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Thought-provoking; especially for performers of musicReview Date: 2008-01-28
Outstanding & InspirationalReview Date: 2007-10-11
Great BookReview Date: 2007-08-17
Inspires and Motivates!Review Date: 2003-07-10
A must read for everyone in the music ministryReview Date: 2002-04-23

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Heatherfield An Unusual ReadReview Date: 2008-06-16
RomanticTime Travel-At It's Best !!!Review Date: 2008-06-14
Jake is a tortured man, scarred both physically, and emotionally. Tory is pulled into the past, just after WWII has ended. She feels pain for what Jake has endured, but wants to get back to her own time, 1999. I tried to hold back my emotions on this one, but I could not--IT WAS THAT GOOD!
The latter part of this book was like watching a really good action adventure movie--riveting! The ending, well, let's just say it totally floored me. Excellent!
This is a MUST READ for lovers of romantic time travel. You will remember these characters and this poignant story long after you've read this book. It is truly a keeper.
UnforgettableReview Date: 2008-02-27
Paranormal at its best!Review Date: 2008-08-09
M Jean Pike does it againReview Date: 2008-06-15
Jean Pike does an admirable job creating believable characters with a credible plot. I found myself unable to put this book down and finished it quickly. This is an engrossing tale of love, romance, and drama. And yes, I am a male reading a romance novel. This book is not a sappy romance novel, it is a nice breath of fresh air and anyone will enjoy it. I eagerly await her next book.

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Hey!Review Date: 2007-03-27
No Surprise here...Review Date: 2007-03-16
Interesting read with a stretch of a premise.Review Date: 2007-07-01
First off, Beeber utilizes Lou Reed and especially the Velvet Underground as forebearers of punk. While certainly influential, the Velvets were more of an avante garde pop band than punks. They were as much a result of the overall New York art scene and streets, as well as John Cale's british ideology and muscianship as Reed being jewish.
Next Beeber cites Jonathan Richman and the Modern Lovers. The Modern Lovers, despite the Sex Pistols covering Road Runner, were sort of pre-new wave folk band, they never really released an album when they were together and Richman was from Boston. How this qualifies them as a proto punk band representing the New York Jewish voice is too much for me to comprehend.
Beeber does make a good case that Tommy Ramone was the architect of Ramones. However, he only lasted a couple of albums, Dee Dee was the main songwriter and Johnny's buzzsaw guitar and militaristic leadership (he seemed like a real tool)were as essential as anything. Further, Joey might have been obviously jewish to the New York punk scene, but to most he was just the senstive outcast. Tommy's influence is obvious, but it seemed to me he was as influenced by being an immigrant and growing up in the wrong neighborhood as solely by virtue of being jewish.
While New York obviously was a huge influence on the punk scene, the industrial and menancing Detroit rockers like the MC5, Iggy and Alice Cooper had just as much influence as the New York bands. This is especially true prior to all the great New York bands getting started. Also, the true New York punk influence, The NY Dolls, who really blended the street, with artistic ambitions and the phoniness of Manhatten dont have the jewish connection and therefor dont really lend to the author's theory.
The somewhat later day punkers like Richard Hell, Lenny Kaye and Chris Stein make a good points of converstation, but all seem as influenced by academics as ethnithcity. Hell in fact wouldnt be interviewed and dismissed the premise completely. It also somewhat dismisses how much influence this groups partners in punk, Debbie Harry, Tom Verlaine and Patti Smith, had.
Some of the more interesting jewish punks, including the ladies, Genya Raven and Helen Wheels, and less well known acts like the Dictators (hilarious name) and Suicide just werent well known enough outside of the city to be all that influential.
I dont want to take anything away from the city or culture that reinvented music, but punk was about all that were alienated, suspected and unwanted. It was about anger, pointing out hypocrisy, doing it yourself and the desire to succeed. Didnt Bowie once say all the Brit punks "wanted to be stars."
