California Books

I was born in San Francisco and know the beauty of this city. I recently visited my cousin who lives in Italy. She was teasing me that she wanted to come home with me to San Francisco so I did the next best thing and purchased this book for her. I understand from her emails that she treasures it and hopes to come here one day

San Francisco is one of the most stunning cities in the world and if you look inside this book it's not hard to see why. Morton Beebe brings it to life in this beautifully presented colourful book. Not only are there beautiful photos and pictures, but essays and interesting reading material and information about this gorgeous Northern Californian city.
If you have been fortunate enough to travel to San Fran and enjoyed it, then you'll love this book, - and if you haven't yet been, then this might be just the inspiration you are looking for to convince you to travel there. This book is well worth it's price and makes either a great gift or a nice treat for yourself. I really loved reading through this book.

Absolutely gorgeous pictures, great for San Francisco lovers. New edition has several new pictures and essays. It serves as a great gift if you are visiting someone and want to show off the city you live in

Bring together an elegant top-quality publishing company, a gifted photographer, superb essayists and you have all the makings for a good book. Let the subject be San Francisco, though, and you have a great book.

This is the 3rd edition of this best seller with 218 full color images by Morton Beebe as well as essays by Herb Caen, Tom Cole, Barnaby Conrad, Herbert Gold, John Hart, Allen Pastron, Miguel Pendás, and Kevin Starr. Together, they provide an intimate portrayal of the City by the Bay. This stunning collection of photographs captures the contrasts, the energy, and the vitality of San Francisco. As do the essays.

Tom Cole takes us back to the beginning and provides an historical review of the raucous town that suddenly grew up overnight in its feverish bid for gold. Barnaby Conrad leads us into the night with anecdotes witty, clever, and sensuous from an eclectic mix including, to name just a few, Graham Green, Frank Sinatra, and Eva Gabor.

"Bahnaby tells me you haf a vooden leg, vitch vun iz it?"
"Eva, I never thought I'd have to tell a Gabor what a man's leg feels like."
"Vell, dahling, ve vass never in zee lumber business!"

In a final essay, Allen Pastron walks us through much of the city beneath our feet. Here, we discover the world's finest anchorage being dug up and, therein, its archaeological heritage. Penned a "worm's-eye-view," the essay provides some wonderful insights into what was once the bawdy Barbary Coast - particularly, the story of the discovery of the buried ship General Harrison.

Rudyard Kipling opined San Francisco was "a mad city inhabited by perfectly insane people." So it lives on! Multi-faceted lifestyles unfold with each page, the images capturing the curious joie de vivre that reigns over The City. Other pictures highlight the unmistakable landmarks: the skyline with its Pyramid Building, the Golden Gate, and my favorite, the Palace of Fine Arts in the gentle light of dusk below a full moon glowing. The photos speak volumes in this book. Each offers a glimpse as to why the city Herbert Gold called "America's last great metropolitan village" has won the most coveted travel destination award in the world - now ten years in a row - the Condé Nast Traveler's annual Readers' Choice Awards.

San Francisco, City by the Bay, was first published in 1985. This edition features ninety new images and three new essays. The publisher, Abrams, boasts that Beebe's book is their longest running best seller. Not surprisingly. It is said that San Francisco is a city full of people that want to be here. Morton Beebe, a 3rd generation San Franciscan, reminds us of why this is so.

Beebe's images have truly captured the many diverse flavors and charms that make San Francisco the unique city that it is. Combined with the entertaining and informative essays, the beatifully printed images in this book bring a reader as close as one can come to walking through the streets of San Francisco itself. I throughly enjoyed this book.

Anyone who is interested in the history of the Santa Cruz Beach Boardwalk needs to have this book. It is packed full of all kinds of historical facts and it has over 160 black and white photos. The detail is amazing. It was fun and informative.

