Washington Books

With the backdrop of the emerging black middle-class in segregated Washington, D.C., during World War II, author Brad Snyder tells the compelling story of two baseball clubs and the push to integrate one professional league.

There is Homestead Grays founder Cum Posey, who is looking to relocate his franchise from Pittsburgh before the start of the 1940 season. And there is Clark Griffith, owner of the pathetic Washington Senators, who can briefly shuffle aside his racism for a business deal that will bring a new revenue stream to his bank account when the team is playing away from Griffith Stadium.

This initial tenuous partnership delivered a surprise to Griffith; the Grays exemplary play on the field found them outdrawing the cellar-dwelling Senators and galvanizing a new generation of baseball fans. That success - even with onerous stadium leases common when NLB teams played in facilities used by Major League Baseball clubs - helped propel the integration of MLB in 1947.

The era is also seen through legendary sportswriters Sam Lacy & Wendell Smith, Buck Leonard - the greatest pro first baseman - and in the offices of MLB, especially the Senators.

Griffith - who certainly could have worked out some type of agreement with the Grays for players to bolster the Senators before the Dodgers signed Robinson - was only a pioneer in segregation, integrating his team seven years after Robinson's debut with the Brooklyn Dodgers and ultimately fleeing Washington, D.C., relocating his team to the whiter Minneapolis-St. Paul market.

With the success of Robinson came the slow disintegration of NLB - the league that was truly integrated on the field, in the stands and in the front offices - as MLB teams raided the club rosters for established stars and began scouting & signing younger players to contracts.

Snyder has brought this forgotten period beyond the shadows of the simplistic retelling of the past that plagues all levels American history.

Let me be clear, this is a great book, rather than just a very good one. In nine chapters, plus an introduction and conclusion, Washington, D.C., based attorney turned writer has told the powerful and sometimes provocative story of how the Homestead Grays moved to Washington, D.C., and set the stage for the breaking down of the color line in Major League Baseball (MLB). In this important book Brad Snyder moves beyond the singular actions of Branch Rickey's Brooklyn Dodgers and Jackie Robinson, which most people are familiar with, to explore the broader implications of race relations in baseball during the 1940s.

In telling this story, "Beyond the Shadow of the Senators" is filled with heroes and villains. The most significant hero is unquestionably Sam Lacy, a black writer with the "Washington Tribune," a weekly oriented toward D.C.'s large African American community, who consistently called for the desegregation of MLB. Also heroic are the great stars of the Negro Leagues, especially Buck Leonard, Satchel Paige, and Josh Gibson, all of whom came to Washington to play before large crowds in the nation's capital. They demonstrated through their exploits the quality of talent in the Negro leagues, especially when juxtaposed against the hapless play of the Washington Senators of the American League. The villains include Clark Griffith, the financially strapped owner of the Senators whose willingness to rent Griffith Stadium to the Grays proved lucrative, and Grays owner Cumberland Posey who shifted his team from the Pittsburgh area to Washington to cater to the large middle-class African American community in Washington. Both Griffith and Posey had every reason to keep the segregated system intact because of the money they made. Moreover, Griffith was a blatant racist who integrated reluctantly and eventually moved the Senators from Washington to Minneapolis-St. Paul because, as he said in 1978, "you've got good, hardworking white people here" (p. 289).

Ranging broadly from social history to baseball and back, Snyder captures the essence of the history of the Senators, the Grays, and wartime Washington's racial situation. It is a story of love and hate at the same time, as well as the quest for dignity of the minority population in a divided city. "Beyond the Shadow of the Senators" is a powerful book. Enjoy.

Brad is an excellent researcher and writer. This book is not only enjoyable but educational. I met Ted "Double Duty" Radcliffe and Lester Lockett, two former Negro League players, a few years ago and their stories started my interest. Brad fed that interest beautifully. I look forward to Brad's next book on Curt Flood and the reserve clause. His attention to detail is consistent with his legal background.

Tim Moreland, PhD
Salisbury, NC

"Beyond the Shadow of the Senators'' is a must read for any serious student of baseball history. The author put a massive amount of research into this engaging account, of which I knew nothing even though I grew up in Washington not long after these events took place. This is an outstanding work in every regard. I have never met the author and I am not an African-American (not that anybody should care); I am just a fan of baseball and its history. If you are, too: Read this book.

This is a great, and true-to-life (i.e., "complex") story about the institution of 'Negro' League baseball and the various parties who profited and railed against it.

Key people that are introduced and brought to life are:
Buck Leonard, Satchel Paige, and Josh Gibson -- three of the greatest ballplayers who ever lived;
Clark Griffith -- the pioneering, penurious and controlling owner of the Washington Senators;
Sam Lacy -- the ahead-of-his-time, DC-native who tirelessly advocated for the integration of Major League Baseball; as well as
Cum(berland) Posey -- the shrewd owner of the Homestead Grays -- the dominant team of the loosely confederated Negro Leagues during the late 30's and 40's.

Tangential to this story are:
the decimation of the post 1933 Senators, mostly due to finances and an inadequate ballpark;
the relative prosperity of Washington DC during the years of the depression and WWII and the partial equality of African-American government workers that led to a vibrant culture and ability to spend on entertainment;
the move by Posey and his "partner" (many of the Negro League baseball teams were financed by numbers entreprenuers) to Washington from their Pittsburgh home and the welcome of their rental payments and gate pctgs. by Clark Griffith;
Judge Landis' death, the increasing awareness of America's incongruity in its fight for freedom and democracy in Europe while maintaining a virtual apartheid culture at home; and
the greed/opportunity of baseball owners to find the best talent at the lowest price which ultimately led to Rickey's "great experiment");

This book also fleshes out the background and conflict around Jackie Robinson, who was rightly judged to be a great man and the right vehicle for Rickey's efforst, and the shared opinions that he was a good, but not all-time great Negro baseball player. [Check out how well a 42-yr old Satchel Paige pitched for the World Championship Indians in 1948.]

