California Books

This book would not even be needed if California (also known as...Kalifornia, and PDRK...The Free Peoples Democratic Republic of Kalifornia.) did not have such a hard time with the phrase "SHALL NOT BE INFRINGED." I just could never understand the concept of "gun control." Since law-abiding citizens police themselves, and criminals ignore the law, why bother? John Lotts book "More Guns, Less Crime", is a very good read. And it shows the disinginous argument of gun control. Which boils down to people control, not crime control.

Gun laws are such a mess, even the most conscientious citizen will have trouble figuring out what is legal and what isn't. In addition, the subject is so culturally polarized, it is impossible for those with a strong opinion on the subject to give a clear answer to common questions. Enter this great book. Too bad it's not available for the other 49 states...

If you live in California and own a gun, this book is as necessary as a first-aid kit and a fire extinguisher in your home.

The author uses common everyday English to explain the web of firearms laws in California. It is complete with examples and court cases that define the current legal condition in the state. This is a very easy book to read and is a must for every gun owner whether you're a firearms expert or considering buying a firearm for self-defense. I bought 10 of these books for friends and family last Christmas.

This is an excellent book about a Sacramento woman who did away with many people and written by a reporter that really got to know her and wrote an exceptional book on her. Gave away my first copy to someone else and then bought myself another copy. . . .

This is the story of the notorious Sacramento Black Widow killer who preyed upon the aged and the invalid in the 80s. Dorothea Puente used the weakness of our social net to exploit the less fortunate while stealing their social security checks. Running an illegal boarding house for invalids, she was able to maintain the illusion of respectability because the Social Welfare bureaucracy was simply to overworked to root her out. Although some did try to bring her to the attention of authorities when her charges continued to cash their checks even after they disappeared. Dorothea, a petty con woman turned mass killer, simply killed them and planted them in her well groomed garden, all without even batting an eye. Her cold blooded grandmotherly persona even allowed her to escape the police and flee to LA as the cops were digging up her yard. She simply walked away, escorted though the gawking public by the very police who were investigating her. While it is true that she was not a serial killer per say (since her killings were not sexually motivated) she still gives lie to the myth that women are less willing to kill to men. Her selfishness dominated her so completely she was unable to feel remorse, indeed, when caught red handed; she still tried to play the injured party and attempted to bask in the limelight. She worried continually about who would own the rights to her story and complained about all sorts of imagined slights, never once acknowledging guilt for her crimes.

One thing that I come away with is that Dorthea Dix said the elderly people died of natural causes . She said she didn't kill anyone. It's a thought. She's guilty of hiding the deaths & cashing their checks.

Great book about one of the most notorious female mass murderers in American history. Human Harvest is like two books in one -- the fascinating story of the woman who killed the people she was caring for, and buried them in her yard, and an indictment of our Social Security Administration, who continued to blindly send the killer the victim's checks long after they had been killed.

OK, so the author is my dad! It doesn't change the fact that any fans of the true crime genre will be fascinated by the story of the old woman who killed and buried those who were supposed to be in here care.

I finished reading David Fine's excellent book Imagining Los Angeles: A City In Fiction at just before 2 am this morning. I was reading in bed in my 1923 bungalow in Whittier, California. It was a quiet night. No winds blowing; even the neighborhood dogs were asleep. It was too humid and Fine's wonderful analysis of Los Angeles fiction had my mind going a mile a minute. I thought about going for a drive; maybe listen to a little late-night radio, but I knew my wife would worry if she woke up and found me gone. I finally got to sleep, knowing I'd have to type up this report as soon as I got out of bed this morning.

Fine's book is not encyclopedic; if you are looking for a complete listing of SoCal fiction, you'll need to look elsewhere. Imagining Los Angeles is an overview - an introduction, a history with examples - of fiction set in the Los Angeles metro area. The first chapter gives you a little background on the area. Then Fine takes the reader on a literary journey from booster fiction, through fiction in the 20's, hard-boiled fiction, tough-guy detectives, the Hollywood novel and finishes with more ethnically oriented fiction and Los Angeles as a setting for disaster. The book is serious - probably not a summer beach read - but it also kept me in rapt attention and didn't read like the textbook Professor Fine could have turned it into. In my opinion, this book should appeal to a wide audience - from the serious literary student to the pop culture buff looking for a little backstory.

