New York Books

Bought this as a gift and never got to read it personally, however, was told it was a great book. Marv's a legend, and any Bills fan should take a read, capturing those "glory years" of the Bills.

Extremely hokey and a tad bit hurried through the end, but a pretty good book covering his life of football. *Mr. Levy really needs to lay off the use of superlatives as almost every player or team he has coached was the greatest at one particular thing or another. Also, I don't think Mr. Levy intended that the descriptions he has written regarding his locker room motivational speeches were to betray the fact that the players most likely considered the gravely serious war metaphors that he was constantly drawing on as a little too serious to be applied to a football game. No wonder why they consistently fell silent as he left them to contemplate his words. I can hear in my mind a player asking another "Like, we're playing a game here, right?" as Marv proudly leaves the locker room. Marv comes off as a classy guy hoping to coach again. I hope he gets his wish.

If one were to look outside of one's immediate family for a role model, Marv Levy would be a wise choice. Marv Levy is not all about football, although he has spent most of his adult life in one capacity or another in the game. His body of work is as a human being, caring for his players and family. In this era when books usually have some axe to grind against those who "done someone wrong," Levy seldom has a bad word about anyone, and any are usually absolved before the end of the paragraph. His book details his life, the good times and bad, the celebrations and defeats, and the fights and absolutions. He is a unique man who has written and interesting and worthwhile book about his experiences, written in a positive light about incidents that helped him grow as a man and a leader. For those looking for a good football book, an inspirational book or inpiration of life, read Marv's book. It's well worth it.

[Four of Four stars] Marv Levy of Chicago
and Iowa is sort of the Red Auerbach of
Pro Football. A journeyman, who maintained
his class and sense of humour which is not
just soundbytes in NFL films clips.

Mr Burns does us an injustice below in his
review by criticising the very fine Montreal
Alouettes of the CFL, but CFL fans will love
the chapters on our favorite League, particu-
larly, "My Grey Cup Runneth Over". The only
knock that one can have on Levy, and it's a
slight one, is that he hung too long onto
Kelly at QB (Frank Reich should have started
one of those Super Bowls) and Thurman (fumbles)
Thomas, who was simply an overrated player.

One spot in Marv's fine book, he maintains one
of the hardest things he ever had to do was
keep lightning quick Steve Tasker (one-time
Kansas Jayhawk) on the bench! Tasker, like Levy
is a class act who deserves to be in the NFL
Hall-of-Fame and could have been one of the
greatest RBs or WRs of alltime. Marv, as bad
as the NFL is getting even having you back in
the League at 81, again with the Bills (this
time at G.M.) is a breath of fresh air. Thanks
for all the memories. Your dad and my granddad
chewed a lot of the same turf in World War I.

Recent history has been kind to Marv Levy as the magnificence of having won four consecutive AFC Conference championships is now replacing the earlier bitter pill of lost Superbowls. Marv Levy has become the ceremonial uncle of professional football today. He is to pro football what George Foreman is to pro boxing, the friendly enduring face of a brutal sport.

This is a campfire book, a grown-up bedtime story about a bright young lad from Chicago, one of those lucky folks who got paid to do what he liked. It is a tale remarkably devoid of rancor or regrets but rather a mixture of self-deprecating humor, a bit of self-serving forgetfulness, colorful characters, and the pleasures of the jocular world of organized football. In his preface Levy advises us that his writing style is the re-creation of the pleasures of his memory. Take away the Kansas City Chiefs and he would have had the perfect life.

But before arriving at Kansas City, there were the minor matters of World War II, college, and building a resume. Levy entered the Army Air Corps with the help of a friend who, shall we say, understated Levy's vision impairment. When this problem was later detected, Levy was scratched from pilot training and spent much of the war in Florida as a weather observer. After the war, already in possession of a bachelor's degree from Coe College, Levy began his much heralded graduate work at Harvard. In truth he opted out of the law school in three weeks, choosing instead to earn a masters in history and collecting inspiring anecdotes for use in the Buffalo Bills' locker room years later.

Levy had abandoned law school because of his desire to coach football. After a stint as assistant coach back at Coe for the mighty "Kohawks," Levy over the next fifteen years crafted a highly respectable resume of work as head coach of generally mid-range college football teams, primarily New Mexico, California, and William & Mary. It was a stunning upset of the nation's number one team, Navy, by an undermanned William and Mary crew in 1967 that brought Levy to the attention of NFL, and eventually to the staff of George Allen in Washington as special teams coach.

Levy could not help but be influenced by his Redskins boss. Allen referred to his defensive linemen as "rushers," benched the popular pass-happy Sonny Jurgensen for the workmanlike Billy Kilmer, and played for the least mistakes. A running offense, a veteran opportunistic defense, and juiced up special teams play were his trademarks. Allen seems to have taken to Levy because of the latter's own imaginative thinking about the critical nature of special teams' play, which comprises about 30% of an average NFL game. Moreover, Levy could not have missed how Allen cultivated an image and played the psychological card adroitly.