The shifts in attitude between "separate but equal" and complete integration by the various parties reveal primarily self-interest. Judged by the standards of our time, I share many others' great respect for Sam Lacy and his tireless, moral advocacy and feel sorry for the Negro League baseball owners who were mostly left with nothing as they rarely had enforceable contracts that protected their relationship with their players.

Clark Griffith was an "innovator" in attracting inexpensive talent from Cuba. Many of these players represented themselves well on the ballfield but would only be acceptable if they were of "Spanish" descent.

Utterly inconceivable now, but the norm for over 60 years (since Cap Anson helped institute the "gentleman's agreement" against employment of African Americans in the early 1880's) was to allow a Major or Minor League ballclup to employ pretty much anyone (Swedes, Germans, Irish, Italians, Jews, etc.) anyone, except African-Americans.

It has often been discussed that without Jackie Robinson (& the parts played by Branch Rickey, Roy Campanella, Pee Wee Reese, Ben Chapman, etc.) the 1954 "Brown vs. Board of Education" decision would not have happened as quickly.

This book provides a wonderful companion story to the integration of major league baseball which, in my opinion, is one of the most significant stories of 20th Century United States.

The only thing wrong with this book is that there should be more of it.
Roethke represents a watershed in American letters, a watershed we kids slobbered down the wrong side of, the side not his. For delicacy of daring the difficult to bear, even to notice, he can hardly be surpassed, and this almost without ever choking up the voice -- his or ours.

"A late rose ravages the casual eye," writes Roethke in A Walk in Late Summer, "a blaze of being on a central stem." In such images we see the symbols of nature fully tapped in modern poetry -- and tapped in American English, in fresh, vivid language that overpowers the reader with its grace and presence. The poetry of Theodore Roethke is written by a man profoundly alive -- skirting the edge of suicide, losing his voice in the awe of love, reeling wildly in the throes of "the pure fury," and looking at last with calm eyes into infinity and his own undoing in the Far Field. Roethke was a true descendent of Whitman where the latter wrote "This is no book / Who touches this touches a man." But Roethke's poetry moves us as much by its lyrical language as by the power and wisdom of its experience. Roethke himself was, as represented by his art alone, a "blaze of being."

Among Roethke's contributions to literature are his poems that treat depression. Far from letting his manic episodes paralyze him, he used them to write some his most intense poetry. "In a Dark Time" is one of the immortal poems of the 20th century, worthy to be set aside a Van Gogh painting. Roethke was not alone in treating these subjects: two other Pulitzer Prize-winning poets of his time, Sylvia Plath and Anne Sexton, learned from him and wrote about similar themes. But Roethke's writing stands out in two ways from these poets and other poets the 50's and 60's.

One is the unity of his work and vision -- this Collected Poems traces a single spiritual journey beginning with his childhood memories of the greenhouse, and ending somewhere among "the windy cliffs of forever", last visions tragically cut short by his early death. Between those points are rendered all of the experiences of his life -- as he wrote in his first poem, "my heart keeps open-house." But he never fails to interpret these experiences and understand their significance in the larger picture of his life and poetry. Unlike so much of the poetry of Sylvia Plath and other Confessional poets, Roethke never demands that you read his biography to understand his symbolism. Rather, his symbols develop among his poems to form a kind of mythology: his recurring symbols include stones, fire, light, "the small," and the spirit.

The other difference between Roethke and other poets of his time is his technique. Roethke is never obscure; he always writes in fresh language, avoiding cliches, although his symbols are indeed personal and take time to understand. Roethke's craft is "strict and pure," such that even the staunchest defenders of Sylvia Plath have confessed that Roethke's writing is more disciplined. The Deep Image movement of poets like Robert Bly and James Wright is influenced by the kind of symbolism found throughout Roethke's poetry, and those writers have acknowledged their debt to him. Roethke retained rhyme and meter in a time when all the conventions of poetry were being ripped apart; and he did so with a consummate technical skill not to be found in the Beatniks or in the Black Mountain poets. Roethke's ear for poetry is much more sensitive than that of other poets of his time. We are gagged by the lyricism in lines like

"She came toward me in the flowing air,
A shape of change, encircled by its fire."
("The Dream")

"When all
My waterfall
Fancies sway away
From me, in the sea's silence..."
("Her Time")

"O love, you who hear
The slow tick of time
In your sea-buried ear..."
("Song")


The most exhilarating of all these are Roethke's love poems in "Words for the Wind", which justly won the Bollingen Prize and the National Book Award. These poems are unmatched for eloquence and spiritual intensity -- and it's a damn shame that modern anthologies do not reprint them, aside from the famous "I Knew a Woman." For it is in these love poems that Roethke's soul soars, and his poetic power is fully realized.

"She knew the grammar of least motion."
("The Dream")

"Light listened when she sang."
("Light Listened")

"I measure time by how a body sways."
("I Knew a Woman").


Theodore Roethke achieved greatness in art by having the courage to confront the most intense human experiences and the skill to craft them into some of the most eloquent poems of his time. If there is ONE modern poet you will read, let it be Roethke. His "Collected Poems" is a must for every poet and every lover of poetry.

I relished Roethke when I first read him in high school, along with Hart Crane, e.e. cummings, and the Beats. I still admired him in college, when I wrote poetry myself, and regarded most other "living" poets with suspicious disdain. Many poets I loved then have lost some of their charm for me (my loss, not theirs) but, forty five years later, I still read Roethke. Does that speak to you?

To My Sister; The Heron; No Bird; Elegy for Jane; She; Her Reticence; The Meadow Mouse; and of course, My Papa's Waltz--these are all some of the great poems that Theodore Roethke wrote. Roethke is one of our American masters. I found that when he was on his game (as he was in the poems above, among others) his poetry was phenomenal, but when he wasn't, his poetry could be awful. His earlier work is better than his later work, though he seems to have gotten most of his recognition for his later work. Still, for the poetry lover this is pretty much a required volume for your shelves.

