New York Books

My son (2yrs) got this book and loves it so much!
the colors and real life action!!

he loves to watch kids do karate!
i recommend highly!

This is a great non-fiction about Chinese New Year, for ages 4-12! The text is simple enough for younger children and detailed enough to really be informative for older children. Following a young child through his preparations for the celebration immediately brings young readers (and listeners)into the story. Vivid photographs of familiar and novel scenes help children to relate to Ernie Wan while learning about a significant aspect of his culture. Rather than lecturing the reader, this book invites the reader to share in one boy's celebration of the Chinese New Year while teaching about the holiday at the same time. This book has been well-loved by my children (now ages 8, 10, 12) for many years. We are now on our second copy of the book! It comes out every Chinese New Year, and even some other times through out the year. My children often ask to take this book to school to share at Chinese New Year. (Bonus: inside the back cover is an explanation of the Chinese zodiac with years and personality traits.)

Follow Ernie Wan and his family throughout a traditional Chinese (Cantonese) New Year Celebration! Colorful photos and detailed text provide good insight to a fascinating and beautiful culture! Photos of New York's Chinatown and Chinese schools are accompanied by cultural facts. From kung fu school to New Year traditions, this book is more than I expected. The Lion Dance is covered very well, but is certainly not the sole topic of this outstanding book! Ages 4 and up.

For my preschool class, I am pairing this book with an 11' long paper dragon and a stuffed dragon puppet. The children will be making paper lanterns and sampling various Chinese foods. They should really enjoy the unit on Chinese New Year!

Gung-Hey-Fat-Choy! Happy New Year!

If you have small children,their first encounter with the lion can be the stuff bad dreams are made of. Our 16-month-old son was both frightened and intrigued by the lion that came to the Chinese restaurant where our friends' son was enjoying his first birthday. The book follows Ernie Wan through his preparation to his first lion dance one Chinese New Year's day in New York's Chinatown. You see the customs and rituals that lead up to his debut. More important, you see the closeness of his family and the value of rites of passage in gathering people together. My family is not Chinese but my wife and I have immigrant parents. If you are trying to demonstrate why maintaining your cultural heritage is worthwhile, Lion Dancer will support your cause. My son literally drools on the pictures of the Chinese dishes and the kung-fu kicks of the lions amid the firecracker smoke. If I have a single criticism, it's that the pages of this paperback will fall out after repeated reading. And if I'm entitled to menion one mature indulgence, the book includes a section describing the personalities of the various animals in the Chinese lunar year. You might agree that the year you were born is more telling than the month.

I thought the book was very interesting with wonderful pictures
for children to look at. Despite being written for children to enjoy, it gave some insight to anyone, curious about this aspect of Chinese culture.

Carol Lea Benjamin has been a dog trainer and private investigator. Her heroine, Rachel Alexander, a dog-trainer-turned-PI, comes from a traditional Jewish family that disapproves of both her occupations. Like Rachel's family, and like Rachel herself, we readers find ourselves asking, "How did she get into this?"
The Long Good Boy is sixth in the series featuring Rachel and her sidekick Dashiell, a superbly trained pit bull, with guide dog certifications that let him stay close to Rachel wherever she goes. And Rachel needs help when she enters Manhattan's meat-packing district to help three transvestite hookers find out who murdered one of their friends -- and whether one of them might be the next victim.
Rachel learns that another murder took place nearby, just the night before "Rosalinda" was murdered. Coincidence? Not likely. Determined to unearth the connection, Rachel goes undercover in a part-time sales job at Saks, finds creative ways to, um, release the files she needs from the meat company, and takes to the streets for a brief but memorable stroll.
Benjamin always plays fair. Dogs don't talk or solve crimes. Any top-dog trainer could turn Chi-Chi's tiny dachsund, Clint, into a competent burglar when Dashiell turns out to be the wrong size. Dog lovers will recognize Clint's expression after the first training session: "Thank goodness somebody finally realized I have a brain."
Benjamin's vividly depicts a world most readers would just as soon not know about: "tranny" hookers trying to earn money for dope, getting into strange cars, negotiating with "pimps" who are not much into employee relations. Yet the characters are portrayed three-dimensionally, sympathetically but not sentimentally. And somehow Benjamin manages to maintain the style of a "cozy" mystery in this totally un-cozy setting -- the sign of an author who is very much on top of her craft.