So, Beeber's point is again lost when punk became so much the property of the anglo british (other than Malcom McClaren managing the Pistols)who apparantly lacking jewish guilt and the somewhat limiting factor of being the property of New Yawk, increased its exposure tremendously. (Hey lets face it Johnny Rotten cussing and spitting in a British accent is gonna play in Cleveland, whereas Joey Ramones obvious jewishness... well... its a joke, one I think Lenny Bruce might have gotten). Fact is, punk was never gonna play to the mainstream, the populus cant all be disnefranchised.
Overall and interesting read, with a thought provoking premise that is well explored, but ultimatly a bit overwritten to prove its point. Still worthwhile if you have any interest in those magical formative musical days in the Big Apple and some of its reaching influences.
Brilliant Exploration of Outsider IdentityReview Date: 2007-12-21
Reviewed by Susan Helene GottfriedReview Date: 2007-01-24
Steven Lee Beeber's The Heebie Jeebies at CBGB's: A Secret History of Jewish Punk challenges that notion by showing us that punk began in New York -- and was heavily influenced and shaped by a variety of Jews from a variety of backgrounds. Beginning with the cutting-edge comedy of Lenny Bruce and the musical innovations that were Lou Reed and the Velvet Underground, Beeber shows us how the music evolved. It is clear that without the involvement of Jews, there would have been no punk movement.
Chapter by chapter, Beeber traces the bands and the people, focusing on the Jewish players who coalesced around the Jewish-owned punk mecca, CBGB. This is dense reading, best taken slowly so that all of the facts and details -- not to mention the personalities -- can sink in.
One theme that Beeber refers to often is the link between the Holocaust and punk. His claims make perfect sense: the emotions invested in the children of survivors provided the fuel for punk's trademark anger. Yes, there is anger that so many people were eradicated, but one of the more surprising revelations is that some of the anger comes from and is fueled by the fact that the Jews allowed themselves to be victims. At the same time, though, there is an awareness that the word allowed is inaccurate. That anyone, faced with such a circumstance, would have done exactly the same thing. Ultimately, this isn't an emotion of victimization, but of helplessness and futility -- two strong emotions that run through the undercurrent of punk, both in its lyrics and its attitudes.
Beeber takes us across the ocean for a visit with the start of British punk -- the Sex Pistols -- but focuses on the Jews involved in creating that scene. From Sex Pistols creator Malcolm MacLaren to the ill-fated Nancy Spungeon, lover of Pistols frontman Sid Vicious, it is obvious that here, too, punk music and the Jewish tradition are linked so closely that removal of the Jew removes the music.
Many would argue that punk died out with the Sex Pistols, to be replaced by music from cities like LA and San Francisco, peopled with musicians and fans who shocked New York ex-pats with virulent anti-Semitic themes, attitudes, and lyrics.
Beeber returns to New York to show us what punk evolved into: John Zorn's dissonant art and even, perhaps unbelievably, the Beastie Boys, perhaps the most punk of all the bands in the book.
Even more than the Ramones, those poster boys for American punk?
You be the judge. For any music fan, this is essential reading. It's not just that this is a clear evolution of the music scene over the span of forty-some years, from the late 1960s to the present. This book traces the shifts in our culture during this time period, and the shifts in attitude that allowed punk to be as vibrant as it was.
Beeber's prose is smooth and charming, always focused on the topic at hand and never getting sidetracked like so many Jewish storytellers of old. He's also a master craftsman, showing his writer's roots in the construction of each chapter, bringing back points made in opening paragraphs, tying it all together with a neat black leather jacket and peppy beat.
For the music lover, the historian interested in Jewish history, or for anyone intrigued by how someone as tall, skinny, and scary as Joey Ramone could become a pop icon, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk is one of those books you won't want to miss. Certainly, my copy now occupies a space between Deena Weinstein's seminal Heavy Metal and Joe Berlinger's Metallica: This Monster Lives.
To bring up one last point Beeber makes: Jews are people of the book. Heebie Jeebies is just one in a long line that proves this.