A lady just walked into my office (actually, my three legged female mutt just hopped into the 1980 guesthouse behind the bungalow) looking for my attention, so I better end this report now.

Sincerely Submitted, agnostictrickster 13 August 2001

"Fine's research is extensive and thorough, his observations shrewd and penetrating, and his command of the political, social, and cultural matrix profound. A major contribution."--D. W. Madden, California State University, Sacramento--CHOICE, January 2001

This is a terrific book, that rare academic work that is both entertaining and instructive. Having grown up in L.A., but no longer living there now, I truly enjoyed revisiting the city of my childhood and young adulthood via all the stories and authors Fine discusses. Fine's writing style is clear and blessedly free of academic jargon. His treatment of a wide variety of books and ideas is nothing short of a tour-de-force. "Imagining Los Angeles" does exactly what good literary scholarship should do: shine fresh light on books and their authors and make readers eager to discover the books for themselves! (I've just placed a mega-order for several of the titles Fine discusses... )

"A short course in the essential literature of Los Angeles. . . . so full of punch and energy, so mercifully free of the impenetrable jargon that afflicts much scholarly and critical writing. Best of all, Fine sent me back to my old favorites with a fresh perspective, and he added a dozen titles to my own reading list."-Jonathan Kirsch, The Los Angeles Times

I have a large shelf of books on indian basketry. This Shanks book will be put first in line. For the tribes included, the book covers historical, cultural, and ethnographic aspects in a very readable form. But its unrivaled aspect is in diagnostics and the technical details. Boring? Hardly! The authors show how the artisitic and aesthetic values derive from the weaving details. The authors trace the migration and fate of tribal peoples through analysis of their weaving. While the book is of "coffee table" quality, it not just a pretty once over dust catcher. I will certainly buy their next volume in the series.

To anyone interested in the artworks or culture of the American Indian, this is a must have treasure. In fact, it can well stand first in line among any indian textile, carving, pottery, or beadwork books that I have ever seen.

We had the author (Ralph Shanks) as a math teacher in sixth grade-- truly the best teacher we have EVER had! I've never read his books but he used to show us slides of the material, anyway, just be aware when reading this i'm sure fascinating book, that the author is a really good teacher ( which is completely irrelevant we know, but...)

More than exceptionally good regional art, California Indian baskets are amongst the most beautiful and finest baskets in the world. No other book covers basketry with the detail, care and insight of this volume. Approximately 200 baskets are shown in full color along with an enjoyable text that makes reading a pleasure. Basketry studies, anthropology, history, art, archeology and linguistics are all brought together in this unprecedented book. "Indian Baskets of Central California" is full of fascinating information. There are vibrant baskets covered with hundreds of tiny feathers, miniature baskets so small they literally can sit on the head of a pin, feast baskets so large it took several men to lift one when full, and culinary baskets as beautiful as a great painting. You will be proud to own this fine book.

Ralph Shanks has more than one passion that he writes about. He's known nationwide in Coast Guard history circles as one of the country's leading chroniclers of the history of the United States Life-Saving Service, a predecessor to the Coast Guard. But little do those folks know - except maybe those on the West Coast, of his level of scholarship as it pertains to a subject seemingly as far away from motor lifeboats as one can get: Native American basketry.

Indian Baskets of Central California is split geographically into three sections: San Francisco Bay and Monterey Bay, the interior coast range mountains, and the Sierra Nevada and the Delta. Each section highlihghts the basketry of different tribes, both in text and imagery. The book, in fact, is heavily illustrated with photography of existing baskets from collections all over the west coast. The history of the development of each type of basket is told, as is the story behind its ultimate use. The details pertaining to each individual basket's story are as intricately woven into storylines as the baskets themselves were crafted.

Ralph and his wife/editor Lisa Woo Shanks have collaborated on several projects, including the North American Indian Travel Guide. Independently, Lisa is the editor of the Basketry of California and Oregon Series. Their expertise for this very precise subject shines through in this important book, one that will help keep alive fading arts and cultures of the past.