At first, I was heitant to delve into this author's work simply because I'd never heard of him in all my wide readings of poetry, both modern and old.

Don't make the same mistake I did. Roethke WILL NOT disappoint you. "The Lost Son" has become my new favourite poem, and this book goes with me perpetually, and will until I finish every line in it.

Exquisite.

I love both of the American Patriot books and am anxiously awaiting the third. They turn the history of our country into a story of amazing heros and heroines. I am a home school mom and am considering adding both Daughter of Liberty and Native Son to our American History curriculum. The books entertain while they enlighten. The best way to learn. These are now my favorite historical fiction.

I enjoyed this book very much!! The first story was amazing and the second book picked up right where the first one left off. Elizabeth is sent by Washington to continue spying among the British. Jon on the other hand is sent into indian territory to try to convince the indians that Wasington needed them. Jon was captured and became a slave. Elizabeth has no idea if he is dead or alive. The only problem I had with this book was the fact that I now have to wait so long to find out what happens. A must read and a tender story.

Native Son is the second book in author J.M. Hochstetler's The American Patriot Series, and is every bit as magnificently composed as the first. Picking up where Daughter of Liberty left off, Native Son reprises the suspenseful setting and believable characters of book one and indelibly seals the heart of the reader to the author's work.

With Patriot's identity exposed and a huge price on his head, he is no longer of any use to the Revolutionaries as a spy--but his previous experience living with a tribe of Native Americans qualifies him for an even more dangerous assignment. Oriole, however, has not yet been exposed and therefore must remain behind to continue gathering intelligence for General Washington and his troops. The intertwining of these two stories keeps readers riveted to their seats from the first page to the last--and anxiously awaiting book three.

J. M. Hochstetler's second book in the American Patriot Series, Native Son, draws readers into the compelling first chapter. Brigadier General Jonathan Carleton meets with George Washington to discuss the patriot troops' readiness for war against trained British soldiers.

Meanwhile, doctor's assistant Elizabeth Howard ties down a wounded man and helps the doctor amputate the man's gangrenous leg to save his life. As a patriot spy working in a Tory hospital, Elizabeth faces constant danger of discovery.

Although Jonathan and Elizabeth determine to marry at the earliest opportunity, circumstances and General Washington's orders conspire to separate them. Carleton heads into Indian Territory, while Elizabeth stays behind. They believe God has inspired their commitment to the Patriot cause, but as the separation stretches to months, each struggles with how it will affect their relationship.

When Carleton's negotiations with several Indian tribes turn sour, the Mohawks take him prisoner. Elizabeth wonders at Carleton's fate as time passes with no word from him. As she continues her work, one of the men helping her discovers her true role and threatens to expose her as a spy. Faced with danger at every turn, both Elizabeth and Carleton draw strength from the God they trust. But will it be enough as the pressures they face slowly change each of them and each continues to wonder about the fate of the other?

Native Son holds as much historical detail as the first book in the series, Daughter of Liberty. However, Hochstetler's clear writing and obvious research make both books intriguing reads. The detail in the medical scenes is exquisite and gave me an eye-opening understanding of Revolutionary War-era amputation and medical care. Fascinating details also enhance the scenes in which the Mohawks hold Carleton prisoner and in later scenes when he lives with the Delaware Indians.

Although Carleton and Elizabeth spend most of the book separated by many miles and different cultures, the strength of both characters easily carries the book. For fans of historicals, this series is a must. Watch for Hochstetler's third book in the American Patriot series.

Native Son, the second book of The American Patriot Series by J.M. Hochstetler, continues the saga of Brigadier General Jonathan Carleton and the woman who has stolen his heart, Elizabeth Howard. Each has pledged allegiance to General George Washington. Elizabeth's spy mission sends her gathering information among the Loyalists, while Jonathan's orders send him deep into Indian territory. When Elizabeth learns Jonathan has been captured by the Indians, she tries desperately to gain information about the man she loves. Unable to learn of Jonathan's fate, she is forced to continue life with the uncertainty of whether or not he yet lives. Jonathan's life changes drastically when he becomes a slave to the tribe that captured him. He must make decisions that put him in battle against the people to whom he has pledged his allegiance.

Hochstetler examines a little-known aspect of the Revolution by following the hero Jon to the West. People think of the Revolution being fought in Boston and along the East Coast, but there was trouble in the West, too, with the English, the Indians, and the settlers. Hochstetler lets us see that part of the war through Jon's eyes. Again the reader finds the war-tossed couple, Brigadier General Jonathon Carleton and spy Elizabeth Howard, separated by choice for the good of the new country and your heart breaks at the sacrifices these two make for the ultimate good of many. After Jonathon is sent to Indian territory, Elizabeth ends up in Boston. With wars of all levels--spiritual, emotional, and physical-- pressing on them, we feel the anguish they must endure. Rumors circulate and both characters must pretend they care nothing for the other. The story is set in 1775, and the reader is immediately folded into the setting, riding along enjoying every bump and bruise. Even when Carleton is captured, the reader hopes all will be well, although chances are pretty much against that.

Elizabeth and Jonathan, the star crossed lovers in the previous book Daughter of Liberty, have the perfect conflict: the American patriot and the British officer. Now they are being kept apart as Elizabeth is pressed back into service as a spy for General Washington. Elizabeth is the perfect society lady, listening in on secrets in Boston, occupied by the British. Her hair-raising exploits sneaking secrets past the ruthless British blockade are the best part of the book. Jonathan, who has a price on his head, can trust no one. He goes West where he was reared and meets the Indians- not all of them friendly- he knew as a child. So wedding plans are put aside while each sets out to carry out the mission Washington has assigned them. As the months pass in silence, Beth wonders if he is even alive. Should she begin to consider a life without him? And as Jonathan is taken farther and farther away from Beth, he fears he will never see her again. How can he go back to her while the war still rages? The British want him dead, and his new life with the Indians has even made him an enemy of his own countrymen. Is their Christian faith and trust in God strong enough to see them through?