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A must for every grandmotherReview Date: 2008-04-28
Grandma's bookReview Date: 2008-02-08
Gift purchaseReview Date: 2007-02-06
N. Sharp
New GrandmaReview Date: 2007-02-19
Great Grandmothers Go-to BookReview Date: 2006-11-28

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Lost - in New York CityReview Date: 2005-05-08
I definately recommend this book and its message. I actually read this book while taking Scott Stein's course in Drexel University. He is a great teacher and a very creative writer. Also, if you enjoy this book, or would prefer to read essays and short stories, I recommend the compilation "When Falls the Coliseum". Its a compilation of modern short works (many of which are by Scott Stein) on the problems society faces. It is also available here on amazon and is worth the time and money!
A POWERFUL FIRST NOVELReview Date: 2004-08-26
A work of artReview Date: 2000-12-16
Unlike most writers, Scott Stein takes the time to develop his characters. He does not use stereotypes and other cliches. Instead Mr. Stein uses unique details and his command of the written word to bring a sense of realism to Jeremy Keller and the other characters in "Lost."
Mr Stein respects his audience. Instead of force-fed, over-the-top comedy, he use his subtle sense of humor to tell us this story. It is very easy for a young writer to fall into the trap of going overboard. Writers who do this lose their identity and become machines producing drivel for the masses. Scott Stein is truly an artist. He takes the time to create a work of art and not just a novel.
If you do not read this book, you are missing out on an experience that will not only entertain you but will teach you how a good writer writes. Mr. Stein should be proud of his art and his ability.
A book for our times.Review Date: 2000-11-10
Be ambivalent. Be very, very ambivalent.Review Date: 2000-11-21
At the same time, this economy of words (as well as to-the-point, unembellished narrative) makes the experience of travelling with the protagonist, Jeremy Keller, through his strange and ridiculous adventure, surprisingly deep and rewarding.
One of the other reviews here said you'll never put the book down. I have to disagree, since I did actually put it down when I finished it. However, I picked it up again later to go back and reread a few favorite parts.
Read it and be prepared to laugh out loud. Unless you don't like that kind of thing.


Enlighting, inspirational and useful!Review Date: 2001-08-07
The Lower East Side - Remembered and RevisitedReview Date: 2001-08-28
A Slice of Story PleaseReview Date: 2001-08-13
Excellent history and fun tooReview Date: 2001-08-09
The City today and yesterdayReview Date: 2001-08-15
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True story; great readReview Date: 2008-08-15
This was a true story on his life growing up and it was insightful and entertaining. If you like to read, you will like this one!!
Mafia SummerReview Date: 2007-07-29
best ever NYC realityReview Date: 2006-03-02
The Regular Guy MobsterReview Date: 2005-09-03
A historical fiction novel chronicling the lives 5 families of the New York City underworldReview Date: 2005-07-16
While ostensibly a work of historical fiction, there is so much that rings true to life here that it has more of a biographical feel to it than a work of the imagination. Indeed, Vincent notes in his acknowledgments that this is a story that he has been turning over in his mind for some 40 years. If Vincent was not a participant to at least some of the events in MAFIA SUMMER, he was no doubt a close observer; the narrative's main strength is that it puts the reader in that position as well.
The events in MAFIA SUMMER take place over the course of a week at the end of August 1950. New York City is caught in a heat wave, which serves as a metaphorical backdrop for the Five Families of the New York City underworld, the members of which are the subject of Federal scrutiny that came to be known as the Kefauver hearings. 18-year-old Vinny Vesta, the son of Mangano family caporegime Dino Vesta, himself has a street gang that is on the bottom tier of the gangland hierarchy. The Vesta family maintains a low profile, living in a modest Hell's Kitchen apartment during the week as a front while spending their weekends at a luxurious farm outside the city. Vinny's gang, known as the Icemen, is an interesting set of individuals, each with their own particular and peculiar talents that are applied to legitimate purposes and otherwise. Their specialty involves heists to order, if you will, and they are quite good at spotting and evaluating situations that present merchandise ripe for the taking, either on their own or on a referral basis.
Two occurrences, however, are to provide a catalyst that will change Vinny's life forever. The first is his meeting with, and befriending of, Sidney Butcher, a sickly but booksmart Jewish boy whose family has just moved into an apartment across the hall from Vinny. Vinny introduces Sidney to life on the streets, providing Sidney with an excitement and friendship that previously had been denied to him. But the introductions aren't all one-way. Too ill to attend school regularly, Sidney has been teaching himself at the New York City library. While Vinny is at first dragged reluctantly into the stacks, he quickly becomes enchanted with the works of the Renaissance painters, as well as the world of John Steinbeck and F. Scott Fitzgerald. Vinny slowly comes to realize that there is a better place, perhaps a better way, beyond the crime-ridden streets that have become the locus of his life.