A quick impression of the photographs by Lueders-Booth might cause one to remember conversations about 'colonialist gaze' and other such Postmodernist concerns with the representation of foreign cultures. The photographs, however, are much to powerful and engaging to be defeated by such narrow arguments. They present the people of Tijuana, Mexico, living in and around the large municipal dumps that surround their town. Children play, adults search for valuables or burn wood, while makeshift cemeteries are created from scraps and a broken baby crib.

There is a sense in all of these images that there is nothing foreign here at all. In truth, Tijuana is but a stone's throw from the U.S. border, and there is little about these people or their lives that cannot be found inside our borders. They are the faces of poverty, of destitution, and their representation here makes them doubly powerful as symbols of repressive capitalism and the victims of economic oppression.

If it's true that one picture is worth a thousand words, then Jack Lueders-Booth presents us with a 69,000 word book that you can finish in less time than it takes to read the last night's box scores--or that you can linger over in wonder, page by page, giving yourself over to each, and to the stories implicit in each, for many minutes at a time.

The border has become the topic du jour, and by now the very word border conjures up a reality apart from what, for most of us, is daily life. It's not a particularly evocative or unsettling image, the border, when referring to the dividing line between Italy and Switzerland, or Uruguay and Brazil, or even between two countries claiming, with occasional cross-border skirmishes to italicize those claims, each a piece of the other.

But talk of the border here and it's one and only one you mean and you cross it, north to south, at your own psychic risk. Fictional characters have been discovering it as far back at least as D.H. Lawrence and as recently as Cormac McCarthy, and as actual characters have learned, and continue to learn every day.

Ambrose Bierce was probably not the first and Jack Lueders-Booth will surely not be the last--but Jack's is just as surely as stunning a document of that mythic crossing as we're likely to get.

Now, mythology tells us that heaven belongs to god, hell to the devil, and the borderlands, the wastelands, the shantytowns, the DMZ's, the dumping grounds, the scabby, toxic, orphaned frontier places neither flanking country will acknowledge as its own--these belong to neither the one nor the other but to the trickster.

Call him Hermes. Call him Legba or Exu. Call him Coyote or Lord of the Crossroads. They are one and the same for all their many names. And the Tijuana dumps in "Inherit the Land" seem to have been the classic trickster crossroads for Professor Lueders-Booth.

For it was here that the god unblocked the path to a reality other visitors, perhaps, have experienced, but whose visionary intensity no one's camera ever captured quite this splendidly before.

McCarthy's border trilogy is a masterpiece of modern American prose. Luis Urrea's "Across the Wire," "By the Lake of Sleeping Children," and, now, "Inherit the Land"-is no less a masterpiece trilogy of modern American prose and photography.

Now, we often hear photographers--those who poke their lenses into the sores of the world, that is--accused of aestheticizing their subjects. Yet the poet Rilke tells us that in beauty is the beginning of terror. And the formal beauty of these pictures serve, to my eyes at least, to expose, not distract from, the terror--the terror and the humanity both. And expose them not once, but time and again, keeping them, as only great art can do, fresh, the pain and the beauty just as revelatory on the twentieth viewing, or the hundredth, as on the first.

Anything, however initially exotic or extreme, appalling or enchanting, becomes familiar over time. And while it doesn't necessarily breed contempt, familiarity usually breeds, even worse, complacency and indifference, even oblivion. Oblivion literally in that we forget what first surprised, engrossed, appalled, and bewitched.

"What surprised, appalled, engrossed, bewitched me when I first went to live and work in Calcutta--yet another world," in the words of Luis Alberto Urrea's Introduction, "of stench and dirt and mangled dogs and untouchables--became old hat, hardly noticeable, six months down the line. Even three."

It's up to the artist to keep the knife-edge of perception, reaction and emotion sharp. And that knife's edge is as sharp, in "Inherit the Land," as the light of Mexico itself.

This book by Lueders-Booth was one of the 10 best of last year as rated by American Photo. I take their recommendations with a grain of salt, but this is really first rate documentary photography. Lueders Booth has such respect for his subjects who are struggling to live--with some grace--under the most difficult circumstances. He never
milks the situation, which so many photographers do today. He's also a photographer's photographer. His way of relating people to their environment is informative, moving, and memorable. The images stay with you. This is a book to own and live with. I can't recommend it more highly

A moving essay about the families living on the dumps of Tijuana by a courageous and talented photographer. Every single photograph is testament to the photographer's commitment to bring us closer to the circumstances of their lives. The portraits are poignant, honest, and beautiful.