Native Son is an intensely moving story, impeccably researched and excellently written. It is an intricate look into some aspects of the birth of our nation, and the struggles and temptations faced by two unforgettable characters. J. M. Hochstetler expertly weaves a tale of historical fiction with a romance that must survive the trials and dangers of the times. Outstanding! -- Erika Osborn, Christian Book Previews.com

From the moment I first picked up this book, I had the hardest time putting it down. So many times I thought I'd read a couple of pages but then I would still be reading a couple of hours later. Chandra Prasad's On Borrowed Wings is one of the best books I've read in a very long time. I loved Adele, the main character who attends Yale disguised as her deceased brother. From making friends, giving reading lessons in her very little free time, and defining herself in an all male ivy league university, I found myself rooting for her all the way. I hope there will be a sequel or even a movie made from this book!!!!

The year is 1936. In the small town of Stony Creek there lives a family of four. There is the mother, a washer woman who used to be a privileged daughter of a professor until she married the father, an Italian quarry man. They had two children, a boy, Charles, and a daughter, Adele.

Charles is the apple of his mother's eye and is being groomed to go to Yale on scholarship. Adele is her father's favorite and her mom is preparing her to be the wife of a quarry man and a laundress. The problem is that Adele is smarter than her brother.

This would have been the path that they would have taken except that Charles and his father are killed in a quarry accident. Adele then disguises herself as a boy and takes Charles's place at the all-male college of Yale. Once there, Adele has to adapt to being a boy, take on a eugenics professor who is trying to prove that all immigrants are unintelligent, and try to be an average freshman in college.

She befriends three other boys and an Italian family that almost adopts her. She proves to be very brave and spunky. There is also a visit by Emelia Earhart to the college, which is a wonderful scene.

I absolutely loved this book. The main characters of Adele and her mother, Gertie, are interesting and many-layered. It left me wanting more. I want to know how Adele becomes Adele again. If she finds love with the rascally Wick. Does she ever reunite with her mother and her mother's family? How will World War two affect the lives of these characters? Believe me, you'll want to know, too!

Reviewed by: Marta Morrison

Have you ever fallen in love with a book so deeply that you wanted to keep it and read it again and again? Maybe this is a normal occurrence for you, not so for me. I am a love `em and leave `em reader. Once the last page is read, I am on to my next conquest. That was until I read "On Borrowed Wings".

This book moved me beyond words. I'll admit, I was a bit surprised. The book is unpretentious. But when you read the pages, this matches to perfection with the main character, Adele Pierta.

The author places the reader in the middle of the character's quandary, which is to marry a quarryman. In the 1930s, the little town of Stony Creek had three classes of people. There were the cottagers, who were rich vacationers that visit the little Connecticut town from May to August. There were the townsmen, the town's merchants and businessmen. And last were the quarrymen. They worked twelve hour days, six days a week mining granite.

Adele's mother had once been a cottager. But when she married a quarryman, her family disowned her. This rejection drove her mother to educate Adele's brother so that he'd have chance to go to college and not end up a quarryman. Adele's father insisted both his children be educated, but there weren't many opportunities for women.

The same day Charles, Adele's brother, receives an acceptance letter to Yale, a freak mining accident takes his life along with their father. Rather than be forced into an early marriage, she changes her appearance to look like a man and goes to Yale in Charles's place.

"On Borrowed Wings", so appropriately titled, is the story of Adele's first year at Yale. She transforms from a shy, wispy girl into a force to be reckoned with. It's a true treasure of a book!

What a fabulous book! I was very enraptured with Adele Pietra's story. She was a very likable and believable character and Ms. Prasad drew you into her psyche very easily. You were always left wondering what would happen next and how Adele would handle the next situation. It was definitley a page turner! I was left wanting a sequel!

maybe it's just me, but whenever i walk into a bookstore lately, it seems like the majority of female authors are either rehashing history (i.e.The Other Boleyn Girl) or wallowing in crass 21st-century consumerism (i.e. Shoe Addicts Anonymous). how refreshing, then, to read "on borrowed wings." chandra prasad uses a vivid historical setting to tell a story that is fundamentally unique, despite the long literary tradition of gender-swapping tales; she creates characters and moments that will continue to live in your mind long after you've finished the book.

in fact, your first thought upon reading the final sentence will be to wonder whether ms. prasad plans to continue adele's story in a subsequent book, and to hope that she does.

with its insightful handling of difficult themes and its sensitive depiction of late adolescence, this book would be an excellent choice for high school english classes.

I was totally humbled by this book. If it could be made manitory reading for all.....they should pass a law. You will not be the same after reading this book.

A suggested read for anyone (emphasis). Through the essays, abridged novels, and interviews, one can gather a personal and philosophical history of MLK, a summary of the civil rights movement, and a greater understanding of life and religion (which are inextricably attached really). I particularly appreciated the notion that civil rights was really about human rights on a global scale. He oft points out that poor whites, Latinos, and Asians, faced the same issues in the U. S. and across the globe.

A central theme is the principles of nonviolent resistance, which are essentially (if properly understood) unbiased and unwavering compassion and respect for (all) human life. I believe this is the single greatest area of failure in our current society. The book has entrenched that position further, with a deepened understanding of what it means, where the problems have exhibited themselves, and how we might improve upon the situation.

I must say as a native Alabamian and habitant of Birmingham for almost 10 years, the book has particular relevance to me. However, the history chronicled within is the history of man and is therefore applicable to everyone.

As a Hispanic-American increasingly involved in speaking out about social issues and looking for inspiration, I stumbed upon this incredible book.

I have since learned to love the writings and speeches of Doctor Martin Luther King. They are mighty and powerful and beautifully crafted. Biblical in their content and style, they are tremendously moving. They simplify the complicated and elevate the important!