Meanwhile, a second event is brewing that will have an effect on Vinny and will resonate far beyond its conclusion. Gee-gee Petrone, an ambitious capo in the Luciano crime family, hires Vinny to steal 40 cases of sable pelts from a storage depot. The police though are seemingly tipped off to the job in advance, and almost catch the Icemen in the act. When Petrone insists that the order nonetheless be filled, Vinny and his father come to realize that Petrone is setting them up in an ambitious power-grabbing scheme that will advance Petrone and his mentor, a wily underboss named Vito Genovese. When a rival gang begins gunning not only for Vinny but also for Sidney, the level of danger reaches a new high for both Vinny and his father, who is interjecting himself into the action. Vincent builds his story slowly but deliberately to an apocalyptic ending that will leave everyone involved changed forever.
Vincent possesses that rare ability to make his characters come alive; indeed, each of the individuals involved in MAFIA SUMMER is memorable in his own way. And while much of the action is grim, Vincent nicely balances the action with some humor and even a few touching moments of friendship. Combining the best elements of "The Sopranos" and CATCHER IN THE RYE, MAFIA SUMMER may well be the surprise book of this summer.
--- Reviewed by Joe Hartlaub

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a visual street photography book of new york cityReview Date: 2003-07-06
a visual street photography book of new york city
my winnogrand's work set the standard
this is a great coffee table book
The kingReview Date: 2002-04-01
Not Bad For A Million Rolls of Film!Review Date: 2000-05-29
It takes you forever to get through this book as you sit and look at each picture for a long, long time. How revealing are the faces, the postures, and the gestures; each shot prompts you to weave a story around the captured event. Winogrand seems to be made up of equal portions of Elliott Erwitt, Henri Cartier-Bresson, Diane Arbus, and Andre Kertesz (if you are unfamiliar with any of these folks, and you like Winogrand, you had better check them out). The saddest thing is that almost all of Winogrand's books are out of print. This is a breathtaking collection of his work.
Despite the stinky Duotones, I still love these photosReview Date: 2002-03-07
Regretfully, the printing quality of this book stinks. The duotone curve they used for this book is all messed up. Many photos end up looking like sepia prints rather than a black and white print. There are few pure, deep, dark blacks in the book. Instead you get this black-brown color which is really ugly and does a disservice to GW's work. True, Winogrand himself said "anyone who can print a photo can print my work" downplaying the importance of the printing process. And while the poor reproductions in this book does not take away from the strength of the photos, I still find it annoying and most of all...UGLY. All I can hope for is another book of Winogrand's work to be published. With all his millions of negatives, this is just the tip of the iceberg.
Very RealReview Date: 1999-11-08
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Great book if you liked the Edmund Gwen movie.Review Date: 2006-04-02
Possibly The Best Christmas Book Ever Written-Review Date: 2005-11-29
Valentine Davies weaves such an impressive story that it will make the most skeptical child believe and it will make us that no longer can- wish we could. This is simply the perfect holiday story- one a parent could read to a child before they go to sleep or a story that a moderate second grade reader could read on their own without any difficulty...
I love reading this more than I do watching the classic version of the movie for Valentine Davies makes this book more magical than the movie could ever hope to be. All in all if you want to buy a book for the holidays- for someone on your shopping list this is definately one to buy! Or even own for yourself!
Miracle on 34th Street - LD NYReview Date: 2004-03-11
Doris Walker is in charge of running the Macyýs Day Parade, which takes place on Thanksgiving Day. When her Santa Clause slacks off last minute she finds Kris Kringle and hires him to do the job. Kris does an amazing job. The only bothersome thing is he really and truly believes that he is Kris Kringle-Santa Clause. Doris doesnýt believe him, and thinks he might be insane. Along with Doris not believing in Santa Clause, nor does her 6 year old daughter Susan. Kris however wants to change that, he wants to make them believe..he believes Christmas is all about believing. Doris and her boss think Mr. Kringle is insane so they send him to a mental institution. Mr. Kringle then worries-what is going to happen with Christmas? How could he disappoint millions of kids all over the world? He some how has to find a way to save Christmas!