Levy, a man not without ambition, was anxious to run his own ship, and in 1973 became the head coach of the Montreal Alouettes. Once the flagship of the Canadian Football League, the Alouettes were an artistic, aesthetic, and organizational shipwreck, bedeviled by an atrocious stadium, poor attendance, and impossible weather. Levy guided Montreal to the Grey Cup final in his first year and a league championship the following season. His five successful campaigns in Canada brought an invitation to come back south of the border and take the reins of the young Kansas City Chiefs.

In many ways the Chiefs Levy inherited in 1978 were very much like the present day Chiefs-a potent offense with a porous defense. He also inherited an overbearing club president, Jack Steadman, who did not understand Levy's priority of drafting for defense [Art Still, Mike Bell, Gary Spani, among others], nor his coach's penchant for a tough ground game a la his contemporary "Ground Chuck" Knox. Perhaps reflecting the thinking of his old mentor George Allen, Levy believed that an adequate quarterback could direct the Chiefs, as Billy Kilmer had in Washington. At Kansas City Levy inherited the aging QB Mike Livingston and drafted Clemson's Steve Fuller. Steadman--and Lamar Hunt himself-- created what was probably an unnecessary controversy in their criticisms of the quarterbacking position, a situation aggravated by the arrival of yet another QB, the gunslinger Bill Kenney.

The Chiefs improved, and the defense became stellar, but neither Hunt, Steadman, nor many of the fans were satisfied with a .500 team. Released from the Chiefs in 1982, Levy would always remember how a meddlesome front office and instability at the quarterback position could undermine an otherwise flawless rebuilding program. Thus, when Levy accepted the Buffalo Bills' call in midseason 1986, it is no coincidence that he had already over the years cultivated friendships with owner Ralph Wilson and his executive staff of Bill Polian and John Butler, and that the quarterback situation was quite stable under the maturing Jim Kelly. Clearly a unity of respect and purpose among all levels of Buffalo management marked Levy's years with the Bills and allowed the team to focus entirely on drafting, development, and execution.

Levy assumes that most readers know of the exploits of the Bills in their glory years, and as a rule he paints with a broad red, white, and blue brush. As a history major himself, he has forgotten or omitted some situations that still intrigue knowledgeable observers: his protest of Cincinnati's no huddle offense to the NFL Commissioner prior to the 1988 AFC Championship [a style of play which, ironically, would become the hallmark of the Bills, the K-Gun] or Thurman Thomas's missing helmet episode at the opening of the 1992 Superbowl. But there is self-revelation as well. Levy was over 60 when hired by the Bills; he admits that he had begun to doubt whether he would ever coach again. How could he know then that his best days were yet to come?

It is amazing that a book written so long ago is still so entertaining. I will be reading the entire series and I bought the 1st seasaon DVD for a friend.

This is a great example of why this series is so enjoyable. Nero Wolfe proven right about automobiles, Wolfe trapped in a pasture by a bull, (Threatened by food, how appropriate.) Archie meets the one woman who sticks around (Lily Rowan) and a mystery that only gets solved with one of Wolfe's outrageous, but plausible (well, almost plausible) schemes. All the usual pleasures are just a bit better in this one, Archie gets arrested (as per usual) but instead of just suffering comically, he decides to organize the inmates. The banter between Goodwin and Rowan is another highlight (You'll see why Stout kept her around) and the twists and turns all have purpose. This one is one of the true classics of the series.

And it's not Hickory Caesar Grindon, the bull, either. This early Wolfe introduces Archie to his lifelong companion Lily Rowan.

Lily sticks with Archie (God knows why) for the rest of the series, which means from 1939 to 1975.

Some would say that Archie should be ashamed that he never makes an honest woman of Lily - I mean, isn't 36 years long enough? But that shows that they've not understood Lily - or Archie, for that matter.

Lily is a classic proto-feminist. She is independent and wilful. SHe thinks and acts for herself. Marriage, as she would define it, poses unacceptable terms to her: having to conform her actions to the expectations of someone else.

A great pleasure was seeing Kari Matchett play Lily in the much-lamented A&E series on Nero Wolfe. She was perfect: beautiful, self assured, charming and very much her own woman.

Oh, the story: a prize bull is killed and so is another person associated therewith...Wolfe, already grossly inconvenienced and in a highly uncomfortable place, must unravel this to assure that Archie does not languish in a provincial prison.

And, of course, a relationship begins which lasts a lifetime. The language and the characters in this story are irresistable, and Michael Prichard does his usual, wonderful job in capturing the spirit of Rex Stout's writing.

It's a story that stands up to multiple listenings. Enjoy!