This book is a fantastic primer to become familiar with the rich history of Santa Cruz and its famous boardwalk. It will mesmerize you with recounting of events and beautiful historical pictures. I hope they make a movie of it some day.

As a local resident, Santa Cruz Boardwalk has been a fun destination for us for the last two decades. As I started reading the Santa Cruz Boardwalk book, I could not put it down. It is the most comprehensive historical recounting of the events assembled in one place. Meticulous details of the historical events, key characters that influenced and shaped the boardwalk, and wonderful photos provide a rich and fascinating journey through time. If you have ever been to the boardwalk or plan on going there, read this book to fully appreciate the beauty of the boardwalk.

Do you enjoy the fun of an old-fashioned seaside holiday - strolling along the beach, splashing in salty waves, building sandcastles, sun and fresh breezes, suntan lotion and bathing suits, the thrill of the roller coaster and the romance of the carousel, dancing on warm summer nights ? Read this book, and you'll be transported back to the happy days when Santa Cruz was young, and you'll get to know the the people who made the Santa Cruz Beach Boardwalk the magical event it still is today.

Santa Cruz Beach Boardwalk: The Early Years -- Never A Dull Moment by the daughter-father writing team of Chandra Moira Beal and Richard A. Beal, is a captivating collection of black-and-white photographs and thoroughly researched records that combine to paint a magical picture of the Santa Cruze California board walk of yesteryear. A nostalgic, poignant, and engaging presentation packed with curious minutiae of detail, the Santa Cruz Beach Boardwalk is highly recommended -- especially to those of us old enough to have memories of our own of the boardwalk's simple beginnings as a wooden bathhouse on the beach and its evolution and transformation into a contemporary City of Santa Cruze-based multi-million dollar business operation.

Ruth Farley is a rock. She is stubborn. She is strong. She is self-centered. And she is as undeniably irresistible as the natural stone sculptures in Monument Valley.

Ruth ventures West, determined that she will not yield to society's limited expectations and dull conventions for women. She will live on her own in her beloved canyon. She will build her house where that huge boulder rests, the one two men have told her cannot be moved. She will have sex and enjoy it, thank you very much. She will do it all despite the cost to herself and her loved ones. And Ruth exhibits all this staunch feistiness in 1920s rural, tiny-town America.

In Ruth, novelist Susan Lang has created a character who arrests the reader's interest and refuses to free it. She is far more compelling and believable than another female character untypical of her time, Jane Smiley's Lidie of The All-True Travels and Adventures of Lidie Newton. And she is as intriguing as Kate Horsley's Sara Franklin, another young woman who travels to the Southwest in Crazy Woman.

The novel's only flaw is that it seems a little rushed toward the end. But perhaps that is only because Ruth is so fascinating that we don't want to let her go.

A time, a place, a person, a community of settlers separated by miles of miles, a philosophy of spirit -- all flow forth in Susan Lang's quiet drama of survival in an untamed wilderness by an untamed woman.

Lang obviously knows her landscape of place and soul. She risks and sustains the characterization of a woman beyond her time, yet, within it, allowing her to make the mistakes such a woman could make in the era in which she makes them. The core standard of such a character is that she is better than she has to be while being no better than she needs to be, according to her own dictates.

The absolute strength of Lang's writing is her own intercourse with the mysterious and magnificent sensuality of comprehending a wilderness of land and being. She understands tiny things that, for her, and now for her readers, loom large.

The only thing I didn't love about this book is the fact that it kept me up late at night until I finished it. The writing just puts me right there, as if I'm watching it the way I would a movie, encountering bears and cowboys myself. I loved Ruth, too, the main character and enjoy her stubborn ways, even when she's finding out she has to change-which she does in some way, though not at her core. I like the way Lang has her trying to force her will on the land until she learns that the place has a spirit "stronger than that of a person." I only hope the author has another book around somewhere so I can find out what happens to Ruth next!