Rachel Alexander suffers from insomnia, which leads to an unusual job with transsexual prostitutes who are concerned about the murder of a fellow working girl. Shadowy intrigue and urban noir mingle in this mystery which offers many twists and turns.

Carol Lea Benjamin has been a dog trainer and private investigator. Her heroine, Rachel Alexander, a dog-trainer-turned-PI, comes from a traditional Jewish family that disapproves of both her occupations. Like Rachel's family, and like Rachel herself, we readers find ourselves asking, "How did she get into this?"
The Long Good Boy is sixth in the series featuring Rachel and her sidekick Dashiell, a superbly trained pit bull, with guide dog certifications that let him stay close to Rachel wherever she goes. And Rachel needs help when she enters Manhattan's meat-packing district to help three transvestite hookers find out who murdered one of their friends -- and whether one of them might be the next victim.
Rachel learns that another murder took place nearby, just the night before "Rosalinda" was murdered. Coincidence? Not likely. Determined to unearth the connection, Rachel goes undercover in a part-time sales job at Saks, finds creative ways to, um, release the files she needs from the meat company, and takes to the streets for a brief but memorable stroll.
Benjamin always plays fair. Dogs don't talk or solve crimes. Any top-dog trainer could turn Chi-Chi's tiny dachsund, Clint, into a competent burglar when Dashiell turns out to be the wrong size. Dog lovers will recognize Clint's expression after the first training session: "Thank goodness somebody finally realized I have a brain."
Benjamin's vividly depicts a world most readers would just as soon not know about: "tranny" hookers trying to earn money for dope, getting into strange cars, negotiating with "pimps" who are not much into employee relations. Yet the characters are portrayed three-dimensionally, sympathetically but not sentimentally. And somehow Benjamin manages to maintain the style of a "cozy" mystery in this totally un-cozy setting -- the sign of an author who is very much on top of her craft.

Rachel Alexander is on her strangest case yet. He is hired by three transvestite hookers to find the killer of their friend Rosalinda. The manager of the local meat plant was killed the same night, and Rachel thinks there is a connection.

This is a very taut thriller. I couldn't put it down. The characters are bizarre and very real. I can't wait for the next Rachel and Dash mystery.

Carol Lea Benjamin has written a crime novel that excels in many dimensions. It is a brilliantly plotted thriller that will keep your heart pounding up until the last word; her characters are so distinctive and quirky that you'll wish they were real and you had the chance to know them; her usual humor is as evident as ever; and, of course, the dog stuff is as informative as it is appropriate to the story. This is Ms. Benjamin's grittiest novel to date and a good read for any mystery lover.

This collection of vintage postcards, with a well written history of the Hamptons, was a lovely surprise. I bought this initially as a gift but kept it for myself and ordered a second copy to give away.

I lost my two pet hamsters, hampton and hampton. I thought this book would help me find them. It didn't, but the pictures were so pretty, I don't care about my hamsters any more.

Steven Petrow's beautiful book on the Hamptons brings that part of the world -- some of which has been lost to time -- to brilliant life. His well-researched and concise history makes the colorful postcards seem even more vivid in their depiction of the lifestyle of the Hamptons. As a history buff, the book satisfied my appetite for learning the Hampton's story; as a casual reader looking for something to flip through on a lazy summer afternoon, I have found myself coming back to this book again and again. As Cole Porter might say, it's a de-lovely depiction that I am going bring as a treat to my East Coast friends when I visit them.

The Lost Hamptons's combination of text and postcards perfectly captures the mood, light, homes and society of a gracious bygone era. Spend a few hours with this beautiful book and experience the Hamptons in all their historic glory.

My family and are planning a vacation to visit the Hamptons area later this summer. I picked this book up with the hope that it would give us a good basic historical overview about the area. It turns out this book is so much more than a standard history. The vintage photos that were collected for this book are so vivid they literally reach out and "touch" you and send your mind reeling backwards in time - a time that is seemingly "lost" as the author refers to in the title of the book.

This book will now be a companion guide for me and my family during our trip. We plan to seek out as many of the places pictured in the book and find out what they look like now so we can build a "before and after" album of our trip.

The book was good but would have been better if the stories were not so disjointed. The common denominator was the Lake and the stories were interlinked because of those who lived there or where they originated from.

Not much to add to the reviews below, aside from the fact that I agree with them completely.