Some Buried Caesar begins with an auto accident as Archie Goodwin is driving Nero Wolfe to an orchid exhibition. Wolfe, in his own considerate way, loses no opportunity to tell everyone he meets that Archie has wrecked his car. While this definitely helps fuel some of the comedy in the book, it's not quite the central plot thread. It turns out that Wolfe and company get sucked into a murder investigation where the prime suspect is a prize bull. Wolfe knows that the bull is innocent but has to prove it to the police to earn his fee. There is plenty of enjoyable snappy patter and the story moves along at a nice brisk pace. Archie also picks up something of a girlfriend, Lily Rowan, who will be around off and on for the rest of the series.

Most Wolfe novels have him safely at home in the city but this one pulls him out of his cozy confines and this definitely helps add spice to the story. Speaking of the story, it's one of Rex Stout's best. The characters are varied and interesting and the murder mystery is just as baffling as you could hope for. Some of the dialogue is laugh-out-loud funny, just as you would expect from Wolfe and Goodwin.

If you've never read a Nero Wolfe book, this one would make a great introduction to the series. If you have read some of the novels, this one is well worth adding to your collection. In short, I would recommend it without reserve to almost anyone.

One of Stout's best Wolfe novels. The mystery itself is not really entirely gratifying, but the story and the characters that inhabit the mystery make it all worthwhile. The conflicts and dialogue of the characters add to the realism of the novel as well. One of Stout's most accomplished novels.

This is an excellent book to read to young children. The author gives the reader indepth information about her family but also some historical information about her hometown, Harlem. The illustrations sweep the reader along on Tar Beach and keeps you turning the brightly colored pages. You are able to hear Ms.Ringgold's voice when you read this book and get a taste of life in her family.

I don't know why this book was called Tar Beach, but it's interesting. It's about a little girl who is picked up by the stars and has the ability to own everything she flies over. Pretty cool huh? Whether she can actually do this or she just dreams of doing this, who knows.

A neat feature of this book is it was actually written and illustrated first on a quilt before being converted to paper. Maybe next somebody will try writing a book on a sculpture.

An excellent book for its literay value and artistic illustrations. A great memory for anyone who has lived in New york City and remembers going to their own rooftop gatherings in the summers.

My class loved this book. It was part of an African American History unit.

First off, this book would pair brilliantly with Deborah Hopkinson's, "Sweet Clara and the Freedom Quilt". Utilizing a style not unlike the classic slave quilts featured in "Sweet Clara", "Tar Beach" tells a contemporary story while tying its narrative to the history of African American storytelling. Before I say anything else, though, I should warn you about something. When I first read this book I had borrowed it from my local lending library. The copy I got out was a hardcover from 1991. Now, do you remember getting books when you were a kid and they, not to put too fine a point on it, stank? Certain picture books have some kind of binding glue or something that, over time, makes them stink to high heaven. This book was especially smelly and even as it sits next to me here on my desk I'm reluctant to open it up for reference because of its offensive odor. It's quite possible, even probable, that the editions of this book being sold now (being paperback and all) are smell free and no longer printed so as to attack one's olfactory senses. Just don't buy a used hardcover copy from 1991. That's all I'm saying.

In this tale a small African-American girl dreams of flight. In her flight she is powerful and free. The George Washington bridge, a magnificent structure that her father helped to build, is a diamond necklace around her neck. Flying high, the girl gives her father the union building he's working on, "Then it won't matter that he's not in their old union, or whether he's colored or a half-breed Indian, like they say". With her father so gainfully employed her mother "won't cry all winter" when her dad goes out looking for work. She'll be able to sleep late and (this is the most heartbreaking part for me), "we can have ice cream every night for dessert". The girl daydreams these flights while the family goes up to what they like to call Tar Beach. On the roof of their building they have peanuts and chicken and watermelon as well. She sums up by explaining, "it's very easy, anyone can fly. All you need is somewhere to go that you can't get to any other way. The next thing you know, you're flying among the stars".

On the last two pages of the book a long history of author/illustrator Faith Ringgold explains her life, the history of her work, the history of African Americans in the 1930s, and the basis of this tale. A quilter by trade, the left page displays the amazing quilt that inspired "Tar Beach" the book. In this quilt, the girl and her brother sit not too far from their parents and neighbors. Above, the girl soars over the George Washington Bridge and the words of the book are written into the fabric of the quilt. Parents reading this book to their kids would do well to read the summary at the end of the tale to themselves before reading the picture book to their children. That way they'll be better equipped to answer any potential questions the children might bring up regarding labor union practices regarding African Americans or the history of flight in the stories of slaves. This book covers a lot of ground. The basis of the tale itself is rooted in Ringgold's own experiences of growing up in Harlem as a child. She even gives a little background on the characters discussed within the tale and their lives.

The book is drawn using acrylics on canvas paper with the occasional quilted piece appearing on the sides. As for the plot, kids reading the book may be a little confused as to whether or not the heroine of the tale actually is flying or if it's just in her head. After all, there's a pretty clear picture of her little brother lying below looking up as his sister soars. If kids are able to get past that little detail, however, they'll probably love the tale. I mean, who hasn't wanted to fly freely over friends and family? Who hasn't wanted to give their parents everything they'd need to be happy? Or, for that matter, own an ice cream factory?