In 1929, barely 21 years old, Ruth Farley heads west and claims a homestead in an isolated canyon in Southern California, at that time still the land of rough-and-ready miners and cowboys. What is she looking for? She doesn't quite know, but she knows what she doesn't want - a conventional woman's life of settled domesticity. To her this means she must be totally self-sufficient and independent. Ruth is stubborn, brave, strong, and subject to fits of free-ranging lust that she is not always successful at keeping under control, although she makes weak attempts at it. With 21-year-old chutzpah, she has the delusion that she can spit in the eye of conventional norms for women without paying a high price for it, and she protects this delusion with a cavalier disregard for what people think of her.

Part of her delusion is that she can carve out an independent life for herself in an isolated mountain region without the help and support of neighbors, and a major early story line of the book is her stubborn insistence on moving, entirely alone, a boulder that must be removed before she can lay the foundation for her cabin. The boulder could be easily moved with the help of neighbors, or by using a couple of horses and rope to drag it to a new location, but Ruth is determined to do it herself. The story of her struggles with the boulder, and her eventual triumph over it, becomes a metaphor for Everywoman's struggle to achieve independence against overwhelming odds, and any woman who has learned from hard experience that "what doesn't kill us makes us strong" will identify deeply and emotionally with this element of the story.

Unfortunately, succeeding at moving the boulder by herself reinforces Ruth's delusion that she doesn't need anybody. The rest of the book is a harrowing account of what she pays for this delusion, coming close to death at the hands of violent men and again at the hands of Nature, and seeing the first true love of her life killed because she is a white woman who has taken an Indian lover. Ultimately, of course, she has to learn to see life, Nature, and people as they really are - complicated, unpredictable, sometimes violent, and sometimes unexplainably compassionate.

If the book has a weakness, it is that even though Ruth is complex and multifaceted, some of the other characters are rather flat - her Indian lover Jim, for example, is unbelievably flawless. But in the context of this compelling story, I wasn't bothered much by that. I was much more impressed by Lang's tackling of reality themes I seldom see novelists deal with: a woman struggling with the paybacks of unrestrained lust, for example.

True "literary" writing expresses the universal through the particular, and in my view this book may well become a classic parable of what we pay, men as well as women, for defying cultural norms, and what we must do to come to terms with those norms without losing our truest Selves in the process.

Susan Lang does the impossible in her book, Small Rocks Rising. The story is as big, bulky, and unwieldy as the boulder her main character, Ruth Farely, encounters in Chapter One, while the writing is frequently as polished as any gemstone.
Amid fast action and female lust, there is the slow revealing of Ruth's background. The complex composition of Ruth's character comes from her half-breed mother, a strong-willed aunt, two years of finishing school, training to be a nurse---and the will to be free of it all.
This novel rings with the authenticity of place, and of a woman's unambiguous sexual longings. In Ruth's insightful self-talk and dreaming, there hangs the reality of a woman alone. She is impatient with life and all the people she encounters in her struggle to forge a place for herself in the wilderness. Ruth is an unconventional woman whose thoughts and actions are well ahead of her time. Her courage is matched only by her desires.
As the novel reveals Ruth's story, it also reveals a parallel to the male myth of passage, initiation into adulthood. Ruth experiences the trials of being alone in the extremes of nature, life-sapping heat to freezing snowstorms. She also encounters the extremes of the nature of men---violent to tender. She loses her way in the wilderness of the mountains and her own desires to discover she has the resources not only to survive, but to overcome all that nature, and man, has to throw at her.
Overall, the novel is a great read. Let's hope there is more.

What was missing from my school history lessons on early Southern California is provided in this engaging book: humor, colorful characters, zoology, horticulture, and yes, recipies! Now I know what to do with the grizzly Jed shot yesterday! (I'll let Jed do the skinnin' though). I've lived most of my considerable years in Southern California without managing to hear these tales before, so this is a very welcome addition to my collection. Some of the stories would make a great movie. (Wonder if Ms. Cox writes screenplays?) The book is well researched, and the bibliography makes a great reading list, too.