Love the animated street map. Will not cover all of San Diego, but will hightlight the popular sights.

I don't think I'd go to a new vacation city without the MapEasy Guidemap. I've used them in Seattle, San Fran and now San Diego. They've helped me find interesting places to visit, tasty food and even parking!

This easy to read and informative map shows all the cool spots in San Diego. Great for first time vistors or locals who want to know more about what America's Finest City has to offer. Makes a great gift! Illustrations make this a unique map.

This Mapeasy shows the tourist where things are in the tourist-visited areas. It is not intended to help you find your way if you are lost, though the major routes are there. It has a detail of Downtown La Jolla, downtown San Diego, and Balboa park, with a blow-by-blow of all the shops and restaurants on Prospect and some the streets that head inland. This is the clearest rendering of Balboa Park I have seen yet and I have several other current San Diego travel helps.

It is made of a plastic material that is more durable than paper.
It is worth the current $6.95 amazon price.

...and that is actually saying quite a bit, considering that he is one of my favorite detective fiction writers.

Written in 1968, this is Macdonald at the height of his skills. It features all the classic elements of inherited guilt, needless loss, corrupt manipulation and class barriers. Instead of stumbling over 1960s culture (as so many lesser writers seem to do), it makes free love and drug culture just two more things to be misused by the wrong sort of people.

Tough, smoothly written, well plotted. A must read for fans of Lew Archer and a good place to begin with Macdonald if you have not yet discovered his work.

Sandy Sebastian was only a kid-a lost, lonely, unhappy young girl who ran away with another equally lost kid called Davy Spanner. One was a homicidal killer. Both were kidnappers, and Lew Archer was hired to stop them before anyone got hurt. Archer had followed bloody trails before-but never one as bizarre and terrible as this...The Instant Enemy.

The Instant Enemy is the quintessential Ross Macdonald novel. Why? Because it incorporates so many of the elements Macdonald held near and dear to his heart. These include:

-Family tragedies that repeat themselves over the generations.
-Unexpected familial relationships between characters.
-A young person's journey to claim a birthright unfairly denied.
-The notion that one's destiny is largely determined at birth, if not before.

The book starts out with Lew Archer being summoned to the Woodland Hills home of Keith Sebastian and his wife Bernice. Their 17 year old daughter has run away and they want Archer to find her without involving the police. Archer soon learns that the girl is traveling in the company of a 19 year old delinquent named Davy Spanner. What's more, it appears that they are planning to commit a very serious crime against Sebastian's boss, the fabulously wealthy oilman Stephen Hackett.

Archer wends his way up and down much of the California coast steadfastly seeking to unravel the truth behind the shocking series of events that rapidly ensue. The fast paced narrative unfolds quite smoothly as one unexpected complication after another is brought to light.

And Macdonald's prose is first rate. Whether depicting the scenic landscapes of the California coastline or the changing face of American society as it reflects the turbulence of the 1960s, the writing is remarkably deft and descriptive.

Thoroughly engaging, suspenseful and rich with surprise, The Instant Enemy ranks among the finest novels written by Ross Macdonald. Do yourself a favor and read it.

It seems that the cases Lew Archer takes on are rather straight forward looking at the outset and startlingly complex as he gets into them. This one ranks among the best of the series because of the characters involved. This time, he's hired first by a runaway daughter's father and runs into a plot against the father's employer. A subsequent kidnapping and threat of murder gets him also "hired" by the intended victim's mother. The alert reader will figure out aspects of the whole picture before the revelation, but chances are that reader will run into a few surprises.

The puzzle is definitely an important part of the total story, but it's the depth of character and the implicit tragic developments that make a Ross MacDonald story the rewarding experience that it is.

I'm a Taiwanese myself. Even though the content of this book is not new to me, it still provides a fantastic read for me personally and I can imagine it'd be more fantastic for someone wishing to know more about Taiwan. Because Taiwan is so isolated in the international arena, books such as this one is highly recommended for the average person. The only aspect I did not like about this book is the first part of this book's title: "Is Taiwan Chinese?". I'd just like to inform readers that all the population in Asian countries (east, north and south east) all originated from China. So basically everyone is Chinese, so it doesn't just apply to Taiwan. It is like saying: Is Australia British? Nevertheless, a rather informative book for all.