I loved the book. I read it around Christmas which seemed to make the book even better. It was a memorable book that I will remember constantly throughout the holiday season. It was so good I might read it every year between Thanksgiving and Christmas. It would be nice to have a tradition like that.
This book didnýt really relate to my Christmas Holiday Season. As a child I always believed in Santa unlike Susan did. My parents encouraged the belief of Christmas and Santa Clause until my brother and I started questioning and figuring things out. Still till this day I believe Christmas was always better when I was young and believed. It made the Holiday Season seem so magical.
Read Miracle on 34th Street to see if Susanýs Christmas was magical!
Miracle on 34th StreetReview Date: 2004-03-11
Doris Walker is in charge of running the Macy's Day Parade, which takes place on Thanksgiving Day. When her Santa Clause slacks off last minute she finds Kris Kringle and hires him to do the job. Kris does an amazing job. The only bothersome thing is he really and truly believes that he is Kris Kringle-Santa Clause. Doris doesn't believe him, and thinks he might be insane. Along with Doris not believing in Santa Clause, nor does her 6 year old daughter Susan. Kris however wants to change that, he wants to make them believe..he believes Christmas is all about believing. Doris and her boss think Mr. Kringle is insane so they send him to a mental institution. Mr. Kringle then worries-what is going to happen with Christmas? How could he disappoint millions of kids all over the world? He some how has to find a way to save Christmas!
I loved the book. I read it around Christmas which seemed to make the book even better. It was a memorable book that I will remember constantly throughout the holiday season. It was so good I might read it every year between Thanksgiving and Christmas. It would be nice to have a tradition like that.
This book didn't really relate to my Christmas Holiday Season. As a child I always believed in Santa unlike Susan did. My parents encouraged the belief of Christmas and Santa Clause until my brother and I started questioning and figuring things out. Still till this day I believe Christmas was always better when I was young and believed. It made the Holiday Season seem so magical.
Read Miracle on 34th Street to see if Susan's Christmas was magical!
When You BelieveReview Date: 2002-01-02
Of course, Doris has her 6 year old daughter Susan thinking there's no Santa Claus either, and Kris makes sure he changes the little girls mind. But trouble begins when he is admitted to Bellevue, a mental institution, and now with the help of his friend Fred, he must try to get out or Christmas will be ruined for everyone. Especially little Susan.
This book is truly wonderful, and it shows that if you just believe anything is possible.


Raw and Addictive ReadReview Date: 2008-04-19
On the Streets with WagsReview Date: 2008-01-17
A terrific memoir of life as a cop on the streets of New York's tough Alphabet City neighborhood. Wags' book is loaded with fascinating, well told stories. Especially moving is the author's recollections of his dad, also a police officer, and how they would sit side by side listening to "Dragnet" on the radio. The experience apparently fueled Wags' dreams of becoming a New York City cop. My Life In The NYPD is much more enjoyable than Wags' earlier book about his catastrophic "career" as a PI/bodyguard which ended in a felony conviction. Aside from a nasty, totally unneccessary intro by racist, homophobic shock jock Don Imus, this is a unqualified five star read. Assuming he must have at least a dozen more great tales of his life as one of New York's Finest, I hope Wags finds time to write a sequel.
Very interesting read.Review Date: 2003-10-14
After showing a few funny parts to my friends, they all said i have a sick humour. One part reading about a guy who tried to kill him self by jumping off a building but fails. The way it was written was soo funny. Anyway, there are many many more interesting/funny parts.
After i read it i came online to buy Wags first book, but because it is no where to be found, i haven't been able to get it yet. However i have bought 2 other books similar this 'My Life in the NYPD."
Very enjoyable read.
NYPD BLUE...Review Date: 2008-02-17
Wags delivers the goods - - NYPD the real way!Review Date: 2002-08-26
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