I picked up this book during a trip early this year. I began the usual thumbing through the pages, looking for something to grab my attention. I was pleased to discover how informative it was. I have grown up near many of the areas mentioned in this book. It turned out to be very enjoyable and educational reading. I especially enjoyed the authentic recipies. Great addition to the material :-)

I grew up in New England, where I was taught nothing about California history. Since I moved to Southern California almost 30 years ago, I've lived in four counties and thought I had learned quite a bit about each one. However, almost everything in this book was new to me. The author does a great job of writing the stories of history. I'd like to visit, or in some cases re-visit, all of the places she talks about in Part 10 (Sightseeing, Day Trips, and Quick Drive-By Tours, using this book as a guide.

This is the author's first book and like her newest book: "California Pioneers, Their Stories, Culture and Cuisine" she has, once again, brought into the forefront rare aspects of California history from the 1800s.

What I liked best about this book is that I live in southern California and I grew up here, yet the stories and sightseeing tips were new to me. I always wondered when I was little and in school why history books we had to read in school so seldom dealt with this region. Evidently the author felt this way, too, and she spent a lot of time and effort to uncover the history of So-Cal.

Recently I met Ms. Cox when she was the guest speaker for a CA historical society. I was impressed with her sincerety and interest in pioneering history from all aspects and cultures. A few days after the meeting at which she was the guest speaker, I had a question on food trivia and I visited her web site:
www.CookingUpHistory.com. To my surprise, she answered my e-mail personally and I got the answer to a trivia question I had wondered about for years.

I like referring curious readers to books by authors I have met and have come to realize their passion for what they research and write about. That's the case with this book. It was researched and written by an historian-author who sees history as a puzzle that we need more clues to.

Her stories in this book and her other one are family-oriented and you can pick and choose how you read the book. That makes it easy to carry this book around to have on hand when you find yourself needing to kill time while waiting.

Excellent Book to carry with you as you travel thru Southern California. I wonder if Huel Howser has read it yet? I live ,Work and Play in this area and thanks to this book am able to relate to the History of my Suroundings.

The AIDS Memorial Quilt has been the most humanizing, uplifting and unifying symbol of the battle against the AIDS virus. As an activist, viewer of the Quilt, and twice a volunteer, I read Mr. Jones book greedily. People need to know what he has to say. People need to know the impact their actions can have on world perceptions; that they can make a difference. People need to know the history of the epidemic - reflected in the experiences of a person immersed in the culture impacted first: how the gay community, so brutally attacked, fought back and set up the protocols now being used by all sectors of society all over the world.

The book is a good read, very accessible, as simple as the concept of the Quilt and as insightful. I thank Cleve Jones for giving humanity the Quilt and this telling of how it came to be.

As an AIDS activist, I would implore everyone to read this account of how one man can take an idea and turn it into a world-wide reality.

Cleve Jones writes honestly and from the heart - not about sex, not about dirt, but about the true experience of growing up as a gay man, coming out, and dealing with AIDS from the beginning up until now.

His vision in making the Quilt a reality, and the many stories that go with it bring tears and laughter, while pointing out the universality of both AIDS and The AIDS Memorial Quilt.

If his book tour comes to your town - run to that book store. His speaking skills are extrordinary as well.

If only this could become required reading for our youth - the generation that most needs to hear the message and is frighteningly under-educated about a disease which can end their lives.

For those of us who were fortunate enough to be in Washington on that cold morning in October, 1987 and see the entire AIDS Memorial Quilt unfurled for the first time, we should thank Cleve Jones for both his idea of the quilt as a memorial to those who died of AIDS and this wonderful book he has written. The quilt has almost become a cliche for some of us now-- we have seen it so many times in so many different variations and sizes-- that I did not believe I could be so moved and relive that intensely emotional and poignant day in October. I was wrong. I was taken by Mr. Jones' sincerity and utter lack of egotism. He is remarkably candid about his own life as he takes the reader through his own experiences as a young gay activist in San Francisco, his role in the history of the quilt and his own diagnosis with HIV.