The book is well rooted in history, imagination, and colorful storytelling. With a pedigree such as this, it's hard not to admire it thoroughly. And if you'd like yet another book to pair it with during your storytime, consider "The Little Red Lighthouse and the Great Gray Bridge" by H.H. Smith, which is ALSO about the building of the George Washington bridge. Altogether this is an important book with a well told message.

I read this book the first time when I checked it out of the public library. I loved it so much that I had to have my own copy. It is a fascinating account of how the nouvo riche in the U.S. basically bought acceptance to high society for their daughters. You can just pick it up and read sections - it's not necessary to start at the beginning and work through. Not a summer goes by that I don't pick it up!

Every time I read this book it becomes more and more interesting. Meticulously researched, with great little anecdotes and etiquette tips.
This book is a lot of fun! I especially liked the many photographs of the designer gowns (most by Worth, if you please!) that are liberally scattered throughout.
If you're ananglophile you'll want to get this one!

Those few of us who have wondered why in the world a comfortable, cosseted American girl would want to marry an Englishman and live in a cold climate in an even colder stone castle will find answers here, even if the answers aren't satisfactory to the modern ear.

Think of it: wealthy American society girls, products of generations of men and women who gave lives and fortunes to escape a Royalist society, thought it a worthy investment of their lives, loves and wealth to buy an English title in the form of a husband. It's understandable that men who have no money and are saddled with huge estates and titles with no way to support themselves "in the manner to which they have become accustomed" would search out these women. It's another matter to understand the women, especially if they were bright and energetic (like the fabled Jenny Jerome).

Of course the first women to get involved in this weird method of social climbing didn't realize what was involved. (Though why American society decided that an English title was important in the United States, especially if it could be bought with money, still escapes me.) The problems included loveless husbands who paid little attention to their wives and carried on affairs; cold and drafty castles into which Papa sank tons of money to no avail as far as comfort was concerned; families who refused to accept them in spite (or because) of the fact that they provided the money to keep the lifestyle intact; servants who often were sulky and rebellious ("but we've ALWAYS done it that way"); children they handed over to nannies. The first brides must have kept the hardships and loneliness from the succeeding generation, for the rage for English titles prevailed from the mid-19th century almost through the mid-20th century.

TO MARRY AN ENGLISH LORD is a fascinating and complete look at these women and the lives they led. Illustrations showing the homes and households of the times and how they operated, fashions, maps, photographs of the women and their friends, families and husbands all combine to present the core of that particular section of society in that particular age.

The book is meticulously researched and includes a bibliography, a register of American heiresses, a suggested walking tour of the women's London and a very handy index. It's built around the stories of these women and the men who wooed and won them. Who they were, what they did and what the consequences were -- all adds up to an intriguing and fascinating read.

As the other reviewers have noted, this is a great romp through a part of American history you don't learn about in school. I read it through once and then re-read it just to savor all the little bits and pieces the authors have so generously loaded it with. If you ever wondered about all those Vanderbilts and all those Whitneys, here is your chance (from an American point of view!)to find out just how and why these ladies ended up in the postions they did- all for the love of Edward VII. I wish there were more reader-friendly books like this that make history so entertaining.

Who says that history is boring and stuffy? This well-researched book is chock full of anecdotes, pictures, and facts to make the period and the subject come to life.

This book discusses the phenomenon of the "dollar princesses": American hieresses who married into titles abroad, particularly England. Amongst them were Winston Churchill's mother; a woman who was the second-highest ranking woman in the British empire (after only the queen); and maybe the most famous of all: Consuelo Vanderbuilt, who begrudgingly became the Duchess of Marlborough in a marriage aranged by her social-climbing mother.

Written informally, with lots of pictures, this might be a great book to buy a teenager who is just transitioning into "grown-up" non-fiction, but finds most of it dry and uninteresting. It is also a must-read for anyone who plans on traveling to country-houses in England, as it gives a more accurate view of what it was like to actually have to live in one of those monstrosities! Anyone who is interested in the history of class in America, or of the British Aristocracy, would also be interested.

New York City Food is a cool combination of a food history of the greatest city in the world combined with recipes for those of us who hate the fact that we can't get to NYC often enough! It's NOT a restaurant guide, so careful not to try to use it as such. But it's a great read and can help you navigate the Apple's neighborhoods on your next trip. Thanks to this book, I found the "holy grail" of half-done pickles on the lower east side on my last trip!

Everybody knows about Junior's cheesecake, Mama Leone's, Ebbinger's Bakery, Lundy's (not Lindy's) the Stork Club, 21, etc., But this books brings it all together in a wonderful compendium of insights into the history of great dining in the restaurant capital of the world. No place on earth offers the variety and quality in both Haute Cuisine and everday fare as does NYC. Mr. Schwartz, unlike some actually recognizes that there is more than one borough in NYC and finds the best of the best in all of them. There are beautiful recipes, amusing stories, wonderful pictures in a book that really captures the spirit of the many places it describes.

