains the social and rich cultural aspects tied into the various designs and processes.
The first part of the book is devoted to recreating the essence of each separate style of fabric, (that is, if you choose to). Some fabric recreations are simple and others are intricate including embroidery and weaving. Shephard cautions that replicating the fabric does not replace the real thing, but could rather deepen one's appreciation for the years of apprenticeship. In reproducing the designs on the fabrics, the book includes actual sized symbols with their meaning. Some of the Ashanti designs on the fabrics, the author indicates, are the equivalent of the European family crest.
In part two of the book the chapters are devoted to each room of your home and the art of gift giving. Secrets and tricks are provided to lend your pillows, clocks and picture frames the professional touch. There is certainly no limitation of "how to" procedures. I tried a few myself and although the suggestion of the staple gun for the kente stool fell short of my expectation (probably the gun itself) I pulled out the old hammer and nail and my stool looked unfailingly as Shephard had promised. Some of the crafts, if you were not handy with a sewing machine would be better left to the local tailor. Yet, there was a time when a sewing machine was a staple in most family's homes. The art of sewing and the practicality of its uses have been forgotten. But if sewing seems impossible for you, Shephard happily offers other easy alternatives.
This is a consummate reason for a recommendation of this slim book to be on the shelves of all art leagues. The book makes it apparent that Spanish and French artists popular in the 19th and 20th centuries have gained much of their appeal with the use of African art infused with their own. Shephard's passion for the continent exudes throughout the book, aquatinting the reader with crafts and fabric otherwise inaccessible. It is a craft-book du nouveau, a comprehensive history lesson, and a full color tabletop book. It is a significant forefront of a happily growing movement. Through this thoughtful undertaking the beauty of the textiles, that have been admired and used for years, could now have intimate meanings and representations. Choosing that kente, Kuba or mudcloth after reading Shephard's book will add new substance to its use.

Yasmain Broady-Soya...

African Accents by Lisa Shepard is more than just another book with homey decorator projects for the Do-It-Yourselfer. As Shepard makes clear in her introduction, her passion for genuine African fabrics is based on admiration for their strong colors and designs coupled an educated appreciation for the craftsmanship that goes into their creation.

Since she recognizes that collection of these beautiful fabrics may well be beyond the reach of the average pocketbook, she sets out to teach us how to duplicate the look with affordable materials and then provides detailed instructions for sophisticated decorating projects that are reasonably easy to accomplish.

Make your own stamps with potatoes, compressed sponges or rubber stamps to get the look of Adinkra cloth. Shepard provides over 20 different Adinkra symbols to copy together with their African names and meanings.

Choose from over a dozen images to create unique Korhogo designs (and I dare you to resist trying the panels and floor cloth projects in the book). Try mudcloth, Kuba cloth or Kasaii velvet.

The instructions are clear and the power of the designs would enhance just about any room in your home or office.

They would also be fairly easy for a school group or Scout troop to teach children about the strength and beauty of the cultures they represent. I can easily imagine a group of kids having a good time creating Adinkra stamps at a children's birthday party.

Shepard expresses the hope that working on the projects will increase the readers appreciation for the real thing. A quick glance through this lovely book will convince you.

This was exactly what I was searching for...beautiful, inspiring photos of projects that you can easily do for yourself. If has great graphic designs you can copy and use for stenciling, stamping, etc. Loved the cardboard spear and the textiles.

I must have bought 10 other books on exotic decor, ethnic decor and this is the only one that really thrilled me.

I enjoyed lisa's book but I'm not much of a craftsperson. I love african style, and came away with some good ideas. Some of these projects require more than I am willing to give. I'm into simplistic projects that look like there was alot of effort. The projects range from easy to not so easy. The are some good internet sources but some of them are no longer avalible. I have not attempted any of the crafts in the book but I'm looking foreward to Lisa's next release (coming out in October). I think her next release may be what I'm looking for.

Ms. Shepard's knowledge and appreciation for African textiles and crafts is shown with style throughout this book. The craft instructions are clear and easy to follow (even for a novice craftsperson like myself!) The photographs are terrific also, they act as real motivators to try some of these great decorating ideas. How refreshing to see a crafts and decorating book with culturally diverse appeal!

I work with Ryan at RVA, and I like him enough that I was afraid I wouldn't like the book. There was no reason to fear; this is a terrific book. He is wise and honest, and it comes through. Anyone with a heart for missions will love this book, although you might suggest to Ryan that he devote a LARGE section to ME in the sequel that is sure to come.