Mr. Jones reminds me of things I had forgotten or repressed: a lot about the heroism of Harvey Milk, for example, the awfulness of Anita Bryant, the indifference of the first President Bush who was too busy to see the quilt, of President Clinton, along with Mrs. Clinton and the Gores, who was not too busy to pay tribute to those who had fallen. We get to see some of our national celebrities in a new light: the gentle Rosa Parks, the beautiful Elizabeth Taylor frightened at making a speech, and finally Jane Fonda who can only be described as totally silly in her adoration of Tom Hayden.

A friend of mine who has seen the quilt in its entirety many times and is active in the Names Project in his hometown in Maine says that he can only read this book a little at a time. Yes, it's very viseral, sometimes painful, and it will make you cry.

In the Epilogue Mr. Jones writes: "My hope is that one day AIDS will be over and we will have to look upon all its different aspects: how it drew a country together from across cultural, ethnic, and religious divisions, and how it was, like the Holocaust, a crucible of definition. I think the Quilt will have a role in this discussion and a place in our history as memory is preserved and recreated imn this symbol of our natural desire for commuity."

And you, Mr. Jones, will have a place in that history. Many Americans cannot thank you enough for that.

Cleve Jones has done many wonderful things for the gay community. Now he adds this wonderful, heartfelt memior. This volume is more than "just" a memoir, it's a rich and rewarding history lesson, an eye witness account. Throught the past twenty-five years Jones has been a witness to murder, a victim of hate crimes, an activist for gay rights, a rioter, a mourner, a survivor and a an ambassador of hope and good will. This is the story of the AIDS Quilt, from its beginnings to its eventual recognition as an international symbol of peace, reconciliation and unity. Cleve Jones takes a refreshingly candid, warts-and-all approach to telling his story. He depicts himself as an ordianry man responding to extraordinary circumstances in the only way he knew how. Past imperfect, but always willing to do whatever was necessary to bring his message to the people, Cleve helped to put a human face on AIDS.

While the emotion of experiencing the Quilt cannot be confined to mere words, this inspiring journey to activism and openness is a fascinating read.

In 1995, while in San Francisco to say a heartbreaking goodbye to my dearest brother, I entered the NAMES project offices and was instantly overwhelmed by the raw emotion--not just sadness, which is the obvious response, but also a healing, a unity and a strength. I have never been so moved--until I traveled to DC to witness the 1996 display.

A part of me travels with my brother's panel wherever it goes, and this book was a cathartic reliving of some of my most grueling and gratifying moments.

'Stitching a Revolution' is a treasure, a reminder that we often forget the power of one voice, and the staggering, wondrous results of bringing together disparate peoples.

Marsh, battered in body and spirit, finds his own cure in the migrant strawberry fields. His search for a killer puts him back in focus.

Greenleaf's language mastery captures the essence of the migrant worker's plight and engages the reader in Marsh's quest for justice.

This excellent Greenleaf novel opens with Tanner recovering from a gunshot wound in a hospital. He meets a young woman there who has many more problems than himself. She gets him back into "life". But later she is found murdered. Tanner has made promises to her and intends to carry them out. Villains had better beware. Great stuff!

Did you every wonder where your fresh strawberries come from? Or the pears, peaches, grapes, pineapples on your table?

Stephen Greenleaf explores the agricultural caste system through the voice of his private investigator first person narrator, John Marshall Tanner.

Tanner is a great narrator: an intelligent, world weary private eye. Tanner goes off to the strawberry fields of the Salinas area to investigate a murder, then two, and actually three. But this isn't a story of violent murder; it is a story of agricultural communities, of dating in the l990's, of small town politics, of family rivalries. Tanner's weapon is simple: he asks questions. The answers eventually fill in the pieces of a mystery.