If U LUV NY and U LUV NY DINING, then you have to have this book.

Great book. I keep in on my coffee table. Everyone that picks it up thinks it is great.

You needn't have ever boiled water to love this book. What a gift! Thank you, Arthur Schwartz. Not only is this a fabulous, true-voice book for anyone who draws breath and has any interests past the tip of his or her own nose, it is a rarity to find such a soulful history. Schwartz somehow manages to make you feel you were there when it all happened -- where it continues to happen. (And I was not fortunate to live in the City). And the recipes are quintessential.

This book should be considered collectible as one of the finest examples of this unique genre. It is 'Pruniers' a thousand times over. You won't read it once and shelve this book; you will reread passages and quotes, so wonderfully complemented by Chris Callis' photographs and all the archival images, and take a little trip into New York City and the world.

This is a great book, written by someone with impeccable credentials ... former chief food columnist for the New York Times, and a NYC born and bred native.

The author delves deeply into the history of NYC, and then works his way forwards to the present era - but he spends most of his time and energy covering the topic from the gilded age of the 1890's through the late 1980's. Between those dates he overviews all the most well known and influential restaurants of the day, along with information on who the movers and shakers were, what was served, and how they influenced the trends of the day. The author also includes about 100 classic recipes, from a wide variety of sources, directly relating to the names that he covers.

The author does the job credit - the historical information is meticulous, the recipes authentic (and he even included a recipe index in the back), and the book is well organized and well packed with classic photos and anecdotes, and plenty of New Vork verve and originality.

Want to know the origins of Steak Diane" ? Porterhouse Steak ? Lobster Newberg ? NYC Pizza ? It's all in there.

Just a few minor nits, in no particular (there are really just my own notes, to serve as a memory jog for eventually writing a letter of feedback to the author).

* Seafood (chapt 2): This chapter was already obsolete at the time it was first published. There are no photos of the Fulton Fish Market (gasp), nor is there any significant coverage of it's recent relocation to uptown. That section DEFINITELY needs update and expansion, both text, photos, and recipes.

* Porterhouse: very interesting and nicely done, but it could be expanded a tad to better clarify the distinction (in modern usage) between the Porterhouse, T-Bone, and Sirloin steaks. Many people are confused by those terms, and usage varies from region to region & country to country, so it's important to clarify the New York usage of those terms. The first two (as I'm sure you already know) are cut from opposite ends of the same "short loin" primal, and the third is from the sirloin primal just behind (rumpward) of that.

* Pictures: the pic of a bagel with lox & cream cheese in the front matter should have been repeated on p.119.

* Italian: the Italian section, at 24 pgs, is only given half the page count as the section on Jewish, at 44 pgs. Understandable I suppose, given that the author is Jewish, but it could use some expansion in a future edition ... the section on pizza, for instance, lacks a recipe, and sausage & peppers is given short shrift. Both can be made easily at home, from scratch, either with or without fancy tools & casings.

* Other nations: the sections on more recent contributions by immigrants from other nations could all be expanded by at least a page each, and include a recipe or two ... Japanese (ex: Nobu), Korean (the name of a top restaurant I went to in Queens escapes me ATM), etc.

* Restaurants: Loved all the historial info, but a few of the blurbs end a bit abruptly, without mention of whether or not they were still open at the time of this book's publication.

* Recipe Index: I wish that more authors remembered to include them. Minor editorial nit - it should have started on a new page, and been clearly differentiated from the main index with a header of some sort.

No one is better equipped to deal with the breakdown of society than the poet and playwright Carl Hancock Rux, who incidentally is also an awesome interpreter of his own work. Who knew that among his many skills was the ability to write a novel too? ASPHALT stands by itself as one of the year's most interesting novels. Have you ever seen the Altman movie, QUINTET, with Paul Newman? If so you will be viscerally reminded of that movie when you begin creezing through the opening chapters of ASPHALT, the ones that establish Racine as an underground DJ par excellence and the rundown brownstone he camps out in becomes a sort of United Nations of lost souls, each tenant lonely and frustrated, and frightened for the future, each one coming from a different post-colonial background.

In the Altman film, which treats a similar post-apocalyptic future, the survivors were largely white, even blue-eyed (including Newman, and co-stars Bibi Andersson and Nina Van Pallandt). There were a few "Latin types" including Fernando Rey and Vittorio Gassman, but outside of that it was all about racial blankness amid the Alaska tundra. Here the Brooklyn setting and the rapid back-and-forth flashbacks jarred by the frequent musical interludes give the reader the sensory excperience someone like David Mitchell is aiming for in books like CLOUD ATLAS.

Just finished this book. OUTSTANDING! Complicated in the most divine way. Rux is on to something that has nothing to do with the average easy read bookstores are pumping right now. This book is so relevant to right now and I haven't seen any other new black writers dealing with the political climate in America from the standpoint of people of color. Correction; Rux doesn't even paint a picture of the current political climate, he's on to the next canvas and it's stunning and heartbreaking.