His words ring out as loud and clear today as they did some forty years ago. For example, in one of his last and most radical speeches, "Where Do We Go From Here?" Doctor King exhorted:

"Let us go out with a 'divine dissatisfaction!

Let us be dissatisfied until America will no longer have a high blood pressure of Creeds and an anemia of Deeds!

Let us be dissatisfied until the tragic walls that separate the outer city of wealth and comfort from the inner city of poverty and dispair shall be crushed by the battering rams of the forces of justice!

Let us be dissatisfied until those that life on the outskirts of hope are brought into the metropolis of daily security!

Let us be dissatisfied until slums are cast into the junk heaps of history and every family is living in a decent sanitary home!"

This book is recommended for anyone looking for wisdom and inspiration and wishing to learn more about Doctor Martin Luther King and America's civil rights movement.

Buy it! Read it! And get involved in the battle for social justice for all Americans.

Martin Luther King Jr. the great American Civil Rights leader was a voice not only for black people in the United States, but for Mankind as a whole. He dreamed but he did not dream for black people alone but for every single American, and every single human being. Essentially his message was one of hope.
He was perhaps the most powerful speaker the United States had in the twentieth century. His 'I have a dream' speech on the Mall in Washington at the height of the Civil Rights movements was a call for and affirmation of human dignity and freedom.
He spoke in the language and rhythms of the Bible.
In his Nobel Prize Speech he articulated his faith in nonviolence as a means for human liberation. While it might be possible to question the validity of the non- violent option when confronting the most ruthless forms of totalitarian Evil it nonetheless is tribute to the spirit of King's deep Christian faith that he so passionately preached the 'non- violent doctrine'.
This book is a testimony to one of the truly great Americans of the twentieth - century. A man who by his example , by his deeds, ( And his words too are great deeds) gave hope and freedom to so many.
This work could not be recommended more highly.

Yesterday, the 40th anniversary of MLK's assassination, I spent the better part of the day thumbing through A Testment of Hope. The book is an old friend of mine. I've read and reread it for nearly twenty years now, both privately and with students in at least a dozen classes.

What I like so much about editor James Washington's collection is its comprehensiveness. In a single volume, one finds MLK's thoughts on nonviolence, civil rights and integration, the Vietnam War and poverty, Christianity and social responsibility, and justice and morality. His ideas are conveyed here through essays, sermons, interviews, and lengthy, meaty excerpts from his five books. Everything that one could want is here, including what I personally take to be his very best work: "Letter from a Birmingham Jail" (1963), "Love, Law, and Civil Disobedience" (1961), "A Christmas Sermon on Peace" (1967), "A Time to Break Silence" (1967), the "I Have a Dream" speech (1961), and Stride Toward Freedom's masterful discussion of the tactics and principles of nonviolence (1958).

Today, four decades after his death, the country is still struggling to grow into MLK's vision of reconciliation and nonviolence. One can only imagine how sad he would be at the post-9/11 turn toward militarism the nation has taken, the current wave of sentiment against Latino immigrants, the constant economic disparity between white households and African American ones, or the upswing in hate crimes against Muslims. In re-reading A Testament of Hope, I was reminded yet again of how very much we need a present-day prophet of King's caliber, vision, and courage, and of how very grateful I am that we once had King himself.
________
* "And I submit that the individual who disobeys the law, whose conscience tells him it is unjust and who is willing to accept the penalty by staying in jail until that law is altered, is expressing at the moment the very highest respect for law." From "Love, Law, and Civil Disobedience," p. 49.

i read this cover to cover in one sitting- great anecdotes, tips, philosophies, photos, wine info, and recipes.
tom's book is as good as his restaurants. i LOVE this book.

Now I may be biased because I live in Seattle but there is not a recipe in this book which is not simply perfect. I have tried about 10 recipes including the crab cakes, blueberry coffee cake, Short Ribs with Rosemary white beans and the Lobster and Shiitake Potstickers and not had a bad one yet.

All the recipies are pretty easy to make, use simple fresh ingredients and usually recommend a wine to pair with it. These are not always the types of recipes that you want to whip up in 10 mins when you get home from work but for a weekend dinner where you have 1/2 hr or more to cook, you will be well rewarded. There is definitely a seafood bias for this which is fine with me. In the middle of the book are about 10 pages of pictures of many of the dishes.

I have lots of cookbooks with several good recipes but never one with so many winners and absolutely no losers. I have been to 2 of Tom's restaurants in Seattle but this makes me want to cook at home.

It has taken me awhile to write a review for this book due to the fact that I have been testing as many recipes as possible and while in Seattle compared the restaurant version with the home version. The verdict is: Get the book.

The recipes are very easily done in a standard home kitchen and they are the recipes of the restaurants in question. If there is a flavor difference it is easily explained by the author such as, the restaurant version of the salmon rub uses smoked paprike (very hard to get) while the home uses the sweet variety.

The book reflects a deep love of Seattle and is informative in a chatty way. I think though, for the Asian food information sections you may want a little more depth with Bruce Cost's book on Asian ingredients. For the experienced cook this is a great book to have on the shelf showing a fusion of traditional and international influences in the menu.

For those looking for soemthing in between a beginner's and a hardcore pro level this book is excellent. People at my various parties and catering gigs have loved the food prepared from this book and it has achieved the status of favorite on the shelf. It is approachable in tone, style and technique. It is also helpful that he provides a supplier section for those hard to get items like kazu.

The fish section maybe a no go for some people due to freshness issues but the section on grilling/barbecuing is nice and the dry brine method for roast chicken was very reliable. All the side dishes were easily done as well with a standard grocery store available.

Recommended highly and I look forward to his next work.