This is a great read.

Strawberry Sunday, by Stephen Greenleaf, was nominated for an Edgar Award, 2000 -- and reading it, it's not difficult to see why. This is a mystery novel with a social conscience and a wry sense of wit. It begins with the hero, P.I. John Marshall Tanner in a hospital recovering from a gut shot and mourning the death of his close (cop) friend Charley Sleet, but most of the action takes place in the California Salinas agricultural community. Tanner has resolved to find out who murdered Rita Lombardi, a fellow hospital patient who wants to better the life of farm workers.

There are lots of red herrings, wonderful characters, and witty and often hilarious dialogues with them (and with himself). Tanner often reaches wrong conclusions and gets plenty of egg on his face, but in the end he prevails; he's a tough guy with loads of grace. Strawberry Sunday is a punchy, funny, touching novel. Read it.

As a long time fan of Greenleaf and Marsh Tanner, I thoroughly enjoyed Strawberry Sunday. I love books that inform and challenge me as well as entertain, and can always count on this author to accomplish that.

A rumor has been circulating that Greenleaf planned to retire the Tanner series, and with the last book seemed to have done so, in a most excruciating way. With this book, Marsh has been returned to me and I can imagine him, one of the rare really good people, continuing to do what he does best.

This is a wonderfully written book, and a truly compelling story, about the hero's journey of Janet Mitchell - who journeyed from medical malpractice and long-term concealment, to pain and unnecessary surgeries, to overcoming her fear of suing her doctors, to becoming a brave advocate and wise teacher on behalf of patient consumer rights.

Janet, a devout Christian who was acculturated in the tradition of not suing one's doctors, overcomes this resistance and finds her faith strengthened by believing in herself and by telling the truth, not only for her sake - but the sake of every American.

Her willingness to take a stand is a very worthwhile read - and I recommend her book of the same name to everyone.

Janet Mitchell has written a remarkable account of how she trusted God to bring about justice in her life--when the medical community and legal system seemed to team up against her. If you've suffered injustice--whatever that may be--read this book to gain courage to take a stand for what's right.

The author's amazing story is an example of how seriously adverse events in one's life can become a blessing to oneself and others. Janet weaves her times of doubt, pain, and despair through resilience, love, faith and courage to take on the medical establishment and make them accountable to their patients. Her life story and her continued actions to help others and be a voice for them are a priceless gift.

Every person who has ever had surgery or is going to have surgery should read this book. Janet exposes the "Good 'Ole Boys Club" code of silence when it comes to blatant medical malpractice. She also offers an excellant guide to on how to get the most out of your doctor's appointment. It's unfortunate that Janet had to endure such a travesty, but God has given not only a voice to share with others, but laws have been changed to prevent what happened to Janet from happening to other innocent victims.

This book is one of the biggest eye openers that I have ever read concerning Medical Malpractice Law and the American Judicial System today. Never before did I realize that so many patients suffer everyday from doctors committing an act of Medical Malpractice and yet only a small percentage of those victims actually get their case heard within their state courts. This is where Janet's book "Taking A Stand" is so powerful. Janet takes her own personal experience and couragously writes this book, to not only help others but also to show her faith and love in God. Due to circumstances in Janet's case and her will to follow God, California Laws have been changed today and many other victims will be encouraged to follow God's will and stand up for what is right.

My sister has been wanting this after many visits at Tassajara....She finally got it for her birthday

I'm surprised that there aren't more reviews for this wonderful book. I am a new vegetarian and my husband and I have been less than impressed with a lot of the veg cookbooks we've tried so far. This one really does deliver great flavor and wide variety without getting too wrapped up in exotic or hard to find ingredients. My picky hubby gets *filled up* on these meals and even gobbles up the leftovers! The other thing I like is that the recipes are well-explained with simple down-to-earth instructions and there's a nice smattering of Mr. Brown's sense of humor and Zen observations throughout. Even if you never try a single recipe, it's a pleasant read.