Slouka's writing approaches poetry in its effect. Beautiful.

Mr. Slouka is a fine writer. His words are beautifully strung together, his vision of the world elevates the mundane into poetry. For this reader, such writing is much like a fancy cake or bonbon ~ the gorgeous product of excellent talent and grand effort. Best read in small, savored bits. Recommended.

This book brought me more reading enjoyment than any I have read in a number of years. Slouka has a talent which only some short story writers possess--the ability to pull you into the narrative with the first sentence or two. The character insights are first-rate and each story is a polished jewel.

A great read!

This collection of essays and short stories is poignant. My eyes frequently teared over. It is rare, I think, to find lovely, melancholy tales that question love and sense of place and are written in a male voice from a male perspective. "Lost Lake", due to the finely crafted writing and the emotional chords it struck, has now been placed in a section of a bookcase where I safely guard two dozen books that are very important to me. Highly recommended for all readers, but particularly for men who see the world with a sensitive perspective, and who search to provide themselves with an emotional sense of time and place.

My wife brought this book home and I happened to read the first page. Could
not put this book down. Very simple story about two very mismatched people
and what happens when they start to live their lives together. It is a very
quirky love story and not something I'd normally even pick up , but I kept turning the pages to find out what happens
next to Gabe and Eliza. At first I thought the power of the writing was
because the author didn't use adjectives but she does use adjectives. She
just writes in a very spare manner and nothing you could imagine her
characters saying is ever said because the author knows we have already imagined
the words they should say so why say them. And then the characters say and do something we never
could have dreamed they would do.

Loved the book.

Elisa is such a interesting character that i read this cover to cover. Gabe could have used a little excitement however, but reading his point really evolved Elisa in my mind. She handles her disease a little too lightly, maybe making it less scary that it really is. I really did enjoy this book, constantly waiting to see what Elisa would do next.

"Lucky Us" is a very slow, careful exploration of a relationship that, by all accounts, shouldn't succeed. To start, this is a vast difference in age between Gabe and Elisa and ultimately, there is the decidely immature way in which Elisa behaves after she discovers that she has a serious disease.

Pairing these two individuals, Joan Silber skillfully constructs a story that acknowledges the gaps, but emphasizes the shaky platforms that bridge the differences. This is a love story that contains some hard truths; I appreciate how Silber conveys how people can act hurtfully even when they love someone dearly.

Elisa's behavior is often sour; Gabe is the character who imbues the novel with its sweetness. His maturity is stronger and steadier than Elisa's foolishness, and will anchor them through the deepest waters.

My hesitation with the book, however, is that Gabe is so unwavering that he almost seems like one of those perfect Ayn Rand characters! I realize novels are not held up to any literary requirements as far as truthfulness, but I think Silber would have delivered a stronger story had Gabe wrestled with some doubts before he embraced Elisa and her complicated demands on his love.

"Lucky Us" is a great contemporary love story. I randomly selected this novel from the library, and I found myself unable to put it
down. The story was intriguing and exceptionally touching. Gabe and Elisa are an incrediably mismatched couple that face the pressures and problems of modern day relationships. You'll find yourself curious to know the outcome of Elisa's attitude towards life after being infected with HIV. Along with how this issue will affect their future as a couple. Also, will their past burdens affect their personalities, decisions, and roles in life? Joan Silber's lively characters and lovely prose make every page of this book a pleasure to read.

"Lucky Us" is a great contemporary love story. I randomly selected this novel from the library, and I found myself unable to put it
down. The story was intriguing and exceptionally touching. Gabe and Elisa are an incrediably mismatched couple that face the pressures and problems of modern day relationships. You'll find yourself curious to know the outcome of Elisa's attitude towards life after being infected with HIV. Along with how this issue will affect their future as a couple. Also, will their past burdens affect their personalities, decisions, and roles in life? Joan Silber's lively characters and lovely prose make every page of this book a pleasure to read.

This book is a masterpiece. I hope he rewrite his book and add pictures into the book. Good story and lots of classic recipes. Sometimes, I wish he has not retired yet & keep his restaurant opened.