This was a gift to my husband, but has only been opened twice. The recipes look somewhat interesting, but the ingredients are not generally available to most areas. It would be helpful in a coastal area where FRESH seafood was more readily available AND was more cost-effective to use. We are intrigued by some entrees, but again, most are not user-friendly (or kid- friendly) which is important in our busy home! I good gift for the hobby gourmet, not useful in everyday life...at least not in our busy (and filled with picky kids) home!

I have owned my copy of Seattle Kitchen for over a year now, as do two of the other families on our block. We regularly get together for dinner parties and inevitably, one of Tom Douglas' dishes shows up on the menu. Although many if not most of the recipes are time-consuming (much chopping, sauteeing, carmelizing, etc. is involved) they are all worth it in the end as long as you are a patient person who enjoys cooking. This is not a good beginner's cookbook! The sweet butternut soup with thyme creme fraiche is beyond compare and I make it all fall and winter long. The lobster and shrimp potstickers with sake sauce take a long time to make but are simply divine (I have learned to make huge batches and freeze them for later when I need an appetizer.) Pair them with the sweet-and-sour red cabbage for an impressive presentation. I just made Etta's cornbread pudding last night for the first time after visiting Seattle and eating it at the restaurant a few weeks ago, and I have to say mine was just as good if not better since it was fresh out of the oven. It was inhaled at the dinner party and it prompted me to get online now to order Tom's other cookbook. I find that sometimes the ingredients are difficult to hunt down here in Montana, but I usually find most of what I need, or at least an acceptable substitute. I just wish there were more photographs of the beautiful food. I look forward to trying many more of Tom's recipes.

No one is better equipped to deal with the breakdown of society than the poet and playwright Carl Hancock Rux, who incidentally is also an awesome interpreter of his own work. Who knew that among his many skills was the ability to write a novel too? ASPHALT stands by itself as one of the year's most interesting novels. Have you ever seen the Altman movie, QUINTET, with Paul Newman? If so you will be viscerally reminded of that movie when you begin creezing through the opening chapters of ASPHALT, the ones that establish Racine as an underground DJ par excellence and the rundown brownstone he camps out in becomes a sort of United Nations of lost souls, each tenant lonely and frustrated, and frightened for the future, each one coming from a different post-colonial background.

In the Altman film, which treats a similar post-apocalyptic future, the survivors were largely white, even blue-eyed (including Newman, and co-stars Bibi Andersson and Nina Van Pallandt). There were a few "Latin types" including Fernando Rey and Vittorio Gassman, but outside of that it was all about racial blankness amid the Alaska tundra. Here the Brooklyn setting and the rapid back-and-forth flashbacks jarred by the frequent musical interludes give the reader the sensory excperience someone like David Mitchell is aiming for in books like CLOUD ATLAS.

Just finished this book. OUTSTANDING! Complicated in the most divine way. Rux is on to something that has nothing to do with the average easy read bookstores are pumping right now. This book is so relevant to right now and I haven't seen any other new black writers dealing with the political climate in America from the standpoint of people of color. Correction; Rux doesn't even paint a picture of the current political climate, he's on to the next canvas and it's stunning and heartbreaking.

An urban tale written in a refreshing challenging intellectual style. Set in post apocalyptic Brooklyn, the main character struggles to build a life in a war zone. His physical surroundings play as an apt metaphor for his internal quest to make sense of who he is, where he came from and where he ultimately belongs.

LA Times
"Asphalt," (is) a hallucinatory journey...set in a sooty, just-a-day-after-tomorrow future. The book blends speculative fiction and myth with real-life post-9/11 unease embroidered throughout...enamored with densely arranged assemblages -quirky juxtapositions, blurry borders-spinning dross into gold...a grand-scale collage."

Jill Nelson, author of Sexual Healing
"Daring, intense, and provocative, in ASPHALT Hancock Rux fast forwards the novel form into a future that is unexpected, seductive and healing."

New York Press
"Asphalt, (is) a book taken with future apocalypses and the funky, oddly swaddled cast of characters littering that not-too-distant time in Brooklyn. In Asphalt , you get hetero guys in sequins and sarongs, back-from-Paris DJs and couch dancers named Couchette all vying for attention in a newly gentrifying netherworld that Rux ably and surrealistically, sweetly, ties together before the next set."

The Daily Pennsylvanian
"(Asphalt is) both arresting and disorienting. The cryptic opening scenes illustrate Rux's masterful use of language-remarkable....Asphalt is a triumph in several senses...a piece of true urban literature that appeals to the jaded sensibilities of young modern readers."

Greg Tate author of "Everything But the Burden"
"Asphalt gets at how the urban myth of 'keeping it real' must continually run up against the abstracting roadblocks and revelations of one's fractured inner truth and the even sexier surrealism of a Cosmopolis determined to remix your imagination at every turn. Like Celine's Journey, Baraka's System and Delany's Dahlgren this is a novel where the mythopoeic modern city is the real protagonist and the ostensible hero, like all of us, is just a squirrel trying not to nut out."

LA Weekly
"Asphalt...is thick with images of and meditations on terror and terrorism...underscoring emotion and politics, allowing Rux to excavate the damaged inner lives of his characters while ruminating on how the world around them feeds their despair and dares them to rise above self and surroundings. "

Booklist
"Rux's lyrical writing blurs the lines between dreamscape and reality. A dazzling portrait of urban life."

Publishers Weekly
"Lyrically drawn...an elegantly gloomy addition to Rux's artistic achievements."

Brooklyn Rail
"Asphalt is a beautifully written book...as horrifying to read as it is full of hope."

Black Issues Book Review
"The first lines of this first fiction effort promises a mélange of literary forms and edgy melancholy characters...part postmodern parable, part contemporary urban portrait...parts aside, it is fully formed, like an existential poem."

Blether Book Reviews
"Carl Hancock Rux provides a deep look at disturbed individuals in environs in which no one can dodge a world on the abyss."