An urban tale written in a refreshing challenging intellectual style. Set in post apocalyptic Brooklyn, the main character struggles to build a life in a war zone. His physical surroundings play as an apt metaphor for his internal quest to make sense of who he is, where he came from and where he ultimately belongs.

LA Times
"Asphalt," (is) a hallucinatory journey...set in a sooty, just-a-day-after-tomorrow future. The book blends speculative fiction and myth with real-life post-9/11 unease embroidered throughout...enamored with densely arranged assemblages -quirky juxtapositions, blurry borders-spinning dross into gold...a grand-scale collage."

Jill Nelson, author of Sexual Healing
"Daring, intense, and provocative, in ASPHALT Hancock Rux fast forwards the novel form into a future that is unexpected, seductive and healing."

New York Press
"Asphalt, (is) a book taken with future apocalypses and the funky, oddly swaddled cast of characters littering that not-too-distant time in Brooklyn. In Asphalt , you get hetero guys in sequins and sarongs, back-from-Paris DJs and couch dancers named Couchette all vying for attention in a newly gentrifying netherworld that Rux ably and surrealistically, sweetly, ties together before the next set."

The Daily Pennsylvanian
"(Asphalt is) both arresting and disorienting. The cryptic opening scenes illustrate Rux's masterful use of language-remarkable....Asphalt is a triumph in several senses...a piece of true urban literature that appeals to the jaded sensibilities of young modern readers."

Greg Tate author of "Everything But the Burden"
"Asphalt gets at how the urban myth of 'keeping it real' must continually run up against the abstracting roadblocks and revelations of one's fractured inner truth and the even sexier surrealism of a Cosmopolis determined to remix your imagination at every turn. Like Celine's Journey, Baraka's System and Delany's Dahlgren this is a novel where the mythopoeic modern city is the real protagonist and the ostensible hero, like all of us, is just a squirrel trying not to nut out."

LA Weekly
"Asphalt...is thick with images of and meditations on terror and terrorism...underscoring emotion and politics, allowing Rux to excavate the damaged inner lives of his characters while ruminating on how the world around them feeds their despair and dares them to rise above self and surroundings. "

Booklist
"Rux's lyrical writing blurs the lines between dreamscape and reality. A dazzling portrait of urban life."

Publishers Weekly
"Lyrically drawn...an elegantly gloomy addition to Rux's artistic achievements."

Brooklyn Rail
"Asphalt is a beautifully written book...as horrifying to read as it is full of hope."

Black Issues Book Review
"The first lines of this first fiction effort promises a mélange of literary forms and edgy melancholy characters...part postmodern parable, part contemporary urban portrait...parts aside, it is fully formed, like an existential poem."

Blether Book Reviews
"Carl Hancock Rux provides a deep look at disturbed individuals in environs in which no one can dodge a world on the abyss."

In the lush heady atmosphere of a house party in a decaying Brooklyn mansion Racine mixes A Tribe Called Quest, Arvo Part, Rakim and Mary J. Blige. The DJ moves the crowd through a throbbing bass line. Loc's, Betty Paige bangs and sheared heads abound in the rich aesthetic of the underground in a post-war New York. The nuances of the urban moment and the self-discovery of colorful characters provide the backdrop for an artful piece of literature for the hip hop and neo-soul generation.

Racine is the quiet DJ who deftly blends genres and sounds and expresses himself through his wheels of steel. He finds himself in the deteriorating yet vibrant post-war Brooklyn after the death of his older brother and dearth of love under the care of foster parents in the south and New York City. While finding lodging in a neighborhood devastated by poverty and despair, he meets a band of intriguing souls. Manny, the ambiguously gay free spirit with a penchant for architectural history, Mawepi the stout bouncer and translator for the clairvoyant Holy Mother and Couchette, the scarred dancer mired in denial comprise his new family.

Immediately Racine finds himself creating the sonic backdrop for intense parties, orgies and conversations while Manny and the other residents chase their dreams in a transitional New York. Couchette is the troubled spirit with whom Racine shares physically intimate and emotionally frustrating moments. The story weaves in depictions of Racine's childhood, including his experiences in fostercare and ultimately forces a young man to reconcile his past and move on.

Rux infuses a tale set in a modern urban environment with ancient Greek mythology that informs several themes in the book. Racine the character is influenced by Hippolytus' Phaedra which was re-written by J.P. Racine. The story of a young man who is physically dismembered by a monstrous force on his journey is a recurring thread throughout Asphalt . The characters have to lose parts of themselves that they may not be aware are hindering their growth, in order to move on. And the personalities in Asphalt all employ different strategies for abandoning experiences that have consumed and distorted their views of reality and themselves.