This is one of the best and most useful cookbooks by a great chef that you are likely to find. Too often such books aren't suited for the home cook and are more about ego than food. That is definitely not the case here. Andre Soltner was the owner and chef of the renowed Lutece, a New York institution, for three decades. In this book he shares some of the history of the great restaurant as well as his Alastian heritage. The focus of the book, however, is the food. Significantly, Soltner recognizes that he is writing for the home cook. He thoughtfully provides tips on how to find ingredients or acceptable substitutes for those of us who don't have access to an exotic wholesaler and suggests the best kinds of kitchen accessories to use. It is obvious that Soltner cooks these recipes in his own home. You don't need a first class professional kitchen to enjoy these recipes. Also, the recipes are designed for suitable portion sizes; these aren't recipes to feed a crowd that have been shrunk to fit the cookbook. Just because this book is practical, however, doesn't mean that it doesn't focus on the most sophisticated kind of food. There is plenty of classical French cooking in this book, but it all seems like something you can accomplish in your own kitchen. There are plenty of things in here that you won't want to cook - there's an abundance of organ meats - but you will thoroughly enjoy anything that you do prepare. This is a great addition to any kitchen library.

If, like me, your idea of culinary hell is quinoa blini with kimchee "tartare", wasabi sorbet in a pesto tuile, and a two-inch stick of "roasted" tuna on an acre of herb sprigs, then this is the cookbook for you. Soltner's recipes appear remarkable today, since they are both delicious and totally unpretentious, almost simple. These recipes are classically French, from the Alsace region, and despite the fact that they were regulars in one of the world's greatest restaurants, many are also easy to prepare. There is neither fusion nor fussiness in this food, just respect for good ingredients and some tried and true techniques. You don't need to be a highly experienced or highly equipped amateur to try many of these; all you need is a bit of patience and a good appetite. Try the mushroom-Gruyere salad or the grilled trout. Of course there are some very sophisticated and difficult dishes as well. I never ate at Lutece and probably neither did you, but at least all our favorite entertainers did. So if you like true French food and would rather beat eggs than fend off paparazzi, you should buy this book.

After graduating from college I started to cook for myself, primarily so I could eat a healthier diet. Two-odd years and many barely edible messes later, I find myself starting to develop a cook's intuition: what brand names provide better ingredients, what substances are NOT adequate substitutes (the cliche being baking powder vs. soda), when proportions are balanced, how much time recipes take, and so on.

When I picked this book up after failing to find Bourdain's "Les Halles" cookbook in the library, I wasn't expecting anything special. Later on I took the time to flip through most of it and was intrigued. Finally I tried the Rhubarb Tart recipe and BAM! -- I was amazed. As other reviewers have mentioned, Soltner has an unerring sense of harmony, and most of his recipes call for (relatively) basic ingredients.

After reading the book in depth and trying a few more recipes, I felt in awe. This was clearly the best cookbook I had ever come across, beating out even Marcella Hazan's "Essential Italian". To name several of many reasons:

1) Soltner started cooking before my dad was born, and clearly maintains a respect for the terrines, quenelles, and mousses that characterize classic French cooking. But as he admits he adapted the best parts of food trends throughout the years, and even includes some childhood favorites and regional specialties from his boyhood in Alsace. (Incidentally, Alsace seems to have produced more than its share of world-class cooks...) So you are as likely to find a recipe for inventive pike sausages or Alsatian potato pie as something with sole or truffles.

2) The recipes are clearly chosen for the home cook. There are complicated recipes, to be sure, but without the showy intricacy common in Thomas Keller's recipes or, say, the "Babbo" cookbook, where long and careful preparation leads to just one small dish. Every recipe offers plenty of "bang for the buck".

3) The introductory material is fascinating. It includes a description of the trademark atmosphere of Lutece, a "day in the life of" recorded before Soltner retired, some musings from Soltner himself, and a concise but thorough discussion of the most common ingredients and techniques. Through it all you get a sense of the warmth and hospitality that characterizes Soltner both as a cook and as a person. And the wry, lighthearted comments continue throughout for most recipes.

A few final words of praise. The presentation of the book is nigh-perfect. Large enough to be readable, small enough to contain a slew of recipes covering the main categories of French cuisine. The directions are precise, the ingredients proportions correct, no glossy images take up space but there are occasional hand-drawings.

Getting back to my own experience, I don't think that I could have fully appreciated "Lutece" a year ago. Every single recipe is worth making. And what's more, Soltner has this remarkable way of pointing out the subtle, yet important, details for each recipe (for example the exact butterfat content necessary in chocolate for the Chocolate Tart). Yet he is not too fussy, often suggesting adequate substitutes for more rare or expensive ingredients such as morels. Use this book, eat well, and become a better cook.