"The "one China" policy officially supported by the People's Republic of China, the United States, and other countries asserts that there is only one China and Taiwan is a part of it." The Description of this book is Misleading.

United States acknowledged China's claim but do not agree with "Taiwan is a part of China". United states position is the resolution shall be peaceful.

At last, a book that covers an aspect of Taiwanese history and culture not often discussed until recent years: the Taiwanese people are a hybrid people. Many have some Plains Aborigine blood (traced on the maternal side). But, with cultural stigma, many Plains Aborigines and part Plains Aborigines forfeited their identity and were absorbed by "Han" identity. I've been waiting for a book in English to discuss this area and am glad Melissa Brown published this book.

If - like me - you are interested in the title's answer, Ms.Brown's is the book! Quoting some of her words: " Many events are completely unknown to us, many events are known only through extremely biased perspectives, and many events are so contradictorily reported that is difficult to reconstruct even a chronological sequence of what occurred". And - believe me! - Ms. Brown interviewed people - in Taiwan ( living there) and interviewed people - in China !!! We are talking about an Stanford University Professor. Congratulations and thanks to Amazon .

Simply put, there is no book like this about rap in Los Angeles. From KDAY to the Watts Prophets to Death Row, this book covers EVERYTHING you know about Hip Hop in LA, a story that is distinctly different from Hip Hop in New York. It features interviews with LA's biggest - Dre, Eazy, Cube, Ice-T, Cypress Hill, etc. - and leaves nothing out. This is a story that's rarely told, which is strange when one considers that LA rap was the force that mainstreamed Hip Hop. Hard to find, but a must have for any mainstream rap historian.

I have to give it up to Brian for the very honest and understanding picture that he paints of the early to middle development of the westcoast hip hop scene. Through his interviews and writings, hip-hop fans get a real sense of how rap music developed on the west coast and they hear the stories directly from the artists themselves. This book is priceless and a definite must have for all music fans. In fact, somebody stole my only copy so I need to buy another one. Cli-N-Tel

My bedroom in the Picture section LINK'S Room with the SP1200 from back in the days

West Coast Style LINK

Freestyle Fellowship's Mikah 9 is the preeminent freestyle rapper of all time. He is the John Coltrane of the modern era.

I have no idea why "Therese Thau Heyman" review of world war two posters is on John Lautner's book page. Also, one of your two reviews is listed as refering to an out-of-print edition, rather unusual since this single book just came out rather recently

John Lautner, who passed away in 1994, designed some of the most innovative and daring buildings of post-war America. For many, his work is among the greatest statements to the the California lifestyle of the 1950's and 60's--bold, shaking off the past and looking to the wide-open future. Lautner made use of cast concrete, steel and glass to create dynamic stuctures that few architects or clients dare conceive today. Think Lautner, think Jetsons. This book shows us his work with outstanding photographs from the 1940's through the 70's and is peppered with Lautner's comments on the various projects. Whether you're an architect or a fan of the space age, this is one book that you're sure to leave on the coffee table!

Lautner's designs defined post-war architecture; bold, shaking off the conventions of the past and looking towards the future. Think of George Jetson--Lautner would have designed his house. If you drove a car with fins and it looked like a rocket, you would certainly park it in the driveway of a Lautner designed home. His designs made use of the new materials that came out of World War II stainless steel, cast concrete and aluminum. He designed houses perched on the hilltops around Los Angeles, with wide expanses of glass and wild rooflines. His commercial designs included restaurants, schools and municipal buildings. Lautner's style is distinct--his structures stand out from the rest. Buy this book! It's a great retrospect of his work, loaded with fine photography and commentary. Put this one on your coffee table!

Any Lautner enthusiast will be captivated by this book. It covers more buildings than any of the others, and includes Lautner's own comment on each, making it an invaluable record of Real Architecture.

Most of the photos in this book appear to have been taken shortly after the buildings were completed (and some during construction), so it makes a great companion to "The Architecture of John Lautner," which has mostly rescent photographs. Together, the books give a facinating "the and now" contrast, and demonstrate the timeless quality of Lautner's work.