Set in Kenya during the Murphy family's first years as teachers of missionary children, Ryan Murphy tells the real story of a faith-driven life abroad. Away from the comforts of home, friends and family, he recounts not only the daily challenges and frustrations, but also the heart-warming victories inherent in doing the Lord's work afar. Murphy's tales of daily life evoke humor, compassion and wonder and take the reader on a unique voyage to a rich and colorful land where adventure and uncertainty lurk around every corner. This is a real page-turner, sincerely told in everyday language. It is a delightful read for anyone interested in a unique memoir and a must for anyone contemplating the missionary life.

This easy read give a fresh look at what God can do with two open heart. Honest, open and enjoyable this book will be an highlight of your day as you fell like you actually been to Rift Valley Ac. This book talks about real life and dose not forget what's really important.

Ryan Murphy has created a realistic view into the modern day mission field. The realities, joys, dangers and frustrations are brought to life in an excellent narrative by this new author. He also challenges today's rather passive, self-serving church to examine itself against the dictates of scripture and the needs of the African people. Ryan and his wife Heather have accepted Jesus call to this faith-based mission. Their courage and selflessness are worthy of support by all who read this excellent book. If the Lord has directed you to this narrative, it's for more than informational reading. Prayfully consider directing your support to their calling! RHMurphy@aimint.net

My husband and I have been volunteering an American missionary school last two months. It has been an interesting adjustment to the culture. We have gone through all sorts of emotions, but the most disturbing emotions have been ones of discouragement and questioning God's hand in bringing us here. Living here has been tough. Praise God that Ryan Murphy's book "ALL THAT YOU CAN'T LEAVE BEHIND" was given to us to read. Not only is it a delightful and entertaining book, but God used the book to show us that our feelings were not unusual. We could relate to Heather and Ryan's first year missionary life and laughed as we realized how similar our experiences were. I am encouraged to know that my emotions are to be expected and that they are not signs that I shouldn't be here, but rather part of the process of entering missionary life. I have been able to see through the Murphys' experiences that we too will survive and grow to love this place.



This book helps one take a deep breath and realize that these feelings are okay. To realize that the struggle will not last forever but that it is part of God's plan is liberating. Praise God for this encouragement! I think anyone who is considering a cross cultural experience should read this book. It is an easy read and will help those coming to the field to understand the "fitting into the new culture" process. I think it is a must read.

A short children's book based on a folk tale of the Ashanti tribe of Ghana about the tickster Spider who is rescued by his sons and why the moon is in the sky. Children will enjoy hearing this story and even acting out its parts. The artwork is very appealling. The book was a 1973 Caldecott Honor book (i.e., a runner-up to the Medal winner) for best illustration in a book for children.

Anansi is one cool African trickster, and he does it again in this book! When he tries to determine which of his six sons to reward for saving his life, he becomes responsible for putting the moon in the sky.

Anansi and his sons are popular guys in our home. My son and daughter (nearly 4 and 6) just adore them, and I enjoy the fact that this book demonstrates how well cooperation works. Not to mention that we get to discuss the story, Ghana, and how people are both like us *and* are different from us.

In this story Anansi heads out for a walk only to be besieged by problems, first from a hungry fish, and then from a falcon. He would have been lunch were it not for his caring sons who fortunately have super-arachnid abilities.

Four Stars. Good Read-aloud. Good story with a moral. My daughter even decided to practice reading this fun and exciting story.

My 18 month old son loves the artwork in this book. There is a lot to talk about on each page. For the first time it seems that my son is following the story and not just dealing with one page at a time. He waits eagerly for the page when Anansi is swallowed by a fish (don't worry it is not violent in any way!) Since there are 6 spider sons there are lots of opportunities for counting. My 18 month old can now count to 6.

The Anansi stories have been handed down through generations of Ashanti culture. This book is a wonderful, vibrant and vivid story for children of all ages. Born in Ghana I left at aged 3, leaving much of the Ghanaian culture behind. At aged 30 I can still remember a song about Anansi the spider, the only remnants left of my native tongue. I was given the Anansi book as a child, it captivated me, I read it over and over again, and it provided a connection to my past. At 16, I spent hours crafting a cushion embroidered an illustration from the book that was a childhood favorite. Sadly, the book was lost and I never thought I could get it again. Now, some 14 years since I last saw the book I can still visualize the pictures and hear the wonderful tale of Anansi the spider, his sons and the moon. I have just bought two copies, one for my niece and one for my two year old daughter. I absolutely cannot wait to read them again and again and pass this memorable story to a new generation.