Mr. Soltner, my deepest respect to you for your marvelous work, both in the kitchen and in print. And Mr. Britchky, my heartfelt thanks for convincing Mr. Soltner to produce this book. I would be minus a culinary gem without it.

The collaboration between Britchkey and Soltner is a long one and began when the former became a food critic at large. He continually gave Lutece the highest award year after year for the very reasons found in this book: No fancy dancy, inside out topsy turvey "presentation", no exotic mixing of Indian and Southern cooking, no "tricks". What he admired was the sheer artistry behind the dish, the always fresh ingredients, the simple yet complete recipes that harken back to the chef's days as a boy in France and in particular, the Alsace region.

Many of these offerings are peculiarly French with ingredients that may not be common to average American cooks. Yet almost all can be prepared at home with a little bit of time and effort. This is NOT food for the diet crowd although Soltner's use of creams and butters and oils is entirely reasonable and serves to accentuate rather than hide flavors. Particularly appealing are the many stories of his childhood and early cooking days that are shared throughout the book.

Teaching history should never just be about memorizing names, events and dates. It is about something so much more ?" it is about, among other things, the lives of people past, present and future. Unfortunately, many educators are stuck using texts that concentrate on the didactic and rarely ever stimulate students in an affective manner. Recently I introduced excerpts from Mr. Lipiner?s book, Magyar, Stars & Stripes, to my Western Civilization class to supplement our current text?s generalized and very formal account of World War II. In discussing the excerpts ("The Russians are Coming") in class I found that students became more engaged in our unit on World War II then previous classes that used only our text. In addition to this, and something I had not anticipated originally, was the different historical perspective provided from the excerpts of Magyar, Stars & Stripes from our class text. Our text provides a viewpoint of World War II that is very American as opposed to Mr. Lipiner?s perspective that is uniquely European.

Let me be clear - one need not be a history teacher or history student to enjoy this book. I enjoyed this book for its profound implicit statement - our American culture is a conglomeration of many personal stories. Magyar, Stars & Stripes happens to be just one of those stories that is very well told and documented. Perhaps what I enjoyed most about this book is the undeniable passion and conviction in which it is written which is a deserving tribute to a truly remarkable man - Alexander Taub.

As I read Lipiner's recount of his grandfather's journey and struggles, it occured to me that this should be on every student's required reading list. It depicts a holocaust survivor's odyssey from his Hungarian homeland through Nazi Europe, back to his home, and eventually to the land of opportunity, America.

As a Greek-American daughter, whose parents lived through the Greek Civil War, I could relate to this book on many levels. Sandor's stories were heartbreaking and compelling, as many war stories are. I couldn't put this book down. I wanted to know, what happened next. Who would live? Who would die? My heart broke with each chapter, but then again, I also laughed at how Sandor sometimes viewed the world around him. Michael Lipiner took us through the Holocaust and into the present with the ease of a master story-teller. This book is a wonderful tribute to his grandfather and his heritage!

This is a touching, sad, happy, amazing story. The ability to hear the story through the survivor, Alex Taub's, own words (his often charming broken English) is one of the many reasons this book is unique. The pictures and vivid details make it easy to care about the other survivors portrayed in this book. More than simply the story of a Holocaust survivor, Magyar, Stars & Stripes is an emotionally touching story about hope, family, love and survival. It's a remarkable story with great meaning and I recommend it to people of all ages and backgrounds.

"Hate is no good because [from] the hate comes out trouble. More trouble. Someone hates someone, more trouble come. Nothing come out good: never."

This is one of the many quotes from Alexander "Sandor" Taub as transcribed by his grandson in this very poignant book. It is amazing how much suffering the human spirit can handle while still being open to love and hope. So many times I have whined and complained about the inconsequential annoyances of daily life. In reality, I have never known true suffering.

This is just one man's story. One story that is similar to so many others. We are lucky we have Alexander Taub to speak for many of the other 6 million victims whose stories will never be heard. This book should not be missed.

It's a memoir about Cantwell being in her 20's and 30's in NYCity -- time period is 1950's and '60's. Very good. I thoroughly enjoyed it. Her writing is really good.