In the lush heady atmosphere of a house party in a decaying Brooklyn mansion Racine mixes A Tribe Called Quest, Arvo Part, Rakim and Mary J. Blige. The DJ moves the crowd through a throbbing bass line. Loc's, Betty Paige bangs and sheared heads abound in the rich aesthetic of the underground in a post-war New York. The nuances of the urban moment and the self-discovery of colorful characters provide the backdrop for an artful piece of literature for the hip hop and neo-soul generation.

Racine is the quiet DJ who deftly blends genres and sounds and expresses himself through his wheels of steel. He finds himself in the deteriorating yet vibrant post-war Brooklyn after the death of his older brother and dearth of love under the care of foster parents in the south and New York City. While finding lodging in a neighborhood devastated by poverty and despair, he meets a band of intriguing souls. Manny, the ambiguously gay free spirit with a penchant for architectural history, Mawepi the stout bouncer and translator for the clairvoyant Holy Mother and Couchette, the scarred dancer mired in denial comprise his new family.

Immediately Racine finds himself creating the sonic backdrop for intense parties, orgies and conversations while Manny and the other residents chase their dreams in a transitional New York. Couchette is the troubled spirit with whom Racine shares physically intimate and emotionally frustrating moments. The story weaves in depictions of Racine's childhood, including his experiences in fostercare and ultimately forces a young man to reconcile his past and move on.

Rux infuses a tale set in a modern urban environment with ancient Greek mythology that informs several themes in the book. Racine the character is influenced by Hippolytus' Phaedra which was re-written by J.P. Racine. The story of a young man who is physically dismembered by a monstrous force on his journey is a recurring thread throughout Asphalt . The characters have to lose parts of themselves that they may not be aware are hindering their growth, in order to move on. And the personalities in Asphalt all employ different strategies for abandoning experiences that have consumed and distorted their views of reality and themselves.

As an Obie-winning playwright, spoken word artist and now novelist, Carl Hancock Rux has a masterful use of language which is evidenced throughout Asphalt . His description of a taciturn woman lying on the road and an intimidating lanky street orator selling socks are examples of the imaginative supporting characters. Similarly, Rux 's portrayal of the glorious yet depressed New York and the intensity of Racine's past, deeply orient the reader. At times the language is a bit too cerebral which obscures the clarity of events. Yet the descriptive quality of Rux 's work differentiates him from other contemporary young authors. Asphalt is compelling due to its complex and beautiful handling of topics such as child abuse, sexuality and the urban environment. Ultimately, the empirical emotion Rux integrates into his work coupled with his gift for prose makes Asphalt a challenging yet intriguing read.

Eye-opening read that explains very clearly why and how the political "system" either co-opts or sidelines the Congressmen you hoped and expected could be the honest ones who would effect "change..." This gives the reader a very good understanding of the problem we face today.

Dr. Coburn is one of only a few congressmen who "gets it". Future generations of Americans will look back with anger at how the baby boomers ate their seed corn and saddled them with trillions of dollars of debt. Hopefully, they may appreciate the efforts of Dr. Coburn, who was one of the few who argued against all of the fiscal insanity going on in Washington today.

This is truly inspiring. It will open your eyes to the world of Washington and inspire you to make a difference. Please visit the the web site for Americans for Limited Government in which Sen. Coburn was chair

This book, based on the reviews here, is self-righteous pablum with little factual substance. A better, book, one that I've actually read, is Chris Edwards - Downsizing the Federal Government (Cato).

This is one of the most rewarding and enlightening books I ever read. It was a real sleeper as far as publicity goes, but everyone should read this book. Liberals who just scrunge up their faces when they hear Senator Coburns name, should think again and read this book. Senator Coburn is a very conservative republican, but he does not rail against liberals or democrats in this book. He must have rightly figured to do so would tag the book as a typical partisan effort. Instead he exposes what the Republican party establishment does and goes after Republican leaders. He only mentions Democrats when he has to in relaying information about any particular congressional bill. He surely didn't win any friends in congress when he exposed the inner workings of that body. Politicians quickly (if they didn't sart out that way) transform into playing the power game. Everything becomes about power and not what is best for the people. The bribes, strong arm tactics, threats, play along to get along, we'll do the right thing later, gotta secure power now kind of shenanigans. You definately do not have to agree with Tom Coburn politically to appreciate this book. It's great to get a birds eye view on why our government does not work. I can see what congress is doing and not doing now and understand why thanks to having read this book. The establishment doesn't want you to read this book, but do yourself a favor and read Breach of Trust. We need to shake things up in Washington and elect new people. In fact Mr. Coburn talks about the 20-25 in congress who stick to their principles and truley work to do the right thing. It's good to know who they are. Let's get a majority like them. To get a feel as to how to do that it helps to read this book. This is eye opening stuff. Thank you, Senator Coburn.

A dear friend of mine had this book and I was intrigued. Although he had an edition that was dated back in the 50's, it was very worn out with its brown loose pages. Depsite that, I read some of the greatest poems that you can imagine and some familiar ones that I knew but not in its entirety. They were some of the most beautiful words written on paper. I decided to get my own copy and got a new edition for my friend and was thrilled with emotion. I knew I gave my friend a renewed treasure that he can now read without worrying about the pages falling out of its binding. I truly recommend this book of poems to anyone who really wants to feel well written words in verses that are truly beautiful and memorable. Get this book!

As with all anthologies, there will be a number of reviewers sniffing in an offended manner at the dearth (or glut) of Cummings, Yeats, Aiken, or Pope, but any 600 page anthology, by it's very nature, must be incomplete. I purchased this compilation three years ago for long flights and such and it has yet to disappoint. For the size and price of this work, one would be hard-pressed to do better.

As for content, all the major poets are more or less liberally represented. Cummings gets short shrift, and several of Yeats' most memorable pieces "An Irish Airman Forsees His Death", for one) are excluded. Yet I am certain novice and old hand alike will find this work passes the time admirably.