So why 4 stars instead of 5? I have two minor complaints about the book.

Firstly, it's apparent that many recipes are conversions from much larger portions. After all, the original recipes were meant to feed a whole retreat's worth of folks. Sometimes the amounts in the ingredients lists are a bit off - nothing that destroys the recipe, but they do take a bit of tweaking to make right. Not all the recipes have this problem. On the upside, most of the recipes are very flexible so you can change the ingredients quite a bit to suit your taste or whatever veggies you have on hand. (He gives many suggestions of substitutions if you're not feeling daring enough to try your own.)

Secondly, he must really like "sour" as a flavor. There is a lot of vinegar usage in this book, many vinaigrettes, and several recipes that can best be described as pungent. If that's your thing, you will be very happy with this book! If not, don't automatically dismiss it. For one, there are other recipes here that are more than worth the cost of the book and secondly, you might just surprise yourself! We tried both the "Cumin Cheese and Onion Tart" and "Mustard Butter Pasta with Broccoli" and went into both meals with a LOT of skepticism - but they're awesome! They're both now regular favorites.

Even if you aren't a vegetarian, I highly recommend this book. It will add great flavor and variety to your cooking repertoire. :-)

The Tassajara Recipe Book is a great cookbook for families moving to a vegetarian diet(like mine). The recipes are delicious, simple to follow and use common ingredients available at the grocery store.

Edward Espe Brown's commentaries, descriptions and poems are thoughtful and full of humor.

We are enjoying the recipes, and love the philosophy re using natural products, wasting as little as posible. Learned more about varioius grains, greens.

Every single recipe in this book is amazing-- they are all wonderfully balanced and do not call for hard-to-find ingredients.

The collection features a good blend of exotic, gourmet, health, and American-traditional dishes (with a touch of flair, of course!) Check the index under sample pages for listings.

Instructions are straight-forward and easy to follow, however there are no pictures or diagrams to help (but for most people, the written instructions will be sufficient.) The book helps you develop a sense of intuition with cooking, sometimes the techniques are open-ended.

This is among the best and unique recipe books I have.

For anyone who's dined at this gorgeous restaurant in St. Helena and wants to get better acquainted with it's secrets, this book is a must buy! I got this book as a Christmas gift for my husband and we've cooked a couple of the recipes and both turned out really well.

A book of artistry and inspiration, Terra is sure to please the intermediate to advance chef and their diners. A cookbook and a reference, simply wonderful.

Great cookbook for those special occasions where you want to spend the time and resources on making something special. The recipes are a little more time-consuming, the ingredients a little harder to find, but the result is wonderful. Jacques Pepin is simpler (and excellent) and French Laundry Cookbook is even more complicated (but also excellent) - Terra is a great in-between.

I've cooked over 10 of their recipes already and every single one has turned out really well. They're not simple nor for a beginner cook, but if you have a little experience, it'll make for some very memorable dinners.

The desserts are especially great, as are the appetizers.

For those of you fortunate enough to have dined at this world class restaurant, Hiro & Lissa'a book needs no introduction. I was fortunate enough to have found Terra shortly after it opened in 1988 (living in St. Helena at the time) & have been hooked ever since. The BEST dishes of their menus past & present are included in this beautifully illustrated book. Most importantly the instructions are well detailed & the dishes turn out exactly as they do in the restaurant. What more can I say? THIS IS A FABULOUS BOOK!!!!!

Much like it's worthy counterpart's book (Tra Vigne), this wonderful piece should not fail to delight and please all those who happen across it.

First, if you are lucky enough to have dined at Terra, you'll already understand the beauty of (and behind) this book. Quite simply, this is a work of art. Why is that the case? Well...

Design--Beautiful graphic design and photographs. The layout is incredible and the photos are enough to make you drool.