The other reviews told what the book was about. I just wanted to add to their comments by saying that I couldn't put the book down and was sad when it ended. Her words flowed so beautifully.

The late Mary Cantwell charmingly recounts, in this 3 books in one volume paperback, her years growing up in a small New England seaport town and her youthful foray into the 'glamourous' magazine world of New York City in the 'fities. Sane, sensible and warm nostalgia--without being saccharine. Beautifully written. A must for the literate and for New York lovers-- especially those who remember the days!

Mary Cantwell's Manhattan Memoir is three books in one but you will never tell the difference. The stories flow together as Cantwell's memoir's cover her life. Cantwell takes you through a stroll in Manhattan. The good times, the struggles. The best memoir I have read. This is that book you will tell all of your friends about. Cantwell is a fantastic story teller.

Mary Cantwell bares her triumphs and joys as well as her shortcomings and insecurities in this collection of three memoirs that span her childhood, early adulthood, and middle- to late-adulthood respectively. Cantwell lead a wonderful, if unremarkable, childhood in an enviably Rockwell-esque seaside town - her depiction of her life through high-school is a real joy to read. Upon graduation from college, Cantwell hits the "Big City" appears to have forgotten some of the lessons learned in her idyllic childhood, however, she still manages to snag a plumb job with Mademoiselle Magazine and occasionally interacts with literary legends with her ambitious young husband. In her later life she is given interesting writing assignments and carves out a life for herself in Lower Manhattan, however, I found it discouraging that she wallows in the collapse of her marriage (which never appeared to be very strong), often to the detriment of her two daughters. I kept wondering how a woman with such a strong background could have allowed herself to sink to the depths Cantwell periodically allowed herself to hit. Regardless, she is not ashamed to remember less-than-glamorous moments in her life (which also include being jeered by fellow classmates as an elementary school student and suffering from paralyzing fits of self-doubt as a young career woman) - these are the events that have made her what she is.

It must have been incredibly therapeutic for Cantwell to write these memoirs. All three books can be seen as a view of the author's life from within her own head. Her message is simple: accept me for what I am. "Manhattan Memoir," in addition to being the story of Mary Cantwell's life, it also about trying to be true to oneself when one isn't always sure what that means. By writing her story, Cantwell examines her life and tries to learn from her experiences - and it can make the reader start to think about his/her own life as well.

While Cantwell's life is not particularly fascinating or different in itself, her writing style and manner of portraying her experiences are magical and riveting. She describes the joyous and painful events of her life in an easy, engaging manner - it is as if she is talking about the past with old friends. She manages to make the mundane fascinating. She also has a real gift for engaging the reader. I wasn't sure if I liked her writing style at first - Cantwell writes almost as one speaks - but within pages of beginning the book I became used to her rambling style and truly enjoyed it.

This book provides an added plus for those from or familiar with Rhode Island and/or New York City. It was fun for me to recognize the addresses of Cantwell's Manhattan apartments and know that the places she frequented, I often go to today.

I was home at my parents house recently for a wedding of a friend. In searching for a t-shirt to wear in my sisters closet I came across a box of books she had used for a children's literature course. Among them was this book. I instantly remembered it being one of the very first books I learned to read on my own. For hours I would read this book over and over pretending I was the little boy in the book being scrubbed by all the different stations. I was so happy to find the book that I immediately grabbed it and put it in my suitcase. I can't wait to for my son to learn to read, I'm sure it will be his favorite as well!!

This was my favorite book when I was a kid back in the 70's. I purchased this for my 5 year old nephew who is learning to read. He likes it too. While the words are repetitive, it reinforces what he is learning as he reads. The pictures are the best part and it is fascinating to see this boy with his mud washing machine contraption, getting cleaned up for dinner. He truly enjoys it and I think it is his favorite too.

I have looked for this book for years, it was one of my favorites as a child. I would definately recommend it to any reader, young or old. It brings forth the imagination and carries the reader back to those delightful days when getting dirty was all that mattered.

I have looked for this book for years. My mother use to read this book to my brother, sister and me. Now that I have a two year old daughter, I wanted to share with her this wonderful book. This book is great for boys and girls. It is worth spending money on, because it can be passed down through the years. Beautiful Marvelous Mud!

This is a book that I enjoyed as a kid. It is the perfect book for a young reader. If you are lucky enough to come across this book it is a definite good deal. Any child would love to read of the boys love of mud and his amazing washing machine. With so few words and the constant repetition it is child friendly.