As an Obie-winning playwright, spoken word artist and now novelist, Carl Hancock Rux has a masterful use of language which is evidenced throughout Asphalt . His description of a taciturn woman lying on the road and an intimidating lanky street orator selling socks are examples of the imaginative supporting characters. Similarly, Rux 's portrayal of the glorious yet depressed New York and the intensity of Racine's past, deeply orient the reader. At times the language is a bit too cerebral which obscures the clarity of events. Yet the descriptive quality of Rux 's work differentiates him from other contemporary young authors. Asphalt is compelling due to its complex and beautiful handling of topics such as child abuse, sexuality and the urban environment. Ultimately, the empirical emotion Rux integrates into his work coupled with his gift for prose makes Asphalt a challenging yet intriguing read.

"Beyond Stone and Steel" by Brian W. Vaszily recounts a personal passage from one mental state to another far better one, describes the slow, step-by-step trudge often required by events much larger than ourselves.

That event might be death.
That event might be the loss of a job.
That event might be rejection.
That event might be bankruptcy.
Or the event might be national loss.

For this author, all of these experiences played a part in his transformation. Right from the first chapter, Vaszily makes no secret of the result; what he discovered on his path down misfortune's lane is that he is "a lucky man" in spite of the hardships he has suffered.

This slim volume may be difficult to take, depending on the reader's status with recovery from the events of 9/11. Regardless of one's recovery status, though, it may be just what the doctor ordered.
Carolyn Howard-Johnson, author of "This is the Place"

I've had this book a long time. I've read it many times. Each time I experience an expanded and enhanced spiritual and psychic understanding of an event I thought I'd come to terms with long ago. Probably because he doesn't journalistically report exactly what happened; probably because he presents the psychic reality of his personal experience: that experience enlarges our own. I was watching a local Spanish station at the time because, of course, the antenna for regular major news media broadcasting was destroyed. At the time I worked in an international on-line network. I remember being physically discomfited by others, elsewhere in the country/world, speaking as though they had some inherent legitimate authority to tell me what was happening less than 3 miles away (by flying crow). But that fortuitous allegation reminded me that the unthinkable event had happened to the "World" Trade Center - not the "New York" Trade Center. I remembered that New York Harbor was a major trading center, a stock exchange in physical goods dating back to the 1600s and housed in the Custom House which is still there. The traders were Dutchmen. I, too, have a semi-tangible psychic reality about the entire 400-year time line. We live in a spiritual world and there is still much that we really don't understand but we do get glimpses of it along the way.

This slim volume greatly humanizes the lives, hopes, fear and dreams of those about to die. It is fiction...no real names are used. It reminds us that of the thousands who died, every one of them was a living, breathing person, just like us. This is a small masterpiece and deserving of your attention.

"Beyond Stone and Steel" by Brian W. Vaszily recounts a personal passage from one mental state to another far better one, describes the slow, step-by-step trudge often required by events much larger than ourselves.

That event might be death.
That event might be the loss of a job.
That event might be rejection.
That event might be bankruptcy.
Or the event might be national loss.

For this author, all of these experiences played a part in his transformation. Right from the first chapter, Vaszily makes no secret of the result; what he discovered on his path down misfortune's lane is that he is "a lucky man" in spite of the hardships he has suffered.

This slim volume may be difficult to take, depending on the reader's status with recovery from the events of 9/11. Regardless of one's recovery status, though, it may be just what the doctor ordered.
Carolyn Howard-Johnson, author of "This is the Place"

This book was like none other I have ever read... the author seemed to digest this tradegy and somehow turned it into something beautiful. It has reminded me of all that I have, how easily it could be gone and to cherish every moment we are here. It has truly changed the way I see my life. I enjoyed this book very much and highly recommend it to everyone.

I picked up the book a little skeptically, even though I admire the author, because I was afraid it might glorify a murderer. Richard Jacoby has a simpler goal. He humanizes the Capeman and makes him understandable.

The Capeman was a 16 year old involved in a gangfight in which he stabbed two other teenagers and they died. Sentenced to death, Governor Rockerfeller commuted the sentence under heavy pressure.

Meantime, Richard Jacoby was doing a thesis about whether people on death row had life changing experiences. He got in touch with the Capeman, letters were exchanged, then they met in person and a deep friendship started. The author also got to know the Capeman's family very well. The original goal was for the Capeman to write his life story, but as it becomes clear, after he's paroled that he won't really do it, Jaocby uses all of his notes to put the story together.

Meantime, Paul Simon wrote a musical based on parts of the Capeman's life. It's a story of redemption, but to Richard, that's only part of the story. He uses this book to tell the whole story, not just about the Capeman's life, but about our prison system and about our insane asylums. He's very careful to let the fact's speak for themselves.

The biggest surprise is how hard the book is to put down. You get inside the head of the Capeman and his relatives and his story becomes an American story and yet, still a very individualized story. The book can perhaps best be summed up by Jacoby's encounter with a racist cop, where, referring to the Capeman, he tells the cop "Yeah, but he's still a human being" At it's most basic, that's what the book is about. Without glossing over his crimes, Jacoby shows us the Capeman as a human being. It's a moving, well balanced portrait that is completely compelling reading. Highly Recommended.