Dialogue--Add to that delightful text and dialogue. Much closer to what this book achieves is the word "prose" as opposed to merely "text." The stories and dialogue are true pleasure to read. It makes this much more than simply a "cookbook."

Recipes--The recipes are, much like the food at the restaurant, exquisite. They are just delicious. Their difficulty ranges from relatively easy to moderately difficult. But, they are very easy to follow, making even the harder recipes accessible to the average "joe."

I strongly urge those considering this one to just go ahead and make the purchase. You will not be disappointed. It will be book you will treasure, and will reach for time and again.

Also, look into the Tra Vigne cookbook. It too is on the same level as this piece.

Words cannot even begin to describe the beauty of the works of art contained in this book. If you only ever buy one book in your life to just look at the pictures let it be this one. I could sit entranced by this embroidery for hours. I agree with another reviewer who stated that you can't conceive of this art being created by human hands. If you need proof simply look at the cover. That is not a photograph folks, it is embroidered.
The photographs are also quite beatiful. Consider as you look at them that the photo's are trying to capture texture...something very elusive in that medium. In many cases you can barely tell the photo from the embroidery and in others the embroidery is an interpretation of the photo.
I cannot state this enough... this book is truly, truly extraordinary and I don't think that there is anything else like it out there.

This is, by far, the most beautiful embroidery book I've ever seen anywhere, at any time. It seems impossible that such impressive works of art could have been created. Robert Ketchum's photographs are beautiful, but the embroideries are, indeed, so breathtaking that it's hard to believe real human beings could have worked on them. This is the kind of embroidery I would love to be able to do, but it is so amazing that I know I'll never reach such a high level of expertise (at least not in this lifetime). My thanks to all the people involved in this project for sharing their special gifts with me and anyone else fortunate enough to have purchased this book or, better still, to have seen these works in person.

I bought this book, sight unseen purely from the rave reviews listed. To be honest I was a bit disappointed with the book. Firstly, Robert Glenn Ketchum's photographs are very average. In fact any 15 year old with a good camera and decent eye could take photo's of this quality. The thing that redeems them is the skill of the needleworkers. Secondly, I just think the book is overated. There's several western needlework books that cover this type of embroidery and have better images in my opinion so I just don't understand the rave. An interesting read, but..........yeah. I wouldn't have paid this much if I'd been able to flick through it first.

This is, by far, the most beautiful embroidery book I've ever seen anywhere, at any time. It seems impossible that such impressive works of art could have been created. Robert Ketchum's photographs are beautiful, but the embroideries are, indeed, so breathtaking that it's hard to believe real human beings could have worked on them. This is the kind of embroidery I would love to be able to do, but it is so amazing that I know I'll never reach such a high level of expertise (at least not in this lifetime). My thanks to all the people involved in this project for sharing their special gifts with me and anyone else fortunate enough to have purchased this book or, better still, to have seen these works in person.

I'm not all that interested in embroidery, but I enjoy visual excitement. One day while gallery hopping, we came upon a small portion of the work depicted in this book. We were both blown away by the work! Absolutely amazing. I would really like some posters of this work.

For those interested in the embroidery details, it is done with fine silk threads, hand dyed, on various fine fabrics, some of which are so fine you can see through them. Much of the interesting texture and effect is from what they call random stitch embroidery, in which the scenes are depicted by various colored stitches .5 cm (1/4 inch) long running in various random directions, yet they all come together to make the image. Other parts of the images are done by carefully controlled stitch direction to give crisp images. They pick up the light and are quite luminous, some are displayed as screens with light coming from behind. Only the enlargements in the book give a sense of the beauty and amazing technique of the actual pieces.

Oh, and the book is good too. Definitely a 5 star quality coverage of the work, with background information, as described in other reviews. But the work itself is beyond 5 stars. (In the gallery they were priced around the $10,000-$150,000 range, some took several years to complete.)