When I was in the fourth grade back in the 1950's I picked up, for 25 cents, a copy of "The Melendy Family", donated by an eighth-grader who evidently felt she had "outgrown" it. I wonder, does one ever outgrow this book? Almost 50 years later I still have it, read to shreds, patched and repatched with scotch tape, a book to be treasured forever and never thrown away. Elizabeth Enright told the story of a family of four children with such freshness and originality that she still received letters years afterwards from young readers wondering if the Melendys were "real". Enright set her story during the second World War and the three books comprising this volume span a time period of less than two years, from early 1942 to late 1943; but they are chock full of enough fun and adventure to satisfy any youngster -- or oldster -- fortunate enough to get hold of it. Holt publishers should do the world a favor and reprint this book as soon as possible. It's a gem for every child and every generation. I still marvel at the priceless find I picked up off a bookshelf at random 50 years ago for only 25 cents. It's paid me back a zillion-fold ever since.

I did not have the good fortune of reading about the Melendy's as a child. I discovered this book at the ripe old age of 39! I was in our local library just before a car trip, looking for books on CD to keep my children occupied while in the car. I chose "The Saturdays" because of the cover art on the front of the CD box and the cute description on the back. We didn't listen to that CD until the trip home. My children were silent (yes, silent) for over 4 hours. They were so very involved in the story. When it was over, they talked about aspects of the story they most enjoyed. It was a homeschool mom's dream. (my kids are 11, 8 and 8). When we got home and things were once again settled, I ordered the books that were available from Amazon, but I couldn't get "The Melendy Family". So, I got it from the library. I read it over the next two days. I'm struck by such unspoiled innocence. My Melendy books should arrive today and I will start reading the stories to my kids. After being an avid reader for, well, about 30 years, I am just now discovering that some of the best, most poignant fiction is written for children.

I read this book over and over as a young girl. My public library had the book in a Hardcover Complilation of the Three Stories in Sucession. I must have read it every summer, losing myself in the adventures with the children in this family. I have been looking for this book for my own daughter to read and have been unsucessful in finding it in any local library. I am truely looking forward to getting a copy of it for her to read. A must Read if your child is an avid reader!

A truly timeless work. Elizabeth Enright captured the essence of childhood in the war years of 1940. But the characters and the well defined relationships between them are truly timeless.I first met the Melendy children when i was in the fourth grade, I found the compilation of the first three books in the West End School library, In San Rafael Calif. This was in 1958 or so, and i still have that copy of the Holt, Rhinehart, and Winston edition.Starting with "The Saturdays" Madam Enright takes right into the thoughts and emotions of a magic time, and the Melendy childrens creation of the " Independent Saturday afternoon adventure Club". What has always amazed me is how real they Melendy children and their family become to the reader. The illustrations in this edition are done by the author herself,And each of the Melendy children has an adventure that is custom made for the individual child. its wonderful!
( Elizabeth Enright was an accomplished artist and related to Frank Lloyd Wright)
It doesnt take long for the reader to loose ones self in the Melendy childrens world. "The four story Mistake" introduces us to the Melendys quirky country home, and all the adventures we wish we had experienced in our lives. One chapter is devoted to the youngest Melendy's fascination with Lepidoptera, and his private world that includes an encounter with the rare and beautiful Luna Moth.Something that rang true for me, and my love of the Insect world at that age! In "Then there were Five" the Melendy children find a new brother, and have many other adventures. I recently re read my copy,and I found that at age 51yrs I still love this book, and wish for a happy childhood like the Melendy children experienced! Do yourself a favor, buy this book and keep it for the children in your family, of all ages!

Terry Kelly
Santa Rosa , Ca

When I was in my twenties, I found this book in my local library when I was studying to become a children's fiction writer. To date, I have never found another book of such absolute fresh, non-candied innocence. I have used the Melendy Family over and over as a sort of therapy for the more stressed and worldly times in my life, where I can be an observer into the lives of these four (later five) different children during the 1940's, where they embark on all sorts of different adventures. Elizabeth Enright was the perfect spyglass into the hearts and minds of children. When I read her books, it brings back my memories of how it actually felt to have all the wonder and giddiness and mischeviousness of being a child. And the rest of the world disappears for a while. I urge anyone who has lost sight of how it felt to be a child to read this book series.