Having been with me through several housheold moves, military action, and cramped backpacks no self-respecting piece of literature should have to endure, my copy is now fairly falling apart. Yet when it expires, I will buy another copy. No other anthology, especially in terms of price, convenience, and memories, could ever compare.

As other readers have said this anthology contains selections from the great poets of the English language from Beowulf to the middle of the twentieth century. It is the kind of book which can be read and reread for years upon years. I would however take exception to the claim that it is the best anthology of its kind. It does not have explanatory material provides no introduction to the poets, no interpretation of their work. There are other anthologies ( Among them ' The Concise Treasury of Great Poems' by Louis Untermeyer) which do so. Nonetheless the bottom line is that this Anthology contains very much of the greatest poetry in the English language.

I too love this anthology. A passionate love of poetry has been part of my upbringing. Let me say that both my mother, Gene Derwood, and Oscar Williams, my biological father, contributed to the selection of the greatest of the great poetry of the English language. Thus we have the contribution of a husband and wife team. Reviewers have mentioned updating this volume, but what has happened is that modern poetry writing no longer follows a firm tradition. Modern poetry is a shotgun blast. There are no recognizable standards for universal selection. Plath is recognized because you cannot divorce her from her suicide. Ginsberg you cannot divorce from his beard and little clanging bells, a media invention. Bob Dylan you cannot divorce from his being a song writer and media invention. If you are not a media invention and only a poet, what chance do you have? So Immortal Poems represents classic taste before media took over the American mind. The media is immortal these days, not poetry. Selecting from contemporary poets not using traditional standards would be difficult to do. I would still love to do it. For those interested in Oscar Williams there is information now available on the web. Just search it with oscarwilliams and see what their world was like in the twentieth century.

I have several books of poetry at home, but this one is my favorite. It is a good collection of poetry from the time of Middle English to almost to the present. There are a few modern poets I would like to see included that haven't been yet. Maybe someday someone will update this wonderful volume.

It starts with Middle English poet extraordinaire Geoffrey Chaucer, with excerpts from the Canterbury Tales and other writing. I would like to have seen Beowulf and some Old English poetry included. There are excerpts from anonymous poets of Middle English leading into the "Shakespearean" times where English is becoming more modern.

Shakespeare of course is well represented, with passages from plays as well as poems and sonnets. This is true for some others like Marlowe, too.

By the time after the Elizabethean period, English poets were not confined to England. There are Celtic poets like Robert Burns of Scotland, Dylan Thomas of Wales, and several Irish poets and American poets well represented in the later part of the book.

The poets are arranged chronologically in the book, but there is are indexs of titles and poets alphabetically at the end of the book for cross referencing. This book has over 600 pages, but it is still a small paperback and will fit in a coat pocket, which is where my copy often lives, dog eared and highlighted all over the place!

I had heard of most of the poets in this collection before I got the volume, but there are some I hadn't heard of and am glad to know. This is an excellent beginning collection, easy to carry and easy to read. Being a mass market paperback, the printing is not the best, but the poetry certainly is.

This book is one of my new favs. It's a great story, and it made me smile. It's a bit diffrent from the movie, (the ending) but it will make you laugh.

but with a few twists here and there and much more in the way of detail and character development. Lots of fun, humor and really allows you to understand more about the cultures involved.

The narrative by the precocious (and somewhat obnoxious) high school girl Momoko Ryugasaki begins with a lengthy tutorial on everything that you could possibly want to know (and perhaps a good deal more)about the sixteenth-century Rococo origins of the Lolita style. She doesn't particularly care about what the reader (or anyone else) thinks, but her candor and perspective on life is endearing enough to keep one reading.

She is a refined and fashionable young lady who circumstance has sadly stranded in a rural and distant suburb of Tokyo. But it also leads her to Ichigo Shirayuri, a tough, yanki biker chick who, at first, seems to be Momoko's exact opposite. Through this odd relationship, Takemoto crafts a story with remarkable subtlety and power. In spite of his incredibly detailed knowledge of the Lolita and yanki lifestyles, his real genius is his understanding and portrayal of human nature and relationships. Just as the bond that forms between Momoko and Ichigo grows to transcend their differences, the real meaning of the story deepens to expand beyond the bounds of culture and lifestyle. And from a reader who has little interest in fashion or motor scooters, Kamikaze Girls gets a five-star rating and a place among what I consider the masterpieces of modern Japanese fiction.

awesome book. one of those books u can finish in one sitting cos its just so entertaining! definitely a one of a kind story. i wish there were more books like this one.

I hesitate to call this a light read because I came away from the novel having learned something. There are several underlying concepts that at several points in the novel made me stop and think.

Momoko, the main protagonist, is a lolita obsessed with the designer Baby, The Stars Shine Bright. She subscribes to the lolita lifestyle 100%, even though she gets weird looks and comments. One can see Momoko's life philosophy in the way she lives her life and the things she says. For example, when Momoko says, "People have different values. I don't think the convictions and philosophies of people who become doctors to save the lives of poor people in developing countries are superior or inferior to those like myself...." p.41.

Many of Momoko's actions and comments (including the one above) remind me of the philosopher Frederich Nietzsche. Momoko's reality does not fit with that of the life that she wants (instead of rows of gorgeous fields she has rice paddies). But while at first she comes off as a romantic idealist, she is very in touch with reality (being more grounded and logical than Ichigo). She creates her own meaning for her life.

Ichigo on the other hand is a yanki, and not as enlightened as Momoko. But, like Momoko, she subscribes to a set of values and has impeccable integrity. She comes off as rough, but she's very loyal to those she cares about. While Momoko doesn't know what to make of Ichigo at the beginning, I think Ichigo's authenticity and integrity draws Momoko in.

The similarities between these two characters become more obvious as their relationship develops. As Momoko notes at one point, both girls celebrate extravagance and individuality in their own ways. Both are true to themselves.

Kamikaze Girls was both entertaining and enlightening. Definitely recommended.