Conversations with the Capeman is an absolutely stunning, beautifully written book about the life of convicted murderer Salvador Agron. Richard Jacoby weaves a brilliant and sensitive memoir of his real-life interviews and relationship with Agron. Jacoby paints a compelling, unbiased portrait of a tragic life; from Agron's youth as a member of a violent New York street gang to his conviction for a murder that he may not have committed, to life beyond prison. This impossible to put down book reads as if one is watching a motion picture. It involves all the elements of a modern-day epic; heartbreak, mystery, deception, love, friendship, redemption, and ultimate tragedy. This novel, of all the books I have read, has had the biggest impact on me...Simply amazing.

Each page of this beautifully written book brings raw emotion to the surface. Richard Jacoby paints a vivid picture of the poverty stricken, abusive childhood that surer than any court sentenced Salvador Agron to a life of alienation and despair. Yet despite being the youngest person ever sent to New York State's electric chair, Agron possessed a spark of human spirit that would not die. It is Jacoby's great accomplishment that he lets Agron's story speak for itself as he takes us through the dark alleys of Puerto Rico, the doo-wop drenched streets of New York and the cold corridors of state prisons where despair is plentiful, yet hope lives. If you want to know why we should treat our kids better and why giving people in trouble a second chance is NOT some mushy-headed idea, read this extremely engaging book.

This insightful, sensitively written book which brings to light Salvador Agron's life that was imprinted by race, sexual abuse and the condemnation of society gave me not only a new awareness of the criminal justice system, but of human redemption as well. Reading Conversations with the Capeman was a powerful eye-opening experience.

Conversations with the Capeman, the story on which the musical Westside Story is loosely based, blew me away. I literally read this 500+ page book in two days. I almost could not sleep for want of finishing it on the first day.

The life of Salvador Agron provides a window into humanity that society tends to overlook when confronted with a crime in light of the death penalty. Mr. Agron's life can be viewed as social commentary that makes this a very important look at our penal system but more importantly it renders him human.....not an evil animal. The loyalty that Salvador garnered from people he didn't even know was overwelming. This is the first book that ever brought me to tears to the point that I could barely see the words on the page while reading the last two chapters.

I subsequently bought Paul Simon's Songs from the Capeman and was pretty impressed by the way that he captures Salvadors life in music.

My husband uses a lot of recipes from this book and we've been happy with every one. Definitely try the meatballs. I'm not a good cook at all, but I tried making the chicken cacciatore. It came out surprisingly well, but there were a lot of leftovers since I didn't realize the recipe was for way more than 2 people.

This is definitely one of my all time favorite cookbooks. The butternut bisque is to die for, and all of the other recipes I have tried are also fabulous. Beware though - these recipes cook for a firehouse so it makes food for several people and the food is rich and hearty. I just freeze the leftovers and they last for a little while - they get eaten before too long...

My son is the cook at the firehouse on his shift. We purchased the book for him, and he is so pleased with the book and it's great recipes.

Eshel Travis

I recieved this Cookbook as sort of a joke for x-mas because "I LOVE FIREMEN" and it has been the greater present I have ever gotten. There quick and very easy recipes to follow and use. My cookbooks looks like it has gone to hell and back I use it constantly. I wish Keith would come out with another book soon. Watch out Rachel Ray move over for a FIREMAN.G

For beginners and veteran cooks, this book is packed with wonderful recipes sure to become family favorites. I'm giving this copy to my son who is just beginning to learn the joys of cooking for himself.

love this book broke down many times on some of the letters great book!!

This marvelous little book offers a parallel and human voice to the more academic books about Vietnam.
There is no "agenda", here just a selection of moving, articulate, impassioned voices talking about their experiences and feelings at the time they were there. Some of the most moving, of course, being those from young people who would die shortly thereafter. We see through the letters in the book that even on the front lines this "war" was seen through a wide diversity of opinions, from those that were totally committed to it, and why (though they tend to become less prevalent as the years pass), to those who came to believe it was not a worthy effort to justify the consequences. And the majority, just confused. A must read.

This is a wonderful book for anyone who wants to see the Vietnam war from the eyes of those who were there. The book is a collection of writings from Vietnam veterans that were written during there time in country. This book shows the War as more than casualty numbers and battle field dates. A good read for everyone.

This book captivated me so that i could not put it down, untill i had finished. It touches your heart and soul. Wonderful read!! Please put it on DVD!!! Thank you :-)

After the amazing documentary about Vietnam that solely exists of actor voice overs of funny, goofy, anxious and heartbreaking letters home from soldiers at the battlefront in Vietnam, accompanied by graphic footage of the war itself, this book came out. It contains the letters read out in the movie, and additionally has some more background information about the soldiers who wrote the letters.

Even without the trained actor voices reading the letters out loud to you, and without the grim and realistic war images, this book is a pageburner. Heart-wrenching accounts of the legacy of war written by the soldiers that fought it, as well as by the people they left behind.